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#but it's the opposite of what i originally liked about him
sunderwight · 6 hours
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SV AU where Shen Yuan transmigrates into a dragon.
It's not so bad, at first. He's an extremely magical sort of dragon so he can easily take on a humanoid shape, and he has dominion over an entire mountain, with a magical gate that leads to his palace. Said palace has a fully stocked treasury, a library, garden, etc, with the only real downsides being that the place is kind of huge and very difficult for a neet with limited housekeeping or landscaping skills to keep up with. The original dragon had enslaved a bunch of fairy spirits to do it for him, but since Shen Yuan has moral objections to that, he'd let them all go and they'd run off before he could even think to offer to hire any of them as paid employees instead. Not that he can blame them for being in a hurry to get gone.
He does his best, and generally enjoys being a dragon lazing on his mountain, or wandering the beauty of his palace and investigating the books and scrolls kept there. He doesn't actually seem to need to eat or drink, so that's not really an issue, and nobody looks keen to bother him. But after a few months the dust starts to really pile up, and trying to figure out how to do his own laundry without modern equipment leads to several disasters, and even though he doesn't need to eat he's starting to think it would be quite nice to have a fancy sit-down dinner and enjoy it for its own sake anyway. He has an enchanted larder but his food prep skills aren't up to much.
So, Shen Yuan ventures away from his mountain. He keeps to his human disguise when he's not traveling, and at first tries to hire on some help from a nearby city. But when he explains that he lives on the mountain, he realizes the difficulty, because everyone in the area knows that only the dragon lives there. So they all think he's either a liar or a fraud, or some servant of a nefarious supernatural creature angling to trick and possibly devour them.
Shen Yuan tries approaching another town in his dragon form, to see if anyone will actually deal with him if he's being upfront and honest about the situation, but the townspeople just panic. He returns to his mountain to rethink his strategies, and in the meanwhile the alarmed locals hire a swordsman to go after him. The guy gives him a few very painful cuts before Shen Yuan mostly-accidentally sends him careening into a boulder. One broken arm later the swordsman is gently persuaded that the pay he was offered isn't worth the effort on this job, and leaves.
Discouraged, Shen Yuan decides he's gonna give this one last try. He picks the second closest city, flies up, and is like yes hello, yes I am indeed a dragon, no I'm not trying to burn down your walls, yes it would be excellent if you stopped shooting arrows at me, look they don't even get past the scales? It's kind of silly? Okay, yes, thank you very much. Good. Now, the thing is, I'm looking for some people. I want to take them back to my mountain with me, to my incredibly nice palace, and -- what was that? A princess? No no I don't want a princess, what would I even do with one? If anything I'm looking for the complete opposite of a princess!
Anyway, the locals take this to mean that the dragon is demanding a sacrifice in the form of a pretty boy of no particular pedigree, and Shen Yuan takes this to mean that he's finally made his case clear and they're going to dig up someone who is willing to overlook his being a dragon in exchange for free room and board and fair wages out of his massive treasury.
SY's a bit disheartened when the entire city could only apparently turn up one such person -- an underfed teenage boy who looks at Shen Yuan like, despite the situation, he is still expecting to be eaten at any moment. Poor thing! But at least having one servant means he can potentially get more, especially if it all goes well. The lad can tell others that working for a dragon isn't so bad! Well, provided that he doesn't give up in alarm at the state of the mountain palace.
For his part, Luo Binghe at first thinks he's definitely going to get eaten, and then that this dragon is weirdly nice about planning to eat him, and then that maybe the dragon has other (even less savory!) plans for him, until finally he sees the state of the dragon's laundry and the foot-thick layer of dust in the corners, and gets completely distracted. Mortal terror forgotten, those floors should not be that filthy, Lord Dragon respectfully that isn't how anyone should prepare rice either, but oh Binghe has never seen a kitchen so nice before in his life...!
Anyway, needless to say, it works out just fine.
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Parenting Heacanons - Chuuya, Atsushi
Character(s): Chuuya Nakahara; Atsushi Nakajima (Bungou Stray Dogs)
Tags: SFW, fluff, familial, headcanons
Warnings: Mention of pregnancy
Notes: AFAB reader; originally posted on ao3 here; this is old and I'm not caught up with the manga now so sorry if anything seems strange
Chuuya
I'm not going to lie, Chuuya's initial response to finding out his partner is pregnant is not going to be very positive. He's not angry or anything, but he didn't really want kids and doesn't feel the slightest bit ready to be a father. He isn't going to run away, though; he knows it's sorta his fault you're in this situation to begin with so he's going to swallow his pride and stick around for your sake.
He spends the whole pregnancy low-key dreading having to take care of a baby. Mostly because he's got no clue how to do that. That's not to say he isn't trying to find out how; if you check his browser history at this point, it'll probably be a lot of parenting articles.
He'll say he wants to leave naming the baby to you but if you come up with name ideas and ask him for his thoughts on them Oh Boy will he have some opinions for you.
As soon as the baby is born and he gets to hold it, it's like all his apprehension just vanishes into thin air, he is immediately in love. Like, he looks this tiny, helpless human he helped make in the eyes and immediately knows he would kill and die for them.
I think that it would be a more interesting dynamic if he had a daughter; he'd still be a good father to a son, but with a daughter, he would truly be wrapped around her little finger. That little girl will be SO spoiled, she'll be the one all her classmates want to be friends with because she has all the newest video games and the best dolls.
Lord have mercy on anyone who tries to bully his daughter, not just because he'll be more than willing to beat them up but if she's inherited any of her dad's personality, so will she. If she gets in trouble at school for fighting back against a bully, she will get high fives and ice cream from Chuuya.
When she's old enough, he'll teach her to fight for real. He knows he won't always be there to protect her, so he wants her to be able to keep herself safe.
Once she's old enough to start dating, Chuuya will do the entire protective dad routine to any boys she might bring home. He will all but do a full interrogation about what they're planning, make it known that he knows how to hide a body, and if they bring her home even a minute late he is going to lose it.
Word will get around about this. It is not going to be easy for Chuuya's daughter to find a prom date.
Atsushi
In the early stages of pregnancy Atsushi is going to feel sicker than you.
This poor boy is straight-up terrified to be a parent at first because of what his own childhood was like. It isn't that he doesn't want to have children, exactly, he just doesn't want to end up continuing the cycle of abuse. Of course, the fact that he's worried about that at all is enough to tell you that he'll be a fine father, but good luck convincing him of that.
