#blending tutorial

[tidescaller]

Hello, this gifset for pscentral event 37 is really pretty ✨

https://www.tumblr.com/tidescaller/779330612766081024/pscentral-event-37-trios-the-girl-the-boy-and?source=share

would you please consider posting a tutorial on how you made the blending multi gifs and colouring in the first gif?

Hi anon, so glad you liked it! I'll try my best to explain as detailed as I can. Just a small note that I'm not an expert, I'm still pretty new to blending edits in general so I'm learning as well as everyone ૮(˶˃ᆺ˂˶)

But before that real quick, and if my tutorial isn't enough, I'll leave you a list of amazing tutorials/guides that help me a lot when it comes to everything gifmaking related, so shoutout to them!

basic blending tutorial

coloring tutorial

blend gifs tips

blending, coloring and text effects guide (video)

another one similar to the previous one

gradient text

text outline

HOW TO: Blend multi - gifs / Dual Gradient coloring

You will need any version of Photoshop (I use CC 2019) and basic knowledge on making gifs.

STEP 1: THE BASE

1.1 - Make sure your canvas is 540px width. Mine is 540x450. Choosing which gifs to blend is kinda tricky and no one can tell you what's perfect. Everything depends of the scenary your show, movie, anime whatever you're working on has; but a tip is to use scenes that have dark areas, since it's easier to blend then. 1.2 - Make your individual gifs: crop, color, sharpen, all that, and make sure all of them are the same amount of frames. 1.3 - Before duplicating your gifs into your empty canvas, convert them all into smart objetcs. This will help to simplify stuff, have a much more organized work space and help you load your preview faster.

STEP 2: BRING YOUR GIFS

Now all you have to do is right click on every gif you made, go Duplicate layer… and sent it on your empty document. I would suggest doing one by one, so you can work better. Duplicating them all at once can be a little bit intimidating and might have you confuse how to combine your gifs. Try imagining what you want your gif to look like and where you want each element to be. As an example, I wanted the key scene when it kinda drops to be falling from the top of my gif and also as a separation of the one in color and the one Sakura is roller-skating.

STEP 3: BLENDING

3.1 - Okay, now that you more or less know what you want your gif to look like you can start by changing the blend mode of your gifs. Photoshop has mutiple options on this and it applies to all types of layers. For blending, one of the two (or more) gifs you are working is going to be on top, that's the one you're gonna have to change its blend mode in order to start this process. Generally, Screen is the one to go to.

3.2 - Some people group (selecting your layers > ctrl/cmd+g or right click > group) all the gifs so they can then change the group's blend mode into Screen but I personally like to do separately cause if I need a gif to fill some of the background I would keep it as Normal.

STEP 4: LAYER MASK

The key gif works perfect with Screen blend as it has a black background, but of course this won't be the case for most gifs you want to put in the main one. For those unwanted pixels we don't need, we use a Layer Mask. 4.1 - In order to do that, select your gif by clicking on them and next click on the layer mask button.

4.2 - Now you'll see a white square next to your gif layer. This will help by reducing the opacity of those things we don't need of your gif. What is white is 100% opacity and what is black 0%. So all you have to do is click on the layer mask, pick the brush tool and paint over what you want to "delete". Pay attention to use a soft brush, and the size of it should be around 200 and 300px. 4.3 - Repeat the process with all the gifs that need it

STEP 5: EXTRA LAYER

Sometimes a gif will look too bright/transparent/softened over the other ones. In order to fix this, you can create a new layer (the button right next to the trash can)

and paint with a black soft brush over the part you need to bring back. I don't know exactly how to explain it properly but I'll try with these before and after images. I'm adjusting the one with Sakura and her card:

STEP 6: COLORING

6.1 - OKAY, now that we have all that sort out and the gif has a proper structure is time to add some color. As I'm going to do a dual gradient after and leave only one of these 5 gifs with color, I'll use a black and white gradient map and add it to every individual one as a clipping mask (right click on the gradient map > create a clipping mask). Like this:

