#but that fandom can have its own space that can also be a lot of fun

[vhvrs]

vaguely bouncing off friends talking abt ppl needing to remember the ages of characters when examining the way they approach the world n themselves to say i neeeeeeeed ppl to realize w me jayce n viktor are implied to be late teens early 20s (19-21) in their bios pre the machine takeover and its a precarious time when yeah you're an adult but youre also prone to really reckless behavior you dont quite understand the consequences of, especially if you are say two loner weirdos with emotional problems and no social practice. also that jayce n viktor are even by the end and actual canon barely mid 20s not the middle age fandom attributes to them.

[autistichalsin]

In retrospect, four years later, I feel like the Isabel Fall incident was just the biggest ignored cautionary tale modern fandom spaces have ever had. Yes, it wasn't limited to fandom, it was also a professional author/booktok type argument, but it had a lot of crossover.

Stop me if you've heard this one before: a writer, whether fan or pro, publishes a work. If one were to judge a book by its cover, something we are all taught in Kindergarten shouldn't happen but has a way of occurring regardless, one might find that there was something that seemed deeply problematic about this work. Maybe the title or summary alluded to something Wrong happening, or maybe the tags indicated there was problematic kinks or relationships. And that meant the story was Bad. So, a group of people takes to the Twittersphere to inform everyone who will listen why the work, and therefore the author, are Bad. The author, receiving an avalanche of abuse and harassment, deactivates their account, and checks into a mental health facility for monitoring for suicidal ideation. They never return to their writing space, and the harassers get a slap on the wrist (if that- usually they get praise and high-fives all around) and start waiting for their next victim to transgress.

Sounds awful familiar, doesn't it?

Isabel Fall's case, though, was even more extreme for many reasons. See, she made the terrible mistake of using a transphobic meme as the genesis to actually explore issues of gender identity.

More specifically, she used the phrase "I sexually identify as an attack helicopter" to examine how marginalized identities, when they become more accepted, become nothing more than a tool for the military-industrial complex to rebrand itself as a more personable and inclusive atrocity; a chance to pursue praise for bombing brown children while being progressive, because queer people, too, can help blow up brown children now! It also contained an examination of identity and how queerness is intrinsic to a person, etc.

But... well, if harassers ever bothered to read the things they critique, we wouldn't be here, would we? So instead, they called Isabel a transphobic monster for the title alone, even starting a misinformation campaign to claim she was, in fact, a cis male nazi using a fake identity to psyop the queer community.

A few days later, after days of horrific abuse and harassment, Isabel requested that Clarkesworld magazine pull the story. She checked in to a psych ward with suicidal thoughts. That wasn't all, though; the harassment was so bad that she was forced to out herself as trans to defend against the claims.

Only... we know this type of person, the fandom harassers, don't we? You know where this is going. Outing herself did nothing to stop the harassment. No one was willing to read the book, much less examine how her sexuality and gender might have influenced her when writing it.

So some time later, Isabel deleted her social media. She is still alive, but "Isabel Fall" is not- because the harassment was so bad that Isabel detransitioned/closeted herself, too traumatized to continue living her authentic life.

Supposed trans allies were so outraged at a fictional portrayal of transness, written by a trans woman, that they harassed a real life trans woman into detransitioning.

It's heartbreakingly familiar, isn't it? Many of us in fandom communities have been in Isabel's shoes, even if the outcome wasn't so extreme (or in some cases, when it truly was). Most especially, many of us, as marginalized writers speaking from our own experiences in some way, have found that others did not enjoy our framework for examining these things, and hurt us, members of those identities, in defense of "the community" as a nebulous undefined entity.

There's a quote that was posted in a news writeup about the whole saga that was published a year after the fact. The quote is:

The delineation between paranoid and reparative readings originated in 1995, with influential critic Eve Kosofsky Sedgwick. A paranoid reading focuses on what’s wrong or problematic about a work of art. A reparative reading seeks out what might be nourishing or healing in a work of art, even if the work is flawed. Importantly, a reparative reading also tends to consider what might be nourishing or healing in a work of art for someone who isn’t the reader. This kind of nuance gets completely worn away on Twitter, home of paranoid readings. “[You might tweet], ‘Well, they didn’t discuss X, Y, or Z, so that’s bad!’ Or, ‘They didn’t’ — in this case — ‘discuss transness in a way that felt like what I feel about transness, therefore it is bad.’ That flattens everything into this very individual, very hostile way of reading,” Mandelo says. “Part of reparative reading is trying to think about how a story cannot do everything. Nothing can do everything. If you’re reading every text, fiction, or criticism looking for it to tick a bunch of boxes — like if it represents X, Y, and Z appropriately to my definitions of appropriate, and if it’s missing any of those things, it’s not good — you’re not really seeing the close focus that it has on something else.”

A paranoid reading describes perfectly what fandom culture has become in the modern times. It is why "proship", once simply a word for common sense "don't engage with what you don't like, and don't harass people who create it either" philosophies, has become the boogeyman of fandom, a bad and dangerous word. The days of reparative readings, where you would look for things you enjoyed, are all but dead. Fiction is rarely a chance to feel joy; it's an excuse to get angry, to vitriolically attack those different from oneself while surrounded with those who are the same as oneself. It's an excuse to form in-groups and out-groups that must necessarily be in a constant state of conflict, lest it come across like This side is accepting That side's faults. In other words, fandom has become the exact sort of space as the nonfandom spaces it used to seek to define itself against.

It's not about joy. It's not about resonance with plot or characters. It's about hate. It's about finding fault. If they can't find any in the story, they will, rest assured, create it by instigating fan wars- dividing fandom into factions and mercilessly attacking the other.

And that's if they even went so far as to read the work they're critiquing. The ones they don't bother to read, as you saw above, fare even worse. If an AO3 writer tagged an abuser/victim ship, it's bad, it's fetishism, even if the story is about how the victim escapes. If a trans writer uses the title "I Sexually Identify as an Attack Helicopter" to find a framework to dissect rainbow-washing the military-industrial complex, it's unforgivable. It's a cesspool of kneejerk reactions, moralizing discomfort, treating good/evil as dichotomous categories that can never be escaped, and using that complex as an excuse to heap harassment on people who "deserve it." Because once you are Bad, there is no action against you that is too Bad for you to deserve.

Isabel Fall's story follows this so step-by-step that it's like a textbook case study on modern fandom behavior.

Isabel Fall wrote a short story with an inflammatory title, with a genesis in transphobic mockery, in the hopes of turning it into a genuine treatise on the intersection of gender and sexuality and the military-industrial complex. But because audiences are unprepared for the idea of inflammatory rhetoric as a tool to force discomfort to then force deeper introspection... they zeroed in on the discomfort. "I Sexually Identify as an Attack Helicopter"- the title phrase, not the work- made them uncomfortable. We no longer teach people how to handle discomfort; we live in a world of euphemism and glossing over, a world where people can't even type out the words "kill" and rape", instead substituting "unalive" and "grape." We don't deal with uncomfortable feelings anymore; we censor them, we transform them, we sanitize them. When you are unable to process discomfort, when you are never given self-soothing tools, your only possible conclusion is that anything Uncomfortable must be Bad, and the creator must either be censored too, or attacked into conformity so that you never again experience the horrors of being Uncomfortable.

So the masses took to Twitter, outraged. They were Uncomfortable, and that de facto meant that they had been Wronged. Because the content was related to trans identity issues, that became the accusation; it was transphobic, inherently. It couldn't be a critique of bigger and more fluid systems than gender identity alone; it was a slight against trans people. And no amount of explanations would change their minds now, because they had already been aggrieved and made to feel Uncomfortable.

Isabel Fall was now a Bad Person, and we all know what fandom spaces do to Bad People. Bad People, because they are Bad, will always be deserving of suicide bait and namecalling and threatening. Once a person is Bad, there is no way to ever become Good again. Not by refuting the accusations (because the accusations are now self-evident facts; "there is a callout thread against them" is its own tautological proof that wrongdoing has happened regardless of the veracity of the claims in the callout) and not by apologizing and changing, because if you apologize and admit you did the Bad thing, you are still Bad, and no matter what you do in future, you were once Bad and that needs to be brought up every time you are mentioned. If you are bad, you can NEVER be more than what you were at your worst (in their definition) moment. Your are now ontologically evil, and there is no action taken against you that can be immoral.

So Isabel was doomed, naturally. It didn't matter that she outed herself to explain that she personally had lived the experience of a trans woman and could speak with authority on the atrocity of rainbow-washing the military industrial complex as a proaganda tool to capture progressives. None of it mattered. She had written a work with an Uncomfortable phrase for a title, the readers were Uncomfortable, and someone had to pay for it.

And that's the key; pay for it. Punishment. Revenge. It's never about correcting behavior. Restorative justice is not in this group's vocabulary. You will, incidentally, never find one of these folks have a stance against the death penalty; if you did Bad as a verb, you are Bad as an intrinsic, inescapable adjective, and what can you do to incorrigible people but kill them to save the Normal people? This is the same principle, on a smaller scale, that underscores their fandom activities; if a Bad fan writes Bad fiction, they are a Bad person, and their fandom persona needs to die to save Normal fans the pain of feeling Uncomfortable.

And that's what happened to Isabel Fall. The person who wrote the short story is very much alive, but the pseudonym of Isabel Fall, the identity, the lived experiences coming together in concert with imagination to form a speculative work to critique deeply problematic sociopolitical structures? That is dead. Isabel Fall will never write again, even if by some miracle the person who once used the name does. Even if she ever decides to restart her transition, she will be permanently scarred by this experience, and will never again be able to share her experience with us as a way to grow our own empathy and challenge our understanding of the world. In spirit, but not body, fandom spaces murdered Isabel Fall.

