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#but i drew this little sketch last night
robot-carl · 6 months
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Me too Eddie. Me too. 🍷🍷🍷
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dolly-spit · 3 months
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doodle dump brought to you by my involuntary sleep deprivation :v
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shima-draws · 6 months
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Me, sketching out charm designs: Fun!! Ehe! So fun!!
Me, lining charm designs: Why did god put me on this earth. Why was I put here only to suffer. Such a cruel fate has befallen me
Me, coloring and shading charm designs: Fun!! Ehe! So fun!!!
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sketchysketchiness · 2 months
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Fantasia Devil had me in his grip growing up
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oflostinfound · 10 months
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Partially Recovered
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angrybatart · 2 years
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DRAWCEMBER Day 7 - Mittens
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Well that's one way to wear mittens. If you were a bug living in Hallownest, that is. Grab the coziest scarf and mittens you own, find your favorite bench, and sit down with a cup of hot Hiveling honey tea for a cozy winter night.
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britishchick09 · 11 months
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rewrite erik thinking of his love! 🥰
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krisispiss · 4 months
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sketch dump of little things I drew last night with friends
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cinnamontoads · 2 years
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rolling around on the floor groaning crying throwing up i miss quantum leap i’m so bored
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dreamesamu · 1 month
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THE THINGS HE TAKES FOR GRANTED
in which he takes a moment to justify himself after never noticing your little crush for him
starring. akaashi keiji x fem!reader
genre(s): angst to fluff, (super, like-) long scenario 
warning(s): none, i think so? except for clueless keiji and not proof-reading
author’s note: akaashi is just a major green flag in this (every haikyu!! boy is 😭) i feel too bad to write them red-flag-y.
choose your character: m. atsumu | k. akaashi
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you’ve known akaashi for quite some time, starting from your last year of fukurodani academy and then serendipity brought you both ended up being each other’s classmate at a same college/university. bokuto kotaro was your best friend, the little owl introduced his favorite setter to you and the friendship of three gradually become established, and as if it can not be any more inevitably, you eventually developed a secret admiration for the pretty setter when you three have been closed enough. however, graduating separated ways, kotaro pursued his journey to become professional in volleyball while keiji, once said to you he wanted a place in the literature department.
truth be told, even if you promised each other you would still keep in touch and plan every weekend friend group meeting online or offline, you’ve never expect you would share every class in higher education life with your crush, the akaashi keiji. the great thing is you both are paired up for an presentation assignment in the major you and him pursue, you do have plenty of time to stay close and grab his attention from making gestures that he usually failed to realizes.
here you are again, happily humming your favourite song while carrying a box wrapped with a small detailed towel, some big rolls of assignment paper stuck underneath your arm as you make your way back to where you both planned to finish the project - the library. 
“keiji, i’m back!” you set your things respectively on the table, and akaashi nods with a smile on his face in acknowledgement.
“oookay, so here’s your today’s snack, I hope you’ll like it” you grin, tapping on the box before pushing it to his side as he receives it and casually opens it while speaking.
“hmm? are those sketches of our poster? you can always edit them on the computer, why the effort?” he chuckled softly before completely unwrapping the bento box.
“I’m not good at designing and stuff. I may draw as I like and you’ll be the one to edit it on the computer.” you puff your cheek out, hands resting on hips as you watch his reaction to your delicately decorated sweets in the box made for him.
“this looks amazing.” he smiles upon seeing the pastries you made, decorated beautifully with different kinds of fruit as each pastry has different flavours, you probably did not stay up so late last night just to make all kinds of flavours for him to show how much you like him. yeah, probably not.
"oh, it's nothing, I just hope it doesn't taste bad" you chuckle nervously while scratching the back of your neck, letting his praise send you up to cloud nine.
your actions falter when you see akaashi put back the box's cap on, set it aside as he leans over to reach the posters you drew.
"now then, can we start working on the project?" he spreads out the piece of paper, glancing at you as you stand there awkwardly, prefer him taking a bite to look through all of your efforts than just shrugging it off and go straight to the main part of your study session.
