#but that didn't fit anywhere in the main post

[riddlerosehearts]

anyway my "why i don't think idia is (usually) stinky" post from earlier today did remind me of a wider issue i have with how people in the fandom treat idia sometimes: i've been engaging with this fandom since march 2023 and since then i've seen all kinds of headcanons and fics and such where he's characterized not just as smelly and sweaty and gross 24/7--but also as "the token straight", homophobic, an incel and a perv. and people always seem to automatically do this when they see a gamer/otaku character, no matter what the character's other traits may be, and i hate it. idia is a genius engineer and needs to clean up before he works with machines at the very least. idia very freely calls characters like vil, silver, and malleus gorgeous and handsome and attractive. idia's canon favorite anime is not some battle shonen series that's likely to have an abundance of oversexualized women and fanservice, but a wholesome and heartwarming sports anime about the friendship between a team of young women. idia is a wonderful character who's just as complex as anyone else in twst.

[adarkrainbow]

Why was Hansel the meal of the witch?

This is a question I was aked recently, and I thought it would make a good subject for a post. "Why did the witch only try to fatten up and eat Hansel? Why didn't she imprison and fattened up Gretel too? Why did she choose to make Gretel her slave instead of Hansel?"

Which is actually a fascinating question. Now, I do not promise that there is some grand truth or secret meaning behind this. It is just a little detail and some technical workings of fairytales. But it is a point that many authors and rewriters have taken an interest upon, and that if a true well of reinterpretations.

So let's go... Why was Hansel the meal, and Gretel the slave?

If we go by the "canon" of the text (of course "canonical" fairytales do not exist, this is just an expression) - if we go by the Brothers Grimm's text, we... well we do not know. It is not specified anywhere why the witch decides to lock up and fatten up Hansel out of the siblings, and to not do the same thing for Gretel. There is no reason explicitely spelled out or given. Maybe she simply prefers the meat of boys over the one of girls? This absence of justification, and the apparent "randomness" of the choice opens a door for authors who would like to change things: for example in "A Tale Dark and Grimm" (the book, not the Netflix series), it is both Hansel and Gretel that are fattened up by the witch, and she only picks Hansel as the first one to be roasted. The Looney Tunes Hansel and Gretel also were both in the cooking pot of the witch Hazel...

The text only leaves implications for the reader. For example, the need for the witch to have a slave/assistant to help her with the chores is implied by the facts that she is 1) elderly 2) has a very bad sight and 3) walks with crutches (a very important point). So it is understandable she would require a slave to help her - but then why pick Gretel, and not Hansel? Again, the text does not answer. Many people like to portray Hansel as the oldest child of the duo, and Gretel as a younger sister - this is because Hansel seems to be the strongest, bravest and most intelligent one, as well as with how his name always comes first in the text, Gretel being after him. Maybe the witch chose to eat him first because he was precisely older, and thus there was a more developed body to eat? Even if the siblings are of the same age, we can always imagine the very old and present male/female dichotomy that claims that men's body are naturaly stronger, larger and meatier than women's, who have graceful, slender, lighter bodies. Maybe such a concept is at work, putting forward a mindset where a cannibal witch will always go for boys first as a main course, and girls next as an appetizer...

One possible reading of the story is that the witch only had enough place to lock up ONE child and thus had to make a choice. Maybe there wasn't enough room for two kids in her prison for future meals? This interpretation is supported by the ORIGINAL text of the Grimm's fairytale. In the first edition of the brothers Grimm's fairytales (provided by Jack Zipes), there is an explicit mention of the place Hansel is locked in: it isn't some sort of stable or cage as it would later be described, oh no! It is a chicken coop so small Hansel can BARELY MOVE. It is a really tiny prison, in which he barely fits. Of course, on a practical side, it can help with the whole fattening process since having a child eat rich meals without ever moving is certain to make him plump in no time (just look at these horrible industrial farms and how they lock up animals in tiny cages) ; but this detail actually explained why the witch only placed her efforts on one child, and not two: she obviously had only enough to place to lock up one kid, and had to deal with the other in a different way.

But even if we admit all those implications - that the elderly, handicaped witch needed a help, that she had only enough room to lock up one child, that maybe Hansel as an older boy makes a better meal than Gretel - there are still some strange and bizarre logical holes. For example, the witch beats up and starves and exhausts Gretel. This is the complete opposite of what she does to Hansel, who is pampered and fattened up - does this imply the witch maybe does NOT want to eat Gretel? Or does she really have only enough resources to fatten up one child, and can only afford making Gretel more edible once she is done with Hansel?

Again, mysteries upon mysteries. Fairytales are not created to work on practical details or actual psychological processes - they are stories relying on powerful visuals and ancient motifs and a dream-logic-structure. When we are told that the witch locks up Hansel to fatten him up and eat him, and that Gretel is becoming an abused slave, we just accept it, because it works on a set of powerful visuals, such as the malnurished slave sister cooking and feeding her imprisoned and soon-to-be-killed brother. The idea of the sister being reduced to a tool in the process of killing her own brother is a very powerful one, never explicitly stated, but still present and sometimes used by adaptations. There was this German Hansel and Gretel movie released in 2005 that explicitly played on this: the children were never told by the witch her intentions when she locked up Hansel, and for the first week or so of Gretel being a slave and Hansel fattened up, they were left in the dark concerning the real intentions of their mysterious jailers. This was a stark contrast with many Americanized adaptations that have the witch gloating and explaining her cannibalistic desires to her victims, and which opened the door for some interesting plot points - in this movie's case, Gretel being quite jealous and envious of Hansel's new life of feasting and being kindly treated by the witch when she got all the insults and chores. Of course, when they discover the truth, their mutual feelings reverse as Hansel realizes his seemingly "easier" fate is actually the worst of the two.

Still, the text is left ambiguous and open-ended enough for us to imagine TONS of things. There could be a rewrite of the tale where the witch exclusively eats little boys, and hates little girls. One nterpretation of dark poetry of the tale can be found in Znescope's Gretel mini-series. Despite this mini-series having BIG flaws (the choice of the witch's true identity was... quite bad to be honest), it does have a very interestng and morbid answer to the "Why was Hansel the only one fattened up?" question. It chooses to depict this difference of treatment as a sick and cruel game the witch plays with her preys: Hansel and Gretel are both her prisoners, but she fattens up Hansel while she starves Gretel, to make a contrast between the two, simply out of a perverse amusement. There is one particularly striking image of the two children locked in two cages arranged like a weighing scale, with Hansel's cage going lower as he grows fatter and Gretel's going up as she becomes skeletal... It is a nice visual contrast that has been reused by various artists.

Now, I spoke mainly here of the content of the story and of the text itself. However, as I stated before, we must look beyond the story itself to understand why Hansel was to be the meal, and not Gretel. Or rather we need to look at the fairy tale's structure, on a meta-level.

As I said before, the fairy tale works here on a system of duality. Hansel and Gretel are meant to be a yin and a yang, complementary reflections. The boy and the girl, the brave and the coward, the cunning older brother and the crying little sister. The idea that their fates are "split" into the house of the witch not only furthers the anguish of the characters, who at this point were always together but now find themselves separated, unable to face together the same trials, but also keeps on playing on these visuals and motifs. As I said, there is something that many artists read in the tale, in the opposition between a malnourished Gretel and a feasting Hansel. This is part of the same duality of food and famine present all throughout the tale, such as the woodcutter's famished and poor household, opposed to the witch's house made of sweets and with chests full of pearls. The siblings represent two forms of abuse and evilness enacted by the witch, but in complementary forms: with Gretel the witch becomes a domestic abuser and an enslaver, with Hansel she becomes a jailer and an ogress.

One can also read in this an extension of the typical sexist duality between men and women in these old centuries: the fates the witch forces upon the two children can be caricatures of what each gender is supposed to "do" in such a society. Gretel, like women, is expected to do household chores and to cook for her "man" - here it is caricatured into her becoming a slave, and only helping fattening up her brother like some cattle. In return, Hansel, like a man, is supposed to be well-treated and well-fed, but here the caring wife/mother figure is a monstrous hag who only makes him feast so she could eat him later. In fact, it is quite interesting to see how both siblings are dehumanized and reduced to the status of animals - from Hansel being fattened up in the stables like some pig or chicken, to Gretel being fed leftovers like a dog.

All of that being said, there is another much needed argument that must be made: the answer fo thte question can be easily found in the story's structure. This is the most obvious solving of the problem when you consider it all: the story of Hansel and Gretel relies on the idea that the two children must save each other in turn. There is a balance in the tale, which bears the name of the two protagonists as heroes, but one before the other. During the first part of the tale, it is Hansel who takes the lead and the decisions. He is the cunning hero who tricks his parents, saves his sister from the woods, returns home thanks to his plan. Gretel is only seen being scared, and crying, and not doing anything except follow her brother around. In the second part of the tale, within the witch's house, it is Gretel who becomes the hero. Her brother is "out of the race", locked up away and unable to do anything, and it is Gretel who this time has to trick the deadly parental figure, come up with a clever ruse, and ultimately save her brother from death. This creates a perfect balance between the two characters: Hansel starts out as the hero protecting his useless sister, and then it is Gretel who vanquishes her uselessness to become the hero saving her own, impotent brother. The siblings need each other to survive, and thus save each other in turn. This is how the story works. And this is why Hansel must be the locked-up, fattened-up victim, so that his sister can save him. Else it would have been the story of "Hansel", and not "Hansel and Gretel".