And that's... fandom, anymore. That's just what is done, routinely and without question, to Bad people. Good people are Good, so they don't make mistakes, and they never go too far when dealing with Bad people. And Bad people, well, they should have thought before they did something Bad which made them Bad people.

Isabel Fall's harassment happened in early 2020, before quarantine started, but it was in so many ways a final chance for fandom to hit the breaks. A chance for fandom to think collectively about what it wanted to be, who it wanted to be for and how it wanted to do it. And fandom looked at this and said, "more, please." It continues to harass marginalized people, especially fans of color and queen fans, into suffering mental breakdowns. With gusto.

Any ideas of reparative reading is dead. Fandom runs solely on paranoid readings. And so too is restorative justice gone for fandom transgressions, real or imagined. It is now solely about punitive, vigilante justice. It's a concerted campaign to make sure oddballs conform or die (in spirit, but sometimes even physically given how often mentally ill individuals are pushed into committing suicide).

It's a deeply toxic environment and I'm sad to say that Isabel Fall's story was, in retrospect, a sort of event horizon for the fandom. The gravitational pull of these harassment campaigns is entirely too strong now and there is no escaping it. I'm sorry, I hate to say something so bleak, but thinking the last few days about the state of fandom (not just my current one but also others I watch from the outside), I just don't think we can ever go back to peaceful "for joy" engagement, not when so many people are determined to use it as an outlet for lateral aggression against other people.

[jaskefer]

love how the instant twitter takes a legitimately awful turn for the worse, i get an impulse to rebrand one of my accts into a witcher twt

[cinnamonest]

I'm not looking to start shit so I'm not linking it or anything, but you may have seen a recent anti-dark-content post circulating with a lot of notes making rounds in the x reader sphere and while I have nothing against people posting their feelings in their own private spaces, every time I see these kinds of posts there's a lot of misinformation that gets regurgitated in the reblogs/replies and I saw what looked like a battlezone in the replies, so.

I know posts like that can be very jarring and affects people like my readers, so to combat misinformation/shaming for anyone who saw it, I'm going to share some of my information on combatting fandom puritanism/misogyny/kinkshaming in its most common forms.

The most important fact, if you read nothing else, is this:

Most women have rape fantasies.

62% to be exact. I think the most pervasive myth on this content is that consumers are "weird" for it, when the numbers don't indicate that. You're in the majority!

The vast majority of people who have rape fantasies do not put them into practice in real life. A variety of factors can determine whether or not they do, particularly specific psychiatric disorders. (X)

To specifically address common harmful and pervasive myths:

the "go to therapy!" line

Generally any academic or professional resource will immediately tell you that consuming and engaging in "dark" fantasies is accepted and encouraged by mainstream psychiatry and part of the professional education for psychiatrists. (This also used to be pretty well-known until like the last 5 years or so, not sure why that changed.)

Here are some particularly insightful resources:

1) This article by Dr. David Wahl, in my opinion, hands-down does the best job of simply and thoroughly explaining why these fantasies occur and why couples practice CNC, as well as the fact that they are both harmless, psychologically beneficial to those with them, and not at all correlated to real-life rape.

2) Dr. Claudia Six has some of the best and most thorough material out there on the subject, specifically explaining why this is taught in mainstream academia psychology and how it is incredibly helpful to rape victims (X).

3) Lisa Diamond is a professional who focuses on this subject a lot, and was featured in the documentary "The Dilemma of Desire," in which she specifically focuses on how these fantasies are not correlated to real-life desires. (X)

4) Dr. Casey Lyle has specifically talked a lot on his socials about how fantasies, even in men/the perspective of the offender, do not correlate to actual risk of offending.

5) This article is not by a professional, but from the perspective of a survivor discussing how it is beneficial to survivors.

the "why would you want that?" line

The idea that fictional tastes = what you want to happen to you in real life is actually of misogynistic origin. I don't want to seek out or add links on this one, but if you're really curious, you can research about how the idea that "women read rape fiction, that means they secretly want rape!" was originally a classic "red pill"/MGTOW/4chan talking point that made its way into mainstream dialogue and thus the public mind in the last 15 years or so due to the incel epidemic popularizing those communities.

the "it's only valid for survivors then!" line

On one hand, yes it's very important to acknowledge that trauma victims use it to cope, however I feel that over-emphasizing that gives the impression that non-victims should be excluded from consumption of dark content, so to clarify, it's a very valid means for all women. Many women who have not personally experienced rape still fantasize about it, and that's fine.

The full explanation as to why this is true for many of them would be lengthy (and addressed in the aforementioned Dilemma of Desire documentary), but in the simplest terms, nonconsensual sex is the only context in which patriarchal society permits women to have sex at all without feeling guilt. For many women, particularly those in more heavily misogynistic or religious cultures, these fantasies are appealing because the idea of consensual sex may give them feelings of shame, guilt, "sin," etc. These fantasies allow them to experience the feeling of being desired without guilt of participation.

No society on earth is free of the psychological grip that cultural misogyny has on women, and shaming women for adapting to the conditions they are forced to exist under is as harmful as the misogyny that causes it itself.

ALL women experience a form of psychological trauma inherent to female childhood and female adolescence in a patriarchal world, and that is just as valid as coping with individual traumatic events.

Good resources on the subject of why women have these fantasies and how they are helpful in general:

(X) (X)

The "what you consume will make you do it in real life!" myth

Although the resources above already address this, it's important to establish why this myth is so prevalent and what its origins are.

The idea that consuming media with dark themes leads to or indicates desires to replicate those acts is a residual element of two major events:

1) Puritan revival culture, popularized in the US and UK in the 90s and 2000s (also known as "Satanic Panic"). A major facet of this movement was TV megachurch preachers making money off of exploiting well-meaning but paranoid parents into believing that your child playing Dungeons and Dragons or Pokemon would make them future serial killers and lure them into satanic cults. (X)

2) at the tail end of this, it was cemented in the public mind as a cultural ripple aftershock of the Columbine shooting, where this sentiment became popularized as the general public blamed violent video games like Doom and "dark" music like Marilyn Manson (whose life was temporarily completely upended by the events and took him years to recover/be safe from) for the 1999 shooting. This event had MASSIVE permanent and global effects in all sorts of ways that the public often underestimates the sheer scope of, notably that it solidified, prolonged, and, in the minds of many, "proved" the paranoias of the preexisting Satanic Panic. (X) This established a precedent, leading to virtually any major horrible event being blamed on the perpetrator's media consumption, including murder and sex crimes.

What this myth ignores in the cases it references (the slenderman stabbings, columbine, sasebo slashing, batman shooting, etc) is two crucial facts: that hundreds of millions of people consume the same media with no negative effects (helpful effects even), and that in every single case cited as "evidence" to the claim, the perpetrator had a preexisting psychiatric condition correlated to acts of violence (which usually went ignored, downplayed and even accelerated/worsened by those around them rather than the help they needed).

Sorry for the wall of text, but I feel an ethical obligation to combat this kind of misinformation, and I hope these resources are helpful for those who may be negatively affected by common misunderstandings.

You are not abnormal or wrong for the fictional content you consume or the fantasies you have!

[olderthannetfic]

hi, as someone who is tragically gen Z and only ever read AO3, can I ask: what was so great about LiveJournal? Like, I know that there were fics posted there (and I've even read about the "purge", so I get why it isn't used anymore) and that it was sort of a forum-type thing. But what I don't understand, wouldn't Tumblr fill in the latter function? How was that site any different? I see a lot of people reminiscing about it and I'm confused

--

A big factor in LJ's greatness is timing and nostalgia.

It was genuinely great, but it wasn't quite as great as all of the Lo, shall the Golden Age ne'er come again? posts suggest.

LJ arrived at a pivotal time in the development of the internet both in terms of technical stuff and how many people had access. Many fans who are now in their thirties to fifties first discovered fandom through LJ and many were at a time in their lives when they were feeling energetic and up to making lots of new friends—and to figuring out how to make a site work for them.

I got on LJ in 2002 when it required invites. Fandom arrived in droves in 2003, first via coordinated campaigns to get invites to key people and then when LJ opened up free account creation to everyone. Back then, LJ's features sucked. It was impossible to search properly, among other things. At its height (2005-7, let's say), there was a reasonable site search, and fans had developed all sorts of community resources for finding each other.

People often remember this phase but not the early days of suckitude.

This development parallels how Tumblr used to not have that private chat feature and how a lot of fuckyeah[whatever] type tumblrs have helped curate the site and make it much more usable for fans. Fandom draining away from LJ after strikethrough also parallels people draining away from Tumblr after the purge.

There are people who talk about Tumblr the way my cohort talks about LJ...

And to the shock of no one, they are people who came of age on Tumblr, who found fandom via Tumblr, who were on Tumblr during pivotal times in their lives and ones when they had energy to make friends and figure out how a site worked.

Those same Tumblrites are now making all the same geriatric-sounding posts we LJers do about how other sites lack the required features to be good for fandom while missing that 90% of tumblr's "features" at its height (2012-2016, let's say) were actually fan-created and were basically the same as any fandom newsletter or links page or all the versions of this kind of personal curation stretching back to long before the internet existed.

What life phase you hit a site at matters.

--

With all of that said, no, LJ was not a forum. It was a blogging site with threaded comments.

The key point to understand is that conversation was always happening in a specific person's space. Unlike on a true forum, people were in the comments on a particular post in a journal owned by another fan. (On a forum, there's the first post in a thread, but it's still more of a communal space with less of a hierarchy.)

Overall, the LJ format can have a feeling a bit like you're over at someone's house for tea. There's more of a sense of intimacy and also behaving yourself in front of community members.

Tumblr being obscure and impossible to find anything in does give it some of the same vibe relative to Twitter, but it's still part of modern social media that tries to shove every rando into the face of every other rando.

But it wasn't just vibes: LJ also had robust privacy features where you could lock a post to this or that group of friends. You could moderate your comments section properly. Tumblr has far fewer controls to force people to behave or leave on a technical level.