6.2 - Now that we have this I can add my own psd. I started making my own psds for every edit I make and I'm not ready in any way to explain that, but I learn how to do this with this tutorial. With that, my gif now look like this:

STEP 7: DUAL GRADIENT

Finally for this part I recommend making another group (the folder button next to new layer) and add a new layer for the different colors you add. This is all about painting and playing with the blending modes for these layers. There's no right way to do this, you just have to play around and see what works best for you and the scenes you have. You will end up with something like this:

Tips for this step are: 7.1 - Use a soft brush, size it up to 1000px, zoom your gif out and start painting out of the canvas. This will help create that gradient effect we are looking for. 7.2 - Change the layer's opacity/blend mode. This is (again) about playing around with colors. I changed these settings for all my layers that are part of the gradients' group. In order: dual is Screen + 90% opacity, pink Vivid Light + 70%, more pink Lighten + 90%, yellow Hard Light + 70% and final touches Multiply at 100%. I also mixed up the colors, not only staying with certain yellow or pink. 7.3 - The gradient tool works the same way as the brush tool! Just make sure the gradient is any color you're working with + transparent. 7.4 - I also added a layer mask to my gradient's group to erase some of the extra color in Sakura's face. All this will result on this:

And that's pretty much it! For the text part, I was going to add it but the tutorials I linked at the beginning explain it perfectly so shoutout to them. As always, if you have any other doubt, send me an ask and I will answer it as fast as I can! Always happy to help ⸜(｡˃ ᵕ ˂ )⸝♡

[lopeirce]

do you think you could please do a tutorial for your greys anatomy edit (kinda similar to your brittana edits) i'm shocked if no one has ever asked you before for tutorials (and if you do i'd love to see them) your edits are so gorg and you're incredibly talented !

Totally! Bare with me, this is my first tutorial in like 8 years. Haha. I'll show you how I made this one:

For reference, I use Photoshop CS5. (My computer hates the newer versions. It'll run three different video editing softwares but hates photoshop. Idk lol.)

Okay, first you want to make 2 gifs with the same amount of frames. That's important. And then you want to convert them to a smart object.

So we have these two gifs.

Now, depending on what you're doing, you can do this next step now or you can color your gifs how you like, save them separately and then reopen them with all the coloring on them. Sometimes I do this if I'm working with a lot of effects but since these two gifs have the same coloring, we're going right click on one of them (it doesn't matter which one tbh) and you're going to select "duplicate layer"

A little box will pop up and this is where you're going to select the project name that you want to essentially paste this gif on top of.

Set the top gif to Screen.

The first thing I usually do is sharpen them. So I use Smart Sharpen and Unsharp Mask with these settings:

With Unsharp Mask, you have to tweak them depending on the gif, quality, what effect you're going for, etc.

Then we add some basic coloring:

Now, I have a base for specific shows because all shows are colored different. Grey's is more blue toned whereas Glee is more yellow toned. However, since coloring is a bitch sometimes, I'll add a PSD that I use ALOT. You can download it here.

So now that we've sharpened and added some coloring, this is what we have (separately):

This is what it looks like after I set it to Screen (and I moved the top gif a little to the right.)

Obviously, we need to get rid of those lines and make it so that each gif is more visible.

So now we blend.

On the top gif, you're going to add a layer mask to that gif. So with that top gif selected, you're going to select the mask button that looks like this:

Select your brush tool and use a soft brush to erase what you want from the background of each gif. (Make sure to repeat the previous steps to get a layer mask on the bottom gif.)

I have this now, after using the brush tool.

As you can see, it's very blue and I wasn't feeling blue for this gif so we want to change blue color. That's where the Selective Color comes in.

We're going to get rid of that cyan tone. So you're going to add adjustment layer and select Selective Color.

All I did for this one was adjust the cyan tones in the drop down box.

Now we have a pretty purple tone!

Now, we're going to add a light grey squareish box this to outline.

Set the blending mode to exclusion. To get the bar (and we'll do this again with the text) you're going to select the FX icon.