All of that being said, a last point must be made about a final theory. A theory and reading of the tale that has been very prevalent and prominent in recent adaptations of the story.

The recent "Gretel and Hansel" horror movie did it. Before the (X horror movie) also did it. Neil Gaiman's Hansel and Gretel also used this idea. The comics Fables toyed with it in a side-way. And this idea is simple: the witch did not want to eat Gretel, but rather wanted to make her a witch like herself. Gretel wasn't the witch's slave, but unwilling apprentice.

This idea is born of course from a reconsideration of what a "witch" is, and the gender questions attached with the figure of the witch. In the original story, the witch is not a witch in the modern sense of the term, in fact she is a monster that is very clearly an ogress by another name. There is no question of learning how to be a witch, or making deal with dark powers, or anything like that. But when you read the tale with the modern sense of "witch", as a symbol of dark and hostile feminity, as a woman of power, who works against the domination of men, or the tyranny of patriarchy - when you consider all the gender questions surrounding real-life witches and the witch hunts, you see the witch's actions under a different eye. Her not wanting to eat Gretel at first, and making her do her chores, and forcing her to live with her, might hint at the fact she still considers her more "human" or more valuable than her brother, who is nothing but food, a mere cattle. Several of the modern reinventions of the tale, such as those stated above, decide to add the twist that the witch actually wants to shape or make the little girl into her image: from a slave doing the witch's chores, she becomes the witch apprentice, who is by her side in everything she does. Some of those readngs remove the elements of abuse towards Gretel, while others do not forget them. Neil Gaiman's take on the story is especially fascinating as the witch is explicitely described as oscillating between periods of sweetness and kidndness, promising Gretel all of her secrets and great powers, and periods of pure hatred and violence where she just insults and beats up the girl - all of it highlighting either the witch's madness, or a form of senility due to her old age.

But this theme of "Gretel as a future witch" or "Gretel as the witch's apprentice" ties in with another subtext well-hidden in the original text, but that many like to weave upon: Gretel as the "daughter" of the witch. In many of those rewrites and reinterpretations, the witch doesn't just treat Gretel as an apprentice, but as an heir or a replacement daughter. This is no surprise since it is very clear that in the original tale, the witch is the dark side of the mother figure, and an evil doppelganger of the wicked stepmother/mother of the siblings. As such, it makes sense for her to impose an abusive and unconsented motherhood upon Gretel - doesn't her forcing the girl to do all the chores not reminiscent of how famous fairytales stepmothers treat heroines like Cinderella? Such a perverse motherhood was already explicit and obvious in her treatment of Hansel: like a mother she nourishes and feeds Hansel (in fact she succeeds where the wicked stepmother failed), but this is all to devour him, in a ritual of "un-birth", she becomes a death-givers who doesn't expel a child out of her womb, but has it return to her stomach. [This is a very common and usual motif among ogres of fairytales, who are all caricatures of parenthood].

More generally, to have the witch act in such a way actually makes the fairytale more "feminist" somehow, but in a quite perverse way. Because in such a reading, we have a women-dominated world. The true active and powerful characters of the story are beings such as the wicked stepmother and the witch, who command, control and influence the other characters - especially the male ones. The father is a weak puppet who can't stand up to his wife, Hansel is reduced to a fat pig in a cage. Hansel did try to escape the tyranny of the wicked woman, but all he could do was push back his doom, and his plans ultimately failed. Gretel, as a woman herself, is given a special treatment - and in the "apprentice/daughter" interpretation, is "absorbed" by this world of wicked, dominating women. But she actually breaks from it, and kills the one that would have "turned" her - and it is telling and interesting that the only one who can have a true an full success, a definitive victory in this tale is Gretel. Hansel's plans work and save them, but only for a brief time, and his last plan fails dramaticaly, before he gets locked up and "out of the story". Gretel meanwhile, when she gets the courage and intelligence to act, proves herself much more efficient and definitive than her brother, as she puts a true end to the threat other them by killing the witch (and by extension killing the wicked stepmother/mother). This is something Hansel couldn't do - all he could was trck the wicked woman, and nullify her plans, but he could not remove the threat of the death and the hunger.

Anyway, as you can see, despite being a quite superficial and silly question, this fact (or rather absence of facts) opens up a whole jar of various interpretations, readings and themes, and proves the hidden complexity of these apparently "simple" stories.

[valyrfia]

will you please do another tarot pull for charles? his career trajectory in general/ the wdc at some point/ the move anything truly. he is the first sports person i have been so worried about completely getting ruined. no worries if not of course.

I did a pull for Charles asking "what will it take for him to become WDC?" almost a year ago now. I didn't post anywhere about it at the time because it was a heavy reading, and when people asked me later, Ferrari didn't seem to be doing too badly and I think it would have made a lot of people quite upset.

The cards I pulled for Charles and his WDC prospects were: four of swords, the fool, the tower, the death, the king of pentacles, with a clarification card of the ten of wands–all the cards upright. If you know tarot, you get the absolute magnitude of the centre of that reading being the tower, flanked by the fool and the death, but for those who don't know tarot, I'll put a longer explanation of this pull below the cut. I'll also include a screenshot of me talking about it to @tsarinablogs (who bless, puts up with me and my cards) so you know the reading dates to end of August of last year.

Beginning with the Four of Swords, this is a card of overwhelm and signalling that there is a need for rest and regrouping–to not make rash or harsh decisions. In order to prepare for the future, one needs to leave their fears and irrationality behind and plan with logic.

Next is the Fool, which as number 0 in the Major Arcana represents new beginnings, possible innocence, or a leap of faith. It's a card of new exciting opportunities and advancement and being reinvigorated with energy.

At the very centre of the reading is the Tower, and this card is the main reason I chose not to share this reading when I did it. The Tower is possibly the most 'terrifying' card in the whole of tarot and is definitely the one where there's a strange and heavy energy when it comes up in a reading. The Tower represents chaos, destruction, upheaval, disaster, loss, sudden and violent change. It's often a sign that things need to and will be burned to the ground. thetarotguide has a pretty good general round up about it, but it's the card at the centre of this reading.

Following right after the heaviness of the Tower is more–Death. While it sounds bad, the Death card in tarot often indicates a transformation–things needing to die so they can be left behind when one moves on to a better version of themselves.

The last card in the reading is the King of Pentacles–which after all that heaviness is actually a great card. It represents success, prosperity, stability, reaching one's goals–especially through hard work paying off and seeing things through to the end.

I pull a 'clarification' with my reading as well which is supposed to serve as a simple yes or no/round up of the overarching message of the reading, and I pulled the Ten of Wands which, straight from thetarotguide, 'the Ten of Wands represents a situation that started off as a good idea but has now become a burden'. It's about an uphill struggle, losing hope and losing focus.

I'll leave my interpretation of this reading at the time below with the timestamp proving I did this reading before Lestappen Gate was even a twinkle in anyone's eye. I will say take my interpretation with a pinch of salt, as things end up having a funny way of working out which is never how you read them initially but fit better with the cards in retrospect.

[bones4thecats]

If it's okay How about dorm leaders and Floyd and Jade react to a kianna reader smashing the mirror to her world since she didn't want to go back to a place that just made her unhappy and held so many painful memories and for once she actually smiled but this time it wasn't forced/ fake

And she said something like

I'm not going anywhere

I'll always be here with you

so don't cry please

A/N: This was a very long request, and I've been working on my horror character headers, so I apologize @nunezs-stuff because it took so long. Jade and Floyd are on another post that I had made since I couldn't fit all the tags in. Anyways, I hope you enjoy it though~~

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❤️ He was there watching you leave, you, his beautiful rose was leaving him for your old life

❤️ And he couldn't do anything, he didn't want to try controlling you

❤️ He had just turned around with Trey when he heard the ear-shattering sound of glass being broken into a million pieces

❤️ When he turned around and saw you standing there with bloody knuckles and a smile plastered across your face, staring at him, he started to really cry

❤️ You destroyed it, your only way home, to be with him?

" I'm not going anywhere, Riddle. Don't cry, my king. "

❤️ He held you and smiled while sobbing his eyes out, you wanted to spend the rest of your life here, with him!

" My dear, I love you so much. " " And I you, my king. "

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🦁 He would never say it, but he adored you from the start

🦁 And after everything you both went through together, and you were just going to leave it all behind, leave him behind

🦁 Of course, Leona wasn't gonna force you to stay with him, he knew you hated being controlled

🦁 But seeing you walk to the mirror was to hard, so he turned around and began walking away when he felt arms wrap around his midsection from behind

🦁 You.