"what...? oh- um..." you trail off, a bit embarrassed. "wouldn't you like to try one out? it won't hurt to just have a taste of it..."
"maybe later, y/n. we have other things need to be done right now." he merely states, eyes study the poster in front of him, unknowingly sinking your heart.
"yes, right." you shift slightly, taking the sit by the opposite of him, trying to catch up with him on the progress.
you let your mind wanders off how many times you've lost count already while akaashi quietly focused on scribbling something in his notebook, every thoughts you have are always about keiji, your feelings and the stare you give him thinking it's discreet. what's stopping him from trying my tarts out? and how does he feel being around me? or is that his way of rejecting something without making that person feel bad? flooded your mind.
"y/n?" you realize his faint voice ringing somewhere "y/n..." the voice becomes clearer. "earth to y/n, you're staring." awh, snap. right.
you blink, startled before clearing your throat, mumbling a small apology as you try to get yourself busy with the work underneath you once again.
but akaashi just chuckles, his voice calm and reassuring.
"hey, you seem off today. it's lunch break, please make yourself comfortable." you fumble at his words, it's noon already? as he collects his books and tidy it up at one corner of the table before speaking again.
"yuri satsuki is inviting me to have lunch with her. would you like to also join? i think she wouldn't mind." he kindly offers, probably not knowing the words struck you shocked.
you know satsuki-senpai, she's a year older than you and has been a social butterfly ever since you set foot in student life. she is a nice person, you conceived, but not until you found out that she has a huge crush on your akaashi keiji, her behaviour in your eyes became somewhat annoying. in return, she did realize she had a rival to win over him, you acknowledge that through the smug look she gave every time akaashi was around her instead of you, that is how the tension gradually builds up between you and your pain-in-the-ass rival.
and now she's even invited keiji for lunch? you feel an uncomfortable twist in your belly, screaming that if you do not take further actions, you lose akaashi to her. but his way of discarding your hard work, also known as an attempt to get his attention earlier discourages you hastily. this comes to a realization: ever since he start hanging out with satsuki-senpai, he has never touched one of your cooks once.
"no, i'm fine staying here. you go" you force a smile waving him goodbye. he hesitates upon seeing the downward trend of your mood as well as the strange attitude every time he brings up yuri.
"what are you waiting for?" you scoff, trying your best to make it sound not so bitterly. he nods quietly before ruffles your hair, thoughtfully remind you to get something to eat before start working again, and he'll be back with you soon.
you groan for the nth time in thirty minutes since his last leave, deciding not to eat anything at all after you laugh bitterly to yourself seeing the bento box laid cold by his stuffs which corrects your thoughts that he is not going to appreciate what you did for him.
the chair scraped the floor when you stand up, attempting to compose yourself when you feel your brain need a break from overthinking such situations.
on the way out of the library, your eyes meet yuri satsuki's, assuming that keiji is just somewhere around here as his lunch break partner is the person you least excited to bump into.
"well, well. isn't that the girl whose best friend choose to hang out with me instead of her?"
excuse me?
"don't get too ahead of yourself, satsuki-senpai. just a friendly reminder" your tone evidently irritated as you flash her an unamused smile, trying to avoid her as soon as possible.
but the radio scene of her voice replayed all over your head, your mind goes muddy despite the fresh air you're trying to take in, you let out a shaky breath, tears brimming out.
maybe, he doesn't quite noticed the things I did for him after all...
---
"you're back. where were you?" akaashi worried tone surprises you after a quite fine time of trying to find you because your study desk in the library was empty.
"i was... out for fresh air. why?" your voice is off and he noticed that. he always knew when something is bothering you, and right now he definitely know that something is wrong.
"after i finished my lunch i got yours, 'cause i know when i'm back you would still hadn't eaten anything." his brows slightly furrow seeing your avoiding attitude.
