#but the discussion is valid

[blackkatdraws2]

[ORV] Happy (late) Father's Day to Han Myungoh. Spread the word for Men's Mental Health Awareness Month



[pandavalkyrie]

I don't think I'm ever going to understand people treating Tumblr post comment sections as a confession booth seeking validation from OP. It comes up again and again when discussing boycotts, political action, or god forbid listening to a rap song

You can just not tell people on the Internet when you do something that's being mildly criticized and no one will know.

"I don't listen to rap because they talk too fast for my audio processing disorder." Ok. And there's no need for you to tell a stranger that

"I can't participate in BDS because McDonald's is my safe food." Ok. So don't post about it and no one will judge you.

"I have to buy a piece of Harry Potter branded merch at least once a week or I'll fall into a depression." You can just not tell people this and they won't know.

Things you can do instead of commenting on posts about how you're a special exception that deserves a pass for doing something being criticized:

Ignore the post and scroll past

Block OP and save both of yourselves the trouble

Take the opportunity to reflect on the practice and think about why you're being defensive about it, maybe consider there is a way you can challenge yourself a little and give it a try

Stop assuming every Tumblr post is made for and targeted towards you and requires you respond to it

Have the defensive thought and then keep it in your head where no one else can know or judge you for it

Log off and go do something else

Any of these things will work out better for you than going into a comment section and explaining to strangers why you can't/will continue to do something currently under scrutiny. They don't care, they probably don't know who you are, and no one has to know this about you.

Stop seeking validation in the Tumblr dot com comment section you're only hurting yourself and pissing off the op

[lucabyte]

even dogs pass the mirror test

[exhausted-undead]

young silco..... water theming.... hrrrgh

zoom for details

[afterthelambs]

i adore Maruki as a character because he's simultaneously the most relatable depressing character that will make you cry with empathy, and the goofiest wettest cat loser in the game like what do you mean youre a licensed therapist and your first response to trauma is to brainwash a girl, project ur relationship issues onto a 17 yr old boy, and then rule the world in a golden leotard? bro went from 0 to 100 so fast??? anyway he's like 30% of the reason why p5r works as well as it does

[itsahotminuteinbetween]

two of many sunspot doodles because my brain decided to latch onto him for some reason

sunspot is by @venomous-qwille ofc! (Feel free to ignore the tag sorry!)

[kaeyaswifefromsnezhnaya]

"fiction affects reality", then what about fiction about good? If we start creating content about a better life, will it change anything in reality? It would be nice

But I doubt it

[undertalethingems]

Unexpected Guests Chapter 10, Act Two: Page 6

First / Previous / Next

Out of sight doesn't mean out of mind.... Gaster won't let anything interfere with his goal.

Look for the next update on Nov. 16th!

[cute-little-fly]

Stolitz is crazy and delusional, and that is precisely its appeal

A defense of Stolitz from a deranged fan.

Hi!! Fly rambling here once again… wohooooo!!

This time I wanted to make this to say a thing that I’ve been feeling since I started in this fandom.

I have stumbled upon posts, videos and specific comments comparing Stolitz with other fictional relationships. Often these comments come from audience or writers, not always, but often, that think about the ship from their perspective, and how they craft their characters and relationships themselves.

Therefore, here I am talking about a deep disconnection between these types of… let’s say critics/audience and us (fans of the show for whom the relationship makes a lot of sense).

I don’t want this post to come off as me thinking I can interpret this better than them, and that is just that they don’t understand. They might have a point. Maybe their opinion comes from an informed place from their perspective.

However… here comes the BUT.

A lot of aspects of Stolitz these writers frame as “mistakes” or “bad writing” in a way they frame as “writing mistakes” are precisely part of the things that made fell in love with Stolitz so much and what make them stand out.

I have found this fascinating…. Because honestly, I think it’s the first time that something like this happens to me with a piece of media. That precisely the things some critics frame as an “mistake” are the things that I find insane, in a cool way, about them.

That they are so crazy, delusional and mentally ill, in a complementary way, makes it somehow compelling. I know I sound crazy. But I will attempt to explain this like a normal person.

Stolas and Blitzø started backwards, from the bedroom to the basic.

They have been inside of each other bodies, but don’t even know what the other eats regularly. They trust each other in BDSM, were you need to have clear boundaries with the other person, but are unable to communicate at a basic level outside of the bedroom.

That their deal was BDSM is often ignored and is important.

BDSM practices involve a lot of trust. The experience from those encounters can be so extreme that you might have moments where you rely completely on the other person. This builds trust. Non spoken trust. (I don’t know much about this, but this is from what I’ve read okay?? So I won’t talk much about it).

I love this moment in Apology tour because you can see how Stolas knows that Blitzø will always catch him if he lets himself fall.

