#but really i should be focusing on my other stuff shouldn't i

[bunnygirllover45]

Long ass rant under the cut I apologize in advance.

I don't get why people interact with media they don't like, it's not only bad for your own mental health, people should let other people mind their business if they're not actively hurting nobody or spreading some hateful ideologies, I don't know if this is a hot take or not, but I think if you find any content you don't like in any social media, isn't better to just block people instead of leaving stupid comments that annoy the creator? Why is it my responsibility to block you when you can do it yourself?

I don't really like talking about these topics, but I always took the approach of just blocking people who send hate instead of replying to them with an equally bitter response, I don't want to lower myself to their level, I'm not here to interact with person or media I don't like, I come here to share what I enjoy. If I see someone I don't like in real life I don't go to them and attack them, I just simply ignore them, why shouldn't I do the same to people on the internet?

It's a little tricky to speak about these things because I don't upload the most morally correct content and my art is focused on dark yandere content, I'm aware that people will criticize that. I'll still approach the hate the same way I always do, because I think is the healthiest thing for both people, both me and the other end, I don't attack them back, and they don't see my content ever again.

Hopefully, this isn't too controversial, I don't want this to become a rant or anything, I just wanted to share my thoughts because I've been getting some nasty comments/asks lately, probably because my audience is growing and people from outside my usual followers are finding my content, or who knows. If anyone would like to share an opinion on this matter feel free to do so.

Is it okay to flag posts that romanticize bad stuff or push dangerous ideas to other people? yes, of course, you should totally do that, but I'm not here to spread any of that with my art, I just draw what I enjoy in fiction, I'm an adult trying to be responsible with the audience I have.

[giantkillerjack]

Uh-oh! You are like, SOOO awkward!!

You're so awkward that it is occasionally mildly uncomfortable for people!

You're so awkward that sometimes people are confused by you and then there are awkward silences!

You're so awkward ...... that ultimately no one is harmed!!

Oh damn!!! What a vile crime you have committed! What an unforgivable thing it is to make a fellow human briefly confused!

Why, if *I* were ever briefly confused and kind of uncomfortable as a result, I'd be devastated.... by the absolute net zero change in my happiness and health! - From which I might never recover!! Yes indeed! No punishment can ever be enough for you!!

So you better absolutely hate yourself for it.

Better be SO MEAN to yourself about every single missed social cue so you don't forget your horrible crime! Meaner than you'd ever dream of being to someone else for the same thing! This is YOUR responsibility!

You need to show the world that you KNOW you are bad by punishing yourself constantly! After all, think of all the people who BENEFIT from you punishing yourself! - No, really! Think about it! Think about who benefits from your pain.

Think of alllllll the definitely-good people that your definitely-necessary self-torment definitely helps! I mean, you can't just cut off their definitely-life-sustaining supply of your suffering, right?? Sure, everyone else has a breaking point, but you're probably the only person in human history who doesn't, right? Best not to question it probably. Sure, it's a symptom that billions of people with trauma have had, but who knows? You could be a one-in-seven-billion exception. Anything's possible!

Instead, better just accept that idea that bullies carry like guns in holsters - the idea that people who have trouble with social cues deserve to suffer. Better carry on the burden they placed on you until you drop. Aid the cause of the callous by enforcing shame and suffering upon yourself extra hard; try your best to do their work for them. They're very busy.

Better not recognize that you need patience and kindness to heal from your trauma. Better not find out that it was trauma rather than personal weakness filling your head with self-hating thoughts. Better not find out it wasn't your fault.

Better not find out that awkwardness is not inherently harmful or unkind, and, in fact, the people who act like it is *are the ones enacting harm and being cruel.*

Better not get righteously angry when you realize just how much unnecessary damage this has done to you. After all, if you get mad, you might realize you deserve better. You might even feel brave enough to DEMAND better! You might build boundaries that keep you safe! You might make other people think they deserve to feel safe too! And we obviously can't be having that, so...

Better not show yourself even a little kindness a little bit at a time.

Better not make a habit out of it after all that practice.

Better not get confident.

Especially if you can't first wipe out every trace of awkward. (And you probably never will. Because people who experience absolute social certainty at all times tend to be insufferable assholes that enforce the status quo. And you just don't have the stock portfolio for that.)

Better not be confident and awkward because then you might confuse and delight people

- you might accidentally end up making other people feel less shame for their social difficulties

- you might make isolated, traumatized, and shy people feel like they deserve to be included in social situations

- you might even make them feel they can be themselves around you

- you might start loving the effect you have on a room

- you might enjoy conversations more

- you might forgive yourself and bounce back from shame more easily and frequently

- you might come to enjoy some of those moments of harmless confusion you cause because NOBODY expects the Confident Awkward, and that can genuinely be an advantage in social situations

- you might stop apologizing so much.

- you might find that socializing is like a video game: it requires practice but also a safe space for it to be fun and positive.

Or if you can't become assertive and confident, better not remain awkward and shy and quiet, and then love and forgive yourself anyway!

Why, it would be carnage!!

In either scenario, you run the risk of finding out that it's not your fault that safe spaces full of kind people can be really hard to find, create, and nurture. You could end up building a skillset that helps you do those things if you're not careful!

If you start giving yourself even the tiniest amount of grace at a time, you will find that you've accessed a gateway drug with extreme long-term side effects:

- You might realize that it was never your fault that it took so long to like yourself.

- You might realize that you were always worth talking to, even when you didn't like yourself and communication felt impossibly difficult.

- You might realize that you'll still be worth talking to even if communication becomes harder as you age and/or experience disability.

- You might come to know that you deserve to be heard even on bad days when words come slow and blurry.

You might discover that you were always deserving of kindness, first and foremost from yourself.

So. As you can see, it's FAR too much of a risk to start granting your awkward self free pardons for your many heinous and harmless crimes. Better to just leave it there.

[arcaneyouth]

i'm starting to think living with 5 other people may simply be a problem

[anyroads]

OK you know what, if we're gonna talk about Bake Off then fuck it, let's do this.

It used to be this wholesome, lovely show! We used to watch it for the bakers! And the learning! And the light banter and occasional bit of coy innuendo! What happened?

Channel 4 happened. When they bought the show they made a number of changes, most of them Not Good™️. Not just in the sense of them resulting in a lot of 😬 and 🫠 moments, but in the sense of how they changed the show's purpose, atmosphere, and brand.

Look, I know most people are just like, "whatever, it's just a baking show," and yeah, sure. But it's one of the UK's most successful TV exports, and where it once shifted the tone of reality competition to being wholesome and supportive of contestants, it's since moved towards creating tension at the contestants' cost. So aside from the fact that most people watching it signed up to watch a nice show, it has also shifted the goalposts of what that even means. And that, lovelies and gentlefolk, is some bullshit.

I decided to break my rant analysis into four main parts: theme weeks, the hosts, the judges, and the bakers. Let's get to it!

Theme Weeks:

If you watch Bake Off, you know the show's always had a specific theme for each week. The staples that come up in most seasons are:

cake

biscuit

bread

pudding/dessert

pastry

patisserie

Less common but consistent are things like caramel and chocolate week.

Then there are the fun episodes! When GBBO was on the BBC, this started out with things tea week, tarts, pies, tray bakes, basically little tangents still focused on emphasizing specific baking skills. In Series 6 (still on the BBC) they had their first nation-focused theme week with French week -- fairly innocuous given that a lot of patisserie is French, France and England share much more culture than either cares to admit [Norman Flag dot gif], and it was a nice change from watching Paul make the bakers do recipes that involved boiling things while talking about how wonderful boiled doughs are (are they, Paul? Are they?).

The show kept mixing it up with innocuous themes like advanced dough and alternative ingredients weeks, European cakes, Victorian week, batter week, and botanical week. And while it was frustrating to watch Paul Hollywood mispronounce things like the Hungarian Dobos Torta and lecture bakers on babka when he clearly knew nothing about it (or about Jewish baking in general, go off Past Me), the show's general attitude was that the judges had their own opinions, which were separate from the immutable facts around the chemistry of baking (more on this later) and shouldn't affect how bakers are judged.