Once his child is born, all his worries are going to lead him to go so far in the opposite direction, he's probably never going to so much as raise his voice at the kid. He is a major pushover of a parent, Atsushi's child could get away with murder.
He's also going to have a hard time denying them anything they want. This is going to be another spoiled child for sure. The kid's probably going to end up as a bit of a brat because of this, and Atsushi can't even get mad because he knows it's no one's fault but his own.
On the positive side of things he's going to be such a supportive dad as well. He'll be in the front row of any recitals, plays, spelling bees, anything like that his child participates in and he is going to clap the loudest because he's so proud of them!!!
He'll try to help them with their math homework at some point, but quickly realize that he doesn't really know how to do math either. Much frantic googling will ensue as Atsushi tries to quickly learn long division for his child's sake.
When they get old enough to start hanging out with friends on their own, Atsushi is going to be so worried if they stay out later than they said they would, even if it's just by a few minutes. He'll also want to know exactly who they're with and where they're going. He isn't trying to be overbearing, he just has anxiety.
Voted most likely to cry when his child moves out. Empty nest syndrome is gonna hit him so hard. His child is probably going to get daily texts from their honorary aunts and uncles at the Agency reminding them to call their dad.
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1ightsen · 6 hours
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Maxie Infodump #1 - Little known character details from official media
I promised to post some of my maxie infodumps and headcannons, and I think I'll start it off with something simple. His official character bio that was hosted originally on the first release of ORAS (this will be ORAS Maxie focused)
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here is a transcript for easy reading: "Maxie is the leader of Team Magma, the team seeking a world ideal for humanity. He pays attention to even the smallest of details, and is quite sensitive in some regards. He has a habit of describing situations in numerical terms. He possesses a cool-headed outlook, thinking that some sacrifices cannot be avoided if he is to achieve his goals." Okay, so first, after looking at the original japanese version of this page,
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小さいことまで細かく気にする、神経質なところがあり、さまざまなことを数字を交えてあらわすのが口癖。 目的を果たすためなら、犠牲が出ても仕方ないと考える冷徹な思想の持ち主でもある。 The one word in here I wanted to be sure of was 'sensitive' since it can have many meanings, and the original japanese gives us some possibilities with:
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Personally I think (being) highly strung is the most likely option here, but either way its an interesting character trait. And we all know he certainly builds up frustration and tension and explodes a bit like a volcano. Even if he does manage to correct himself afterwards.
~ ANYWAYS ~
Now that we have the bio, let's break it down a little and look at some fun examples of it in action! Maxie has a habit of describing situations in numerical terms. This typically comes out more when he is nervous or stressed. Here are some examples: Ill just take ORAS as an example here since this is already getting pretty long... In ORAS after fighting him at mt chimney, he lets you know in a specific numerical way, how much he fell behind:
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And then again, when you battle with him and lose in the Battle Resort where he just has to let you know the situation in numerical terms by giving you the exact lose chance according to his own calculations of course:
"So the great Maxie has fallen, even when battling alongside your team... I shall commit this curious phenomenon to memory. It had less than a 1 percent probability of occurring, you know."
this culminates in a really interesting interaction between him and courtney after the delta episode. While It's pretty clear that Maxie cares for his team and especially his admins, he definitely struggles when faced with his crying admin, and being unsure of what to say, he settles with a numerical quantifier again.
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He assesses the situation, and decides to comment on how MUCH courtney is crying. His "paying attention to even the smallest details" trait also ties into this habit of his, and is probably why he jumps to conclusions a little too early because of small things he's noticed. Accusing Tabitha of wanting his spot as leader, just because he disagreed with him is one of those situations.
Pokemon Masters EX has a lot of new scenes with Maxie, and I would love to talk all day about them, but I'll just pick out one here, and that's from the "A pasio Spectacle" event. In this event, Maxie overhears team break members simply say the word 'glasses' and instantly jumps to the conclusion that not only did they want to talk to him, but that they noticed his "magnificent mega glasses" and would like to hear a lecture on how they were scientifically made.
https://www.youtube.com/watch?v=rZmmaf9bhD8&t=144s here's a link to watch it, its worth it :D He certainly picks up on small details, but tends to miss the bigger picture sometimes, which is fun because I believe archie tends to do the opposite. Perhaps his mega glasses are actually designed to reflect this, because they work like horse blinders, and keep maxie looking straight ahead (trust me, I've made a pair of these, and you cannot see someone standing to your immediate side). Looking straight ahead is also relevant to his life goal, of ensuring the bright future of humanity, and as he says: "propel humanity to greater heights of progress and evolution." And that concludes my infodump regarding this one little bio that is no longer available without the wayback machine, and I just wanted to share it with any other Maxie fans out there :D Next I think I might tackle the bigger topic of how Archie and Maxie have so many fun contrasts in personality and more. and then maaayyybe I'll feel comfortable enough sharing my headcannons and theories. But only if people want more lol, I am not good at writing big posts :>
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melbatron5000 · 2 days
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The Metatron
Don't ask Neil about any of my theories, please and thank you!
I'm working on the chiastic structure of Good Omens 2 right now, and man, the parallels are weird.
Big events or scenes that you would expect to have mirrors on the opposite time stamp do not, but little words, phrases, and images do. Like when Crowley rings the bell to say he's back? That moment's exact time-stamp opposite is Aziraphale ringing the bell in the book shop for quiet. What the hell?
You know what else has a weird opposite?
When Crowley asks if they can't talk in the book shop because there's a naked man there, and when the Metatron walks into the book shop for the first time.
They can't talk in the book shop at the end because the Metatron is there.
Wait, the Metatron is a naked man?
Oh hell yes.
Let me go on.
My first thought was The Emperor Is Naked, and I think that's a layer here. The Metatron is wearing what he thinks are amazing clothes and everyone else is going along with it because they're afraid of him? Yep, that tracks.
I know what you're thinking, but my story gets better.
Terry Pratchett has said something along the lines of humans being the place where the falling angel meets the naked ape. He's said it in several places, but most notably in the book Hogfather, one of my favorites. But he also said that he would rather be a naked ape than a falling angel.
Hm. So is the Metatron . . . human?
But Neil said in reply to a Tumblr ask that the Metatron in the Good Omens was never human. Hmmmm.
Okay, yes, you know what else Neil said?
Lucifer doesn't exist in the Good Omens universe. Because when he fell, he changed into Satan, The Adversary, and now that's all there ever was. Lucifer the angel is gone.
The Metatron was never human. When Enoch, the human, became the Metatron, Enoch was ended and now there is only the Metatron. And the Metatron was never human.
