#but it's like: i want to believe that these are beliefs held by characters and not projected by the author

[adheredweird]

on GOD MIWAKO WE GOTTA GET YOU OUT OF THERE

[cinnbar-bun]

Affinity (Various OP Characters x Reader)

Characters: Brook, Buggy, Beckman, Crocodile, Zoro, Mihawk, Corazon, Shanks, Law

Rating: SFW

Word Count: ~4k

A/n: Reader is GN! I kinda made this after hearing about a special thing in my religion, and decided I wanted to do this. I of course made it more romantic in nature than the original idea goes, but hey, romance! I had my followers choose 7 originally but it went to 9, which is a very lucky number in my religion so maybe it was a sign? Who knows! Please enjoy <3

Tagging: @fanaticsnail @gingernut1314 @undeadeurydice @i-am-vita @kiribuchi @therosietoesy (sorry, I forgot who asked for Law my bad)

———————————————————————

There is a belief that before you are born, you were once a soul that had existed with other souls. Souls who had an affinity for each other would find that affinity carried in their time as a human. Souls who repelled each other would find that distaste carried over as well. Perhaps it was preordained, fate, destiny- whatever you’d call it. Regardless, it seems your soul has met with someone who once had an affinity for you…

Brook

Being an undead figure unable to pass on was not what Brook had in mind. In some ways, he was grateful for another chance at life, another chance to do what he previously was too dead to finish. Albeit, being a pile of bones did have its drawbacks.

While he could still function and do things many humans did, fact was, he was anything but. One look at him would easily make him stand out as something like a freak of nature.

Skeletons cannot love and be loved like a human. He could hold, but could not be held like a human. Admittedly, it had bothered him on occasion, but he always tried to brush it off with a simple hum or shrug. After all, he had his friends and crewmates- and he had a promise to continue fighting for. That should be enough.

But he couldn’t stop his eyes (if he had any) from wandering… couldn’t stop the way his mind wondered…

Just what could it be like if I too could fall in love?

Ah, but that’s such a silly thing for a skeleton to consider. Who could ever love the undead remains of someone long forgotten?

He’d practically given up on such silly notions like love or a relationship- it didn’t fit his current predicament.

So Brook focused on his music and his performances instead. He held up his violin and decided to waste some time on this sunny day playing for his audience of a few blue birds chirping at this green park. It was beautiful and reminded him of his day with the Rumbar Pirates- agh, nostalgia was always his weakest attribute, he thinks.

His fingers drift along the strings of the instrument, peacefully playing his weary heart away. He doesn’t recognize he has another guest until he hears slow clapping.

“What?” He turns his head, surprised to see you on the bench, smiling and clapping.

“That was lovely,” you comment. Time slows still and your eyes meet, shining (e/c) eyes with hollow black sockets.

If he had skin, perhaps he would’ve been red or sweating buckets. As a skeleton, he was not able to do things. But Brook was still a man through and through, and he couldn’t help but freeze at seeing the way your eyes were soft and full of admiration.

“I’m glad you thought so. Music is my pride and joy.”

“I can tell,” you reply. “I felt like I forgot to breathe for a moment when I heard that. I’m sorry for watching, though, if you weren’t looking for an audience.”

“N-no, actually it was…” he was too caught up in the way his soul was resonating and burning within him. “I appreciate it actually. Would you like me to play a song for you?”

“Would you? I’d love to hear more!”

Buggy

Buggy never believed in things like soulmates or fairy tales or blah blah blah- it was all junk! The only thing he ever could trust was treasure- shiny, bright, treasure! What else did a pirate need or want?

Is what he would say out loud- Buggy, even at a young age, was secretly a romantic who refused to let himself be swept up in the sentiment. When him and Shanks would sail together on Roger’s ship, Shanks would often ask what he thought about love.

Unlike Buggy, Shanks was pretty honest and confident about his assertions. Buggy would stumble and try to keep the bravado up, pretending as if he didn’t secretly yearn for a person who could look past his red nose and maybe possibly sorta kinda like him? Was that too much to ask? If you were Buggy, the answer was yes, because he would never allow himself the chance to be soft or vulnerable with someone. Especially not when he was already so sensitive about his looks and attitude. The thought of letting his guard down to be loved terrified him- what if they left? What if they made fun of him, too?

It was just too much for his fragile ego, so he brushed it aside and continued his hunt for treasure.

“Now where the hell am I?” He yelled, tilting the map in his hand left and right, as if that would somehow make his destination clearer. “Kinda crappy treasure map is this?”

He glared and shoved the map back in his pocket as he stomped around this town. He hadn’t ever bothered to come to this place before, so everything was new for him. He glared at the kids who were pointing at his nose to scare them off (mission accomplished), but his foul attitude still didn’t lessen.

As Buggy turned a corner, he accidentally rammed into someone. They shrieked, and his hat fell off his face and covered his eyes.

“Watch it, will ya? I’m walkin’ he…” he pushed his hat back up and came face to face with perhaps the most gorgeous person he’s ever met. His mouth was wide open, gawking at you as you gave an apologetic smile.

“Sorry. I didn’t see you there,” you said sheepishly.

“Y-yeah it’s… it’s cool. No biggie,” he mumbled in a daze.

“Are you alright?”

“Huh? Oh, yeah,” he returned to normal. “I mean, yeah, totally.”

You chuckle at his behavior, and something within Buggy’s chest makes it feel like there’s a million butterflies flapping inside his ribcage. He can’t help the dumb grin on his face as he laughs along.

“Sorry again, sir. I’ll keep an eye out for you next time,” you wink and begin walking away, making Buggy flabbergasted. N-next time? Was that a promise? He didn’t even realize what he was thinking before he turned around and tried to jog back to you.

“H-hey, wait up-!”

Beckman

Beckman was fairly ambivalent to the idea of a “soulmate” or “affinity”. Sure, he humored his often childish captain with those notions, but the fact was, Beckman was simply a sailor at heart. He didn’t think being “stuck” to someone was the life he wanted, and he was fairly sure a sane, rational person would not want to be the lover of a first mate to perhaps one of the most infamous pirate crews on the sea.

Now, this would imply you were sane and rational, and this would also imply that he was also not a sucker for you. Perhaps that was what made him attracted to you in the first place, or maybe it was something that gave him the idea that his captain wasn’t so off base.

When it came to you, Beckman was eager, a bit too eager, the others would joke. Whenever you called, he came running and answering like a loyal servant. Whenever you wrote, his lips would form a large smile while he refused to let the others look at the letter you sent. Whenever he was away from you for long periods of time, he drank a bit too much.

It was common place enough for the others to notice and tease him about, even if Beckman was adamant there was nothing there. You guys were just… friends, or something ambiguous like that. You didn’t need a label for your relationship. This was completely normal, you were normal, he was normal- nothing was out of the ordinary, so if they would please stop asking and make him confront those pesky feelings he-

Maybe he had a problem. He never felt this way for anyone else he encountered. You knew of his philandering, not seeming to care all that much, but damn it, even he couldn’t continue that streak because his mind would get occupied with you, you, you. Love was too complicated. Maybe this was the alcohol talking. Or Shanks getting in his head about “souls being attuned” or whatever spiritual jazz the red-haired captain would spout.

No, it really made sense, all things considered. There was no one else but you to make him quit fooling around with others on the islands he stopped at. There was no one else but you who invaded his thoughts, who plagued him day and night with those eyes, that smile, the way you hated that red cologne he once bought and-

Oh dear god, he was deep into this, wasn’t he?

Crocodile

Love? Spirits? Souls? Soulmates?

Yeah right, add that to the list of stupid things weak poets say to make their miserable lives have some meaning. You could jump through a million hoops to try and blame encounters and relationships on things like “destiny” or “fate”. To a man like Crocodile, however, “destiny” was just something he could control. Whether through bribes of money or through making them submit with his fearsome powers, “destiny” was nothing but another means of his affluence.

Only those who were weak and had nothing could not control their lives.

Something like love was a crutch used by those who had nothing to pretend they did. What was love to power? What was love to wealth? To fame? To greatness?

Love was the longest-running scam that Crocodile almost could be impressed with, if not for the fact that the sentiment around love made him want to gag.

Except, now he was actively looking for jewelry to buy you, flowers to deliver to your doorstep, and outfits to clothe you in for when you visited him.

It was almost disgusting how Crocodile was eagerly awaiting for your next arrival, for when he could be able to see you on the street or at his casino so he could see that face he adored so much. Those eyes that made him want to melt, that voice that echoed in his head, that smile that made him want to have an image of you adorned on his wall so he could always see it.

Something, he could never place what it was, drew him to you. Something made you seem to stand out to him in ways that no other could. He was Crocodile- world famous business man and pirate- he had no shortage of people throwing themselves at him or fearing him. Only to you was he trying his luck attempting to woo you to give him that look he loved. Only for you was he making excuse after excuse to continue seeing you, lying over and over that he had a reason to use you, that it was just a part of some master plan.

He exhaled another puff of his cigar and rubbed his temples.

Gods, why was he acting this way? He was Crocodile. Not a lovesick teenage boy, not some lonely man, not some simpering-

“Sir, (Y/n) has arrived.” His ears perked up as he quickly slicked back his hair.

“Is that so? Send them up,” he orders, grabbing his expensive cologne to spray onto him again.

Zoro

Zoro had never heard of the idea of soulmates or anything like that. When one lives, breathes, and dies by the sword, something like “soulmates” is just comical. He doesn’t need love to become the best swordsman. He didn’t need love to teach him how to pick up a sword and kill another with it. That was, in fact, the complete opposite of love.

Survival of the fittest, he thought. Nothing more, nothing less. You kill for bounties, bounties that pay, pay that gives you a chance to eat food. Nothing more to it. He never did more than he needed to, never worked harder for anything outside of his sword training and hunting. What else did a swordsman need to live?

He was currently drinking his fill at a local tavern of some random village he washed out upon. He didn’t care to get names, not when he was always moving, always killing, always leaving. “Zoro” was a passing chance encounter few got to ever meet or understand. He was fine with that. A bounty hunter didn’t need attachments. A bounty hunter definitely didn’t need someone weighing him down.

At the tavern, a few rowdy pirates were acting up. Yelling obscenities, throwing food and liquor at one another, making rude gestures- nothing out of the ordinary for drunk pirates. Zoro had no business with them, so he ignored them, continuing to order pint after pint.

It wasn’t until he heard a crash that he looked up. You were angrily yelling at one of the pirates who threw a drink at you, and his mates were drawing their weapons. It was clear you were outnumbered, so you looked around the bar for anyone that would help.

Normally, Zoro wouldn’t bother, figuring you dug your own grave by messing with pirates like that. However, when he glanced to your eyes, he found himself… staring. Lost. Entranced?

He didn’t know why he felt like he should protect you, but he always had a good intuition when it came to these sorts of things. He sighed, placed his mug down, then stood up, drawing his swords from their sheathes.

“Zoro,” he stated. A rare thing for him to admit so casually to a normal person. The pirates heard his name and shriveled up in fear. Zoro didn’t pay them any mind, instead tapping his sword against his shoulder impatiently. “Need me to shut these guys up?”

Mihawk

If you had asked a young Mihawk about love, he would have most certainly called you a fool for daring to think of such illogical things instead of focusing on one’s own strength and potential. While he had heard of the sentiments about love and soulmates before, he didn’t place much value into it. Love was a distraction from the training he could have done. Love was a waste of time. Love was just for weak-minded people who let themselves be vulnerable or gentle with another. Love wasn’t for people like him.

Which was why he was now trying to instill the opposite into his foolhardy protege, Zoro. Yes, yes, unfortunately, Mihawk was proven wrong from his earlier ways of thinking, and ever since then, he’s been doing his best to be a good man for you.

“I didn’t think a guy like you would have a partner…” Zoro would mumble.

“Of course I would. Do I not look like a suitable husband?” Mihawk replied as he was sipping his wine. “A marriage is only an aspect of your training and power.”

“How does cooking dinner help you train?” Zoro raised a brow, not believing a word.

“If you cannot handle a routine for even the most mundane and domestic of tasks, you cannot expect to be disciplined enough to train. If you think something like making your love a cup of tea or folding laundry is too hard or not worthy enough, you are not worthy enough to hold a sword.”

