#but that’s my opinion I guess

[soup-for-ghosts]

OoOoOoOoOoOoOo someone has a crush :3

you sound like olly

[deep-space-netwerk]

So Venus is my favorite planet in the solar system - everything about it is just so weird.

It has this extraordinarily dense atmosphere that by all accounts shouldn't exist - Venus is close enough to the sun (and therefore hot enough) that the atmosphere should have literally evaporated away, just like Mercury's. We think Earth manages to keep its atmosphere by virtue of our magnetic field, but Venus doesn't even have that going for it. While Venus is probably volcanically active, it definitely doesn't have an internal magnetic dynamo, so whatever form of volcanism it has going on is very different from ours. And, it spins backwards! For some reason!!

But, for as many mysteries as Venus has, the United States really hasn't spent much time investigating it. The Soviet Union, on the other hand, sent no less than 16 probes to Venus between 1961 and 1984 as part of the Venera program - most of them looked like this!

The Soviet Union had a very different approach to space than the United States. NASA missions are typically extremely risk averse, and the spacecraft we launch are generally very expensive one-offs that have only one chance to succeed or fail.

It's lead to some really amazing science, but to put it into perspective, the Mars Opportunity rover only had to survive on Mars for 90 days for the mission to be declared a complete success. That thing lasted 15 years. I love the Opportunity rover as much as any self-respecting NASA engineer, but how much extra time and money did we spend that we didn't technically "need" to for it to last 60x longer than required?

Anyway, all to say, the Soviet Union took a more incremental approach, where failures were far less devastating. The Venera 9 through 14 probes were designed to land on the surface of Venus, and survive long enough to take a picture with two cameras - not an easy task, but a fairly straightforward goal compared to NASA standards. They had…mixed results.

Venera 9 managed to take a picture with one camera, but the other one's lens cap didn't deploy.

Venera 10 also managed to take a picture with one camera, but again the other lens cap didn't deploy.

Venera 11 took no pictures - neither lens cap deployed this time.

Venera 12 also took no pictures - because again, neither lens cap deployed.

Lotta problems with lens caps.

For Venera 13 and 14, in addition to the cameras they sent a device to sample the Venusian "soil". Upon landing, the arm was supposed to swing down and analyze the surface it touched - it was a simple mechanism that couldn't be re-deployed or adjusted after the first go.

This time, both lens caps FINALLY ejected perfectly, and we were treated to these marvelous, eerie pictures of the Venus landscape:

However, when the Venera 14 soil sampler arm deployed, instead of sampling the Venus surface, it managed to swing down and land perfectly on….an ejected lens cap.

[pandadrake]

Hroo hrah

I think its funny that the Scarecrow keeps showing up in Batman villain team-ups because I honestly think he causes more problems than he solves for everyone involved.

Couldn't figure out which versions of these characters to use so I just mashed stuff together.

[forecast0ctopus]

Thinking of Bones complaining to Jim that he thinks he's not rested enough to be running the ship at the moment and he's gonna get them killed or something and Jim just goes "Ugh if you're so worried why don't you sleep with me" and just. Does not think about how that sounds until he says it out loud

man still hasn’t realized what he’s said

[starch1ldz]

Spencer Reid is the type to send you essay messages every morning before you wake up. He does it every day no matter what he's doing or what part of the country/world he's in. This man is the SWEETEST ever. People portray him as like a very work oriented person and he obvs is but it's so much so that he often pushes away his partner in fics. But I think he would be so great at balancing it he's literally so smart guys. Like maybe he's not so great at people and emotions, but he's not stupid. He'd be such a good boyfriend :(

[veliseraptor]

this morning I am thinking about this little gem

and specifically about the feeling I've been turning over in my head for...a while, I think, about the way that there's this ambient assumption on Tumblr (and quite possibly elsewhere, this is just where I am) of...sub/masochist-as-normal-state, or at least sub/masochist-as-fine-but-not-questionable state, and it feels like that, on the flip side, ends up incidentally or purposefully constructing doms/sadists as the deviants, as inherently "sus."

and it lines up to a certain extent with the way that the conversations I see on this website about kink/BDSM often come from a sort of "presumed sub" perspective that leaves very little room for the thoughts and feelings of doms as valuable or important, and thoughts about an essay I read a while back that talked about the comparable societal acceptability of "fantasizing about being hurt" vs. "fantasizing about hurting people," and how "sadist" is a dirty word in a particular way that "masochist" isn't

it feels like sometimes there's this sense that (a) it's normal to have a little bit of sub/masochist tendencies, that's fine but (b) the only acceptable way to be a dom/sadist is if you feel bad about it. the ideal is to feel vaguely guilty, and mostly do it for the sake of somebody else's pleasure rather than your own.

I made a post a while ago that I can't find right now but it was, if I recall, "nails sign to tumblr door that says "doms have feelings too"" and I was joking but also I'm not.