Bingo.
Now, what springs to mind there is the phrase "only human." The Metatron may not be human, but that's his original stock.
This guy can be beaten.
And I think Crowley has given Aziraphale the information to do it.
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slaymitchabernathy · 13 hours
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Back Together Again
For once, Coriolanus is home before Soarynn.
It’s unusual and he doesn’t quite know how to feel about it. She’s at a dinner with some of her friends and his meeting was shorter than he had originally planned for so here he is, nursing a glass of whiskey while waiting for the love of his life to return.
The penthouse is so quiet without Soarynn in it. Normally, it’s filled with music and laughter. She often sings out loud or talks to her cat Petunia, who she claims can understand her. But it’s quiet.
He checks his watch again for the tenth time within five minutes and sighs. Is this how she feels all the time? Soarynn doesn’t work, he’s seen to it that she’s well taken care of but that leaves her with a lot of free time on her hands and most of it she spends shopping, going out with friends and taking care of his ancestral penthouse. She does however, spend a good amount of time waiting for him to come home every night.
Coriolanus eyes the cat sitting on the armchair across from him. Petunia’s tail flicks back and forth as the two sit in a comfortable silence. Both waiting for Soarynn. Then, they hear it. The sound of the front doors unlocking. Petunia jumps off the chair and bounds down the hallway to greet Soarynn whereas Coriolanus takes the more reserved route and simply waits. She’ll come to him like she always does.
But she doesn’t. He can hear her make her way inside and close the door. He doesn’t hear any greetings for the cat which he smugly notes but it’s so…quiet. He listens to the sound of Soarynn’s heels on the hardwood floor as they walk down the hall but she never makes it to the living room.
Coriolanus furrows his brows. Has something happened? Is she upset with him? His worries persist when Petunia comes back into the living room, her tail lowered in defeat.
Coriolanus pushes himself from the sofa and makes his way to their bedroom where Soarynn has most likely gone to. He’s proven correct when he finds the closet light on and catches a glimpse of Soarynn throwing her heels towards the other side, a childish act that he is not too fond of seeing from his girlfriend. Especially because he bought her those shoes and every fucking thing in that closet.
He also notes her expensive handbag carelessly lying on the floor as well. Coriolanus strides across the room and knocks on the closet’s doorframe before entering and finds Soarynn sitting on one of the ottomans they have in the closet. She’s hunched over as she fusses with the tights she wore tonight, trying to pull them off and not paying him any mind.
Coriolanus clenches his jaw and clears his throat, “Is there a reason as to why you failed to greet me when you arrived home?” Soarynn would often wait right in front of the doors when he got home, not wanting to wait a moment longer to see him again. This behavior is the complete opposite of what he’s used to receiving from his girlfriend and he doesn’t like it one bit.
Soarynn mumbles something incoherent and Coriolanus raises his eyebrows, “Excuse me?” Soarynn snaps her head up and he’s finally granted a few of his girlfriend’s face. Her eyes are red and filled with tears and a bit of her mascara has run down her face as well, “I said it’s none of your fucking business,” she snaps, so much anger in her tone.
Coriolanus is taken back both by the tears and the snippy attitude which he does not appreciate one bit. Soarynn is normally polite and sweet. This is not the girl he’s grown to love.
Coriolanus grabs her chin, squeezing it between his thumb and index finger, “Say that one more time,”he challenges, his tone sharp. Soarynn jerks away from his hold and stands up, slightly unsteady on her feet which means she had something to drink at dinner. “Just leave me alone,” she huffs as she brushes past him and into the bedroom. Coriolanus is right behind her and he reaches for her arm, wrapping his long fingers around it.
“Have you forgotten all your manners or are you just trying to piss me off?” He asks, pulling on her arm. Soarynn whips her head around and he can see fresh tears falling from her face, “It doesn’t fucking matter so just let me go,” she says, her voice trembling. He’s more concerned than upset at the moment but when Soarynn attempts to break free from his grip, it all goes downhill.
She succeeds in pulling away from his grasp but the alcohol in her system has stunted her senses and her foot catches under the rug they have laid out on the bedroom floor. It’s within five seconds that Soarynn is hitting the hard floor with a loud bang. Coriolanus flinches and quickly reaches down to check on her and her shaking form. He rests and hand on her back and Soarynn lets out a whimper, “I…” Her voice dies off, “I just want today to be over,” she whispers.
Coriolanus furrows his brows at her words. “What happened tonight? Did someone hurt you? Try to touch you?” He can already feel his blood boiling at the thought of another man trying to hurt his precious girlfriend.
Soarynn slowly sits up on her knees and shakes her head, “No one touched me,” she whispers. Coriolanus withdraws his hand from her back in exchange for making his way around her so that he can look her in the eye. He kneels down until they’re almost at eye level with one another, even on his knees he’s taller than Soarynn.
Her eyes are trained on the floor, tears falling onto the rug. He ever so carefully reaches out to cup her face with his hand, being oh-so gentle while doing so.
“Darling, what’s wrong?”
Soarynn sniffles and shakes her head, “It’s nothing of importance.” It probably isn’t. It’s probably about something silly and something that would never bother Coriolanus. But it’s bothering Soarynn which means it’s bothering him.
“Tell me,” he gently urges, his heart clenching at the sight of his girlfriend upset. Soarynn wipes a tear and takes in a shaky breath, “Clemmie said some things and…” Her bottom lip trembles and he knows she’s about to start crying, “And I don’t think she’s ever going to talk to me again,” Soarynn gasps, her entire body shaking as she begins to sob.
Coriolanus wishes he could take every bit of pain away from Soarynn, who’s already been through so much already. He doesn’t hesitate to pull her into his embrace, wrapping his arms around her small frame as she sits on his lap, crying into his shoulder. “She hates me,” Soarynn cries in between sobs, “she absolutely hates me.”
Coriolanus highly doubts that Clemensia hates Soarynn, especially because the girl is somewhat easy to piss off and often gets into arguments with everyone. It’s a miracle that she and Soarynn haven’t already gotten into some sort of disagreement.
But it’s clearly weighing on Soarynn’s heart. Coriolanus knows how much she values all her relationships and how devastated she can get when faced with a fight. Soarynn doesn’t like arguing, she’d rather apologize and move on with things whereas Clemensia can hold a nasty grudge.
Coriolanus grows more worried though as Soarynn struggles to breathe, her breaths growing more and more erratic. “Soarynn,” he says softly, “Soarynn look at me.” Soarynn lifts her head and his heart shatters into a million pieces at the sight of his girlfriend’s teary eyed complexion. The tears aren’t slowing down and neither is her breathing.
