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#but also like. he is so weird and traumatized and i want to see people lean into that a little more. cmon guys!!
darklinaforever · 1 day
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The first person is aware that Lydia could remove the files from her mouth at any time? Literally, she takes them off on her own to talk when she gets tired of them! Beetlejuice is a very powerful fucking demon, if he wanted to completely silence Lydia he could and would have done so. However, he didn't do it. I'm tired of seeing people make this situation worse when in reality it's not as restrictive as it seems.
Same with the baby's delusion, which yes, is admittedly very disturbing at first and the only real reprehensible thing that Beetlejuice does to Lydia in this film in my opinion (because with the song that is played at their wedding ceremony and the how easily he lets Lydia send him away (I'm sure he wasn't really planning on marrying her this time). But then again, he didn't actually get Lydia pregnant ! And she didn't really give birth to his demonic child either ! And she seems to get over that weird, disgusting prank made by Beetlejuice pretty quickly.
Also, I don't know why but I never had the impression that Beetlejuice had traumatized Lydia in the first film as an attempt to affirm these people, particularly the second.
Literally, she doesn't seem to have any after-effects in the first film, and the sequel proves it even more. At what point in her scenes with Beetlejuice himself does Lydia seem to be truly afraid of him or particularly traumatized by him ? And I'm talking about the scenes where she is with him in the flesh. Because the moments when she thinks she's hallucinating his presence, it's logical that she panics. But no, she never seems terrified of Beetlejuice himself.
Not even at the famous wedding, contrary to what the second person says. This is bullshit.
The scenes where Beetlejuice makes declarations to Lydia like the serenade or the marriage, she doesn't seem disgusted (except when he throws his heart in her hands and that's somewhat normal) or terrified, or both.
She just has a face that generally says : Wtf ? Because the situation is WTF ! This wedding scene is not at all portrayed as creepy in the first place !
Frankly, it's bad form to say the opposite for me ! It’s deliberately turning a blind eye. Beetlejuice is a horror comedy, these scenes are above all funny with touches of bizarre and gothic !
The actors love their characters together, including Winona who totally ships them. To say that she played her character as being terrified of Beetlejuice is bullshit.
And even if his acting was out of step with the script, that's not the case. Because once again, Lydia is not traumatized by Beetlejuice even through writing.
Aside from the fact that Lydia doesn't want to say Beetlejuice's name to avoid screwing up her life again (and we understand), there is nothing that indicates a real fear of Beetlejuice, the individual, in her !
And no, Lydia does not have any trauma that caused her to hallucinate the Beetlejuice presence. We know it, we see it, Beetlejuice does this on his own, so when Lydia sees him it's real. These are not hallucinations resulting from trauma at all !
Yes, Beetlejuice is problematic, obviously he's a demon ! Yes, Beetlebabes also has problematic aspects, obviously since once again Beetlejuice is a demon !
(That's literally the whole appeal of this ship between these two... Nobody likes Beetlebabes because it's a healthy relationship !)
But I'm tired of people trying to make it worse than it is.
In this sequel, Beetlejuice literally saved Astrid, Lydia's daughter, and he also saved her from marrying a complete asshole !
Not only that, but the way he pursues Lydia, or courts her if you prefer, isn't really cringeworthy.
He helps her save her daughter. Saves her from a bad marriage. He plays the serenade. Gives her a hand kiss. Is ready to accept Astrid as his child. Offers her his beating heart (yuck), etc. Frankly, it's a good overall approach for me !
And even if it's frankly not cool to haunt her in recent years, the film suggests to us that it's really due to a connection between the two characters. So that balances it out a bit.
Frankly, the antis greatly exaggerate the issues of ship Beetlebabes and the character of Beetlejuice.
It's like those who say he's a pedophile, when he only seeks to marry Lydia for convenience in the first film, not because he has feelings for her. Plus people seem to forget that Beetlejuice comes from an era where girls generally married at the age Lydia was in the first film...
But hey. Really thinking about these is a bit hard obviously for the antis.
And I'm not even going to bother talking about those (like this second person) who think Beetlejuice having a picture of Lydia from the first movie on his desk is creepy...
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idontliekmondays · 1 day
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excerpts from a daily mail article released shortly after her arrest
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When members of the Geneva High School role playing club asked 16-year-old Lindsay Souvannarath to choose a character they were expecting an elf, a sorceress or perhaps a female warrior.
But the shy, clean-cut teenager opted for a rather more unsettling choice, presenting them with a detailed pencil drawing of her chosen persona - the 'Nightmare Nazi'.
The trench coat, jackboots and gas mask were unmistakably those of an SS soldier; the skeletal hands clutching a vast dagger more akin to dark fantasy art.
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Former classmates at Geneva High recall Lindsay Souvannarath as a shy, withdrawn youngster, who had few friends and instead sought out after-school groups and writing clubs to express her creative side.
But she was also prone to bouts of anger and violence - allegedly stabbing another student with a pencil in one outburst and occasionally letting slip an alarming infatuation with the Third Reich.
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'On first impressions I didn't think there was anything too strange about her,' he told Daily Mail Online.
'She could be funny and intelligent but most of the time she was quiet and not very warm or outgoing.
'One year her character was a sort of Wonder Woman-type heroine, then all of sudden she tells the group she wants to be a Nazi ghost.
'You choose your species and come up with a back story. Hers was that her character was a guest from a crazy, dark Nazi universe.
'It's supposed to be a game in a medieval, fantasy setting but she would just argue if she didn't get her way.
'So we went on our quest with a robot, a couple of elves, wizards and this weird Nazi.
'Aside from the character's background he didn't do anything racist or too alarming. We didn't know about her interests at that time so we just got on with it.
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Ms Szigeti recalled how Souvannarath began to idolize black-death metal bands in her mid-teens.
She became particularly infatuated with Varg Vikernes, a white supremacist musician convicted in 1994 of killing a rival guitarist and burning down three churches in Norway, describing him as 'cute' and writing essays about him.
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'Her work was always dark and full of violence, there were soldiers and Nazis and all this weird stuff,' Sabrina said.
'She acted normal on the surface. She was never physically violent but she would get aggressive and upset if you criticized her.
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'Everyone was uncomfortable but we just avoided trying to start a fight with her. 'If you asked her straight up 'are you a Nazi?' she would argue that she wasn't.
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As far back as 2007 - when she was just 15 - she allegedly wrote 'free speech is dead' in one forum, adding: 'That's why we need people like David Duke to bring it to life again.'
In another warped entry, writing that same year under the pseudonym Snoopyfemme she wrote: 'They use sex in commercials all the time to sell products. Why don't they ever use violence?
'Wouldn't you love to see a bunch of guys tearing each other apart with machine guns to get a bowl of Cheerios?
'Sure, it might traumatize our children, but in my opinion, children aren't being traumatized enough.
'The only reason for Americans to breed is to create more soldiers to fight for freedom. We need to weed out the weaklings early on. Survival of the fittest, man.'
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'She was very odd to the point among a lot of our classmates that no-one was surprised by her arrest.
'She was a very lonely person - but she isolated herself. 'From what I remember she was even suspended for stabbing someone with a pencil in middle school.'
'She was known for putting spells on people. She would do it by saying weird things and then putting on a curse - obviously we did not take her seriously.
'She would break out into laughter in the middle of class for absolutely no reason.
'When we saw that Lindsay did something like this, nobody was surprised. She was the one most likely.'
source
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yunmeng-jiang · 1 year
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there aren't nearly enough wen ning pov fics. that man is absolutely insane and no one understands him
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fantastic-nonsense · 2 years
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My hottake is that people are trying to fit Lockwood into character archetypes he doesn't fit, because they see "traumatized teen boy with a big ego and a passive death wish" and go "oh. emotionally unavailable asshole character" when that's.....not actually the character we're shown.
He's constantly praising Lucy and George. He's often the first one to try and apologize when he gets into a fight with them. The second he clocks Lucy as a "safe person" he becomes super touchy and holds her hand constantly. He compliments George's cooking. He's visibly proud of the people he cares about and publicly defends them on multiple occasions. He repeatedly asks his team if they're okay and tries to get them to open up when they're having issues. He makes an obvious, conscious effort to repeatedly tell Lucy he believes in her and wants her to stay at Portland Row. He smiles and jokes and laughs around with them on a pretty regular basis. He's also emotionally aware enough to tell Lucy "the reason I haven't talked about this subject with you is because it's relevant my childhood, which I don't like to talk about because it's pretty traumatic" when she questions him ahout Jessica's door, and he's kind of astonishingly open about his trauma with Lucy and George despite generally being unwilling to actually talk about the details.
And this applies to characters other than Lucy and George, too. He compliments Kipps' team during the graveyard fight and clearly respects Flo, for example. He's kind to Winkman's son, is generally polite to his clients, and is affected by the death of the undercover agent to the point of having a panic attack. It's pretty clear he cares deeply about the people around him even as he tries to push those closest to him away so they won't mourn him if (when) he dies.
Like yeah, Lockwood has an ego the size of Manhattan, has enough trauma to fill a boat, and is worryingly flippant about the worth of his own life, but he's not the Asshole With a Heart of Gold archetype. He's not cruel or deliberately mean (at least, not to anyone who's not Kipps). He's friendly and pretty kind to most people most of the time, and he openly cares about his team. And it's a little weird that I'm seeing so many people talk about him like he's not.
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ohnoitstbskyen · 7 months
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I know it would probably bring a lot of hate comments but I am begging you to roast the hazbin character designs because I'd love to have someone properly articulate why they don't work so I could send it to people who won't believe me when I tell them. 🫠 Understandable if you don't want to get into it though.
I don't think there's that much there to roast, honestly?
Those designs are clearly an extremely specific stylistic choice, and because that style is consistent throughout the show, it ultimately feels coherent with itself.
There are trade-offs being made. Because Hazbin's design style is SO stylized and so heavy on decoration and detailing, because it puts a lot of emphasis on costuming, it isn't as good at communicating specific character storytelling as a more grounded style could be (it's kind of the same tradeoff that stuff like Genshin Impact makes).
Like, why does Sir Pentious' hat have an eye and a mouth on it that makes its own expressions? Apparently not for very much reason at all, except that Pentious has a bit of an eyes-motif going on in his design and it was one more place to put an extra eye. And that's a valid criticism of his design, but also the entire show is designed like that, so frankly it would be weirder and more out of place if his design alone didn't have that kind of overelaborate decoration going on.
It does create a situation where I have a hard time "reading" the character designs sometimes. For example, Vox, Alastor and Pentious all wear a similar style of suit with upwards-turned shoulders, butterflies and pinstripes. Now, am I meant to read that as Vox imitating Alastor due to his crippling need to replace and outdo him, and Pentious imitating the style of powerful Overlords because he thinks that possessing their level of power will finally give him relief from his paranoia and self-loathing?
Or is it just a design fixation of the creator who keeps putting their characters in suits because that's just what they like? I can't really be sure, because sometimes design elements are used to intentionally tell stories about how characters relate to themselves, their world and one another, but plenty of other times designs look the way they do Because Of Vibes.
But again, that lack of clarity is clearly an intentional trade-off - and the benefit of that trade-off is a design style that is extremely varied, wild, expressive and memorable. Hazbin Hotel seems like a very easy show to draw fanart of, and a very fun show to draw fanart of. Those designs (especially the hyper-expressive faces) are begging to be the subjects of traumatic headcanons, unbearably cotton-candy soft fluff fantasies and weird, taboo, homoerotic power dynamics. Slaps roof of character design, this bad boy can express so much vicarious emotional intensity.
It's very exuberant, very excited about itself and very self-indulgent, it's a style that prioritizes visual impact and visual interest over readability (something which the animators of the show navigate with real skill, props to them) and individual aesthetics over worldbuilding.
And I don't blame anyone for being turned off by that (I certainly was the first time I started seeing those designs going around), but I would struggle to call the show's designs "bad" when they are clearly achieving exactly what they want to achieve.