🦁 He was so filled with sadness that he didn't hear the mirror smash from your fists

" Leona, I'm never leaving you. To hell with that world, this is my world, you are my new world. "

🦁 Cue the crying

🦁 He held you so tightly that he just never let go the rest of the day, even when Malleus was there, he didn't bother with a snarky remark to his teasing, which showed the fae how much his human friend was cared for by this beastman

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🐙 Azul immediately tried to hide his tears as you walked up the stage and onto the main platform where your portal laid awaiting

🐙 Jade and Floyd smiled as you left, not allowing their emotions to show, in favor of watching over their boss

🐙 He was blocking out all sound as you left, not wishing to hear the cries of the rest of NRC you had befriended, especially Grim and the other first years

🐙 He had just ushered Jade and Floyd to leave with him when Floyd gasped and yelled out the nickname that made him freeze

🐙 The arms that turned him around and cupped his face made him allow some sound in, your voice, and what he heard made him crash

" I am never leaving you alone, my Azul, I'm staying here, there is no need to hold yourself back again. "

🐙 He smiled and buried his face in the crook of your neck and shoulder, knowing from then on, you were the perfect S/O he could ever have

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☀️ Crying

☀️ He understood that you wouldn't always be there with him, but now that it was actually happening, Kalim was bursting into fits of sobs, knowing it wasn't likely he'd ever see you again

☀️ This dorm head tried hiding his sadness the hardest he could, but Jamil could always see through such petty lies

☀️ Kalim had seen you walk to the portal and he looked to Jamil, and hearing him start yelling your name meade him stare at you in shock and worry, praying something didn't happen to you

☀️ Watching the glass burst everywhere made him smile, knowing what you had done

☀️ You broke your way home

☀️ But the real bonus was seeing your smile, the smile that he had wanted to see for oh so long

☀️ Running towards you with his arms spread out wide, Kalim hugged you, laughing loudly as everyone smiled at the sight

" Kalim, my beloved ray of happiness, I will never leave you. I promise. " " My dearest sunshine! Thank you so much for this wonderful gift! "

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👑 This guy doesn't want to ruin his makeup, but it was hard to hold his emotions back at that moment

👑 He expected Crowley to find you some sort of transport home, but this was too soon, and, for once, he wished that simple bird-brain could've held himself back for a few more measly years

👑 Vil hugged you before you walked up to the doorway home, to your true home

👑 He watched you look back at him and wink, before you winded your fist behind you and smashed the way home, right before his eyes

👑 It kinda upset him, but seeing you hug him while smiling made all of that go to hell

👑 Vil loved you, and he could push the bloody incident behind for now

" My beautiful Schoenheit, I'll always be here with you. " " And I you, my beautiful S/O. "

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🎮 This poor boy

🎮 The only way he ever saw your relationship effectively ending was from his introverted nature, not this

🎮 Seeing you talk to Ortho, calming him down as you explained why you weren't coming back hurt, it hurt bad

🎮 Idia saw you walk the way up the stairs and he could see your body tense up when nearing the top, but he hid his face in his hoodie, not wanting to be seen at the moment

🎮 He expected to hear the sound of magic engulfing your body to push you through universes, not the sound of it being broken

🎮 Idia pulled his hood down in a burst of energy and watched you look at him and smile before saying those words he would repeat in his head from that day on before bed

" I'm not going anywhere, I'm staying alongside you, my love, so please don't weep over me. "

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🐉 This prince was phenomenal at hiding his true emotions from people behind a facade of blankness, but you and the rest of Diasomnia's band knew the truth

🐉 Malleus never wanted to see you leave, and that was final

🐉 But seeing your eyes light up as Crowley and Crewel tell you the great news, he couldn't force himself to push the idea down

🐉 He watched you walk away from the hug you gave Lilia and the very, very tight ones you gave Sebek and Silver

🐉 It pained his fae heart to see you leave him, but he couldn't, no, wouldn't stop you, you were your own person

🐉 The only thing Malleus didn't expect was the loud sound of exploding glass to erupt through the room

🐉 Then the feeling of your familiar arms around him and the smile you sent his shocked gaze made his formerly frozen heart burst in flames

🐉 Especially after your words

" My dearest Malleus, please do not cry over this, I love you, and will never make you go through the same pain like before. "

[notionresources]

🪻🪷Directory!!🪷🪻

Welcome to notion resources! Here in this blog, you will find:

PNGs, headers, icons, dividers, gifs, little tidbits about shifting, and things I can't bring myself to organize. other classifications include Xochitl's photobook, where images that didn't quite fit anywhere else go.

for more personal posts; check out my soap box (my yap tag) and my personal tag (which I will add here once I actually make content to fill it...and come up with a name) My main is @idkwhatimdoingandyoucantstopme ; but this blog is exclusively reposts and not at all shifting related, so be warned!

Now for my intro!

My name is Xochitl! (So-chill) I've been shifting for around 4 years at this point (i think??) And have successfully shifted a handful of times! Right now, im learning to read tarot (tips would be GREATLY appreciated; i suck at it 😭). I'll elaborate on my drs in another post, but a quick intro will be provided below the cut, and a general summary will eventually be tagged here 💪🏼💪🏼💪🏼

Some of these graphics are also organized by DR:

Trail mix- a plethora of different drs shoved into the ace attorney world in a modern setting (might go into detail later) Postmortem - technically in the same universe as trail mix but it got a VERY different vibe And now onto DR selves: Marie- My VNC self, Irina - My One Piece self, Laelia - from my trail mix, Leah - from my fame & Pokemon Dr (great combo btw), and Indigo, my Arcana self!

And i think that's about everything! (For now) feel free to message me with any questions and requests! I love to hear from yall 🫶

Happy shifting!!

[yolli-es]

StarGuardianAU!Jinx × FemReader. Part 2💫💫

I COULDN'T FIT IT IN 1 PART, SORRY 🙌🏻

I've read these posts a thousand times already, but I'm still not sure about the content. English is not my native language, thank you for understanding

After that, you couldn't tear yourself away from each other. Jinx wasn't afraid to go anywhere with you anymore. Again, she doesn't give a shit about the opinions of idiots around her. The main thing is that you know the truth.

Jinx wasn't embarrassed when everyone stared at your duet in public places. You tried to imitate her in this.

Damn, you were addicted to her.

You started spending time together outside of school. Jinx constantly drags you to her house.

You especially remember the sleepover when Jinx first showed you her Kuro and Shiro! Those chubby guys were just as in love with you as you were with them. Even Shiro, who doesn't express any emotions, can smile at you on your first meeting.

Jinx, by the way, doesn't know what kind of animals they are. She likes to think they're a rare breed of alien cat-dog. You support her in this.

These cuties could become invisible at any moment. This is necessary to always be close to their owner and in a moment of urgent need to help her save the universe.

Only their owner, Jinx, could see these animals at any time.

After your acquaintance with the chubby ones, you ask Jinx to show you them every time

Things were great between you two, but you hated the slander against Jinx. People kept thinking she was horrible, which you really didn't like.

That's why, when Lux and the others couldn't handle Zoe's new pet, you convinced Jinx to step in.

Jinx wanted to help them, because despite the harsh words she still considered them friends. However, it seemed to her that everyone would turn on her again because of the explosions and other things. She did not intend to make things worse for them. That yours admiring look and short conversation finally convinced her to intervene.

Well, her spectacular appearance did not go unnoticed. Magic and glitter didn't help the Star Guardians, so heavy magical explosions saved not only the girls, but the entire city.

People finally shut up and recognized Jinx as worthy of the powers of starlight. Lux also apologized publicly, which helped a lot.

They discussed everything later, alone. Lux was truly ashamed, but Jinx didn't seem to care. She wasn't angry anymore, not when that fight allowed her to meet you.

So, Jinx is back on the team, and no one is whining about her little love of destruction. Still, she does all this work to protect her loved ones. Even if in such a weird way.

You were proud of her, and, believe me, she was no less proud of herself. You're dealing with Jinx, after all.

Sometimes you spoil her with too much attention.

You also learned that Jinx is incredibly strong. And that's a hindrance. Of course, you felt it during your first embrace, but under the surge of feelings, you did not pay due attention.

She herself didn't know about it. Until you have a huge bruise on your skin from her weak push on your shoulder. She is ashamed of it, and she won't stop apologizing.

The power of starlight made her much stronger than any human, and her fighting style allowed her to compete with other Guardians in this.

Now she has to control the force of her pressure. When she took your hand, she did it very carefully.

Your relationship began spontaneously. You found yourself not far from a Star Guardians brawl. Noticing you in the crowd, Jinx's blood boiled. She had never been so serious and careful.

As the creature headed your way, you learned another amazing thing. When Jinx has a lot of adrenaline in her blood, wings appear behind her back. Just for a few seconds while her little animals merge into one giant rocket. One black and one white. You knew her tattoo was there for a reason!

You have never seen anything more beautiful and dangerous. No threat to life could ruin this moment for you.

It ended well, as always, but not for Jinx. She went into hysteria when she found herself next to you, right after everything had calmed down and the danger had passed. She looked at you over and over, breathing heavily.

You said you were fine, but she wouldn't calm down. You couldn't think of anything better than to grab her face with your hands and pull her closer.

Jinx kissed you without thinking twice. It came out a little rude, even though she tried not to overdo it, but you didn't care. You answered with pleasure.

And so, in the light of flashing cameras and the embarrassing glances of her team, you "announced" the beginning of your relationship.

After such a hot start, your couple was not left alone. You were often photographed and filmed, and something stupid was shouted at you. 

Tell Jinx you hate it, and they'll be gone in a few seconds.

Otherwise, your relationship has been unusually calm. Jinx is very active and inquisitive, but if you want silence, she won't mind. Will you tell her something, like at the very beginning of your relationship?

She still loves listening to you and can't stand other people's chatter.

You also take pleasure in taking care of her hair.

Your first time having sex wasn't planned.

You were brushing her hair when you suddenly thought that riding her was a good idea.

Jinx held on for quite a while. She wanted to touch, taste, and listen. It was only a matter of time before her desire overcame her fear.

You found yourself under her.

Jinx started out very confident, very in her style. But then she started to lose her head, blush, and huff and puff awkwardly.

This is as much a first-time experience for her as it is for you.

She was very careful with you. Every movement of her hand was controlled.

Jinx couldn't relax at first due to excessive control of one's movements. It was bad, but you didn't mind.

The friction against each other, although so awkward, was pleasant.

