#but anyway. in conclusion

[journey-to-the-attic]

bold of you to assume we (or atleast i) dont want to read paragraphs about ik's and belphie's dynamic 😈😈

if you feel like writing that, i'd absolutely love to read about it!!! ^^

RIGHT YES this took me a hot minute but let's go!!!!

so the main points that this is all built around:

belphie is someone who is absolutely shit at understanding himself

ik is someone who has a knack for understanding anyone she talks to for long enough

belphie's first resort is usually to leave things to someone else, but easily asserts the things he wants

ik will actively pursue you if she thinks she can help, despite usually feeling guilty about requesting anything

they both have very simple views of very complicated things

building from point 1: this is not entirely belphie's fault - i've talked about this before, so i'll just paste the pertinent bits here:

belphie, as the youngest brother, has been detrimentally coddled in regards to these things, and has NO fucking idea how to properly deal with loss the others haven't tried to talk to him about his grief for lilith, nor about their experiences during the celestial war; when they all had to support each other after the fall, they comforted him, but never ever discussed the pain of it all it's like the doctor refusing to talk about your actual symptoms because they're afraid of making you uncomfortable, and instead just soothingly going "it's okay, just take some ibuprofen and see me in the morning"

belphie underestimates himself and, at the start of the year, is convinced that there's no way forward - 1. he feels he's left it too late, 2. he feels he's the only one still hung up on lilith's death, which only makes him more bitter, and 3. he thinks that the hatred and grief is just who he is now

now take ik, who finds him in the attic and takes worryingly little convincing to help him - even more concerningly, she decides to go through with it even upon finding out he was lying about his identity. this is a direct contradiction to his conviction that humanity is selfish and cruel - more than that, the more ik visits and chats with him, the more he remembers why he'd been so fascinated by humans as an angel

except it also reminds him of how much lilith loved humanity. belphie doesn't think he's capable of letting go - he doesn't think he's allowed to, and to him befriending a human and moving on is the same as betraying his sister's memory. so he represses any feelings of good-will and continues to nurse his hatred

i think it's important to note that belphie's hang-ups have always been self-destructive before this, but the more he lets his own grief fester, the more it threatens to burst. his threat to lucifer about destroying humanity is an early indicator of this, and it culminates in a moment of extreme emotional distress where it finally all implodes

so ik - in the wrong place and the wrong time (in the literal sense) - finds him in the middle of a nightmare, wakes him up, and gets murdered for her troubles

belphie shuts down immediately after, because to him this is a point of no return. he's already convinced himself that nothing can be done for him, and this is the proof. except then everyone else forgets what's happened, and, panicking, he goes along with it - out of fear of losing his family if he comes clean.

so: point 2 - consider that a big thing with ik is that she just doesn't get why belphie acts the way he does after killing her. she's been able to get into the heads of his brothers before him, and even now can somewhat rationalise them forgetting, but she has no idea why belphie - who first killed her and then acted like he'd forgotten about it - would suddenly seem so wracked with guilt upon finding him in the dreamscape

belphie does not think he is strong enough to move on. ik, somehow, intrinsically, already knows this is not true. this is why she's so bewildered by belphie telling her lilith's story. he's convinced this is some kind of damning evidence, but ik doesn't get how this explains anything. and because she doesn't understand, she seeks answers.

now take point 3 and 4. belphie does not attempt to seek forgiveness - he just sits in the cell solomon locks him in. he doesn't try to get out, he doesn't attempt to repent, and he doesn't want to, because as far as he's concerned there's nothing to be done

ik, on the other hand, is going to put her home back together by force if necessary, so she goes to find him. multiple times, she climbs up the tower stairs to rescue him from a waking nightmare - the same thing that killed her - because her family is still his family, and she knows too well what it's like when you go without.