"thanks, keiji." you said briefly, take the package from his hand and sit down on your seat, never forget to notice the pastry box still intact.
your strange attitude didn't just stop there, it confuses akaashi for a more couple of days of your avoidance, he dislike the way you put a small distance between you both in study sessions, you flinch and tense around him more often, your answers and conversations are brief and sometimes awkward as you seem to be more preoccupied and attentive rather than to communicate with him.
"good morning, y/n." he smiles, your state has been bothering him for days as he is paying attention to your fade grin and a small "hey" as a greet back.
then he fumbles. something is missing...
oh. but then, realization sets in him quite quickly: you didn't bring any homemade sweets today.
"y/n..." he hesitates, meeting your eyes as you lift your head up from the notebook you're scribbling on. "does your home perhaps... out of ingredients or something?"
you are stunned for a moment, knowing exactly what he was trying to imply, scared to look at him directly in the eye as you shift your gaze elsewhere, pretending to have forgotten.
"oh... you mean the pastries... I forgot to do it. I was busy yesterday"
lies. he see through it, you know that, but you can't just blurt it all out that you're heartbreaking because of his indirect rejection that never says he doesn't like you, but makes you feel like it did.
"hey... i know something is wrong, can you tell me what it is?"
there it is - the worried look on such handsome face that never fails to make your heart flutter. but you know, that is just his nature of being an attentive and thoughtful person, not just for only you, but for everyone in his orbit.
so his question remained unanswered.
akaashi has been extremely distracted due to the sudden lack of your affection on him. it's just doesn't feel the same. even if he refuses it but deep down, he misses your midday snacks, your bubbly laugh around him and that flushed cheeks you wear every time he caught you staring. it has been a whole week since, and the fact that you didn't join the friend group video call with bokuto last sunday was his last straw.
he misses you, dearly. and if he doesn't do anything now before your project is finished, he might find it difficult to approach you even when you are his best friend.
and then, on an another lovely morning in the college's campus, an emotion he thinks he's aware of stirring in his stomach at the scene of you handing out a bento box wrapped with the same detailed towel, a small smile tugs at the corner of your lips as the other boy laughs lightly, scratches his neck, sending regards with a polite bow before making his way back in the classroom, akaashi doesn't like what his eyes have witnessed, so when he met yours, the bitterful look sends shivers down your spine.
you turn away, begin to walk, you do not want to deal with your bothered heart right now, not if it has anything to do with him, with that thought, you choose to neglect it because it is just your one-sided feelings for him.
but you hear footsteps behind, next is a small "wait" escaped from his lips when he managed to catch up and hold gently on your arm. that stopped you midtrack.
"please. can we talk?" he pleads.
---
you find yourself trapped by his presence in a corner of the school's library. there's no point in avoiding now.
"i'm sorry." he states. "i like you, i should've known."
your eyes widen. why- all of a sudden?
akaashi glances at you, softly sighs before bring your hand up to his face and kiss your knuckles gently.
"i understand now, i was clueless, you have the very right to be mad at me." each sentences he speaks crack your heart, but at the same time, they give you hope.
you neither know how to react, nor what to say, you just stand there, completely speechless, it encourages him to continue his speech of pursuing you.
"the last time i went to have lunch with satsuki, she confessed to me." he stopped, watching your expression. "but i turned her down, then, she got angry and started to brag about you. i did not like what she said, so i got quite defensive and... that was when i realised."
"i didn't know when it started. i just knew that i didn't feel very comfortable seeing you bringing your pastries that was meant for me to someone else, and more it's because i didn't appreciate it."
he squeezes your hand, afraid if not, you'll slip from his grip and become somebody else's apple. he certainly dislikes the thought.
"i want your pastries back, i love them as much as i love you. please let me correct such a terrible mistake."
---
"yes, hello. i've received the box, thank you, my love."
akaashi spins his office chair slightly, softly speaking to the phone stuck between his cheek and shoulder with a smile while unwrapping a huge warm box of freshly baked tarts.
"keiji, bad news, i'm out of powdered sugar after that batch." your voice echoed on output, he chuckles.