--

The biggest thing many people miss about LJ is the threaded comments. At least by late LJ and on Dreamwidth, you can expand and collapse threads, making it far easier to deal with a massive comments section. But more than that, things are properly threaded with multiple levels of hierarchy that are all easily visible in the same place.

On Tumblr, it used to be extremely difficult to find all of the actual commentary on a post. Nowadays, it's far easier, but you still have to scroll chronologically, and multiple versions of a post with a long chain of commentary may be much more divorced from each other than what would happen in a LJ comments section.

--

But could we use Tumblr pretty much how we used LJ?

We could.

I do.

--

The key things that people tend to miss about LJ, aside from the younger and more excited version of themselves or the friends they've lost since then, are:

Heavily text-based

It may sound odd on the modern internet, but there are a lot of people whose brains don't like or handle an image-heavy site well. They were everywhere in SF book fandom. They were everywhere on the early internet. Today, they're hanging out on Dreamwidth and still going to their SF cons. They're usually not on Tumblr.

You could follow the discussion

Threaded comments help, but a lot of it is about having some place you can check for updates. It wasn't actually that easy to follow big LJ discussions unless you were subscribed to comments and reading along as things were happening instead of coming along after the entire mass of comments had been left.

The tone of the discussion is intellectual and one's enemies are "idiots", not "problematic"

All this requires is a penchant for longwindedness and an itchy blocking finger to remove anyone slinging ad hominems from the comments section.

On tumblr, it's as simple as conversations happening in the replies on a popular account and that person not tolerating suibaiting and threats.

(And make no mistake, a lot of LJ discussion was in the comments on popular accounts, not spread equally between everyone's.)

It does require that multiple people like that tone and want to engage in that way, but lots of people do want to.

--

These days, I interact with tumblr by checking my askbox and reading my activity page. The vast, vast majority of my posts are ones where I'm the OP, so if I block someone, they're booted from the discussion entirely.

For me... yeah, Tumblr functions almost exactly like LJ.

Also like LJ, while I'm hosting the conversation, if you hang around, you'll see the same people again and again in the comments. They may or may not also host that kind of conversation in their space, and there's a larger pool of lurkers who have some notion of which people count as regulars. Other people are watching from the shadows, enjoying or deriding the takes of the usual crowd.

People presumably do like reading my lengthy commentary or they wouldn't be here, but my tumblr wouldn't be popular like this without a healthy pool of other people who chime in regularly. It's not just that there are more people: it's that you see the same people over time. There's a bit more sense of place and community than on some parts of the internet.

--

So, in my opinion, the failure to just recreate LJ fandom on Tumblr was a skill issue.

Threaded comments were great, but LJ culture came from mailing lists, and mailing lists had the same issue as tumblr with the diverging threads.

We solved that back then by clipping out only the parts we wanted to respond to (you'd write "snip" around the quotation to show it was incomplete). We solved the smaller LJ issue by linking to other posts we were referencing and doing discussion link roundups. We solve it on tumblr by, again, linking to what we're talking about and even quoting multiple reblog chains in our own reblog of just one chain.

--

Tumblr's technical features and even general crap-ness aren't really the problem. 90s and early 00s sites regularly went down for periods of time unthinkable today.

The missing piece is people.

When one is in an active fandom with others who curate or with friends who let one know what's up, a site with imperfect features is easy to figure out and retrofit for fandom's needs. When one already feels out of touch and is between fannish passions—or at least fannish passions anyone else cares about—seeing the potential in a new site is hard.

--

Threaded comments are different and better.

LJ's built-in way to see everyone's blog in your own style was better. The automatic timestamps and the ease of seeing a paginated archive of an entire blog was better than tumblr's endless scroll and lack of clear date labeling. But some of that can be fixed with xkit or knowing your way around tumblr well.

A lot of it is nostalgia for the lj era and a refusal to take the time to figure out how to use tumblr in an oldschool internet way.

--

So by all means, people, weigh in about what made LJ great or how the culture felt at the time...

But if I see one more god damn response going "You can't have a conversation on tumblr!" in reply to my tumblr, which contains nothing but conversation, I am coming for you.

[bratzforchris]

Sunflowers

Summary: Chris gets distracted easily. Like really, really easily. When he gets separated from Matt and Nick in the mall, he meets a lovely soul who understands just a little bit more than anyone else.

Pairing: ADHD!Chris x autistic!feminine reader

Warnings: Neurodivergent overstimulation, getting lost, crying, brief mentions of ableism

Word Count: 2.1k

A/N: The sunflower lanyard (pictured above) signifies that someone has a hidden or invisible disability and may need extra assistance/patience/kindness. I am not saying or assuming Chris actually has ADHD. If he doesn't, cool, if he does, also cool! This is all for fun and for diversity in the fandom<3 Enjoy!!

ADHD was a difficult thing to live with. It was more than just the stereotype of “Oh look! Squirrel!”. It was a constant condition that caused a lot of impact on one’s day-to-day life and happiness. Chris knew this better than just about anyone. Having been diagnosed in middle school, he found himself on a constant pendulum between spaced out with his head all over the place and extra hyper. Though he was medicated for it, there were still days where his body and mind were consumed with extra hyperactivity and energy, meaning he could be easily distracted, rambunctious, and fidgety. 

Both Matt and Nick were aware of their younger brother’s diagnosis and were extremely supportive of it, letting Chris run wild when he needed to and gently reminding him to take his meds and do his other daily tasks now that they no longer lived with their parents. The youngest really couldn’t have asked for a better support system, but that didn’t mean that there weren’t days where his brain betrayed him for quite literally no reason. 

⋆𐙚₊˚⊹♡

“Do you want your lanyard, Chris?” Matt asked as he grabbed his car keys off the hook near the garage door. 

The key rack held all of the boy’s keys and things they would need when they left the house, but it also held Chris’ green and yellow sunflower lanyard. These lanyards were a universal symbol that someone had a hidden or invisible disability and might need some extra kindness and assistance when they left their house. Chris had fought the idea at first, claiming that he didn’t need that; he rarely struggled in public. However, the change after he had agreed to try one due to Nick’s pleading to give it a shot had been immense. Strangers no longer looked at him like he was rude when he couldn’t help to butt in or play with his fidget toys as an adult, nor did shop owners hastily bat his hands away when he just wanted to touch things in stores. Of course, there were still bigots, but the improvement was more than he could have asked for. 

Now, Chris possessed his own sunflower lanyard, complete with a small card attached that read “I have ADHD. I can act restless and tend to fidget. I may act on impulse and have trouble concentrating. Please be patient and understanding.” and had both Matt and Nick’s names and phone numbers on it in case of an emergency. His lanyard also had a few pins, buttons, and pop-its on it so that the boy would always have something to fidget with. 

“It’s probably a good idea,” Nick added, coming down the stairs and typing out something on his phone. “Christmas is next week. The mall is going to be busy.”

Being triplets, Matt and Nick were incredibly in-tune with Chris and each other, and both boys could tell that today was going to be a more hyper, easily distracted day for their younger brother. Normally, they would’ve postponed busy, crowded spaces and must-do errands for a day where Chris was feeling more mellowed out, but they flew back home to Boston in just a few short days and had yet to buy Christmas presents for, well, anyone. 

Slowly thinking over the situation at hand, Chris grabbed his lanyard off the hook and placed it over his neck, but it wasn’t long until he had moved on to something else. “Do you guys think that there are triplets just like us?” he asked as Matt corralled him out the door. “But like, in China or something?”

The drive to the mall had been much longer than anticipated with all the holiday traffic, which allowed Chris more time to let his mind wander, blurting out every random thought he had as he played with the shark pop-it on his lanyard. Luckily, Nick quickly engaged the youngest in all his conversations so that Matt could focus, his own head spinning as he tried to keep up with Chris’ mile-a-minute chatter. 

“We should go people watching,” Chris announced as Matt parked their car inside of the heavily filled parking garage. “We could probably see some crazy shit. Speaking of which, did you guys see that episode of Live PD last night?”

Matt and Nick shared a glance over Chris’ head as they walked into the mall. The more Chris talked, the more he began to fidget, earning stares from onlookers, despite his lanyard. The mall was insanely crowded, which could either help or hurt. Somedays, Chris absolutely thrived in chaos, able to hyperfocus and get tasks done in record time. On others, his brain became so stimulated by chaos and change that he would shut down, often losing his ability to executive function in the process. Today was an absolute toss up. 

“Let the games begin.” Nick mumbled, grabbing his brothers’ hands and sliding through the crowds. 

As ‘cringy’ as it was, the triplets still held hands with each other in public, especially after Chris had received his ADHD diagnosis. Matt and Nick felt an almost protective sense over their younger brother, opting to help keep him safe when his brain didn’t always remind him to do that himself. 

⋆𐙚₊˚⊹♡

Things had been going fine for well over an hour now, but it was starting to become too much for Chris. They had already gotten presents for their dad and Justin, and were now on the hunt for a gift for their mother. As much as they loved and adored MaryLou, shopping for a woman as 20 year old men in a mall this crowded was a task. 

The youngest triplet was beginning to become overstimulated. His own thoughts had already been so loud and so chaotic this morning, and to add hoards of people, blaring Christmas music, screaming kids, and overwhelming smells from the food court wasn’t helping. He hadn’t meant to get separated from Nick and Chris; the boys had been poring over the jewelry counter in Macy’s when Chris dropped Nick’s hand, opting to pull his Airpods out of his pocket. Maybe if he could listen to the music he liked and that calmed him down, he could manage the rest of this trip without a meltdown. 