After the show moved to Channel 4, the number of themed weeks increased and more of them focused on specific countries. In 6 seasons on the BBC, there were only two country-focused theme weeks, and in 5 seasons on Channel 4 there have been five. And while they've also had themes like vegan baking, roaring 20s, the 1980s, spice week, etc. the show has really started to go hard on exoticizing other cultures in outright disrespectful and racist ways. There's been Italian and Danish week, German, Japanese (it wasn't, it was East Asian week), and now Mexican week (which doesn't touch on interspersed Jewish bakes that didn't get a theme week, like versions of bagels and babka set as technical challenges that were borderline hate crimes and mansplained by a guy who has no idea how to make either and once wrote in a cookbook that challah was traditionally eaten during Passover). Each time the hosts played up the theme with racist bits and jokes that can be used as evidence in court if your case is "why should shows with scripted content have a professional writing staff."

Which touches on other issues the show has now...

The Hosts:

When GBBO was on the BBC, the show was hosted by ✨Mel Giedroyc✨ and ✨Sue Perkins✨. They encouraged the bakers! They'd hold stuff for them sometimes! They were interested in them! If a baker had a breakdown, they would start singing copyrighted material to render the footage unusable! When the show moved to Channel 4, they left, though I'm not unconvinced that Channel 4 offered them impossible to accept contracts to force them out so they could rebrand the show. They replaced them with Sandy Toksvig and Noel Fielding. Sandy was a lovely host in the vein of Mel and Sue, and she and Noel had a relatively sweet rapport, but she left a few seasons ago and was replaced by Matt Lucas.

Noel Fielding is mostly known for his quirky brand of comedy, a sort of British Zooey Deschanel who's goth from the neck up, an upperclass British gay divorcee from the neck down, and basically an early 60s Beatle re: trousers. Matt Lucas has almost definitely never watched a single episode of GBBO and his most redeeming quality is his thinly veiled contempt for Paul Hollywood.

The two treat the baking tent as their personal playground. Far from the supportive attitude of Mel and Sue, they tend to get in the bakers' way during the most stressful moments, especially when they try to do hilarious "comedy" bits (I can't not put that in quotes) like Noel's talking wooden spoon thing, or Matt talking over Noel to do time calls. During theme weeks like Japanese and Mexican week, they do culture-specific bits that are both racist ("just Juan joke" and "is Mexico a real place?") and unsurprising, given that both Matt and Noel did blackface on their respective sketch shows and absolutely could and should have known better because it was already the current fucking century.

All this to say, there's now a separation between the bakers and the hosts, as if they're on different shows. The hosts are doing their own thing and the bakers are doing GBBO. The show has gotten meaner to the bakers, and the hosts aren't there to support them anymore, they're just there to be comic relief. Because when you refocus your show on stressing the bakers the fuck out, you need a forced laugh I guess ¯\_(ツ)_/¯.

The Judges:

First of all, a sincere congratulations to Paul Hollywood who managed to squeeze I jUsT cAmE bAcK fRoM mExIcO aNd YeT sTiLL pRoNoUnCe PiCo De GaLLo As 'PiKa De KaLLa' and I aM aN eXpErT oN s'MoReS wHiCh aRe MaDe WiTh DiGeStiVe BiScUiTs AcCoRdiNg tO mE, aN eXpErT oN s'MoReS, just two in a giant pile of astoundingly wrong hot takes, into a short enough time span that they all aired within Liz Truss's term as Prime Minister. A true man of accomplishments.

In the interest of fairness, I need to preface this with a disclaimer that, due to the fact that I've been watching Bake Off for most of its run, I'm biased. Specifically, I can't stand Paul Hollywood's smarmy, classist, egomaniac ass because he's proven time and again he's more interested in looking smart than actually knowing what he's talking about. Since the show moved to Channel 4, they've changed the occasional handshake Paul would give bakers to the HoLlYwOoD hAnDsHaKe™️. It's gone from being an emphasis of someone's skill to a goal, a reward, and one that emphasizes the judges' place above the bakers.

The judges used to function as teachers, imparting their skills and insights to the bakers. When the show was on the BBC, the voiceover leading to a judging would focus on the bakers' work being finished, saying how it will now be evaluated based on their skill and how well they met the brief. The voiceovers now, on Channel 4, focus on the judging (literally saying something along the lines of, "the bakers will now be judged by Prue and Paul"). There is a clear distinction Channel 4's producers have made, to mark that the show is now about whether or not the judges approve, not whether the brief was understood and executed well. On the BBC, it was irrelevant whether the judges liked a particular flavor, as long as the bake was well-made. Now, the bakers are expected to know the judges tastes and cater to them, which is frankly bullshit. A judge doesn't have to like a flavor to know whether or not it was executed well, ie. is it carrying a bake and was it meant to etc.

The judges have been turned into a brand. Cynically, Channel 4 knows that by building them up and focusing the show more on them, they can exploit their image more for profit. In the process, they've become much more biased and their own biases have come out as well. Most recently in the flaming dumpster fire that was Mexican Week, Paul Hollywood tried to intimidate a baker by telling them he had just gotten back from Mexico (which must have been a fruitful learning trip if he couldn't even learn how to pronounce pico de gallo correctly). Where do I even start with this? Here's an amateur baker from England (the show specifically casts middle and lower middle class bakers for the most part??) who likely can't afford trips to Mexico, who lives in a country with incredibly limited access to Mexican cuisine, who is expected not only to understand the cooking and baking traditions of a completely different culture but to do so well enough to play with it and do something creative with it. On top of which, one of the judges is now using his privilege of traveling halfway around the world as some kind of leverage, as if this were a bar that any amateur British baker could clear.

Prue, meanwhile, has openly asserted her biases against cultural flavors and textures, prioritizing her own personal preferences over them, as if they were in any way relevant to the skills and knowledge necessary to execute the tasks she sets to the bakers. She has also been consistently elitist, criticizing bakers for choices they made that were clearly informed by their experiences within income brackets that are too low and foreign for Prue to comprehend. She once had a go at a baker on a Christmas special because his Christmas dinner themed bake didn't have a turkey, even though it was clear from the stories he shared of his own Christmases that his family likely couldn't afford one. "It's not really Christmas dinner without a turkey," Prue said into the camera angrily while sitting on a chair made of live orphans and telling the ghost of Christmas Future to come back when he had another museum gift shop necklace for her to round out her collection.

The show is no longer about which baker has the best skills. It's become about which mortal can appease the gods of Mount Olympus, ie. the judges.

The Bakers:

Remember when the show was about them? Channel 4 doesn't! Because this is a reality competition show, the bakers are chosen both based on their skills, as well as cast-ability. They're cast as characters, distinct from each other, from different areas, age groups, ethnicities. All of them are amateurs. All of them are middle or lower middle class. They've ranged from college students to supermarket cashiers to prison wardens to scientists.

Something I noticed when the show moved to Channel 4 is that the baker who goes home in the first week is always wildly behind the rest in skills. I have no proof of this other than my eyeballs and deductive reasoning skills, but I think that Channel 4 deliberately casts a ringer each season who they think will be an easy send-off in the first week, just to get the audience's feet wet.

Anyway, like I said, this show used to be about the bakers - about them building skills and learning, and having walked into the tent with a self-taught foundation and understanding of the processes and chemical reactions involved in baking. When the show was on the BBC, the end of each round had some (often brief) moments of tension - will they finish in time? Will they get their bakes on the plate before time is up? Did they forget to add sugar to their batter and only remember at the last minute? In the end, they usually managed to finish and we'd all breathe a sigh of relief and think, yeah! You go, Bakers Who I'm Rooting For!