I have some criticisms, especially re: how the show treats skinny bodies as an unquestioned, desirable default, and employs fatness as a means of alienating and abjecting the audience. That sucks very badly, and is a serious disappointment, and one of the few places where the show feels like it is being cowardly in its design philosophy. But I don't have it in me to do some kind of Hazbin Hotel Sucks And Here's Why takedown, its problems are not unique or extreme enough to warrant it, at least not as I currently understand them.
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wilwheaton · 1 year
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When you watch The Curse, you are watching two children who were abused and exploited daily during production. No adults protected us.
This was originally published on my blog in August, 2022.
I had a wonderful time at Steel City Comicon this weekend. It was my first time at this particular con, so I didn’t know there was such a huge contingent of horror fans, creators, and vendors who attend.
I love horror, and I was pretty psyched to be in the same place as John Carpenter and Tom Savini, across the street from the Dawn of the Dead mall. Pittsburgh feels like one of the places horror was invented, at least to me.
A number of these horror fans came to see me, and asked me to sign posters and other things from a movie my parents forced me to do when I was 13, called The Curse. I had to tell each of these people that I would not sign anything associated with that movie, because I was abused and exploited during production. The time I spent on that film remains the most traumatizing time of my life, and though I am a 50 year-old man, just typing this now makes my hands shake with remembered fear of a 13 year-old boy who nobody protected, and the absolute fury the 50 year-old man feels toward the people who hurt him.
I told this story in Still Just A Geek, and I’ve talked about it in some podcasts I did on the promo tour, but I’ve never put it out in public like this, in its entirety.
I suspect someone at the publisher would prefer I tease this and hope it drives book sales from people who want to read all of it, but I honestly don’t want to have another weekend like this one where everything is awesome, except the few times people who have no idea (and why should they) put that fucking poster in front of me, and all the fear, abandonment, and trauma come flooding back as I tell them that I won’t sign it, and why.
To their credit, each person was as horrified as they should have been, told me they had no idea (if they didn’t read my book why would they), and quickly put the poster away. They were all understanding. I am grateful for that.
But I really don’t need to tell this story over and over again, so here it is, with a child abuse and exploitation content warning, so I can just tell people to Google it.
After Stand by Me, everything changed. The attention from entertainment journalists, casting directors, and especially teen magazines came pouring in. The movie was a generational hit, beloved by critics and audiences alike, and every single one of us could pick anything to do next.
River’s parents and his agent got him Mosquito Coast, with Harrison Ford, as his next movie. I also auditioned for the role, but I knew even then that River was going to book the job. He was perfect, and I’d have to wait a little bit for my opportunity to come along.
I went on a lot of theatrical auditions after Stand by Me. I had tons of meetings with directors and the heads of casting at every major studio. It was all a very big deal, and I felt like we were all looking for something really special and amazing as my follow-up to Stand by Me.
At some point, a couple of producers contacted my agent with an offer to play one of the leads in an adaptation of H. P. Lovecraft’s “The Colour Out of Space.” The script was titled The Farm. (It would, of course, be changed when the film was released).
I read it. I did not like it. It was a shitty horror movie, and I saw that right away. It was the sort of thing you rented on Friday when the new release you wanted was already out of the store.
My mother, already an incredibly manipulative person, used every tool at her disposal to change my mind. My father threatened me, mocked me, told me “It’s your decision” when it clearly wasn’t. It was all so weird; I didn’t understand why they cared so much.
I told my parents I didn’t like it and didn’t want to do it. I clearly recall thinking it was a piece of shit that would hurt my career.
It wasn’t the first thing that had come our way that I wanted to pass on, and every other time, it hadn’t been a very big deal.
Sidebar: I was cast in Twilight Zone: The Movie, in 1983. The film tells four stories, and I was cast as the kid who can wish people into cartoonland. It was a GREAT role, in a movie I still love. (Note that Twilight Zone had four directors. One of them got three people killed. The segment I was cast in was not that one. I mention this because too many people zero in on this to deflect from what this whole thing is actually about.)
But I was CONVINCED by my parochial school teacher that if I worked on The Twilight Zone, which she had determined was satanic, I would go to hell. (This woman and her bullshit played a big role in my conversion to atheism at a young age, but when she told me that, I was all-in on the supernatural story they taught us in religion class.) I was so scared, more scared than I’d ever been to that point in my life, I cried and wailed and begged my parents to not make me do the movie. And I never told them why, because I was afraid my dad would laugh at me for being weak and afraid. My agent tried to talk me into it, and I wouldn’t budge. It’s the only thing I deeply and truly regret passing on, and I really hate I made that choice for such a stupid reason.
Okay. Back to The Curse.
This time, when I told them how much I hated it, they wouldn’t listen to me. My mother, already an incredibly manipulative person, used every tool at her disposal to change my mind. My father threatened me, mocked me, told me “It’s your decision” when it clearly wasn’t. It was all so weird; I didn’t understand why they cared so much.
That is, until they made me take a meeting with the producers of the movie, in their giant conference room on the top floor of a tall building in Hollywood. All I remember about this place was that it was huge; the table was way too big for the five of us who spread around it, and there were floor-to-ceiling windows on three of the walls, but the room was still dark. There was a weird optical illusion in the center of the table, this thing they sold in the Sharper Image catalog, made from two reflective dishes with a hole in the top of one. You placed an object in the bottom of the bottom dish, and it made it look like that object was floating above the whole thing. They had a plastic spider in it. What a strange detail for me to remember, but it’s as clear in my memory as if I were sitting in that room right now.
One man, who I presumed was the executive producer, was European or Middle Eastern (I didn’t know the difference then, he was just Not Like People I Knew), and I was instantly afraid of him. He was intimidating, and seemed like a person who got what he wanted.
So we sat there, my father who didn’t give a shit about me, my mother who was cosplaying as someone with experience, and me, thirteen years old, awkward as fuck, and scared to death.
I don’t remember what they said to me in their pitch or anything other than how uncomfortable and anxious I was to even be in that room. I tried so hard to be grown up and mature, but I — and my parents — was way out of my depth. I’d done one big movie and that was it. We didn’t have my agent with us, who had lots of experience and would have known what questions to ask.
No, in place of my experienced agent, my mother had decided she was going to be my manager, and she tackled the responsibility with an enthusiasm that was only matched by her absolute incompetence and inability to go toe-to-toe with producers the way my agent did. She was outwitted, out-thought, and outmaneuvered at every turn.
“You don’t have a choice,” my father commanded. “You are doing this movie.”
So we sat there, my father who didn’t give a shit about me, my mother who was cosplaying as someone with experience, and me, thirteen years old, awkward as fuck, and scared to death.
At some point, this man, who is represented in my memory by big Jim Jones sunglasses under dark hair above an open collar, said, “We are offering you a hundred thousand dollars and round-trip travel for your whole family. We will cast your sister, Amy, to play your sister in the movie.”
It all made sense, now. I was only thirteen, but I knew my parents were pushing me so hard because this company was offering me — them, really — more money than I’d ever imagined I’d earn in my life, much less a single job.
I knew that the right thing to do, the smart thing to do, was to say no. There would be other opportunities, and it was stupid to cash myself out of feature films for what I thought was, in the grand scheme of things, not very much money.
It’s incredible to me that I knew all of this. It’s incredible to me that I could see all these things, plainly and clearly, and my parents couldn’t (or, more likely, chose not to).
So after this man made his offer, all the adults in the room ganged up on me, selling me HARD on this movie.
My mother said, “Don’t you want your sister to have the same opportunities you’ve had? Wouldn’t it be fun and exciting to go to Rome? Think of all the history!”
The experience was awful. It was the worst experience I have ever had on a set in my life, by every single metric. The movie is awful, and it is the embarrassment I knew it would be.
I don’t think about this very often, because it’s super upsetting to me. Right now, I’m so angry at my parents for subjecting me and my sister to this entire experience. But I’m getting ahead of myself.
In that moment, I felt bullied and trapped. All these adults were talking to me at the same time, and I just wanted it to stop. I just wanted to go home and get out of this room. I just wanted to go be a kid, so I did what I’d learned to do to survive: I gave in and did what my parents wanted.
The experience was awful. It was the worst experience I have ever had on a set in my life, by every single metric. The movie is awful, and it is the embarrassment I knew it would be.
But here’s the thing: when you watch The Curse, you are watching two children, me and my sister, who were abused on a daily basis. The production did not follow a single labor law. They worked us for twelve hours a day, on multiple film units (while I work on First unit, second unit sets up and waits for me. When I should get a break to rest, they send me to Second unit, then to Third unit, then back to First unit. I was 13.) without any breaks, five days a week. I was exhausted the entire time. I was inappropriately touched by two different adults during production. I knew it was wrong, but I was so scared and ashamed, and I felt so unsupported, I didn’t tell anyone. I knew my dad wouldn’t believe me, and my mother would blame me. Anything to keep the production happy, that’s what she did. That was more important to her than the health and safety of her children. The director was coked out of his mind most of the time, incompetent, and so busy fucking or trying to fuck one of the women in the cast, he was worse than useless. He was a fading actor who was cosplaying as a director, as in over his head as my mother. My sister and I were never safe. Instead of harmless atmospheric SFX smoke, they set hay on fire in barrels and blew actual smoke onto the set. They took buckets of talc, broken wood, bits of wallpaper and plaster, and threw it into my face during a scene inside the collapsing house. My sister is in a scene where she goes to get eggs from some chickens, and they attack her. So they hired Lucio Fulci, the Italian horror master, to direct her sequence. His idea, which everyone was totally on board with, was to throw chickens at my sister. Live chickens, live roosters, live birds. Just throw them at a nine-year-old girl. Oh, and then tie them to her arms and legs so they’ll peck her. All of this happened under my mother’s observation, and with her full participation.
Everything I need to know about who my parents are is wrapped up in that experience: the total lack of concern for my safety and happiness, treating me like an asset instead of a son, lying to me, manipulating me, and using me to get things they wanted, and then gaslighting me about it.
If just ONE of the things I can remember happened to someone I loved, I would have grabbed my kids, gone to the airport, and flown home. Fuck those abusive assholes in the production. Let the lawyers sort it all out. Nobody hurts my children and gets away with it.
My mom says she “had some talks” with the producers. She claims that, once, she wouldn’t let us leave the hotel. (God, what a fucking dump that place was. It was just slightly better than a hostel.) I have no memory of that, but honestly the entire experience was so traumatic, I’ve blocked most of it out.
The movie was the commercial and critical failure I knew it would be. My parents spent the money. I don’t know what they spent it on. I got to keep fifteen cents of every dollar, so . . . yay?
My sister and I hardly ever talk about this. I suspect it was as upsetting and traumatic for her as it was for me. I told her I was writing about it, and asked her if she remembered anything. She told me she’d been lied to her whole life about this movie. Our mother let her believe she had been cast on the strength of her audition. “I was excited to work with you,” she said. She reminded me about some stuff I’d blocked out, including a scene where my character’s older brother (played by an actor named Malcolm Danare, who was kind and gentle, and made both of us feel safer when he was around) shoves my character into a pile of cow shit. When it came time to shoot the scene, the mud they’d put together to be the cow shit looked an awful lot like cow shit. When Malcolm pushed me into it, we all found out it was real cow shit. I was FURIOUS. The director had lied to me and had allowed me to have my entire body shoved into an actual pile of actual cow shit. I don’t remember what I said, but I remember he treated me the exact same way my father did whenever I got upset: he laughed at me, told me I was being too sensitive, reminded me that he was the director and he wanted to get a “real” performance out of me, and concluded, “If it bothers you so much, we’ll get you a hepatitis shot,” before he walked away.
My sister also recalled that, after she survived the scene with the chickens, it was the producers’ idea to give her one as a pet.
Okay, let’s unpack that for a quick second: you’ve been traumatized by these birds, so we’re going to give you one as a pet. That you’ll somehow keep in your hotel, and then will somehow get back to America. It will shock you to learn that neither of those things happened.
