i remember seeing your first (or second? cant remember) part of the shadowpeach bioparent au comic around the time it was posted and thought 'oh cool, welp thats the end of that let me see some other lmk fanart' and honestly i never thought it would come this far bc most lmk aus that catch my eye rarely go over 2-3 parts, or beyond concept art. you have no idea how much it means to me that you are working on this comic (though no pressure ofc feel free to take breaks any time ik youve got another comic youre working on as well) because you portray lmk characters in such a perfect way i dont see very often, and i mean it ive consumed SO much lmk art. im mostly referring to shadowpeach because a lot of ppl are portraying them as a romantic couple or complicated romance, but in general i enjoy platonic ships more, and you do it in such a way that it just tickles my brain sometimes. also even though they (especially macaque) act in a way you wouldnt see in the show like, ever, the entire series of events that lead to many of their 'unusual' behaviors and conversations actually makes it feel canon-according. i rarely see that and even have struggles with portraying them like that myself, so youre literally one of my top favorite artists atm for that one (your artstyle is so yum too).
anyway make sure to take care of yourself and drink enough water and eat and get enough sleep! i hope youre doing well!!
AGHDMHSMFYS THANK YOU!!! Tysm for this message i literally weep :’)
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Talking about The Search with some moots on twitter, got me thinking some really interesting potentials.
It’s in character that Zuko would forgive Ursa for forgetting him and want what’s best for her and intellectually understand why she did what she did, but I think emotionally, beneath the surface, he would feel deep pain at that.
Ikem and Kiyi’s existence clog up the plot. It’s too many cooks in the kitchen. Dont get me wrong, Ikem is a fine dude, he seems chill, and I love the dadko moments that come from Kiyi, but it’s too much going on directly linked to the main cast’s lives. That’s why it’ll never be addressed, which feels cheap and makes the reader feel cheated. Like Zuko has a STEPDAD now?! That should be a huge plot and discussion, but it’s not. It’s glossed over. There’s too many characters.
The whole gaang could’ve looked at Zuko, remembered what Ozai looked like, and laughed at him for thinking Ikem was his bio dad. That made no fucking sense. Sadly for Zuko, he’s the spitting image of Ozai. I could see Zuko being in denial, but Aang should’ve laughed at him tbfh.
Like Kiyi and Ikem wouldn’t come up in a gaang adult movie they’d be forgotten and that’s why they shouldn’t have existed.
Kiyi also just feels like some weird bandaid consolation prize for Zuko to toss Azula aside ??? It’s weird idk.
Like why are Ursa’s parents presumably dead? They easily could’ve been alive 💀 Ursa should’ve been vibing with them and zuko meets normal grandparents that were hidden from him for years … it feels less cluttering of a story than making up Ikem and Kiyi and then you would just presume the grandparents are old and rickety and have to hang back in Hira’a most of the time so it’s not like bugging your mind with questions and adding more unaddressed storylines!
I’m okay with the Ursa forgetting her kids plot. I do think it makes her shitty, but I’m okay with the tragedy of it and her being kinda a shitty mom.
Ikem is low key a freak for helping Ursa forget her memories then settling down with her like NOTHING HAPPENED
I wish that Ozai and Ursa once had feelings for each other and he slipped into “madness” in an “absolute power corrupts absolutely” kinda way. It’s more interesting than “he’s always an evil big bad gonna tie you to the train tracks” vibe and eliminates the need for stupid ass Ikem. I remember Bryke mentioning this once too in some old ass trivia bit or something for “Zuko Alone”.
The worst part about The Search is the glossing over the emotional scenes. What readers had wanted for years so badly was the emotional payoff of either Zuko facing his mother was dead, or actually seeing them reunite. Also— the most emotional— Ursa reacting to Zuko’s scar is entirely skipped. It sucks.
Not letting Zuko and Katara have a single conversation when Sokka and Zuko do and Aang and Zuko do is insane. Katara had so much to feel and bond and hurt over Zuko with (yes platonically in this case I’m not that in denial @ antis). It sucks so bad they cut this entirely for shipping bs hatred because BRYKE are 6 years old emotionally.
This would’ve been a much better and emotionally charged story on screen. It was really cheated by being done on a limited page comic. It needed more time, voice acting and music.
It’s implied heavily, as many of us always assumed, that Ursa was SA’d.