Select Color Overlay. A box will popup. You're going to set the blending mode to Color and then select whatever color you want the bar to be. (If it comes out with too much white, adjust the color of the bar itself to a darker shade.)

Lastly, we're going to add our text. For this gif I used Magnolia Script and Montserrat.

To get the purple effect on the "The Story" text, you're going to do the same thing you just did for the bar.

Voila! I hope this helped. If you need any further assistance, I'm always happy to help!

[viviraptor-art]

my hyperfix on twst is quickly coming back, so i'm trying to relearn how to draw idia's hair. i made this short coloring tutorial for myself, feel free to use it too if it helps!

[atdawn]

—  Time takes more than it ever gives.

[newttxt]

hi quip! i really like your one piece comics and i am curious how you do them! i'm not good at comics and want to be better at drawing them! how do you learn how to make comics?

thank you!

uh oh... im afraid u have caught me at the perfect crossroad of "bored at work" and "unrelated task ive been meaning to do but keep putting off."

this is long. i hope you like reading (and grayscale progress pics). and of course!!! disclaimer before we begin that this is just how I, personally draw comics. there is no "right way."

quip's comic-making process!

Switching my typing to make this more legible...

My process can kinda be broken down into 6 steps:

Brainstorming

Thumbnailing

Sketching

Panels & Text

Lines

Tones/Colors

1. Brainstorming

My brain is a leaky sieve on a good day, so I sloppily jot down ideas in my phone notes the moment I have them. This helps me when it's time to draw too, because if I feel art blocked, I can look through old concepts and see what catches my interest.

Otherwise, I love drawing for other people's writing. :) And if worst comes to worst, doing manga/comic page redraws in my style teaches me new things every time.

Once I have my idea, I'll usually make a bulletpoint list of "plot points" or "story beats" I want. Then I plan the comic with this format that I've adapted from a tutorial I read once. I'm going to use my most recent comic (original comic post) as an example.

I start in the third column, writing notes of what I'd want to see in each panel. I also include the dialogue (in this case, I didn't have to write the dialogue! it's from the fanfic linked in the original comic post!). I usually write the whole name like [Luffy:], but at this point I've drawn so much of these guys, just the first letter works.

I like to handwrite these notes to get an idea for how much text I'm putting in a single panel.

After I describe all the panels, I go back and separate them into pages. I can't tell you how to know how many panels to a page. It's whatever works for you. I just kinda know about how big each panel will be, and so I can feel when I'm probably running out of space. (Also. You can change things later. I don't in this example, but I add/drop pages/panels all the time.)

2. Thumbnailing

Thumbnailing—as the name suggests—should be done tiny. Too tiny to accidentally get sucked into details.

This is about marking down blobs where items/characters go, and figuring out the paneling. I'll draw and redraw these a bunch of times too.

This is also the most time-consuming/brain-working part for me. If I were in a zine that did progress percentage, I'd try to finish thumbnailing around the 50% mark (but I'm also a moderately fast artist, so your mileage may vary).

I think the terrible quality makes them charming, actually. I really like how silly they look. :')))

I will add, when you draw your "page" rectangle, make sure it's the same proportions as your actual canvas for the final image. You want an accurate idea of how much space each panel will take up, especially if you have a lot of text.

3. Sketching

This is my most recent change to my usual workflow, and it's saving me a lot of time. I make my thumbnails a bit bigger (each one about half the size of the final canvas), and I sketch these basic body forms right over them.

It just helps give me placement for my actual lines!

I usually draw these in a paleish color so I can lower the opacity and not get distracted by them while lining. The random darker parts are to either help keep two forms separate (like when two characters have their limbs all over) or to better define sections that were too sloppy/poorly proportioned.

I also think this helps my poses stay looser, because I have more dramatic/wriggly shapes that aren't too bogged down by proportions yet.