Now, on Channel 4, the end of round drama has been stretched to be so much longer that they've composed extra music for it. The bakers often seem out of their depth, whether because the instructions for the technical challenge are too vague (bake a lemon meringue pie??? As if anyone in the UK under the age of 60 has had one in the last decade???), or because they were expected to bake something that required a more than a basic foundation they weren't told of. Often it seems like they just aren't given enough time, a tactic used by reality competition shows to manipulate contestants into giving the cameras more dramatic content. On top of all this, the hosts get in their way, instead of helping them plate their bakes. As has been pointed out before, when everyone fails the challenge, the real failure lies with whoever set it.

In conclusion:

The show no longer exists to teach the bakers - and the audience - skills or knowledge. It now manipulates contestants for dramatic effect and prioritizes showing conflict over wholesome content. Channel 4 sees the bakers as social media content they can churn out season after season, and don't care about them because in a few months there'll be a new batch to exploit. Meanwhile, the judges are also out of their depth, co-opting recipes from other cultures and butchering them horrendously, while the camera gives them nothing but status as they hold bakers to the expectation that they learn how to make things very much the wrong way. If you saw any of the tweets about Mexican or Japanese week, or read my post on how Paul Hollywood isn't allowed to go near babka ever again, you'll understand.

So what would fix all this? Scrap the current judges and the hosts altogether. Bring back Mel and Sue, and replace the judges with expert bakers who have a love of their craft and want to share it with others. The draw of GBBO used to be its warmth and comfort - if Channel 4 isn't going to start its own version of Master Chef For Bakers, then it needs to stop trying to find a balance of how it can insert that vibe into GBBO. It can't. That's not a thing. Stop trying.

[kindacreepy-kindaugly]

I have no idea how to incorporate any of the stuff he's into without feelin completely dehumanised

[aryxchse]

school president and the troublemaker. | percy jackson x daughter of hera! reader.

a / n ; hello ya'll it's ya fav daughter of hera writer, this fic is written while i listened to my 'old bts songs' playlist, you know i'm talkin' about you just one day!!!

warnings : cursing, teenagers (that's should be a warning), this is writed by according to my countries school rules so deal with it, also grover, y/n, annabeth and percy are my favorite gang fr, rival-ish friends to lovers??, percy beating the shit out of some guy, mentions of staring, blood, no kiss on the lips ugh

"i fucking hate mondays," the son of poseidon whined, crossing his arms on his desk and leaning his head on them.

the first two class was history, which it didn't made anything better for him. he was a math guy, he didn't liked reading and stuff. but you and annabeth seemed to really enjoy it, even though annabeth is literally dislexic while your adhd was messing with your head.

grover sighed in front of him, leaning his head back until it rested on percy's desk. "i know right?" he said, fixing his green beanie. annabeth and you sighed, rolling your eyes at the two lazy boys.

"oh please, today's class is about mythology. i'm going to fuck that bitch up," annabeth said, smiling at you. you smiled back, knowing how much she hated your history teacher.

"you're fucking every teacher beth." percy yawned next to you, looking at the blonde girl. "they all hate you at this point for real."

"don't care," annabeth shrugged, looking like she was proud of herself. which she was. "they should educate people with truth, not a fucking lie."

"speak louder queen!" you agreed with her, while taking notes to your clipboard. there was a lot of shit going on in this big ass school, and you didn't know why you wanted to be a president of it this much.

at the beginning of the year, percy told you that you shouldn't get ahead of yourself—meaning that you guys can get expelled any day. but it never happened, it was yours second year in this school. three demigod's and one satyr, in the same school for two years. they should write and teach this in history too!

you had a way of talking out of problems, so whenever you four caused a trouble, everyone acted like nothing happened because of the mist. you controlled it in some type of way, because you wanted to be a president of some school before you become an adult.

back to now, percy peeked from your shoulder to see what you were writing on the clipboard.

— TO DO LIST —

visit the art, music and sport club to see if they need anything ✓

send the principal the needs of the clubs ✓

hang the new concert posters to schools board ✓

check if the p.e class needs anything

meeting with the other members at 13.00, lunch break

take the list of needed books in the library and hand the list to principal ✓

help the teachers or principal with the paperwork or sending them to where they should go ✓ (done for today)

you tapped your pen on the clipboard, focusing on the tasks you haven't done yet. percy sighed next to you, getting overwhelmed with how much work you had.

percy and annabeth was in the president club thingy with you, annabeth was the leader of the library club while percy was the sport clubs. they handed you the lists you writed on your clipboard. percy joined you to skip some classes and spend some time with you while annabeth just liked to be in charge.

"i didn't know we had a meeting today," percy whispered to you as the bitchy history teacher came into class. you rolled your eyes at the boy, putting the clipboard away to open your history notebook.

"i literally texted it in our groupchat. but you decided to ignore it and write 'what are we doing after school tomorrow?'" you reminded him. percy was about to answer you, but the teacher started yelling.

"alright kids, today we're learning about the twelve olympians and their wars!"

the four of you tried your hardest to not laugh, instead sharing side-eyes.

"man, for the first time this class will be fun," percy said, resting his cheek on his palm.

𓆝 𓆟 𓆞

the class was indeed fun.

annabeth had so much fun fixing the teacher's every mistake while the rest of you tried not to laugh. but you took notes anyway. you wrote the notes in ancient greek for the gang to copy from you, since they had dislexia and couldn't read.

"you're the best," annabeth said, kissing your cheek as you handed her the notes. you smiled, blowing a kiss to her way as a response. grover sat next to annabeth while eating a vegan sandwich, and percy was trying to get a drink from the machine.

"ya'll have any more cents?" percy asked, angry at the machine. you sighed and stood up, giving a good kick to the machine. it started working again, dropping percy's blue coke with some snacks. you smiled at him, flipping your hair while you returned to your seat.

"like i didn't know how to do that," he murmured, taking his drink with his now free snacks. he gave the chips to annabeth while handing the m&m's to you. he took the fish cracker to himself, holding it in his mouth to open his coke.

there was this little table at the end of the corridor, right next to the food machine. it was you guys usual spot, and everyone knew it. except the lunch times at the cafeteria, you four always hanged around here.

annabeth rested her back against the wall, laying her feet on top of grover's lap. the satyr didn't mind, since they usually sit like that. your seat was in front of annabeth, as you rested your head against your palm, taking a support from the wall. percy leaned against you, putting his whole weight on you while he eated the fish crackers messily.

you paid no attention to him as you wrote something on your clipboard again. "did we have anything missing in p.e class? like some new basketball's?"

annabeth looked up as she thinked for a moment. "the new one we got apperantly blowed up, at least that's what james told me." you groaned, smashing your head -gently- to the table. "i fucking hate basketball team."

"same," grover said, eating percy's now empty diet coke. "they're like hydra's."

percy laughed at that, making a fist bump with grover.

"when was the meeting again?" grover asked after the laugh session with percy. you groaned again, head still on the table. "read the fucking group chat for gods' sake!"

"man, chill." grover raised his hands in defeat. annabeth closed her own notebook while handing you yours. "thanks babe." she said, patting your head gently. you only made thumbs up to her, leaving the notebook on the table.

percy sighed and sat straight, putting your notebook in your bag. he held you by the waist and made you lean to his shoulder, taking your clipboard away from you. "you've already done almost everything here, the others are useless." he said, voice soft.

you hugged percy's arm to support yourself and annabeth slightly smiled to herself. as your chin rested on top of his shoulder, you looked at the clipboard. "i know but the p.e class is worst than everything i did there, it's so tiring."

"i can help you, you know." he said, putting the clipboard on the table and looking at you. you pulled yourself away to look in his eyes. how those ocean eyes can held so much care in them?

"but you hate checking p.e class," you said quietly, hands still lazily on his bicep. he smirked, putting his own hand on top of yours.

"if it's going to make you shut up, then i'll be glad to help." he teased, and you can see it in his expression. you only rolled your eyes, smile betraying your fake annoyance.

