#but i do like observing it...
Hm... i do wish it was normalized to talk about how yes you can have an interesting meaningful story involving characters with ocd coded or intrusive thoughts towards younger characters and it can be an important character trait that doesnt define them or one that is indicative of a set of values etc but you as a fan need to simultaneously be aware of the context of the story. Why do you think i lament being forsaken to like gacha games stories. The choices are made with intent to sell and appeal to an audience that will pay. I just think it's important to keep it mind that, and it pains me to see people who express concern at intentionality being labeled "freaks cuz they thought of that in the first place" i promise you theyre not the freaks for being concerned. So while i do think HE is definitely trying to appeal to new younger audiences with modern teen characters and the use of tiktok, it is important to keep history, audience, and possible further interests in mind too. Well from the bottom of my heart i hope none of the new characters ever get cards like that one hyena aira 4* but it is always good to stay cautious. I dont understand how ppl parrot being "critical of the media we consume" but then not being ok with talking about such fanservice that is undeniably there. Yet i understand reluctancy to admit you're not the target audience, and the willingness to just ignore anything you dont like... i might've been guilty of it myself at points.
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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senshi fans: learning how to make nutritious meals for themselves
laios fans: down bad
marcille fans: lesbianism
chilchuck fans: putting that man in situations
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Prompt 102
Bruce pinched the bridge of his nose, taking a deep breath. In for ten seconds, out for eight. Alright. Okay. “Let me get this straight,” he didn’t motion to the three teens- or not teens even if two apparently looked like they were- but it was a close thing. “You-”
Phantom perked up, white hair flickering with what he was pretty sure were stars as they turned away from the window looking out into space. “-are two years old.” The fae-esque being who looked more like a fourteen year old gave a half-distracted nod. Which, for a toddler, they were paying attention pretty well.
“You-” Klarion looked up from where he was fiddling with the cuffs that had been on him, cat sprawled on his shoulder now that it was out of the carrier. “-are six?” Another distracted nod, the apparently-child seemingly enamored with the sounds the cuffs made when they clinked together.
“And you-” He turned towards Marvel, who shrank back before seemingly steeling themself. “-are in fact ten.” The… well they had thought demigod but apparently all three were some sort of realms-being, which had apparently made Constantine pale and start cursing before stomping out of the Watchtower. Another nod and shaky thumbs up.
Alright. Okay. They had in fact let a ten-year old join the league, which wouldn’t have been so bad if they had known. Especially the fact that apparently Marvel was only half-human, which suddenly explained so much about how he didn’t know so many things about a human life. Which-
“You,” he turned towards Phantom again to make sure he was listening before returning his attention to Marvel. “And you have both lived at least a year in the human realm with human companions, but your-” He turned his gaze towards the ravenette in the center. The six year old apparently. “-experience with the human realm is literally just with the Light.”
Yet another distracted nod. Okay. Bruce was tempted to scream in a room for the entire situation that had cropped up from the single action of taking Klarion’s familiar and then the boy himself into custody. Then again, it was honestly a much better thing they had apparently caught this.
“Alright,” he sighed, suddenly feeling incredibly exhausted. “To make sure I have all of this correct-” Because it was already a shitshow and the amount of shouting had absolutely spooked the child. To the point he’d- according to Marvel- made what was apparently some sort of very distressed noise that had made both him and Phantom running. Or rather flying and portaling.
“-in the realms, people there make friends through fighting,” Bruce pauses to make sure he got that part correct. The origin of this entire misunderstanding with the chaos-lord. Lordling?
All three nodded, Klarion losing interest in the cuffs and starting to pet his cat. Familiar. Everyone had referred to it as a familiar and Marvel had appeared utterly horrified that they had taken said familiar away. Somehow he was the one the trio were currently trusting and weren’t doing the same towards any of the other league members.
“And you have been trying to make friends with the Jr team, which they have been taking as an attack due to this miscommunication.” Honestly they should have gotten more information, though he couldn’t exactly blame any of the teens, what with everything they were currently dealing with.
“... is there any sort of guardian or something you might have, that can be contacted? Or anyone that could help prevent a situation like this from happening again?” All three avoided his eyes, suddenly finding things like the table and walls very interesting.
Oh. Hm. This could be a problem.
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i know people are good because of this: the universe often assigns me side quests. in a circular strangeness; despite my inability to locate my-own-anything, i am almost-always finding someone else's lost things. dogs, coats, phones, cash, laptops. it happens so often it's almost tiring; suddenly being looped into a tiny amount of detective work.
but when i'm with other people who are not used to this: the response is almost invariably delight. yes, maybe they are simply thrilled by the mystery. it's just... they light up so much. i think maybe more... i think they like the opportunity to do something kind.
a few weeks ago, i was at a bar and i found a wallet as soon as we stepped outside. i felt nervous to ask for help, worried i would be holding up the night. i picked it up and said go on without me, i should help this get back to its home.
instead, three people pulled out their phones - to find him on facebook, to help cancel his credit cards. two people went back into the bar to tell the bartender, two others went calling down the street. group texts, facebook posts, instagram stories. people, without even seeing what happened, start offering help to me. fifteen minutes and: someone knows someone who knows the guy. the cheer that went up - just for finding him, just for this small thing. someone gets him on the phone. strangers dance around me, hopping on their feet - are you the girl that found that wallet? good for you, that's a good thing you're doing/same thing happened to me and somebody did what you're doing and i thank god everyday for people like you/i can't believe you found him so fast this is so exciting
i gave it back to him in a parking lot. i watched his shoulders sag with relief. there was cash in it still - he checked the pocket, and then sheepishly held the money out to me. i didn't take it. i held up my hands. "it's no problem, man. i know you'd do the same for me."
i don't know him, to be honest. i don't know if he is the same kind of person i am. but he nodded at me.
and i know people are good. i know people are good, because the way this story ends isn't surprising. we wave goodbye awkwardly. my friend loops their arm around me.
