#before that it just doesn't look right

[reasonpeason]

Become unable to finish any art for literal years. Bust in with VDay pics I sketched last year finished this year.

Idc, my idiots are in love and I am enjoying myself. :Y

[alena-draws]

Let it all out

[Image Description: Three sketched digital illustrations featuring Trigun Stampede characters. In the first, Vash and Meryl sit, Vash huddling into Meryl as she holds him close. Vash's face is covered by her arms, and Meryl shuts her eyes tightly. In the second, Wolfwood sits next to Vash, one arm around Vash's back. Vash draws his knees up close, and hides his face in his arms. Wolfwood looks unsure and uncomfortable as he scratches the back of his neck. In the third and final drawing, Roberto sits cross-legged as Vash hides in his lap. Roberto pets Vash's hair with one hand and holds a flask in the other. He looks down at Vash with a weary expression, as Vash hides his face again. End ID]  (Image description done by @starberry-skies. Thank you!)

[egophiliac]

Do yoy like their silly little dance

the inside of my brain at any given moment:

[ihatebrainstorm]

[Medicine]

"The Caduceus. Commonly mixed up with the Rod of Asclepius."

Guys I think it'd be really funny if Pharma and Ratchet had the same voice

[ineed-to-sleep]

So I've had this wip sitting in my folders for months now and decided to ressurect it to satiate the urge to draw these two again

[vanlegion]

[illgiveyouahint]

I wanted to talk about this and didn't find a post i could reblog so I'm doing it myself. I loved how even before the kiss reveal we saw the little ways in which August is treating Day like a child vs. Mhok who is always giving Day as much as he wants/needs. He gives him agency.

Like you get scenes like this:

contrasted with Mhok's

and again August with the

and later in the episode I saw him tying Day's shoelaces

Like Day, because of his crush, was finding excuses thinking it's just August being extra caring because of his love for Day but really it was August thinking that Day can't do anything himself.

I talked about this before but I loved the moment with Mhok in the bookshop and the Last Twilight book couple of episodes ago. Because it showed how much Mhok understands Day and understands that Day does want to do things himself and he wants people to not feel pity for him or not make him feel like he's some helpless child. Mhok is there to guide him and help him push his boundaries but he let's Day eat by himself with few basic instructions, he let's him take pictures of his toast by himself, bring sauces for his food from the cupboard by himself. He's helping him and guiding him but knows that Day wants to do these things on his own if he can. The solution to a stumped toe is not stop eating food in the kitchen but buying big foamy slippers that protect your fingers from getting stumped on the corner of the kitchen table.

[kenneduck]

Sidlink BOTW AU where Sidon WANTS to fancy Link, but thinks Link will only like a Hylian, so Sidon tries to act Hylian around Link... except Sidon doesn't know much about Hylians.

Sidon just squatting and trying to act shorter around Link. Attempting to hide his sharp toothy grin and stop his tail from wagging. He's starting fires when trying to cook Hylian meals. Sidon putting on pants... incorrectly. It's really weird. Everyone in the domain is thinking the Prince is having a midlife crisis.

Sidon IS having a crisis, but it's a gay panic one.

But unbeknownst to Sidon, Link has fallen for these Zora quips. The smile Sidon flashes makes Link lose his train of thought... the way Sidon's tail wags makes Link flustered. When Sidon shook Link's hand with his two smothering strong ones, Link felt dizzy. Link is missing these quirks Sidon would show, so Link is determined to see them again!

When Link and Sidon are alone in Zora's Domain, Link purposely tells a funny story to the Prince. One he KNOWS will get him to laugh. But when Sidon turns his face from Link to "keep cool", Link gets frustrated. He grabs onto the fishy prince's face, asking him WHY Sidon is acting so differently. Sidon tries to deflect such a notion, but Link calls Sidon out on all the weird things he's been noticing... especially the pants.

Sidon cracks under the gaze of this Hylian! Link not only sees right through Sidon's changes, but Link seems to DISLIKE them, too! Sidon is embarrassed, and he deflates from the realization that Link doesn't like the prince. Sidon refuses to look at Link as he tells Link half the truth, that he wanted to be Link's... FRIEND. That he thought Link wouldn't want to be with... well FRIENDS with... a Zora. Link pauses, as he KNOWS that Sidon knows about he and Mipha's friendship, so something STILL feels off. It isn't until he notices Sidon's blushing that he understands what is truly being said.

