#but it also might not

[declareqenius]

Please tell me that some would sing some would scream will have a happy ending 😭

well, i think i'm going to plan multiple parts so we shall see!! i've started thinking about part 2, but nothing past that yet, but i hope you'll enjoy them all the same!!

[this-doesnt-endd]

Do i go to see the wizard of oz tomorrow after work or no?

[falseficus]

everybody’s always on writing prompts like “what if there was a world where everyone had a timer ticking down to their death… but you met someone whose timer said infinity!” or “what if everyone had their cause of death tattooed across their forehead… but you met someone whose forehead said THE CREATURE!” Enough -

enough. stop with the shock value. there is no need to insert THE CREATURE; the benign concept of such a world is horrifying enough. not even in urgency, but just in banal, everyday interaction. imagine you meet someone and their timer says two years. not tomorrow, not urgently soon, but two years. enough to do quite a lot. they could fall in love in that time - could they get engaged? have a baby? you might otherwise get to know them, befriend them, but perhaps you opt not to, make a conscious choice not to invest in your own grief. what balancing act would every individual person have to participate in - I have ten years, is that long enough to be a good mother to children? is that long enough to secure a caretaker for my own mother? my wife will die a few months before me. my newborn’s timer reads nineteen years.

and cause of death. you interview for a job and emblazoned across the healthy, smiling face of the HR lady is MALNUTRITION. your country is prospering, safe, but every person you meet on the street from the babies to the old women read BOMB. BOMB. what kind of havoc would fate wreak on the world? what about the loss of privacy? how would that shape our notions of hope? idk man I think a lot of those ancient poems were right, and the fates are monsters. I’m interested by the framing of these ideas as trite horror tales when the premises themselves are so much more disturbing if simply taken to their logical ends

[heritageposts]

Translation: What a shitshow. This years Eurovision has gone to hell. And it's first and foremost the EBU's fault.

Also, excerpt from the same article:

Throughout the course of the Eurovision Song Contest, the EBU has acted as if they live in a parallel universe. Eurovision is one thing, the world outside something else. The EBU has stuck its head in the sand. Shoved the problem under the rug. Held their hands over their ears and shouted LALALALALA. They appear to have done everything they can to pretend it's possible to hold an apolitical event in a world that's on fire. We have come together to be "united by music", they say, but the sharpshooters on Malmö's rooftops have nothing to do with us! In its struggle to remain apolitical, the EBU has become like a small fascist state in itself, where the artists' space for expression and action has been reduced as much as the undergarments of the Spanish dancers. It is reprehensible.

Reminder again to BOYCOTT EUROVISION 🇵🇸

Don't watch, don't vote.

[ruushes]

sleeping arrangements (not sure tara would ever actually deign to sleep in the same 20ft radius as shovel but who can resist those big shiny insectoid black eyes 🥺)

plus:

[pbnmj]

THE NOIR-HOBIE INTERACTIONS THAT I MADE UP IN MY MIND ARE VERY REAL TO ME. SONY PLEASE PICK UP WHAT I’M PUTTING DOWN!!!

[stil-lindigo]

lead balloon (the tumblr post that saved me)

if this comic resonated with you, it would mean the world to me if you donated to this palestinian family's escape fund.

--

no creative notes because this isn't that kind of comic.

I know I don’t owe any of you anything but I still felt compelled to write about my long term absence. And I feel far enough away from the dangerous spot I was in to be able to make this comic. I have a therapist now, and she agreed that making this could be a very cathartic gesture, and the start of properly leaving these thoughts behind me. I am still, at seemingly random times, blindsided by fleeting desires to kill myself. They’re always passing urges, but it’s disarming, and uncomfortable. I worry sometimes that my brain’s spent so long thinking only about suicide that it’s forgotten how to think about anything else. Like, now that I've opened that door for myself, I'll never be able to fully shut it again. But I’m trying my best to encourage my mind in other directions. We'll see how that goes.

I am still donating all proceeds from my store to Palestinian causes. So far, I've donated over $15K, not including donations coming from my own pocket or the fundraising streams which jointly raised around $10K. In the time since I made my initial post about where this money would be going, the focus has shifted from aid organisations to directly donating to escape funds.

If you'd like to do the same, you can look at Operation Olive Branch, which hosts hundreds of Palestinian escape funds or donate to Safebow, which has helped facilitate the safe crossing and securing of important medical procedures for over 150 at-risk palestinians since the beginning of the genocide.

[exilley]

I do sort of wish western anime fans would analyze anime and manga from a framework of japanese historical and cultural context. Specifically a lot of works from the 90s being influenced by the general aimlessness and ennui that a lot of people were experiencing due to the burst in the bubble economy and the national trauma caused by the sarin terrorist attack. I think in interacting with media that’s not local to our sociocultural/sociopolitical sphere it’s easy to forget that it’s influenced and shaped by the same kinds of factors that influence media within our own cultural dome and there ends up being this baseline misalignment of perception between the causative elements of a narrative and viewer interpretation of those elements. It’s a form of death of the author that i think, in some measure, hinders our ability to fully understand/come to terms with creator intent and the full scope of a work’s merits

[poorly-drawn-mdzs]

Dog Meshi.

[gravitycoill]

lil comic i’ve had in my head for a bit

[prinnay]

Fingerpainting

[applestruda]

Chemical overreaction / compound fracture

[twilight-zoned-out]

Some things about Allan:

He’s the only one who reacts to the narrator

He’s the only doll (besides the Weird House) who isn’t swayed in some way by Ken’s takeover

He also declares himself as “Ken's buddy" (making canon his official box description) which makes his inability to be swayed more interesting

He has bendable legs (probably the only reason he tries to jump the fence instead of going around like everyone else)

He easily decked a half-dozen construction Kens and could probably singlehandedly win the Ken fight

He seems to know more about the real world than most Barbies

He knows what NSYNC is 

He knows about other Allan copies living in the real world (I’m trying to figure out if he made this up to convince the humans he can live in the real world, but even if he did, how does he know what NSYNC is???)

There are no other Allan models

[pen-of-roses]

Do y'all ever think about how cool it is that art inspires other art inspires other art inspires other art in an endless cycle

[bernard-the-rabbit]

Oh alice..you would have loved Tim pls don't end up like him <3

[jouxlskaard]

elias in hades, perchance?

if tma were a hades-style roguelike I think it'd be entertaining to have elias just show up like a little bitch and give you tasks that eventually give you rewards. I don't think he'd show up as the final boss until much later on in the story (equivalent to the hades epilogue) where he'll become the eye's pupil and the player (presumably jon) has to kill him to stop the eyepocalypse or smth (don't question my thought process too much I haven't actually rationalised it all in my head yet lol)