"i can't believe we got it back to him," they said. "i'm going to be riding that high for weeks."
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Leo getting hit with a truth curse but instead of forcing him to admit to super sad or worrying things it’s things like “it was me who broke the remote” “I saw Mikey prank Donnie and helped hide it because it’s way funnier if he didn’t know who it was” “I rip my clothes to look more like Raph’s because he’s really cool” “my stripes aren’t even red they’re pink!”
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Not me thinking about Donnie putting on a brave face for Splinter to hide how upset he still was over losing the retro-mutagen
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Publishing has always been a fucking nightmare, but now it’s a layer of hell. It’s not enough that writers be good at what they do. Writers have to maintain an active social media presence and cultivate a following. Be available.
They have to be conventionally attractive enough to look good enough to see on a screen, aesthetically pleasing, kind, funny, up-to-date on trends, socially aware but not so controversial that they turn off a brand from California from slapping their discount code on a video promoting a book.
They have to do all of this with no media training, with little help from the companies that are supposed to be doing this for them.
Of course, a lot of this isn't possible for say, the 40-something mother of two who teaches English at a school and writes on the side. She’s boxed out of an already complex industry that already has enough walls.
On some level, I think authors have always marketed themselves a little, but we’ve reached such a crazy point where we’re demanding the author become the influencer. Accessibility in publishing has narrowed from an inch to a sliver. And that inch was hard enough to get in as is.
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Honestly, I don't think people give qCellbit enough credit. As much as he can be blinded by his own self depreciation, he knows his husband.
And there is something deeply wrong with "Roier."
Props to cc!Roier for his acting, because as someone who's been watching the both of them for almost a year now, the way he plays Doied with qCellbit makes my stomach churn a little bit.
It's an almost perfect impression of qRoier, but it's wrong in the ways that matter. He's a little too careless. A little too surface level in his portrayal.
He feels like if someone watched Roier's pov and took his attitude at face value without bothering to consider any of the nuances underneath. Which is, I guess, what Doied actually did.
He hits Cellbit with a sword when he's under-geared just "for fun". He stands back in fights when Cellbit's calling out for help. He nonchalantly brings up Bobby in order to convince the eggs and Cellbit to leave. He tells Pepito that he's Pepito's only parent and that Pepito is only his son. The small details all add up together and the result is something immensely off.
It's VERY well acted, and it's the kind of difference that only someone who spent a long time with a character could pick up on, which is exactly why I think qCellbit seems to have caught on so quick.
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idk why so many people act so strange when faced w people who travel alone, go to restaurants alone, etc. and the idea of someone doing these things alone is always a comedy beat in tv shows and such, characters are always agonizing about having to go somewhere alone, people irl are usually shocked when they encounter someone travelling alone, eating alone, there is judgement there, blah blah. its very silly. you mean you never go to a restaurant alone just to have a meal? go somewhere because you want to go there, regardless of whether others want to join you, whether it's 20 mins from your house or hours away from home? another country, if you're someone who has the means to travel? it's really not that serious lol
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300 years is a lot of time…
If there are two movies that have inspired my artist brain rot it would absolutely be rotg and spiderverse, so why not combine the two for the maximum healing-my-inner-child indulgence!!
here’s some 2am color keys for more scenes that will never exist, trying to explore how jack would explore what it would be like to live amongst people
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assorted bodies doodles (transcript of that messy relationship square under the cut due to my handwriting/incoherency)
TAKE THESE W A GRAIN OF SALT i am like 90% joking:
hillinghead -> hasan, and vice versa: immediate mutual respect
hillinghead -> whiteman: he's incredibly smart, deceptively cunning but very kind. but he is also so annoying oh my god--
hillinghead -> maplewood: "please someone explain science fiction to me"
whiteman -> iris, and vice versa: two friends secretly think of the other as the sidekick
whiteman -> hillinghead: annoying him is quickly becoming a favorite pasttime
whiteman -> hasan: will not admit it but he wants parenting tips from her
hasan -> whiteman: has slipped a parenting book to him
hasan -> maplewood: deja vu about their future weirds her out a little, but she trusts her
iris -> hillinghead: fond of him from the time they spoke in the prison. enjoys fucking with him
iris -> hasan: SHE'S THE GOAT
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the most laid-back man in casualsberg 🎧 (once again drawn for me by @jamisonrivv!!)
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can you really talk about tim's tendency to idolize and place dick on a pedestal and his semi-entitlement to understanding dick without also talking about dick's tendency to project his own feelings and insecurities onto tim and also his semi-entitlement to his right to try and micromanage how tim should feel and react about things. i, personally, cannot.
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you know what really fucks me up about caps death scene? the way theres a huge crowd around him and havers.
the fact that the captain got to know that havers loved him back, that he knew that he loved him is truly fantastic and i’m glad that happened.
but their goodbyes were restrained by the eyes surrounding them. captains who they don’t know, who judge cap, who have no business seeing them like this. if they said too much, havers would be thrown in jail. like fuck, the looming presence of the crowd just out of focus. do you get it like im gonna be ill
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