Sidenote: I CANNOT show this here, but sometimes this is when I take videos. Of myself. I prop my phone camera up and shoot a video of me acting each panel. :/// It looks really dumb, but it also shows me fun body language ideas like hand gestures, expressions, weight distribution, etc. Just pretend you're an overdramatic cartoon character, and try not to worry about your roommates or mother walking in on you doing odd things. (You can also use the video for anatomy reference later, but I usually just capture the vibe and don't try to copy the actual video frame.)

4. Panels & Text

Oh, boy. So, the panels are usually just straight lines (though it's fun to make creative exceptions, like a round panel to mimic looking through a spyglass), but there are some fancy rules that I don't strictly adhere to.

I believe (I have no technical training in this. Take everything I say with a grain of salt) the vertical gaps (between two side-by-side panels) should all be a consistent width and the horizontal gaps (between two panels on top of each other) should be another. The vertical ones? Should be thinner? Because you want the eye to easily glide between them, whereas the horizontal gaps should be a visual barrier to keep you from jumping ahead. Just something I've vaguely noticed.

There are lots of fun "default layouts" you can look up. Or keep it a consistent grid. I think it's fun to sometimes have characters/objects sticking out of panels and overlapping others. This is just a matter of taste, creativity, and inspiration. (Read Witch Hat Atelier... It has some of my favorite paneling...)

You may also notice I have already done the speech bubbles. This is, to me, a crucial step. This helps me catch early if I don't have enough room for all the words. It also lets me plan the art in each panel with the speech bubbles in mind. There's nothing worse than working really hard on a panel, and then you realize there's no room for the bubbles.

I also try to lay them out in a way that guides the eye! Even without art, can people tell where to go next? Better yet, if I want people to look at panels out of order (aka not left to right, in my case), can I use the speech bubble path to make them? Here's just a vague example of what I mean.

As an added bonus, doing speech bubbles early also allows me to be lazy! :) Ignore the comic; I'm not supposed to post it yet oops,, There's a whole lot of drawing to do on each comic page, and I am not wasting my time on stuff that will be covered up. So yes, if I hide my bubbles, there are a lot of unfinished lines trailing off into nothing. (As a bonus, if there's a part of a character you're struggling with—and it won't look weird to do so—you can move speech bubbles to just hide the problem area yayyy)

Making the actual bubbles could be their own whole tutorial, tbh, but there are some general guidelines I use.

Zoom out when you choose your font size. You want to know how it will look to the average reader, so it isn't super teeny tiny or way too big. You generally want to keep the same text size for all your pages/bubbles.

When I draw bubbles, I try to size them about one vertical letter height (and some change) around the words [left side]. This isn't always the case though, because humorously large or funny shaped text bubbles can convey different feelings [right side].

On Procreate, I set my bubble lines to Reference and just drag-and-drop the white fill on a separate layer below the lines. (Remember to turn Reference back off again when you're done, or your fill bucket won't work right when you're drawing.)

To get the white outlines I use to keep the bubbles from cluttering up the art, I literally just Gaussian blur an all-white copy of the lines + fills... and then I copy and merge it 5 times until it's opaque enough. This is a terrible way to do it, but it works for me. :')

5. Lines

This is the part that I can't tell you how to do. I literally just. Draw right over my wacky sketched body forms. Boom. Comic drawn.

I'll make three suggestions:

Don't focus on making every panel perfect. Give a little extra love to big ones or ones you want people to linger on. Otherwise, know that people are typically speeding through the art. It's way more important to focus on storytelling than art technique. In my opinion, a good story that's told well will always be better than a beautiful one told poorly. (Some comics are beautiful AND well-written... Alas, I am just a hobbyist who needs to get the ideas out of my head at top speed.)

Put your background lines on a different layer. Put your foreground lines on a different layer too, if you have those. Basically, I try to keep the main part of each panel (usually a character or object) on my lines layer so I can erase background/foreground/etc lines to ensure clarity/focus.