She remembered, as I do, the huge fight I had with my parents in our kitchen, where I told them I hated the script and I hated the movie. I didn’t want to do it, and I hated that they were making me do it.
“You don’t have a choice,” my father commanded. “You are doing this movie.”
“This is the only film you are being offered,” my mother lied to me. She made me feel like, if I didn’t do this movie, I would never do another movie again in my life. I had to do this movie. As my father bellowed, I had no choice.
Both of my parents denied this argument ever happened. Can I tell you how reassuring it is to know that my sister, who was also there, remembers it the same way I do?
The makeup department decided they would literally cut my little sister’s face with a scalpel, in three places, and put bandages over them.
But one thing she told me, the thing I did not know, the thing that makes me so angry I want to break things, actually managed to make the entire experience even worse than I remembered it.
There’s a scene after her chicken incident where I check up on her in her bedroom. She’s got cuts and bruises, and I guess we talk about it. I don’t remember and I can’t watch the movie because I’m terrified it will give me a PTSD flashback (I’ve had one of those and I recommend avoiding it). Here’s the thing about that scene: she has some cuts on her face, and those cuts are real. They are not makeup.
I’m going to repeat that. My nine-year-old little sister had actual cuts on her face that were placed there by an adult, on purpose.
The makeup department decided they would literally cut my little sister’s face with a scalpel, in three places, and put bandages over them. My sister told me our mother wasn’t in the makeup room when this happened — honestly, it seemed like our mother was strangely and conveniently absent when most of the really terrible things happened to us on the set — and when my sister told her what they’d done, she “lost her shit” at the production. She was pissed, I guess, which is appropriate and surprising. I wonder what would have to have happened for her to put us on a plane and get us home to safety? I mean, her son being abused daily didn’t do it, and her daughter being CUT IN THE FACE ON PURPOSE didn’t do it.
I just . . . I can’t. I can’t understand or comprehend allowing your own children to be physically and emotionally abused. They were literally selling my sister and me to these people, like we were some kind of commodity.
This was a tough conversation. My sister’s experience with our parents is very different from mine. My sister and I love each other. We’re close. I know it’s hard for her to hear that her brother, who she loves, was so abused by her parents, who she also loves. I was really grateful she made the time to talk to me about it, and grateful the experience wasn’t as horrible for her as it was for me.
As we were finishing our call, Amy also remembered one man, a young Italian named Luka, who was our driver for the movie. I haven’t thought about him in thirty years, but I can see his face now. He was kind, he was friendly, he taught us how to kick a soccer ball, and in the middle of an abusive, torturous experience, he stood out as a kind and gentle man. I mention him because she remembered him, which made me remember him, and goddammit I want at least one small part of this thing to not be awful.
The Curse remains one of the most consequential times the adults in my life failed to protect me. I’m 50. I still have nightmares.
Ultimately, as I predicted and feared, this piece of shit movie cashed me out of respectable films forever. I got offers for movies, but they were always mindless comedies or exploitative horror films. They were never the serious dramas I wanted to work in after Stand by Me. The industry looked at me and River, wondering if one or both of us would become a breakout star. They quickly saw that River was doing real acting work, and I was in this piece of shit. For River, Stand by Me was a beginning. For me, it would turn out to be pretty much everything, at least as far as film goes.
There are thousands of reasons film careers do and don’t take off. Maybe mine wouldn’t have taken off anyway. Clearly, it’s not where my life ended up, and I’m super okay with that now. But when all of this happened, it hurt and haunted me.
The Curse remains one of the most consequential times the adults in my life failed to protect me. I’m 50. I still have nightmares. Everything I need to know about who my parents are is wrapped up in that experience: the total lack of concern for my safety and happiness, treating me like an asset instead of a son, lying to me, manipulating me, and using me to get things they wanted, and then gaslighting me about it.
This annotation is the last thing I wrote before I turned this manuscript in, because opening these wounds is hard and painful. I put it off as long as I could, and I feel like I’m still holding back, because just this small glimpse of the experience has taken me a week to write. I can’t imagine trying to go back and unpack the whole thing. (Note that is not in the book: I’ve made an EMDR appointment to work on this because the nightmares have come back after the weekend).
Fuck The Curse, and fuck every single person who exploited and hurt two beautiful children to make it. You all participated in child abuse, and you all knew better. Shame on all of you. I hope this follows you to the end of your life. I hope that living with what you did to innocent children has been as hard for you as it has been for me, because you deserve no less.
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hotpinkstars · 5 months
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ESPRESSO - aventurine x reader
- "now he's thinkin' bout me, everynight, oh, is it that sweet? i guess so." or, how does aventurine do when he's in love?
- GUYS GUYS QUEEN SABRINA DROPPED A SINGLE i've been listening to this for days and i needed to write about it sooooooooooo yeah! anyways i'll get to writing probably a few requests tomorrow and wednesday (expect 4-5 posts between those days to make up for my absence) and yeahhhhhh enjoy!!
- aventurine might be a little ooc, mentions of his trauma (so penacony main quest spoilers), reader confesses at the end. wc 1067
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Aventurine doesn’t know what to do when he first figures out that the feeling in his chest whenever he saw you was because he liked you. He probably tried to deny it, until Topaz caught him blushing like crazy after you walked away from the conversation you two had just finished. (Even then, she had to tell him, and then he spent a long time thinking that possibility through. She might have been right). 
You plague his visions. Why does he always want something to do with you? Why does he always want to be in your space, but also never wants to see you again? You’ve noticed his weird behavior, considering you were one of the first people he’s ever genuinely called a friend, but didn’t really think too far into it. 
Though, it didn’t stop you from paying more attention to it, that's for a fact. Sometimes you’d pay more attention to his body movements around you, the way he speaks, his etiquette, etc. You and Topaz communicate through it, and it’s a little bit different from his conversations with her. 
You know he can be cocky. Like, very cocky. You know he’s not too afraid to talk back, to challenge someone to a gamble (spoiler he wins), and to be reckless. Though, you also know about his backstory. So you can kind of understand where he’s coming from. 
He’s been pretty open with you about all of the things he’s endured. You know his real name, he’s described how his family has looked, and he’s described his years he endured slavery and what his home planet was like. You know about the Men in Black and the Katicans. And you know how traumatized he is.
Now, you’ve known him for a long, long time before this. You welcomed him into the IPC when Jade first announced his arrival, and you kind of showed him the ropes. He thought you seemed kind, so he stayed in contact with you.
You’ve watched him change, all of his progress through life, the hard times and the good times, and so much more. And that's what gets him the most, he thinks. 
He never realized how much he trusted you until he realized he liked you. You know every single thing about this man, which was the reason why he was rather… nervous when he’d have to communicate with you face to face. He did a good job at keeping up his front he uses to talk to people, but you sensed a slight form of stress underneath all the layers he put up to look tough. 
He lays awake, thinking about you. You’ve made part of his mind your home, and it’s the part he comes back to over and over again. You replay in his mind like a good song that he can’t get enough of- on, and on, and on, and on. 
He does like to bring you little trinkets he finds pretty when he goes out in public to do some shopping. Considering how wealthy he is, he could probably afford to buy out the whole store, so if you even mention something you like to him, he’s on his way to find it for you. He likes to think of it as he’s buying your kindness, but you think something completely different. You enjoy his sudden gift giving, not just because of your gain, but because he thought about you enough to do such a thing. It always makes you slightly blush before laughing while opening the box presented in front of you. He thinks that's the most precious part about your time spent together; all of the opportunities he gets to listen to your gorgeous laughter and see your flawless smile. Topaz, pinch the man, he’s in his own personal dreampool.
Oh, how bad he wants to confess to you, but he’s really afraid of rejection. He fears losing you entirely, fears that you won’t look at him like you always do if he asked if you two could be a thing. He fears you’d think he was odd for wanting you to himself, and that you’d slowly back away until you refuse to even look at his broken, battered form any longer. The thought makes a shiver crawl up his back. He can’t lose you too. 
All this man asks is to find a way to remove you from his head. You’re absolutely tormenting him! Notice how he’s been lacking on his work lately, always caught in a daze when he’s sitting down at his desk? That’s you he’s daydreaming about. He’s no good with his emotions. He knows how to hide sadness, fear, and anger, but he’s never been in this boat before. Love is a whole new concept to him. 
“Aventurine, you’ve been out of it lately. Tell me, is something the matter?” You barge through the blonde's office, not even bothering to knock. You know you don’t have to, he’s never doing anything so significant in that tiny space that it needs to be kept private.
“What are you saying? Nothings up with me,” he drops his pen in the small plaster pen cup you bought for him. “Work has been tiring lately. Nothing to stress over.” 
You plop into the chair in front of his desk, resting your arms on the top and putting your head in between your palms.
“I can tell when you lie. Tell the truth.”
He looks away. What was he supposed to say? That he couldn’t get you out of his brain, and that you’re the only thing he can focus on? That’ll scare you off for sure!
“Aventurine?? You there?” you wave a hand in front of his face, snapping him out of his daze once more. “You know, you don’t have to lie. I already know what you’re thinking.”
His eyes slightly widen, just enough for you to notice. You giggle very lightly before continuing on with your sentence. “You have a little crush, don’t you? Don’t worry, I like you back. Seriously, I do.”
He doesn’t know how to reply to that. He doesn’t know if he wants to faint or make out with you right now. “So that makes us…?”
“I don’t know. We could remain friends, we could be boyfriend girlfriend, whatever you want. I don’t care.”
Well, he believes he already knows the answer he’s choosing.
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sukifoof · 1 year
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hii i was talking about this on twitter so i think i will just copy paste it here cuz i’ll probably delete it there at some point <3 twitter frightens me but i love my mutuals here we are all insane about flowey in the same way
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 i think saying “you’re the type of friend i wish i always had” is a really important thing for asriel to admit... this whole time asriel has dealt with so much grief and guilt about chara that it separated the actual person chara from the idealized version of them in his head who he has never stopped grieving. its a huge part of his character that hes unable to view them as they were because that’s just how his ptsd and guilt affects him. as someone who went through a similar thing that kind of grief can mess with your head and how you view yourself and the person who’s gone really badly. the pacifist route, for flowey’s character specifically, is a really good example of how grief and ptsd can make you feel disconnected from yourself, everyone around you, and like if only the person you lost was back everything would be perfectly fine again. the fact that he can admit they weren’t perfect and that he made the right decision is a huge character development that we don’t get to see in the no mercy route because he’s still convinced that this idealized version of them birthed from bereavement will make everything okay. similarly to how he believed toriel might have been able to fix him, he wants to believe there’s someone out there that could somehow return him to who he was before being traumatized, but the reality of it is this is just who he is.
his grief and trauma is a huge part of who he is like it is with real people, but it doesn’t have to be all of him. i think the emphasis the fandom puts on whether chara was Good Or Bad completely misses the point that it doesn’t really. matter i guess?? they were a kid people loved and now they’re gone. we're seeing people deal with the grief this brought and we know so little of who they are because there’s also a degree of separation about who they are to the people they loved as well. idk i hope this makes sense i think a lot about how chara is a kid who hated humanity and calls themself a demon. to me that just shows an EXTREMELY traumatized child with self hatred. i don’t know why there was ever this huge moral argument about chara when they’re literally just a kid with issues. they weren’t taught how to deal with how they felt and likely held themself in lower regard compared to the dreemurrs. its the same thing with asriel, he feels responsible for them being gone and his own trauma. he just wants a friend who can teach him to understand his grief or someone who can at least let him view the situation for how it really is
i just think. flowey is so well written but not understood very well by the fandom because the type of thing he’s gone through is kind of hard to grasp. it’s a weird situation that doesn’t have a completely black or white Is He Or Chara At Fault kind of answer. they were children. people are complicated and want someone to blame when something goes wrong and flowey directed that at himself. hes such a fascinating and well written character i love him dearly i hope u guys understand how insane he makes me <3
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nat20composure · 9 months
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Astarion and Agency- The Necessity of Discomfort to Self Discovery and the Infantilization of Victims
Minor Astarion discourse ahead that mentions the treatment of SA victims post-abuse:
I want to open this post up just with like. The statement that I don't think there is a correct way to enjoy media and that I LOVE to see individual head cannons and takes on characters in media. I think that is also, to a degree, an integral part of video games because of how unique the experience of playing a game will be to every person who plays it. But it has been making me feel so incredibly sad looking through fan content, art, or discourse for BG3 specifically because of how many people have taken the route of infantilizing Astarion.
