#but it's never explored | Explore Tumblr Posts and Blogs

confessedlyfannish · 2 months

Text

Writing Prompt #14

"You foolish, stupid child," Vlad hisses, pinning Danny to the wall. Danny's eyes turn green as he wraps both his fists around the one Vlad has clenched in his collar, his feet dangling in the air. Vlad leans in, his own eyes burning red.

"When, exactly, did you plan on telling me your biological father was Bruce Wayne?" he says furiously.

Danny's hands drop in surprise. "W-What?" he gasps.

Vlad drops him unceremoniously and he lands on the floor in a heap. Vlad claws at the air in frustration.

"Don't lie to me, boy." Vlad says, omitting his often used possessive "my" in front of "boy".

"How do you know that?" Danny asks warily, propping himself up. He watches Vlad push a shaking hand through his hair. The man looks down at him before dropping in an ungainly squat beside him.

"Of all the sperm donors, Bruce Wayne, Daniel? Really?" The man asks, despairingly.

"I didn't exactly choose him, Vlad."

"No, I suppose you didn't."

"Seriously," Danny says, watching the man rock back on his heels as a growing pit forms in his stomach. "How did you know about him?"

Vlad's mouth twists bitterly. "Because he now knows about you."

"What do you—"

"Vladdy! Danno! What are the two of you doing on the floor?" Jack flops down beside them, a tray of freshly prepared fudge in his hands. "We having a heart-to-heart boys? Let me in on this!"

"Jack," Vlad says. "If you truly want to have a heart-to-heart with your son, I suggest you tell him the real reason I've come over today."

Jack's face falls.

"Vlad," Maddie says from behind him. "Thank you for coming. We're grateful for all you've done, but I think we can handle it from here."

"Madeline," Vlad says, rushing to his feet. "I must insist—"

"And I must insist you see yourself out," Maddie smiles tightly. "You know where the door is, don't you?"

"Mads," Jack says gently, looking between the two.

"I can show him out," Danny says, getting up as well.

"That's alright, Danny," Maddie says. "Why don't you go get your sister? We need to have a talk...as a family."

Danny glances at Vlad.

"Now, Danny," Maddie says. Danny heads for the stairs, pit growing ever larger.

The next time they meet it is Danny who has Vlad pinned, the gaudy chandelier above him shaking with the force of his rage.

"You should've told me," Danny growls.

"I thought your parents had you informed," Vlad says, utterly unbothered by the teen cracking what is thankfully not a load-bearing wall of his mansion. "Honestly Daniel, we could throw around allegations of deception on both sides, particularly mine as I assume you've known for quite some time now, if not the entire time, about your father hmm?"

Danny's eyes flick away in an obvious tell.

"Yes, I thought as much. But rather than whinging about being blindsided, I suggest we focus our energy on the solution."

Danny drops Vlad, barely biting back a snarl when the man lands gracefully on both feet.

"Which is?" Danny asks.

"First of all, your well-meaning but frankly moronic parents seem to believe that they can make a case for your custody without the assistance of my legal team. It is in both of our best interests to dissuade them of this."

"They don't like feeling indebted, Mom in particular."

"Well, to be crude for a moment Daniel, tough shit. Yes," Vlad says in response to Danny's widening eyes, "I said it. Bruce Wayne has the best of the best on his payroll and your parent's rinky-dink attorney from the local practice won't stand a chance against Friedman & Sons. Especially once he establishes paternity."

"He can do that?" Danny asks. "I mean I'm almost eighteen, can't I just refuse?"

"The keyword here, Daniel, is almost. As in, you are not. The judge can take your wishes into consideration, but I suspect Wayne will make a case for an unsafe living environment alongside his paternity to win his petition for full custody."

"Un-unsafe living environment?" Danny sputters. Vlad eyes the boy dryly before gesturing to all of him, currently clad in silver and black hazmat. Danny drops the transformation with a wince.

"In fact, I suspect that's the main reason the man filed in the first place," Vlad continues. "Lord knows he doesn't need anymore heirs to fight over his fortune once he passes—"

"Jesus, Vlad,"

"—so I believe he did some digging and found your home to be, well, wanting. On paper, Daniel, your parents sound eccentric at best, dangerous at worst. Pull the right strings, and hospital records just fall into laps. He probably thinks he's rescuing you." Vlad sneers. "If only he knew how quick you are to spit in the face of one offering you a comfortable and wealthy home."

"Fuck off," Danny says. "Is that what this is about? If you can't have me, no one can?"

Vlad rolls his eyes. "Come now, Daniel. Are you really intending to keep up this pretense?"

"What are you talking about?"

"We agreed a long time ago that no matter the nature of our quarrel, we would leave the Justice League out of it," Vlad says, taking a menacing step forward. "You think I, running in the circles I do, would have no knowledge of Bruce Wayne's alter-ego?" He takes another step, voice rising. "I have avoided drawing The Batman's attention for years, no matter how often our paths crossed. I stayed under his radar for decades, and now, BECAUSE OF YOU, I AM ABOUT TO BE RUINED."