When you were able to cum from this, Jinx was delighted.

You definitely liked it, until it dawned on you that Jinx hadn't finished.

She said it was okay, but you just had to make her relax.

She didn't let you finish what you started that day.

After that, struggling with your embarrassment, you pestered Jinx when you both were alone. Not too pushy, and the girl could always say "no" to you.

Jinx never said this.

After a couple of months of physical contact (not always a sexual type), Jinx was able to relax.

You definitely won't be prepared for such a high libido. Jinx won't leave you alone. She's been holding back for a long time, and now she wants to take hers back.

Her hands did everything themselves, gently and easily, just the way you like it.

She loves to slowly run her fingers down your stomach, but she never touches your pussy so fast.

Try to rub yourself against her hands, and she will remove them from your body.

She also didn't forget about your breasts, often "accidentally" running her fingernail over your nipple.

When she undresses you, she can't help but let out a quiet squeak. Your body is her second blessing. No, starlight be damned, you were the first.

Jinx also loves kissing. It's always dirty, she's very impatient.

Speaking of which, Jinx starts with two fingers at once.

The pace is also not kind to your body, get ready to squirm and beg for her to be slower. She won't listen.

But if you hug her around the neck and gently rub your cheeks against hers? Okay, she'll slow down. 

She melts at any tenderness yours offers her. But this does not mean that she will be unhappy with rude treatment. 

Don't be shy about scratching and biting Jinx. Her body regenerates quickly, so forget about restraint and just grab her like it's your last time.

Don't pull her hair while she's between your legs.

Forget it; Jinx will let you do it. But please, not too much. You're unlikely to be able to pull them out, but it's a big distraction from her lunch.

She also doesn't mind if you choke her for a short time.

Jinx won't do this to you. Don't even try.

Any other even slightly cruel games in sex on you are also prohibited.

Want to take the initiative? She will be happy to obey you.

But don't even try to tease her longer than necessary or tell her what to do.

Her pride will not allow her to torment her longer than she wants.

Sorry, but even in this position, Jinx is dominant.

Her weak spot is her back, right on the spot of her tattoo. Stroke, scratch, or kiss; she will respond to everything very willingly. 

Jinx will moan loudly and expect the same from you. 

"Come on, you can be louder. You don't want me to press harder, do you?"

The sounds of your pussy excite her no less.

She teases like hell, but she would never do anything that you wouldn't like.

Due to Jinx's work and hard studies, sometimes you can't see each other for a long time. She can't stand it and fucks herself with her fingers until her hand gets tired and and her throat will start to hurt from moaning your name.

She tries to mimic your movements, but it almost never works.

Jinx doesn't like doing it, but the itch of dissatisfaction slowly eats her from the inside.

She'll never tell you, but her biggest sexual fantasy is having sex with you near school. In the very place where you first met.

In her head, it's mostly romantic but also very creepy. You won't do it.

She also has a little secret that she has never told you about: Kuro and Shiro saw everything you did with each other. Every time.

Jinx tried to chase them away, but they just don't understand what she wants from them.

At the same time, it never bothered her.

But you will definitely be embarrassed, and after this confession, you will definitely not be able to fuck anymore. 

You might die of shame.

She adores you, loves you, and cares for you. In a variety of ways

PART ONE: StarGuardianAU!Jinx × FemReader

THANK YOU FOR READING! I understand if you couldn't read even 1 of my posts about this. You might think it would be easier to write a fanfic about it. No, it's not easier to me 🥹🤚

I didn't plan to become an author here, but I have a couple more ideas 😋

[batchilla]

Most Married Divorced couple timeline and other fun stuff.

This post will be updated as it needs to be updated.

I recently received some feedback that the third chapter of The Most Married Divorced couple caused some minor confusion, and so! a timeline to help make it clear what happens when is now being created! I also included fun facts about the series and my writing quirks because I am desperate for people to talk to meeee.

I have the full version, but this post will reflect the currently released works, or works that I can fit in spoiler free, such as the flashbacks, which are of course all prior to the main fic and can be read as stand alone if you so choose to just ignore their doomed future haha.

Purple titles are linked - let me know if I forget to link any of them!

Five times Robin rescued you and one time he didn't. (no link as not yet out)

This was a confusing one to fit in, as I would say that technically complicated exists somewhere in the middle of the many rescues, but I settled on first as it includes you meeting Jason.

the five as of this stage of development are:

the first time

the creation of your desert arrangement

the first time he drops you off at home

Complicated would occur loosely here

followed by the remaining rescues which I am keeping close to my chest.

Complicated

This could be read as a stand alone, but it is intended as the first kiss of this particular reader and Jason. It takes place shortly before Jason's death, maybe a year or two prior. While I never set an age in stone for the reader, I would imagine them to be mid to early teens.

We then experience a time-skip of several years.

Chapter one of The most married divorced couple

Till death do us part.

This fic occurs with no set age in mind for the reader or Jason, but you are settled into a apartment, and your daughter Mary is three years old, so I had imagined her as mid to late twenties or so, but you do not have to of course!

Chapter two of The most married divorced couple

Four years later

We skip forward four years into your divorce. Those of you with your smartie pants on will know this puts Mary as around seven years of age. This, for the majority of the time, is considered the 'main' time period, with anything before being a flashback. While I tried to make this clear, I will say it more plainly here because I am talking as me and it is easier to communicate this more bluntly out of the story:

Jason had zero contact post divorce with the reader or Mary until the events of chapter three; two years of utter silence. After the events of chapter three, while officially no changes in the custody arrangement were made, during the two years between three and two, Jason has come over as we see him do in 'four years later', or been present at places he could plausibly ran into you.

Chapter three of The Most married divorced couple

Jason comes home.

Despite what I just said about the main timeline, chapter three is an immediate flashback to the first time Jason returned after two years of total silence. Simply put this is two years AFTER till death do us part and two years BEFORE four years later. Or, for those of us keeping track by Mary's age, when she is five.

Chapter four of The Most married divorced couple

Churros, Coffee, hard Conversations, and Custody. (no link at this time because it isn't out yet)

a sneak peak of the unreleased chapter? in this economy? more likely then you think.

Jason wakes up on your couch, the morning after the events of Four Years Later, and after spending the morning as close as your heart can take to as a proper family would, with Mary, (once again aged seven for those keeping up that way) off to school, a very important, very sad, rather heated discussion must be had.

FUN FACTS

I, when writing x readers, try to avoid having the reader described as walking or running anywhere as I am a wheelchair user irl, and it often breaks immersion for me. No hate to writers who don't, its not a failing on your part, but I hope my fellow wheelchair girlies feel seen! I don't have her explicitly in a wheelchair, because I feel that it wouldn't represent most of my readers, but I have made a conscious effort that it could be read that way.

Jason's hoodie in chapter two, while never canonically described and therefore whatever you imagine it to be, in my own heart, is the 'I am kenough' hoodie. I had it as that in a draft, but I felt it changed the vibe too much to make it canon.

works I am considering writing for this series in addition to the main timeline:

meeting the resurrected Jason as Red Hood

The proposal

A series of dabbles or at least short, short, segments on what it's like to be pregnant in a family of the worlds greatest detectives

a short story about how Damian was impacted by the divorce

A far into the future mainly crack fic with the many bat uncles and aunts, Jason, and Grandpa Bruce all trying to convince a teen Mary to come join THEIR super team / to be their sidekick.

Let me know in the replies if any of these particularly excite you! I make no promises of writing them but they are rattling around in my mind.

[williamrikers]

The Undeniable Queerness of Enchanté the Series

(thank you @ranchthoughts for letting me ramble about this in your inbox before turning my thoughts into a post)

there are bls and then there are bls. right? there are dead fish kisses and there are characters who kiss each other like their lives depend on it.

and enchanté firmly belongs in the second category. 1,500-word essay under the cut.

there is such a consistent and tangible queer undercurrent to everything that's happening on this show and i'm not just talking about the fact that several scenes look like they could be the opening scene of a gay porno. or the surprise bondage. or force in drag. or proposing marriage in front of the eiffel tower. no, there's this aching, desperate desire underlying everything. theo has--in addition to his main love interest--four very hot gay suitors who all very obviously desire him carnally... this is some sort of gay manic pixie dream boy wish fulfilment fantasy and i am absolutely eating it up.

there is a vibe to the show that @ranchthoughts called "fanfic-like", and i would argue that that's because enchanté is actually fanfiction of the little prince. (i'm planning on making a separate post soon about how the book was referenced on and used as inspiration for the show.)

enchanté is fully aware of its own fictionality. it is on-the-nose fictional. but that's what makes it so much fun--it's not trying to be something it isn't.

take the reading memories segments in episode 4 [3/4] for example: these scenes were incredibly cringe, like, full-on bad-green-screen terrible-costumes-and-wigs hilarious-acting cringe, but fully aware of their own cringe-ness. (also, gawin was both in drag and naked in the same scene as two different characters, like. get on enchanté's level.) (incidentally, can anyone tell me what character aou/phupha was supposed to be? i got detective conan, monkey d. luffy and momotarō for the others, but i'm stumped on phupha's character.)

and that self-awareness makes it camp! there is such a level of camp to the whole show which feels extremely intentional (especially in the first two thirds), almost like a meta-commentary: "this is the genre. we know it's stupid but we love it here", and i adore that. they know the tropes, they know the bl landscape, and they're just having fun with all of it.