Zoro nodded, impressed by Mihawk’s reasoning (or maybe impressed at how you somehow made the world’s greatest swordsman so whipped and happy to make you dinner).

“Well, when you put it like that,” Zoro scratched his cheek, looking back at his mentor to see him staring at you longingly from the window. You and Perona were outside picking some of the vegetables at the garden, an activity you insisted upon doing despite Mihawk’s protests. You and the young lady were joking and laughing about something Perona said, and Mihawk sighed.

“Something wrong?” Zoro asked, unsure what Mihawk was thinking with his stoic appearance.

“No, not at all,” Mihawk shook his head, taking another sip.

“Then why did you sigh like that?” Zoro questioned. A smirk grew on Mihawk’s lips as he chuckled, continuing to look at you. You… you who were so special, who had become the apple of his eye, his strength, his joy, his passion.

“Oh, you wouldn’t understand it right now, my student,” Mihawk closed his eyes. “Fate is… it’s simply a humorous thing.”

Corazon

He always was a sensitive soul, despite his outer appearance and harsh exterior. But even as a child, Law could tell something was up with Corazon.

“Why are you always looking at them?” Law grumpily asked, folding his arms and raising a brow at his benefactor.

“Hm? At who?” Corazon dumbly responded, cigarette in his lips.

“You know who I mean! Don’t act stupid!” Law shouted. Corazon chuckled and exhaled the smoke.

“Sorry, gotta be more specific.”

Of course, Corazon knew who Law was referring to. It wasn’t like Corazon had hidden his affection for you, but that was for another time. You were something special, something that Corazon yearned for but could never have. Not when Doflamingo’s influence was so large and looming over his life. But even if Corazon himself could not love you so freely, he always did like to tell the young boy stories. Of course, Law, being a jaded little boy, had never really given thought to such things like “soulmates” or “souls knowing each other”. That was stupid and impossible.

Corazon liked to believe, though. It comforted him. It made him feel happy that, hey, even if this life perhaps didn’t work out for him and you, at least he had known you before. At least he was able to see you again. At least he got you in his life for a moment, even if it would end in nothing but heartache and pain. At he least, for just a bit, he got to see that smile, those eyes, and feel your hands over his.

It made his life a little less hard, a little less dull. The romanticism that despite Doffy meddling in his life, Corazon still had a chance with you, was meant to know and be with you… well, that was plenty enough for him. It made him happier, too, knowing Law was perhaps a soul he was acquainted with before. It made him feel like he was always going to be guaranteed love and kindness with you and Law, even if the world was unkind to him.

Yes, this new family he had found was perhaps where he belonged the most. With you and Law by his side, there was nothing more he could ask for.

Shanks

“You’re obsessed.”

“Am not!” Shanks yelled childishly at Beckman, before turning back to face the island they were planning on docking at soon. The wide smile on his face made it clear he was beyond excited to be there, and the other men chuckled.

“Don’t tell me you’re planning on running off to see em?” Yassop asked, knowing the answer.

“Oh, stop bugging about it! It’s just a little reunion with (Y/n), not anything crazy,” Shanks waved off. He breathed into his palm and winced at the smell of his breath. “Crap, does anyone have any mouthwash?”

“I don’t think anything can get that stench out. If they hadn’t run away cuz of your smell before, I think you’re good now!”

“Haha, very funny guys. Besides, it’s just between friends. Nothing weird.”

Of course, that was a bit of a fib, but who doesn’t tell little white lies? Surely he’d be forgiven for saying that by whomever was possibly in charge of making this happen?

Shanks, even with his overwhelming power and influence, did believe in superstition. It would be foolish not to, especially in such a dangerous world that a pirate inhabits. Sure, some of them were old wive’s tales from scared-straight sailors, but he did find them having some merit. He didn’t like to discount the seemingly impossible, not when it made even the most outlandish things possible.

He believed it was fate he got to meet Buggy and be a part of Roger’s crew. He believed it fate he met little Luffy in Foosha Village. He also believed it was fate he saved you that day. Some things just “made sense” like that to Shanks. It certainly made his life more interesting while also giving him a chance to bother you as always.

“Oh, come on, you can’t really kick out your soulmate, can you?” Shanks would tease.

“Soulmate?” You laugh. “Is this your attempt at proposing to me?”

“Hey, if you’d like it to be, I can absolutely make it happen,” Shanks replied, an earnest look in his eyes. You smile at him- crap, how do you always manage to make him ache and miss you? It’s gotta be fate, because no way could anyone have his heart in tight vice like this.

“Well… if you’re insisting, Captain,” you begin, smirking at him. “Why not take me with you? As your soulmate.”

Shanks’s eyes widened and the look on his face was a mixture of bewilderment and excitement.

“You know I can always make room for you,” he answered, trying to steady himself.

“Good. Although, we could share a room.”

“You drive a hard bargain, dear,” he chugs his rum. “Cheers to us!”

Law

Since he was a young boy, Law always tried to remain by himself. You couldn’t really trust anyone in a world of piracy and violence like that. Corazon, of course, always recommended otherwise. He even shared stories about a place where souls all were together.

It didn’t sound plausible or even remotely make sense. How would you even know if your soul was supposedly affiliated with someone?

It had been years since those days and the loss of Corazon, and even though he tried his hardest not to, Law still kept those stories in his mind. They were pointless and silly, but they were something Corazon believed wholeheartedly, even saying it was a miracle he got to meet a young Law. In some ways, Law felt somewhat similarly.

Love wasn’t for someone like Law. Too damaged, too cold, too logical, too afraid to ever let that feeling grow. It was how he stayed and remained for his life, and how he was planning on operating for the rest of time.

Until you, quite literally, crashed into him.

Jeez, you had to be a pest. Or a virus. Or a parasite. Something like that, but gosh, you were contagious. When you smiled, he found himself wanting to smile back. When you talked, he found himself thinking over every word you spoke in great detail. Maybe he was overthinking things, maybe when you said you were happy to have met him that was just you being friendly. Or something.

Almost always his mind drifted to you, feeling a certain way for you that he didn’t feel with the others in his crew or from the Straw Hats. You were different.

Perfect? Maybe. Definitely too good for someone like him, he’d think. But even with that self-loathing and apprehension, he found himself being drawn to you like a magnet.

Cora, if this is what you meant before…

Damn it, now he was letting things like soulmates and affinity cloud his judgment. He was a grown man, not a young boy, he didn’t need those silly delusions and ideas growing in his head and making him think he had a chance with you.

“Tora-o!” Luffy called. “Come here!!”

“No,” Law grumbled.

“Law,” you asked right after. “Do you mind helping me with this?”

“...yes,” he replied, stoically walking up to you to see what your problem was. Luffy gawked and pouted from the side, while a few of the others chuckled at Law.

[odessa-2]

HUBLANDER MELBOURNE ☀️

OK ladies, so I ended up going. Long story short, I was given a spare ticket and decided to seize the moment. It was stinking hot, and a terribly organised event (it was literally in a shed). Despite this, I am glad I did go. My long held observations/beliefs of Sam's character, who he really is as a man, and the fantasy man, single Sam push, were proven correct. I did get a photo with Sam, and I must confess he really is incredibly good-looking. Even better in the flesh. A doll. He's hyper vigilant, astutely aware of his surrounds (eyes darting everywhere) , very polite and gentlemanly and professional.

He looked tanned and fresh and endured hoards of horny grannies fawning over him for hours on end and was attentive to everyone. The organisers of the event stuck Sam, Duncan, Charles and John in a small tin shed that had no air con, that must've been about 50 degrees celsius inside ,where they stood and posed with frenzied women for over 3 hours. They looked visibly overheated (shame on the organisers). Sam didn't faulter. Polite to a tee.

Would you believe that Sam had to use the same toilets as the plebs?! Yep, you heard correctly. Shocking work by the organisers. I actually had to desperately pee at one point but waited until I saw Sam come out of the toilets. In-between panels, the actors were staying upstairs in the loft level, and I saw the uber eats delivery man run upstairs to bring them food. The organisers didn't even feed their guests!

Sam is Jamie to these women and he knows it. Starz knows it. I saw the crazed obsession with my own eyes. I saw how his people; his team have shaped him and moulded him(for his public persona) to appeal to these women and this fantasy notion. They want their Jamie. They want single Sam, and that's what they (starz) give them. There is no room for anything else but Single Sam. And Sam professionally obliges. What he puts out to the public at the conventions is scripted and measured. He is very guarded. I could see it unfold in front of me with great clarity. There were women there who didn't want him with Caitriona (they weren't interested in the Caitriona titbits Sam gave), 50 and 60 year old women who actually think they stand a chance. Tragic. Sam is gorgeous and charming and Starz has used that to sell. And quite frankly, after witnessing this display, I can see why he has a fascade going on. I can see why he would want the public completely removed from his personal life and family. I get it.

Another observation of mine, I know this goes without saying, but he is definitely not gay for those who are insistent. He gives off zero gay vibes. He is not effeminate in the slightest, and I found him to be quite more masculine than I'd imagined. He reads people well and can't keep still. What else can I tell you? He has nice skin, piercing blue eyes (like really crystal blue) and exceptionally tall. He does his job very well and has high emotional intelligence. Starz uses his good looks and they pimp him out to the fan base.

Now don't get me wrong, i met lots of lovely women there today who were sweet and kind and exited. But hearing women's conversations at the event; he really is their fantasy. They were squealing and many saying how they wished they could grab his bum or 💋 him. There's no room for Caitriona. Just fantasy Sam.

Odessa says hi Sam 👋...you were a real trooper.

I'll share some more titbits from the panel tomorrow when my splitting headache hopefully dissipates.

[skallyeen]

GLaDOS's insults are interesting. Because they're so clearly prejudiced, right? She's making fun of Chell for being fat and adopted. These are scummy things to make fun of someone for, and things that would realistically be punching bags for prejudiced people interacting with this character.

But I don't think GLaDOS actually holds the sentiments she's expressing. Rather, they're a means to an end.

I get this mostly from her lines in co-op on the subject:

"Did you know humans frown on weight variances? If you want to upset a human, just say their weight variance is above or below the norm."

She calls Chell fat not because she thinks she's fat or that she personally finds anything wrong with weight variances, but because she knows calling humans fat makes them feel bad, and she's bitter about being killed and wants to make Chell feel bad.

Same goes with her being adopted. As soon as it doesn't emotionally or pragmatically benefit GLaDOS to make fun of Chell for being fat or adopted, she actively refutes Wheatley's attempt at bullying her for these things:

"And...? What, exactly, is wrong with being adopted?" "Also: Look at her, you moron. She's not fat."

She walks back her previous derogatory assertions as if they don't mean anything to her, because they don't. She never believed them in the first place.

She treats Rattmann's schizophrenia much the same way. She uses it to try and manipulate him, to make him doubt himself enough to come out of hiding where she can kill him, the same way she tries to make Chell doubt herself and turn back when she's escaping the facility back in Portal 1. The ableism she expresses is not a genuinely held belief, but a means to an end that she has no qualms about using.

Whether that makes it better or worse, I have no idea! I'd say worse on account of the intention to cause doubt or hurt to the target. But it's a very unique combination of values, isn't it? You're much more used to seeing the inverse: people being insulting, with no actual malicious intent, as a result of unchecked biases. Like, for instance, friendly little Wheatley unintentionally being super condescending about Chell's brain damage and muteness.