With a creak and a groan, the chandelier drops, landing between them with a crash. Danny coughs from the dust as Vlad takes a heaving, calming breath.

"Then why get involved at all?" Danny asks, staring at the ground.

Vlad sighs, clapping his hands twice. Several ghosts dressed in service uniforms fly out the woodwork, gathering up bits of chandelier as others begin to mop.

"Because, little badger," Vlad says, walking away from the mess. "If we lose this, he'll have you in the palm of his hands. Which is infinitely worse."

Entering the kitchen, he pulls an open bottle of white out of the kitchen fridge and pours himself a glass, throwing a Fiji water to Danny who takes it for the peace offering it is.

"He won't."

"Won't what, Daniel? Please speak in full sentences."

"Won't have me," Danny says, letting a thin coat of frost spread over the bottle. He tips the freezing cold water into his mouth and wipes his face with his sleeve, mostly to see Vlad grimace.

"Why, because you'll run away if he wins? Until you turn eighteen? I won't have you fail to complete your education because of a cockamamie scheme, Daniel—"

"Because I have a solution, Vlad, one that doesn't involve the courts or running away."

"And what is that, exactly, Daniel?"

"You're going to leave my family alone."

"Danny," Mr. Wayne says, blinking in surprise at the boy on his doorstep and miles away from Illinois.

"I mean it," Danny says firmly. "You're going to drop your petition and whatever smear campaign you were planning on and leave the Fentons alone."

"Danny...why don't you come inside?"

Danny takes a step back from the manor's large doors. "You want a relationship with me? Brute force isn't the answer."

Bruce takes in the teenager, lanky but almost to his eye level. His eyes are clear and sharp, his demeanor forcibly calm.

"I debated whether going through the court was the right thing to do," Bruce says slowly, matching calm with calm. "But I wanted to be above board."

"Because my adoption wasn't?" Danny says, arms crossed. "Yeah, I'm aware. Kinda hard to adopt a kid that doesn't legally exist. And I know what you're going to say, the Fentons should've reported me to the system, but they didn't do it because I begged them not to. Because I didn't want my biological parents to find me."

"Danny..."

"You can swing your dick around and get your way, exactly the way I thought you would do things," Danny says, "Or you can have a relationship with me on my terms. A relationship where I don't despise you because you took me away from the people who've loved me no matter their faults."

"You're asking me to choose your happiness over your safety." Bruce says carefully.

"That's bullshit," Danny says. "I had a lab accident when I was fourteen and went directly against my parents' instructions. They trusted me, and I made a mistake."

"It's not a matter of trust. You were a child, Danny, and you almost died." Bruce says, not bothering to feign ignorance. Footsteps echo behind him.

"Bruce?" A voice calls. "Is that..?"

"Your son did die," Danny says. "He took a flight with your credit card to Ethiopia and got blown up. I bet you trusted him too."

Bruce reels back as a hand lands on his shoulder, the other on the door.

"Whoa, whoa, uh, Danny, right? I'm Tim, I'm—"

"I know who you are," Danny says, clenching his fists. Powering through the hurt he is causing. "I didn't come here to point out what a total hypocrite you are. I just want you to back off. And if you give me your number, we can text and I'll come to Gotham for Thanksgiving or the ski chalet in Vermont or your villa in where-the-fuck-ever and you can be Uncle Bruce that I maybe even tolerate being around once in a while. Just leave my family alone."

"Bruce, what is he talking about?" Tim asks. "Back off of what?"

"Your Dad is suing my parents for full custody," Danny says when it becomes clear Bruce isn't answering.

"What?" Tim hisses, turning to Bruce. "That isn't what we talked about!"

"Danny. I..."

"Here," Danny says, thrusting an index card forward that he's scrawled his phone number and email onto. On the other side is the past participle conjugation for 'venir'. "I won't answer until you drop the custody petition. Which I expect you to do by tomorrow morning."

"Done," Tim says, stepping past Bruce and taking the card. "Give me about noon to get it all squared away with the lawyers. Do you have a hotel? A way home? I'd be happy to reimburse your flight and accommodation."

"Overstepping already."

"Fair enough," Tim says coolly, raising his hands. "Our lawyers will reach out when it's settled."

"Great. Bye." Danny says, turning to leave. He waits until he hears the manor door close behind him before pulling out his cell phone.

Ring!

"Hello?"

"It's done."

"What's done? Again, little badger, full sentences, I beg of you."