[uselessnbee]

something i can't stop thinking about is the fact that Percy Jackson started as a comfort story for Rick's son to show him that his adhd and dyslexia doesn't have to be just a bad thing and the fandom then took Percy and Leo and made them into these stupid idiots that don't even know basic math or "big" words and wouldn't be able to even tie their shoelaces without someone else's (someone smarter's) help

don't yall see how fucked up that is? a big part of this fandom has adhd and/or dyslexia and/or other learning disabilities/neurodivergence and find comfort in those characters. they are called lazy and stupid all the time and then yall decided to take characters with those disabilities and ignore their inteligence and made them into something they are not just because their adhd is more "visible" (read more stereotypical looking) (even tho that's not true either because the fandom made them into chaotic gremlins but in reality Percy is more just sarcastic and snarky and even that is more just his internal monologue for his own amusment and to cope and Leo just uses humor as a coping mechanism to hide his depression and other issues but that's a discussion for another time)

Percy is canonically very smart and strategic. no he isn't very good at school. it's what happens when you're neurodivergent and have learning disabilities. that doesn't mean he's stupid. no he doesn't know everything about greek mythology and that doesn't make him stupid either. but when Annabeth tells him the myth he is very good at coming up with strategies and how to win a fight. he's not smart as Annabeth because Annabeth is literally a daughter of the goddess of wisdom so stop fucking comparing them. are you also going to call Annabeth weak and incapable because she can't control water? no you won't because that's fucking stupid. and Leo. fucking Leo. is literally canonically a mathematic genius and also genius when it comes building stuff. they're both smart. they're not fucking stupid. they know and understand words that are longer than 5 letters. no they do not struggle with basic knowledge. they're not fucking stupid.

and miss me with the "it's just a joke" bullshit

jokes are supposed to be funny

and it's not just a joke for many of you because the number of fanfics where they are written in exactly this way is too fucking high. it's actually surprising to find a fanfic where they are written right

in conclusion: the way this fandom portrays Percy and Leo is reinforcing the harmful misconception that people with adhd and/or other learning disabilities are stupid and i hate it with a burning passion

call me sensitive all you want i'll gladly accept it i will rather be called sensitive for hating that those characters are being treated this way than follow the fandoms harmful idea about them

thank you for coming to my ted talk <3

[saintaviator]

paradise

[grimme-and-specs]

You know I had to do it to 'em too

Bonus:

EDIT, 2024-4-5:

If this gets to 213 notes before 4-13 I will personally redraw this earlier than planned.

[kaltacore]

one thing that is fascinating to me about merrill's arc is the way narrative manages to convince a big part of the fandom that she's immature and irresponsible and overall stupid. what we know about merrill and what we actually see on screen is that she successfully avoids possession for 6 years while working closely with a demon, almost every time she participates in some magic/spirit-related discourse she acts calm and confident and has some interesting input, she actively uses her knowledge of dalish lore and tradition to reason with her keeper, and that she actually did make progress with fixing and studying an ancient long forgotten artifact no one knows particularly anything about. but then an old woman who's never been shown to be an undeniably wise and reasonable figure, a guy who got willingly possessed with no awareness of possible consequences and whose whole mindset is still deeply andrastian and a bunch of people who know nothing about magic start judging and doubting her and everyone's like. yeah. she's so fucking dumb.

[stiffyck]

okay so yesterday i complained about how i dislike fanon desert duo and how toxic and dysfunctional they always seem to be so here are my favorite ways to interpret desert duo:

1- totally in love and head over heels for each other. they love each other, they tease each other, they make fun of each other but its always in good spirits. they hold hands and kiss and theyre sweet.

theyre like the perfect couple.

2- the aro ace solidarity. everyone keeps telling them how cute theyd be togehter and how its so obvious they have crushes on each other and to just "tell him you like him!".

So at some point theyre like. "Should we... date?" so they try but it's so weird. Scar doesn't like the kissing, grian isn't particularly fond of hand holding, scar doesn't want to cuddle and it's just. More awkward than anything. The others tell them "finally" and "aw you guys are so cute!"

At some point when they're both alone- "Scar I don't want to date you." "Oh thank God me neither"

they keep calling each other "partner" and shit but they most of the romantic stuff. They talk shit about others. "Ew did you see that. They just kissed." "I know right? Unbelievable. We're right here."

[sorrelpaws]

this pile of snot sure is codependent

[dollypopup]

I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.

So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.

But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.

No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.

Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.

Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.

Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.

You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.

After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.

Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.

And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.

The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.

And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.

When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.

God this couple is so fucking good.

[fiona-fififi]

could you explain to me why you think bucktommy forever would be narratively satisfying but there's no possibility of them introducing a love interest for eddie that would be satisfying? i don't understand

I DON'T think bucktommy would be narratively satisfying.

I DO think there is more potential in the current narrative structure for them to make bucktommy endgame work in a reasonably narratively satisfying way (IF Eddie's story wasn't a factor, which it is).