[mindblownie2]

I think there's definitely something to Dankovsky not being entirely what you'd expect from a character like him, or not what he maybe would like to appear as - that is, him not really being that cold, calculating, purely "logic"-driven archetype at all; that he is actually so emotional and impulsive. I think it's also interesting how he can actually believe in the supernatural - there's the dialogue option in marble nest letting you say you believe in God, but especially in classic I think that's canonical, he talks about the soul, invokes concepts like providence or fate in ways that don't seem entirely just as figure of speech, he can very quickly turn on a dime and believe in Clara's healing powers or Artemy's traditional medicine or the Polyhedron's magical properties once he sees what he deems sufficient evidence, and he also has that line about "knowing there are things beyond our mundane perception". and you know what, I don't even think that's so contradictory. first of all, there are nowadays and there especially have been in the past, with less secular societies, plenty of scientists who also held some kind of religious beliefs. I think it's to a certain degree reconcilable when it's applied to different spheres of life - some things are relegated to spirituality, but where there are cold hard facts, you follow these; it doesn't inherently make you a hypocrite. also in the game, the thing he takes most umbrage with is not spirituality, but superstition - the kind of unreasonable and dogmatically held beliefs that lead people to, oh I dunno, say, burning innocent women for witchcraft instead of listening to experts? which you know I think is kinda fair actually? like I keep harping on about that but fellas I'd be mad too. anyway my point is, depicting him as a reddit atheist is in my opinion definitely a mischaracterisation.

however I was actually gonna talk about the whole "defeating death" thing because it's so interesting to me, people often point out how fantastical, almost mystical it sounds, and he sometimes strikes that tone - "could death be only a whim of the will that has shaped this world" is a fascinating line to me because it essentially implies that the way to attain immortality is to tell god to fuck off, but then at the same time. he is initially skeptical about Simon's immortality, though interested in the claims of his longevity and extraordinary immunity to disease; he says he wants to study tissue samples from Simon's body, which seems to me like looking for a material, physiological mechanism that could be potentially found in or applied to other people (and eventually, out of desperation or fascination or both, he can get into the Kains' whole soul transference/preservation thing, but it doesn't strike me as what he was really looking for before the game. as my friend always says, if immortality of the soul was all he wanted, he'd become a priest instead of a medical researcher). he says in haruspex route that his lab works on medicine against aging; he also notes iirc that death will never not be a thing completely because people will still be killing each other. there is that thing with the reanimated lady, which always struck me as a little off in some ways, but mainly - at the start of the game, he hasn't succeeded in his goal yet, so whatever happened there, he either was unable to reproduce it, or it wasn't what he was looking for either - I mean, the fact that you can resuscitate a person under certain conditions is a great achievement, but doesn't remove the fact that people die, same as, as he says, "doctors defeat death on singular occasions" - you can manage to rescue a person from injury or disease, but it's only postponing the inevitable, so what if it wasn't inevitable anymore? the goal, I think, is so that people don't just die of old age. and the thing about that is - is that really so irrational? I mean especially if you think about the setting, if you think about the incredible, sheer rapid change of the time period from the industrial revolution to mid-20th century, that pathologic sits somewhere in the middle of, is that not something that would appear to people as both fantastical but also within grasp, as taking the witnessed progress to its furthest conclusion? same as people imagined - and correctly so - that the next step from inventing the airplane was inventing a flying machine that will go to the moon, would they not also imagine, seeing the progresses of medicine and the extending average lifespan, that we will exponentially live longer and longer? like we know it's not that simple, and Daniil's goal is meant to be unrealistic, but I don't think it's "unscientific" in the sense that it's based on magical thinking. people don't really shoot for immortality anymore but longevity research is very much a thing and I think that's just essentially what he was doing.

on the other hand, it's funny to me to imagine that him sometimes framing his work in those less-than scientific terms might've been partly what made him unpopular; I think there's more to it, especially regarding his conflict with the authorities I think it's more about him representing "revolutionary" ideals, but with his peers? even what Isidor mentions in his letter, that Daniil's detractors claimed his theories were not scientifically viable - the accusation not being that he's a heretic or a necromancer or playing god, but that he's being unreasonable; and well, if the "groundbreaking theory of human mortality" that he claims to have formulated is in fact "people die because they just let it happen, don't let god or laws of nature dictate what happens to you", well. I can see that.

[couldyouimagine-that]

Cuddles With Satan

Genre; Hurt/Comfort, Flufffff

Word Count; 1.2k

Warnings; None, just the reader being exhausted beyond belief and Lucifer convincing you to let him hold you while you go to sleep.

Pairings; Lucifer (Supernatural) x Reader

I know that soft!Lucifer isn't everyone's thing, but I haven't found enough fics like this so I am filling the gap myself! I guess he's inherently OOC for being soft, but I've written him as in character as possible if he decided to be affectionate towards the reader. (Also comment if you think I should do something similar with Casifer, I am very much considering it). Enjoy!

Here's part 2!

Masterlist

-

“I know you don’t really believe it yourself, but you are right.”

You had told Dean, Sam and Castiel that it was okay to leave you alone with the Devil. That if he wanted you dead, you would be.

“Besides, why would I kill you? That little moral dilemma that you’ve got going on is far more interesting than your corpse would be.”

That little moral dilemma was that you liked Lucifer. And he knew it.

You were incredibly tired. You didn’t feel well, you hadn’t been sleeping or even eating properly and you had convinced the others to go so that they could get a break from Lucifer’s antics. You knew that if someone hadn’t left, you would have ended up with a full-blown fight on your hands, and you didn’t want to have to deal with the fallout of one of your friends conveniently forgetting that they were nothing more than an insect to an archangel. You’d already had the job of patching up Sam and Dean when one of them got a little too self-righteous and a flick of Lucifer’s hand had sent them both flying. Castiel at least had slightly better control, but you’d had to hold him back from starting something in retaliation more than once. Not that pushing the angel back by his shoulders would actually do anything if he had a mind, but so far it had served as a good enough reminder to stop him from antagonising the Devil.

You turned around to face him, arms crossed over his chest and head resting in one hand, leaning against the edge of the table. Utterly relaxed and confident. He tilted his head just slightly as he watched you, a smile pulling at his lips.

“I need to go and get some rest before I pass out. Please, please don’t do anything while I’m gone.” He stayed quiet, enjoying the look you were giving him, pleading him to help you out. Until you dropped it, huffing a sigh and shaking your head. You were going to fall asleep regardless and you’d rather not be in the main room of the bunker when it happened. You made for the corridor at the back without another word, heading to what had become your room. Naturally, Lucifer followed.

“How about I come with you?” You said nothing, allowing yourself a silent sigh. “What? Two birds, one stone – that way you get to rest and you know where I am and what I’m doing.”

Not for the first time, you cursed yourself for having ever opened your mouth. A few weeks back, whilst sharing some beers with the boys and reminiscing on happier times, talk had turned briefly to partners. Sam and Dean had mentioned that in each of their longer-term relationships, their girlfriends had said they felt safer being held when they went to sleep. You had agreed, saying that you usually also slept better if someone was holding you. The conversation had moved on, that had been it. Apart from the fact that Lucifer had been hanging around somewhere and heard every word, and hadn’t left you alone about it since.

“Not today, Lucifer. Please.” You could hear the smile in his voice when he answered and you knew he’d heard the defeat in yours.

“Come on, Y/N, just this one time. What harm will it do?” He just kept walking behind you when you didn’t answer. “It’s not a one-way ticket downstairs, if that’s what you’re worried about. You’ve got far worse on your resume than ‘cuddled with Satan’.” You could feel your fight draining with every passing second.

“Why do you even care about this so much?” You asked at length, leaving the door to your room open out of habit since you were still having a conversation. By the time you considered that maybe slamming the door in his face would have ended the conversation, he had already walked inside.

“Curiosity. Angels don’t sleep, as you know, so I’ve never experienced holding someone until they drift off. I want to know what it feels like.”

You stared at him for a moment, uncomprehending. You knew your powers of reasoning weren’t operating at full capacity, but that sounded so… genuine. Gentle. Usually bad things when associated with Lucifer but you were running out of both reasons and time remaining before you collapsed where you stood.

“Come on.” His voice was so quiet, so soft, that you would never again wonder how he had convinced anyone to do anything. You just hoped you were right in thinking that there were worse things you could be agreeing to.

“I- alright. Fine.” You raised your hands briefly in surrender then collapsed onto one side of your bed, faced away from him.

You felt the mattress shift beneath his weight as he laid down behind you, felt his gaze on you as he lightly traced two fingers down your spine. You had to fight to hold back your sigh. His hand moved ever so gently along your side, up to your shoulder where he applied just a little bit of pressure to push you onto your back. His expression was soft, one arm beneath his head as his eyes tracked the path of his hand. He didn’t even have to lean to reach over you and your eyes shuttered when he slipped his hand beneath your back, pulling you over to him with no effort at all. You found yourself pressed against his side, head on his shoulder and with nowhere else for it to go, your arm resting on his chest.

His hand started a gentle passage up and down your back and you gave up on trying to hold back your contented sigh. Lucifer smiled genuinely at the sight. He rested his chin atop your head as he moved his flat palm to your lower back, again pushing gently to reposition you how he wanted. With sleep already winding its tendrils through your mind, you figured in for a penny, in for a pound. You received an appreciative squeeze when you crossed your leg over one of his, and another when you wrapped your arm around his torso, laying your hand against his ribs. You played with his soft shirt for a few moments, moving the material between your fingers, before tucking your face more firmly against his shoulder. Lucifer shifted slightly and you felt the scratch of the scruff on his chin against your forehead and a gentle pressure before he moved back again. Even mostly asleep, that woke you straight back up again.

A forehead kiss? That had nothing to do with wanting to know what it felt like to hold someone as they fell asleep. You looked up questioningly to find his expression caring – caring – and his gaze already trained on you. He would only offer a minute, one-shouldered shrug in response. Just felt like it, the movement said. I don’t really care. You simply chose to lay down again rather than start another conversation, and Lucifer’s chin returned to your head and his hand resumed its path across your back. You eventually let your train of thought go so that you could finally get some rest, but you couldn’t help but wonder what it was going to mean to have Lucifer’s affection.

[gold-rhine]

Afab! Scaramouche x GN! Dom reader first time

A\N: I guess technically it’s hurt\comfort. sigh. I don’t like to center my writing of trans characters on negative emotions, if you’ve read my previous stuff, you know when I write afab! male characters it’s like. Just guys, who happen to have pussies, having sex. And that’s how I initially started to write Scara’s afab first time prompt, but his canon storyline is so overtly about struggle of dysphoria, anxiety and self-hatred that it felt wrong to not incorporate it into my explicitly trans fic. So I had to rewrite it completely and I’m taking his part out of the compilation so ppl who want to avoid heavy topics and just have a good time reading smut can skip it. Otherwise, give it a try if you like complicated brats, I think it’s one of my good pieces and it has a happy ending.

Warnings: not sfw. graphic descriptions of dysphoria, anxiety attack, dissociation, angst, self-hatred, allusion to self-harm. Fingering, edging, overstim, spanking, oral (character receiving), vaginal sex. Cock stands for strap too, as usual.

Wordcount: 2k

You try to start slow and gentle with him, but he huffs mockingly.

“How long are you going to be wasting my time?”

“This is literally your first time, you little git.”

“Maybe you mortals need to be coddled, but I’m not a weakling.”

But despite his bravado, he’s tense when you kiss him, he doesn’t know how to properly kiss you back and what to do with his hands, so they just limply hang down. When you start opening his clothes to reveal his chest, he’s becoming more and more wooden. You try kissing him, his cheek, his neck, but it doesn’t relax him and he refuses to meet your eyes, still painfully clenched up, jaw locked tightly, like he’s preparing for something bad that he needs to just get through. He is not out publicly yet, still clinging to the belief that if he conforms to her expectations well enough, his mother will accept him. He’s so critical of himself all the time, especially of his body, which is just horrible and wrong, he hates seeing it himself and hates even more the thought of someone else seeing him naked.

“Hey, are you okay?” you ask quietly. “We can stop.”

“No!” he snaps. “I’m great. I don’t need to stop, are you stupid?!”

He wants you, is the thing. He wanted you for some time, got butterflies in his stomach, fantasized about you at nights. He wanted you more than anyone else in his life. So if he can’t bear even for you to see him, to have sex with him, then obviously something is deeply, fundamentally broken in him, no hope for him at all.

So desperately, he tries to find a roundabout solution. He’s still wearing a skirt, which he normally hates, but now it’s convenient, you could fuck him without taking it off.

“We don’t have to take off my clothes. There’s nothing good to see anyway. ”

He sounds frantic and frustrated, eyes alight with anger, and this does not look like a good situation to continue to you.