Is this a panic attack? Does she need to lie down? Should he call the doctor?
He pushes all those questions to the side and simply focuses on her. He rubs soothing circles on her back and takes her hand in his other hand, giving it a gentle squeeze.
“Just breathe,” he instructs, “in and out darling. In and out.” He does the breathing exercises with her, both of them taking in a deep breath and holding it before slowly pushing it out. “That’s it,” he praises, “you’re doing so well my love.”
The tears haven’t ceased but her breathing is much better and he’s no longer considering medical assistance. He wipes away a few tears before resting his forehead against hers. “It’s all going to be okay Soarynn. She’ll come around, I promise.” Soarynn scoffs and shakes her head, “I fear that she’s quite upset with me, and I’m rather upset with her as well.”
He doesn’t ask what the fight was about. Not now, when clearly anything can trigger her into another spiral. Right now he needs to do damage control, calm her down, get her some rest.
He presses a soft kiss to her forehead before cupping her face with both his hands, cradling it whilst rubbing under her eyes with his thumbs. “I’m sorry for what I said earlier. I saw you weren’t being your normal self and yet I attacked you before making sure you were alright,” he says, the guilt already eating away at him.
Since dating Soarynn, Coriolanus has found himself to be a better man. More patient and kind. The old him attacked first and asked questions later. He acted like that version of himself tonight, attacking his girlfriend before finding the root of the problem. Soarynn sniffles and shrugs, “It’s alright. I…I should’ve told you right when I got home.”
Coriolanus shakes his head and gently presses his fingers into the soft skin of her face, his eyes looking into her with such deep conviction, “It’s not alright Soarynn,” he insists, “I should’ve gone about it in a completely different way and yet I’ve hurt you even more in the process.” Soarynn looks down at her lap and sighs, “I forgive you Coryo. Tonight has been horrible for both of us.”
He can agree with that. He still wishes he could do more to help with the ache in her heart. “Is there anything I can do?” He asks softly. Soarynn bites her lip, “I think I just want to take a bath and go to bed.” He nods, he can do that. “Of course darling.”
꧁ ꧂
With Soarynn safely tucked in bed next to him, Coriolanus feels much better already.
She’s fast asleep in his arms, tonight’s events had taken a massive toll on her. He’d bathed her with her favorite soaps and washed her hair. Then he brought her a dessert that was undoubtedly her favorite, chocolate covered strawberries. Petunia finally proved herself useful and cuddled with Soarynn for a good half hour and the two of them seemed to help improve each other’s moods significantly.
He watches her as she sleeps. She looks so beautiful. Tonight was a painful reminder of how nasty he can get, what he’s capable of. There’s some things he knows he could never be capable of. Harming her is the main thing. Hitting Soarynn is completely out of the question. How could he harm the love of his life with his hands?
He’d turn himself into the authorities if he ever stooped so low.
Tomorrow they’ll talk about it more, what led to the fight between the girls, how to make amends. Then he’ll take her shopping and spoil her the way she deserves to be spoiled.
And should something like this ever occur again, he’ll know how the put the pieces back together again.
| tumble oneshot/drabble |
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aquanutart · 7 months
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anna-scribbles · 25 days
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h-how do you ever finish any of your work? genuine question because you seem to be productive despite your agreste syndrome and I need to learn your ways. but also how do you ever finish any of your work
unclear. last night i stayed up and finished a report worth 25% of my grade at about 5am, arrived on time for my 9am lecture, and spent about half of it zoned out while thinking about seventeen year old emilie agreste. and i was one of the most active participants in the class discussion
#in some ways it IS the move to go to grad school right out of undergrad#because your body can still sort of operate like a college kid#i’m on about 3ish hours of sleep rn and this morning it felt SO over but now i’ve eaten something and we’re so back#i also don’t really do caffeine. except sometimes i’ll go get one of those panera death lemonades#i might be able to snag a short nap before work#but anyway about seventeen year old emilie. i was thinking abt how she was in that movie solitude and adrien said she was seventeen#WAIT. NO. HE SAID SHE WAS SEVENTEEN IN THAT PHOTO ON HIS DESKTOP NOT IN THE MOVIE#well. okay whatever i’m gonna tell you what i was thinking about anyway#OKAY i’m back i just checked the wikipedia page and then i watched the end of gorizilla. to make sure i’m not lying. because i’m normal.#anyway i was thinking about the solitude film and how it’s super rare and old and obscure and whatever. and how apparently#emilie wrote it herself and andre produced it#and i’m thinking about how gabe was discovered by audrey and that’s how he got his start in the fashion industry#so now i’m like?? did gabe and emilie first meet on the set of solitude? because gabe was designing costumes or whatever?#and that’s how audrey found him? have people already thought about this??#also i just checked and it doesn’t say emilie’s last name in the credits and also it’s ‘graham films’ with the twin rings logo m#so i’m assuming she’s still emilie graham de vanily at that point#anyway it comes back to seventeen year old emilie because i started imagining seventeen year old runaway emilie having her new life in pari#after escaping her british nobility life#and the first thing she does is write and star in an original movie. of course.#and she meets this repressed bisexual punk upstart costume designer who is so the opposite of everyone she’s ever known#and he’s immediately so unhealthily obsessed with her. which she appreciates.#and then they proceed to have the most toxic doomed evil relationship of all time#also she gets cheated because once gabe gets money he represses himself SO hard that he is now exactly like all the people emilie grew up w#but at least he’s still obsessed with her#this is what i was thinking about during class today. i don’t know how i get anything done either.#ml#anna rambles#asks
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shivasdarknight · 7 months
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one of the things that gets me about fanon lens - especially when you entrench yourself so much in a fan version of a character - is how a character can just slowly be stripped of what they are and who they are because of the self referential nature of fanworks (which isn't inherently bad, don't misunderstand; neglected characters can have new life breathed into them)
which is a long way of getting to: where did people get the idea that estinien's not one to talk, or is bad at effectively talking? I don't mean selectively mute hcs, i mean just very curt. like he's not as flowery as many of the scions or even compared to aymeric, but he's still dramatic and talks a lot. he's precise when he needs to be and extremely blunt, but just because of that doesn't mean he won't ramble
like his whole tangent about where he is today because of the wol right before the Dead Ends in Ultima Thule. his chattiness seems to fluctuate with how comfortable he is with someone, so i'm not really sure where "estinien's bad with words" came from?
he's no politician, but he's good at saying what needs to be said and saying it in a way that matters. yes, there is the whole aymeric thing but avoiding a difficult conversation rooted in guilt isn't the same as being bad at talking. he clearly knows how to get to people - especially to antagonize them into action (see: tiamat, azdaja) - so where did this come from?