and the whole set-up in itself is a queer allegory, isn't it? theo and akk are "from different worlds", so to speak, hindered in their love not just by their complete inability to communicate but also by their forced separation as children. when they meet again, theo doesn't really belong anywhere, he's an outsider both in france and in thailand, he is unable to act the way thai society expects him to act (e.g. failing to show the proper respect to the seniors), unable to get his parents to understand him while being actively lied to by them (the whole ocean of miscommunication in that family deserves its own post), harboring feelings for his childhood friend his whole life but unable to voice them in a normal sort of way, instead falling back on concocting the most convoluted, immediately backfiring plan to try to make akk jealous and get him to confess his feelings first.

theo is fundamentally isolated because he grew up between two cultures, and neither one quite fits him: when he's in france, he is comforted by thai food and the only people he's close with (his grandmother and sun) are from thailand like himself; but when he's in thailand, he can't quite get used to the social conventions and makes social blunders, he is very slow at writing in thai.

it's such a poignant queer allegory in my opinion. they didn't end up making as much a point of it on the show as they could have, but it very much informed my whole reading of the show and the characters. there is a sort of inability to articulate his experience surrounding theo that makes him even more isolated and screams "baby gay in need of a community" to me. having akk share his experience at the end is something that i'm not a big fan of for other, unrelated reasons (might make a separate post about enchanté's ending and why it fell flat for me), but when looking at it through this lens, it is the only way for akk to really get theo, to really understand his struggle on a fundamental level.

which brings me back to that desire i mentioned earlier: theo desires akk, very much so, there are a whole handful of scenes where akk gets close to him and theo closes his eyes, expecting to finally be kissed by him, but more than that, he desires understanding. he often brushes off his own difficulties and has a tendency to be emotionally clueless (for example about his parents' divorce), but what i see most in his character is the desire to be understood, to be seen by akk, for akk to see him for who he is and to love him for who he is. (akk, of course, has been doing both of those things all along. he's constantly taking pictures of theo, he's watching him through his window--with theo's full knowledge--he is always looking at him, he's always loving him.)

it's not inherently queer to want to be loved as we truly are, i believe heterosexual people experience this, too, but in the context of queerness itself, being perceived as queer by other queer people is indeed a fundamental aspect to experiencing queer love (maybe not in gay for you bls, but i haven't heard of much gay for you happening in real life). not to be unscientific about this, but the vibes of the perception aspect of enchanté are just very queer to me, you know?

oh, and speaking of desire: enchanté in general is very physical. there is a level of intimacy between the actors and the camera that seems incredibly intentional: there are several shower scenes, scenes of theo and akk shirtless, TWO (2) nude gawin scenes (though one of those is sadly a fake-out and he is actually wearing shorts), many, many scenes that include bare feet, which is not something i see super often in bl, at least not to the point that i notice the frequency of it.

enchanté is very rooted in the physical reality of desirable bodies: theo is allowed to openly, physically flirt with saifa, even though that's not even his endgame love interest, phupha uses physical touch in his pursuit of theo, natee shows his obsession with theo by drawing his face/body about a hundred times, and akk and theo are wholly unable to keep their hands off each other. i've joked about the intricate rituals, but seriously, they are constructing so many intricate rituals. there are two separate scenes in which they make up excuses to kiss each other's elbows/arms/backs. they keep touching each other in a thousand ways, in every possible way they can that is still plausibly deniable as physical desire--until they kiss while watching that movie and then it's just a game of chicken of who will confess first. because their physical attraction to each other is undeniable. it's obvious. this was really refreshing to see in a genre that so often plays with the blushing maiden trope, and one character is so often made to pursue the other: on enchanté, akk and theo are equally horny for each other. it's not their lack of physical attraction that keeps them apart for so long.

(sadly, the show then shies away from actually getting very sexually physical: after their desperate, stunning, amazing balcony-kiss, they aren't allowed to be horny for each other in the last two episodes, when they're actually in a relationship. this is just one of the many aspects that i didn't like about the conclusion of the story, because you simply cannot tell me that these two as we got to know them in episodes 1 to 8 would really be as chaste with each other as they're shown in episodes 9 and 10.)

leaving that aside for the moment, let's talk about that kiss. as mentioned right at the beginning, when these two kiss each other on the balcony, it's desperation in its rawest form. these two--and especially theo--crave each other. theo kisses akk like he will die without him. theo kisses akk like he can finally breathe. theo kisses akk like he never wants to do anything else ever again.

i'm a bit obsessed with book's acting here, because of all the kissing scenes i've seen him in, i think this is THE most desperate one. force plays it a bit more subtle, but book's expression is full-on anguish. theo waited his whole life to be kissed by akk, and book portrays that so beautifully, with such depth. it's one of my favorite bl kisses for sure, it's played with so much heart, so much feeling, that it's hard to even think of kisses that compare, apart from the bad buddy episode 5 rooftop kiss.

anyway, all of this to say that enchanté to me is deeply, lovingly queer, and it's a shame that so many people are sleeping on it. (and that includes myself, i was wary about watching this show for a long time because i'd heard so many negative things about it.)

but i'm here to tell you: watch enchanté. it's wonderful, it's hilariously funny, it's endearing, it has book and force in it, and it is extremely queer.

[beemers-hell]

I've seen a lot of fashion doll posting on your twitter and like, I don't exactly know how to ask but if you ever want to infodump about it on here that would be so genuinely interesting

Not pressuring you in any way of course! I just like seeing your fashion doll posting

rubs my hands together maliciously

Ok so I don't actually have anything I feel like talking about doll wise atm, I prefer making one off posts here n there about the dolls I'm into on twt more than tumblr cause I feel like twt is better suited for one off thoughts while tumblr is better suited for dedicated n thought out posts, at least with how I use it. Which is why you see a lot more wips/shitposts from me on twt than tumblr. so instead I'll just show yall my current collection!!! ANYWAY long ass post time

I've been working on finding and filling out various release lines from different doll brands im fixated on and have been rearranging my collection set up a lot cause of it lol. My shit is scattered all around my room because of how me and my little brother have divided up space for us to display both of our separate collections of things (we are both autistic and insane about our special interests) so there's gonna be a lot of photos lol

TO BEGIN: here's my display case of all my old g1 Monster High dolls I managed to hold onto since I was a kid! I got all of these back when MH initially debuted (when I was around 8 or 9) and all of these dolls have survived through my childhood/teenage years, hence why they're not in super great shape unfortunately lol

the only exceptions to this being the Día de Muertos Howliday Skelita, since obvs that's a recent release, as well as the misc. dolls I have scattered around the top of the case, those are dolls that s0uless has gifted to me over the past 2 years teehee

Moving on, to my current collection of dolls I began purchasing for myself over the past year: starting with this set of shelves next to my bed! I'm mainly using this as my Bratz shelf, but I ran out of room to fit my Skultimate Secrets Fearidescent Dolls where I usually keep my Monster High dolls, so they're there for now.

I only have Jade's reproduction doll because when the Bratz reproductions first began releasing, I was being strict with myself about not indulging in dolls again so I only let myself get Jade since shes my fav. Which I'm sad about, cause I'd love to have all the girls together for both their 20th anniversary reproduction dolls and their Alwayz dolls together. Also, there's a spot left empty next to my Alwayz Cloe bc I have Not been able to find Alwayz Sasha in stores like ANYWHERE for the past 2 months, so I gave up and ordered her online. She'll be arriving here in a couple days!!

Next up is this series of shelves above my dresser that I mainly use to display misc. figures n other shit I've come to own since I was like 12 (you can tell bc of the MHA stuff lmao) but I recently cleared some space so I could fit my Skultimate Secrets Series 1 Dolls (and Spa Day Lagoona + Scare-adise Frankie and Draculaura) somewhere, as well as having a place to display my current set of LOL OMG dolls! And also Bank art doll cameo lmao

Then we have the top shelf of my desk, which mostly has various Knicks knacks compacted into a corner but I put my two LOL OMG Tweens together there, as well as my single Licca doll that s0uless got me for this past christmas and the custom doll they made of my sona for me! <3

(fun fact me and s0uless are currently in the process of making more custom dolls of Eb, Bank, and the triplets but you'll have to wait n see on that one hehe)

And finally for dolls, here's my desk setup, where I display my main Monster High dolls! I mostly just display each Signature Doll + Their Core Refreshes here, but Monsterball Draculaura didn't have space anywhere else so she gets to chill there too lmao

Thats it for my actual dolls, but I have two other photos to share, which is just how I set up my Skultimate Secrets Series 1 Lockers + where I put the posters that come with each Bratz doll I have lmao

ok thats all I'm done now, ill update this when Sasha gets here lmao

[all-pacas]

do you ever think about chase vs kutner replacing house... i got the vibe that they were setting up kutner to be house's successor and then had to switch to chase. his character arc in s8 was a little sudden if i remember correctly (havent seen it in like a year lolsies) but it was also really interesting. but also i love kutner and i can imagine him running a department with a lot more gusto than chase. interesting to wonder if kutner would continue the cycle of (weird) abuse like chase presumably does, or if things would be different with him in charge

I mean, I hope this isn't a hot take, because I think Kutner was great, but there was no way he was ready to take over for House any time soon. It was a running joke that he was a massive liability; he kept pretty consistently making pretty severe mistakes (setting people on fire!). And he also had a real creative brilliance, he was smart as hell and had a ton of potential, but he was nooooot anywhere near a leader. He'd have made a great number two, though. And it's possible with a few more years of development, he would have gotten better, but to be honest most of the time to show was setting up Foreman to be the true successor, not Kutner or Chase.