I understand the instinct to shield or protect an individual that you love and care for. I also understand that because of the nature of the things that Astarion goes through, a lot of people also feel very deep emotional stakes in him. I'm one of the many fans of the character who is a victim of SA and CSA, I really do get it. That is also why for me personally it is so demoralizing to watch so many people treat him like he is a child who cannot make his own decisions or stand up for himself. Part of that frustration stems from it feeling like a media literacy issue, and the other part of that sense of defeat is just because it feels indicative of a broader attitude that people seem to hold towards victims of abuse, particularly those who are victims of SA.
To explain what I mean by people infantilizing him: I see so many people refuse to allow him the opportunity to be hurt, or to feel uncomfortable. They see this character who has been through an immensely horrible and traumatic experience, and their instinct is to try and shield him from anything else that has the potential to upset him. I get that the people who want that aren't doing it with malicious intent, but frankly it is not really...Helpful? To try and prevent victims from Experiencing Discomfort tm. I also think it kind of disregards the entire thesis of Astarion's character and arc.
When you go through something that robs you of your selfhood and agency, the world can become a crushingly terrifying place. In Astarion, that fear presents itself in a desperation for power, control, and at the core of both of these desires- Safety. One thing the game is clear about is that he has a right to kill his abuser. He has a right to escape his situation. A lot of Astarion's personal arc is centered around being able to finally do that. But the game doesn't just leave it off at getting him to safety. So much of it is also about him needing to take responsibility for himself and his actions, with needing to learn who he as a person is.
The inclusion of the Gur children and Sebastian as characters is a good example of ways in which the game gives Astarion the opportunity to take responsibility. I think that if the intention of the arc was meant to be that "Astarion should never ever have to deal with being afraid or uncomfortable again", then the Ascended arc wouldn't Come with such heavy moral ramifications, like sacrificing the other people just like him, killing the victims he lured in, literal child murder. The game infers that he doesn't deserve to die because of the things he Needed to do to survive, but it also makes it very clear that there is a difference between addressing an Active Threat and using your fear as an excuse to hurt others. Breaking that cycle of abuse when he finally gets the chance to is what separates Spawn Astarion from Cazador.
Taking responsibility for himself, and letting himself sit in the discomfort of vulnerability ultimately ends up being a thing that he is very proud of and cherishes. If you tell him you will make sure nothing like that ever again he himself says that he doesn't want you to be his protector. And so it blows my mind when people go into all of these discussions about Astarion with this...Weird moral high ground for never, ever making or letting him make choices that might hurt him?
I see this the most when it comes to discussions about the possible polyamorous relationship with Halsin and the interaction with the drow twins in the brothel. So many people are just...outright angry? At other people engaging with either of those options? And I feel like that anger is one) rooted in the projection of their Own feelings on non-monogamy and what a victim of SA can or cannot look like. and two) Relies on undermining the agency that Astarion BEGS you for at every turn.
When it comes to the drow twins, the game adapts Astarion's response to them based on where he is in his own personal development (a really cool thing imo). Obviously, if he still doesn't feel good or safe about engaging with sex he declines and says you can feel free, though he hopes you aren't just doing it because he hasn't had sex with you. I think this makes sense: He's just gotten out of a situation where his Safety and worth were directly tied to him having sex. I imagine he feels afraid that not wanting to have sex with you makes him replaceable or inadequate because at this point in the game, he feels like that's all he has to offer. The interaction is relatively the same if you ask him for a poly amorous relationship with Halsin: He just asks you to reassure him that you aren't only doing it because he hasn't had sex with you, and then tells you he isn't worried about it otherwise.
A lot of people have taken the expression of that insecurity in combination with him still allowing you to go forward and do these things as him just "sucking it up" because he's afraid of losing you. (I am aware Shadowheart says he wouldn't be able to handle it when you ask her if you can date both of them- But keep in mind, Astarion says she wouldn't be able to either, and THAT obviously isn't true of her. For the purposes of this discussion I'm only including interactions with Astarion as a judgement of his character.) I understand that concern, but I feel this take disregards so many other points of dialogue, and is also continually rooted in the baseline vilification of discomfort.
To further go into it, the way that he speaks about both of these interactions changes significantly if you speak to him about it once he is completely free from Cazador, and has had time to allow himself to start reconnecting with himself and his sexuality on his terms. He has absolutely No reservations about an open or poly relationship with Halsin, and says he trusts that things will be ok because he one) feels secure in Your relationship and two) Knows Halsin is experienced and trusts him to not be a messy bitch about it.
I think that shift, in combination with the in game explanation of why he isn't ok with being in that sort of relationship with the other Origin Characters (for Lae'zel and Wyll, he says they'd never agree to that. For Shadowheart, he says she's not experienced with open relationships and that he doesn't think it'd work out. For Karlach, that it would break her heart. And for Gale, he says you need standards.) is a pretty good indicator that he doesn't actually care about polyamory or monogamy. I think the vilification of that choice relies on you picking and choosing when you do or do not believe Astarion or just outright not liking non-monogamy in the first place. This interaction has more to do with the player's choice and comfort level, and so is not as important to the broader discussion I am trying to have in this post.
The interaction that is more pertinent to not Allowing him to make decisions is, I think, the drow twins. If you interact with the drow twins after the completion of the Cazador questline, he is outright giddy at the prospect of interacting with the Drow twins. Specifically stating that he is excited to see how he likes these sorts of things now that he's free.
NOW- I do NOT think that he enjoys the act. The game makes that abundantly clear, and I'm not arguing that he has a great time. He obviously does not, and dissociates during it. That being said, allowing this interaction to happen does not make a player evil or selfish. You are not playing the hero if you decide to moderate his choices just because you do not think he is ready for it. Once again, no one is evil for Not doing it either, and I am not saying anybody has to want to. I am just saying that treating this choice like it is an evil choice to make relies on completely disregarding what He wants to do.
Astarion says so many times in the game that he is anxious about finally having the freedom to find out what he wants to do, and I think that his excitement for the drow twin exchange is one of the opportunities the game gives him to make a choice. He makes that choice- And it sucks for him. He doesn't enjoy the act, and having done it he would be able to move forward knowing that. I think it's really cool and important that the game represents that facet of recovering as a victim. While you are trying to renavigate who you are, you are going to make a million new choices you never had before. And sometimes those choices are going to suck ass. It would be a different matter if he knew these things would hurt him and went ahead and did them anyway. But so many people expect him to move forward avoiding even the Potential of being hurt, and I think that is extremely reductive of his arc and who he is.
Beyond the matter of interpersonal relationships, the choice between Ascending or not Ascending Astarion is not a matter of choosing the lesser of two evils. It is a choice between his fear and his humanity. Between letting his trauma and his fear define him for the rest of his immortal life, and allowing him the vulnerability of deciding who he is when he isn't running from the world. When he's willing to listen to the parts of himself that want to do right, that wants meaningful connection, that wants to be proud of himself. That wants to meet himself. To confront who he is when someone else isn't deciding that for him.
Astarion as a character is extremely ambitious, inquisitive, and adventurous, three traits that only become more and more evident as he breaks free from letting his own fear dictate how he lives his life. I don't understand how so many people can see him and want to take the core of his character away from him, when he spends the entire game fighting desperately to take it back.
Victims are not casts of the abuse they have gone through. Their shapes may be changed by the hands of others, they may have to relearn how to be the person they want to be. But they are not broken or irreparable or fragile. They do not need to be freed from the grip of one person to be held tight in the grip of another. It is so fucking unfair and self-important to think that your hands will be the ones that fix them. That your hands know better than theirs. I think the kindest thing you can do for a person is to trust them with themselves, and to listen when they tell you who they are and what they want. Please listen to the voices that have only just learned to speak. It is the only way they can get better at doing it.
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brucewaynehater101 · 20 days
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I have a vent fic wip that I may or may not finish so I just need to tell someone that I am...feeling so many things all the time about the consequences of the 16th birthday but...
primarily, right now, at this moment. without Robin/Bruce, Tim thought he would lose Dick and everyone else he knew through Robin. and then a little bit later when he quit for Jack, he got radio silence for Months until he became a potential victim, and even then it was just Cass stopping in to give the message and be like "I'll watch you to keep you safe 👁️👁️ ok bye" and he had actual Proof that without Robin, he would lose everyone.
and then. Dick "you're my equal (even tho I'm drastically changing your life without your knowledge or permission), you're my closest ally (even tho you don't even have a name to go out in the field to assist me as backup), I need you (even tho, as mentioned, I made a huge decision without your input because I didn't need it because I know best actually)" Grayson.
skipping over the fact that Dick didn't even have the time to say "you're fired" or anything resembling that, when Tim lost "Robin" to Damian, he felt like he lost everything else too. it didn't matter what Dick said about "equals" or "allies" or "needing". he already had Concrete Proof that it was all false. cheap words that are easily disproven do nothing in this situation, Dichard!
(disclaimer: I love and respect Dick Grayson, I just also think Dick Stopped Existing as soon as he made Damian his Robin for the most pathetic stupid illogical risky-ass excuse he could ever give for making anyone Robin (or a vigilante in general). "because he'll kill someone again". who the fuck says that?? who thinks "oh no oh god oh fuck this kid is gonna go off the rails he's gonna kill someone, I need to Put Him In A Place Of Power Over Oblivious Innocent Untrained People Who Are Expecting A Kind And Empathetic Hero To Save Them" hUH???? ok sorry, I just wanted to rant about what Tim "losing Robin" meant)
I agree with ya. Dick Grayson is fantastic, but it seems weird that he nuked his entire relationship with Tim (a very strong one that other fans have referred to them as "The Brothers") for the new kid.
Yes, Damian is a ten year old traumatized kid who just lost the dad he didn't really have the chance to get to know. Yes, Damian needed guidance, boundaries, and compassion.
But DC spent so much time and effort building up Tim and Dick's rapport only to obliterate it once the "blood son" came in (I also love Damian. This is not hate on the kid. This is confused commentary on DC's choices). It's just a strange idea, but that's also why it hurts so much when Dick does that to Tim.
Then you tie in Tim losing Robin by Dick to Tim's experiences before? Fuck. You are so right for that.
As far as the RR run, Dick could've handled Tim believing Bruce a bit better. I don't necessarily blame him for that one. I get why he wasn't supportive in the way Tim wanted, even though I would've chosen differently for my siblings.
Dick taking Robin, though? That was fucked up. I, honest to the gods, do not see how that was a justified course of action. I can understand his perspective, but it's still not okay. At all.
There's your very adequate analysis:
Robin, for Tim, is his tie to his loved ones. He has proof (twice) that without it, he does not have access to the people he cares about and his support system.
Dick said a lot of pretty words about "equals," but his actions were precisely contradictory to his "intentions."
Tim has had Robin taken from him before or had to give it up. He chose to go back despite this. He obviously feels strongly about being Robin
Damian has not proven, at this point, to be trustworthy as a vigilante (someone in power without oversight). He has instead shown use of excessive force
This isn't even going into the way he found out. That's just an extra layer.
The way Tim has repeated lost and regained Robin (even after RR) as well as his title as Red ROBIN are, to me, a sign that he's still trying to hold on. It's my belief that he would have moved onto a new title, like his predecessors, if it hadn't constantly been an unsure role.