"wow, what a nice man you are percy jackson." you complimented, patting his bicep. he flexed them while he gave you a cocky look. "i know pretty."

"i'm gonna throw up," annabeth said, still smiling. grover nodded, gagging playfully. you both sticked your tongue out to them, chuckling.

𓆝 𓆟 𓆞

"that's it, i'm not fucking letting you help me through the p.e class check again." you hissed, making percy sit on the infirmary bed.

he fucking had a fight. apperantly some guy from the soccer team checked you out in that pretty school skirt of yours, and percy noticed it. you didn't know why he was this protective or annoyed when it camed to other guys, but now you had to deal with his bloody lip and eyebrow.

"he was fucking you with his eyes, what i was gonna do? give him a view?" he snapped back, his normally sweet shade of sea green eyes now as dark as a storm. you hated when percy looked at you like this. his hatred was easier to see. it wasn't towards to you, it's never towards to you. but you can't help but feel like you're being attacked too.

"nothing, percy. nothing!" you said, your own eyebrows furrowed. no one was in the infirmary because the school sucked at being responsible. you made sure to point this to principal too.

luckily, your best friend was a demigod, who can heal with water. but unluckily for you, there was no water near. so, you had to caress his wounds like the old ways. still, he healed much faster than a mortal could.

the moment alcoholed cotten touched his lip, he hissed. "what the fuck you mean nothing?" he said, but his voice wasn't loud. "you- you had a crush on him or something?" the last sentence camed out his lip weak.

you rolled your eyes at the boy, who's now had a worried expression on his face. you couldn't understand why, but he looked like he could cry if you touched him. "don't tell me you have a crush on that fucking asshole. you can't be serious, i mean- have you seen hi-"

"percy shut up for gods' sake!" you yelled and he jumped. it made you feel a bit bad, but he was not making any sense. you stopped wiping the blood and cleaning the wound on his lip, now starting to put some bandages on it.

"i don't have a crush on the guy, i don't even know who he is." you explained, now wiping his eyebrow. he didn't flinched on this one, instead he was focused on you. "but you can't just attack people just because they're looking at me."

"he wasn't looking, y/n/n. he was literally-"

"fucking me with his eyes, i know." you shushed him gently with your words, your eyes holding too much care in them. weren't you questioning his eyes back then?

you were standing in between percy's legs, and you both were face to face, even though he was sitting. his expression was soft once again, and his eyes shined like always. you held his chin gently while carefuly treating the wound. "but he didn't dared to do anything, did he?"

"i would like to see him fucking try." he hissed.

"believe me, he wouldn't." you assured him, now bandaging him once again. he had a confused look on his face, but one side of him telled him you were right. "those guys like that can do nothing but stare."

there was a silence between you two now. percy kept sitting on the bed while you put away the first aid kit. after that you camed back to your previous place in between percy's legs, hands resting on his thigh.

he gently held your wrists in return, thumbs caressing the place gently. the boy was in the other infirmary in school, since they didn't want to put him in the same place as percy. you wondered how was the boy, because percy was literally about to kill him.

"how am i gonna get a boyfriend if you keep attacking the boys around me?" you joked, and for the first time, percy didn't laughed. he still looked down on your now intertwined hands, looking like he was in some kind of a trance.

you didn't want a boyfriend anyways, you wanted percy. the joke was to lighten the mood, but to also see his reaction. you we're having suspicions or delusions lately, about him liking you back. and you wanted to get a real answer for yourself.

luckily for you, percy was about to give you one.

"i don't want you to have a boyfriend, to be honest." he whispered, his forehead resting on your shoulder. your cheek -you didn't know why- immediatly found it's place on his head, smelling the salt water scent he had.

"why? you wanna keep me to yourself?" you chuckled, asking what you wanted to ask for a long time in a jokeful way.

"yeah, actually." he said.

you frozed. you wanted to keep your actions as warm as possible for him to not think you would ever reject him. you did wanted to get some real answers, but not stomach flipping, toe curling and cheek blushing one like this. your heart beated so fast that you thought you we're having a heart attack, and your breath hitched.

"what?" you managed to ask softly, and your voice felt like an angel to his ears.

"i'm sorry i-" he choked in his own words, afraid to face you. he still kept his head on your shoulder, in fact; he nuzzled into your neck a bit. "i don't want to ruin our friendship, but... in some way i do."

you chuckled, and he felt like the weight on his shoulders lifted.

"i kinda want that too," you whispered back, hands now caressing his bicep. his hands find their way onto your waist, holding you firmly close to himself. his heart was about to pop out from his body and met with yours, just chilling inside your body instead of his. weird way to express what he was feeling, but percy was never good with words anyway.

"yeah?" he breathed out, his smile can be heard from his voice. your own smile matched his, so bright that sun would be jealous. "since when?"

"oh man, i don't want to answer this." you joked, and he laughed. that's the react you've been waiting for. "you'd think i'm obsessed with you."

he raised his face from your neck to look at you, his eyes shining as bright as the sky now. you loved how his emotions reflected in his eyes, making him not be able to hide anything. you knew him better than anyone else anyways, he was always an open book to you.

"oh please, i don't have the right to judge you when i'm this whipped." he said, making you laugh. "we're we even friends this whole time?"

you laughed harder. "you know what? i think the fuck not." you answered through giggles. "we we're just two idiots who pretended to be friends."

as you both laughed there, to your whole situation, percy hugged you tight. an air escaped your lips in suprise, but you were quick to hug him back.

"you don't have any idea how relieved i am right now," he mumbled to your neck, leaving a few light kisses there. your hands caressed his raven hair, massaging the scalp. "i love you, so fuckin' much."

"i love you too, seaweed brain." you said back quietly, kissing on top of his head.

he was about to kiss you on the lips when annabeth and grover barged in.

"finally you idiots!" annabeth said, crossing her arms and resting her back on the door frame. grover put his arm on her shoulder, smirking.

"it's about fucking time, eh?"

[fallinglikemagic]

Okay, now that everybody's had some time to process and gotten some of the doomposting out, here's my thoughts on the whole situation.

First of all, I'm not really worried about whether or not RWBY will continue in some capacity. It's uncertain, sure, but no more than it was already. In February we got the update that they were talking to potential partners about getting volume 10 made, so clearly they weren't just relying on Rooster Teeth and Warner Brothers for it - maybe one of those companies will pick it up, maybe a different company will, either way I'm sure it *will* be picked up by somebody and unless they get real unlucky, the show won't be much worse off than it was before - if anything it might be better off, considering that WB have been shitty about animation for quite a while now (if you're not already familiar and you're up for some extra research, I recommend looking into the Coyote vs ACME situation that's been going on recently for a great example of WB's bullshit). And while it's unclear exactly how much involvement the original crew will have in the show's future, I'm pretty optimistic about it. I doubt the writers are going to let go of creative control without a fight, if for nothing else then for Monty - I don't like focusing too much on the whole Monty's Legacy stuff in general, but I do think that the crew are going to want to keep their friend's work alive and authentic and as accurate to what he wanted it to be as possible. None of this is a certainty of course, but I think RWBY is gonna be fine, things will just be kinda rocky for a bit.

With all that being said, while this may end up ultimately being a blessing in disguise for RWBY as a franchise, it sure ain't one for everybody who worked at Rooster Teeth. This entire situation is still horrible - so many people being fired on the spot, effective immediately, with no warning and with several of them only finding out by seeing articles about it being posted on Twitter, it's fucked. I know Rooster Teeth wasn't exactly lacking in controversy and problematic behaviour, to put it lightly, but there were still plenty of amazing people there who are now in a really shitty situation. On top of that, while again this isn't exactly anything new, especially for WB, it is the latest instance of a huge problem in the animation and entertainment industries. So no matter how things pan out for RWBY, we should still be really fucking mad about this.