#danny phantom #dp x dc #dp x dc crossover #dp x dc prompt #bruce wayne #batman #he is trying #listen he's not a shitty parent but he's had to rescue a lot of kids and i think it probably skews his perception #like does he look at danny and see another tim situation? probably #meanwhile tim is all too aware of that #tim “mister independent” wayne upon seeing danny cutting bruce to the quick: game recognizes game #vlad: overshadows all the billionaires EXCEPT THAT ONE #vlad the first time he goes to a wayne gala: exploring and gathering blackmail time! hmm what is this cave oh fuck oh shit oh fuck #vlad: young badger we should never involve the justice league in the ghost world and here's why- danny: agreed vlad: well that was easy #danny took a plane using vlad's miles #first class sipping a chocolate milk #is danny an al ghul? keeping it ambiguous on purpose #my writing #dp x dc au

784 notes · View notes

maybe-boys-do-love · 29 days

Text

Mix Sahaphap gets to perform (and has the performance chops to perform) in a style that I’ve never seen any other male actor get to embody. Mix gets to unironically play the #strongfemalecharacter. The Beatrice, the Elizabeth Bennett, the Jo March. Strong-willed, emotional, kind-hearted.

Not only do the plot points line up, but Mix, more than any BL actor I’ve seen, fully leans into the embodiment of this archetype. In his roles, he rolls his eyes, pouts, banters flirtatiously, softens his posture and expression at small details. He doesn’t over-exaggerate and imposition other characters but his face also doesn’t hold back his character’s thoughts and judgments. And when the moments arrive, he lets all the hurt and anguish pour out in shatters of tears and visible heartbreak—the star-counting scene, anyone????—in a way that harkens to the operatic emotionality of well-done melodramas, soap-operas, and their contemporary Thai equivalent of Lakorn. It’s only that these have never been men’s roles in those.

It’s no surprise that one of Mix’s roles—Cupid’s Last Wish—is explicitly a gender body-swap, and Tian in A Tale of Thousand Stars is (albeit explicitly denied within the show) heavily connected to gender body-swapping. What Mix specializes in as an actor, and does exceptionally well, has been defined as feminine. To depict a kind of queer expression in this style is novel because it’s not camp, it’s not okama, it’s not a soft or femboy, it’s not a BL twink (Mix has been mostly excluded from the schoolyards and quads of the BL universe except for a role as a senior crush in Fish Upon the Sky). It’s too sincere and too adult for any of that.

In Moonlight Chicken we get to see, without the pretense of gendered mysticism, this performance style’s seduction, warmth, wit, and explosiveness within the framework of a general gay form of expression. It says that this kind of femininity might just be a gay thing. Not all gay men exhibit it, obviously—queer men aren’t a monolith. Still, it gives us something to consider about how we observe performance of queerness on screen, especially in front of an audience that puts so much more emphasis on ships, heat, and pairing chemistry to assess how well they perform a BL role. Could we look for other features to judge performance of queerness instead of how well they kiss?

Seme and uke roles would be the major performance style categories loyal BL fans assess actors with, yet even within the archetype his character’s fill within BL narratives, Mix’s performances differ from the typical uke depiction in BL because he really doesn’t perform them as passive. Rather, Mix’s characters and his portrayal of them are dynamic and demanding. It certainly fits certain stereotypes of ukes (Gilbert!) and their gay stereotype equivalent of bottoms as pillow princesses and brats. Mix’s characters, though, have more drive, agency, and compassion than that, and he plays them with all of those currents running underneath.

We certainly have openly gay writer/director Aof Noppharnach to thank for writing this kind of queer character for Mix to play in Tian and Wen. But for Mix’s specific commitment to the performance starting off with his (debut!?) role in ATOTS, we first have Earth to thank for believing in Mix’s ability and recommending him to portray the role of Tian, and then Aof’s acceptance despite his differing initial expectations for the character. Mix, Earth, and Aof have all been open about how Mix in his personal life and nature holds a lot of similarities to both his role as Tian in ATOTS and Wen in Moonlight Chicken. Some people might knock points off his performances because he’s like them. But his relationship to the characters, rather than dampening my enthusiasm for Mix’s performances, helps me appreciate his willingness to give an authentic performance in a style that hasn’t been encouraged on screens previously. It’s made more impactful that he chose to risk vulnerability to bring something personal that had previously been excluded from screens because of its gender deviance (and in broader society explicitly condemned). This doesn’t make a claim on Mix’s actual identity, but simply shows his willingness to understand and perform the expressions of his queer characters with an effort at empathy that many other actors would feel challenged to bring.

Some actors are chameleons, but some actors have a gift of a type within which they can explore depths and range that no one else can best. For me, that’s what Mix does in his work when directors and casting understands his talent. There’s a BTS video of Mix actually fainting during a scene while in Earth/Phupa’s embrace on the mountain that immediately brought to mind the wildly famous final scene in the film Camille where Greta Garbo as Marguerite dies in her lover’s arms.

For Mix, it was a serious incident due to regrettably extreme conditions and requiring the on-set paramedics, but these levels of theatrics, for me, are emblematic of what Mix is capable of as a performer, as well. After all, he had to faint in Phupa’s arms multiple times on purpose. It��s the kinds of Old Hollywood and heightened sentimental romance realms Mix takes his performances to! Then he can turn around and make it look easy to take that same character into grounded quips or dedicated everyday tasks. It only takes writers, directors, and audiences willing to see that men can feel this way and act this way. Mix has paved the way.

553 notes · View notes