I also don't necessarily think it would be impossible for them to bring in someone for Eddie if I'm imagining they have all the time in the world to make that work. But the reality of the current narrative is that I don't think they have all the time in the world. And as talented as these writers are, I don't see any way they could introduce someone entirely new, with no connection to the current narrative, and make me buy that person as Eddie's endgame. There just isn't time. A couple of years ago, I would have said that I thought Eddie could have an interesting and satisfying ending to his story if he learned that he didn't need romantic fulfillment to be happy. Since then, however, they've really doubled down on Eddie's loneliness and desire for a romantic partner AND they went for the queer Buck storyline. When you add to that all of Eddie's history with Buck and the way he's welcomed Buck into his life and embraced him as a partner both in his own life and in Christopher's, I don't see any way for them to disentangle that story and introduce someone else (unless it was Tommy, maybe, but nobody's going to want to hear that).

It would just take SO much work and time that I'm not sure they have because it would take several seasons, I think, for it to really reach any level of satisfying.

The difference with bucktommy is simply that it would take very slightly less work (though still a TON of work) for a few reasons.

First, Buck is just Buck. With Eddie, there's also the Christopher of it all to contend with, which adds a complicating layer that extends the work that needs to be done in Eddie's story in a way that doesn't exist for Buck's story (as important as Christopher is for Buck, it's very different from what would need to happen for Eddie who is literally Christopher's parent). So Buck's story has fewer complications to contend with, especially since they've already gotten it off the ground with Buck's queer awakening and introducing his relationship with Tommy already at this point in canon. So there would literally just be less time involved.

Beyond that, Tommy is already an established character in universe. They don't need to do quite as much work to help us get to know him, because we already do, even if only peripherally. But he is established as significant to the stories of other characters beyond Buck. He had a role to play in Chimney's, Hen's, and Bobby's (and hell, even Eddie's!) stories long before he ever became significant to Buck's. So, developing his place among the team and their extended family is not nearly as complicated as it would be with someone entirely new—and even someone from Eddie's past wouldn't have the history with the team, so still, more complications there.

So, yes, I think bucktommy has more potential in the current narrative structure (if—and ONLY if—completely divorced from Eddie's storyline, which it can never be).

But not only do I not actually think either could be a satisfying ending for either Buck or Eddie in the current narrative, there actually isn't anything to suggest that the show is doing the work it needs to to make that potential a reality, either. Because they are not separating out Eddie and Buck (frankly, they're entwining them further). And they aren't even doing any work to flesh out Tommy’s character. I know fandom has grown really attached to him, but the reality is that the character is currently just being used as a pawn to move Buck's story forward. Tommy has a past with the 118 that creates a lot of potential, but that potential is not being used. The character is, frankly, pretty flat at the current moment. They haven't even tried to bring him back into the 118 fold—the only people he's really interacted with since his reintroduction are Eddie and Buck, when there has been plenty of opportunity to fold him back into the team in ways that would at least have him vaguely interacting with the others (like, I don't know, Chimney actually inviting him to the wedding or Hen even acknowledging him at the bachelor party). Their relationship is cute and sweet, but there's nothing that indicates it's any deeper than any of the other relationships Buck has had thus far, and they are actively juxtaposing the bucktommy relationship with the buddie relationship in a way that makes very clear just how surface level that relationship really is when compared to the depth of Buck and Eddie's relationship with one another.

So, no, I don't think bucktommy are going to be endgame, nor do I have any interest in them being endgame. But I recognize that there is currently—literally, in the canon narrative—more potential for bucktommy to work if the show really wanted to make it happen and put in the work, mostly because of Tommy’s history with the rest of the 118.

On Eddie's end, there is no current canon potential. There's no current love interest they could turn around (especially because Edy is a shit human being and people would riot if they actually made Marisol Eddie's endgame). There's no past love interest they could bring back that wouldn't somehow have to be worked into the rest of the team. There's the additional complication of the Christopher of it all and how much that changes where Eddie's story can go and how quickly it can be developed.

It's quite literally just the difference in time. If Buck's relationship with Eddie wasn't a factor, I think they could do it in two seasons for bucktommy. For Eddie and this currently non-existent love interest, I think it'd take a good three or more, and even then, I think it would have to be someone they introduce as a part of the team (Lucy? Ravi? Tommy?) because anyone separate wouldn't have any room to develop sufficiently.

But the reality is that, frankly, the ONLY narratively satisfying ending for Eddie and Buck is one another. Any other option would require dismantling so much beautiful storytelling that I cannot see how it would ever be worth it.

[thespianwordnerd]

CHIBNALL ERA TO ME YOU ARE PERFECT!! AND MY SAPPHIC HEART WILL LOVE YOU UNTIL LONG AFTER THE NEXT SEASON, DOCTOR, SHOWRUNNER HAS BEEN AND GONE.

Everyone talks about how hit or miss the writing was in 13's era but never about how it had so much HEART. And HUMOUR. Some brilliant moments and great concepts and a doctor who (lol) clearly loved every SECOND of being there. They paid attention and let the doctor and her best friend fall in love because of how much we loved them together. And it had such a positive impact on me and so many queer whovians because of that!!

It's probably been said but I'll say it again: no era is without flaws and the things I love about 13's era outnumber the things I would have changed. This era broke new ground and reignited my love for the whole show and I know I'm not the only one. I will defend it until after everyone else has stopped caring. No one else got to be us. That is all thank you!!

[rapidhighway]

i need a pen grip that works similar to this is this possible to achieve does anyone use something like that