Chris had just slipped his earbuds in and pressed play on Life of a Dark Rose when he realized that neither Matt nor Nick was standing next to him. Not yet panicked, he looked around the floor of the department store, searching for Matt’s Red Sox hat or Nick’s blond hair above the crowd. When that didn’t work, he simply shot a quick text in their sibling group chat that read where are you guys??. Much to his discomfort, the text quickly came back with a ‘cannot be delivered’ message, making the brunette curse when he realized that the signal in the store was awful. 

“Excuse me, ma’am. Did you see where my brothers went? They have tattoos. One’s blond and has a nose ring, the other was wearing a hat?” Chris asked the lady at the jewelry counter hopefully. 

Either not noticing his lanyard or not caring, the employee turned her back to Chris, leaving him desperate. He didn’t know his way around this mall at all, his phone wasn’t working, and it was beyond crowded. How was he supposed to find Matt and Nick? What if they left without him? He couldn’t drive and he had left his wallet with Nick. How would he get home? This was just a glimpse into the anxiety that circulated through Chris’ mind whenever he became overstimulated. 

The brunette felt his eyes beginning to grow wet, cursing himself under his breath. He wouldn’t, he couldn’t cry. Not here. Chris wiped a few stray tears that were running down his cheeks and began to retreat to a quiet area of the store to contemplate his next move. The last thing he needed was for a ‘fan’ to snap a photo of him crying and overstimulated and post it online. 

The children’s toy area proved to be the perfect place for him to hide. With all the stock having been bought out for the day in the holiday rush, the department was completely empty. Chris sat down on one of the leather benches, running his hands through his hair as a stim and anxiously checking his phone in hopes of regaining signal. He was so caught up in his anxious stimming and trying not to have a meltdown, that he hadn’t even noticed someone appear beside him. 

“Are you okay? I saw your lanyard,” You offered kindly. “You don’t have to talk if you don’t want to.”

Chris looked up at you, taking in your appearance. You were absolutely beautiful, dressed in a soft, sensory friendly outfit with a purple cow Squishmallow clutched to your side. That wasn’t what caught his attention, though. What truly caught his attention was the sunflower lanyard hanging around your own neck. Glancing briefly at the card, Chris noticed it read “I’m autistic”. 

“Can I sit?” You asked, gesturing to the empty spot next to the boy. 

Chris nodded, wiping his eyes and clearing his throat. “I can’t find my brothers.” he admitted tearfully. 

“Is that who’s with you?” You asked knowingly, having been in similar situations yourself. “Do you want to call them?”

“I can’t. My phone won’t send the fucking text and they were just with me and I can’t find them. What if they left me?” the more Chris talked, the upset he became, anxiously chewing on his nails. 

“Hey hey hey, it’s okay. They wouldn’t leave you. Would you like a fidget?” You pulled a tangle from your purse, holding it out for the boy to take.

Chris stared at you for a moment before tentatively taking the toy from you, instantly focusing on the colors and movement of the plastic. “...thank you.” he whispered. 

“Would it be okay if I touched you?” You asked gently. From your own experience, you knew that it was important in situations like these to ask for consent to touch someone who was overstimulated. “My lanyard has my emergency contact on it. Does yours? Maybe we can work together to find your brothers.”

Chris nodded softly, allowing you to softly look at his lanyard and identify both Matt and Nick’s phone numbers and names. By some miracle, your phone had much better service than Chris’ did, allowing you to let both brothers know where you were and that Chris was looking for them. 

“So, tell me about yourself if you want to.” You tried to make easy conversation to take the brunette’s mind off his current overstimulation and panic. 

“‘M a YouTuber,” Chris muttered softly, highly subdued. “And I like rap music and y’know, I have ADHD.” when he saw your soft, blushy smile and attentive listening, Chris became more animated. 

“I’ve always thought YouTube would be a cool job. I’m a pet sitter. I love animals so much. They’re one of my special interests.” You nodded to your cow stuffed animal. 

Chris remembered reading about the term when he was doing some self reflecting on being neurodivergent. Although he didn’t experience them himself, he knew that they were an enormous part of being autistic, and he felt grateful that you were willing to share something like that with him. 

“How did you, um, find me?” Chris asked shyly. 

“Well, I came to see if they had any stuffed animals because I love them, but instead I found you.” You smiled, fiddling with your own fidget toy. 

You and Chris continued to chat as you waited for his brothers. The difference in his personality when you first found him to now was like night and day. He had become more animated over the course of your conversation, talking with his hands, eyes aglow. You looked up when you noticed two men who looked eerily similar to Chris walk up next to you. In your head, you connected the dots that the boys must have been triplets. The blond who approached you had a hard look on his face as he noticed his brother talking to a stranger, but when his eyes caught your lanyard, he visibly relaxed. 

“Matt! Nick!” Chris squealed, leaping off the bench and pulling his brothers into a hug. 

You watched with a soft smile, thinking the sibling’s embrace was cute until the brother in the Red Sox hat turned to you. 

“Thank you,” he told you sincerely. “Thank you for helping him.”

“It’s really not a problem.” You were becoming shy under the attention, but Chris came up and wrapped his arm around you. 

“I love her,” Chris said, before blushing as he realized what he had said. “Not like that! I…I mean…” he stuttered. 

“I’ll give you my number,” You chuckled, standing on your tiptoes and kissing Chris on the cheek. “For being such a sweetheart.”

tags ♡:  @jake-and-johnnies-slut @chrissfavwh3re @suyqa @chrissturnswife @mbsbaby @herxysc-blog @lovingchrissposts @caffeinatedscorpio @spencereidenthusiast @crazychrisl0v3r @sturnioloxlver @whicked-hazlatwhore @blahbel668 @sturncakez @junnniiieee07 @biggesthat3r @sturniolowhore @patscorner @julesgrl @0strawberrysorbet0 @strombolilovr @matt444nixi @remussbitch @devthepoet1221 @mattyblover07 @loisnotaa @mollyquinnxoxo @graysturns @pepsicolapussy333 @ginswife @emmagirouard @athaliahxoxo @bitchydragonparadise @ilydeaky @soggyslugg169 @m00n-0n-paws @books0fever @stingerayyy2 @sunsetsturniolos @mimi-luvzyu @raysmayhem-72 @faygo-frog @oobleoob @billsslutt @aemrsy

note ♡: if you'd like to bed added to my taglist, click here <3

[lucid-daydreaming-art]

MORE INFECTED…..

u thought i was done infected posting… WRONG

photo credit goes to the amazing robbie buriedgrapes @buriedgrapes

infected design inspiration goes to the person so boring i fall asleep whenever i even talk to them (true fact happened last night and the night before) @unoriginal-and-dumb

if anyone’s curious all my infected pictures were taken at requiem cafe in anaheim!! im a frequent customer there and i highly recommend it to literally anyone who can go, the customer service is amazing and its queer owned and queer friendly!! and very neurodivergent friendly too, theres comfortable seating in the tree lounge with enough space to not feel claustrophobic, the lights are always low which makes it easier to avoid sensory overload, theres lots of textures and colors to look at and feel in all the themes, and theres an item shop with stuffed animals that’s generally much quieter than the main area and plays soft animal crossing music. i know some of the staff personally and they love working there and feel confortable there!!! and beyond all that the drinks and food are just SOOO good. the drinks are generally around 5-8 dollars depending on the size and add-ons you get and the food is around 12-16 dollars. everything on the menu is fantasy/gaming themed with some references to popular fandoms like fnaf and danganronpa!! its located just over the freeway from disneyland & the anaheim convention center!! go check it out!!! give them business!!! they’re wonderful!!! they also do frequent events for fandoms you dont see get public attention much. they just had an owl house event in february and before that they had a persona 5 event in the fall, and between that theyve had little events here and there like a halloween party and a scott pilgrim new year’s celebration. they’re having a homestuck event next month with a ticketed (sold out) 4/13 dance party and a ticketed (still open!) 4/20 trickster rave (i will be at that one!) PLEASE GO GIVE THEM BUSINESS THEY ARE SO AWESOME

bonus:

OH MY GOD!!!!!!!!!!!!!!!!!!

[galedekarios]

plagiarism in the bg3 fandom

disclaimer: this post should not be taken as a springboard to harrass anyone involved.

-

as i've stated previously, i didn't want to make this post because i have a lot going on in real life, but i have been watching this being done to others and myself for months now and i can't not speak about my experience anymore.

laiostoudenn (prev urls: lathanderr/spellbooking/wizardblood) is a plagiarist and he has a history of stealing from other creators like @minthara, @mercymaker, @onewingedangels and others.

in this post, i, finally and after much and long deliberation, want to add my voice to theirs.

i'll try to give a chronological overview of what happened as i have come to experience it, through others and myself, and as condensed as possible and to make it easier for myself to tell:

the story

i became aware of this new blog after he @ me and he messaged me. he's been following me. i was slow to engage because i have a lot of things going on in my real life that cost me a lot of energy during the day. i have also grown cautious of too quickly becoming close to strangers online. i became aware, however, that he had been doing this with multiple bigger creators in this space, like my friend @hawke, who is also a creator in the bg3 space, and who has experienced the same behaviour. they asked me if i knew him and i replied that i did not.

that was it for me at that point and i didn't engage much beyond that because i didn't know him and i thought nothing of it - until later.

during that time, whenever i saw his creations pop up increasingly, either in the tags or on my dash, i noticed more and more that they looked familiar to the works of others, from @minthara, to @mercymaker, to @onewingedangels and other creators, including myself.

it was then confirmed that i wasn't simply imagining things when, months ago, two creators were brave enough to speak up about the fact that he has been plagiarising gifsets and edits from them:

@minthara and @mercymaker:

@onewingedangels original set posted on 31st december 2023:

his set posted on 29th january 2024 (now deleted):

this was done without consent, and after he had already copied prior sets from @onewingedangels.

i would greatly recommend reading the posts shared above, and looking at the examples provided in it, so that you get a clear picture of what's happening here. it's not one isolated incident.

if you take a look at the notes in the post, you can also see other creators speaking about their experiences.