You can make background lines lighter colors too. I have too many numbers sorry. (1) Background. The stuff that's farthest away. Lightest lines. Few details; more focused on shapes and the suggestion of a background (I'm not good at backgrounds). (2) Midground. Same distance away as the characters are. Lines can be black. (3) Also midground, and also the same distance away. But they're very detailed, so I lighten them so they aren't so distracting. (4) The characters. Black lines for focus. For people who haven't seen the comic, I swear they are just hugging. This is SFW. D:

6. Tones/Colors

Do not. Do NOT ask me. I don't understand colors. I hate working with them, but I try because I want to improve. I hate doing anything beyond the simplest grayscale shading. Please go elsewhere for your coloring/tone advice. This is how my color picker looks 95% of the time. I have pre-set "percentages" of black that I got by lowering the opacity of a black layer and just color picking it. I don't even know the exact percentages I used. Good luck out there. Be better than me.

7. Sharing

This is a bonus step that I didn't mention earlier, but it's actually the most important of all of them.

You need a friend. Or maybe a groupchat or discord. A family member or coworker if you're really close like that. I don't know.

Find SOMEWHERE you can spam wips and be cheered on. Drawing comics takes a while, especially if you're trying to tell longer stories than I'd dare to attempt. If I don't force someone to praise me for every line I draw, I shrivel up and die.

Also if and when you post online, add alt text. I'll admit I'm the first person to complain and drag my feet on this, and I literally use a screenreader myself when my eyes hurt (strong prescription glasses wearer). Comics should be accessible, because stories are fun and everyone should be able to enjoy them.

***

Learning???

And I guess lastly, how do you learn to make comics? Two steps: 1) read them and 2) make them. This is the tragedy of creating things.

1) Reading them: I grew up reading comic strips, western serialized comics, and webcomics. I've always loved graphic novels too. Then in late middle school, I started reading manga (Death Note and Haikyuu were my first two), and now I'm trying to read more webtoons (sorry im so slow bree)!

I also... mass-consume doujinshi, thanks to proxy mailing services and bilingual friends/Google Translate/knowing some Korean. (I have an entire bookshelf of doujin, actually,,)

The thing is, it's not usually enough to just read comics. You also need to be thinking. :/ I notice paneling, comic devices, clever comedic timing, etc. as I go. It's just a lot of studying/learning while also enjoying the story.

2) Making them: You just have to start. :( Even if you think they're "bad." My first comics were actually just drawings placed randomly all over the page, connected by speech bubbles (yay... I was already practicing how to place bubbles to lead the eye around the page...). I was going to post a pic here, but I'm a coward. Backscroll my account and you can find some older ones though.

I also know my art in general improved dramatically when I did ten comics in ten weeks for my friend's fic. Don't do this. It hurt my hands/wrists. But do practice in moderation.

***

If you actually read all that... I hope it made even a modicum of sense. And maybe it was even helpful? Just know at the end of the day, there is literally no right way to draw a comic.

And if you aren't ready to go for it yet, you can start by just adding a couple speech bubbles to your illustrations or doodles! It's a way to add storytelling and dialogue writing to things you may already be making.

Yay. I love comics. :))))

[kittynugg]

posting art twice in one day!?!? what???

okay but full disclosure i did end up tracing the rat. im sorry. they're poking it with a stick

closeup under the cut if you wanna see how like. mediocre it is

[soma021794]

i think once i move out of the apartment im currently in i would love to lock in and start doing youtube content... like sketchbook tours, draw with me, materials i use etc or even tutorials on materials!

i just lack the lighting, space and my phone will absolutely not cut it for camera work =(

but sooner rather than later i would love to start!

[leojfitz]

skip the youth, it's ageing me too fast

[tidescaller]

this a gorgeous gifset for wicked 💗

https://www.tumblr.com/tidescaller/781106467228073984/glinda-in-wicked-part-i-happy-birthday?source=share

I would appreciate a tutorial for the first gif blending and colouring

Hi anon! thank youuu, i'll leave the tutorial under the cut ૮(˶˃ᆺ˂˶)

As always, basic knowledge on making gifs is required to do this type of edits. I linked some useful guides on my previous tutorial here.