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shizukais · 1 year
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#anime#manga#vanitas no carte#vnc#the case study of vanitas#lord ruthven#august ruthven#hear me out ! ruthven is one of the most intriguing characters to me#despite being portrayed as an antagonist i can't really see him completely fitting into that role / ruthven's actions are ambiguous#yea yeah he's a manipulative mf and is doing bad things now but i don't think that's what it's all about#i believe ruthven is being controlled by something (?) through his right eye and has no much choice in that matter#in the scene where ruthven tried to put a curse on chloe he looks almost shocked when he realizes what he was doing#he also spoke to someone who wasn't there and it seemed to be an act of desperation / even though the war was already over (?) by that time#the eye shows him terrible things ever since the war (and the betrayal that i'm not sure if really happened or was staged to trick him)#i think the continuous trauma the eye causes on him shaped him to be a colder and more cruel person#the opposite of what his original self showed to be (someone more like noe in beliefs and world view)#i guess he truly believes he's doing this for the sake of vampires / that idea of “sacrifices will be necessary for the greater good”#this could explain the alliance w charlatan who seeks to find a way to create more vampires (moreau's research) & rewrite the world formula#also it's clear that ruthven has a distorted view of vampire's malnomen (what caused that? what he saw in the war?)#both for his speech referring to luca's brother “salvation takes many forms (...)” and for the way he uses his own curse on others#until now we know he cursed queen faustina / jeanne / noe (i doubt he would betray the queen without a reason)#maybe his right eye is a malnomen he considers now as a form of freedom / or maybe that allowed him to finally see the “truth”#and yet i think his character is constantly questioning himself about it (in a very sutil way)#(e.g. when he listens noe talk about his ideals / when he sees jeanne dressed like a normal girl after her date)#in these moments we can see him falter a little bit and his expression changes to something more soft and genuine / introspective and sad#the curse he put on noe i think it has more than 1 purpose: 1)trump card against teacher 2)to not kill noe as monsieur spider had demanded#at first i thought it might be for naenia get noe's true name but if that were the case she would have done it by now#and in that moment naenia regained her form for a brief moment in d'apchier mansion and everyone felt her presence#ruthven looked equally surprised so he must not know naenia's true identity either (is he being used?)#lol i could write an essay about vnc... so many tags... lol sry i got carried away!
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kohakhearts · 5 months
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hey that pokemon 2000 gifset + your jn dub analysis made me think about the pokemon 2000 dub - I've only seen it subbed once (compared to the hundred times I watched it dubbed as a child) so I could be misremembering, but didn't the dub completely change the themes of the movie with the chosen one ash thing?
i actually haven’t watched the sub nearly as many as times as the dub either :p but i have read extensively about this topic bc it’s personally my favourite pokemon movie and yes! the first and second pokemon movies are both victim to this (like mewtwo’s epic speech we all love so much at the end of the first movie…being a complete fabrication by the dub team :p you gotta give those writers credit - they were VERY good at what they did), largely i’m guessing due to cultural values and expectations. since they were trying to sell the anime to an american audience, not a japanese one.
tangentially, i will say i also think that’s the root of this like…subtle distinction some people have between the characters “ash” and “satoshi.” i don’t differentiate them in any big way myself because fundamentally they still are very much the same, but it is true that in japanese, ash has somewhat different mannerisms and responds differently to events at times, especially in the early anime when it was so much easier to get away with making big changes for…a big assortment of reasons haha.
in THIS movie in particular, some of those things are like…well. the prophecy is probably the most obvious change. the dub team rewrote it to include the chosen one reference, which works great because of the word play on ash’s name. in japanese, it just says “an exceptional trainer will appear to help calm the wrath of the gods.” ash’s response to this is more mild trepidation than outright fear. he doesn’t hesitate like he does in the dub. and tbh? both reactions make perfect sense for his character in my opinion.
in japanese, his concern is more "do you really think i can fit that role?" this...tracks pretty well with his character development by this point. like yeah he said he could win the indigo league, but he's also thinking about dropping out after gary loses; it's that little grain of insecurity he has, which he's normally good at covering up with arrogance (a lot of which is also very genuine, don't get me wrong). but he sees the opportunity to help and he takes it. that's just...what ash does.
in english, though, the prophecy is pretty clearly about him. there's no one else it could be. it has to be him. and he...doesn't like that? that scares him. which, fair. anyone would be terrified by being singled out like that. it's also so much...not ash's thing, even at this point in the series. his character development is about embracing having to work hard to do well. to keep trying until you get it right, no matter how many times you get it wrong. the idea of being a "chosen one" completely robs him of his ability to be so single-minded about what he wants his destiny to be that it manifests as pre-determined; it just...pre-determines it for him, if that makes sense. lol.
the thesis of the japanese version of the film is that no one person or pokemon can stand on their own. everyone needs help. it's about harmonizing with each other and with nature. about letting others help you, and helping them in turn. the english version rewrites that into a story about power and destiny. the title alone says it all, right? it's called "the power of one" - no reference to lugia, no reference to the birds. in japan, the title is about the revelation (or "birth") of lugia.
westerners love a good chosen one story, so this was a really good choice by the dub team in that respect. i mean, it's a narrative that's stuck really well. fandom loves chosen one ash! in general, western fanbases are really into this narrative. it's everywhere. and there's a lot that goes into that, culturally, and especially religiously, historically, etc. so at the end of the day, i don't think the change is so much about conflicting ideas about collectivism and individualism. it's more about goals and ideals, on a personal level.