“It’s not a big deal, we can do it some other time when…”

“It’s just a cunt, you don’t need to see it!” He finally meets your eyes and you realize the brightness in them is not from anger, it’s from held back tears, because he believes you are rejecting him no matter what you say, “Why wouldn’t you just fuck it?!”

He hates his body and he doesn’t even want to have a pussy, but somehow subconsciously he feels like the one he has is also wrong, not even good enough for fucking, that whoever sees it will also recoil in disgust, as he does when he sees himself in the mirror. It’s ridiculous and he knows it, but he can’t help feeling like this, and he hates himself even more for this idiotic, nonsensical weakness, so this spirals into this vicious, unending cycle of self-disgust that he can’t see a way out of. What the fuck is so wrong with him that he can have a person he wants so much touching him and still be petrified, when it’s so easy for everyone else, and when…

You scoop him into your arms, turn him around so he doesn’t have to face you and hug him close to your chest. When he gasps and tries to protest, you clasp your hand over his mouth, kiss his ear.

“Don’t worry baby, I won’t look. But you need to calm the fuck down.”

He wants to struggle, but he’s so touch starved that when you embrace him, your warm breath on his skin makes him melt, especially combined with the wave of relief from your promise. He stops fighting you, curls up into a little ball in your arms, hiding his blushing face in a pillow, humiliated by how good it feels to be held, how little it takes.

“You don’t want me,” he says, miserable, but stubbornly proud, when you let go of his mouth. “You just pity me. I don’t want you to be here just because you feel bad for me.”

“I want you. I just wouldn’t want to fuck someone while they’re having a nervous breakdown. You or anyone else, for that matter.”

“It’s fine,” he says firmly. “I’m fine. I will be fine. Just do what you want to me, ignore my reactions, and soon I won’t even feel anything. It’s okay. I’m a puppet.”

It’s the conviction in his voice, the absolute certainty that there’s no better option that breaks your heart a little.

“Fucking hell, do you even hear yourself?”

“Why?” he says, face pressed against pillow, but calm, limp in your arms, a puppet with cut strings, and you hate it. ”It’s true, I am not like normal humans. You don’t have to treat me as one. It’ll be easier for the both of us, in the end.”

Maybe I just want you to feel good, baby.”

“Pffft,” he snorts like it’s ridiculous, like you’re naive and this option is not even on the agenda, and also so stupid he doesn’t even want to argue about it. “Even for humans, first time is supposed to be painful.”

“That’s bullshit.”

“No, everyone knows it, and…”

You clasp your hand over his mouth again and he starts squirming, noises muffled by your palm, but his protests die down as soon as your other hand starts siding down his body. 

“You’re so bossy for a little brat, aren’t you?”

You flip up his skirt and slap his ass, and he jolts up in your arms, gasps against your skin. You stroke the affected skin first gently, then with more and more pressure, until groping it, fingers digging into his tender flesh. “Maybe be a good doll and let me handle this for you.”

He didn’t know it could feel like this, not even when he came thinking of you before, so good, like he’s safe, being taken care of, but also so sweetly helpless, unable to resist. His head is light and dizzy with desire when you caress his thighs, nervously and instinctively clenched up, and he can’t remember his millions of concerns when you whisper “Open up for me, baby.”

He lets your hand between his legs, you slide into his panties and find him already wet, but when you stroke his clit and quietly tell him “Good boy,” it runs through him like lightning, eyes opening wide, moan escaping from his lips, his entire body arching up against you. 

“Yeah, that’s right, baby,” you keep caressing his clit, and he writhes more and more against you. “Doesn’t it feel good?”

His hand grips abruptly at your wrist, his slender fingers digging deep, and for a moment you think he’ll try to tear you off him, but then you realize that instead, he presses you closer to himself. You smile against his neck, the hand that kept at his mouth slides down, stroking his throat and down to his chest. At the same time, you slide your other hand deeper in between his legs, find his wet, pulsing entrance. You push two fingers into him, and he shudders against you, his fingers clenching at your wrist, but his cunt is wet and ready for you, stretching sweetly and leaking, his hips bucking against you. His breath is quick and frantic, heart beating rapidly, and then his fingers find your hand that isn’t buried inside of his pussy, leads it down his chest and then under the clothes, under the bra, to find and caress his small tits, and he whines sweetly, arches up, hard nipples poking at your palm. But when you take your fingers out of his pussy and press the head of your cock against his entrance, he tenses up again, his muscles spasming.

“What’s wrong?”

“Nothing! Just do it! It’s supposed to feel good for you when it's tight, isn’t it? So just fuck it, I can take it!”

He shuts up with a tiny gasp when you press your teeth into the side of his neck, which lets you keep groping his tits.

“I’ve never met someone, for whom a ballgag is so obviously needed for survival before. It’s going to be okay, baby, relax.”

You stroke his clit and massage his breasts, cutting his protests short, his hands clutching helplessly at yours, not trying to stop you, but just trying to be grounded. 

“What if it’s not going to be okay?” he asks quietly, his face buried in a pillow. “What if I’m just built wrong, if it’s just always going to hurt when you try to fuck me?”

“Then we’ll figure out something to do that doesn’t involve penetrating your pussy. It’s not that hard, baby.”

“You would do that for me?”

“Of course, don’t be ridiculous. I’m not going to leave you just because I can’t fuck your cunt.”

“Really?” he asks, choked, trying for sarcasm, but failing badly, a raw edge in his voice. 

you would just switch to eating him out, but he seems pretty hung up on the inability to take you in, but from how easy it was to fit your fingers into him, how he seemed to enjoy it, you’re pretty sure the issue is psychological. So you stroke his clit, squeeze his breasts and kiss at the side of his jaw. You can feel his entrance involuntarily pulsing open and you push the head of your cock into him, feeling him stretching wider. He turns his head to you in alarm, but you catch his mouth in a kiss, keep caressing his body and slowly moving deeper into him. His fingers move from your wrists to intertwine with your hands, and when you squeeze back, he comes so quickly in your arms, before your cock is even fully sheathed inside of him. 

You hold him through the orgasm, then slide out of him, but then he turns in your arms, until he’s under you, he’s looking up at you, instead of being held. 

“I want more,” he breathes out, hot and heavy, and before you can think of the answer, he pulls his clothes open, opening his bra and revealing his chest, and then tugs his skirt and soaked panties down. He lies under you, both trembling and determined, his breath fast and nervous for exposing himself to you after trusting you won’t be disgusted with him, that you’’ll *want him*. 

“You’re so beautiful,” you run your eyes over him and kiss him, hard, and he presses himself against you, kisses you back with desperate abandon, but still when you break away from each other, he asks, his voice small. “Really?”

In response, you pepper him with hungry kisses, from the neck down the chest, ribs, stomach until you cover his swollen pink pussy with your mouth, while he’s leaking sweetly under your lips. When he comes, and he comes quickly, moaning loudly, you pull him close and kiss his lips with the taste of his own arousal.

“Really,” you tell him softly, while he’s blushing, soft and squirming against you. He shoots you a wry little look that you already came to associate with trouble coming, and says, trying to sound superior, but failing because of mischievous little smiles breaking his act

“So you like this body? That’s so degenerate of you, who would even like something so ugly and…”

He yelps and shuts up when you forcefully turn him over to lay on his stomach and slap his ass, but he looks pleased afterwards.

“There are much better ways to get spanked, you little brat.”

He arches his back, popping up his ass and spreading his thighs to show off his wet flushed pussy, entrance pulsing up open for you. Then he looks at you over the shoulder, eyes glinting in excitement, and sticks out his pink little tongue at you.

“Oh really?”

[raven-at-the-writing-desk]

Do you think Riddle is so short because of what his mom made him eat ?

Like only making him get the perfect amount of calories like in his overblot backstory

Maybe it is because his mom is also short? Anyways she doesn't seem tall, also where is his dad.

***PLEASE NOTE: I am NOT speaking as a dietician or a doctor; the information and interpretations presented here are based my own scientific knowledge and research, and apply ONLY to the analysis of a fictional character. This post is NOT meant to be taken as any sort of medical or dietary advice.*** Personally, I'm not of the belief that Riddle is short due to his controlled dietary intake. In very simple terms, calories can be thought of as the fuel you burn to get through activities. While a caloric deficit can contribute to stunting of growth, I don't think this applies to Riddle since he lives a relatively sedentary lifestyle (sitting and studying) and is provided an adequate amount of calories per meal. I want to take a quick moment to dispel the commonly held belief that Mrs. Rosehearts underfeeds Riddle. This seems to sprout from a misinterpretation of a line in 1-25 when she is serving Riddle a birthday meal. Here, she states the exact amount that Riddle must have in order to not overshoot 600 kilocalories. This is led some fans to think that Mrs. Rosehearts restricts Riddle to 600 kilocalories a day, which is just not true. From the dialogue, it is clear that Riddle is granted 600 kilocalories per meal. Assuming 3 meals a day, that means 1800 kilocalories per day, which is very close to the recommended 1745 kilocalories for the average 8-year old boy (not accounting for fluctuations from individual child to individual child). This is a perfectly normal intake, but is appears strange at first glance because very few parents actively calorie count what their child eats to this extent.

Back to the original topic, nutrient intake also contributes to height. (Think of nutrients as the building blocks to a building called your body, and the calories as workers or the 'energy' that assembles the building/your body.) However, that doesn't mean that I think Riddle didn't get enough nutrients; it is possible to have low calorie meals which are nutritious. (For example, athletes may have to follow specialized diets in order to attune their bodies to whatever sport or activity they do. Similarly, Vil crafts a diet for the VDC/SDC squad in book 5 which cuts out junk food, is overall lower in calories, and still provides the group with the energy they need for practice.) Mrs. Rosehearts has dialogue where she describes the nutritional content of the meals she has prepared, which seem to be tailored for brain function. I'm going to assume that those meals also adequately provided for Riddle's other nutritional needs. I don't have reason to believe Mrs. Rosehearts, a doctor and mother who is detail-oriented and hellbent on her child's success, would knowingly and intentionally sabotage his health.

It’s canon that maintaining physical wellbeing makes for a good mage (which is why NRC makes its students take P.E.). Additionally, eating well is said to be one way a mage can make a recovery from blot accumulation. If Riddle were eating poorly and/or was of poor health, that would only mean struggles with concentration and his magic suffering the consequences—and that’s very much counterintuitive to the success that Mrs. Rosehearts envisions for her son.

You don’t need an abundance of calories or nutrients for growth and development. The excess will get stored as adipose tissue/fat or (depending on the nutrient) exit the body as waste. It’s important for a child to be fed well in order to grow properly, but generally if they aren’t malnourished (ie getting less than what they need) then they wouldn’t be stunted.

By in large, genetics is the major deciding factor in height. I believe current studies suggest as much as 60-80% of one's height is predetermined by DNA sequences (although those DNA sequences can be altered by the environment and outside other factors). It could very well be that Riddle is just short because his ancestors had the "short" gene. Looking back at manga images of Riddle's mom from the manga, she doesn't seem that short to me. Even when Mrs. Clover is bowing her head to her, both moms appear to be about the same height (if Mrs. Clover were standing). Maybe Mrs. Clover is a little taller (it's hard to say just staring at the image), but not by a lot. If I had to guess, they seem to be about average height for women. That doesn't mean anything in terms of genetics though, you could be any height and still carry the "short" gene to pass onto your children (the shortness trait just isn't always expressed outwardly.)

If I had to guess, I’d say Riddle is just “naturally” short or drew a bad lot in terms of genetics (since his height seems to be a sore spot for him). He’s about that age where most men will stop growing too (although some do grow well into their late teens and even early twenties).

Regarding Mr. Rosehearts, we haven't seen him yet but he's definitely mentioned a few times! He is said to be a medical mage like his wife and is implied to not have a happy marriage with her (according to Riddle). That's about all we know of him now. Some parental figures just get less focus than the other, and that’s the case for Mr. Rosehearts as well as many others (Mrs. Trappola, Mr. Spade, Mrs. Asim, etc.).

