[ a memory from the city of flowers ]
I've seen some discussion on what if trein met lilia in his youth, only for him to see Lilia again decades later at NRC and I find it so funny
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Since a lot of you seemed to like Larvae James, here's an update on the situation: Gordon seems to have warmed up to the little mite.
Admittedly he's a lot cuter now that he's not just a few hours old...
In other news, drawing a train loafing is hard...
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GV200(Gavin): Guess who has a permanent memory of his boyfriend absolutely drunk out of his mind trying to debate with a stray cat about how much he loves you.
Nines(Richard): (groaning and trying to not die of embarrassment) Please delete that, I’m begging you.
GV200(Gavin): Never.
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Transitus Comic Studies
These were meant to be colored but alas. Faulty art supplies. Still like these sketches though! They’re lifted from the OG comic book. The idea was to only use direct poses and scenes from the source material and try to infuse some more productive character design into them.
Focus on status of a given character (and changes in it) and some stronger air of historical reference, kept as far away from my own personal head canons of the characters and their backstories as possible.
Really had fun with these. Great figure practice ✏️
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I just Know Niran owns a bunch of plushies (mostly thrifted, because he’s strongly opposed to rampant consumerism). I just know he’s the type to see a plushie all alone on a shelf and go 🥺
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Scott can actually see the watchers but barely acknowledge them other then to flip them off lol
I mean, that's basically what he did with Aeor in Empires s1, right? /hj
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the stan lee quote of "i wanted to give myself a challenge to make the readers like a weapons manufacturer industrialist character at the height of the cold war" etc gets passed around a whole lot but nobody ever talks about how he actually went about solving this challenge which is to give the weapons manufacturer industrialist severe mental health issues
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keeley: what did you send? a dick pic? a kinky fantasy?
roy: worse.
(the text in question was something like “sometimes it’s only moderately annoying being around you “)
Oh absolutely 😂
Other things that can count as risky texts include (but aren’t limited to)
- telling Jamie he’s proud of him or that he’s played well when he’s playing for the England team so Roy isn’t there to say it in person
- Jamie whining about I know you hate me but this is just ridiculous over a minor inconvenience and Roy responding with I don’t hate you anymore you fucking moron
- saying anything at all about missing Ted while texting him (especially in a not threatening or angry way, but it still feels risky to him sending something bitching about how something is Ted’s fault for leaving them until he gets Ted’s response and rolls his eyes at it but it’s fine)
- literally texting anyone other than Keeley first in any context other than something team/coaching/training related or something bossy or something angry or vaguely threatening (asking Beard or any of the other guys to get a drink with him later in person? totally fine… texting them and waiting for their response for an indefinite amount of time and then not knowing the tone of their response? torture… like you know he rolls his eyes and vaguely grumbles about Ted’s over enthusiastic texting style but at the same time it’s a lot easier when Ted responds to everything clearly enthusiastic and that’d definitely help the whole living on a different continent and time zone thing to be more bearable)
- saying anything about any feeling he has toward Keeley or Jamie to Jamie while they’re all single post the fighting on her doorstep disaster
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SODA IM GOING TO MAKE MYSELF CRY
So theoretically would you rather be a prop or actor in a play?
The props are used by others sure, but they are vital. You can't have a play without them and they can completely change the tone and mood of a scene.
The actors have a vague sense of freedom. They follow a script but they interpret it and make it their own. They're the heart of the play but live under stress and pressure, crumbling if taken to far.
Though in the end they're only really good when the director knows how to use them.
Thats Siglai. In this essay I will-
ooooo, i’d probably be an actor honestly.
[the fact i can’t tell which one is supposed to be sigma and which is meant to be nikolai bc i see bits of both in each description tells me this is a very good analogy and i agree wholeheartedly]
ANYWAYS, GOING BASED ON MAJOR DESCRIPTORS: im saying sigma is the prop based on his backstory and current uses plot wise. and Nikolai is the actor!!
THIS IS SUCH A WAY TO DESCRIBE THEM BTW
assuming sigma represents the prop: sigmas sky casino literally houses one of the stages for one of their terror plots, the coin bombs!! and not to mention his backstory being trafficked and used for his ability, being deemed a tool before a person. only to escape and end back in the same exact scenario with less visible strings. <3 but at the same time he is literally how the doa got the whereabouts for the page if i remember correctly, and their stuff wouldn’t have worked without him or just would’ve been more difficult to pull off. [if he defects i wonder what’ll become of the doa tbh. assuming fyodor is most likely alive, and they continue their original goals]
aaand assuming the actor represents nikolai: the only reason he feels that vague freedom is because he believes he proved it everything he does is for free will. he needs to prove it and he needs to know it himself. he’s, of course, a sane individual like everybody else; he, of course, feels the guilt that comes with his actions. yk eventually he won’t be able to put it off anymore he hears the cries, and the screams and everything that comes with proof. he endures. and he endures. and he endures. all the meanwhile he’s only creating more more ties back to his own humanity.
What happens when he finally has to face this humanity of his?
We don’t know, perhaps we’ll find out in act II.
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Bruce: Hey, are you okay?
Vance: Yeah.
Bruce: You don't look okay...
Vance: Then stop looking.
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