His start was rocky as hell due to Bruce not initially wanting it. Tim had to prove himself and put himself into the costume.
He "quit" twice before it was taken from him in a traumatic way (nothing like being instilled with the fear that the position you've held for four years can suddenly be yanked out from under you without warning)
Damian and Jason both vehemently protested to him being Robin
It would make sense if all of these factors combined to Tim's unwillingness or inability to just let Robin go, especially when we factor in his reason to be Robin. Since Bruce never really gets "better" and continually falls back into bad habits, Tim needs to maintain his task of pulling Bruce back from the edge. We could also throw Jean Paul into this to further how Tim is forced to play as the barrier between a grown adult and their desire to harm others in the name of good.
So, Tim's time as Robin is marked by consistent instability while contrasted with his inherent position as Bruce's leash and the batfam fixer. While the other Robins did have times of doubt, the predecessors of Tim did not have the pervasive role insecurity with regards to Robin.
They had their big moment at the end and some smaller moments in-between, but not quite on the continous scale of Tim. Tim had three big moments and was still sucked back into Robin when Damian quit.
To be Robin is to earn Bruce's love and the ability to be part of the Wayne family. To lose Robin is the risk of losing that (at least to the perspectives of the Robins if not 100% the reality).
I'm not sure I'm articulating this accurately. Regardless, no wonder Tim clutches the title of Robin with bleeding hands no matter how much it cuts him and costs him.
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androdragynous · 3 months
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I know i complained about the stardew valley penny and George cutscene at length but the it really is fucking. bizarre the lengths people will go to defend it because "the game lets you pick to side with him" (please do literally any reading about wheelchair use and realize why it's a problem that the game rewards you for moving someone without their consent.) or variants of that sentiment but then it's like. the rest of the cutscene is also So Weird
Like. Penny moves an old man in a wheelchair without asking him. He gets upset, she asks if you saw what happened The game prompts you to select from;
"I was. You did a kind thing there, Penny." (+50 friendship with Penny)
"I was. You should've asked instead of assuming George wanted help." (-50 friendship with Penny)
"I'm just taking a walk, minding my own business." (No effect on friendship.)
And these are the REVISED options. Before 1.4, the second option wasn't"you should have asked", it was "You should've left him alone. Now he's grumpy."
So already it's kind of shit. The person she's upset - who's entire existence in the game is experiencing inaccessibility, let's be real - because he was shoved without permission just for being in a wheelchair doesn't have his friendship level affected at all.
Regardless of which answer you pick, George apologizes (Penny does not apologize in every choice! But the guy she shoved does!) and says she was kind.
Once he's gone, she talks about how hard it must be to be old. It's worth noting, for what it's worth, that George has been using a wheelchair since a mining accident caused his immobility; it's not a result of age, and you learn about this whole he struggles with a bookshelf in his own home, where presumably he has been living with a wheelchair for at least two decades (given how he talks about his grandson), which is a whole different can of worms because why is this never addressed in a fictional community with multiple craftspeople who frequently do projects for each other?
Anyways. So Penny's like, damn, sucks that he's old. And the options the game gives you - all neutral in terms of friendship points - are:
"I'd rather not think about it."
"It's just a different part of life."
"That's why we should respect our elders."
"I'd rather die young..."
Like are you kidding me? You have a cutscene that's about being disabled - it's not about aging, because his disability was not caused by aging, it is explicitly and directly about the fact that he is in a wheelchair. And the game assumes your opinions will be "Not my problem,", "That's an old people thing,", and "I'D RATHER BE DEAD"? And this is something people just... don't remark on? Even in conversations ABOUT this cutscene? Like, George's mentions of being disabled are already Constantly Miserable -able-bodied writer standard quality - but the game is just like. Yeah you can say you'd rather be dead rather than express any positive sentiment about this guy surviving a traumatic mining accident. You can't say it's great that he's able to still be a part of the community in his chair, or renovate his house to make it accessible the way you can build ENTIRE HOMES for other characters. The community center you rebuild in the Good Ending for the community is only accessible by stairs. The path out of his home is dirt. It's the little things, y'know, like... obviously he wasn't thought about as his own character. The game's writing sees him as a source of conflict for others, and down to the very tiles of the terrain, he's irrelevant.
AND THEN THE TOWN DOCTOR DOES A HIPAA VIOLATION AND GETS SAD IF YOU SAY GEORGE SHOULD HAVE AGENCY OVER HIS OWN BODY. WHAT ARE WE FUCKING DOING HERE
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IN DEFENSE OF TRAVIS MARTINEZ:
Because I’m sick and tired of seeing travis hate everywhere I go.
“Travis was sexist.”
Did he spout some sexist rhetoric in the beginning of the show? Sure. But it’s important to recognize that: A) he changed, and by season 2 he completely stopped, B) he was a teenage boy in the 1990s, and that kind of rhetoric was normal at the time, C) most of his sexist macho tough guy attitude was a complete act that he likely put on to compensate for his insecurity about his own masculinity, and internalized homophobia. (More on that later.)
(Also let’s be real, Travis is basically one of the girls anyway and I’m tired of pretending he’s not.)
2. “Travis didn’t care about Javi.”
Did we watch the same show??? Granted Travis may have had trouble expressing his feelings (also related to his insecurities about masculinity, likely learned from his father, as well as growing up in a patriarchal and homophobic society), but he cared deeply about Javi. In S1E4, Travis literally DUG UP HIS DAD’S GRAVE, through horror, tears, and vomit, in order to retrieve his ring to give to Javi. When Javi disappeared, Travis kept looking for him every day for months, and never gave up, even when logically it would have seemed impossible for him to still be alive. He comforted and reassured Javi when neither of them drew the card. He cradled Javi’s dead body and ate a bite of his raw heart (which was a metaphor for how much he loved him, and a parallel to Shauna eating Jackie’s raw ear.) Maybe Travis wasn’t always there for Javi in the way he needed, but he absolutely loved him, and it’s important to remember that Travis was also a traumatized, grieving, kid who just lost his dad.
3. “Travis slut-shamed Nat.”
As we are literally shown in the show, Travis was not trying to slut shame her, he asked how many times she had done it because he was embarrassed about the fact that he was a virgin, and worried that she would judge him, or that he wouldn’t measure up because he was more inexperienced than her. When she told him she hooked up with Bobby Farleigh, he did not get mad at her because she slept with another guy (he already knew about that, and was fine with it), he got mad because she hooked up with his bully, and then lied to him about it. I don’t blame Nat for this, she didn’t know about it at the time, and didn’t want him to get mad once she found out, but I also don’t blame Travis for being hurt and embarrassed and upset with her for lying about it.
4. “Travis was just kind of a dick.”
Sure, but so were all of them. He acted like kind of a jerk in the first season. So what? Shauna had an affair with her best friend’s boyfriend, lied to her about it for months, and refused to apologize. Misty tried to drug Coach Ben. Nat faked his brother’s death to him (yeah, she was trying to help him move on, but still not cool). All of them called him “Flex” (y’know, the nickname that was used to bully him for years). None of them are perfect or nice or likable all the time, and that’s ok; that’s the whole point. They’re realistic, complex, flawed, morally gray and sometimes unlikable people. They’ve all done bad things, but nothing Travis did is worse than what anyone else on that show has done. He was a traumatized teen whose dad literally just died. Also, me personally, if everyone around me was constantly calling me the mean nickname that was used to bully me since middle school, I would also probably act like a little bit of a dick.
5. “Travis is a straight man.”
Wrong. (Also not really a valid reason to hate someone… But most importantly, just wrong.)
Travis Martinez is clearly a bisexual.
So many of his issues: the insecurity, the bullying, the macho tough guy act, the whole weird complex about his masculinity, all of it stems (at least partly) from the fact that he’s bisexual and has internalized homophobia. The whole “Flex” thing is just thinly veiled homophobia. The main reason why he got bullied is because Bobby Farleigh spread a rumor about him getting back surgery to better suck his own dick. The unsaid implication there is that he’s a man who sucks dick, which is inherently queer, even if it is his own. If you look even slightly past the most surface level interpretation, it’s pretty obvious that Travis was bullied because of homophobia. His performance of stereotypical toxic masculinity was clearly over compensation for the fact that he doesn’t fit into the box of traditional straight masculinity, and was a reaction to the bullying from his peers, abuse from his dad, and internalized homophobia from growing up in a homophobic and patriarchal society. As the show progresses he starts to unlearn that toxic masculinity and internalized homophobia, and he allows himself to be more vulnerable, emotional, and feminine, and as a result, he becomes stronger, more confident, and more respectful of the people around him.
As for Travis being a man… Is he though???
In season 1, Travis is a man (narratively speaking); there is a clear distinction between Travis/Coach Ben and the girls. However, in season 2, we see a stark shift in how Travis is depicted. The separation between Travis and the girls pretty much ceases to exist. Narratively speaking, there is no distinction made between Travis and the other girls; they are one entity—one hive mind. Instead, the emphasis is now placed on the distinction between Coach Ben and the girls/Travis. When Coach Ben watches the Yellowjackets eat Jackie in horror and disbelief, Travis is right there with them, dressed in ancient greek robes along with the rest of them. In season 2, Coach Ben is the only real Man of the group (Travis has narratively become one of the girls, and Javi is just a boy, not a man) and he is shown staying separate from the rest of the group, and growing more and more uncomfortable with the cultish dynamics, while Travis, on the other hand, becomes more and more integrated with the group, as he falls deeper and deeper into cult beliefs, until he is a full-blown devout Lottie worshipper. Of the three males on the show, he is the only one who actually participates in cannibalism with the other Yellowjackets. Also he lost his virginity to a lesbian.
Whether or not you choose to believe that Travis is transfem (I do) you cannot deny that, at least narratively speaking, Travis is literally just a girl.
6. Travis is a victim.
I don’t know why nobody in this fandom seems to acknowledge this, but Travis is a sexual assault victim and I’m tired of people constantly overlooking and ignoring that fact. In Doomcoming, the girls (excluding Jackie and Nat) chased him down, sexually assaulted him, and then tried to kill him. That’s not something that’s up for debate or denial, that is literally canon. Stop pretending it didn’t happen. Stop pretending it wasn’t assault. Stop shaming him and making fun of him for struggling with sex, or not always being able to get it up. That’s a normal trauma response after being assaulted/raped. You guys are literally proving the point. This kind of treatment from society towards masculinity and male victims is just playing into the patriarchy and toxic masculinity, and is exactly what made him act the way he did in season 1 in the first place!
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rockrosethistle · 4 months
Text
Workin Boys was literally the only thing that saved Hidgens from being flanderized beyond recognition
(Spoilers for Workin' Boys)
So what I think a lot of people don't give much thought to is how much Professor Hidgens as a character has evolved since tgwdlm, essentially becoming a parody of himself.
Think of Hidgens as a character. What are his defining traits?
Did you think about how he is a doomsday prepper who has been stockpiling supplies for 20 years? Because that's how he's introduced in Guy.
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Did you try think about how he has a weird relationship with his Alexa? Or did we forget about that?
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In fact, for the majority of TGWDLM, Hidgens' main character trait is that he says weird shit with a Doc Brown voice.
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The whole concept of Workin Boys isn't even introduced until the last half hour of the show. That's where he reveals his real motivation: to live out the musical he wrote as a young man.
Actually, no, that's not right. Because his motivation was world peace, and Workin Boy's was just a convenient means to that end.
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I won't disregard the fact that Hidgens clearly has an emotional connection to the show, but in Guy, it serves as a punchline rather than a driving force.
So now we have this lovely, morally-grey, multi-layered character that we can work with.
By the time we get to Time Bastard, the fandom is expecting a show stopping number reference, so of course we get that.
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But at this point, Hidge is still that multi-layered character. Sure, showstopping number gets a callback, but we also get a callback to his strange relationship with robots. They make up an equal part of him as a character.