And we definitely shouldn't be celebrating. I've seen some posts saying "good riddance" and celebrating RT's downfall, not just from people who hate RWBY (I mean don't get me wrong I'm sure the hatedom is out in full force but that's not the kind of thing I'm referring to right now), but people who like/used to like the show and just hated the company. And don't get me wrong, I didn't like a lot of things about the company either, I've actually been wanting RWBY to separate itself from RT for a pretty long time (be careful what you wish for I guess 💀), but there's a time and a place and this certainly ain't it. Plenty of people who have worked there have said that they loved their jobs, plenty of others said it was horrible and toxic and nightmarish, but either way a job is a job and in this industry work isn't always easy to find, especially in recent years. Celebrate in private if you want, but now is not the damn time to be bringing out the cake and confetti.

TLDR; I'm cautiously optimistic about RWBY's future, I'm pretty sure it'll be fine and they'll be able to keep the core crew to at least some extent, but this is still a really bad situation for everybody who just lost their jobs, don't be a dick.

[ddejavvu]

it’s dbf!indy anon and I finally had a thought!!!

looking at old photos of your dad and indy with dbf!indy, and just being like “wow I would’ve smashed younger you” or “you’ve just gotten more handsome with age” or like, subtly flirting and he’s trying so hard to not flirt back bc he’s still trying to forget that he finds you attractive

today is multiverse monday, send me any au you can think of! :)

this post is 18+ (due to an age gap), minors dni.

Your dad seems to have been a whole other person before he'd settled down with your mom. You've never seen this side of him before, the cocky young man pictured beside Dr. Jones at a dig site, squinting into the sun and marred with dirt. Now he's neat, proper, and wouldn't spent days at a dig site if he was offered millions of dollars.

Dr. Jones is even more jarring to look at. There's a layer of rugged scruff on his face in the picture, his shirt hanging half open over his chest and sweat lining his brow. His sleeves are torn off in the photos, probably due to the sweltering heat they're working in, though you wonder if having his skin exposed left him vulnerable to sunburns. He doesn't look burnt, only gorgeously tanned, and you marvel over the man he used to be.

"That's you?" You ogle at a shot of him standing atop a carrier plane, lugging crates of god knows what into the hold. The cut-off sleeves give you a fantastic view of the muscles in his arms bulging while he lifts the boxes, and you only wish you'd have been there in person to avoid the slightly grainy quality to the film. It's a precarious position he's in, one that you wouldn't expect from the proper professor beside you.

"That's me," He drawls, "You like my hair?"

It's not combed, laying fluffy and natural over his forehead. There's a hat hanging from his belt, and you're surprised it hadn't messed up the strands of hair that flop so naturally over his head.

"it's different," You laugh, turning to face him. He'd been peering over your shoulder to see the pictures you're looking at, so when you turn, you're rather close. He doesn't move away, though, not even as you study him with a discerning gaze.

"You're proper-handsome now." You decide, "The gelled hair, the glasses, the suits-and-ties. But you used to be rugged-handsome." You flip to the next page, showcasing him caught sleeping against a load of cargo in the tiny plane.

You're too focused on the photos to notice him watching you, jaw working to tighten his lazy grin so that it doesn't turn upside down. He's fighting an internal battle, he knows he shouldn't be attracted to you but he is, and he can't decide whether he'll allow himself to accept your compliments or not.

"See?" You point to his posture, toned arms stretched up and over his head, his hat over his face to block out the sun, "That's a picture they'd put in one of those super-sexy firefighter-of-the-month calendars. The muscles, the open shirt, the thighs on display..." You muse, tracing over each feature you name.

He's torn. You're complimenting him, openly, brazenly. He knows he's not taking advantage of you, you're coming to him, but something about it seems so forbidden that he almost can't respond. But he's well-acquainted with danger, with the exhilaration of doing something he shouldn't, so he lets a chuckle escape, "Yeah? You think I'd make it as a sexy firefighter?"

"Oh, for sure," You nod, like you think you're reassuring his insecurities, "Just lose the shirt and swap it for suspenders, Indy, you'd fit right in."

"Really," He marvels your bold nature, unable to stop from laughing again, "Well sweetheart, maybe you 'oughta take the pictures for me. Pose me, oil me up, that sorta thing."

"Deal," You grin, turning back to face him again, still not backing away from your tantalizingly close proximity, "Should I bring socks to stuff your crotch with?"

"No need," Indiana assures you, his drawl never having been cockier, "I've got that covered myself, sweetheart."

[polyamzeal]

got any polyam book recs

How many time do I need to reccomend the Smart Girl's Guide To Polyamory by Dedecker Winston! I feel like I never shut up about it and still people have never heard of it! I am just going to create a quick list of all the polyam books I have read. Because when I was first learning about polyamory it felt like you were required to read certain books before you could get your polyamory license yet so many other people haven't read any books! One day I might write out longer reviews for these.

The Ethical Slut: A Practical Guide to Polyamory, Open Relationships & Other Adventures by Dossie Easton and Janet W. Hardy- This is one of the first ever books focused on polyamory. As such it is a bit dated. Despite that I think it is still a good book that people can get a lot out of. Just keep its age in mind.

More Than Two: A Practical Guide to Ethical Polyamory by Franklin Veaux and Eve Rickert - When I started learning about polyamory this was the holy bible of polyamory that everyone insisted that everybody must read. I honestly liked The Ethical Slut better though. Since then though the book has been utterly condemned by the community and people are now very quick to scream how nobody should read this book because Franklin Veaux was revealed to be abusive in his relationships so now suddenly the book is a guide to teach people how to be abusive in relationships. I guess??? Eve Ricket has put out multiple statements about the book about if people should still read it or not but I am sure I will miss something if I dive into that. Like more The Ethical Slut, just keep in mind it might have some problematic aspects. But I personally think there is still some good stuff in it that people might find value in. It has been a while since I read it but I don't remember it being problematic, just a bit dry and boring.

The Smart Girl's Guide To Polyamory by Dedecker Winston - I'm skipping right to this to say this is my favorite polyamory book! It is very unfortunate that that the title isn't great. And indeed it is written to be aimed at women but honestly I found very very little in the book to feel exclusive to women and not apply to me (a cis-male) just as much. I love this book so much that I re-typed up a passage from it, had it printed on a large poster, and framed.

Sex At Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships by Christopher Ryan and Cacilda Jetha - This is another book that used to be worshipped in polyamory circles and wholehearted reccomended. I am so glad that it is now mostly forgotten. Why? BECAUSE THIS IS NOT A POLYAMORY BOOK! This is a very scientific anti-monogamy book. So I was waiting for all this set-up to talk about why polyamory fixes all these problems of monogamy it has taken so long to explain. Spoilers! Polyamory is only briefly mentioned in the epilogue of the book in a half-hearted, "Maybe this solution works for some people". Let's be clear, this is not a bad book. It is a very good book at using scientific evidence to point out flaws with monogamy and can lead to interesting discussion. But it is not a polyamroy book and shouldn't be recommended as such.

Love's Not Color Blind: Race and Representation in Polyamorous and Other Alternative Communities by Kevin Patterson - Another great book that is highly underrated. But note this is not a Polyamory 101 book. I consider this a "next-level" polyamory book. And to be clear I am white/Caucasian and I learned so much from this book and really love it! It opened my eyes in so many ways.

The Polyamorists Next Door: Inside Multiple-Partner Relationships and Families by Elisabeth Sheff - This isn't a bad book but I also didn't really find it to be a good book either. It feels neither pro-polyamory or anti-polyamory. Just a whole lot of stories and facts. I think it might be most interesting for a monogamous person to read.

Polyamory by Marissa Blake - Worst book I have ever listened to and I am pretty sure it is plagiarized. Been meaning to do a project where I research that claim but just haven't been interested in doing so. it is utter garbage.

The Polyamory Breakup Book: Causes, Prevention, and Survival by Kathy Labriola - Another advanced level polyamory book. But I think an especially important one for everyone to read. When you date more people you have more breakups. And when "cheating" is far less of an issue it is becomes hard to understand when you should breakup.