"are you free after work? we can visit the supermarket to purchase some. i'll drive, consider this a date with me, 'mkay?"
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© 2024 dreamesamu. all rights reserved.
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typing-catastrophe · 5 days
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could you write a stanford pines x reader headcanon where the reader is an artist and always draws him and draws in his journals when he isnt looking? maybe he talks to the reader about the drawings and they get really flustered i dunno!!! <3
oohhh! yeesss, that's a great idea! thank you anon ^^ hope this is okay, enjoy!
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Your little habit started out even before Stanford came back. Dipper saw you sketching in your notebook from time to time, and asked you to draw something for him in the journal. He handed it to you and pointed next to a text he'd written about some anomaly (maybe a Manotaur or the Pterodactyl). First you were unsure, how would you feel if someone randomly decided to draw in your sketchbook? But it actually seemed really fun, an you didn't want to disappoint Dipper. Also it was in the spirit of research and preserving observations. And honestly, what were the odds the mysterious author would ever show up again?
With that attitude you began, whenever you got the chance to, to doodle yours and the twins encounters with the countless strange phenomena in gravity falls into the journal.
Well, oops? Seemed like the universe decided that not long after you started doing so, it was the right time for the author to come back.
It wasn't a big deal really, Dipper kept the journal for most of the time and Ford told him that he liked the additions he made. You weren't sure if he only meant the notes Dipper added, or if he even knew that someone else drew the newly added creatures.
It didn't take long for you and Ford to get to know each other better and spend more time together. Literally everything about him was just so fascinating. From the way he talked about his dimensional travels, anomaly hunts and research, his interest in a shared hobby of yours (dd&md), to the way he held himself. And, even if you were a bit embarrassed to admit it, his looks.
You couldn't help it, he was captivating. So to no surprise, one day you found yourself sitting the shack's porch, looking over at Ford standing in the yard, working away at something that was too bulky for the basement. You didn't even realise what you were doing, until something startled you out of your thoughts and you looked down at your sketchbook, seeing a familiar figure on the open page.
And then it happened again, in the lab. He was explaining away, deeply invested in whatever topic he was rambling about, not really taking in his surroundings. You had started out just sketching his study, but somehow he turned out to be the main focus of it.
One evening you found yourself in the living room of the shack. Ford was sitting on the floor, which was almost entirely covered in graph paper. You had joined him while he prepared the next campaign session, the tv quietly proving some background noise. While he was franticly scribbling away sheet after sheet, you propped open your notebook and began sketching some of the characters that came to your mind. Ford's, Dipper's and your characters and some npcs you encountered on your travels. But looming over all of them, half hidden behind the dm-screen, the scheming face of the man before you took his shape.
The end of the evening was rather blurry, you remembered falling asleep on the floor and being carried to bed, half asleep in someone's arms.
"hmm thank you", is all you could mumble when you felt the soft pillow under your head.
"No problem, dear", you heard a deep voice chuckle.
-
When you thought about it the next morning, a smile crept unto your face and you kinda wished, you would've been more awake, so you could've enjoyed the moment properly.
The smiled was quickly wiped off though, when you realised that you must've left your sketchbook in the living room, given that Ford probably didn't bring it with him last night. You panicked and jumped out of bed, stumbling to the door when your gaze was caught by something. Your sketchbook, laying on your desk. You exhaled, glad it didn't lay around for anyone to see. You took it into your hands and opened it to the last page you were working on. But instead of the drawing from yesterday evening, only the one before that stared back at you. Confused, you turned the pages a few times, examined it, maybe someone ripped it out? No, no remnants of a torn out page....
Then, it dawned on you. You left your notebook in your room yesterday. You didn't plan on staying or even going to the living room. God knows how you ended up there, but it definitely was without your sketchbook. Which could only mean one thing...
In record time you were out the door, down the hall and in the living room. Right in time to take in the scenery of Ford staring down at his campaign notebook, opened to the page of your drawing.
"Ahh!! No no don't look!", you jumped forward and put your hands over the drawing. Ford furrowed his eyebrows, looking quite puzzled.