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By the time we get to Honey Queen, we have lost several aspects of Hidgens altogether. He is no longer a doomsday-believing recluse. He is now active in the community and his only motivation is to get his show funded. He brings it up at every chance he gets, and his loyalties lie with whoever is more likely to make Workin Boys happen.
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So how the hell do we come back from this?
Well, at first it seems like we're not going to. Workin' Boys (the short film) comes out, and it looks like we're leaning even harder into this aspect of his personality than before. But then we get hit with something we're not expecting: Hidge gets the Ted Spankoffski treatment.
I'm referring to Ted's backstory in Time Bastard, where we learn that all of his actions actually stem from a single, traumatic moment, which in his eyes forced him to alter his behaviour, so as to not go through the same trauma again.
Can you see where I'm going with this?
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The backstory we get from Hidgens certainly puts things in perspective. No, it's not enough to explain why his behaviour has been so laser-focused on this one show, but it's a start.
Then comes the part that changes everything.
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It's left up to interpretation whether these ghosts Hidge is seeing are actually there, or just hallucinations, but that doesn't really matter.
Hidgens had been through a horrible experience, so traumatizing that he is still literally being haunted by it decades later. For one reason or another, he believes that the only way he can relieve himself of these ghosts is by bringing honor to the loved ones he's lost and telling their stories.
This reveal recontextualizes everything we know about Hidgens as a character. Suddenly, this isn't a story about some guy who just really wants to put on his musical, this is a story about guilt. Of course it would be the driving factor in his life. Look at him apologizing to his boys. He feels like he is slandering their memories with everything that goes wrong for the show.
This is supported even more with the ending.
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Henry Hidgens dies with a smile on his face, believing he's finally achieved his goal: to tell the real story of what happened that night.
It finally makes sense as to why we've lost those parts of him--we've retconned the character by revealing that all that simplification of his goals and traits wasn't flanderization at all, but a steady downward spiral of grief over his loved ones. It wasn't Hidgens getting a little too into being a playwrite, it was him descending into madness caused by the inability to please the part of himself (or the literal ghosts, if that's how you interpret it) that believes he's not doing enough.
And if not for Workin' Boys, he would have remained that one-dimensional character.
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theminecraftbee · 9 months
Note
fae zedaph, avian tango, and/or butterfly impulse?
Tango pinches the bridge of his nose. He breathes in. He breathes out. He looks at Zedaph.
"Okay. Why do you have a baby," Tango says.
"Well, it was an accident!" Zedaph says.
"How! How do you accidentally end up with a baby!" Tango says. He pauses. He considers what he has just said. He revises: "How do you or I accidentally end up with a baby! I am a robot and you are an immortal fairy creature. You can't babyificate. I know. You've checked."
"You don't have to sound so haunted," Zedaph says, vaguely hurt.
"I am very haunted by most of what you do, that's not the point. How did you end up with a baby! I can't take care of a baby, Zedaph! You definitely can't take care of a baby! What are we going to do with a baby?"
Zedaph shuffles his feet. When they'd first met, Tango had been reluctantly impressed with how human Zedaph's mannerisms were for a guy who, at that time, still hadn't been entirely certain you weren't supposed to eat people who were rude to you. He's come a long way since Tango had discovered he was just alive enough to be able to accidentally slip into the feywild, and Zedaph discovered he was actually much happier experimenting in the human world most of the time than dealing with other fair folk and their 'predictable rules' and 'annoying laws of hospitality'.
If Tango wasn't mostly made of steel and cold iron, he probably wouldn't have survived the early encounters with Zedaph. Nowadays, though, it's easy to mistake Zedaph for just an exceptionally weird human. Sure, he still looks at everyone a little bit like they're more of an experiment or strange animal than a person, but that's just Zedaph. Even if he were human, Tango's pretty sure he'd follow his own idiosyncratic laws.
None of this explains why he has a baby.
"Okay, look, it's not my fault this time, I swear," Zedaph says. "It's--look, I was in-town, and there was this guy, and he made a bargain with me! It was a very little bargain! I didn't think he'd break it. Honest! He just wanted gold--"
"Oh no," mutters Tango.
"--and I just told him that I wanted him to take care of a sheep for me without looking at it! I wanted to see what would happen if a sheep grew up without anyone looking at it. Would it want to look at other people more or less? You know my problems with sheep and looking at me."
"I hate that I know where this is going," Tango says.
"And he was all like, oh that's easy, I won't break that bargain. And I remembered what you said about how most people don't like having their babies swapped out with fey, which still doesn't really make sense honestly because I think a baby me is WAY more exciting than a baby human to take care of and also then I can experiment with the baby human but that's not the point. The point is that you said most people would avoid that! So I said, okay, if you break our bargain and look at the sheep, I'll come take your first baby. It's a traditional fey thing! I thought he wouldn't do it! I don't want a baby, I want a traumatized sheep!"
"Sometimes I wonder if my inventor knew my life would end up like this," Tango says.
"So imagine my shock when one day I just--poof--I have a baby!"
"I don't know how to take care of a baby," Tango says. "You absolutely shouldn't be trusted with a baby. What do we do with a baby."
The two of them look at the child.
"I mean, I cast a spell on it so it would sleep?" Zedaph says tentatively. "But to be totally honest with you, I don't actually know how long those last. You know how it is with my magic."
"I have decided this is Impulse's problem," Tango responds after a moment. "We give the baby to Impulse. He's a human. Humans know what to do with babies, right?"
Zedaph gives Tango an extremely skeptical look. "I got this one from a human."
"Impulse will suffer with us," Tango says.
"Sold," Zedaph says. "Let's go give Impulse a surprise baby."
"Please don't phrase it like that," Tango says, and they both start heading in the direction of where Tango thinks Impulse is currently living. Surely, he has the solution to this problem. Surely.
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shycloudkitty · 9 months
Text
His Sweetest Escape
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Summary: Leon returned from a mission. Safe but exhausted and traumatized as hell. He doesn't want to drown in the suffocating thoughts of survivor's guilt. He wants an escape. And you were always his sweetest escape.
Pairing: RE6 Leon Kennedy! × Fem! Reader 
Tags: (NSFW 18+), MDNI, FWB relationship, Angst at first, talking about Leon's trauma (necessary for the plot), Oral (f receiving!), Cunnilingus, fingering, sitting on Leon's face, nipple play, Leon being a tease. A bit ooc? Probably. 
A/N: Hello Guys!!! My FIRST smut fic is here🤭. Yes I know…FWB again, but I just really wanted to write a smut fic with that trope😭. Also I am very serious about minors not interacting with this post. Please don't.
(Edit) : This can be considered a sort of rough prequel to Just a little touch. Cause for a prequel I have something else cooking up🤭
Hope you enjoy this and have a good day!! 😊😊
A huge thanks to @elfven-blog and @luniaxi for helping me a lot. A little birthday (belated) present to @nexysworld 🥰
Dividers by: @/cafekitsune
WC: 5.6K
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Another mission. Another horde of zombies and tyrants. And dozens and dozens of lives that he wasn't able to save in time. But it was a successful mission or at least that's what he was told by his superiors. 
Leon tiredly pushed open the door to his apartment and deeply sighed as he slowly entered and closed the door behind him. 
It is said that a home perfectly reflects people's personalities. The things there give bits of how a person lives and wants to live, their likes and dislikes and much more. 
And his cold and empty apartment gave a perfect reflection on who he was. The furniture was there, furnished of course. But that was it. No decorations or signs of someone living there. And that's how he felt he was. A person who had all the features of a normal person but cold and empty on the inside. 
But then again he never found a home. This was just a place to live in. 
Leon found a whiskey bottle from the liquor cabinet and dropped to the couch, groaning as he sat down after a long time feeling his injuries stretch uncomfortably making him wince. Leaning his head back and staring at the empty ceiling, flashbacks of the mission running wild in his mind. Taking a big swig of his whiskey to numb it. Trying to forget everything about that God forsaken assignment. 
Leon kept drinking and drinking till he started to feel a bit numb to it and sighed tiredly to himself and pushed the bottle aside. Allowing himself to get a bit lost in his thoughts and closed his eyes. 
He was so fucking tired of all this fighting, fighting it to no fucking end and never seeing the ray of hope that all of this shit would end one day. Instead it only got worse. And he fucking hated it. 
His survivor's guilt continued to eat at him slowly and bit by bit on his consciousness, till he felt suffocated by it. 
He opened his eyes, taking a deep breath and groaned in frustration. The fuck was wrong with him? Actually don't answer that, he already knows. 
He took a deep breath to calm himself. Closing his eyes and taking small deep breaths. 
Leon shook his head to himself and sighed again. This wasn't going to go away anytime soon. And he really didn't want to wallow and drown in the guilt or he was sure it would kill him more than it already had. He wanted an escape. 
A sweet escape that always made him forget about the hellish missions and the guilt that comes with it. 
He opened his phone and searched for your contact and pressed the call button. Bringing the phone to his ear as it rang. 
For some reason he felt a bit guilty for only calling you for these things, which was weird because it has always been like this between you both… and neither of you minded it before. 
Maybe he needs this more than he thought. 
“Hey handsome” Your sweet voice rang in his ear from the other side of the call making his mood a bit better. 
He cleared his throat and said “Hey… Doing anything right now?” Trying not to sound too desperate for her and playing it cool. 
“Sort of… But… I can be free if you want~” trying to tease him a little bit. 
A small smile bloomed on his face when he heard that and teasingly replied. “You will make time for me huh? That's sweet.” 
You chuckle and tease him back. “Oh you know… I could never say no to you…or a good time.”
Your teasing words made Leon smile a bit more. Knowing you could always tease him a little and get away with it and he wouldn't mind it even once cause he loved the tease. 
Leon then says. “Then be free and come here.”
“Uff… So bossy. Can't add a ‘please’ in your sentence?” You asked in a playful way. 
“One more comment out of your smart mouth and I will come to your apartment to show you how bossy I can actually be.” Voice getting sultry as he teased you. 
It's not like it will be the first time he bossed a sweet thing like you around… always so eager to please him, following the orders he used to give you while you were a moaning & whimpering mess but oh, so ready to do them… just for him. 
How could he not feel like a God when you were always ready to be his devoted worshiper. 
There was a beat of silence, and Leon smirked knowing that teasing worked perfectly in making you flustered. 
He took the opportunity and said “Hmm… that's what I thought, now come here…please” emphasizing the word please more on purpose. 
You lightly huff over the phone. “You know you are making a lot of promises.” your voice was clearly flustered even if you tried to hide it. 
“Cause I can keep ‘em. I don't make empty promises and you know that…” His voice lowered. He knew how much he had an effect on you, and he couldn't help but use it to his advantage. 
Leon waited for a response. 
“...I do.” your voice came out more breathy than he expected. 
“Good girl… now come soon. I am waiting.”
He cut the call and tossed his phone aside, taking a deep breath. He wasn't going to lie to himself, he got plenty worked up from just one call and it was probably less than a minute. 
You were a damn vixen and he loved it. 
Now that you were most certainly coming over, he could at least take a shower. He got up from the couch with a groan and stretched his arms a bit and made his way to his bathroom. 
Removing his gear and soiled work clothes, he got in the shower and turned it on. Letting the water slowly wash the grime and dried blood away along with the horrible memories of the mission. 
Instead he focused his thoughts on you. He let his mind slowly fill with the sweet memories of you. Your soft red lips against his… They tasted like candy, sometimes cherry but always something sweet. 
And he especially loved when your pretty lips were wrapped around his cock…slowly taking him in and looking up at him with those greedy eyes all your senses focused on him to pleasure him. 
How could he not want a sweet thing like you around forever? 
But he wouldn't admit that out loud. 
Leon could feel himself get more worked up as he felt more images fill up in his head and groaned quietly.
He huffed lightly, and quickly finished his shower and got out of it. Moving towards his wardrobe and wearing his sweatpants and one of his casual blue t-shirt. And decided to wait till you arrived. 