@minthara has recently also uploaded a google docs with the screenshots of the sets stolen from them because they either have been deleted, or lead to nothing due to now multiple url changes.

i was made aware today that he, following the first posts detailing @minthara and @mercymaker's experiences, apologised at first and admitted to what he's been doing on 31st march 2024:

but sadly, this wasn't to last, and the opportunity to learn and grow wasn't taken.

instead what happened was now painted as "bullying" from other creators, as "clique" behaviour and as "gatekeeping", despite many of us operating independently from each other. i, myself, have only started speaking to one other creator involved now that i have noticed the stealing and copying still ongoing.

i have in my time on this website never gatekept anything. i have shared metas, gifsets, creations, mods, art, tutorials, and many other things freely.

but back to the matter at hand: after he has been trying to ingratiate himself to me for some time now, following me, unfollowing me, and refollowing me again until i blocked him for my own mental health, i tried to remain civil before this point, engaging rarely if at all, hoping everything would go away on its own - which was a mistake in hindsight, i realise - i noticed that once again he's been lifting entire concepts and frame-by-frame gifs and sets from me.

things that he now claims - likely after he has been made aware of my prior personal posts and @minthara and @mercymaker's post circulating again by being reblogged by other people who have been affected) - were simply "remade" or "expanded" upon, that he may have been "subconsciously" influenced, while simultaneously claiming that he didn't know these sets existed in the first place, that he came up with the ideas independently, and that it's simply inevitable to use the same scenes because it's a limited game.

this doesn't hold up under scrutiny, however.

i want to make clear that i very much understand and that i am acutely aware that i do not own scenes and i do not own mods or outfits. however, what i do like to pride myself on is coming up with concepts and scene choices and captions accompanying these concepts that are unique, inspired by my metas, headcanons pertaining to gale and my own ocs altonaufein and karl, all of which i have seen copied by him several times now.

this is not as simple as simply gifing the same lines of dialogue from a scene as he and others supporting him are now postulating and i want to make that very, very clear.

another reason why this statement doesn't hold up under any scrutiny and, what ultimately confirmed my suspicion that he has been copying me, was when he - after the first post exposing his behaviour by @minthara and @mercymaker was made - reached out to me, asking if it it's ok to copy a gifset i made (note: again, this happened after he was called out for plagiarising the first time):

i didn't respond quickly enough, so he went ahead and posted it without waiting for my response (the response i gave him is pictured above and for transparancy, i responded about a day later bc of work and irl obligations).

below you can see the stolen post and what i managed to save from it:

the set was a 1:1 copy. he wanted a version for his oc so bad that he went ahead and stole my concept anyhow, without even waiting for the permission he asked for.

he went to take it down after my reply, made cautious most likely by his still fresh callout done in march 2024 by @minthara and @mercymaker, and i thought the issue was resolved and it wouldn't happen again, that he wouldn't take again without asking, despite having been told not only by myself, but by other creators as well, no. we are not comfortable.

but no. he "remade" the set, switching out gifs while complaining about how he "had to make it original":

my set in question was made on 1st february 2024, he reached out to me on 22nd april 2024 to "remake" the set. he is well aware of the existence of these ideas and concepts and sets he wants to copy, underlined by the need to ask for permission when it's simply too obvious to otherwise deny.

it's no coincidence.

like others have had the experience, i too noticed that he often would not engage with content he planned on stealing or did go through with stealing. he would sometimes present it as his own "remake" of a set he did, of another he was "inspired" or wanted to "expand upon", sometimes crediting, sometimes crediting someone largely unrelated, sometimes and, more often, not crediting.

as i mentioned above, this was not the first and not the only set/concept, which he copied from me - whether that was before asking or after asking, or not asking at all, if it was ok to copy.

i use this example mainly to show a clear pattern of behaviour that exists across the board: he takes concepts from other creators and inserts his own oc and/or favourite character into it because he wants a version of it so very badly. it does not matter if said creator might be hurt, if they told him no, or if they exposed his behaviour before. it doesn't matter how old the set is or how recent.

it is still going on today, the only difference is that he has stopped asking at all once again.

my story completely echoes that of @minthara and @mercymaker's.

concrete examples

i will now go into more detail about the concept sets he's been copying, include the caption or quote attached to it. i'm sorry that these will not be in chronological fashion. i will add at a later point, just like @minthara has done, a google document to better do side by side comparisons, highlight the similarities visually even more, and preserve some of the sets, which have now been deleted by him as recently as today:

the theme of hands in gale's romance

-> mine posted on 23rd september 2023

versus

-> his 1 posted on 24th february 2024

-> his 2 posted on 17th june 2024

i want to preface this by saying that the theme of hands was and still is incredibly important to story of my oc altonaufein and has concept of romance with gale. again, while i do not own these scenes, i wished to highlight a theme that i identified as poignant and profound within the relationship context. it's also why i added the poetry and quotes accompanying the set.

notice how even the caption format matches. the only thing lacking are my quotes / poems.

the format matches almost entirely: gifs from the same scenes (pulling gale out of the portal, the bench scene in an illusionary waterdeep, the astral sea scene, the boat scene, and more of the boat scene). the only thing that was added in this gifset are scenes that weren't available to me back then, namely the updated proposal scene, the kisses patches, and the epilogue as they came out well after i made my original gifset.

the second re-make even contains a gif that's not only the same minute detail of a larger scene - one that anyone who played gale's romance knows contains a multitude of other parts that could have been used - but also the same frames:

mine vs his:

i suppose adding that one to the original post with the same format i had chosen for mine would have made it too obvious, but that is only speculation.

gale + missing waterdeep/home

-> mine posted on 30th september 2023

versus

-> his (deleted on 18th july 2024) so i will have to include screenshots so you may compare:

same caption format, overlapping scenes chosen, only new additions are of content that wasn't available to me back when i first made my original set (the epilogue, kiss patches and proposal scene).

an attempt at "credit" even though he is only referencing my tags on an entirely separate set of a different creator, not the concept i came up with in my original set months prior.

and even though i have told him no before, just like others have told him no before.

i think it speaks volumes that this set is now, like some others, have been suddenly and coincidentally deleted.

gale of waterdeep vs gale dekarios

-> mine posted on 20th november 2023

versus

-> his posted on 13th may 2024

the concept is entirely the same, the scenes are largely overlapping, again, the caption format is almost entirely identical, with the sole difference of me including the full quote and devnotes as i'm wont to do.

gale + i love you

-> mine posted 16th september 2023

versus

-> his 2 (a "remake" of an "older" set of "his") posted on 13th may 2024

again, the concept is entirely the same, it's same caption format, the scenes largely overlap, some of the gifs added that were not available to me when i made my set (which, again, would include the epilogue, kisses patches, and the updated proposal scene).

mermay gale

-> mine posted on 13th may 2024

versus

-> his posted on 21st may 2024

it's the same concept again, the caption format is similar, it's the same setting (camp at baldur's gate), the same armour, the same armour tint, the same 3/4 pose except mirrored, and, this time, his tags were inspired too:

my tag: #i have the worst art block still and virtually no time but i still wanted to do smth for mermay so have this

his tag: #i can't do art so heres my mermay contribution i guess

copied oc post

-> mine posted on (likely) 30th september 2021

versus

-> his originally posted on may 7th 2024, which has also now been deleted on 18th july 2024:

the only thing different was the font. sadly, i deleted my oc post since i have redesigned some of them and wanted to make an updated version of it in the future.

thankfully i found the link on my friends blog, @ayrennaranaaldmeri.

as you can see, all of these happened after the first cases of plagiarism and after i personally told him that i'm not comfortable with him "remaking" my concept sets as his.

conclusion

there are many other sets that i suspect have been copied or plagiarised, i want to remain objective, however, and include the ones i feel are the most damning examples, supported by the fact that he has been deleting some of them today while again, trying to set up his narrative to his audience.

again, i want to highlight the pattern is here with him. my post is not the first, my suspicious are the first.

he knows what he is doing wrong, highlighted by the fact of trying to ask for permission, by deleting sets in question, by, at first, apologising, whilst now talking about "gatekeeping", "bullying", "inevitable repeats of scenes", "taking inspiration", "scrolling by", being "subconsciously" influenced, etc.

as a conclusion, i can say nothing more on this topic other than that i'm very sad. it doesn't give me joy. it stressed me immensely then and it still does now. i wish he'd have taken the already admitted wrong-doing to heart and grown from it, instead of attempting to change the narrative and doubling down on his past behaviour, not examining what he has done and is doing several times over by now.

i have blocked him now, as have done many others, and will not engage further with him. we have been through this before and at this point, i don't think he will change.

what i do very much hope, however, is that this is the last i hear of this happening.

edit:

updated the links to lead to his "archive" so you can access the stolen sets that he still hasn't deleted and seems to have no intentions of doing so.

[i-am-married-to-keith-kogane]

Keith dating hcs please!! and im so glad that their is people still doing voltron! i love that show so so much and I feel like the fandom is dying so quickly😭

hiii!!

ofc i can do keith dating headcanons lovely! im so glad you like voltron too, its taken over my life once again and its sad coming back to the fandom with just a little of us left but i want to continue posting/writing about voltron to keep it alive on tumblr with some other talented creators!!

✦KEITH KOGANE DATING HCS✦

✦before confessing his feelings to you, he had to ask lance for some help

✦it took a lot of contemplating and hyping up but he finally got there!

✦keith would struggle a little at the beginning of the relationship since he's worried you'll leave him for someone better. he would spend nights just staring at his ceiling and thinking how much better off you would be with someone else.

✦though overtime those thoughts would fade away but not completely.

✦he would try to flirt with you, but he'd become very flustered and awkward but you thought it was very adorable by the effort he'd put into it!

✦he is very against PDA (aka public display of affection)!!