After Link makes sure Sidon looks into his eyes, Link reassures Sidon that the things he likes about Sidon are what are truly him. His heroic grin, his playful tail wags. His champion-like swimming abilities. That Link enjoys Sidon. That he wants to SEE Sidon... all of him. Quickly, though, after Sidon lets out a flustered wheeze, Link realizes how his words came across, stating he just meant for Sidon to take off the pants! Sidon wheezes louder. Link gets more embarrassed and tries to explain he just meant Zora don't wear pants, so he'd want to see Sidon without-

It's great. They're great. They're trying.

It takes a bit more time after this convo, cause clearly the two are terrible with communication, but they reveal their romantic interests.

And they burn that infamous pair of pants.

[buckttommy]

One thing that was very interesting to me in this episode is the way Eddie was just... not joking about Buck's love interests.

That stuck out.

Usually when Eddie talks to Buck about his love interests, it's with an edge of fond exasperation, teasing laced around his gently delivered truths, but there was none of that this episode. Buck told Eddie he went to see Natalia and it was like something switched. Eddie's entire affect changed when Buck started talking about Natalia. He went from being loose and easy (as loose and easy as one can get when standing at a grave) to being... not combative, necessarily, but visibly actively not wanting to engage in conversation about her either, and it's not...

It's not even jealousy!! We joke a lot about Eddie and jealousy, but it wasn't that at all. It was a fatigue that comes with silence, that comes with holding your tongue, that comes with keeping secrets. Especially when Buck said that he feels like Natalia sees him. That look Eddie gave him immediately after? That was pure hurt. That was him saying I see you too, I've always seen you. But he can't say that. He can't say that, because to say that would be to say so many other things about the way he sees Buck, and to say so many other things would mean to have to unstick his tongue from the roof of his mouth about the ONE thing he's been holding onto ever since he was shot.

I don't know. I don't know, but I think Eddie taking Buck on a date and I think about how Eddie left his son—his heart—in Buck's care so they could bake cookies together (which becomes profoundly more significant in an episode where Christopher was talking about baking smores with his mom), and I think about Kenny saying Ryan has been doing some very nuanced work in the back half of this season, I'm like

Oh. Oh. I see it, thank you. Loud and clear.

[uncanny-tranny]

Passing as a trans man is a nuanced and complex topic, but one thing I have been noticing as somebody who is a cis-passing (white) trans man is the way I'm treated when there is conflict.

I've noticed that in conflict, people are almost meek around me, willing for me to try working with them up until a woman is involved. When a woman (or, really, anybody who the other party assumes is one) is part of the conflict, they direct all their anger and rage to them. It's fucking insane the way a woman is treated when there is conflict, even if it isn't her fucking fault. These people are fundamental cowards for seeing my manhood as the only reason they can't be openly hostile to me, but it reveals a lot about how a misogynist thinks on an almost primal level.

I'm watching the women and people around me I care about being torn apart by people, and that's unacceptable. I can't sit around to watch it, and I don't want to do that. I need other people to perhaps read this and remember to not stand by if there is something that you can tangibly do to help, even if it's to lend a listening ear or let the person vent.

[subpar-celestial]

Oddly saphic conversation between tormentor and the tormented

[canisalbus]

How do you find pose references for all those gorgeous and cute and aaaaaaa drawings. H o w. Where. (<-from someone struggling to draw characters interacting)

(if you don't use references, take it as a compliment to your godly anatomy and posing skills)

I don't really use references for poses that much. I'm not sure how to explain this without sounding weird but when I'm about to draw something, I visualize it in my mind, and when it's character art I sort of see them as 3D models that can be posed and rotated. And I just sort of try to replicate that on paper, sometimes it's easy and sometimes it doesn't work out at all (a good reminder that when you browse someone's art, you usually only see the pieces that the artist is at least passably proud of, not the piles of failed projects that went nowhere).

[hooffuloftootsierolls]

The “Michael and Lucifer are brothers” came other media having the two be twins. Especially the Netflix Lucifer tv show and the DC comics by Neil Gaiman that the tv show is based on.

Someone giving me an excuse to blabber on about my thoughts and ideas? That only happens in my daydreams! Also I just realized it's spelled Michael not Micheal oop-

I feel like everything can be traced back to Neil Gaiman in someway. Thank you Mr. Gaiman, for giving me more goofy but sad angels.

I haven't seen The TV show or the DC comics, but just the idea alone of these two being twins was enough to make me flesh out Michael's personality and the relationship between the two.

Just kidding : ) Michael wouldn't question Sera, he obeys orders with a morbidly unquestioning loyalty.