let me say again for the 273456784th time, i love that they resolved ash's story by having him realize that the goal he's really been striving for all this time is to meet and befriend pokemon. to learn from them. to earn their trust. it's like...he did the thing that everyone else thought represented his goal, maybe even himself included, only to realize that his dream was never about the end of it anyway. it was about everything he learnt and everyone he met along the way. (i also suspect nobody writing in 1997 knew that that would be the ultimate resolution, either. but it makes sense in the entire context. it's kind of a nice irony, even. to only figure it out after writing the story :p)
and i think this little distinction is important to that goal! it's his whole character! which is why even though i too love chosen one characters, i don't necessarily think of ash as one. because even if he is, his whole Thing is that he wants to try. a lot of the chosen one narrative is about characters being reluctant to be used for a "greater good," or about them collapsing under that pressure. ash doesn't really have that. he does what he thinks is right because he...thinks it's right. sometimes, sure, others have to push him into it a bit, but usually they're actually pushing the other way - it's too dangerous, you're going to get hurt, etc. and to me, i don't know - thinking of times he's died, or nearly died, and some legendary or mythical pokemon has saved him at the last minute...i don't think that has to mean he's special in a cosmic sort of way. i think it just means he's special to them. that he did something for them, or for someone else they had come to care for (thinking manaphy responding to may's emotions, not just to the fact that ash was drowning, or in mpm ash convincing latios to trust him because of their mutual desire to save latias, etc.), and so they want to help him. which is completely opposite to the typical chosen one narrative, i think? because he doesn't do those things out of obligation...he does them because he thinks he can become a better trainer by doing them, and he wants to do that. and well. he did do that.
anyway my tl;dr here is YES they changed the theme a lot haha, but i find it fun that they also changed the characters’ responses to that theme. funnily that’s…kind of also what fanfiction writers do all the time, lmao, but that’s a whole other conversation.
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mihai-florescu · 4 months
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I've had this ask for months and I don't have the heart to tell this person it's not gonna happen. You're too optimistic buddy I'm so sorry
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Im not sure if this means work out the issues they had from the war, or their idiosyncratic issues separate from their past together? Because if it's the former, i think we're past that and they have more or less moved on as of Altered. The things that have happened will never and should never be forgotten by any of the characters, but they are able to go on into yet another era with the hatchet buried. Even natsume who held onto the grudge the longest, well, i'm very curious about the switch climax, but i think even he, after the showdown in Altered, has been appeased. Not to say he'll start being buddy buddy bffs with eichi in any way, but the wounds and regrets of the past are being healed with the times changing. It's never going to be perfect, but such is life, and we move on.
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boyfridged · 1 year
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Do you agree that Jason, as written by Winnick in UTRH and Lost Days, acts out of character post-resurrection if we take into account his post-crisis robin days? If yes, how would you have him act/react to stuff after he comes back from the dead?
tldr: i definitely agree. moreover, classism plays a huge role in it, and i don’t think that at this point the storyline could lose these implications, which makes trying to conceive what an “in character” (for robin jay) version of these events would be quite difficult. 
let’s just start from saying that i don't think it's a secret that i don't really like winick in general. despite his work being mad interesting on a conceptual level (and style-wise, genuinely well written!), he has no love for the characters he writes about. 
imo utrh shouldn't even ever make it into the mainstream batman timeline. i am aware that this is a radical opinion, but my take is that it would do best as an elseworld story (and in this version too it would need some tweaks here and there), because it made damage both to the mythos of batman and jason's legacy that can never be undone. the very premise of the story is so deeply disconnected from jay's original place in the narrative, and so classist at its roots, that there's not much room to truly fix it. 
(i want to say, preemptively, that i am aware that there are people who read utrh as a story of a revolutionary and a victim – and they have the right to do so, but ngl, my view has always been that it was never written as that. utrh reinforces so many stereotypes that it overshadows the revenge tragedy spirit of it all.) 
another disclaimer is that, to be honest, jay doesn't have a very consistent characterization even in his 80s run, and it also has some classist implications that ideally should be either erased or addressed in the text (that winick instead exaggerated and put at the very front of his storytelling.) starlin's writing is, at the end of the day and very much ironically, more sympathetic and gentler in evaluating jay (simply because at the time he would not get away with changes too blatant) but details such as jay saying that "all life is game" and his random nonchalant behaviour that has its origin in the very beginning of starlin’s run are already signs of it. some readers will trace jason's arrogance prevalent in his red hood era to these issues and say that his actions post-res are therefore a logical extension of his robin days, but i don't buy it. even if you want to lean into starlin-esque characterisation, if you consider the core problem of the garzonas plotline – which is power, jay shouldn’t look into the solution of anything in climbing to the top. and if he did, it would have to be written as a “becoming what you feared/hated most” kind of story, which i can see a certain appeal in (and which would at least acknowledge that it was not his initial personality), but which would go back to its classist assumption of cycles of violence and doomed fates.
so – how to make his post-res era more accurate to his post-crisis robin days (and least classist in the process)?
if we were to follow my fav iterations of his characterisation (barr’s detective comics and the ntt appearances) tbh I don’t think a lot would happen, because his personality is quite mild, and just so hopeful there that i wouldn’t expect any extreme actions from him – but then again, the circumstances that he finds himself in post-res, the trauma, and his sensitivity do warrant grief that should become a driving force in his life from now on. the question is, what to do with this grief as a plot device?
i know that plenty of jason fans hate this take but I actually think the concept of jason trying to be detached and cruel but being bad at it might be one of the least offensive to his 80s characterisation. it’s def not accurate to pre-52 canon (apart from countdown perhaps) but imo for jay to be authentic and nuanced he should be conflicted about his own actions. his overconfident behaviour should be a pose – just as his frantic acts in his origin story as robin were. (again, something that many readers don't take notice of – but reading the rest of collins' writing wherein jay quickly settles into being easy-going and even a bit shy is proof of it.)
these two points lead to the “no good deed” narrative that I often talk about - the reading that jason saw his intuitive and self-sacrificial kind tendencies as something that brought him pain and that never was quite efficient, and that post-res he intentionally tried training himself out of. there are some flashes of it here and there throughout the years of the red hood publishing history, but it never got a true spotlight. and if i were to write lost days, jason flinching at his own violence would be a focal point of the story. 
moving on to utrh; i have spoken about it at length before but I think if he were written 1. with more political sensitivity 2. to have retained the same maturity re: the social order 3. to have the same idea of morality, he should have followed more of actual revolutionary tracks and the whole “drug lord” authoritarian figure schtick along with the idiotic idea of “controlling crime” would have to be thrown out of the window. 
and, later on, forgiveness should play a big role in his story. he's so quick to forgive and justify everyone in his robin run – this is also why i reckon his team up with harvey in tfz was a wasted opportunity.
so, in conclusion – perhaps not that much would have to change re: his actions but definitely a lot should change regarding his emotional journey and his position. i would def throw out a lot of mindless violence and power posturing out of it though. and perhaps make him a bit more polite just for the sake of more consistency (this is not me taking a moral stance btw nor tone policing a fictional character. i just think it would be more faithful to his 80s writing unless you want to make him explicitly scared. and it would be funnier tbh.)
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adastra121 · 11 months
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Touchstarved OC Relationship Charts
I made the relationship charts for my Touchstarved OCs!