"This? Oh I already saw it last night after getting you to bed. It is incredible!"
Your cheeks heated up. "Oh" was all you could utter.
"It was also you who added the depictions of the twin's adventures, right?"
"Uhmm" You didn't keep your passion for drawing a secret, but you also didn't make a big deal out of it. And honestly, the way Ford was always so indulged in his own mind, you didn't think he was paying much attention to what you were doing. Now you felt a bit stupid for believing he wouldn't connect the - admittedly - obvious dots.
"They really are marvellous. And this?", he gestured to yesterdays page "Truly phenomenal!"
You didn't know what to say. You weren't even sure if you could say anything at all. All you felt was blood rushing to the tips of your ears and a flaming hot sensation in your cheeks.
"I- well uhm, thank you", you managed to stutter "I uh, I actually didn't mean to- uhm, use your campaign book. It was a mistake, I'm sorry."
"You've got to be joking! It's the perfect addition!" Ford exclaimed. "Do you mind if I keep it?"
"Oh", his enthusiasm caught you off guard. "I-, I guess not. Actually, that would mean a lot to me." you admitted sheepishly.
"Very well then! Thank you, dear." He looked at you with a fond expression.
You were about to retreat back to your room, turning around ready to leave, when Ford spoke up again, the smile apparent in his voice. "I also liked your artistic rendition of the twins adventures. Anything else you want to show me?" You froze.
Your heart started beating ridiculously fast. Did he knew? Did he notice you staring at him while drawing? Your thoughts started racing, but came to a sudden halt when he leaned down. His lips were almost touching your ear when he started to whisper.
"Maybe another time." And with that he walked by you, leaving you to yourself.
-------------------------------------------------- thank you for reading <3 reblogs are appreciated
a/n: if you want a second part with romance and/or where ford discovers the drawings of him, let me know! Have a nice day/night!
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kozachenko · 3 months
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Don't really have much to post again aside from some more sketching that I've done recently, this time of Reimu and Marisa, mainly because I just need a starting point as to how I would go about drawing them in my style (which is why the poses are so boring lol).
Artist's Notes;
So I mentioned in the last post how I've been wanting to experiment with how I wanted to draw Reimu, and I then got an idea for Marisa. So I wanted to try and contrast the two of them with each other via their shape language and body types. For scale I also put some numbers on the side just as a visualizing aid so I can imagine them easier. I wanted to make Reimu very tall and lanky and Marisa to be short and rounder. Also, this provides some interesting contrast in their shape language, and Marisa ends up being more round and Reimu ends up feeling more sharp.
I think what I'm most worried about is mainly that I don't 100% know if these two drawings still...feel like Reimu and Marisa. MMaybe because I made so many changes to both of them, but I feel like it's mostly in their faces. I kept the little personal touches that would add when I would draw them in the past (i.e. Reimu's tiny eyebrows and Marisa's freckles) but I dunno, maybe it's in the eyes? Like, Marisa's bigger eyes and eyebrows are definitley ideas that I want to play with in the future, but Reimu.... I dunno, I like the idea of her face shape in this drawing specifically, and I defnitely feel like I got closer to the monilid eye look I was trying to achieve in my previous attempt at drawing her eyes, but something still feels off with her.
When I drew Marisa, I really wanted to explore some other ideas for her body type, mainly in contrast to Reimu, so I wanted to give her a fuller figure and make her shorter than Reimu. I do feel like her eyes could be a bit sharper as eyes look maybe a little too innocent for Marisa, but I do still want to use these eyes I drew for her as a springboard for later attempts. I made some adjustments to her dress so that they would look good on the body type I gave her. I also need to draw shoes more because those boots....I just, I don't even know, I probably just need to draw that specific body type more wearing those types of boots or find references because I am not happy with how they turned out. Out of the two of them, Marisa was definitely my favourite to draw. I really enjoying drawing different body types when I get the chance to, and I feel like it's important to try your best to expand your variety when it comes to drawing the human body, I'm glad that I'm comfortable with drawing different body types. I do still have a long ways to go with this as I just need to do it more often and still need to do this but with different body shapes and weights and how to combine those two aspects to create unique body types and silhouettes. Also, please feel free to give me any critiques to how these two designs turned out, I remember that I drew Reimu when it was late at night and spent the entire day on Marisa so I defnitely feel like there's some things to critque here.