If zutara was canon, I think Katara would be furious at Ursa and it would be an interesting conversation and story. Maybe I’ll write that fic
Regardless of these many flaws, the story is much more in character than The Promise or Smoke & Shadow. I hate those comics so bad for making the theme let’s all kill Zuko and be nonchalant if he dies! And making it so that it’s like he never had a found family and still no one loved him and also the weird submissiveness they gave to Katara and the retconning of everything and the repetition and recycling of plots and it all is so bad… 💀😭
What thoughts do yall have? Happy to discuss 👀
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DC Plot Bunnies on my Brain
Time-traveling Kon talks to his younger self about Tana Moon. I’ve been exploring the 90’s Superboy corner of fandom lately, and boy do those guys have some thoughts about Tana Moon. Muy negative.
I think an adult Kon who had a chance to talk to his younger self might also be able to express some criticism of Tana, but he would not be harsh about it. I think he would still view his younger self as having a lot of agency, and he would still remember how much he loved her.
So how do you explain to your younger self that the current “love of their life” isn’t actually good for them? Very veeerry gently.
Kon bed-hopping fic. I actually started this one over a year ago and have snippets of it on my hard drive. Basically, after the Gemworld and multiversal hopping, Kon has a paranoia about being alone, and he doesn’t have a place to stay. (I wrote this before reading about the Kents remembering him after all, so this is written with the assumption that he has nowhere to go.)
So Young Justice takes turns housing him. And then the sleepovers end up being a pretty effective way of catching up with old friends like the core four and getting to know the new ones like Amy, Naomi, and Jinny.
Kon/Lophi slow-burn. In my current Kon fic, I imply that if YJ had showed up later than they had, Kon would have felt duty-bound to stay on the Gemworld to raise baby Martha. I could write a story exploring that as well as his and Lophi’s relationship. However, core four fuzzies would still be involved, bc the team would 100% find a way to visit Kon on the regular if he were stuck in another dimension.
Kon/Amy slow-burn. Set after the YJ multiverse hopping storyline. With no way to return to the Gemworld, Kon and Amy are left to mourn it together. This leads to bonding. Amy does, however, have some experience with going between worlds and have some coping mechanisms to offer Kon. In turn, he’s able to make her feel more at home with the team.
Amy Winston character exploration via Young Justice. There is a LOT to explore. For one thing, Amethyst was never a very character-driven comic, so there’s a lot of scenarios where I have no clue what Amy would do. So I gotta start writing to find out.
In her own 80’s title, Amy can go back and forth between being confidently heroic and remembering that she’s a scared kid. Part of that was the physical transformation she would go through. Turning into a physically 20-something a la Shazam made her feel more confident. But she doesn’t have that trait in YJ continuity.
So maybe her magic is the key? In the 80’s series, Amy’s magic was very strong on the Gemworld, but would fade to nothing when she crossed over to Earth.
So what if in this Wonder Comics YJ ‘verse, her magic is fading away slowly while she’s stuck on Earth and that gradually eats at her confidence? What if she does bond with the core four, but then becomes scared to tell them that the thing that (in her mind) makes her a superhero is fading away?
Post-Mini Series Amethyst story. I have a very detailed write-up of this in my drafts. I was very frustrated with Amy being turned into, like, a Gemworld deity thing at the end of her OG series. But I write out a plot taking place after it that would allow me to really come to terms with it and have fun with where the characters are at that point. Might post the outline later. Basically makes Amy, Young Princess Emerald, and Donal (Topaz and Turquoise’s son) all co-protagonists.
Tim/Cassie detective competition. In a (fairly recent?) Wonder Woman storyline, Cassie referred to herself as a detective, and asked for time to investigate the murder of Hypolyta. What if that had consequences? What if there is some kind of, idk, Teen Detective Competition and maybe Donna enters Cassie’s into it bc she thinks she’d be into it?
Of course, Tim has entered but only because he sees it as chance to get close to someone else he’s actually investigating. But as soon as he sees that Cassie is one of the entrants things get… genuinely competitive for both of them. And then the trash-talking somehow turns into flirting when neither of them were paying attention?
Tim/Cassie preboot Identity Exploration. Cassie is reveling in having Kon and Bart back from the dead. She and Kon are “just friends” now, and tho a lil’ awkward, it’s still good. But a few passing comments between the three of them lead Cassie to realize that some of the things she knows about Tim’s civilian identity are contradictory.