I imagine that Michael was the more responsible one, and would try to discourage Lucifer's ideas and dreams, but Lucifer tended to ignore him. Lucifer would cause some kind of havoc, and Michael would be the one to tell the angels. Luci 100% saw him as a buzzkill and a tattletale, and Michael knew his brother was a safety hazard with wings, but I think they still loved eachother.

Which is why it would both break them to have Michael be the one who battled Lucifer and forced him into Hell. Lucifer felt horribly betrayed, and Michael would have been trying to cope with the fact that he drove his own brother out.

I have many ideas for them, so little time to write :(

[front-facing-pokemon]

[carnivalcarriondiscarded]

hm ok so for a while i was thinking that Wally, for the most part, only perceives reality as "Home", the neighborhood. that's his entire world, it's all he knows

but then i slapped myself and went wait. the Live Interview. Wally has been outside of Home, and has interacted with humans (presuming that the interview did actually happen, of course). and through Wally's interactions - or rather, attempt at interactions with Us, the QA, and the WHRP, it can be strongly assumed that he knows that there's an Elsewhere. there are places outside of Home. maybe he doesn't quite understand that there's another reality of sorts, but there's no way he's unaware that there's more than just the neighborhood out there

(and then of course there's the fact that Clown has said that humans are deeply involved (not a direct quote, im paraphrasing) in Welcome Home. maybe Wally interacted with them / regularly interacted with them. there could have been an adjustment period after he gained consciousness where humans helped him learn how to walk/talk/fine motor skills - this could be why he has such a seemingly inherent / desperate trust in Us & the WHRP & the QA... humans made him and cared for him. it's possible he could view them as a sort of higher power to trust & have faith in

& maybe he's been off-set or could go off-set. i mean, the houses' rooms were all different sets - the buildings themselves were empty husks, right? who's to say Wally wouldn't physically walk to the individual set pieces whenever he went over to someone's house (but then that leads me into speculation on how the puppets' consciousness works and how multiple copies of them could co-exist and wondering which is the - im getting off track. but there's all of that and then the two part "you're okay!" art pieces of Wally & Eddie, which are technically canon - dont quote me on that - and that's Another ramble/theory post i could go on about & have strong feelings on. Anyway!)

"but wait," i hear someone protest, "what about Barnaby? he was in the Live Interview too"

but was he? was he really? was that Barnaby, or was that a person in a suit playing the character Barnaby B. Beagle? i mean, if it was Barnaby, there had to be some memory fuckery going on that prevented him from either fully comprehending/realizing the situation, or just made him forget as soon as it was over.

and actually wait, Wally has to be aware of the reality discrepancy. because it was certainly him in the Interview as himself. He had to have understood on some level that either that wasn't really Barnaby, or that Barnaby wouldn't remember the interview.

(there's a connection in my head between all of this & how he would view an apple pie. "it isn't the same anymore. something's different". but i can't pin it down for the life of me.)

and with the Talking Telephone calls, Wally explicitly tells Us that he's not going to tell anyone who was behind the calls. i remember listening to the "original" prank call audio tests, which while were very similar to the canon in-website ones, have a few changes. one of which was Wally - in the tests - saying that the others weren't ready to meet Us yet. now in canon that tidbit has been swapped out for "You have to go too. You have work to do" but i think it's still implied through Wally's purposeful withholding-of-information that he doesn't think the others are ready to know. or he straight up doesn't want them to know

i mean, one little theory i previously had is that Wally wants them all to catch on to the nature of their reality and situation, but he doesn't want to - or Can't - tell them outright. they have to figure it out. and that can't was either something keeping him quiet, or because if they learned too soon / inorganically, their little puppet heads would pop into confetti like Red Guy's in dhmis 4

However my views have Changed and i'm pretty sure Wally is purposefully not telling anyone to maintain the illusion that everything is fine and can continue on as it always has. maybe it comes from a place of protectiveness, of love? whatever the motive i think he wants them all to keep being unaware and dare i say, Complacent while he "fixes" their situation.

which is delusional, but we all know Wally is digging his metaphorical claws into a desperate bid to keep everything the same / return it to its original state, leaving bloody scratches in something already rotted. or something like that!

all this to say i think it's interesting how it seems that he's the only one aware of humans / an outside/other world, yet he's so determined to stay in his lane. he wants connection & communication yet he doesn't want to leave or change. he wants help in keeping things the same (some could say in keeping Our reality & his separated) but in the process he's dooming everyone/everything and tearing down those walls himself

(Wally: i'm going to stay where i am, and you're gonna stay where you are, and we're gonna help each other keep me and my friends where we're meant to be. anyway i wonder what this sledgehammer does)