Polysecure: Attachment, Trauma and Consensual Nonmonogamy by Jessica Fern - The new holy bible of polyamory that everybody in every polyamory group will recommend immediately. It is a good book but honestly I think it is overrated. I think it is aimed at a very certain kind of person struggling with polyamory but it didn't resonate a whole lot with me on a polyamory level. I thought Secure Attachment was very interesting but I felt the actual polyamory aspects of the book were a little lacking to me. I do recommend the book but maybe not as someone's first polyamroy book. I think there are better polyamory 101 books. To note I have not read Polywise yet, the authors sequel book that just came out. I think I have higher hopes for that one though.

Ready For Polyamory by Laura Boyle - Most recent book I read and I had wanted to write a full review but I forgot. This is a fairly good book. I feel like it doesn't stand out much from the other Polyamory 101 books but overall solid. The one place where I give it the most praise is it has the most up-to-date definitions of terms which over the years have evolved and changed over time. The spectrum of polyamory styles I think is especially important for people to read. Older books didn't mention this at all or it was only Parelle VS Kitchen Table. Now we have a much wider spectrum and I often see a common mistake for newbies is for 2 partners to be at different point of the spectrum and never acknowledging it.

Do you know of any polyamory books I missed that I should read? Please let me know!

[tokyo-daaaamn-ji-gang]

hii!! I love your hcs 💗💗

may I request naoto tachibana x fem!reader?

this has been rotting in my head for the longest time ever: so in the series, naoto said that his memory gets overwritten when a new timeline is created. so I was thinking imagine fem!reader who he loves, but every timeline she is always somewhere else, further away from him. so maybe after seeing the outcome of his sister's fate and discussing with takemichi when a new timeline is created, he also checks on fem!reader. one timeline she'd be living in another city, one timeline she'd not even remember him, and what if there's one where she is part of a criminal organization, tasked to kill naoto. what is the outcome gonna be? is she gonna be able to complete her task? or will she end up falling for him in the process?

THIS IS ALL I CAN THINK OF FOR WEEKS 😭😭 sorry it's quite long omg thank you and have a great day!! 💖💖

Ahh that actually sounds really cool! I kinda came up with this for it (it ends on a bit of a cliffhanger though)

You're always on his mind, everytime the timeline gets rewritten there are three things he does. 1. Check to see if his sister is alive 2. Find Takemichi and 3. Find you.

He knows he shouldn't be focused on you, that he should concentrate on saving his sister. But he can't help it, you won't leave his mind. He loves you.

Of course Takemichi only encourages this, always telling him to go after you and find you. And so that's what he does in every timeline. 

In the first timeline that he can remember, you were his neighbour. It was funny how that had worked out, the two of you attending the same school as kids then living in the same building as each other as adults. He didn't really talk to you much but you were always so kind to him. Helping him out here and there, always smiling at him. 

The second timeline was the one that really changed things for him though. He wasn't expecting to find a ring on his finger or a wife waiting for him. He didn't know what to think at first but he fell hard and quickly for you, his wife. You were just so understanding and loving towards him, even when he was out late with Takemichi trying to figure things out. He liked your company before but now he loved you and of course he wanted to keep you. Something that he would end up aiming for in every timeline.

He isn't so lucky in the third timeline, the two of you were married again so of course you were also dragged along by Takemichi as "moral support" for seeing Hina. Which lead to all four of you being in the car, he had to run off for work but he thought you would be safe. He didn't think you.....                        you and Hina were chatting in the car and waiting for Takemichi when Akkun drove into the car. You were killed instantly from the collision, leaving Naoto to organise your funeral as well as his sister's. He swore he wouldn't let something like that happen again to you after that day. 

In the fourth timeline you weren't around at all, Naoto searched and searched but couldn't find you not anywhere. It wasn't until he was searching through some old stuff of his that he vaguely remembered you leaving to study and work abroad after finishing school. He hated that you weren't around but was also somewhat relieved. With him working with Kazutora and Chifuyu he was putting himself in a lot of danger, he didn't want you to be at risk too. He vowed to find you in the next timeline though, in the safer one. 

He was wrong though, this timeline wasn't safer and he didn't find you, you found him. He knew he would be a target after shooting Mikey but he wasn't expecting you to come after him. He's not sure how you got mixed up with Kisaki and Izana but it's clear you worked for them and had no idea who he was or once was to you. 

You'd been tailing him for weeks, following him around and observing him. Of course he'd noticed you immediately but said nothing. Instead he smiled at you each time your gazes met, the same way you had smiled at him in the very first timeline. You didn't smile back this time though, each time you would turn away or go back to pretending to just be a normal person who just so happened to be near him. 

Until that one evening, he was at home trying to finish off a report when he thought he heard something behind him. He was too slow to react though, you were immediately on top of him, restraining him and searching for hidden weapons. He only watched you, didn't even try to struggle against your tight grip. You pointed the gun at his head and he closed his eyes. You hesitated, something deep down telling you to not kill this guy. You didn't really know him, you'd just watched him a few weeks but you couldn't do it. Something was stopping you so the shot never rang out. When Naoto opened his eyes again you were gone, leaving his apartment as stealthily as you came in. 

He searched for you so hard after that but nothing, it's like you had disappeared. He didn't get to see you again there but you saw him one last time. After raiding the club with Koko and Inui you came out to see two bodies lying still on the floor. Closing the detectives eyes for him, you wondered why you were crying

[gray-thistleclan]

(accidentally made this more of a chatfic. my bad)

Cherrystar skittered across the muddy floor outside of camp. It rained just a few moments prior, so the ground was sticky and not pleasant to walk across, as Cinderpaw described it. Going for a patrol to reinforce the Gray-Thistleclan and Deep-Murkclan border. Cherrystar took Call Of The Void along with her, and the two quickly wandered far away from the camp.

"Hey, COTV?" Cherrystar's loud voice made COTV jolt up a little.

"Mhm?" She asked, now looking face-to-face with the leader.

"Can i talk to you about something?"

COTV nodded. Cherrystar took a deep breath and spoke up.

"I'm a little worried about Goldsight. Ever since Fogkit was born, she has been acting erratically, complaining about not felling well and her eyes get darker and darker, like she's slowly dying or something. I certainly hope she's not dying!" Cherrystar rambled to COTV, who was staring intently at her, expression unreadable.

"That would be awful, Cherrystar. I guess she should talk to the other medicine cats, maybe she's sick." COTV mumbled while sniffing the ground for any strayed scents.

"It doesn't seem like any sickness at all, it's like she's been cursed. Are her kits maybe weakening her? That seems like a high possibility. It's just... making me very worried."

"It's okay, Cherrystar."

"What if it's not okay, COTV?" Cherrystar harshly responded, surprising COTV. "I-I'm sorry about that, but what if she isn't okay? She looks life the life is draining out of her! I'm just..." Cherrystar sighed. "I keep repeating the same thing over and over again."

COTV didn't say anything, just nodded and looked away.

Awkward silence engulfed the two mollies, both seemingly trying to start a conversation but too anxious to actually say anything. Cherrystar suddenly jumped, looking like she had an idea.

"What about your paranormal abilities? Are they cool to have?"

"It's fine." COTV murmured quietly.

"You can see dead cats right? Have you seen Sparrowswipe and Woollyspeckle? What do dead cats look like, do they sparkle??"

"While i've seen Woollyspeckle, he mostly hangs around his mother and sometimes Anisetail, i haven't seen Sparrowswipe. I only hear what he's saying. Dead cats look like a wispy version of themself, they don't sparkle."

"Aww... Wait- What does Sparrowswipe say? Any insults about you or something?"

"Well, the first thing he said was "COME ON!". It was very loud. Since then, he's said stuff like "I knew COTV shouldn't have joined!", or "Cherrystar exile her!". I don't pay much attention to these, but they are quite loud- and he just said "Buzz off." right now. He seems to follow wherever i go."