✦if you break it, expect a very grumpy, pouty and flustered keith.

✦keith is VERY clingy in your relationship, he’ll just want to constantly be near you especially in social situations.

✦keith gets jealous, he just does. he's scared people are gonna steal you from him.

✦once while on a mission with him, this alien took it upon themself to start flirting with you (because who wouldn't😍), keith caught up on this and let me tell you, he was mad.

✦he completely broke the 'no PDA' rule. he wrapped you around in his arm and said "excuse me, but she's taken" with a deadpanned face. man was not having it.

✦i feel like his galra side would make him very territorial, which includes things that belong to him and his personal space.

✦your his and he's yours.

✦surprisingly the only thing that he let pass from his 'no PDA' rule is hand holding, ONLY if he knows that no one else notices (especially Lance or Pidge, they just love to tease him).

✦but they know, they're just snickering quietly to themselves, but shiro keeps them quiet for keith's sake(space dad!!)

✦okay if you guys sleep together, keith demands morning kisses. its the first thing he needs wants. when he wakes up don't be surprised to be showered in kisses!

✦this man does NOT care about morning breath, he just loves you so much!!

✦though, if you sleep in your own beds let say, he'll just brush his teeth (as will you🫵)

✦i feel like keith's hugs will be super comforting and long, especially if he's feeling a little sleepy (and he may just hug you around the other paladins if he is really tired)

✦(yk sometime you just got to break the rule, he just can't resist hugging you. it just makes him feel so warm and comforted.)

✦we all know that keith loves you to bits but he does get embarrassed about what the others will think when they see him so lovey dovey and intimate.

✦he needs to keep the tough guy act okay, its a full-time job (its really not)

✦but just keep reminding him to be himself ☻!!

OKAY WE'VE MADE IT TO CUDDLING!!!!

✦(im sorry i just love cuddles💗 ahhhh)

✦this man would sell his soul for a cuddle from you. IN PRIVATE sadly.

✦he loves little snuggles before drifting off to sleep after an exhausting day.

✦he loves when you pepper kisses all over his face, neck, collarbone and shoulders

✦he also loves when you play or run your fingers through his hair, he finds it so soothing.

✦also don't deny any of his affection! IT WILL SEND THIS DUDE INTO SEVERE POUTY-NESS.

✦he just loves you so so so much!! so it will break his heart (not literally).

✦your the definition of the sun to his moon.♥︎

(i dont think i used that correctly ☹︎ but trust the thought process)

✦you always have to remind him that if he dies, you die too. in hope to make him less reckless on missions (he's still reckless).

✦also before he leaves for a mission he always gives you a sweet little kiss at the forehead/temple and definitely expect a kiss when he gets back!!

☾ ⋆･ﾟ:⋆･ﾟ

✦in the end he loves you dearly and would do anything for you ☻♥︎

★。＼｜／。★

-love,

. marra✧˖*°࿐

★。／｜＼。★

[allilcat]

Ive been noticing an increase amount of Dreamtwt refugees, and let me preface with saying: Welcome!!! Genuinely, we lovingly welcome you to this happy lil community.

That being said, Tumblr is confusing, between the big etiquette book and the interface that hasn’t changed since 2008 there is a lot to learn. So this is my little attempt to a welcome guide tailored to our lil dream community! Feel free to add your own recommendations and stuff.

Tumblr is a Blogging site, a goog ol relic from ye olden days, your ‘profile’ is your blog, and you can put anything you like on there! However, please do change your avatar and background, we have a massive bot issue here and we tend to auto block someone with a standard avatar.

The main tags for the dream team are as follows: - just their entire usernames, but, those do get hooped up in controversy from time to time. -Dreamblr for the content creator dream

-Dreblr, for C!Dream

-404blr for CC George

-pandasblr for CC Sapnap

-Dtblr for the Dream team

PLEASE REFRAIN FROM USING: #Dream, that’s for people actually posting about their dreams, and #myct as it is mostly used for general MYCT stuff, we prefer to stick to our own spaces.

‘how do I find people?’ you go to any of these tags, find someone you vibe with and click ‘follow’. The algorithm here sucks, and we don’t advice the ‘for you’ page.

On that note, the ‘like’ button is useless, use reblog instead! If you like someone’s hot take, art or stupid shit post, REBLOG. Its how we keep our fandom alive and active here :D

When you reblog you usually keep your comments in the tags, one only really uses the comment section when they DON’T want to reblog. (usually because of le discourse).

Send people asks! People love to chit chat, you can do it anonymously! Tell that one artist youd love to have their brain for lunch! Engage with everyone! We love discussion and open communication here. (prob since there is no real word limit to posts)

Tumblr has developed a nice ‘block liberally, no need to make a fus’ culture. You can block someone for any reason, and it really isn’t a big deal.

On the Tumblr is more relaxed note, we tend to be more relaxed on CC boundaries, since most CC’s do not use twitter. If you don’t like people breaking CC boundaries, even in places where they cant see it, follow the advice above and blockkkkk!!!

Please spell out words! Don’t censor triggering words at it can fuck with people’s filter settings, by censoring these words you put people in more risk.  

Now for some technical advice: Most tumblrina’s turn on ‘hide likes and follower count’ . Any blog can have 4 people following it or 4000, we like to keep it mysterious.

Also turn of ‘best content first’- once again, the algorithm is not to be trusted.

Furthermore, you can really personalize your Tumblr experience and please do! Under ‘account’ you can find many options to filter the content you see, make use of it, for your mental health sake.

[batpham-discord-highlights]

A PSA for tagging DPxDC Content

This post will include:

The proper tags to use when posting

Why we use them and not the parent fandom tags

A chart of key words to help you filter

Image descriptions under the cut

We know we can't control who tags what, and how tumblr chooses to work, or not work, but these are just some general guidelines to help everyone find or block our content.

What DPxDC Tags should you use? 

General: dpxdc always

More Specific Tags: Batpham, dpxjl, dpxyj

For ALL ships please add “ship” after the ship name. For example: Dead Tired ship, Dead on Main ship, Double Edged Sword ship

What Tags should you NOT use?

Parent Fandom Tags: Danny Phantom, dp, Phandom, Phanart, Phanfic, DC Comics, DC Universe, dc, Batfamily, Batfam, Superfam 

Variations of General Tags: dp x dc, dcxdp, dc x dp, dp x jl, dp x yj, dp/dc, dc/dp, 

For ships please don’t tag JUST the ship name. For example: Dead Tired, Dead on Main, Double Edged Sword

As a general fandom tag we are using dpxdc, WITH NO SPACES.

Why no spaces? Tumblr is so glitchy it’s baffling a very functional website. Because of this we’ve received reports that sometimes if a post is tagged "dp x dc" or “dp/dc” then, even when the tag is blocked, the posts will still show up in the individual "dp" and "dc" tags. That isn’t cool.

Why is it important to tag separately?

dpxdc is a big crossover. The crossover fandom has been rapidly growing over the past year. The crossover fandom drowns out the original dp/danny phantom fandom by a lot, especially for people who may be interested in dpxdc but also want to enjoy regular phandom content. By not using the dp and danny phantom tags, it helps a lot to not drown out the main fandom's inhabitants and content. dpxdc as a fandom tends to pump out a lot of content (which is amazing), but that means that we need to be careful to not suffocate the main fandoms. "Why can't I tag the danny phantom or batfam main fandoms? it's a crossover" -- yeah, it is a crossover, but it's a crossover that is huge (especially in comparison to danny phantom) and dpxdc has taken over the main fandom tags. It's causing a lot of animosity and tension on both sides.

Additionally, the crossover (like most fandoms) comes with some common characterizations, tropes, aus, and concepts that tend to be interpretations that do not link back to the main fandom well. While fandoms come up with their own characterizations, tropes, aus, and concepts, it's important to know when a crossover fandom has existed long enough to establish its own sets of common themes that the main fandom may want nothing to do with.

This doesn’t mean you have to pick between dpxdc and its parent fandoms, like Danny Phantom or DC or Batfam. Indeed, by NOT tagging dpxdc with its parent fandoms, you are ensuring that people who want a space for dpxdc and a space for its parent fandoms can have both! We don’t have to pick sides! But in order to have both, we need to tag dpxdc content with a tag we can search (that is, dpxdc), AND we need to make sure we’re NOT tagging the parent fandoms (such as, danny phantom).

What if I don't want to see dpxdc content?

Here {link} is an in depth guide on how to block tags and filter certain content from appearing on your dash. We also ask that you please keep any venting out of the dpxdc.

However, if you’d like an easy list of terms to just put into your filters, we’ve made a chart!

Thank you!!! 🦇👻🦇👻🦇👻🦇👻🦇👻🦇👻🦇👻🦇👻🦇👻🦇👻🦇👻🦇

[image description: A table with 3 categories, “DC Content”, “DPxDC content” and “DP content. 

Under “DC Content” are listed: dc comics, dc, batfam, Young Justice Cartoon, Young Justice , Teen Titans, Teen Titans 2003, Batman, Gotham, Bruce Wayne, Justice League, Superman, Clark Kent, Metropolis , Jason Todd, Red Hood, Tim Drake, Red Robin, Damian Wayne, Lazarus Pit, Lazarus Water, Ras al Ghul, Watchtower, Constantine, John Constantine, Robin dc.

Under “DPxDC content” are listed: dpxdc, dp x dc, dcxdp, dc x dp, dp x dc crossover, dp x dc prompt, dp x dc fanfic, dp x dc au, dp x yj, dpxyj, dp x jl, dpxjl, dpxdc event, Batpham, Danny Fenton/Dick Grayson, Death Defying, Danny Fenton/Jason Todd, Dead on Main ship, Danny Fenton/Cassandra Cain, Dead Silent, Danny Fenton/Tim Drake, Brain Dead, Dead Tired, Danny Fenton/Damian Wayne, Dead Serious, Jazz Fenton/Jason Todd, Anger Management ship, Hardcover, Jazz Fenton/Cassandra Cain, Silent Jasmines, Dani Phantom/Damian Wayne, Serious Chaos, Double Edged ship, Dani Phantom/Mar'i Grayson, Space Princess, Demon Twins.