15 mins later his doorbell rang and he grinned at the thought that it was you. And quickly walked towards the door and opened it. 
And there you were, a smile on your face and a soft blush on your cheeks. Wearing a white crop top and blue jeans to pair it up with and he couldn't help but smirk at the sight. He bit his lip lightly and teasingly said. “You came huh?”
You rolled your eyes and smiled playfully at his words. “You called.” your voice being equally teasing. 
He grinned and let you inside his apartment and closed the door behind you. 
“When did you come back from your mission?” You asked as you went over and sat on the couch and looked at him. 
“Today actually…” Leon said as he came over and sat beside you. You raised an eyebrow and said. “Today... Like..Just now?” 
Leon nodded and shrugged lightly and looked at you. “Yeah. Why?”
Your eyes widened and said. “Wow… aren't you tired and sleepy as hell?”
Leon chuckled and shrugged. “No, not really.”
Well to be fair he was exhausted but that's why you were here… to take it all away. 
You frowned slightly not believing his words. After all, he was gone for a considerably long time. You then slowly ask. “Are you sure?”
Leon just chuckled and teasingly replied with a smirk. “Don't worry your pretty little head about it… Although I am flattered that you care that much about my health.”
While he was grateful that you were concerned for him, he didn't want to talk about it. He would rather focus on you and get lost in you than talk about his awful work. 
You roll your eyes and smirk at him and playfully reply. “Please… I am only asking because I don't think you will be able to last if you just came back home tired as hell.” 
You knew what you were doing, but again a little friendly fire never hurts anyone. And in this, you don't care if it hurts you. 
Leon looks at you in amusement and scoffs lightly, shifting closer to you as his voice lowered. “You think I wouldn't be able to last long hmm?” Slowly bringing his hand to your thigh and caressing it gently while looking in your eyes. 
You bite your lip and slowly say. “You heard what I said… Did I hit the nail with that?” 
No, but you did hurt his ego. And he was going to prove exactly how wrong you are. All in the name of friendly fire. 
Leon started to gently run his fingers to your inner thighs and rub teasing circles there. His hand inching closer and closer... but never touching you where you really wanted him to. 
His lips curve in a smirk and biting his lip lightly. “You really think that huh...” his hot breath hitting your neck. His gaze falling on your lips, on how you are slowly biting them. 
Your face grows flushed and goosebumps rise on your skin as he… slowly moves his free hand on your other thigh and does the same thing there. His smirk grows wider when he feels you squirming a bit. 
Everything around you feels so much hotter now… his touch, his eyes shamelessly tracing every inch of your soft body. 
Leon watched as you cleared your throat and looked away from him. “Not really… I was just joking, you know.” 
Leon smirked some more and teasingly repeated your words. “Just joking hmm?”
Your breath hitches when Leon presses his lips on your neck and presses feather light kisses on it while gently nibbling on it too. You tilt your head back giving him better access, eyes fluttering shut as his teeth lightly scrape your skin.
Your perfume slowly fills his senses and makes his mind hazy with lust. You smelled so fucking good to him. All this teasing was doing a number on him. So much so that now all he wanted to do was to fuck you dumb against this couch and still keep going. 
He gently bites your earlobe and mumbles. “Can't have you making jokes everywhere on serious matters baby…”
You gasp as he suddenly spreads your thighs apart, settling himself between them. His bites on your neck get a bit more harsher as his hands start sliding to your ass. Gripping them tightly and bringing you close, pressing you against the couch and him.
He then whispers. “Can't have a sweet thing like you leaving my bed thinking my cock wasn't good enough for your pussy…”
You squirmed in his grip as his words shoot straight at your core. His touch felt as if it was burning right through your skin. You opened your mouth to say something and a small whimper escaped your lips as he bit down on a much sensitive part of your neck. 
“Oh Leon…” You mumbled and looked at him. And he quickly sealed your lips with a kiss and mumbles against your lips. “I know baby, You love that cock don't you? Love how good it feels when it ruins your little cunt.” 
A small mewl left your mouth as two of his fingers reached your center, sliding them up and down on your clothed cunt giving you the stimulation you were craving. 
Leon smirked at your little sounds and snakes his other hand under your crop top, slowly groping your right breast in his hand. And tauntingly says. “Yeah…Feels good when I give that cunt a bit of attention, Doesn't it? Already squirming under my fingers and I haven't even started.” 
Your body grew hotter as his fingers started to rub small circles over your cunt and now groping your breasts a bit harshly now. You can feel your panties getting wet from his teasing and lean more into his fingers to search for that friction. You whine and pout at him. “Leon…Stop teasing.”
He bites your earlobe. “You try to tell me what I should…And teasing you will be all I do tonight.” You pouted him in response and he just gave you a teasing grin.
As he says that he pinches one of your nipples making you jolt in surprise. You whine as he continues to pinch and roll it teasingly between his fingers drawing a needy moan from you. 
He then pulls away slightly and starts to unbutton your jeans and kisses you. He lightly tugs at your lower lip, giving you a pleasant shiver down your spine. Removing your jeans he cups your ass and drags it a bit closer for him to see. Smirking at the wet spot on your cute lacy panties. 
Soft moans and whimpers fall off your lips as he presses his thumb on your clit over the thin layer of the fabric and rubs slow teasing circles. 
His free hand makes its way to your chest and eagerly lifts your crop top and tugs your bra down to free your breasts. And latches his mouth to one of them and eagerly starts to suck on them, not even bothering to fully remove it.
He then starts to slowly suck on your nipples taking his sweet time with it while still paying attention to your cunt. His eyes are shut as if he was concentrating on the world's most important task ever. Your moans started to get louder and more whiny, and feel the flimsy fabric of your panties sticking to your folds by now.
He suddenly pinches your clit at the same time he gives a harsh tug at your nipple. Your body twitches from the sensation and you whine louder than before. Your heart was pounding in your chest as you gasped for breaths.
You looked down to see his face and whined to him. “Leon, I want more…please.” Your voice was more breathy than before. You gave him a pout and looked at him with those same needy eyes which he usually gave into.
He feels so proud for having you this way, seeing how quickly you used to melt for him and gave him the control he was so desperately craving without any resistance. And he loved it every single time. Seeing your red pouty lips, eyes filled with lust, messed up hair, flushed face, it made his heart skip a few beats every time… He could always get lost in your beauty and he wouldn't have it any other way.
Leon presses a kiss at your temple and drops another at your shoulder. And smirks and in a taunting tone whispers. “We just started baby, Already can't last hmm?”
Ass. That's what he was. An ass for using your words against you. 
He then pulls back and you whine at the loss of his touch. Panting softly, your skin feeling as if it was burning under his hot gaze. You look up at him and he wasn't any better but he had a better control on it. 
He grins and kisses you softly on the lips to make up for the teasing and softly asks “Want to move this to the bedroom?” You nod and kiss him back. Wrapping his arms around his neck and pulling him close. 
You both kiss each other softly and he slowly removes the rest of your clothes and lifts you up in his arms and slowly stands up. You wrap your legs around his waist and your arms around his neck. Your hands gripping his shoulders and continue to kiss him softly while he makes his way to his bedroom. 
He places his hands on your hips to hold you and never breaks the kiss even once. If anything he pulls you more close and deepens the kisses. He opens his bedroom door and slowly lays you down on bed and pulls away a bit and smiles at you and softly whispers. “Want more?”
You nod and he leans in close and deepens the kiss. Gently caressing your body all over, his hands kneading the soft plush fat of your thighs and hips. Tongue exploring your mouth sensually while kissing you. Both of your eyes closed while enjoying the sensual kisses and touches. This was much calmer than what you both were doing earlier but still very sensual to keep you both going. 
“Feeling better?” He mumbles against your lips. 
You chuckle softly and in a teasing tone reply. “I would feel much better when you actually start.” 
You feel a deep rumble from his chest as he laughs softly at that and shakes his head lightly. His voice takes a quick change from soft to sweetly seductive and whispers. “Fucking insatiable…Love it. Who could tell that a cutie like you was such a slut inside. But you are not gonna hear any complaints from me.”
Your cheeks burn red from his words as he now starts to kiss your neck and collarbone. A moan slipped from your mouth when he pressed himself forward and his boner made contact with your sensitive clit, letting you feel how much he was turned on right now. The cloth of his sweatpants gave enough friction to feel amazing as you started to grind against him, wanting to continue where he left off. 
Soft grunts slipped from his mouth as he felt you eagerly rub your pussy against him. A rough chuckle leaves his lips and he mumbles. “Patience baby…” and moves his hips away to stop it, pulling a whine from your mouth from frustration. 
He brings your lips in a deep kiss which you were more than happy to respond to. His hands found their way back to your chest to your breasts. Groping and massaging them and giving light tugs at your nipple which made your body twitch in excitement. 
He then tugged your lower lip, gave a harsh bite to it and tweaked your nipple lightly. He continues this motion of torturing you like this. While you lay there under him writhing and moaning for him. “Leon… I can't take it… please..”
The little piece of shit just laughs and tweaks your nipples once more making you whimper for him. And in a taunting tone says. “Oh yeah? You can't take it hmm? Too damn bad…”
You feel him rubbing those little buds under his thumb sometimes rolling it between his fingers while basically tongue fucking your mouth. You whimper, whine and even try to push him off but if anything that encourages him to do more of that. 
Soon you feel that invisible band in your stomach stretching and stretching… just waiting to snap. And Leon notices it, the way your body starts shivering and your moans get louder. He then leans in to whisper. “Gonna cum baby?”
You nod and look at him with a pout. “Please…” He just smirks and keeps doing what he was doing. Your body twitches and holds onto his shoulders. Your eyes flutter shut. You are just so close… Right… there. 
And he pulls away. 
Your eyes immediately shoot open. “Nooo!” A loud whine leaves your lips and look up at him with a frustrated expression. 
How could he do this to you? Such a fucking tease? And you were so fucking close and he just had to pull away and ruin it. 
He had a big shit eating grin on his face but he wasn't faring any better than you were. His shirt was clinging to his body, face flushed red and his hair messed up. And the way you can see his dick bulging in his pants proved he was just as pent up as you. 
He was just teasing both of you to hell. Asshole. 
You gave a pout as the tears from frustration started to brim in your eyes. “You are so mean…” 
Leon smiles as he leans down closer to you and softly coos to you. “Aww… is my baby angry at me?”
You nod and continue to pout at him. Leon smiles and takes your face in his hands. And kisses you gently on your soft lips. You don't kiss him back at first but you hear his soft whispers to forgive him for teasing you so much. “Please baby… forgive me? I swear I wouldn't tease you now… Kiss me back?”
And you really wanted to stay mad at him but… you couldn't do that for much long. 
How could you when he looked at you with those blue lust blown eyes and gave you soft kisses across your face to make you forgive him? 
You then slowly kissed him back and he was more than happy to oblige. Kissing you softly, taking his time to ease you and then he says. “Ride my face? I promise I will let you cum this time..”
Your face went red and your eyes widened and mumbled against his lips. “Really? Are you sure you want me to do that?”
You feel him nod, lightly tugging at your lower lip and say. “Of course…Want that pretty pussy of yours on my face.”
It's not like this was your first time riding his face either...
Your face goes red but you are more excited than embarrassed. You nod and kiss him back with more fervor. “Okay… I will.”
He pulls away and finally removes his clothes. Removing his sweatpants and freeing his cock from it. Groaning softly as his cock slaps against his stomach. Precum leaking from his cock. Spreading it with his thumb from his tip to the rest and lightly strokes himself. Hissing at how sensitive his cock was from all that teasing. 
Your mouth waters at the sight of him naked. His body was littered with scars but that only made him more alluring at this moment. You just wanted to kiss and nibble on each scar till he was red from all the hickeys. It always took your breath away when you watched him like this. 
You lick your lips and come closer to him and give him your most innocent doe eyes and make your voice as seductive as possible. “Can I taste you?”