Which I think says a lot about what the show thinks — and House thinks, maybe — about what the "next House" should be. I think Foreman is hands down the smartest of the fellows on like, a testing level. He lacks the Chase/Kutner/House creative spark, but he's always set up as the Smart One, someone whose brains House respects from day one, someone who has entire character arcs about being like House and not wanting to be. And over time the show drifted away from that, and became more aware of his flaws. We also know that he was never planned on becoming the New Cuddy, they were floating bringing back one of the S4 rejects for the role for a while, they didn't plan on Cuddy leaving. I think that Foreman was planned on being the successor. That's almost stated from S1.

And in a way I think it's bad writing, because the show did lean more into him having a pathological need to be in charge, and because it tended to humble him by having him kill patients, which, uh, undermines the "he's the best doctor" thing by a lot. The fact that Foreman as Dean of Medicine makes so much sense feels kind of… telling? It feels right for him to be an admin and a boss instead of a Creative Genius Doctor, you know?

Likewise, Chase taking over was definitely a S8 thing. I was looking at the dates and airdates and stuff: Hugh Laurie announces he's not continuing the show, and the very next episode to air is Nobody's Fault, followed by Chase. The episode after those is one where everyone agrees Chase deserves to be "team leader;" Chase then gets a run of solving cases while House isn't around. Like, very clearly the show went "oh, fuck, we have 14 episodes left of the series," and one of the main tasks was setting up Chase as House's successor. And I think it does actually fit well, even if it's obviously rushed. Even if it was an accident, he did have the best solve rate of the fellows, and there is something very fitting about it. (Honestly, if they weren't cowards, they wouldn't have fired Jennifer Morrison and we could have had an ending montage where the original kids literally emulate the grown ups: head of diagnostics, dean of medicine, and Cameron as a department head to slot in for Wilson. Imagine.)

SO ANYWAY. TL;DR part one: Chase being the successor wasn't planned at all, but I think it fits. Kutner, god love him, would have made an incredible number two (imagine him being Chase's #2), but I really don't think he was ready for leadership.

(To be fair, Chase also almost never got a chance to be a leader, although we do see him mentoring Park and Masters a bit and doing it well.)

(I'm gonna have to make a different post about a leadership tangent WATCH THIS SPACE)

As for Kutner's leadership style… honestly, I think he'd have so much fun. I think his fellows would have so much fun. I'm not sure how efficient they'd be (I don't picture Kutner as a big details and paperwork kind of guy), but his patients would love him too. It would be so nice.

[aclosetfan]

I started this draft a long time ago based on a joke text post that goes around tumblr fandom spaces, but i can't find a link anymore. my mutuals love the greens as the secretly soft couple and i think the post fits the vibe perfectly, so here’s my spoof 😭😭

—————————

The kitchen clock read around 9 p.m., but their apartment was midnight silent. Butch sat in front of the tv, playing his video game. He kept the volume on low and muted his mic. As much as he wanted to cuss out his team, Buttercup was already asleep.

Townsville had been keeping Buttercup and her sisters busy for the last week. She was up early and in bed late, with no break in sight. He thought it was bullshit that she couldn't, at least, eat an actual dinner, but he was saving that argument for later when the dark circles under her eyes had receded slightly, and he didn't feel like such a shithead for not being able to do more to protect her.

Tonight, she had come home to him battered, bruised, and bone-tired. He had picked up her favorite take-out, and they had settled on the couch to watch a movie. They had made it about twenty minutes into the horrible B-rated horror flick when Buttercup's soft, tired snores reached his ears.

He had been only slightly disappointed. While this had been their first night together in a long time, he had been happy to see her sleeping, so he had scooped her up and placed her in bed with a kiss on the forehead.

That had been two hours ago.

He paused his game when Buttercup floated back into the living room. She wore their comforter like a cape and rubbed at her bleary eyes with a frown.

"Hey, babe," He smiled, opening his arms wide for her.

Buttercup didn't need further invitations. She plopped down on his lap, wrapping her arms around his neck.

"Youse warm," She spoke into his chest.

"Bad or good warm?"

"Good."

He laughed, "Are you cold?"

"Mm."

"Come’ere then." He shuffled her around into a more comfortable position so he could still play his game with her wrapped around him. "Comfortable?"

"Mhm." She nodded, her head resting on his shoulder. "Couldn't sleep without you."

"Well, sleep now, I ain't goin' anywhere."

"Don't wanna," she said through a yawn, nuzzling into his chest. "Miss you."

Butch's heart skipped a beat as if they were still teenagers and he was still hiding his miserable crush on her.

He didn't say anything back. He didn't have the words, but he held her close to him, rubbing small circles into her back and peppering kisses to the crown of her head. Her breath pleasantly tickled his neck as she fell back asleep.

He enjoyed her dead weight and marveled, not for the first time, over the fact that this was his life now—safe with Buttercup. He could act like himself, here, with her, not as some demonic entity's tool.

And it was all thanks to her.

And he was such an idiot for fighting it for so long.

His heart skipped another beat, and he held her even closer.

"You deserve an award, putting up with me." He whispered, thinking she was asleep.

"You’re m’award." She whispered back.

——————————————————————

(BONUS)

The main overhead light in their bedroom flicked on as the door banged open.

"Bubbles!" Boomer jumped onto the bed. "Bubbles! I made a lil' midnight snackieee. Do you want some?"

Bubbles' eyes snapped open with the fury of a thousand suns. Boomer stood above her, obnoxiously chewing whatever unholy midnight concoction he had slaved over. The kitchen was likely a mess.

"It’s two in the morning," She squeaked, squinting against the overhead light, "and you're getting crumbs all over me!"

"Yeah! I was craving something crunchy!" Boomer beamed, but his mouth was full of food, so his stupid explanation was garbled and only pissed her off further.

She wiped spittle crumbs off her face and flopped over on her side. "No, I'm tired. Go back to playing your video games."

"Ugh!" Boomer groaned, flopping down on the bed, "It got boringgg when Butch logged off. Let's do something else!"

"Sleep."

"That's boring too," Boomer pouted, tugging her shoulder until she faced him again. "Hey, by the way, why didn’t you say I love you when you went to bed? I was like hey babe, goodnight! Love you! And you were like, night, like what’s with that, huh? You love me, right?"

Guilt pierced her heart for a second, but then she remembered it was two in the morning. "I love you," she said.

Boomer regarded her momentarily, then addressed her dryly, "Well, it doesn’t sound sincere now!"

"Boomer." She seethed. "What time is it?"

He squinted at the alarm clock, "About two!"

"And how long have I been asleep?"

"Four hours and thirteen minutes!"

"I need more than four hours and thirteen minutes! We've been over this. I'm so tired."

Boomer frowned, putting his snack to the side. "I'm doing it again, aren't I? I'm sorry. It's just that I can't sleep, and I miss you, Bubs, that's all."

This time, the guilt stayed. She knew about his nightmares, after all.

Bubbles sat up to cup his face with her hand. She kissed his cheek and said, "Oh, Boomer, it's okay, silly. I'm sorry. It's just been a long week. I'll make a midnight snack with you tomorrow."

Another bright smile broke out across his face, and he wrapped her up in a big hug before laying her back on the bed.

"Bubbie," He announced, "you deserve an award for putting up with me!"

"I really do." Bubbles smiled serenely, pulling the covers up over her head, "You’re a real dumbass sometimes. Now, go away."

[justanothergeek77]

So I have thoughts on how the gods are portrayed in the PJO show so far.

I saw a post arguing that the show should've put more effort into displaying the gods' power, the way they did in the book, but I actually disagree. I really like the way that the show portrays the gods as so obviously human: as real, flawed beings, who don't feel above the world at all. Sure, they are still gods, and we know that and know to respect them, but the thing is that the reality of who the gods are is very different from how everyone thinks of them, and that disconnect ties directly into the main themes of the show.

Every time Percy hears something about the gods from an outside source, being another Demigod, Chiron, Grover, etc., the gods are placed on a pedestal. You have to burn offerings to get their attention, you have to fight for glory to earn their respect; the gods are viewed as fundamentally separate from humans and demigods, and that separation makes it seem like their behavior is okay, because they're gods. All the ways that they hurt their kids are excused by that one little fact: of course not every kid gets claimed, their parents are busy with Godly Things. Of course you have to burn offerings and fight for glory. Of course your parent won't talk to you unless you earn it, they're a God.

Then we actually meet some gods, and realize they aren't all that different from humans after all.

Mr. D is just some guy who's perpetually hungover and likes to gamble. Sure, he's a god, but he's also an asshole who refuses to remember Percy's name and pretends to be his dad just to convince Percy to get him a drink. He's a dick, as the name implies, and no less of one for the fact that he's a god. and he's protected from scrutiny by that fact; Chiron mitigates the damage Mr. D does by misleading Percy, but doesn't dare to reprimand him for it, despite clearly having more practical power over the camp than he does. Percy, on the other hand, is impertinent: he sees Mr. D for who he is, beyond godhood.

Hermes, for all that we barely see any of him, is just doing the job of a postal worker, and dealing with the mundane things that come his way because of it. He can take a joke, even if his family clearly can't; hopefully we'll see more of him soon. Like Mr. D, he hardly feels like a god at all.

Then there's Ares. He's exactly what he appears to be, for once: an asshole biker dude who starts fights on twitter for fun and makes children do his dirty work. He tries to manipulate them, but isn't very good at it, given that Grover outsmarts him. He may be the god of war, but Annabeth still mouths off to him, entirely unafraid after everything else they've faced; she's rapidly losing the respect for the gods that she once had.