belphie has been sitting stagnant for millennia on end, and now ik has decided that she is going to KICK him along until he figures out that he can stand on his own two feet and keep going. and it works, because for some reason digging demons out of emotional pits of their own creation is ik's specialty

and now point 5: ik and belphie fall quite easily into a typical sibling dynamic of the "i'll make fun of you constantly, but if anyone messes with you they're dead" kind. they never really sit down to talk out all the residual Baggage of everything, because neither of them are the type to overthink these things

but EVEN THEN. they may be simple-minded but the complication of the everything that led up to this means there's little hidden meanings even in the normalcy of their behaviour, and neither of them ever register it

for belphie it's "i'll never understand you. thank you for understanding me. i don't know what to say, so i'll tease you for tripping on your laces instead. i'd throw someone down a gorge if they made you cry. let's go shopping. i think i'll spend the rest of my life wondering if i can ever close the wound i tore in your soul."

for ik it's "i'll never forget what you did to me. i see you in my nightmares sometimes. thanks for waiting for me after school. quit making a show out of helping me reach the top shelf. sometimes i'm glad you regret things so much. can you help me with this homework? i think we're alright."

and for both of them it's "i like hanging out with you. sleep well. i'm glad we're home."

in conclusion,

i am crazy about things i made up entirely. perhaps i am cringe but i am free

[lastoneout]

the whole guilt-tripping language in posts about important topics paired with how I'm still getting bitches in my notes talking about why it's actually good to tell "bad" people to kill themselves continues to prove to me that a lot of people have absolutely no concept of social justice or activism outside of assuming the worst of and then viciously attacking strangers on the internet

[me-beef]

@strangeravatar made a great point

i was gonna focus on the spike-hotboxing-celestia aspect but i got distracted somewhere along the way and i think i forgot what joke i was trying to make

but dont you think its interesting how many guards of the exact same color/body type she's managed to accrue?? i do

ooohh you want to go look at our stickers so bad

[somehowmags]

i’ve seen a lot of posts talking about nimona’s queer messages which is great! but ive not seen as many posts talking analyzing how both ballister and ambrosius were changed to be asian, which is a shame because i genuinely think its one of the most important parts of the film! a huge part of it is a deconstruction of the model minority myth and respectability politics, both of which are big issues in the asian american community. both of them represent each side of the spectrum, with ambrosius expected to be superhuman with very little support and ballister being seen as less than human, no matter how hard he tries- a monster.

ambrosius (who is now east asian, like his voice actor eugene lee yang, who is korean with chinese and japanese ancestry), despite being in a seemingly powerful position as head of the knights and a descendant of gloreth, he isn’t really given the kind of support that this position needs- he’s constantly undermined and belittled by todd, the face of the other knights, and when asked about his emotional state by the director, represses his emotions rather than talk to her about his true feelings. this is very similar to how asian american students in schools aren’t given the support they need academically by teachers and administration, as the model minority myth leads to them being perceived as more intelligent and competent than their fellow students and therefore not needing support. he’s also held to a higher standard than any of the other knights, being immediately placed into a position of power despite just being knighted, again a reflection of the model minority myth, since asian americans are held to higher standards unfairly. despite being technically better off than ballister, he has no support, no friends, no way to seek help for his problems, and, just like ballister, is immediately thrown away the moment the director thinks he’s served his use.

ballister is now pakistani, like his voice actor riz ahmed (no, not like pedro pascal. where did this come from lol), and i’d go as far as to say that he is also, if not explicitly muslim, heavily muslim coded as well. he’s framed as a terrorist by the white, christian institution, and from then on, it doesn’t matter how good he tries to be- everyone else sees him as a monster. he’s also from a lower socioeconomic class than ambrosius and the rest of the knights- while this is initially used to frame him as a success story, after he’s framed, it’s used to cast suspicion on him. almost immediately he’s othered, with posters casting him as a foreign invader sent to destabilize the city, much in the same way that muslim immigrants are seen in real life. even when he tries to be peaceful and good, it’s always twisted so that he’s the monster of the story. while ambrosius is held to too high of a standard, ballister will never be enough for the institution to accept.

which is why both of their arcs culminate in them breaking out of the system, learning to accept what they’d been taught was monstrous, and leaving behind respectability. it’s a genuinely great commentary, and i can definitely see why riz ahmed and eugene lee yang were chosen for this, as they’ve both done activist work for their communities.