I'll be honest... I don't really like how Reimu turned out too much. Not to say it's a bad drawing, but I dunno. I think I just need to draw Reimu more, but she's honestly the hardest character to translate into my style. The thing is, I have an idea for her in my head but I just have a hard time putting it to paper. It's not like I've never drawn her before, in fact, aside from the height I really like how she looked in this piece of fanart (why tf did I make her so short in that piece) I did a while back despite the fact that I've imrpoved on my faces a lot since then (again, I do want to try my lineless style again, I just need to find the chance to do so), maybe because that was the drawing that provided me with some of my ideas on how to draw Reimu in my style? I do think I'm definitely in the rut of the "not knowing how to draw a character's face in your style" phase that I'm sure many fan-artists go through, so with enough drawings I'll get through it eventually, just gotta suffer through several more hours of trial and error though so yipeeeeeeee... As for things I do like, Reimu's hair turned out nicely. I did my usual technique for drawing Reimu's hair and then pasted the lineart layer underneath the main lineart layer and changed the colour to give it some extra pizzaz, and I do like how Reimu and Marisa contrast each other a lot. I just need to find a way to make them feel more like themselves while still taking liberties with their designs in my style.
Even if these are just sketches and me laying the groundwork for how I want to draw these two in the future, I still want to improve how I draw them a lot (also I don't like how much these two look like teenagers, I see both of them as being in their late 20s-early 30s and it just doesn't read like that and I definitely need to do more studies in the future to get them right in my style).
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metalatias5 · 1 year
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Phantom uses Ghost Charm, it's very effective
A little sketch I drew last night, plus a colored version
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qu1cks1lversb1tch · 2 months
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Day In | Vox x Fem Gen Z!Reader
A/N — f/c = favorite color. It's used like once, but I thought I should clarify for anyone who might get confused <3. Just a little nonsense drabble showing what a classic day off could look like.
Warnings: Valentino existing
Word Count: 440
Summary: Spending a day with the Vees in the tower — only so much could happen
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"I hope when you microwave those leftovers later, the container is piping hot but the center of the food is colder than your dead heart." Your cool tone pierced the silence of the room, with your arms crossed over your chest, noting how Vox didn't even look in your direction, instead glancing to Valentino to see his reply.
After what happened in your first month, you weren't all that surprised that he was avoiding you as much as humanly possible.
"I can just mix it up and put it back in for a couple more minutes, I thought you were smarter than that." The moth demon replied.
"That's not the point I'm trying to make, asshole. And you know it."
You had been forced into spending 'quality' time with everyone on the very rare day off.
Avoiding talking to Velvette about the design concepts you drew up for her, and your obvious problems with Vox that stemmed from you being, as he put it: 'a disrespectful little shit'; your only other option was to immerse yourself in spending time with Valentino.
Not your greatest moment.
The bitch wouldn't let you touch the f/c jewels to bedazzle your phone case because he was insistent on using them for his new gun.
It was downright hoe behavior.
"You should calm down, Miel."
You cringed and reached for the glue and the jewels that happened to be your second favorite color. "Don't call me that."
"Why are you taking those ones?" Valentino questioned, glancing at the box of jewels that now laid before you.
"Because I fucking can, Mothman."
"Voxy ~ she's being mean."
The TV demon groaned and looked as if he wanted to slam his screened face into the table until he blacked out from damage to the motherboard.
Velvette snorted and took pictures 'for memories'.
"I wouldn't be mean if you weren't hogging the best color." You huffed, annoyed.
"That's a lie, you and I both know it, babes." Velvette piped up, the sketches before her long abandoned.