It’s possible that the short gene came from Mr. Rosehearts, but we don’t know for sure since we’ve never gotten so much as a silhouette for him. Again though, he could be tall or average but have an unexpressed short gene. I believe many fans headcanon him as short though, as the King of Hearts in the source material is smaller and meeker than his wifez

[robynrocksforbrains]

Mike Wheeler is important and there's nothing wrong with analyzing him

Since y'all wanna be insufferable bitches about it I'm gonna explain to you why he's important, why Will loves him, why his struggles should be acknowledged, and why his character depth is pivotal to byler endgame being a satisfying conclusion for both Mike AND Will. Deal with it!

We are not seeing smoke where there isn't a flame. We are seeing smoke where there is a literal fucking forest fire.

Starting off with something a lot of people aren't ready for but I've seen more people talking about: Mike is the main character of s1 at the very least. He is the character that brings us into the world of stranger things. He is the character that the writers chose for this. Mike is the main character of s1 and it was an instant hit. The writers love Mike. Contrary to popular belief, giving a character an arc where they are struggling and their behavior changes from what is normal for the character we know and love does NOT mean the writers hate that character. It means they deliberately chose to give that character complexity and depth. Your inability to like characters that do anything wrong ever is not the fault of the writers. Your decision to act as if a character is not important is not reflective of the actual narrative because it in fact is in direct opposition to the narrative. So just to be clear, if you genuinely believe that Mike isn't important, or that the writers hate him, or don't care about him, or that his story "takes away" from any other character's - ESPECIALLY WILL'S - you are simply wrong.

In s1 and s2 Mike is established as an extremely caring person. He's loving, loyal, brave, intelligent, and trying his best. He is also established to be hot headed, someone who speaks without thinking quite often, someone who is capable of hurting his friends despite that being the last thing he wants to do. He is all of these things and more. He is a human. He is a kid. So in s3, when suddenly he is entirely different, it is completely logical to assume that there is a reason for that. He did not just wake up one day and decide he wanted to be an asshole, push Will away, make his friends feel abandoned, and echo the same sentiments their bullies held. Something is happening with him. He has so much going on in his head and it is painfully obvious. He's holding something in, he's hiding from everyone and from himself. We see glimpses of what he's trying to hide after Will calls him out on his behavior. Will gets through to him. Mike is usually unresponsive to tough love, except for when it's coming from Will. After their fight, it is obvious that he's trying to be better. But he still doesn't wanna face certain things, and he doesn't know how to navigate that. Because he's 13 years old.

There is a reason for all of that internal conflict. There is a reason it comes pouring out of him at certain times. He's crumbling. He is quite literally falling apart because he's holding on to too much. It's not a stretch to assume that, it just takes basic media literacy. Why would the writers have Mike act this way if he was just supposed to be a one dimensional character? Why would Finn be directed to portray Mike the way he does if there was nothing more going on? There are times where Mike looks like he's in physical pain because of his internal conflict. There is a reason for that. And acknowledging that DOES NOT mean people are taking away from Will. That's the most idiotic thing I have ever heard. Do y'all seriously not understand that more than one character can have emotionally complex storylines? Genuinely asking, is this a new concept for you?

Will's love for Mike

Will is head over heels in love with Mike. That is very much established. So when you're dismissing the emotional depth of Mike's individual arc because you think acknowledging it "takes away from Will" you are actually diminishing the significance of a huge aspect of Will's emotional arc. By taking away the significance of Mike, you take away from the significance of Will.

Let's do a quick recap of the very significant role Mike has played in Will's entire life:

Mike is Will's first friend.

They have grown up together and it can be assumed that they've reached important milestones together.

Mike has always been a safe person for Will. He's been a constant in Will's very chaotic and unfair life. Until the summer of '85, Mike had always been something good in Will's life. (That's not to say he is no longer something good, but it can be assumed that the summer of '85 is the first time Mike has been a causal factor in Will's unhappiness)

When Will went missing, Mike did not hesitate to search for him. It wasn't even a question of if. The moment he knew Will was missing he knew exactly what he'd be doing that night. He spearheaded the search amongst the party. He was the leader.

When Will came back, Mike was the only person that didn't treat him like he was gonna break. He cared for him, and he was there for him, but he didn't treat him differently; Will tells us as much. Which means we can infer that the way Mike was with Will in s2 - how gentle and loving he was - was nothing new. He had just always been like that.

When Will was possessed, Mike stayed by his side. Even when it was scary, even when it could've gotten him killed, he stayed. Because once again, for him, it wasn't even a question. That's just where he knew he needed to be. He was in the shed when they were trying to get through to Will. He was set apart from Lucas and Dustin, but he also wasn't equated to family. And his retelling of the story of the day they first met was the final push Will needed to find a way to communicate.

After a year of things being "weird" between them, Mike tells Will that he didn't deserve to be treated the way he had been. Mike tells him that he wants them to be okay again, and for the rest of the season he puts in the work.

Things get rough in s3, and at the beginning of s4, and despite all of that, Will confesses his love (albeit veiled). In a moment where Mike is feeling awful about himself, he tells him that he loves him and needs him, and he tells him why. And to him it doesn't matter that he's breaking his own heart to do it, because it's Mike. Mike, who makes him feel like he's not a mistake at all, and that he's better for being different. For Will, there was no other option. The person he loves was hurting and he knew how to help, and so he did.

Mike is the first person Will tells about Vecna still being alive. Because they're back to being a team. He knows he can trust Mike, and Mike seems to be very determined to prove him right.

SO.

These are all real and canon aspects of Mike's presence in Will's life. Will falling in love with Mike isn't something that just happened for no reason. Will fell in love with Mike because of who Mike is. When you acknowledge that, and when you acknowledge the reasons they've set out for why Will loves him - the reasons Will literally told us - you can better understand Will. But when you dismiss all of these things about Mike, you are dismissing a large portion of Will's emotional and romantic arc. You aren't being a Will Warrior. You are erasing so much of him and his feelings and his lived experience. That is not the hill you wanna die on.

Will loves a person. Not a feeling. Yes, he says that Mike makes him feel like he's not a mistake and that he's better for being different. But that's not why he loves him. He feels that way because he loves him.

Mike is a fully fleshed out character with his own feelings and struggles and fears and traumas and motivations. He's not a plot device. He's not just an accessory to Will's arc. He's not a character that was written only to be Will's love interest. He's Will's love interest because he's Mike.

If Mike didn't matter, and if Mike didn't play a significant role in byler, then they would be able to write in a love interest for Will in s5 and have it be somewhat satisfying. But they can't do that. Will's love for Mike has so much depth because Mike has so much depth. It is genuinely crazy that this has to be stated and that I have to back up this claim because it is simply a canon fact.

So yes, the rain fight affects Mike's character development and his involvement in it is important. Yes, the van scene literally could not exist without Mike and therefore his involvement in it is incredibly important. Yes, every single byler moment has an impact on Mike, and Mike has an impact on it because they are BYLER moments. Yes, Mike will have a lot of significant moments - with Will AND on his own - in s5 because his arc deserves and needs as much attention as Will's in order to execute byler endgame in a satisfying way.

No, none of these facts negate Will's importance or take away from his story. If anything, they add to it because Mike and Will's arcs are corresponding and intertwined.

Mike's struggles

To name a few

Dysfunctional family

Has been bullied his entire life

Extreme self worth issues

Inferiority complex

Hero complex

Lack of self preservation

Suicidal ideation (has been on display since SEASON ONE)

Internalized homophobia

To get this out of the way: Mike's internalized homophobia is allowed to be discussed. Discussion of it is not the dismissal of Will's internalized homophobia. Surprise surprise, two queer kids in the 80s have internalized homophobia! Who'd'a thunk it?! Their internalized homophobia presents in different ways but it is there for both of them. I personally relate to the way Mike's is portrayed way more than I relate to Will's. So why is it that we can't discuss it without being accused of erasing Will's experience? Or without people saying that we're "copy and pasting" Will's story? Because quite frankly, that feels dismissive of my - and likely many others' - real and lived experience. So please for the love of all things that are good just stop with this talking point because it will never hold up.

Moving on

I'm not gonna do a full breakdown of all of Mike's issues. Because contrary to popular belief, there are a lot. And that would be exhausting and I'd get carried away and it's not the point of this post. The point of this post is to defend the acknowledgement and mere existence of them.

If you're a byler that for some reason thinks Mike only exists to be Will's love interest and his trophy as compensation for his trauma, let me ask you this: Have you considered how awful it would be to have a queer character's individuality and emotional depth completely ignored for the sake of focusing on the queer character that "really matters"?

If Mike's own issues, with his queer identity and otherwise, aren't thoroughly explored... What's the point of all this? If Mike really is insignificant in this storyline and his individuality has no effect on it.. where's the emotional payoff? If his perspective doesn't matter... Why have the writers gone to such great lengths to ensure we don't have that piece of the puzzle yet?

Analyzing Mike and understanding Mike is very important to understanding byler. Once again, I think it's crazy that this needs to be said.

I also think it's important to note that characters can have similar struggles. There's no rule against that. Just like real life. Characters having similar struggles is not a bad thing, and acknowledging that their struggles are similar is not dismissive of either character. We're talking about STRANGER THINGS. Jonathan and Nancy's thing is "we've got shared trauma". They have literal matching scars. Shared experiences are some of the main building blocks for this show's romances. Byler has a TON of shared experience, basically their entire lives. We already know that. So wouldn't it be so beautiful for them to learn that they've been struggling with the same thing this whole time? That the entire time they felt alone in what they were going through when really they had each other and they never even knew it? Wouldn't it be so beautiful for Mike's acceptance of Will and Will's love for him was also a step toward accepting himself? Wouldn't it be beautiful for Will to learn that his love makes Mike feel like he's not a mistake? None of that would be in the realm of possibility if Mike didn't have emotional depth and if his individuality wasn't important.

And that leads me to my concluding point...

A satisfying execution of byler endgame hinges on Mike's individual emotional arc being handled well

God I hope this isn't controversial to say. I sincerely hope most people haven't forgotten that.

Here's a hypothetical:

Imagine season five has been released. You're watching it, and you notice that Mike has been relegated to just a supporting character for Will. We don't get any of his perspective. We don't get any explanation for his s3 and early s4 behavior. His breakup with El doesn't have any real tangible effect on him, it's really just used for El's character development. We never see him pining for Will like we saw Will pining for him. And then suddenly Mike is learning about the painting and then suddenly he's confessing his love and then suddenly byler is canon and official.

Now wouldn't that just be awful? Wouldn't that be unfair to the audience, to Mike, and to Will? For us to never learn just how much Mike had to go through to even be able to say it out loud? For Mike to never get the chance to prove to himself through word and action that he is the heart? For Will to never get an explanation for why things did get so "weird" between them? It would leave us with one big, nagging question: What was the point of everything Mike has said and done throughout the entire show if his conclusion is that lackluster?

Disregarding Mike for a moment (I know that's incredibly ironic given what the entire point of this is but just bear with me) - how would that be a satisfying conclusion for Will? I mean, Will's s4 arc was basically dedicated to showcasing his struggle with his sexuality and with his love for Mike. We were shown just how deep that love is. We were shown how patient, unselfish, unwavering, and beautiful that love is. So how would it be satisfying for Mike's love for him to not be shown with just as much depth? How would it be satisfying for Mike to just be a one dimensional character whose s5 arc is essentially "break up with girlfriend, wait to find out best friend is in love with him, say he loves him back, then they live happily ever after"? I think Will deserves for his love to be returned with the same intensity at which he gives it. And I think it should be clear to the audience and to Will himself.

Back to Mike!

Mike has been through so much shit. I don't think anyone that is denying that actually believes he hasn't been through shit. Because you'd actually have to watch the show on mute and with your eyes closed to think this kid hasn't had just the worst time. It's so ignorant to act as if this stuff hasn't affected him. There's stuff we've seen but there's stuff we also haven't seen. There are issues he has that date back to his childhood pre-canon. Just like Will, Mike has been a queer kid growing up in 80s smalltown conservative america. Acknowledging the pain he 100% carries because of that is so important. His perspective has been withheld from us, not because it's unimportant, but because it's the final puzzle piece. If we had Mike's perspective in s4, byler wouldn't be a "will they won't they" (even though we all know they will). If we got his perspective in s4, byler would be a "100% certain without a doubt they will". But the thing about his perspective is that it's so much more than just loving Will. It's fear. It's pain. It's insecurity. It's doubt. It's the belief that his happiness just doesn't matter all that much. All of that has to be explored. All of that has to be laid out in the open for us in order for byler endgame to feel earned. Mike's emotional payoff will lead to byler's emotional payoff.