Under “DP content” are listed: Danny Phantom, Phandom, Phanart, Phanfic, Danny Fenton, Sam Manson, Tucker Foley, Vlad Masters, Vlad Plasmius, Ghost King Danny, Ghost Zone, Infinite Realms, A Glitch in Time, Amity Park, Nasty Burger, Everlasting Trio, Badger Cereal, Dan Phantom, Valerie Gray, Team Phantom, Jazz Fenton, Clockwork, Skulker, Fenton, Jack Fenton, Maddie Fenton, Eldritch danny, Fright Knight. end]

[dragonpropaganda]

you should talk about your thoughts on rw fanon (looking with huge eyes)

Oh god, there's a lot of major misconceptions have concreted into fanon, mostly around ancient society and ascension.

First things first! Ascension is not death! They are entirely separate things treated entirely separately by the text of the game. I can see where the interpretation is coming from, but it doesn't really align with how the text treats either subject. Five Pebbles may want to remove the self destruction taboo, but from his reaction to the rot it's clear that he doesn't want to die. Conflation of ascension and death only comes up as an offhand possibility that pebbs makes on iterator 4chan, when he's going into the possibilities of scenarios that even the other sliverists are doubtful of! (let me make clear that I am not a sliverist by any means)

Ascension is more of talked about as a form of transcendence, yeah? A Bell, Eighteen Amber Beads talks about their sitution as being "To have grasped at the boundless infinites of the cosmic void…", not as them seeking an end to life.

The beta dialogue goes into more detail, mentioning the "infinities of time and space" and the "boundless fractal planes of spirit and reality...", though this dialogue was cut and it's hard to tell how much it reflects the concept as in the released game.

As for the cultural misconceptions... there's A Lot to talk about, but the first that comes to mind is the common conflation of the five natural urges and the christian concept of sin.

It is true that the negation of urges is mentioned by moon as an alternative method of ascension, but much of what we know about the culture of the people who the fandom calls the ancients (which makes discussion of the depths a mess but that's something for another post entirely) points towards the urges not being seen as shameful.

Even the first urge does not seem to be particularly scorned! Being a warrior is presented as a cause for bragging in the Shaded Citadel pearl, being comparable with being an artist and a fashion legend. The second urge, also does not seem to be suppressed. Multiple sources attribute some level of honour to parenthood! The aforementioned pearl also mentions Seventeen Axes, Fifteen Spoked Wheel as being a "Mother, Father and Spouse" without any hint of shamefulness. Nineteen Spades, Endless Reflections expresses pride about having progeny, mentioning it alongside their owned land and esteem among their peers.

After some peer review, an esteemed friend has told me to add a section on purposed organisms as well! This is not so much my area, so I might be a bit off on some things.

As moon says, the majority of purposed organisms were tubes in boxes, and that the primal fauna of the world are almost entirely extinct. A lot of the fandom seems to ignore the first part, and i can't say I blame them, but the evolution of the creatures is so much weirder than people think.

Concept art for the creatures has this interesting quality to it, where the organic parts of the creatures have an almost... melty quality to them.

In the concept art, the flesh appears as if it's almost defying the machinery to form an animal shape. It's as if it's conquering its own artificiality the way the foliage grows over the (stone, brick and concrete, not mostly metal as some think!) ruins.

Of course, it's hard to really tell how much of this reflects the finalised concept, most of the integration is much smoother in the game, in line with a seamless kind of biomechanical design. There was always an intention of biomechanical strangeness, as shown in this screenshot of the devlog before the term "slugcat" even existed!

That said, the melty nature of the concept art shows a level of wild change inherent the biomechanical nature of the creatures, as if they truly are the result of these "tubes in boxes" almost revolting against their own boxes.

and considering centipedes... some tubes may not have had boxes in the first place!

[worrynoodle]

Okay. Now that I'm caught up, I would like to put in my two cents on this.

⚠️Warning, if the whole fandom panic thing stresses you out, please go ahead and skip this, but I tried to make it reassuring. There's no need to go worrying yourself over rumors and hearsay. ⚠️

For one thing, there's no amount of asking and pressure that is going to make any of the show creators reveal the ending. That isn't how tv shows work. You wait, you watch, you see. It also isn't fair for those of us who hate spoilers for them to constantly be asked for.

Two. I know that a lot of us on here are neurodivergent and have anxiety, and a HUGE part of that anxiety can be the unknown, especially about things we care very deeply for and identify with. This show and its characters hold a very special place in our hearts, and we fear not knowing the ending, especially with a big bang cliffhanger like s2e6. But please try to sit in that discomfort and allow yourself to feel your feelings without panicking.

Third, this story has been beloved for 30 years, yeah? Of course, OF COURSE, it's not going to be a bad ending! It's obviously something that all of the creators involved have been passionate about. Why on earth would it end badly? And all of them - Neil g, Terry p, the directors, the actors, the cast and crew, set and costume designers, the hair and makeup crew, ALL these wonderful people - put an unfathomable amount of care and thought into every aspect of the story.

Next, please, please, please try to remember the show on its own, right? All the details, all the scenes building Aziraphale and crowleys history individually and as a pair weren't put in there for no reason. Take what we actually see on screen and separate that from metas, theories, fanart, and fanfiction. We all love diving into what each detail could mean, but remember, it's all speculation until it concludes.

The story, what we have so far, is kind of a mostly completed puzzle. There's a lot of missing spaces, that's the season three bits. And right now we can't see the bigger picture but you have to remember that each piece of the puzzle was made by the people who painted the whole picture. Every piece that we have was made to fit with the whole story so once we have all the "season three pieces" they're going to fit right into place as they're supposed to.

And maybe, if you have very very high expectations - like very specific headcanons for how you think a perfect ending would look like - maybe it wouldn't be too bad to lower your expectations and open your mind to new possibilities. Ones that can be just as good!

So please, take a deep breath. Count to ten. Get your hot chocolate, your tartan blankets and comfy chairs, pull up some happy-ending fanfics and remember that it's all going to be alright. It's 2024 and this isn't Sherlock

[reflections-in-a-critical-eye]

i for once want to get the opinion of a "rational" jikooker who knows how to take a step back and take certain things for what they are and i wanna know your opinion or interpretation of jikook in chap2 and them not meeting and also that conversation they had in the car about that please.

And you thought I'm that rational person? Funny.

You know, there's something I always disliked about being in this fandom space. I mean, there's plenty of other things, don't get me wrong, but this one in particular really irks me. It's the need for approval, for confirmation of one's thoughts. There's a severe lack of independent thought. It might be hidden under apparent strong opinions, but when you look at how those opinions are spread to anon messaging to bloggers everyday, that's a sign that the complete opposite happens.

Jikook as a kpop ship always has to be questioned. At this point, I think it's part of its narrative as a ship. But what's curious (and stupid) is that the hardest line of questioning comes from the ones who consider themselves interested/curious. But make no mistake, this is not done for the sake of not becoming delusional and discard any rational thought. It happens because of the need for approval.

You sent me this ask because you hope for me to agree with your own thoughts about jikook and what that conversation in the car means. Not for them actually, but for you. And you're not the only person. A sure sign of fandom insanity is debating for over 2 weeks now a conversation that is not only heavily editated, it is mediated as well. It takes place in the context of a show for fans in which participants are two people who will never reveal everything about their lives. And on top of that, there's an intentional need to ignore that people can speak in hyperbole, that people can ommit or say one thing that actually means more or another that only the other person is capable of understanding the nuances of that.

Communication is complex. We do know that because we engage with it everyday. Except we forget all that the moment we have to talk about this specific ship. We forget a lot of things about human behavior, relationships, etc. It is an intentional act. So we start writing fanfictions. We start making relationship timelines. We start taking about temporary or definitive break ups of a ship that hasn't even been confirmed as a couple. At this point, shippers operate into this alternative universe sphere, canon adjacent but instead of doing it on ao3, they use their blogs and anon messages for that. But hey, fanfics on ao3 are a lot of the times the work of talented writers, while 500-1000 words essays on tumblr are simply a complete waste of time after the first paragraph.

Is this what you would consider a rational perspective? Or should I start writing down a timeline of all the times in which JM and JK have met in "Chapter 2" up until NY in July? (As if in reality their lives are actually separated that clearly, as if a break in band work completely defines their personal lives, jesus christ!). So, should I note down all the public events that they've been to? And to draw a conclusion from it to prove or disprove that the amount of times they've seen each other is reflective or not of what they said in the car when they left for their trip? Of course, we should ignore that there's an entire life outside of what we see.

And that's the thing, you know? We all supposedly agree that they actually share little of their lives with their fans, but practically? The fandom doesn't really give a shit. Because of the classic parasocial relationship we have developed that makes us believe we know everything there is to know.

What we are allowed to see and what we hear from whispers here and there should allow us to realize that no theory over a supposed relationship is better than the other. Believing they are just friends, that they have broken up, that they are fwb and so on is in no way more rational that believing they are together.

What does this mean? If none of us are wiser? It means we have a choice. Some are choosing to be losers or little bitches crying in anon asks about their "insecurities" over a ship. Some are choosing to look at this ship as a duo that includes two people who have really good chemistry and who match each other's freak.

I've always been in the latter category, I thought that was obvious and I've said it before. If one day Jimin makes a public statement that he's marrying the love of his life, a sweet girl that is also the mother of his 5 secret children, then so be it. And if one day, Jungkook shows up one day after he decided to run away and join a bike gang where he met his boyfriend, then so be it. If somehow that next day, a jikook clip would turn up on my tl in which Jimin is brushing his teeth while straddling Jungkook, my reaction would be "well, jikook fuck. Often". You know why? Because for me, the public life of stars and what they choose to share is entertainment. A travel show, a wlive, concerts, these are all forms of entertainment. I do not consume my entertainment by being a loser on the internet, pondering if my assessment over two people might be fucking is real or not or is approved by other people.