"Fine, I'd be less mean. . . What should we eat?" You questioned.
"The flat faced prince picks tonight." Velvette announced.
"Go fuck yourself." Vox said smoothly, although he glitched.
You groaned.
"Pick something good. Or else." You threatened lightly. The boys had a habit of picking stuff only they liked, which left you and Velvette to be the more considerate ones so that you didn't have to hear their bitching.
"Italian?" Vox questioned the table.
"Sounds good." Valentino hummed, placing the last jewel on his gun.
Sounded better than steak for the second night in a row. . . For the second time that week.
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genericpuff · 4 months
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oh boy it's that time again
when rachel posts 'video progress' of her work and we proceed to dissect it like a frog in 9th grade science class
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like ok first the caption of "is persephone the chicken and hades the egg" makes no fucking sense except to anyone who overthinks it and goes "wait is that a reference to the popularly-perpetuated version of the myth where persephone went down to the underworld willingly and hades didn't actually exist???" because if it is ima scream lmao
but MORE IMPORTANTLY-
Here's the transcript of what she's saying in the video:
"I think I've always wanted to write Hades' and Persephone's story because obviously I really like them. It's like very much a chicken and egg situation because I think in the beginning I thought that I was going to use a very abstract black and white style, and I realized it wasn't very enticing or fun for me, um... and I started drawing these very like vibrant characters and as I drew them I understood more about the story the more that I explored the art style, um and I guess an example of that is, y'know, Persephone is like a very bright color um, and the Underworld, is a very dark dark blue, and so when she says she really sticks out so it's just environmental uh processes like that that really helped inspire the direction of the story."
(despite her expanding on the "chicken and the egg" bit it still doesn't make sense imo lmao)
But what we're seeing isn't S1 LO, it's actually from S3 of LO:
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But um... you notice anything interesting about the screenshot I just showed you?
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That literally looks NOTHING like what we see in the final panel. At the VERY least I think this goes to show how overcooked it becomes in post-production, when they add the canvas layer and hypersaturate the shit out of the colors, but even the blending technique just isn't matching up?
A lot of what she's doing in this video also feels very... non-existent, like she's brushing her pen around but very little is happening so it feels more like her just putting down random brush strokes to try and make it seem put-together but really she's just kind of pushing colors around and/or doing nothing. Especially when, again, what she's painting here looks nothing like the final picture (so at best it's a lot of wasted work??)
And knowing what we know about the assistants drawing the characters separately so that Rachel can rearrange them in the final episode layout... I don't wanna call foul play here, but this feels like yet another attempt on Rachel's behalf to make her process seem more involved than it is by simply redrawing a scene for the performative aspect of it all. It's like the "sketches" in the books looking way too 'clean' for the final product and giving the impression that she just sketched over the final panels to make them look pretty enough for print.
I also wanna mention that for some reason she's drawing this on her iPad when she owns a Cintiq. It could be because she was drawing this while abroad in the US for her conventions last fall, but despite clearly being ahead of schedule, she still wound up drawing the final episode the night of-
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Oh yeah and btw there are like a million clipping layers for what looks like just a simple drawing of Demeter. And this lines up with our previous theories about her using like 128549021809 layers for literally one character.
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And aside from all that her commentary, as always, is very nothingburger, just a bunch of word salad. Like she's literally trying to explain LO's color theory as "well Persephone is bright pink and the Underworld is dark blue so she sticks out! That's all you need to know!"
IDK, I'm not coming to any sort of ironclad conclusion based off this one video, but it does feel like yet another desperate attempt to prove that she does work on LO and doesn't just leave it all to her assistants to do at the last minute. But like... she's kind of screwed in that argument either way, because even if she draws the majority of panels in LO, that just further proves the argument that she's stopped trying.
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cutiecusp · 2 months
Text
Taking a little break from Matchmaker, to present you with a drabble for an absolute ANGEL on here who's birthday was yesterday. (And only told me today!?) This is my gift to you, babe!
Birthday wish.