I like how they can hold onto each other in Apology Tour after they have been repeatedly fighting. Also like… How they can find solace between each other, but can be also wounded or mad to the other at the same time.

How they can have this closeness and intimacy almost without realizing, with a complete lack of basic understanding at the same time!!! Like, what do you mean???!!

THIS IS INSANE!!

For me, this is precisely a big part of the appeal.

For me it’s not bad writing that they think they found an opportunity to love in the other, without having gone through basic steps of their relationship like getting to know each other for real. Because their relationship it’s very atypical by design.

They ate dessert before having dinner, but by eating the dessert they developed some connection, and unspoken understanding that meant something. It’s not enough for a relationship yet, but has some meaning. Like.. how often fuckbuddies catch feelings.

Both of them unconsciously were looking something beyond sex, even if Blitzø did it initially *mostly* for the deal. There are context cues that show that he felt something with Stolas the first day they were together, when there wasn’t any deal.

I think that eventually we need to be shown what happened that first night. Something important probably happened, without the deal being in motion yet.

But… I give the critics that there is a lot of delusion here, mostly from Stolas at first, but also from Blitzø’s part. I don’t find this surprising. At all. They don’t have a real image of what healthy and real love is. Have people thought of that? Maybe the only one that has it is Blitzø a little bit, because he sees M&M every day, but still…

It’s natural from the character’s perspective to treat the connection they developed there in that delusional way... even if us, the people of the audience know that you need way more to have a relationship, the characters don’t have our same standards. As they slowly progress in the future they will realize this.

Stolas and Blitzø deep down feel similar things, and the environment they were in made a bridge between them.

This is precisely what ties Stolitz with the social class sub conflict.

They were written to be FOR each other; but, separated because of the barriers created from their trauma and their different understanding of things because of the social class difference. Like… at a very essential level they are the same, but the things around them have put walls between each other.

This is what makes them compelling imo. You can see how they deep down have wounds, feel lonely, are vulnerable loving people that crave connection but the context around them decided they were worlds apart. That it is impossible for them to understand the other. This is something they have even interiorized themselves. Stolas with classism, Blitzø with his trauma and prejudice.

By shattering his classist views and by Blitzø opening his heart, is the way they can reach out. This is also a good thing for both of them that would make them evolve beyond those limitations.

I have seen critics say that they don’t think this is where the show is going… but then, why put so much emphasis on classism and hierarchies? Like, to understand most of the plots and characters we have to think about precisely that. Of course this will also relate to the development of Stolitz.

They both projected a fantasy based on their trauma and hardships

Blitzø projects the fantasy of someone that is so powerful that can’t be hurt by him. Blitzø trauma it’s related to be a bad influence on other people’s lives or someone that makes them worse. If Stolas is a powerful prince, there is no way he can do that... APPARENTLY.

Stolas fantasy is easier to notice. He projects a knight in shining armor that is going to rescue him, because he feels trapped in his life. He sees Blitzø as this guy that can do anything and is like this idealized “sexy rogue assasin” from his books.

This is a formula for disaster. Of course everything was gonna crash down eventually. But, this fantasy projection is not just about their relationship, but about themselves. This is what differentiate this from just oh silly fantasy to compelling story imo.

By breaking the fantasy that Stolas couldn’t be hurt, Blitzø had no option but to open his heart. Stolas took Blitzø’s strength as a beacon to have courage to face Stella and a complete court of demons. This is why this hits.

Which also takes me tooo….

Stolas and Blitzø would grow as people by being together FOR REAL, because they would balance each other’s flaws, and ultimately, they still can find solace in the other, even after seeing the broken shards…

This is why we root for them… even if right now they still don’t have a mutual understanding about the other, the show clearly did well showing the chemistry and connection that will slowly draw them to one another.

Blitzø is resourceful while Stolas is passive and is used to have things lent to him.

Stolas and Blitzø have the opposite issues parenting.

Stolas is on touch with his feelings while Blitzø doesn’t.

Stolas being educated in grammar and Blitzø being good physically.

Blitzø lighten a spark for Stolas to start making decisions for himself, even if that’s the last thing he intended.

Stolas ironically classist view and sheltered limited knowledge about the real world for imps, made him never doubt that Blitzø trying to have a business like that was that unlikely.

He trust Blitzø the book because he saw him capable; but he was also ignorant about how hard is for imps to make businesses.

The thrill of this is how fucking unlikely it is that the circumstances put these two people together, that look so incredibly different but… are actually meant to one another and complementary in their abilities and flaws. Is this likely or realistic? NO… like don’t try this at home PLEASE!!! (LMAO!!).

But why does it have to be realistic to be a good written story? Sometimes unlikely things happen even irl, and this is precisely the thrill.

Like… it’s crazy that even with all the harm they did to the other and how much misunderstanding they have…. Their limitations and everything they still manage to keep this connection alive and they won’t abandon the other in the middle of hardships.