[kavaeric]

Tumblr Field Guide is now available!

Hi! If you're from Twitter, welcome to the hellsite! I've managed to compile a fairly comprehensive guidebook on the in and outs of Tumblr and its etiquette written by myself and some long-time Tumblr veterans.

When I say "Tumblr veterans", I mean that we've been on this site in some capacity for around 10 years each now, if not more (I myself have been here on and off since around 2011). We're happy to see new people discover the unique nature of what is effectively our digital hometown.

That being said, this unique nature is chalked up to the way that Tumblr has been something of a haven from the corporate and influence-based culture that has seemingly enveloped the rest of the internet. While we're happy to welcome you here, we also wish you respect the fact that this has been a safe haven from corporatisation and influencer culture, and we ask that you help us keep it that way. You can find an explanation on the etiquette and taboos of Tumblr in the guide linked above.

For a summary guide, keep reading...

This place is great if you are an artist, or member of a fandom, or enjoy fanworks or fanart of all kinds, or all of the above. If you identify as any/all of the above, welcome! I do hope you enjoy your stay here.

We, however, are very protective of its "indie" feel and has strived to keep advertisers, "influencer culture", and capitalist interests away.

In a sense, Tumblr takes the well-worn advice of "be your authentic self" and turns it into a moral imperative that is expected of newcomers as well lest you'll be shunned; we don't want the relative safe haven nature of Tumblr, away from corporatisation and influencer culture, to be ruined. Hence, there are a lot of cultural mores, taboos, and expectations that are treated not as polite but as a moral responsibility to ensure the "sanctity" of Tumblr as a space away from said culture of advertisers and influencers.

In short:

Reblog stuff liberally. Don't just focus on posting your own stuff/freeloading, that's just being an arse. You'll also look like a bot. Don't look like a bot.

Don't try to be an influencer, and don't try to peddle. This isn't to say you can't promote your comms or store if you're an indie artist; just again don't be a freeloader or seek attention for its own sake. Help your fellow artists and community members out.

Seriously, reblog stuff, that's the crux of this site's interaction.

Understand the ways in which people comment including commenting in the tags, there's a whole section in the guide dedicated to this.

Don't engage in drama or dunking, leave that shit behind on Twitter, I don't want to see it here.

Absolutely do not engage with brand accounts, not even ironically or to dunk on them or whatever.

Tumblr is otherwise a very cosy and creative space that is at once expansive and rich but also nuanced, social, cooperative, friendly, and intimate. Follow the etiquette and help us protect this space from the onslaught of advertiser interests and infleuncer culture and I'm sure you will have a wonderful time on our happy little hellsite.

And, yes, please read the guide!

[hetalian-veteran]

The Draw of the Hetalia Fandom (and Why You Can Never Leave)

From the perspective of a fan of (technically) twelve years or so.

Something occurred to me a while back, and I wanted to share it to get other people's thoughts. I'll try to add funny pictures and gifs to break up the wall of text so it won't be as exhausting to read.

I made a post the other day about how the Hetalia fandom always draws you back in. This was, of course, based on the joke about how you can never really leave the Hetalia fandom. A joke you can find virtually everywhere you look in fan spaces online.

But this begs the question. Why? Why can't you ever truly leave the Hetalia fandom? What is it about this fandom that consistently draws you back in?

And note that people don't talk about Hetalia itself, but rather its fandom. You could stop watching the show or reading the comics for years, but the fandom is what won't fully leave you be.

(The Hetalia fandom every time you check to see if it's dead yet).

One answer I've heard has to do with the phenomenon known as Associative Memory, where you can learn and remember the relationship between unrelated items.

For example, you watch Hetalia, a series about the countries of the world personified as anime characters. These characters have their own personalities, traits, quirks, etc. And the more you watch the show and get into the fandom, the more you start to associate these things with one another.

For instance, someone can say the word Italy, and I'll start thinking about Feliciano Vargas. Or someone could say the name Matthew Williams, and I automatically associate that with Canada. Or I could see bushy eyebrows and immediately start thinking of APH England. Heck, someone starts talking about Vikings and my thoughts almost always go to the Viking Trio of Denmark, Norway, and Sweden. I could go on, but you get the idea.

And there's also the fact that we live in a world full of the countries that the show has personified characters of, which would in turn likely remind you of Hetalia.

But there's something more here going on. I've thought about it for a long while, and I think I've realized one of the biggest reasons why you can't fully leave the fandom.

It's because of how versatile the characters of the series can be in fan content. Allow me to explain.

(Me preparing to explain to everyone the epiphany that came to me one dark, stormy night).

Hetalia is a series with literally no plot. Like, zero. Some episodes may impact each other, but the overall series is episodic in nature. The only episodes you'd have to watch in order would be the ones going over the miniature love story between Chibitalia and HRE. And then there's the sequence of episodes going over the Industrial Revolution in season seven, and then the sequence of episodes explaining the relationship between Czechia and Slovakia. But that's it. And the Industrial Revolution and Czechia and Slovakia episodes aired in the latter seasons, long after the fandom was already very big and well established.

The episodes are largely adaptations from the original webcomic and thus are all a bunch of skits haphazardly thrown together. So I'll reiterate what I said earlier; there is no real, canonical plot to Hetalia. There are canon events and facts about canon characters, but seeing as the show is largely skits, they aren't tied down to any real narrative.

(The Hetalia fandom whenever they're given a piece of canon they don't like).

This leaves a lot of room for headcanons. Which leads to fans sharing their headcanons online. And when headcanons get super popular, they become fanon. And when a piece of fanon gets super popular, where it finds itself getting mingled with fanart, fanfiction, and even fan theories, you'll have people who start to confuse it with actual canon. There's really a lot to be said for the wild fanon of Hetalia, but I'll get to that another day. I need to turn the focus back onto the characters themselves.

I'm just gonna put it out there. The Hetalia characters are largely one-note. This isn't to say there isn't some depth to a few of the characters, but these characters are largely the epitome of "what you see is what you get." Especially in the early days of the series. The characters all have a set of straightforward, basic character traits, with their interpersonal relationships often being displayed in a very simplistic manner.

For example, Italy is a pasta-loving coward who's a massive flirt. Germany is strict and authoritative with a no-nonsense attitude. Japan is quiet and soft-spoken, only speaking up when he feels the need. America is a bombastic dork with a hero complex. England is an arrogant stick in the mud. France is a hopeless romantic who flirts with anything that has a pulse.

(Me taking a moment to pause and push away the cringy middle school memories of me shamelessly fangirling in class).

And as I said, their relationships are typically portrayed as simplistic as well. Italy annoys Germany, but Germany doesn't want to get rid of him because he's one of his only friends. England and France hate each other. America is that hyper-extroverted friend trying to get his introverted friend, Japan, out of his shell. Switzerland and Lichtenstein have a sweet sibling dynamic. And Prussia and Austria are portrayed as old friends who like to antagonize one another.

Because of the way the characters and their interpersonal relationships are written, this also lends them open to a lot of headcanons and eventual fanon. Not to mention that most of the characters have canon, human names. So if you want to use these characters in a fanfiction, particularly one where you don't want to depict them as countries (which is most fanfics), you have names at the ready that you can use.

And because of the simple way the characters are written, you can potentially write or portray these characters however you want in fanwork without too many people complaining that someone "isn't in character." There is so much room for your own interpretations of the characters. As long as you keep some of their basic personality traits from the series intact, you can portray the characters however you want. Especially because there's no real canonical storyline to drag them down. Because of the lack of canon storyline, you don't have to worry about fanworks being canon-compliant, canon-divergent, or canon-adjacent.

(Fanfic writers when they realize canon cannot stop them from creating whatever they want).

Do you want to portray Romano as the notorious mafia boss, Lovino Vargas, in the 1930s? Go ahead. As long as you can keep some of his cowardly and stubborn nature intact, you can do what you want with little trouble.

Do you want to portray England as the infamous pirate, Arthur Kirkland, in the 17th century? As long as you maintain his disdain for France, have at it!

Do you want to write a college AU with all of the characters present? As long as you keep in mind their personalities and have a basic understanding of their interpersonal relationships, have fun!

Now you're probably sitting there thinking, "Big deal, people can create all kinds of fanwork, regardless of what its content is, or what property it's for. What makes the Hetalia fandom so special?"

It's special because, since Hetalia is a series with almost zero canonical storylines, and the characters are portrayed in such a simplistic way, both of which lend their way to boatloads of headcanons and fanon, as well as small scraps of canon information that we can choose to either ignore or elaborate like crazy on...

Hetalia is a freaking goldmine for creating all kinds of fan content.

(Hetalians when creating the 2p! variations of the characters, probably).

So much fan content is out there. From creepypastas, to Hetaoni, Dreamtalia, the 2p! characters, historically accurate AU's, school AU's, and so, so much more. All because the canon is just loose enough to allow all kinds of fan content to be created and not seem too far off from the series or characters.

And that fan content ends up being way, way more fun than the actual series itself! Don't get me wrong, I still love the show, but I'd be lying if I said I didn't (or currently don't) have a freaking blast every time I engage with fan content. The creativity is insane, and the fanon is even more fun and entertaining.

The reason you cannot fully leave the Hetalia fandom isn't just because of Associative Memory, but because of the immense amount of fan content and fanon where, because of the nature of the series, you can do, write, draw, and create whatever you want. You can project onto these characters and their stories and interpret them to your own personal tastes. And you know what? That's a heck of a lot of fun.

And there you go, that's my two cents.