Leon feels his cock twitch at the request and lightly bites his lips. He was really really tempted to take you up on that offer but he had other plans… 
He tilts your chin up and says. “Look at you… so eager for this cock hmm? Already want to wrap your pretty lips on it.”
You feel yourself getting more slicked from his words and eagerly nod. “Yes…please, want to suck your cock so bad…”
Leon smirks and gives a teasing kiss on your lips. “Some other time baby, want you to ride my face today.”
Your face flushes deep red and nod. “Okay…”
He grins and lays back down on bed adjusting himself with pillows under his head and motions for you to come up. 
You bite your lip and slowly crawl over to him. Slowly bringing your thighs on either side of his head, hands grasping at the headboard as you position yourself over his face. 
A loud groan leaves his lips as his eyes locks down at your drenched cunt. He licks his lips and feels his mouth water, he immediately grasps your hips and thighs and positions your cunt in front of his hungry mouth. 
You gasp softly as you feel him suddenly shift you more and look down at how hungrily he was looking at you. 
Leon moves his hands to your ass and squeezes it gently. And looks at you. “Come on baby sit. And don't hover, don't want to waste a drop of you”  His words make your stomach flip. Your heart thundering in your chest as you try to come up with something to say but feel your words stuck in your throat. 
You bite your lips and follow his words. And slowly sit down on his face and the moan he let's out when his tongue makes contact with your clit was downright pathetic. He immediately tightens his grip around your thighs and your ass, closing his eyes and lapping at your cunt happily. 
You moan softly as you feel his tongue give you lazy, slow licks from your labia to your clit. Taking his time with it, slowly tasting through your folds. Swirling his tongue around your already sensitive clit giving it occasional tugs with his teeth.
Your body twitches above him as your moans turn into cries of pleasure. Trying to move away from his face but he grunts and grabs your ass and pulls you back in. Giving your ass a light spank, “Don't move…” 
You squeal and close your eyes as you focus on his tongue, trying not to move that much. Biting your lip, one of your hands makes into his hair. He groans at the feeling of your fingers lightly threading through his hair. And pushes his tongue inside your sopping hole, slowly fucking you with it. 
He moans when he feels your juices on his tongue. You always tasted like a fucking heaven to him. He could stay between your thighs all day if he could. Drinking what you had to give to him while hearing sweet chorus of whines and moans as they left your mouth, his own favorite music to listen to when he came back home from those fucked up missions. 
You were his personal haven, letting him have you like this, he felt the luckiest man in the world. Feeling you tug his hair, squirming on his mouth and still riding his mouth like it was your last day on earth. He fucking loved it. He could get off on having you just like this. 
Your thighs squeeze around his head and tug at his hair a bit harder than necessary pulling a groan out of him. It only encouraged him to fuck his tongue into you faster. You squealed a bit as lifted you up a bit only to feel two of his fingers enter your cunt drawing a long moan out of you. Slowly sliding in and out of you, your wet walls eagerly sucking him back in. 
A loud groan leaves your lips when he starts to suck on your clit too. “Oh fuck…Leon!” Hips moving on its own, as he continues to finger you and tug at your clit. Curling his fingers inside and moving them against the spot which always made you see stars. Your body twitches and eyes roll in the back of your head as he moves his fingers faster. 
His fingers constantly assaulting that sweet spot within you, sometimes slowing them down to hear your pretty whines of protest and suddenly increasing the pace just to fuck with you. Feeling your thighs squeeze around his head tightly drawing a loud groan from him, the vibrations going straight to your core and giving you an instant jolt of pleasure. 
All the teasing slowly piled up and you felt that familiar band in your core just waiting to snap at any moment. You clenched tightly around his fingers. He hummed in satisfaction as he felt you do that, removing his fingers and pushing his tongue inside, wanting you to cum on his tongue instead.
He held your hips tightly to support you and let you ride his face as much as you wanted. Both of your hands going down to his hair, tugging at it while riding his face at your pace. Your clit constantly bumping against his nose making you a moaning mess above him. “Fuckkkk… Leon… feels so good… Just like that! Fuck! Yes!”
His eyes roll in the back of his head as he feels the stinging pain as you tug at his hair. Loving the pain and pleasure that came with it. One of his hands goes down to his cock and stroking himself in time with the pace that you set. Feeling himself getting closer and closer as you both kept going. 
He felt he could burst at any moment just from hearing the lewd noises you both were making. And he wouldn't have it any other way.
You open your eyes, your gaze drifting to the sight of him between your legs. And it instantly brought you closer to the edge than ever. His eyes were screwed shut, focused on giving you the high you were so eagerly chasing. His grip on your ass was tight enough to leave bruises, not that you cared.
You loved seeing his marks on your body anyway. 
“M’ gonna cum… so close…” you whined as you looked down at him. His eyes opened to look at the heavenly sight of you writhing above him and smirked. 
He winked at you and moved his tongue faster inside you and gave you a sudden spank from the hand that was already gripping you while he stroked himself with the other. 
You whine from the spank and feel that band inside you finally snap “Leon!”. He soon comes after you with a loud groan and hisses as ropes of thick hot cum fall on his thighs and abs. 
Your body twitches and shakes when the euphoria flows through your body. You felt so lightweight, feeling like you could drop at any moment. Leon gently grasped your waist with one hand and the other on your thigh, slowly helping you ride through your high. And eagerly drank up every drop. Humming softly in satisfaction. 
You whined softly still feeling his tongue swirl around your clit. You tried to get off of him whining softly in protest and he gently lowered you down in bed. His chin was soaked with your release as he wiped it away with the back of his hand. 
He brought you close to him, pressing you against him and giving soft kisses on your forehead and cheeks. Both of you were breathing heavily in each other's arms. His soft kisses act as a soothing balm to your tired body. 
You gently caressed his hair and face in return as he started to pepper kisses along your collarbone now. “Feeling good?” Leon's soft voice entered your dazed mind. You smiled lazily at him and sighed softly. “I feel amazing…”
Leon chuckled and gave a soft kiss to your crown and pulled you closer. “Good…I would be disappointed otherwise.”
You chuckled and teasingly say. “In me or yourself?” He snickered and replied “You of course. I am amazing at what I do.”
You raise an eyebrow at him and say. “And I am not?” Leon smirked and bit your earlobe playfully. “That’s up for debate…”
You scoffed, giving him an offended look at him and narrowed your eyes at him “Excuse me?”
Leon had to bite back a chuckle as he saw you trying to be serious, and he could tell that you weren't serious either. Seeing your smile threatening to take over your face.
You huff when you saw a chuckle slipping from him. “You are laughing at me aren't you?” Still keeping your eyes narrowed at him. 
Leon cleared his throat, trying his best to be serious. “No, I would never laugh at you.” 
You rolled your eyes at him and said. “Liar.” 
Leon chuckled, shaking his head in amusement and playfully whispered. “You look cute when you are angry.”
Your eyes widened at his words and looked away from him to hide your blushing face from his comment “Whatever.”
Leon chuckled. “Uh huh… What is this then?” Poking at your red cheeks. 
You pouted at him and huffed. “Nothing okay? Just shut up.”
Leon’s snickered and a mischievous grin spread on his face. “You want me to shut up? Sit on my face again and then I will think.”
Leon's smirk widened as he saw your face flush red and looking away from him, squirming slightly as you thought about doing it again. Leon squished your cheeks and turned your face back towards him and looked at you with a smug face. 
“You want to sit on my face again don't you?” A knowing smug smile on his face. 
Your face turned beet red as you felt yourself heat up again from his words and slowly nodded. 
Leon smirked and started to kiss your neck all over again and mumbled. “So...fucking...insatiable.”
This was sure as hell gonna be a long night for both of you. But none of you had any complaints. 
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God. It's done. Oh my god. FINALLY. I honestly didn't expect this to take so much of my time but it surprisingly did. I guess it did cause it's my first time writing smut rather than consuming it lol.
Anyways... I hope you liked this fic. Hope it made your day!!🥰😊.
Until next time 😊❤
-Bella
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weebsinstash · 9 months
Text
something that I think would be, truly one of the worst things about the yandere Batfamily really truly is their power to make any and every problem you've ever had completely go away in no time at all
it can be such an awful feeling to see that you struggled in vain with something that was nothing at all to someone else. You could have significant issues that have followed you all your life and have had traumatic impacting effects on you and these people could come in and sweep that all away. Student loans you've been paying off for years, if not a fraction of your lifespan, still burying you in debt? We are talking fucking decimal points on the scale of Bruce Wayne's wealth. That bad leg from an old work injury? Let's grab you one of the best doctors in Gotham, if not the entire world, fuck, we may even get you a doctor or medicine that isn't even human-made! Y'all want a magic leg? We know this chick who can speak backwards, you want a magically healed leg?
Crippling loneliness? Eternal sunshine and objectively best Robin Dick Grayson is here to brighten your entire world since he knows what it can feel like to be hurting and alone and he's literally like the heart and soul of the entire manor besides Alfred
Chronic pain, an undiagnosed disability, or maybe you're not confident in your fitness? Jason has extensive knowledge of injury recovery, physical therapy, and overall knowledge about human biology and musculature and how everything correlates
Family issues? Daddy issues? Let Resident Troubled Kid Expert Alfred Pennyworth be your new grandpa. He's dealt with more than one temperamental snappy individual, and he'll use his patience, experience, and wit to wear down all your stress and hostility. It's hard to keep being cruel to someone who's nothing but kind to you, and he has plenty of patience and delicious baked treats to hold out until you give in
Honestly just the fact most of them are so fucking young would get under my skin. You could be approaching your 30s and be sitting here at the Wayne family dinner table as their weird sister/mom/girlfriend/whatever and being all "I've just always had these struggles my entire life, I dont know what's wrong with me, I feel like I can't control how I act or feel and I hate it" and someone like Tim who depending on the source material and where you are on the timeline is a literal teenager with extensive knowledge of criminals and psychology is just over here, "oh, that? You have chronic childhood trauma, recurring resurfacing conflict related ptsd, severe abandonment issues, emotional regulation problems that are probably biological, and also you probably have autism, and there's nothing wrong with any of that :)" and then he turns to Bruce and starts talking about how his school is taking a trip abroad to Greece while you sit there processing that everyone around the table has extensively psychologically evaluated you and you probably have your own file on the Batcomputer (you do. It's excessive.)
It's just. The psychology of having all these problems you've struggled with be wiped away by someone else like it's nothing and how, that can result in making someone feel all the more worthless and helpless. Oh, Bruce was able to just make all your problems disappear? Clearly YOU weren't trying hard enough. Tim is able to suss out what's wrong with you? Well YOU'RE the dysfunctional idiot who was born wrong, and YOU were the one choosing the wrong doctors. You're watching all these young teenagers or young adults be vigilantes and travel the world and learn multiple languages and you're like. Normal guy Steve from the grocery store. You know? They take control of your life and make you feel like a side character in it, because everything you do is now attached to them, and all of them and all of their adventures are so... spectacular
And really, someone with a meaner heart, and maybe someone more blunt like, say, Damian, could perhaps come in and make some comment, "see? This is why you needed our assistance in caring for you" and what are you gonna do, NOT act like they basically fixed your entire life in less than a year's time, with the one objection of kidnapping and imprisonment? You're just over here, "um yeah, actually, I'm an adult and I can take care of myself, you don't need to TAKE CARE OF ME???" meanwhile Bruce and Alfred are exchanging knowing looks while you speak as if the old butler hadn't needed to help you call your doctor and other important urgent matters because being on the phone with strangers gave you such intense anxiety. Ok yes sure honey you are a lovely functional adult and your brain is big and beautiful and perfect 🥰 now shut up about going to live back home on your own, go play Xbox with your new brothers or go bake something with Grandpa while the world's greatest detective sits down in the Batcave using the Batcomputer to track down and "have a friendly chat" with that one childhood teacher that gave you that one really specific trauma-
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