Hephaestus, we don't see much of, but he seems rather ordinary too. Unlike the other gods, he's capable of reason, listening to Annabeth's pleas and agreeing with her point that it isn't supposed to be this way.

And that's the crux of the matter, really. if the gods were really Gods, if they were powerful and elevated and separate from humanity, there would be no changing them. But if they aren't these perfect beings that people have built up in their heads, then there is no excuse for the way they've acted. If they're just people, albeit powerful people, then they need to take responsibility for their actions: for their kids, for the harm they do on Earth, for this system of glory and injustice that they've perpetuated for millennia.

The PJO show isn't straying from the book, or changing the gods' portrayals just for the sake of it. It's leaning into themes that don't appear solidly until later in the series right from the start, and allowing them more time to be deeply established for a better payoff later.

I also wanted to mention two more things, but they didn't really fit anywhere earlier: Poseidon and Athena. Both of them haven't appeared onscreen yet, only influencing the plot through remote actions. Athena's actions have reinforced the distant, elevated version of her that we think of first, as she turns on her own daughter the moment she's slightly embarrassed. We haven't met Athena yet, and so her character is able to maintain that air of distance and mystery, that idea of power that could come crumbling down the moment you look too close. It's also worth noting that Athena's actions here are more of a lack of action: by allowing Echidna and the Chimera to enter her temple, a passive non-action, rather than stopping them to protect Annabeth.

Poseidon, on the other hand, does everything in his power to help Percy short of showing up in person. We may not have met him yet, but his actions speak volumes towards his character: saving Percy from falling to his death, curing the poison, and sending a messenger to reassure him all point to someone who desperately wants to be there for his son, regardless if Percy wants him or not; that's without even considering his actual words, through the messenger, which confirm this notion. It's clear after this encounter that Poseidon does have power, and one cannot forget that he is a god, but he has also dropped all pretense of pretending to be above anyone else. He's a father who loves his son, and he doesn't care about pretending otherwise anymore.

[kiruamon]

Spring through the Seasons AU - The beginning

I thought I'd just provide some of the sketches that show the main idea behind the story of this AU with something that isn't just a simple description of events that take place in it. (So yeah, the sketches are incorporated between the text if you are more interested in the art and not the story.) Depending on future posts, there may be also some sketches with simple description texts. It will basically depend on what I'm in the mood for and what fits the situation better. But either way, have fun with what could be considered the prologue for this AU.

-

A strong wind blows through the colorful treetops, making them rustle and tugging at their leaves, detaching them from their home and dragging them far away. The ruler of this realm watches the eternal bustle in solitude. Twirling a fallen maple leaf between his fingers, he stares out at the lake and the small island in its center. Once more, as he had done so often lately, he wondered if there was anyone out there beyond the wild animals. Someone he could talk to. But the little rafts he had built out of sticks and sent out on the lake in the hope that someone would find them didn't seem to have arrived anywhere. Or… simply hadn't been discovered. But perhaps there was just no one left but him. His second attempt, the journey to the border of his realm, had only led him to an unclimbable cliff of cold and smooth stone, while a storm like he had never seen before - white and icy cold - had blocked his vision and chased him back again deeper into his own realm. After encountering this massive obstacle, he had given up trying to explore the other border of his home to save himself from further disappointment. And yet… he still hoped that someone would come and find him.

Slowly, his fingers open. Releasing the leaf in his hands and allowing the wind to take it on a journey that he can not go on. Perhaps it will find it's way beyond the borders of his homeland.

It all started with one fallen red leaf brought to your little world by the stormy autumn winds coming from across the island.

Dancing in the wind, it made its way across the clear spring sky. Bright red, like the shell of a ladybug. You had never seen anything like it before. The leaves of the trees and bushes in your home coming all in a variety of shades of fresh, bright green.

You stare up in fascination, following the strange leaf as it sinks lower and lower until you only have to reach out your hands to catch it.

Where could it have come from? Did it come from the white lands in the west? Or the dark green forests from the east? Or… perhaps from even further away? Your imagination runs wild as you try to imagine how a crown of leaves covered in crimson might look.

There was a strange urge in your chest that you had never felt before. You wanted to see it with your own eyes. The place where this leaf came from…

_

TBC

Edit: If you are new to this AU and want to know more about the concept you can look at the introduction part.

[thestrangestthing89]

This situation with Noah isn't a new problem in the fandom. These fans have been harassing everyone for months in them name of progressive causes they aren't well-informed about. This is obviously not specific to the Stranger Things fandom. Go anywhere online and you will likely see a bunch of teens screaming about something even though they clearly skipped the step of educating themselves. Not only have I been the target of the dumbest shit, but so many other people have too. No one can post here without someone getting self-righteous and yelling about it. I have been accused of the following simply for posting something to my own blog: - I've been called misogynistic because I said El wasn't the main character. A thing the writers have said several times now (it's Will). The writers aren't misogynistic either. - I've been called misogynistic because I said El has character flaws like everyone else. - I've been called a condescending bitch when I politely tried to explain what misogyny actually is. A thing you'd think they'd be interested in learning if they actually cared about that cause (clearly they don't or I wouldn't have been called a bitch so much). - Been called racist because I said Hopper wasn't copaganda, even though I explained clearly why I thought this was. - Got called racist because I pointed out that Lucas was often filling his Ranger role and that's why he is helping Mike in S3 (the boys all play their D&D characters). But the trendy thing to say at the time was that he was being written in racist way so obviously this means I'm racist too. - Had multiple people say I was silencing them when I wrote my own damn post (not a response to theirs) about many of the above topics. I just simply disagreed with their points and that isn't allowed here. - Had someone I never interacted with spread a rumor that I sent them anonymous hate filled asks even though I had no fucking clue who they were. And those posts were anonymous so they have no idea who actually sent them. They just wanted my attention. But I never sent anyone an anon ask before anyway so this was just bizarre. But a several people believed it. - Pretty much every adult on here has been accused of pedophilia for watching a show with kids on it. This gets pretty relentless sometimes. I'm sure I could think of several others and other people have had a lot as well. The thing about this as someone who has actually experienced things like misogyny first hand is that being called this is incredibly upsetting, especially when you are being called this by someone who doesn't know what they are talking about and doesn't care about the impact of these words. They just want you to shut up and stop telling them they did something wrong.

This is all happening because they are watching a show that is overwhelming them and they can't deal with people discussing it in a more nuanced way than they are. This wouldn't be happening if there were more adults here to drown it out. But as it is, no one can actually discuss this show and it has nothing to do with Noah. It's because kids are watching when they shouldn't. And they have weird, boundaries with the fandom and the cast that are constantly causing problems. This didn't happen back in the first 2 seasons because it was only adults watching. I'm not saying adults can't be problematic too, but most of this shit is from people who are way too young to handle this. And now we are all getting lectured by 14 year old foreign policy experts. It's not ok and they need to spend a lot of time learning about how to interact with people online better. This isn't the shows fault. But they can make it clear who this is actually for. Because these kids are going to throw a fit over everything. They always do. They aren't going to like S5 either. They are only watching because it's cool and they have FOMO. They can't understand it and are constantly insulting it and everyone associated with it and the fandom. Seriously, amp up the horror. Make it rated R. A lot of us would really love to be able to discuss this show and can't because of how awful it is here.

[forkaround]

This post is an extension to this post about what can be classified as a BL. I'd rec you read that post first.

I woke up in the morning with this in my notifs and I just....

Anyway, let's break it down:

Does a QL simple mean that the main characters are queer and you go in knowing that?

First of, in my post I say BL is where you know "Boys are kissing boys and girls are kissing girls." If there is no romance (thus the reference to kissing), the show becomes irrelevant to the conversation.

But to answer: What's wrong with that?

That makes literally *anything* centering queer people and queer love a QL

Great! It's QL.

I've seen this pointed out multiple times have these people wondered why they don't want to call something they think is good a QL? What is wrong with the title of QL?

and that imo is somewhat belittling of queer people's existence as in their presence in society as a a given is inherently 'genre'

Yeah, and Pride and Prejudice is a 'straight genre'

If that doesn't make sense, well, that sentence didn't make sense to me. Does making crime shows make the lives of cops and criminals in to a genre??? It's such an absurd statement. Or maybe I'm just sleepy....

this is very different from thinking QL is 'bad'--you'd never call anything with an expected straight romance in it 'romance' by default

Yeah! That's how it works! Romance is romance. Romance is a genre. It's literally the biggest genre there is. There is more romance written, published, made into animation or live action than literally any other genre by a huge margin.

Romance can and is often combined with other genres. Doesn't change that it is a romance.

you'd call it whatever genre it is; when you meet a series of fitting tropes you'd call it a rom-com

What does rom stand for again?

Romance is often used with other genres, from action to horror to contemporary to fantasy to sci-fi.

This I think primarily comes from people not knowing how genres work. It's not a Boolean (as one would say in computer science). It's not a True/False thing where if it's action it can't be romance. If it's romance it can't be political.

As they say: It contains multitides.

shouldn't queer stories be afforded the same discretion?

Moonlight Chicken, Kinnporsche, Old Fashion Cupcake, Bad Buddy, Love in the Air, Not Me, 180 Degrees, GAP the series, HIStory 3: Trapped, About Youth, Mood Indigo, Cherry Magic, I could go on. You don't have to go anywhere else for it. BL already has it all.

So I'll ask again: Why do you feel that 'BL' is a bad word?