[sprnklersplashes]

once again being reminded of how weird being a taylor swift fan on this website is because the people who claim to hate her just clearly do not listen to her. I saw someone say "does taylor swift even know she's been turned into a brand and stripped of her humanity? is she aware of the fact she lives in a gilded cage where she can't be imperfect?" like my sibling in christ that's what her past two albums have been about about. what exactly did you guys think anti-hero was?

[infernal-lamb]

some rushed doodles of our new goat darling........I have so many plans for them

[reasonsforhope]

People ask me sometimes how I'm so confident that we can beat climate change.

There are a lot of reasons, but here's a major one: it would take a really, really long time for Earth to genuinely become uninhabitable for humans.

Humans have, throughout history, carved out a living for themselves in some of the most harsh, uninhabitable corners of the world. The Arctic Circle. The Sahara. The peaks of the Himalayas. The densest, most tropical regions of the Amazon Rainforest. The Australian Outback. etc. etc.

Frankly, if there had been a land bridge to Antarctica, I'm pretty sure we would have been living there for thousands of years, too. And in fact, there are humans living in Antarctica now, albeit not permanently.

And now, we're not even facing down apocalypse, anymore. Here's a 2022 quote from the author of The Uninhabitable Earth, David Wallace-Wells, a leader on climate change and the furthest thing from a climate optimist:

"The most terrifying predictions [have been] made improbable by decarbonization and the most hopeful ones practically foreclosed by tragic delay. The window of possible climate futures is narrowing, and as a result, we are getting a clearer sense of what’s to come: a new world, full of disruption but also billions of people, well past climate normal and yet mercifully short of true climate apocalypse. Over the last several months, I’ve had dozens of conversations — with climate scientists and economists and policymakers, advocates and activists and novelists and philosophers — about that new world and the ways we might conceptualize it. Perhaps the most capacious and galvanizing account is one I heard from Kate Marvel of NASA, a lead chapter author on the fifth National Climate Assessment: “The world will be what we make it.”" -David Wallace-Wells for the New York Times, October 26, 2022

If we can adapt to some of the harshest climates on the planet - if we could adapt to them thousands of years ago, without any hint of modern technology - then I have every faith that we can adjust to the world that is coming.

What matters now is how fast we can change, because there is a wide, wide gap between "climate apocalypse" and "no harm done." We've already passed no harm done; the climate disasters are here, and they've been here. People have died from climate disasters already, especially in the Global South, and that will keep happening.

But as long as we stay alive - as long as we keep each other alive - we will have centuries to fix the effects of climate change, as much as we possibly can.

And looking at how far we've come in the past two decades alone - in the past five years alone - I genuinely think it is inevitable that we will overcome climate change.

So, we're going to survive climate change, as a species.

What matters now is making sure that every possible individual human survives climate change as well.

What matters now is cutting emissions and reinventing the world as quickly as we possibly can.

What matters now is saving every life and livelihood and way of life that we possibly can.

[jakeperalta]

interpret lover/hater however you wish, but this is about general attitude, not regarding a specific topic!

[lucabyte]

"So what's the weirdest possible first (second) impression Loop could make on the party in postcanon?" "Yeah, that, probably."

+ Bonus

theyre just standing there in direct party order while this happens. normal tuesday.