Psychologist reader x 141.
You hated your birthday. You would take yourself out for the day, maybe treat yourself, but you knew never to expect anything from anyone. Birthdays sucked as you got older, and all you wanted to do was eat your favourite food and curl up with something scandalous to read.
It's early morning when you hear a knock at the door. You padded through your room, being the barracks psychologist you were allowed certain perks, and this spacious room facing the sun was one of them.
You open the door and lean against the frame, arms crossed, pyjamas askew.
"Mornin' love. Happy Birthday." Your Captain, John handed you a wrapped gift, with a ribbon bow in a deep purple colour.
You murmur your thanks, and he nods, a little pink cheeked as he continues.
"Forgive me, I checked your file. I hope you like it." You unwrap it, revealing a leather bound notebook and matching pens, with your initial in them.
"I noticed you write a lot. Outside of work, I mean." He clears his throat, a little awkwardly.
"Figured pretty words needed to be in something pretty." He smiles, as he sees your face.
You put your hand on his arm.
"Thank you, John. It's very thoughtful."
He hums and heads towards the briefing room.
The next surprise is an hour later, when everyone piles into the kitchen for tea.
"BONNIE! HAPPY BIRTHDAE!" You hear Soap shout, before you are pulled into the tightest hug.
"I got ye a lil' sumthin'" He admits, pulling out a sketch of you out of his jacket, you know the reference photo, it's a candid of you in a field, laughing at Gaz doing a handstand in the grass, your hair is wild, flowers adorn your ears and you have the biggest smile.
You beam back at Soap.
"Thank you, you are so talented!" You exclaim, holding the sketch out for everyone to see.
Gaz is next, shoving Soap out of the way while pressing a gift into your hands.
"Here, babe. Happy birthday!" He says before kissing your cheek and urging you to open it.
Peeling back the wrapping paper, you laugh.
It's a mug from a show you love, stuffed with your favourite snacks.
You swallow the lump in your throat. You hadn't been on the team long, and you were dreading this birthday.
You nodded your thanks, and smiled, tears threatening to fall.
"Appreciate you guys." You say, a little choked.
They all file out, and you finish your shift. You are walking along the hallway when you see the last member of the 141, Ghost.
"Come with me. Please."
You and Ghost had the hardest relationship in the team. His reluctance to open up in sessions often made you guys butt heads, but the last few days had been the hardest. He had missed sessions, ignored you in the canteen, did everything in his power to make you feel awkward.
You follow him to the smoking area, by now the night sky was beginning to turn a pale pink, with slashes of orange.
"I know what it's like to hate your birthday. Each year is a reminder of change, of those no longer with us."
You hum in acknowledgement, not sure where this conversation was going.
"So every year, I set myself a promise. A wish, if you will."
You look at Ghost, your face softening.
He places his hand on your shoulder, intitiating the first physical contact between the two of you. His grip firm, but gentle.
"I admit, I struggled to think of something for you. Cap got you the stuff to write, Soap drew you something, and Gaz remembered your favourite snacks."
He pauses, and puts his hand in his pocket.
"I know we haven't always seen eye to eye, it's been difficult learning to open up to someone new."
You scoff, and roll your eyes playfully.
"Understatement of the year, Ghost."
He chuckles, and pulls out a little bag, handing it to you. You open it to find four little charms on a bracelet. A coin, a cap, a thistle, and the shinest of all, a skull with onyx eyes.
"Call me Simon. All my friends do."
..........................
I literally wrote this in 20 mins, so I'm sorry it's rushed!!!
@xoxunhinged @muneca-lemon-steppa @livingoutsidethetardis @gardenof-venus @misshugs @soraya-daydreams @frudoo @azxulaa @yesornowaitidontknow @enjisbf @thevoiceinyourheadx @shadowdark00 @rynbeerose @lunamoonbby @incredible-walker @identity2212 @pukbadger @urbimom @corvid007 @wordsfromshona @shadows-empress @m00xy @canyonmooncreations
@evie-119
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