Mike has known he loves Will. In s5 we will see him make a deliberate and active effort to overcome the things keeping him from doing something about it. And then he will do something about it.

And so when it finally happens. When both Mike and Will finally know that their feelings are requited, and when their arcs end with us knowing that they will face whatever life has in store for them together, that will feel earned. That will feel like the logical conclusion for both of them. Not just for Mike. Not just for Will. For both.

And Mike is just as important to that conclusion as Will is.

And one last thing...

Some people are going to talk about Mike more. Some people are going to talk about Will more. Because newsflash, people have preferences. Some people just relate to Mike more, or they find his emotional arc extremely compelling, or they just like him. It isn't an attack on Will or any other character. No one is saying Mike is more important than any other character (I'm sure there are people that say that but they are a vocal minority and they are simply wrong). We are just saying that he is important. If you wanna engage in media analysis, please understand that "main character" or "central character" does not mean "only important character" and "only character that should be analyzed". If you wanna talk about Will and only Will, that's fine. But you don't get to act like people that talk about other characters are doing a disservice to your fave, because that's not how any of this works.

[phantom-of-the-501st]

The Evolution of an Echo

Okay well I wasn't planning on doing this now but I decided to strike while the iron is hot and have now started writing a full on character essay at *checks watch* 22:06

But despite his limited screen time, I really love how Echo has been portrayed this season and I really want to have a look at his character evolution over the course of The Bad Batch and how he compares now to who we were first introduced to in The Clone Wars.

Steph waffle about Echo coming up down below! 🧇

@saturn-sends-hugs @inkstainedhandswithrings

So I feel like the main thing we see with Echo is that he generally has more confidence now than he did before. Don't get me wrong, he still had confidence in a combat situation and was not afraid to throw himself into the action if it meant he could help people (self-preservation who?), but he seems to have become more comfortable with being himself, like he's properly found his own identity.

And I think that that is interesting considering what Echo has gone through. Personality-wise (and looks-wise), he is very different to who he once was but he still feels like Echo. We haven't lost him, he's just become more aware of what makes Echo Echo. Because when he was first given the name, he hated it. He didn't like being called that because it stemmed from people teasing him about his habit of repeating orders. While there wasn't any true malicious intent (the Dominoes were his brothers after all), Echo ended up being the target of "bullying" during his early years in the GAR. He was a rule follower and believed that things had to be done by the book for a reason. But that resulted in him getting teased a lot and I don't think he ever truly built up the same level of confidence as some of his other batchmates. And for him, that name probably suggested that everything that made up his identity, everything that made him him, was that name and how it stemmed from his belief that rules were made to be followed. His identity was in some way intrinsically tied to his name.

However, over time we saw that he came to fully embrace the name ("is there and Echo in here?") and over the course of the last couple of seasons, have really begun to see Echo fully living up to his potential, no longer tying himself to the "rule-follower" identity that he had carried with him for so long. Because what happened to him on Skako Minor fundamentally changed who he was: not just physically, but personally as well. He had to navigate being a new person and that meant finding himself again, even if the person he found was not the one he was expecting. And remember that at this point, all of his batchmates are gone; the people who gave him the name that summed up his personality are gone. The Batch don't know the old Echo and in some ways that probably helped him find himself. There was no expectation from them for him to go back to who he was before because they don't know that side of him. It gave Echo the space to breath and I feel like in some ways there was less of a pressure for him to try and go back to who he was.

Now that's not to say that the old Echo isn't still there in some ways. When he first ran with the Batch, he didn't quite have the same level of chaos as them, didn't really have the same way of going about things. And that never fully went away. Look at the way he challenged Hunter in season 2: he didn't instantly fall into doing things that Batch's way, but still held onto his own beliefs. But that confrontation did show a build in confidence. Echo became much more confident in standing up for himself, for doing what he believed even if that wasn't how everyone else wanted to do it. And so much of that stems from what he went through. Echo has been through hell, and if he can prevent that from happening to other people, then he will, even if it means disagreeing with his brothers.

One thing that has stood out to me is how Echo has begun to accept that where he belongs isn't always in one spot. And I imagine that this was something that had never really occurred to him much until this point because he'd only ever really been in one place: with his batch. I mean, they spent rotation after rotation after rotation together on the Rishi Moon. Echo never really had to deal with change until his brothers died. Then he found the 501st and that's when Echo began to adapt to shifts. He was in new places, with new jobs, but he always had one constant: Fives. And yet, following his rescue, that constant was gone. The place that had once felt like home to Echo now didn't feel like that anymore because it wasn't what he remembered. It's why he went with the Batch.

And I think this change was crucial in building the Echo we see today. It was a point in which he learned that home didn't mean one place. And sometimes it didn't even mean the same people. Home is simply where one feels like they belong, and for Echo that isn't always the same spot. It's where he feels like he can truly be himself and for him that means being in a position where he can help people. Whether that be with the 501st, or the Batch, or the Rebellion, Echo has learned to find a place in wherever he feels he needs to be. And that's why he's become so confident: because he has found where he belongs and what truly makes Echo Echo.

So we can look at Echo now and see the change. But we can still see the old him there - the drive to do the right thing, the protectiveness he holds for those he cares about, and the incredibly stressful habit of always putting himself in harms way in order to get things done - but he's embraced it more than ever before. While his screen time has been short this season, what we've seen from Echo is the perfect demonstration of why he was made an ARC and why he has always been so amazing. He is an incredibly talented soldier and now that he's found his calling, he's flourishing. He's embracing the change and he's taking everything in his stride. He's a good leader, a competent soldier, an incredible tactician, and a genuinely nice person who cares about the wellbeing of the people around him. Echo has come out of his shell and truly flourished and it's amazing to see.

And his humour has come back as well! One of the things that was often pointed out was how Echo's jokey side had kind of faded while he was with the Batch and yet over the last season it's come out in full force. Echo finding his confidence has also made him snarkier and bitchier in the best way possible. He knows what he wants and he isn't going to put up with anyone's bs. And what I love even more is how much the Batch have embraced him. They trust him now more than ever; he's their brother and they respect his drive and support him, even if it isn't the path they wanted to take themselves.

Now Echo still has his struggles, he isn't perfect. He can still be overly blunt sometimes, and he still has his vulnerabilities ("I don't enjoy solitude") but they don't make him weak. In fact Echo is stronger than ever and embracing who he is even more. And we can see where his growth has been influenced by those around him; the soft side that has become stronger after caring for Omega and the complete and utter chaos stemming from Fives and the Batch for example.

And you know what, Echo is a fitting name. Not because he repeated orders, but because in everything he does, and everything he proves himself to be, you can see the echoes of his past, who he was, who he's known and who he grew to be.

[queenvhagar]

"Average Team Green fan is bastardphobic" "Team Green thinks irl bastards are worse than other people" "Team Green fans are bad people because they actually don't like bastards"

Not sure if y'all know this but... fiction is not real life, and recognizing or discussing the actual dynamics of a cruel and unjust fictional world as it is written by the author does not equal an endorsement, promotion, or adoption of those elements or beliefs as they exist in that fictional world or in real life.

In real life, I and likely most if not all Team Green supporters could care less about the institution of marriage as one of making legitimately born babies. Personally I don't care if your parents were married to each other. Many people don't get married and still have families together. Children are children, people are people. Luckily in the modern world, in many places, having children out of wedlock is not really even that much of a taboo anymore. People can do what they want as long as they're happy. If I get married and/or have kids ever, that's my own business. I have no specific duties expected of me by my family or the world and the messages coming from society that I as a woman need to be married and make babies before I get too old? I can just ignore that. Nothing happens if I do.

In the fictional world of ASOIAF though, this is very clearly and unequivocally not the case at all. Westeros is obsessed with blood and bloodlines. Blood brings power. Blood continues power. The blood and the name together bring power. Great houses intermarry to bring themselves more power and alliances, under the agreement that the next generation will share the blood of their parents and families and that blood will preserve their power and status as it has for generations. This is essential to feudalism and the way that power and inheritance works (in Westeros and in the real-life history upon which it was based).

This is why it's such a taboo to have or be a bastard in Westeros, and why it's illegal to try to place a bastard in the line of succession. Marriage alliances are built on the principle that the trueborn children made from those matches will come from those particular parents and pass down that particular family's blood. If someone without that blood tried to claim that name and power, people would view that as the family losing the power they've held for generations. They would see it as an injustice. Wars would be willing to be fought over it. It's an indisputable fact that in this world trying to place a bastard in the line of succession will lead to bloodshed. This is especially the case for the Iron Throne. If you don't agree, read the source material and rethink how this world views women, bastards, bloodlines, and the right to the throne.

I'm not sure when people started thinking that the discussion of in-universe conflicts and issues as they exist in fictional worlds actually reflects on an individual's real life personal values or feelings. People knowledgeable of the world of ASOIAF criticize the character of Rhaenyra for birthing three obvious bastards (while she is already on rocky political ground as the first woman named heir) and then attempting to unsuccessfully gaslight everyone into thinking they are legitimate heirs despite the opposite being so clearly true. This criticism stems from knowledge and awareness of the world, beliefs, and laws of Westeros (that Rhaenyra herself also knew but believed herself to be the exception to). Yet when people point out how dangerous or stupid it was of her character to do this, knowing everything that is known about the world of ASOIAF and this specific conflict, suddenly stans feel the need to defend the vision of her that exists in their heads (one incorrectly furthered by the show's adaptation of the character as a modern feminist girlboss who can do no wrong) and make up fake scenarios or claims about the world of ASOIAF or about the critics to support their incorrect takes.

Saying Team Green fans, those who are not a fan of Team Black, or those who criticize the show's adaptation are bastardphobic in real life is similar to those Team Black stans who claim that Aegon's actor is a morally corrupt rape apologist because he plays a character who got written to be a rapist (likely after he was cast, by the way) or people who say authors shouldn't write a scene about murder or murderers because it endorses or promotes such behavior. Y'all really out here rewriting the Hays Code and essentially campaigning for censorship of media because you can't distinguish between real life and fiction. It's crazy that media literacy is at such an appalling state, though unfortunately it's clear that certain forms of internet fandom have really exacerbated issues that have already existed. Now, any character can be shoehorned into specific categories or types or memes that fit their understanding of media and those who disagree or desire actual thought, complexity, and analysis to go into stories or characters apparently shouldn't have a voice or platform to express their point of view, or if they do, it means something about them as a real-life human beyond this person is interested in discussing the story.

I've previously expressed that despite the fact that I love this story as a truly a morally gray conflict with gray characters that tells a rich sociopolitical story of a family tearing itself apart for power, and despite the fact that there are no winners, heroes, or correct sides to this conflict, I would call myself a Team Green supporter. And largely this is due to the lack of media literacy and understanding of the source material that the writers and general audience (see: uncritical Team Black fans) seem to have and the absolutely insufferable ways that they seem to constantly want to demonstrate to everyone that actually they're right and correct in their surface-level takes.