"Does Woollyspeckle say anything?"

"Mostly saying stuff like "Man, Sparrow is loud!" or talking about Strawflower, Raincrackle or Fogkit. He doesn't say much, so it's mostly Sparrowswipe talking."

"Sweet!"

Silence once again. However, this time, they weren't focused on the patrol, they were more interested in enjoying each other's company. So much in fact, they've strayed away from doing any bordering and were just wandering around their territory.

However, COTV spoke up to break the silence.

"What was it like in Deep-Murkclan?"

"Hm? Oh, uhh, i left when i was 6 moons, don't really remember much, hehe... urghh..." Cherrystar babbled, speaking without thinking at all. "Umm, there was this apprentice task, where you had to feed the pit-"

"Feed... the what?"

"Feed the pit. The pit was scary! I hate it so much! Anyway, we had to feed the whatever was living underneath the horrible pit. Also it was very dark!"

"Must have sucked."

"It did suck! Also, Serpentstar, she wasn't the leader before! Though that didn't mean she was obsessed with the warrior code. Seems like it only got worse when she got her nine lives."

"Why did you take Goldsight with you when you left?"

"Oh, uh, well..." Cherrystar struggled to say anything. "Well, you know she has a scar, right? She got it when she was just a moon old- and i thought it wasn't suitable for her to live there, so i fled with her."

"Interesting."

"...What were we supposed to do again?"

"...Excellent question."

"Weren't we supposed to... um... patrol?"

COTV shrugged, which made Cherrystar sigh.

"We should get back to camp before the others think we got lost or died somehow."

"Yeah, that's fair."

They didn't get much done, but they liked being around each other. COTV has tried to tell Cherrystar something, but has never been confident enough to actually tell her. Maybe another day will be the day she will finally say it.

-🦚

DOG this is so good, kinda makes me wish i need how to write lol great job!

[crippledwithrage]

I'm somewhere between a B and A cup, so I'm on the smaller side of chests. I've tried different methods of taping and all it did was make them not jiggle when I walked- like a tape bra.

This method, however focuses on the pec shape rather than flattening perfectly.

I came up with it after wasting half a roll of trans tape on other methods, but this one really helped me!

All bodies are different so don't be afraid to experiment with different styles!

Make sure ur musty ass is clean when you put the tape on or you'll be taping over dirt and sweat which is going to give yourself an infection.

Here's a tutorial I found on larger chests and bodies!>>> https://youtu.be/USNvHelRBoU

When making the anchor (the part that sticks to your skin before you pull the rest of it) make sure it's flat and attached well using heat and friction.

(Round the fucking corners of the tape! It gives more traction! )

The first strip is 3 segments and starts near the bottom of the breast where the skin folds over, and pulls up towards the armpit diagonally.

Be sure to pull up first. If you pull down, it may damage the tissue and make top surgery impossible.

The second piece pulls downwards diagonally from the top towards the bottom of the ribs at the back (near your floating ribs). Make sure it doesn't wrap all the way to your shoulder blades.

(That way you can reach It to take it off properly)

It's important not to do this backwards because you shouldn't pull down! It should look like pecs, but remember, cutting board flat is unrealistic and dangerous!

The skin will itch in the middle so feel free to use anti itch cream to alleviate.

Remember > the tissue may be more dense like mine which makes this using transtape frustrating.

Again, feel free to alter it if it doesn't work.

If you have sensory issues, be aware of your boundaries! You can feel the tape on you but don't be afraid to say that it doesn't feel right.

Adjust it or try a different binder. Fytist is the best for sensory friendly binding.

With tape, you'll be able to feel your shirt on your chest and back when using transtape too, so that's something to get used to.

Wear a heavy jacket or sit against something to make that odd sensation go away.

I'm disabled, and I have issues with my oxygen levels so breathing properly is a must. Binders can make it hard to breathe and cause joint pain which is a bitch of a time for me. In the summer, especially, since they get hot.

Binders work for me, luckily, but this method of tape allows for clear breathing.

No squeezing sensation and free range of movement.

It minimizes pain, and allows me to breathe freely as I would with nothing on. If you have breathing problems and can use tape, I highly suggest this.

You can sleep in this stuff and use it for 4 ish days. If it hurts or pulls, or even blisters, take it off! It's better to have a bad day than to live with a mistake forever. Bind safely!

This is for those of you who feel like they're not "flat enough ". Markipier is a cis man and I personally love that he never hides that his chest is somewhat fuller. He has pecs and wears tighter shirts, and this is literally the norm for men. This is the shape you should be going for, not cutting board flat. Most men aren't flat anyways.

When in dysphoria, remember markipier!

Lastly, if you can get cutting board flat, be sure to check if your method is safe and that you're not pulling down. If it's safe, congrats! But I will find you and I will delete your minecraft worlds if you bully others about their chest.

Stay safe out there, queers!

[jasminedragonart]

For those of you wondering I will not nor will i ever be watching the live action atla. This is part of the reason why I'm stopping drawing it. I know that this will take over the fandom, the live action art. And there's nothing wrong with that, but for a while a lot of the live action stuff will drown out the cartoon one and I liked what the cartoon one brought to the table.

In my opinion, as someone who's only seen glimpses of the live action so far, it doesn't look amazing. this is simply my opinion. Some of it looks cool. But I feel like they're taking a lot away from what made the cartoon one special.

Like, momo's design is terrifying. Zuko's scar is too small. In my opinion they should have leaned into the injury instead of away from it. Make him half blind. It would have been interesting. Maybe we could have had some interesting scenes where he can sense the bending as it brushes his face like Toph can.

Azula shouldn't have been in the trailer. I know a lot of fans know about her from the offset now, but as someone who watched this as it was coming out Azula should not be a character until the 2nd season. It was a decision that the writers made and it was a good decision.

The first season is focused on Zuko. It needs to focus on Zuko. We need Zuko as an antagonist so we can see him in comparison to true antagonists. Zuko is tame compared to Azula, Zhao and Ozai. But we still need to see Zuko as a character, as a villain and the sole true villain of the first season to really appreciate how much of a wet noodle he is and why he's being shown so much alongside the main cast.

Suki should have red hair.

There, I said it.

She could dye it. Maybe with berries or some kind of natural dye, (It was definitely possible because they used to dye their hair in the Elizabethan era to look like Queen Elizabeth- a redhead). But I like Suki's red hair. It makes her stand out as a character and it suits her. It's fiery like her passion and her makes her stand out like the dangerous person she is.

Katara looks fine. Aang looks fine. They all look a little older than I would have liked but I understand they want kids who can still look kids for a few seasons so upping the ages will probably be a good idea for that. But, again, cartoons are timeless where live action has a time limit.

Ozai shouldn't exist yet. He's a shadow in the first season for a reason. We need the fear factor.

Overall this looks too serious than what I like about the ATLA series and I know people are going to love it but I won't be one of them.

That's okay though.

If you like it, I'm glad. But I will be turning my art to other endeavours so, if you're looking for atla it will have to be one of my older arts.

[bibibbon]

What MHA lacks: proper world building

In a series like MHA world building is something that is very important. Sadly, a lot of the world building we have is inconsistent and all over the place.

In my opinion, the world building aspect of MHA was definitely introduced a bit too late and the stuff that we did have in earlier seasons is inconsistent and never really followed through properly. This is stuff like:

Quirkless discrimination - honestly, this one is SO INCONSISTENT that you can argue that it doesn't exist and that Izuku just suffered for the sake of suffering. We have little to no knowledge when it comes to the whole idea of quirklesness and how a quirkless person is treated. Also, Izuku is the only one who has really faced this type of behaviour since we don't see it with characters who were quirkless like mirio, shigaraki, all might and even yuuga.

heteromorphs discrimination - we definitely know this exists but it was only ever introduced and heavily focused on in the final arc. To be honest the plot point itself doesn't make sense as there are many heteromorphs heros and people in society who seem just fine. I think it could work but it definitely needs to be established and built on a whole lot more.