PART I: BLENDING

STEP 1, BASE GIF

I recommend getting ready the gifs you're going to use before any try on blending them. And which ones are right to blend? That's just depends on the scenes you're working on. On this gifset, I made two previous blends that didn't make it to the final version cause I didn't like how it turned out. It's all about trial and error.

For this specific blending, as I'm working with only 2 gifs, I'll start editing first the base and then the one "blended". Adjust your BASE GIF in your canvas as you want.

I sized mine like this cause I imagined the second scene of Glinda behind this one.

STEP 2: BACKGROUND

i followed becca's coloring tutorial for this part, except I didn't add any adjustments yet. only coloring the background for a later gradient blending.

STEP 3: BLENDING

Duplicate your other gif into the canvas and change its blending to screen

Now add a layer mask (the button marked with red in the picture) and, with a soft brush at 200px/300px, start erasing whatever you don't want. Remember black is 0% opacity and white is 100%.

STEP 4: THE BLENDED GIF

The problem I noticed by this point is that my background coloring on the BASE GIF was kinda irrelevant cause now the BLENDED GIF completely covered it (｡•́︿•̀｡) and I also wanted this one to be pink. In order to do this, I created a gradient map layer and made it as a clipping mask so it wouldn't affect my main gif.

PART II: COLORING

STEP 5: BASE

For the base coloring, I always follow this tutorial cause it's literally how I learned how to do it. Honestly, check all maziekeen's tutorials (she made A TON) cause they are so good and your learn a lot. However, I tend to give my personal touches like adding another vibrance layer if i feel like it, cause I like the colors to pop; or skipping steps if I don't think they fit my gif/style. Anyways, this is the result for now:

and these are my settings

i tried to translate as much as possible (,,>﹏<,,)

STEP 6: SMALL TOUCHES

Could leave the gif as it is, but when I was working on it, I felt like something was missing. So the last step is to apply/paint some small touches of pink (or whichever color you're working on). This trick I learned it from this beautiful and very detailed tutorial from dani (she is awesome!! and her tutorials and gifs are flawless!!)

Create a new layer, use the soft brush tool at 1000px, zoom out your gif and start painting out of the canvas (you can totally paint inside if you feel like it) Play with different opacities and blending modes of the layer, this is literally how I created all these gifs. I know it sounds stupid ajskjas but it's true!! Try what best fits the structure of the gif. The first one I made is with multiply at 60% and you can see how much the gif changed already.

The second being color at 100% and the third one hard light at 30%

STEP 7: THE CHERRY ON TOP

Finally I added an animated overlay from this post. Changed the blend mode to screen and erased a bit of it on glinda's face creating a layer mask and with a soft brush. Added my texts... and that's a wrap! :D

I used the same process on gifs 3 and 5 ⸜(｡˃ ᵕ ˂ )⸝♡

[weisshapt]

I'm coiled up like the venomous serpent / Tangled in your trance and I'm certain / You have got your hooks in me.

"How is it that Bhaal has two Chosen?" "It is not for me to question my father. Do not think of us two. We are but sides of a single bloody coin, he and I."

anson belongs to @alistairs

[mydzygro-art]

a small process for my recent underwater illustration

sorry if it's very random, but each step looks cool enough to be its own thing so I wanted to put it out somewhere haha

[ih-kin]

[thatlittledandere]

Ok I now have all the parts for Eridan. Off to assemble. Mom innocently noted that April is next week. Con is in early May. I'm in danger

[yoursonlucifer]

whenever i see people make art of poc and it Does have the correct lighter palm color, it still doesn't look right and i think it's because people always draw a hard line of separation between the main skin tone and the hand one. like it needs to be very evenly blended or else it just kind of looks like kind of uncanny valley

a bad drawing but it illustrated my point. no human has sharp color lines on their body. even moles or birthmarks would be depicted kind of fuzzy so skin tones should be treated the same

[01432853]

HAPPY BIRTHDAY TAN JIANCI 檀健次 / 5.10.1990

[fantasmadelaciudad]

only con to hand sewing r the ants in my bloodstream