[bruisedboys]

Your characterization of the marauders is spot on for all of them!! Ok, here are my insane thoughts about Remus in no particular order:

- he’s obviously insecure about his scars, but nothing makes him feel better or more loved than when you trace them softly or kiss along one of them because you think he’s beautiful no matter what and you need him to know that

- he’d be the perfect boyfriend around the holidays, helping with baking and taking you around to see the lights and always making sure you have a warm drink and letting you borrow his sweaters because you just look so beautiful in them and doing a gift exchange where he gives you the most thoughtful gift ever because he always listens and always remembers every little thing you say

- he’s a great chef and he’ll never let the boys know, and as much as he loves taking you out and showing you off, his favorite dates are at home where he cooks a nice meal and you cuddle up to watch a movie after or he’ll read to you (omg his voice would be all soft and a little scratchy ahh)

- bookstore dates are the best, and you’ll go and pick out a book for him and he’ll pick one out for you and if it’s nice you’ll go read in the park or on your back porch but if it’s cold (like it is now) you’ll curl up on the couch together and read for the whole afternoon, just enjoying being near each other

- lately I can’t stop thinking about dad!Remus, he’d be so great while you’re pregnant and he’d read all the baby books and he’d baby proof your apartment and he’d get you whatever you needed or wanted at any hour of the day all while being stressed beyond belief but he’d never let you know that when you have much more important things to worry about and once the baby comes, she’s got him wrapped around her tiny little fingers (because he’s obviously a girl dad) and just imagine this tiny little baby being held so gently by this tall, deceptively strong man

- also I have some very detailed thoughts about book store reader x single dad Remus if you’d like to hear…

omg so many good thoughts thank you angel!!!! I will be thinking about all of these for the next 2-5 business days…..

- ok firstly YES. bf is very insecure about his scars but you tell him they’re pretty and make him look really handsome and he just loses it!!!!! the second you kiss or even just caress one of his scars he melts. also if you’re ever insecure about your own scars/stretch marks/other marks on your body he’ll show you his and be like but look :))) we’re matching babe :))))

- yes he is so christmas boyfriend!!!!! he’s such a good gift giver because he remembers everything about you and yes his gifts are always so thoughtful!! I feel like he’s very into handmade gifts too! I’m imagining a handmade clay vase or something like that. or a wooden jewellery box. omg!!

- real!!!! he cooks the best homey meals (domestic!remus 😵‍💫) like pasta dishes, soups, homemade bread. omg bread is definitely his speciality and he’ll make it fresh for you at the drop of a hat if you’re craving it <3

- bookstore dates!!! stop I am literally swooning. you and him will do a little game where you don’t let the other person see what book you’re getting until you’re out of the store and then you present it to them once you’re out!! he has the best taste in books so you always know it’ll be good 😌 and then when you read together he’s always gotta be touching you, your legs in his lap or his hand on your thigh, sometimes he’ll even lay in your lap!!!

- dad!remus will actually be the death of me. for some reason the idea of any of my favourite characters being dads just awakens something feral inside of me. he’s definitely the best ever when you’re pregnant!!! you better believe he’s doing everything for you, you’re not allowed to lift a finger babe. he’s very protective of you too, very gentle with you and aware of anything and everything that could hurt you or the baby even a tiny bit. if you’re emotional or sick or just having a really rough time he always holds it together for you, never losing his patience and always reminding you that you’re incredible and strong and he loves you!!! also also he loves his friends but he doesn’t let them rub your tummy or talk to the baby for too long, that’s his baby thank you very much 😇

oh em gee I’d love your thoughts on bookstore reader x single dad!remus 🤭 all of your thoughts so far were soooo good and fuelled my brainrot successfully

[cipheramnesia]

There's a brand of criticism that looks at Night of the Living Dead (1968), and suggests people consider the interpretation that Harry Cooper, the racist and misogynistic antagonist of the movie, was right the whole time. After all, if everyone listened to Harry, they would have stayed safely locker in the cellar and survived. He was a bad person, but if you think rationally about, his plan would have worked.

This has nagged at me awhile, because it felt off, and now I can tell you unambiguously that interpretation is not just thematically inconsistent, but factually wrong. Here's why.

First, consider what each character symbolizes. Ben, the protagonist, is revolutionary thinking. He represents taking action, problem solving, creativity and opposition of authority. Barbara is the iconic public in the face of sudden, overwhelming horror. Think the shock and horror in response to the Vietnam War, fresh at the time, the first real widespread use of television exposing USAmericans to the graphic atrocities committed by their own soldiers. Harry, the antagonist represents isolationism, conservativism, and the idea that everything is fine as it is. There is no need for change for Harry, let the government fix it.

Secondarily! Harry's wife Helen and daughter Karen. Helen is also a symbol of traditional values, but in what you might call a centrist way. She too thinks, at first, that Harry is right and it's all going to work out, but as the movie progresses she comes to realize too late that she is not being kept safe but rather held as property and Harry intends to let everyone die if it means what he has stays his. Karen, meanwhile, represents the idea that the external problem (zombies) cannot be ignored and just locked away. The problem is already inside the house, it will affect everyone regardless.

Lastly! Judy and Tom, what else could they be but the innocent hope of youth (Tom) and love (Judy). They die first because their naivete and blind optimism put them in each other's way. They are the proud soldiers of the US military going of to an idealistic war only to die, burning and alone, for nothing.

So, factually speaking, first and foremost, the "Harry was right" position always glosses over that Karen is infected. They believe that as a large group it would be easy to avoid further infection by Karen. This is incorrect, as the movie shows several times. First, Helen stays at Karen's side so extensively that she is ultimately killed when Karen turns. We can from this also recognize the same thing would happen if everyone stayed in the basement. Helen will be infected. Second! Harry repeatedly shows his belief that his wife and daughter are property, and he will act irrationally in his own self interest. It is safe to say that Harry will insist on protecting his wife and daughter even after they become zombies. This means the group will be isolated in a small space with two fresh zombies. What happens from this point is immaterial the group is now at best 3vs4 on the side of zombies, and they have NOT successfully made it through the night unscathed.

But wait! This is already giving the idea that Harry is right too much credit because Harry does not want to leave the basement at all. This means that if Harry was listened to, there would only be Tom and Judy in the basement versus Harry and his zombie family. They would all die if they did not take action. Furthermore! Only by leaving the basement does anyone other than Ben and Barbara find out how to stop zombies, and Ben is the only one who has genuinely figured out one solid antizombie tactic on his own.

Not only this, but Harry has no way to predict that people like Barbara and Ben will show up. His basement plan hinges on a stable situation, which they are not in. He has not planned against a horde of zombies until Ben arrives, and after Ben arrives, he works almost exclusively against the group goals. Harry is not just isolationist but selfish. His plan does not work because at no point does he show any ability to cope with the direct problem, and every version of "sitting it out in the basement" just gets more people killed. Harry is wrong and his plan is bad and critics who suggest his plan was good ought to feel bad.

[pluckyredhead]

Can you please say more about the Lanterns' politics?

I am so glad you asked me about this because I've been thinking about it since I reblogged that post but also I'm definitely about to get yelled at lol. ANYWAY THIS IS GOING TO BE LONG.

Tl;dr: John is the only one with a coherent political position or an up-to-date voter registration.

Hal:

So something interesting about Hal is that his stories are often very political but his character is not. With one extremely obvious exception, he rarely talks about politics; rather, he serves as a means through which to tell political stories, usually unintentionally.

What do I mean by that? Well, for example, in the Silver Age, his love interest would occasionally be possessed by a misandrist space jewel that would force her to attack him, but always lose because women are inherently inferior to men and prefer to be subjugated by them anyway. That's the original Star Sapphire concept. It's wildly misogynistic, but it doesn't mean Hal the character is misogynistic. But it's also a very political story, even if I don't think the writer was deliberately trying to make a point so much as...being an average, thoughtlessly sexist guy living in the 60s. (Carol continues to be the subject of mindbogglingly sexist writing and art well into the 2000s. Fucking comics.)

And so you have Hal Jordan, whose love life was ruined by his girlfriend getting promoted above him and who called his best friend by a racist nickname for decades; Hal Jordan, poster boy for chest-thumping post-9/11 kneejerk patriotism; Hal Jordan, lightning rod for a certain kind of regressive bigoted fanboyism. Choosing Hal as the Lantern for a particular story over John or Kyle has come to signify something very specific, but none of that is necessarily reflective of what Hal himself believes.

So what about Hal himself? Well, when we first meet him, he's the epitome of privilege: a white, straight, cis, Christian (I know he's canonically half-Jewish now but that's only as of the past decade or so), ablebodied, upper middle class (Geoff Johns retconned him to have a working class background, but in the Silver Age, he had one uncle who was a millionaire, another who was a judge, and a successful politician brother) man with a flashy job. Privilege tends to lean Republican; even if he is from California, I suspect Hal voted for Eisenhower in 1956.

In GL/GA, the word "Republican" isn't used to my recollection, but Hal is definitely presented as...I'm going to say conservative by I mean lower-case C. He doesn't have deeply held political beliefs, but he's traditional. He doesn't question the system, because he's never had to. He resists things that challenge the way he's always understood the world works, and that's very relatable - most people do! And he will absolutely argue with Ollie, who certainly isn't always right about everything. But he's also willing to listen, and have his mind changed, and certainly reachable via appeals to compassion and fairness.

Once the "relevance" trend of the late 60s-early 70s was over, Hal's stories default back to ostensibly politically neutral, although obviously nothing is actually politically neutral. In the late 80s and early 90s he's the most unpleasant version of himself, and that has political manifestations, like when he allows John to be imprisoned in apartheid South Africa for a ridiculous and unnecessary crime Hal himself committed. It's extremely fucked up, but again, it's less because of Hal's actual opinions and more because Christopher Priest wanted to write about apartheid, even if it does make Hal look incredibly, horrifically racist.

Then jump to the mid-2000s and Green Lantern: Rebirth, and you might imagine that losing his hometown, getting possessed by a giant space bug, becoming a supervillain, dying, and becoming the embodiment of God's vengeance might have some effect on Hal's politics, but that is not what Geoff Johns is here to write. Johns is writing a Hal who teleported in from, like, 1967 - no nuance allowed. He's a summer blockbuster that walks like a man. He's a Baja Blast. He's never had a coherent political thought in his life. In his defense, he has had more and goofier concussions than any superhero I can think of and his brain is smooth like an egg. Still.

Anyway, all of this is to say that I think Hal tends to default to center right positions but can be easily coaxed over to center left. That said, he has never not once in his life had his shit together enough to vote in a single election, not even for his own brother.

Guy:

So Guy's deal is a little bit complicated because his most vocally political era was also in part due to severe and personality-altering brain damage.

When Guy was originally introduced in the 1960s, he had the pleasantly bland personality of all superheroes. Many years later, he suffered a series of major injuries, torture, and a lengthy coma, and he emerged from the coma in 1985 with the aggressive, abrasive personality he's best known for today. Justice League International took that even further, using him to parody the jingoistic, red-blooded American action hero of the 80s.

This version of Guy is a vocal fan of Ronald Reagan and despises the USSR. He's pro-war, proudly xenophobic, and treats women badly enough that it crosses the line into repeated sexual harassment, both physical and verbal. (To be fair...ish, this last also applies to Wally West and arguably a number of other men, and was always played for laughs. It was gross all around.)

Again, this is partially a manifestation of his brain damage. There's also a running gag in JLI where if he gets hit on the head, his personality changes to this cloying, timid, gentle one, sort of halfway between a child and a flamboyant gay stereotype. Hit him again and he goes back to Asshole Guy. I'm not going to pretend I don't find some of the gags funny, but it's obviously all highly problematic, and not just from a medical standpoint.

That said, I don't think we can dismiss Guy's politics or his usual personality as simply a manifestation of brain damage. We see in later flashbacks that he developed the abrasiveness as a defense mechanism from growing up in an abusive home, and as he matures through the 90s, he doesn't actually become a significantly different person, even after his Vuldarian healing factor kicks in and heals his brain. (It's a thing.) I think it's more accurate to say that the brain damage probably affected his impulse control, his filter, and arguably even his paranoia levels.

All of which is to say that as much as I would love to go "Guy's better now, so he's not a Republican!"...that dog won't hunt. I think a really good canon writer could make the case that Guy is pro-union-style working class and also a former teacher so he's at least center left, but as of now canon evidence is pretty firmly on the red side. It doesn't help that the GLC has been written as fetishistically pro-cop and pro-military since Johns got his grubby hands all over it. I will happily ignore the New 52 retcon that Guy was a cop, and you could even try to argue that he dislikes cops because his brother was a corrupt cop who became a supervillain, but I think it's much more likely that he identifies with cops as a Corps member. Although I don't think he would have any patience for killer cops. ("You were afraid for your life even though you were the only one with a weapon? Then fucking quit, coward.")