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More about their relationships with the Touchstarved LIs below!
Person who made these templates is @deiimi
Jin the Abandoned Alchemist
“Friendship is...a new venture for me. But I promise, I'll do my best!”
Likes Kuras — “You take care of everyone, but who takes care of you, doctor?” Admires Kuras for his skills as a doctor and his selflessness. Finds his presence very soothing, which is great because he is a ball of constant anxiety.
Jin and Kuras have a lot of similarities in some ways. They are both naturally curious, they both seek to help others, they are both introverted, and they are both avid readers.
Oh, and they’re both INFJs and earth signs.
Kuras seems like the kind of person Jin would like to read next to. He wonders what sort of books Kuras likes. Perhaps he would have some recommendations.
Conversation is never boring with Kuras. Jin loves to discuss alchemy, theories, and experiments that he’s pondered attempting with him.
Jin insists on helping Kuras around his clinic where he can, since he believes he owes the latter a life debt now.
He stops by to gift Kuras something every now and then, like some food or tea, because have you ever seen the doctor eat or, gods forbid, cook anything? He worries for Kuras sometimes, even though Kuras would say there’s nothing to concern himself over.
Close with Leander — “Something about you makes me want to be more than I am — and yet, whenever I’m with you, I feel like…I’m enough.” Jin’s never met anyone so friendly, generous, and brave. Leander makes him want to be brave, too.
He wholeheartedly believes Leander is a good person. A mage of that kind of power and he uses it to help people for free. He lives in Lowtown. He’s given a home to the Bloodhounds.
Leander strikes him as a kind, dazzling, and genuinely good person.
And more puzzlingly, he’s fearless. Offered to let Jin — a complete stranger — inflict his curse on him, even tie him up so Jin could feel safer.
Try as he might, Jin just can’t understand why Leander is so kind to him. His whole life, he’s never been enough just as he is. His curse — his existence — is a blight he’s always had to seek atonement for. Not even the mage who basically raised him thought otherwise.
So for someone so bright and fearless and good to offer everything he yearns for like he’s actually worthy of it…that feeling is addictive. Almost more addictive than the feeling of warm, trusting flesh and blood under his fingers.
He can’t let Leander down. It has to be different this time.
Dislikes Vere — “I never know what to expect with you. I’m still working out whether that’s good or bad.” Everything about Vere startles Jin. Not just because he’s a killer, but because of his shamelessness and Jin flusters easily.
Vere is a bit unpredictable to Jin and that makes him nervous.
Vere’s constant games and teasing will probably take some getting used to. As well as the flirting and the innuendoes.
Doesn’t know whether to take Vere seriously a lot of the time.
Most honest person you’ll ever meet if you don’t listen to a damn word he says. Jin’s starting to learn what that means.
It will take a while for Jin to warm up to Vere.
Likes/Dislikes Ais — “You are everything I have been warned against and you seem to have made it your life’s mission to piss me off at every turn! So why do I trust you?” Despite not knowing each other very long, Ais has somehow managed to push every one of Jin’s buttons. But he’s also honest, and that’s something Jin respects.
Ais challenges Jin in ways he isn’t used to, and he finds that both frustrating and frustratingly enlightening.
Ais is intriguing to Jin, unlike anyone he’s met before. His cool, relaxed, and honest demeanor — his entire character is so different from Jin, who is anxious, cautious, and constantly worried about not being a burden, not making his existence harder for others to deal with.
Jin has a bad habit of lying to himself — sometimes he doesn’t even realize it — so whether subconsciously or not, he finds Ais’s honesty refreshing and…safe. Jin feels oddly safe around him.
Ais feels like the eye of a storm. A moment of clarity in the midst of desolation.
In some ways, Jin finds the most freedom in Ais. He allows himself to get upset, to make demands, to say aloud the sarcastic comments often kept in his head. He allows himself to take up space in a way that he usually doesn’t and it terrifies him, because what if he likes it too much? What if he can’t go back to the way he used to be?
Likes Mhin — “Ah, are you busy? Sorry, I’ll try not to get in your way!” Mhin seems very reliable to Jin, but also very focused on their goal. Jin doesn’t want to bother them.
To Jin, they feel like a startled animal in an unfamiliar place. He’s very cautious around them, tries not to upset them.
Jin would leave Mhin alone for the most part, wait for them to approach him.
They’d probably end up with each other in a rowdy tavern, Mhin being a loner and Jin being a bit of a wallflower.
If they end up conversing, I think they’d bond over their interest in alchemical experiments.
Alon the Stray Hound
Likes Kuras — “I like you, Doc, maybe a bit too much. You know, you’re not giving me much incentive to avoid getting hurt.” Already liked and found him curious when they first met, but after discovering his mischievous streak? She wants to team up to pull the prank of the century.
Like Mhin, Alon admires his selflessness and how he helps the people of Lowtown, seemingly for free.
Kuras piques their curiosity. He’s graceful, mysterious, unshakable. They want to know if there’s anything more beneath that seemingly untouchable image.
He’s like an impenetrable safe they’re trying to crack. She doesn’t know what’s inside until it opens, but they’ve decided it’s worth the effort. There’s something invaluable in there, she just knows it. He’s a puzzle to them and they like puzzles.
Evading an angry Senobium cleric through Eridia’s labyrinth of a city with Kuras was the first time she felt at home since her old crew’s betrayal.
Likes Leander — “I’m no mage, but even I know you and I could make magic together.” Instantly clicked with him due to their similarities. There’s two of them now. And that’s everyone else’s problem.
Looking at both their relationship charts, it looks like they’re fighting for the Protagonist role.
Being the Hound, they’ve got good instincts and they know Leander is putting on a show most of the time. Alon’s not too worried because they’re also a performer — a jester who works and charms the crowd, both to survive and because they genuinely love it. So as far as Alon’s concerned, Leander can keep his secrets — at least, until it hurts others.
Look this is what happens when you put two people with a hero complex together okay they can end up being heroic against each other
They’re both magicians, though Leander does actual magic and Alon does sleight of hand.
Alon also probably had a Robin Hood thing going for them and their crew in the past.
Likes Vere — “You’re trouble, Foxy. I like that in a man.” Finds his assholery hilarious, shares his love for mischief and distaste for rules. The chain and collar plays right into her hero complex, though, so that might be concerning…
Loves to match Vere innuendo for innuendo. Vere’s insinuations tend to be more elegant, though, while Alon has a whole arsenal of “deez nuts” or “your mom” jokes.