Other people have wrote about this with better sources and much deeper understanding so I'll try my best to convey it here:

As I understand the situation, something got lost in translation when yaoi travelled from Japan to the US and people started understanding yaoi to be a 'dirty' genre, that did not depict honest queerness despite it being made up of majorly queer people. It became the genre that was 'for straight women by straight women'. If you look at US the same phenomenon can be observed when people talk, or at least talked, about slash fiction. Mix in some cultural context and yaoi goes from a fun escapist genre to the bane of queer existence genre. Fiction is enjoyed differently in different parts of the world. Nothing wrong with that. Hell, nothing unique or special with that statement either. It's a fact of life. If Shakespeare can't be universal, as many like to claim, we should not expect the same of anything else.

And let's never forget how westerners think their version of queerness is the only real version. I've had personal experience with this and I can say: People need to open their minds and understand that not everything is from their perspective. When I encounter any American thing in a show or book, I simply slide past it because I'm not American. I've never been to America. It doesn't change the story itself, so why bother, what would be the point. If people applied that approach instead of analyzing every detail and expecting it to fit your world view then we would all be happier.

(It turned sappy at the end there. I'm sleepy.)

[luffyrose]

Ghost in a Birdcage - DC x DP AU

I got a name for the Au! I am referencing the song Rule #4 Fish in a Birdcage as the title. I thought the song actually fit this whole au pretty well so yeah :D

Anyway, I told y'all I was working on stuff and part of it was this (plus the memes, which I'll share later) as well as thinking of a design for my Danny in this AU. I have a few ideas, but I'll probably work on the story itself before actually solidifying it.

Here's a little bit of sadness and softness from the past in this AU. Idk if this will be put into the main story, but it's just a general short story that is canon for this au.

~~~~~~~

GiaB AU Taglist: @markus209 @olivethetreebitch @chrysanthemum9484 @blackroserelina @avelnfear @edgyboi10000 @lokiaddams @samgirl98 @phoenixdemonqueen @iceknight-of-sun @autumnwulf @chronicallyonline-fandomwh0r3 @thegatorsgoose @nikki-pondtheauthor @jaxinkh @paper-bag-boy @dxrksong @lesling123 @learning-to-fly-on-my-own @gmkelz11

(As a lil side note the tag list is gonna be on any writing I do for this au, if I make other posts about it I'll leave it to the tag for people to find. Not including a link to the Ao3 when I do make the fic or one-shot series itself, taglist will be there too :D)

~~~~~~~

Small sniffles filled the room. Jason's gaze shifted toward his little brother, a frown overtaking the anger that'd been apparent on his own face. Danny, his precious little brother, was laying on the mattress on the ground beside him. Turning and scooting closer, Jason's hand lightly landed atop slightly wet and messy curls.

"Danny, are you feeling better?"

He could see the younger open his mouth to speak, only to be interrupted by coughs. Along with the coughs, a loud clattering noise came from the door that had been locked from the outside. Gritting his teeth, the instant yelling from outside telling them to shut up making him look toward the door. Really, almost three years, and Catherine still couldn't accept that a toddler was going to be loud. Danny wasn't even loud on purpose! Huffing in silent rage, Jason's eyes fell back on his little brother.

Danny was staring up at Jay, his eyes wide in slight fear at the yelling, but he knew his brother would protect them. He was very small, almost 4 now according to Jason! But he was also very smart. His brother told him that a lot, especially when he hid away when the yelling or fights started. Danny liked to be smart. He didn't like seeing the other with new injuries though, but Jason let him put bandaids on them, and then he would take them out to the library.

The library was nice.

Catherine, that's what Jason always called the angry lady, didn't like to go in there. She didn't like to go anywhere with them, but Jason liked to take him places so it was okay. They didn't go places when sick though...so why was Jason getting some of his stuff?

"We're gonna go to the library buddy."

Seeing the smile that crossed the kid's face, the tension in his shoulder's loosened, but with the loud rattling of the door and cursing, they were right back to how they were before. Getting up quickly, he shoved what he could into a little bag and helped Danny up, the small boy coughing again.

"CALEB DANIEL TODD I SWEAR WHEN I GET THIS DOOR-"

Jason didn't let Danny hear the rest of it, carefully getting them both out onto the fire escape. He knew Catherine had been...less than ideal. His father was worse. But now with Willis gone, she didn't hold back. Half the time she wasn't home, the other half the time Jason was keeping her away from Danny. Sometimes he wished she just wouldn't come home, or that Danny wouldn't be in danger because she did.

So he made a plan. He was gonna get Danny a better home. A safe one. Except, when he'd gotten sick and wasn't getting better with the cold medicine he stole, Jason's plans didn't matter so much anymore. Danny needed somewhere to get better, but he needed a way to do that first. He'd found a way...though he didn't like it.

Carrying the younger on his back, the backpack slung over his front while a star blanket Jason had actually bought for once was draped over them both. Danny was watching the people they passed by, a small but nervous smile on his face before he inevitably hid his head in the crook of Jason's neck. "Jay Jay..." The elder hummed, feeling the smaller hands tighten for a moment after. "Is Cat-rin gonna be mad at you again?"

Slowing for only a second, Jason scanned the area before looking at his brother. Danny was too smart for his age, and Jason knew it was because of their stupid 'parents'. "She's not gonna have the time to be mad at me..." He trailed off, the lump in his throat stopping him from saying anything else until they were already in front of the Library. Slipping through the door when a young adult couple was leaving, too distracted in their conversation to notice the two poor kids, they made their way to a small dusty nook.

The nook itself was filled with old books that most no one wanted to read, and the librarian who'd seen them reading there tended to leave them be. Setting Danny down, Jason held up a finger, turning to go get some better books from elsewhere. A small sneeze made him chuckle, knowing his little brother hated how dusty it was when they hadn't been back for a while. Slipping through the isles he got himself some bigger books, and a few picture books for Danny. He knew the kid would read one or two before asking for Jason to read him his books, so he'd started picking light-hearted stories or classics whenever the two came.

Making his way back and sitting down, Jason passed the smaller storybook about stars to his brother, watching Danny's expression almost glow at seeing it. At first, Jason let himself be absorbed in his own book, the only thing other than it he paid attention to being the gentle pressure that was Danny leaning against him. It was after a little while that Jason realized Danny hadn't started to bug him like usual. Looking over from his own book, he saw Danny staring at one of the pictures of a constellation.

"Do you wanna learn more about the stars?"

He'd jumped, but Danny had nodded after a moment. Something was bugging him, Jason could tell, but he wasn't about to push it. Instead, he smiled and grabbed one of the nearby books. It was a much older book, more of a journal really, but it held a bunch of sketches of the constellations. So the two sat there, whispering to one another in the privacy of the little nook. Jason was glad he knew some astrology, and Danny was so genuinely amazed, that he could ignore the lingering pain from old injuries that hadn't had time to heal.

Feeling a small tug, Jason looked toward Danny, frowning slightly when he saw small tears. "Jay Jay...are you gonna go somewhere?" He could feel the pit in his stomach knot even more at that, staring for a moment before a wobbly smile tried to cover his face.

"...What?"

A sniffle caused the smile to fall. "Danny, hey, buddy, I'm not going anywhere...I- I'm gonna find somewhere better for you though. Somewhere where you'll get to feel better and not be afraid." Looking down as Danny's small tears covered his face, he gently used his sleeve to wipe them away, knowing he would never have the heart to lie to him. "That's not gonna happen yet though...and when you have a nice home, I'll make sure to visit. We can read and look at constellations too."

"Really?"

"Yeah, I'll do everything I can to try and keep that promise, alright?"

"Promises are hard to keep..."

Jason felt a sigh escape his lips, putting the book fully to the side and pulling Danny in for a hug. "They are...but just because they are doesn't mean that I won't try my best." Holding onto the younger, he felt the tears soak through the shirt on his chest, ignoring it. After Danny had stopped crying, he moved the boy back, hands on his shoulders. "If I can't keep my promise, you can get back at me." The small gasp from that made him laugh.

He seemed almost offended that Jason had said such a thing. "I don't wanna!" Jason tried not to laugh more, ruffling the younger's hair. "If you don't" —he was clearly thinking deeply about a suitable punishment— "then you have to help me." A proud smile formed on his face. With a slight smirk, Jason pulled the other back onto laying on his chest.

"Help ya with what?"

"With family."

It was quiet for a moment, Jason's fingers twitching for a moment before he started messing with Danny's hair. "How so little mans?" Danny seemed even more confused, pursing his lips as he kicked his feet some. Watching him with a small smile, Jason couldn't help but think this was the reason he'd survived so long. Danny was the one good thing in his life that had no strings attached. He was fine with that...but he needed Danny to be alright, even if it meant not being right there.

"You gotta help us have a BIIIIGGGG family. With more sib-a-lings!"

There was a snort from the older, ruffling Danny's hair. "You said it wrong you little dingus." Danny's own laughter erupted from him after a moment, swatting Jason's hand away. "But sure. If I break my promise, then I'll help you get a big and nice family." The toddler seemed to absolutely beam at that. "However! I still get to be the best brother-" Danny giggled at that, "and if anything is ever wrong you come to me, no matter what. Alright?"

With a happy nod, Danny's hair was once again ruffled up by Jason, the laughter filling up the small area they were in. Even when a few older ladies glanced over, not a word was spoken to the two. And when the librarian found both boys sleeping...well, if she gently readjusted the blanket they'd brought and let them sleep it was between her and the other librarians.