All of that said, I think Guy is similar to Hal: defaults to center right, can be talked into center left on certain issues but he's more stubborn about it. (They would also both be enraged by Jan 6 and disgusted by the current Republican party - I can't quite argue that Guy Gardner is a Democrat but Green Lanterns don't have any patience for traitors or cowards.) It's also kind of a moot point because he never knows what is happening on Earth and hasn't voted since his pre-coma days.

John:

Oh John Stewart, thank god for you.

John was introduced as an explicitly political character in an explicitly political story. The first time we see him, he's stepping in to defend Black men from a white cop, citing his own knowledge of the law to do so. He shows a much more perceptive and informed perspective on the issue's main plot (a racist senator running for president) than Hal does. Even in the little moment above, we see that he's sensitive to exactly what it means for him, a Black man, to be taking on this role.

None of this is a surprise, since we'll later learn that John's parents were civil rights activists. Not only would he not have had the privilege Hal and Guy did to assume his existence was politically neutral, he was explicitly educated about political realities and progressive advocacy from childhood. He's well-informed, he's passionate, and he's going to tell you when you are being fucking stupid.

John isn't immune from the GL cop/military...thing, although I can't blame Johns for that - it was the cartoon that made him a Marine, and the comics followed suit. But that's never outweighed his origin or his upbringing. Like, he's friends with the DCU's fictional version of Nelson Mandela.

This one is straightforward: John is a staunch progressive. He is, however, in outer space 90% of the time, so he's always at least a little bit out of date. I imagine every time he comes back to Earth he spends the first 24 hours watching the news in abject horror.

Kyle:

Kyle doesn't talk about politics a lot, but when he does, he lands pretty much where you'd expect a young California-born artist living in New York City to land: to the left. My read on Kyle is that he hasn't really thought any of his politics through, which makes sense - he's a character who is led by emotion over reason every time. He doesn't have John's carefully thought-through arguments or knowledge of the law behind him. I feel like when something political upsets him, he's more likely to splutter angrily than make a coherent argument (which: same). When he's given the time to think things through and speak from the heart, though, he can be very eloquent, like in his speech to Terry after Terry accidentally comes out to him.

It's also worth pointing out that his solo appearances were mostly in the 90s, which were prone to avoiding politics or only addressing them in a halfhearted both sides-y way like the story above.

That said, I don't think he ever actually does anything about his political opinions. He never votes in midterm or primary elections, and probably only voted in a presidential one because Alex dragged him along one time. I feel like Donna tried to do the same when they were dating and that was when Kyle realized he'd forgotten to change his voter registration from California to New York. Jennie wasn't responsible enough to Mom him into doing his civic duty, and he's been in space pretty much nonstop ever since, so...

Simon:

In that other post, I said Simon's experiences should have radicalized him, but instead he was created by Geoff Johns. Simon is a Muslim, Lebanese-American man who came of age in the post-9/11 era, and was wrongfully convicted of terrorism and waterboarded at Guantanamo Bay. His reaction to this was...to put on a ski mask and wave a gun around. Like, it's been a while since I've read these issues, but aside from the "ripped from the headlines!!!" of it all, I feel like Simon's experiences largely don't inform his actions or perspective except that he's super angry (fair enough).

The thing about Simon (and Jessica) is that he hasn't been around very long, and most comics don't have characters directly expressing political opinions. It's not a coincidence that these characters are in chronological order and each write-up is shorter than the last. I can think of about three times where Kyle has ever said anything I can interpret as political, and he's been around for 30 years. Simon only has a third of that history. So while one could certainly extrapolate what Simon's opinions are likely to be, I can't think of any canon where he actually says them.

Jessica:

Jessica has even less to go on in terms of explicitly political comics. You'd think she wouldn't like guns because of what happened to her friends, but she has one of her own and doesn't seem bothered by Simon's. I'd imagine she has opinions on immigration as someone whose family is from Mexico and Honduras, but it never comes up. If I were writing for DC, I'd make both Simon and Jess leftists, but as for actual canon proof? I got nothing.

I will say that she probably avoids political discussions because anxiety, and I bet she got really good at voting by mail during her years not leaving the house. She probably votes by mail from space. Maybe John's not the only one with an up-to-date voter registration.

Kilowog:

[mal3vol3nt]

the reason people get mad and upset over aang not killing ozai is because they can’t or are unwilling to understand what it really meant for him to be the last airbender

a lot of people don’t truly acknowledge what aang went through when they talk about him. it was a genocide. an ethnic cleansing. a GENOCIDE. and i think that’s because so many people are just incapable or unwilling to wrap their heads around how tragic and isolating and unchangeable something like that is.

i’ve seen countless people say they wish aang had found other airbenders hiding away somewhere. and while i totally get wanting that to happen for the happiness of the character (hell, even i have thought about how heart wrenching that utter relief would feel for him), i’ve also seen those takes associated with people saying they just find it hard to believe that none of the airbenders survived. that none of them were able to escape.

and that’s the thing that annoys me because genocide is a real fucking thing that has happened and IS currently happening in the world (just look at palestine, congo, sudan). it shouldn’t be so hard for people to suspend their belief into thinking it could happen in a fictional piece of media. this disbelief that a genocide can be real results in people being unable to fully sympathize with a character who is stated several times to be the definite, unchangeable sole survivor of his people’s genocide. and i’m not saying it’s wrong to want there to be airbenders who lived, but in canon it’s clear that none of them did. and the ones who did canonically escape were hunted and lured by the fire nation to their demise. and if we’re going to discuss characters and the intents behind their actions, aang’s character development is heavily, heavily heavily guided by his guilt and grief over his lost culture and people. but a lot of people still can’t wrap their heads around the canonical genocide he survived, meaning they can’t fully comprehend why aang would choose peace over a violent end. and considering atla is a western show with a largely western audience, its even more evident that this gap in people’s ability to understand and sympathize with aang is emphasized by their western intrigue toward violence. people don’t just misunderstand aang’s dilemma—they wanted him to kill ozai because seeing him do that would have been cool and interesting and satisfying.

but aang’s decision to spare ozai’s life was made due to his status as the last airbender. prior to meeting the lion turtle, i think it’s safe to say that he had resigned to what he had to do. that is to say, he was likely going to kill ozai despite the pain that was going to cause him. he was going to give up a part of himself, his humanity and the last remainings of his culture, to be the avatar the world needed. but he was then gifted the ability to energy bend, offering him, but not cementing, another option. aang still had the choice, and we saw in the fight that aang was so very close to killing ozai even with this new ability. but he couldn’t. because although killing ozai would have been a pretty justifiable thing to do, it would have fully finished off the air nomads. aang was the only living human who held onto their beliefs. if he were to push those values aside to end the war, the war would have ended the same way it started: with the death of the air nomads. and it may sound “cheesy” or overly dramatic or whatever to some people, but aang’s entire story arc has, arguably, been him trying to fit in a world that seemingly has no more room for the air nomads. not only is he 100 years in the future, but this future has none of his people around and war is everywhere. violence is basically required to survive. death is everywhere. greed has corrupted nations. everything the air nomads stood against made up this world, and aang, as the avatar, had no choice but to save it. for him to have given in to what everyone expected of him—violence—he would have ultimately eliminated air nomad values from the world. and the world would have not cared. aang’s victory would have been celebrated, but aang would have felt even more grief than before. he would have let himself and his people down. and balance would have never been achieved because the air nomads mattered. they were part of what kept the world going round. no matter how much the current world he was fighting for called for violence and death to achieve an end, the air nomads still had a voice through aang. they were still around because of aang. aang’s existence and dedication and love for his culture kept the genocide from being official.

and in my opinion, air nomadic values coming out victorious in a war that nearly wiped them clean (except for aang) is much more of a meaningful and satisfying ending than violence ending with violence.

and if you wanna call aang’s decision selfish, then fine. but i personally think it’s more selfish to expect a survivor of genocide to keep giving and giving and giving for a war that took his people from him until he has nothing left of himself to give. i think that is far more selfish. aang may be the avatar but he is also human. just as much human as his people were, and the leaders he was fighting against, and the millions of people he ended up saving, and just as deserving of having some sort of agency in the decisions he makes. call me crazy ig

[spacexseven]

Trying to find the post I originally saw it from would take too long and plus the person who made it didn't go into detail they just said "reader with a God ability" like I'm guessing an ability that makes you God or something? I'm not too sure but if you want you can try to make it into something

But I REALLY wanted to know how would Fyodor would react because you know the story with him and god

basically reader is a kind of (forgotten) god but i didnt go too much into it so feel free to imagine whatever you'd like ^^

cw: yandere character

sometimes it occurred to you that divinity, in a world of gifted people, was ultimately meaningless. after all, who would choose to believe in a god—a presence so unclear and foreign—when they had people with powers only gods could have? when there were people with powers that defied logic, powers that decimated cities, and powers that could change the fate of the one affected within moments, what did your divinity matter?

what could you do that some ability user out there couldn't?

despite knowing there wasn't anything you could offer to regular people, you liked to walk down their streets and watch them go on about their day. there was something captivating about their lives, something that resembled what you had lost a long time ago. though in this bleak part of yokohama, most of the people you saw seemed to be weighed down by regret.

once in a while, you'd see some spectacular show of power—paper turning into a weapon, accidental deaths that you knew were not supposed to happen, people on the brink of death brought back to life in perfect health—such things did not amaze you as much as they worried you. maybe that worry came from a place of inadequacy, knowing that your own powers, while typical for a divine being, was overall unimpressive compared to these wonderful and terrifying feats.

however, the worry and the shame did not compare to the delight that followed when talking to someone. you felt alone, isolated by the things you knew and had seen as compared to the mundane lives most people lived, yet you yearned for company. most people were too busy to talk to you when they saw you seated alone, and some were put off by the strange feeling that something about you was not exactly human, but there was always someone who'd approach you first, and those people were almost always the ones that stuck with you the longest. years ago, it was a man wearing a hat and holding a cane, and more recently, a woman with red hair.

and now, it was this man with dark hair and amethyst eyes.

the very moment fyodor uttered his first words to you, you could already tell that he was unlike anyone else you had talked to before. there was something about him that was simultaneously alluring and unsettling, something that glinted in his dark eyes that told you that he knew everything you were trying to hide. even the way he held your hand in his felt like he was trying to sense something from you. still, his expression did not change—calmness evident in his face when yours was definitely teeming with intrigue. it should have embarrassed you that a human was better than you at controlling his emotions.

but there was something unusual about fyodor—the way he carried himself, the contrast between his sharp gaze and sleepy smile, the words he spoke—you could already tell that he was someone destined for great destruction. (or maybe, he was destined to be the harbinger of destruction?) he spoke to you like you were an old friend, someone he had known all his life, not finding any unease in slipping into deep conversation. his voice was soft, but each word felt purposeful.

and then, he mentioned his belief in god.

"what does a god matter," you finally asked the question that had been plaguing you for all this time, "in a world of people that are treated as gods?"

he smiled at you then, like he had been expecting it, "that is simply a result of the follies of man. isn't it disgraceful that they think of themselves as gods?"

"but what can a god do for you that some ability user out there can't?"

"what i sought, what i received, was guidance," he whispered, "my eyes were opened to the truth, and i realized my purpose. ability users parade themselves as gifted, special, but they only bring misfortune."

your heart wavered then, for the man in front of you. you never believed that ability users were blessed, or whatever some groups liked to say. in some cases, it appeared to be more of a curse than a blessing. something unwanted. was he haunted by himself as well? before you could stop yourself, your next words leaped out of your mouth, revealing your identity and subsequently confirming his suspicions.

"if so, what does that make you?"

he smiled then, wider than before. the very sight sent chills down your spine, even though very little still scared you now. he straightened up, clasping your hands within his with a newly gained fervor, with more strength than he appeared to have.

"a sinner seeking repentance from you."

you exhaled sharply, but he wasn't finished, "i know now for sure that this is the right path, and under your guidance, i will deliver your judgment, and i will reinstate you to your former glory."

danger was easy to miss when it looked like fyodor dostoevsky, and it was too late for you now. realization dawned on you a moment too late, as tendrils of consciousness slipped away from you.

among the ghosts of yokohama, fyodor was the harbinger of great destruction. and his reign of terror would start with yours.