Now… they need to learn how to show that like a regular person… or demon I guess?

Sinsmas is not the right episode to analyze further Stolitz, because all the rest of things going on.

Making that slowly, letting all of that entirely for season 3 instead of forcing that in Sinsmas is a good call imo.

They are starting to put the plates and preparing the meal to finally have that dinner they never had.

Stolitz is NO a major focus here and that’s important. These segments are mostly about Stolas adapting (or frankly… not adapting) to his new condition and life, about Stolas crashing without his meds and usual comforts.

For me, it’s expected that Stolas is not focusing much in learning about imps or Blitzø, since he is without his pills and thinking in Octavia.

Blitzø is also focusing on keeping the guy together after he saved him, only asking the necessary for him to be comfortable. He is also not focusing on romance right now.

He sees that being with Blitzø it’s not the fairy tale he thought, how unreal the fantasy was… BUT at the same time, that he can count on him, that he can be free and whine or express his frustration as much as he pleases without being shut up. That he is more free now.

That there are things of Blitzø he doesn’t know yet and how nice will be to discover that… also… this is important… he is not going to like some of this things. But… if those things make Blitzø be him… he will eventually love him with those too.

If he understood love and if he started to behave like a usual parter or interested person now would, that would take weight of the traumatic situation he just endured AND makes sense with how sheltered he is from reality.

I loved how everything was depicted here, because I’ve had experiences with depression, and all what I saw it’s pretty accurate to how it is. Not pretty. Not sunshine and rainbows.

So… it pulls me off when fans act like they are officially together, or when critics point out flaws that don’t consider all the picture. That it’s not just about Blitzø and Stolas here. Or when they act like Stolas doesn’t love or is interested in Blitzø, where initially he clearly show he was.

That we need to project and think about a lot of things that aren’t explicitly said/shown sometimes… well that could be an objective flaw… but it also makes engaging with it really fun?

I won’t be long on this one… because showing a little more of them interacting was needed. Maybe not just make Blitzø said that Stolas comments on his posts and calls him to just talk but show that.

However, for the other part… personally I like to engage with these sort of stories where you need to dig a little bit more than the surface.

Some people say that if everything it’s not clearly expressed it’s bad done.

For example, how sometimes we use the messages that are shown that Blitzø sent to Stolas in the hospital, and that we need to pause and enlarge to see that context. Twitter posts about the paintings seen in Octavia’s song, that aren’t that detailed in the show itself.

I find this very suitable for a web series, that had its origins on the internet and with no conventional forms of media.

So… here I have a mixed opinion. Which I like how we don’t have everything spelled out and we can have fun digging but also, it would have been nice to be shown a few things that are just implied.

At the end of the day… my objective with this post is to say that the non-conventional nature of this relationship and show it’s what made me so invested, because it ended up making this love story very different to others.

I mean… I kinda like that they don’t follow strict rules of writing sometimes. That everyone can project a lot on them from their perspectives and experiences. Which also leads to some people finding it horrible.

I even wouldn’t think about Stolitz the same if they did the “fixes” some people propose to it. Like… the reason I like it is precisely that it’s a mess, and that we are shown the timeline of the relationship in a non cronological way.

Like… of course it would be sweet and still engaging. Also, more people definitely would get on board with it, or even relate that with their own failed relationships that they looked at with rose tinted glasses… however, the way it is NOW makes other people engage with it as how it is now, even if we are like a bunch of weirdos (no offense ❤️).

I kinda dislike that now everything needs to be so grounded and so realistic…? Like, a situation like this is possible because they are them.

It’s meant to be seen as that this is a super weird and unlikely situation, and that it’s happening in this way and is possible because they are them, because of fate, because of misunderstood self-fulfilling prophecies or whatever.

I can understand not like this kind of stories. But this is not the first story to use this, and I don’t see why that’s… wrong? I can see why some people don’t like it. But not why it’s wrong because of this.

Blitzø and Verosika, for example, were drawn to each other because of their emptiness and loneliness, but weren’t the right person for each other. However, you can also have a super toxic situation where you end up finding something real. This is the difference between these two relationships.

How you could find something special in the middle of a bad situation.

[lobeliamaximoff]

Propaganda I'm not falling for:

Bob is a malewife

Wanda knew what she was doing in Westview

Wanda would hate Bob

Bucky doesn't care about Thunderbolts/New Avengers and would easily drop them for Sam's team

Wanda is a monster and doesn't deserve any redemption

Bob and Yelena are the new Bruce and Natasha

Bob needs Yelena as his babysitter in Doomsday

Boblena in general

ScarletVision

[gertritude-art]

abandoned text i've decided to memorialize here

[vocaloid-tunes]

So like do you think vocaloid is an acceptable general term for all vocal synths (the same way people will say kleenex about any tissue) bc I've had my tag be vocaloid for vocal synth stuff for years (I know this is a non-issue in the real world just curious about what other vocal synth fans think)

Who even cares (joking)

All kidding aside, its up to you. We still call ourselves vocaloid-tunes even though its very much not just vocaloid only anymore.