She begins to obsess a bit. After all, Tim was her main support through OYL and other hells, so shouldn’t she know him better than anyone?
Meanwhile, she is utterly failing to make a go of her “Drusila” identity. When Tim hears about that, he offers to help. And as Tim teaches Cassie how to be someone else, he ends up revealing things about himself that clarify some of those contradictions that stumped her earlier.
Tim/Greta set during 90's YJ. Steph gets frustrated with Tim's lecturing and breaks up with him. Secret sees this as an opportunity, and shoots her shot. Tim has had an insane day and decides "ok, why not?" Queue their relationship subtly changing events throughout the YJ and Robin series.
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All righty, folks. Bringing back these backgrounds I originally painted back in August 2020(!), only this time it's the version I didn't post with the titles of all six parts of Sahuldeem. Seems like a good way to both look back at where things started...and where they're about to go.
Part Six is a tricky one. I imagine it comes with a lot of expectations, and I might not meet all of those. For instance, it was never my intention to sit down and rewrite the events of the Clone Wars, so it was treated as a montage in my original script (to be fair, I was still imagining a comic adaptation at that point). We already know what happens during the Clone Wars (well, mostly; I do have a few scenes I've either added/expanded upon or retold with a fresh perspective). I, personally, am much more interested in what happens after the crash and before the war, deep in the catacombs of Geonosis.
So, yes: I'm nervously excited to start wrapping up this saga, and I hope there are people out there who are still looking forward to seeing this through with me. I never would have dreamed I'd write something like this, let alone share it, so I'm pleased and immensely grateful that others have also enjoyed it along the way.
(reminder that this Master Post exists!)
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Hey, I remember you mentioning on your IG something about two types of popular artists and one being good at social media and the other being good at art or something like that (I can't really remember lol). But it got me thinking, any tips for how to be good at social media? Cuz I'm certainly not even after posting art for six years lol
Heya!
What I meant by that is that there are traits that allow you to grow on social media, and traits that determine what a highly skilled artist is, and those traits do not always necessarily overlap.
I've seen so many amazing artists that post artwork that blow my head off, and yet they don't have many likes. On the other hand, some artists at the same skill level who draw more popular things will get way more attention.
That is not to say that either is the correct way to create art, but there is definitely a formula to social media that is in play.
There are a lot of posts about how to grow a social media account, particularly on TikTok, YouTube and Instagram art spheres, and imo you really need to examine what you want from your art before jumping into social media mode
The stuff you create to pander to social media might not be art that you want to create at all - I'm lucky, because I am less artist more storyteller, and what I enjoy is telling jokes and silly stories to liven up people's moods :] this, of course, conveniently does well on social media. On a personal note, I have a history of being a recluse and not connecting well with people, and art is my way of trying to communicate my feelings, one way or another.
So of course, if you draw for any reason other than my own, my approach to art and it's relation to social media might be inappropriate for you.
All that being said, if u take a look at those "get big on social media" videos they always cite the same few points... And you can look into that, for sure, but this video sums up how I feel about all that.
I spent like 20 minutes drafting words after the above paragraph, but I really ended up regurgitating sentiments from the video... So really don't listen to me, listen to that video
EDIT:
I just realised I didnt actually answer the question with my anecdotal experience, so here's a list of things I did
1. Posted like 3 doodles a day on social media
I did this for 6 months on a side account on Twitter recently and got the account to 11k followers... And I did this for 3 months on Instagram a few years ago and I think got 3.5k followers. Of course, do not spam maliciously and make sure your art is still of good quality, but for those artworks I posted quickly, I did not colour, and mostly did clean sketches. This also trains you in the matter of line confidence haha. Again, this worked for me because of my set of circumstances (love for the media, want to tell stories, simple art style)
2. Focus on my favourite aspects of media
This helps with respect to burnout - kinda hard to burnout when you love what you're making! For me, it's character interactions and comics. I want to see my blorbos kiss and if I'm not the one drawing it who will?!
3. Interact with people
People eat up work that they can interact with. A choose your own story situation, one of those like/rt to strip a character 😭 those do numbers for a reason.
Additionally, if you post stuff people love, people will respond to it with comments, maybe their own headcanons, adding on to the work... I've gone into long looong Twitter thread conversations with people who added onto my ideas that I threw up onto the screen and I think it's also a nice thing to do to respond to positive comments haha... I'm not very good at this (read: bad at communication)
I think that's the key points... Hope this helps!
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