[avephelis]

omg i love transgender leo ninja turtle

[strawberriederror]

i HATW it, but ig someone’s gotta get me off my high horse once in a while

“Cuando tengo que admitir a mis propios errores para aprender y crecer:”

Odio estar en lo incorrecto pero alguien tiene q ponerme en lo correcto de vez en cuando 🙄 (broma)

[solar-eclipsed]

Watched Electric Dreams (1984) … The most me catered movie I have ever seen and also the most I’ve ever understood what romantic love is like. Truly incredible

(ID in alt) (Tumblr also ATE the quality for lunch and dinner so. Click on it if necessary LOL)

[amphibianaday]

day 1421

[spookberry]

endlessly entertained by their constant bickering tbh

[actual-changeling]

this one is thanks to a post by @thegroovyfool because she is very much correct - we do not talk about aziraphale's "i need you" enough.

so once again, with a deep breath and a sigh, welcome back to alex's unhinged meta corner, where i tear apart the confession scene frame by frame. i'm gonna say, watching this particular clip over and over and focusing on aziraphale's face almost took me out.

let's get into it.

first, how about a little look at our starting point. (any blurry screencaps are due to a LOT of movement on michael's part rip)

crowley is very pointedly facing away from him, he turned after aziraphale said "we can be together - angels!", presumably because being offered exactly what he wants in the one way he cannot have it fried his brain, cause besties it surely fried mine.

aziraphale on the other hand looks openly desperate, which is why he says "i need you." more on that later. let's have a look at how he says it, because michael "microexpressions" sheen is putting in the work.

to me, he seems close to tears, his eyes are glistening in that specific "i'm about to cry my eyes out" way i know from looking in the mirror while crying

he is trying to get crowley to listen to him and to turn around. he wants crowley to face him, which is something most people tend to want during an argument. talking to someone who is not looking at you tends to make someone frustrated and like they're not hearing you/do not care about what you have to say.

aziraphale looks close to despair, his i need you is a plea to crowley to come with him. he is opening himself up not just emotionally but physically, too.

he slightly leans forward, his arms are raised and seem to both slightly grasp for crowley and point towards his chest/heart for emphasis. the pure pain visible on his face knocks the air out of me every single time i look at it.

aziraphale is admitting to needing him, something he has never done before, hell, he has told him the exact opposite on numerous occasions. i don't need you. and while they both knew it was a) a lie and b) a way for him to deal with his conflicting emotional standpoints and cognitive dissonance, it still hurt crowley every. single time.

crowley was there for him no matter what, he knows aziraphale needs him but he came back and remained at his side even when he was pushed away and more or less openly insulted. he endured it all.

aziraphale saying i need you now is pretty much a slap in the face but also what crowley needs to hear. as with everything that happens during the entire conversation, the timing is fucked up and they're talking past each other.

in my opinion, that is why crowley does not react.

only when aziraphale turns spiteful and starts questioning his understanding (aka calling him stupid without outright saying it) does he re-enter the conversation.

aziraphale, however, is upset. now, i will put on my tinhat for just a second and turn up the insanity because there are two more things i want to talk about.

first, the little stutter at the beginning.

"i ngk - i need you."

my question is - why? why does he stumble over these words in particular when it does not happen with any other sentence? the only other time is right after crowley walks away with his "good luck", he stumbles over crowley's name.

so, in short, it happens when he is either caught off-guard or saying something incredible emotional.

and this, everyone, is where i go unhinged in my interpretation.

what if he initially did not want to say "i need you?" what if he was so caught up in getting crowley to stay/come with him that he did not think and almost confessed another three word sentence?

what if he was about to say "i love you" but stopped himself because no, that's too direct, they don't do that, they can't do that. it goes against EVERYTHING they have silently build over the last six thousand years. so he chokes on it. he chokes on it and instead he says "i need you" because it means the same thing.

i need you. don't leave me. come with me. be an us. go off together.

i forgive you. i love you.

they say it over and over again because that's the only way they can say it.

that is why aziraphale is so angry and upset after saying it. he told crowley he loves him, he needs him, and all he got in return was silence.

the funny part is that this code may have worked before, but it no longer does. crowley is too hurt to listen to what aziraphale is trying to tell him, and aziraphale is equally as hurt and also not listening anymore.

the funny part is that it stopped being about love and started being about sides again. my side, your side, our side. choose a side, choose our side, choose me.

the funny part is that beelzebub and gabriel told them what they need to do, i found something that mattered more to me than choosing sides.

[ryllen]

🍎⚡