All of this is 100% a non issue but I will give my two cents anyways

My personal opinion is that calling a specific voice "a vocaloid" when it isnt is kind of a pet peeve for me (like calling teto a vocaloid), but speaking about vocal synths in general or speaking about multiple voices and using the world "vocaloid" similar to Kleenex for tissues I feel is perfectly fine

At the end of the day, everyone is different and as long as everyone understands what the other person means, its kind of unfair to just jump at them or go "ERM ACHSHUALLY THEYRE NOT A VOCALOID THEYRE FOR THE VOCALSHIT SLOP ENGINE, YOU FAKE FAN", because like I think most people can and should assume that you are speaking in general if you say something like "yeah I like vocaloids" to mean more than just vocaloid engine by yamaha specifically

EDIT: Also yeah for tumblr tagging its way more convenient to just use vocaloid or whatever tag you already had, so there's no judgement here

[sukibenders]

The Ginny and Georgia fandom can often feel representative of the real world, specifically how certain parent/child relationships end up with the excusing of a parent's sacrifices being hung over the child's head, but never really allowing the child themselves to have their own problems because of it, otherwise they're being "ungrateful". And this rhetoric continuously shines through with how some Georgia fans talk about Ginny. They constantly belittle her and her problems (especially her self harm), call her dramatic for wanting answers from her mother, but never call out Georgia for overstepping Ginny's boundaries and reading her private diary, defending it by saying "Well, she partakes in reckless behavior and she keeps secrets too." Who do you think she learned it from? Like these specific fans will find ways to defend every act Georgia does under the guise of it being a "sacrifice", but can't even do the same for Ginny, a teenager who spent most of her life being uprooted before she could even make a place her home? Who had to deal with her parents' financial struggles (which caused her to be bullied mind you) on top of their tumultuous relationship?

It's also not lost on me how, during that episode where Georgia came to Ginny's therapy session, in which the whole point was to address why Ginny is the way she is, these particular fans sought every opportunity they could to villainize, not only, Ginny but her therapist as well. Especially when the therapist brought up how Georgia, as a white woman, might not be able to fully understand the struggles that her, biracial, daughter might experience/go through (like, what made her think dressing up as Scarlett O'Hara would not sit some type of way with Ginny?). Again, this session was to help Ginny, but these fans, not only, dismiss the very valid racial conversation taking place but fed into Georgia making the situation about herself. This is a big reason why I don't take people seriously when they say that they hate Ginny and criticize everything she does, but love Georgia and are ready to defend everything she does.

[weirdoldmanhoho]

This has probably been discussed to death before ... but what is the symbolism behind Envy having his Ouroboros tattoo on his thigh and Wrath on his eye?

It probably has, though tbh I've never really read any theories/meta about it.

I think some of the places are symbolically related in some way to the sin (Lust's on her cleavage, Gluttony's on his tongue), but I ALSO think that a bit of it is that every homunculus needed one in a visually distinct place and you're going to run out of places that have some kind of symbolic meaning.

I think Envy's is mostly a visual/aesthetic choice. The placement ties into their outfit design and is unique to them, but doesn't really have any deeper meaning (at least, that I can read into it.)

With Wrath, I think it's both unique AND makes for a fun visual reveal when we first see King Bradley's eyepatch removed.

I'm sure someone COULD read something more meaningful into it, but I honestly don't. I think it's more about visuals/the cool reveal.

But interesting question! Thanks for asking! :) If anyone else has some other thoughts, let me know

[bonehilda-deactivated]

Conclave is a movie with a really tight and compact story. It doesn't lose track of itself and meander elsewhere, it's a clear narrative with a strong structure, which is to say, the story itself is not hard to comprehend, even though there's some symbolism that you might miss at the first watch. However. The fucking havoc it wreaked on my brain. I comprehend the story but not the movie because HOW ON EARTH did they finally make a movie I can't find anything to critique about. It's such a well executed concept it baffles me deeply. Even my favourite movie fails in some aspects. I am in awe. I'm also perhaps forced to make this my new favourite movie.

[venn364]

Wishing for Yasammy to have an awkward guarding the door while everyone else searches a room frantically for information moment in Season 4 of Chaos Theory.

Sammy just standing there all pensive trying not to be the one to give ground. Yaz absolutely pining after not-currently-her-girlfriend and not paying a lick of attention to actually keeping a lookout because Sammy is Right There.

Maybe have the only interaction between them there just be Yaz quietly asking Sammy if she's okay and Sammy just telling her to "ask me again when we're all safe"