Quirk marriages - I honestly feel like this plot point was just introduced for the sake of the todoroki family and nothing else. I think it was stated that this is an old outdated practice and that it's been made illegal but shouldn't we see other victims of quirk marriages and not just the todoroki family.

Child hero's - this is mainly a focus on both hawks and lady nagant and while I think this is an interesting plot point it definitely should of been built and expanded on a whole lot more. You can argue that it doesn't truly make any sense considering that it was originally stated that Japan was oversaturated by heroes.

The hero safety commission - all we get when it comes to them is that they are bad people who end up getting destroyed at the end and exploit children with powerful quirks. We don't know many things like what's their job? How do they help hero's? What's their relations with the government? What are their motives? Etc etc

The laws and legislations in MHA - see in any other show this wouldn't be needed but considering that this is MHA where heros work for the government as glorified soldiers with costumes then we kind of need a link in laws and legislations in MHA. The most prominent law is the vigilantism one but thats it.

Other stuff like the foster care system or child protective services - honestly, this is one of my major problems with MHA because you're telling me with all of the situations that there are we never see eri have a social worker or something similar like it doesn't make sense. We know orphanages exist but that just about it really.

Crime and the underworld in MHA - this is pretty vague but what I mean by it is the exploration of what really goes on in the underworld which can show things like drug trafficking, quirk trafficking, mafias or gangs ( just like overhauls)

Quirk experimentation - This could of been so much more especially with the stuff that the doctor and overhaul both gave us. How overhaul was right about the origin of quirks and how the doctor has made it possible to pass on quirks and so many other things

Misogyny and sexism - I really don't know if this came by accident but there is a lot of misogyny in MHA literally can be seen in the sports festival and that could of been a great plot point of how unfairly woman are treated in day to day life and the hero industry horikoshi does almost NOTHING about it and just sexualises the characters even more

People and their quirks - it's acknowledged there are people who struggle to control their quirks and it's a problem that hori never explored in his society. Also why is it that only heros get to use their quirks what if you have a quirk suited for your job you should be able to get a permit to use your quirk right?

These are all missed opportunities when it comes to the world building of MHA and it's own society. I must admit that some points are explored but there really isn't much depth to it as it should have and it doesn't help at all that MHA is a series that NEEDS world building for it to work.

[artist-issues]

If you've seen WALL-E, I'd be extremely curious for your thoughts if you haven't already shared them. Actually, I have a few movies I'd love your opinion on, but I'm not gonna keep ya all day. Thank you for your content! :)

I love WALL-E. It's a cool idea, that the whole movie is about what it means to be human, but from the perspective of a robot.

I think it's very straightforward, and there's not a lot of stuff to analyze, which is good! He's this robot that's "developed a personality" but what he's really becoming is human.

And the movie is saying that being human is liking things, taking risks, being vulnerable, and most importantly taking care of things. As in, caring for things that need you. Even if it means you don't survive or get to be as comfortable.

WALL-E preserves the stuff he has an interest in instead of junking it, but remember, he takes care of that little cockroach. He carefully organizes all his things. He fixes what's broken. That's what humans were placed on Earth to do: have dominion over it. Take care of it. Cultivate the land, order the animals.

And instead we use it all to make ourselves more comfortable.

Not WALL-E, though! And he teaches that to everybody else.

The only things I struggle with, with WALL-E, are the repeated "Directive" themes. Like, what you're made for isn't what you should be. You could say WALL-E is all about being what makes you happy.

I disagree with that. That worldview is no good. What makes you happy changes from moment to moment, and it usually comes at the expense of other people and what you, yourself, need to be good and healthy. But you could argue that that's how the humans in WALL-E got to be blobs in chairs that abandon their planet, so my beef with those themes aren't very strong.

You could just argue that the narrative is saying, WALL-E, who was created to put waste in its proper place, is still doing that. He's just doing it in a deeper, better, more correct way than all the other robots. He puts waste in its proper place, but by doing that, he also protects the things that are worthwhile and shouldn't be wasted.

And in that same train of thought, EVE is so focused on collecting and delivering the one sign of life that makes Earth worth living for--that's her directive. But it turns out, WALL-E is the one sign of life that makes Earth worth living for, because of the example he sets. That example of finding joy in hard work and protecting things that are worth protecting.

I also think, if WALL-E were released right now, in 2024, it would not be well-liked or accepted. Because people would get their feathers ruffled by the idea that we're all headed toward being blobs who can't see past our own comfort. And they'd accuse the movie of "body shaming," that kind of junk. Then again, the same people who are worried about that are also worried about that great big topic we call "the environment," and WALL-E cleverly set itself up to be championing "the environment," so maybe it would've shielded itself. Either way, I think the movie was very brave to say, "yeah, hey, we're super lazy and self-satisfying and obsessed with our own comfort, and this is the dystopia it could lead us to."

And MO is my favorite.

And love, too. Anyway. Yes, I love WALL-E! And hey! Ask me about any movies you want! I don't get that many of these questions, and I really like thinking them through and trying to verbalize them, so please do! And thank you for this question.

[otakween]

Digimon Frontier - Episode 40

40 episodes woohoo! 🎉Only 10 episodes to go. This one was interesting and answered my "what the heck happened to those other kids?" question. I kinda assumed that they all chickened out or something, but that felt pretty weird and unlikely.

Notes:

Wait, why'd they call this episode "the boys who control Angemon?" The girl in the group is just chopped liver I guess? 😑 Don't like that...

They introduced a potential neat town (the iron region or something) but then they barely showed any of it. At least we saw a nice tomato garden (?) lol

Angemon's hair looked so lustrous in this episode. Honestly, I think its his best quality. (I don't like his buff design + skin tight weird outfit).

Speaking of designs I don't like, Centarumon is definitely my least favorite digimon of all time. I just feel disgust whenever I see it. It looks like it's covered in purple blisters or something blech.

Sagittarimon (introduced in this episode) looks like he could be one of Veemon's armor evolutions. I think its just the flames and blue in his design. I liked how unimpressed the kids were by him.

I like the idea that these other kids are like stowaways and bonded over basically being problem children in the real world. They were shitty to the main kids and generally unpleasant, but I wouldn't mind an episode focused on them doing their own thing separately. Like a version of Digimon where all the characters are questionable people lol. (Okay, I guess the girl was more neutral, but she laughed when the others were being bullies!).

I'm not really sure why they felt the need to hide stuff from the stowaway kids, like Koji stops Takuya from explaining the warriors thing. I guess they just thought they didn't need to know...

I'm confused by the timeline. The kids outside the main group made it all the way to the forest terminal which makes me feel like we should have seen them at some point. I think maybe they got there a lot earlier cuz they just stayed on the train the whole time?

Ophanimon's strategy has a Willy Wonka vibe to it. She brings all these kids together to this dangerous world and then is like "never mind lol go home" to the ones that aren't special enough. At least she didn't drown anyone in a chocolate fountain.

The stowaway kids roasting Bokomon, Neemon and Patamon made me laugh. It would be kinda funny if they were partner digimon (I guess Patamon at least fights occasionally). Do Bokomon and Neemon even have attacks? If this was Digimon World they seem like they'd be one of those digimon that just farts or something 😂 A least Neemon does.

Kinda awkward that Angemon was just begrudgingly hanging with these non-digidestined kids. Basically just babysitting and hoping they go home. Maybe he loved them in his own way.

Rubs me the wrong way that the bullies are like "okay, we'll stop bullying you now" when Tomoki proved he could turn into a huge, powerful monster. Like...or you could stop bullying him in general, he shouldn't have to prove himself. This is the Rudolph the Red Nosed Reindeer story all over again >:/

Didn't expect a multi-parter with the kids getting captured by the Royal Knights at the end. I wonder if we'll learn more about the stowaways or if they'll just be background damsels in distress.