Genuinely wants to help Vere out of his imprisonment, but how to make him see…
“I mean, yeah, so you killed some people — Not saying I condone it! — but the Senobium deals with that crime by…forcing you to kill people? Sheesh, and authorities call me an outlaw.”
Likes Ais — “Hey there, Soup Guardian. Guardian of the Soup. Ocudeus quivers before him.” Admires Ais’s straightforwardness and cool charisma. Thinks he’d be a loyal friend, or at the very least, a fun drinking buddy.
I don’t think Alon would be romantically attracted to Ais. They’d find Ais attractive, though. Like, they have eyes.
Would visit Ais to chat or play with Princess and the other Soulless creatures.
Finds his calm presence grounding, and likes that he listens to them ramble on about whatever pops into her mind at the moment.
Would join him in a bar brawl. Would help him start one, would help him end one.
Loves to banter with him since they’re both sarcastic little shits.
Okay, I’ll give him a serious quote from them: “Let me know if you need someone to take Princess out for a walk! I’m your guy.”
Likes Mhin — “You helped me, now I’ve got your back! So what d’ya say? You with me, partner?” Finds them interesting, cute and fun to fluster. Wants to get to know them better.
Remember when I said she likes puzzles? Mhin is a sort of puzzle to them, too. Full of odd contradictions and pieces that don’t fit together. They are lonely and they need help, but they insist on doing everything on their own. They say they don’t care, but they keep helping her. What’s their deal?
They find Mhin fun. Fun to figure out, fun to fluster, fun to chat with.
Mhin strikes Alon as lonely and in need of a friend — maybe it’s their hero complex saying to lend a hand or maybe it’s because they’re in the same spot, but Alon wants to reach out to them.
She believes they share the same goals. Of course, Mhin doesn’t have to accept her ambitious propositions of teaming up to pull a Senobium heist, but she can’t shake this hopeful feeling around them — that if they worked together, maybe neither of them would be alone anymore.
I did not intend to make them Mhin’s foil in my playthrough but um. So far…
They are both cursed. They are both newcomers to Eridia. They are both seeking to get into the Senobium. They are both lonely.
Alon is charming and outgoing and always seeking to make new friends, even if she ends up getting hurt. Mhin is the opposite, pushing people away to protect themselves, prevent themselves or others from getting hurt.
Mhin is sullen and short-tempered whereas Alon is optimistic and hard to ruffle. Though I guess that’s already evident in how she likes everyone already.
Mhin is blunt and straightforward — they have their secrets, but this is the vibe I get from them. They’re usually honest with their feelings, emotionally constipated as they seem. Alon is also emotionally constipated but in a completely different direction. She deflects and covers up their unpleasant feelings and other uncomfortable topics with jokes like it’s an Olympic sport and she’s the defending champion.
Alon is adventurous, impulsive and adaptive. They thrive in change and chaos, but deep down, they crave stability and a home. Meanwhile, Mhin strikes me as someone who prefers the security of the familiar, when they need a change.
Their fighting styles would be so different. It’s like earthbending vs airbending (if any of you guys are ATLA fans). I think Mhin has a very efficient and precise method of taking down enemies. They make every strike count and they don’t hesitate. Alon, on the other hand, likes playing tricks, using traps and diversions, discombobulating and dancing around their enemies. Mhin is a hunter, Alon is a thief — her goal isn’t usually to take down her opponents, it’s to escape or avoid direct engagement. Not that they can’t fight — they did grow up on the streets — but Alon will always choose to sweet talk, confuse, incapacitate, or run where they can.
Alon’s colour is orange to contrast Mhin’s blue. Similar to how Leander’s green contrasts against Ais’s red and Kuras’s yellow contrasts Vere’s purple. And although I wish I could say otherwise, it is completely unintentional. I wanted to give Alon a bright colour that stood out from the others because that’s their character. They are bright and colourful and fun.
Alon’s colour scheme is semi-inspired by the sun (bright orange, yellow, and pinks like the sunset) and Mhin’s colours more closely resemble the moon.
I just think this is cute. Mhin likes stargazing. Alon has freckles. And you know how there’s always poems and metaphors about freckles being constellations on skin?
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transfemzedaph · 5 months
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for the spotify songs #17 and if you feel comfy/can write for him pauseunpause. but if not, etho would be great <3
ough i wish i could write for pause </3 team canada beloved
Whoever's uniform you wear, No loyalties to hold or share, No burning hate, no bitter fear, No heart to break, so shed no tear
---
Etho wasn't sure how to deal with being bonded to someone else, let alone that person being Joel. He had to trust Joel completely, he had to stay by his side. Sure he could do what Cleo had done, maybe join her, he'd be safe from Joel; he was a formidable foe when he wanted to be. That wouldn't feel right though, Etho wanted to give this a chance, to trust wholeheartedly.
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Checking the Fate/strange fake TV special again, and that PV from 2019 again, and wow, yep, two hours later and it’s still surreal that these are characters written by Narita who are speaking audible words against mainstream J-Pop music for a megafranchise with more fans and money that any original Narita IP could ever conceive of.
Narita characters...who are speaking and will in two months be speaking dialogue Narita has written for light novels he has published. Narita’s name in huge typeface for a TV special which may or may not be a prelude for a summer anime that mainstream audiences are going to care about.
The TV special teaser is frankly underwhelming only because the first two thirds of it is just a build-up list of Fate anime until now (2004...F/sn! 2010...title! 2012...title etc.!), except of course it’s building up to, this, “the next Fate,” Fate/strange fake, and that, I concede, is hyping F/sf up. It is treating F/sf like a big deal, or at least worthy enough to be included in the line-up of all those other notable Fate entries. 
I can see why people think it’s portending a summer TV anime. Sawano as composer, teaser as self-important for a self-important franchise...what I’m getting at is... The teaser is treating F/sf like such a big deal in a way that Baccano! never quite got (and, hell, Durarara!! was popular enough, but just...not this popular), so it leaves me with slight bittersweet wistfulness over what could have been with Baccano!
“Wow...  Imagine a 2023 twentieth anniversary Baccano! anime treating the source material with this much magnitude. wheeze”
(No, hype and magnitude never guarantee the actual product will be well-executed, but c’mon, it’s not worth being spitefully pessimistic when what the hell, that’s Narita being treated like a big deal right there.)
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emeraldgreaves · 2 years
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dracula is a great book, but there is the occasional moment where it feels as though the characters are overridden by bram stoker attempting to get a good grade in victorian sexuality, something that is both normal to want and possible to achieve
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