A MILD GLIMPSE AT LAENOR AND RHAENYRA.
I do find their dynamic in episode 6 and 7 very interesting, but the first time I watched the show, I did not get what was being communicated between them. Her words to him felt wrong and different with every conversation, and I didn't know why I didn't believe it when the events of episode 7 happened, but I think I do now.
A few things, Laenor does do his duty. They both hold up their end of the bargain it's just unwillingly on his end by the end.
From the start, Laenor is mourning Joffrey in their marriage. That's how it happens. Shortly after, based on age, Jace is conceived with Harwin.
A lot of assumptions seem to be that Laenor and Rhaenyra weren't trying, but I don't think that's it. It seems more likely that they did, and Rhaenyra went after Ser Harwin either way. Because Laenor is being forced to do his duty, I can't imagine him disregarding it. Especially if the deleted scenes are being taken into consideration, but another thing is that Harwin isn't some politically correct decision.
People act as though in the first year of their marriage Rhaenyra needed to be pregnant, but that's not true. It just happened, and I don't see the pregnancy carrying out without some possibility of Jace being Laenor’s, with all eyes on them. The issue was never Laenor not doing his duty. It was that there was no joy in it. Rhaenyra found that with Ser Harwin. That's actual show dialogue.
Laenor in the show doesn't go to Driftmark. In no conversation does it seem as though he has that break from court life. The strength of being a Velayron is taken from him with no noble house Velayron men at the Keep or him being able to go back and prepare himself for his role as heir. This is a world building issue. But also isolated him to the Red Keep unwillingly, it seems.
Then we consider that he cares for Rhaenyra. Ten years later, and he's telling her, "Let's go back, stop making the show of Alicent commands, this is dangerous you're in pain." She disregards him, which is the first of many times we see.
After he's called a cuckold by Alicent, Rhaenyra makes sure he's aware of her dislike of the name Joffrey or him choosing it. I think that scene perfectly analyses their dynamic.
Rhaenyra doesn't like it, Laenor defends it, and she disregards it with something else that's irrelevant in that context. He's playing his role, naming their child, being there at the birth like a happy father would be waiting to meet him, walking with his wife to the king, publicly but quietly doting on her health and taking everything said against him because that is his son but that's not enough for her because in this moment she's upset with him for nsming Joffrey and Alicent.
We see this play out with the "our sons," "are they insinuations" dialogue, and reinforced.
Laenor wants to go to the Stepstones, unaware of the fighting taking place. She says rumours follow their sons, and he asks if they are rumours. This shows his disconnect from the situation at hand. Even a small joke, she discredits from him rightfully but is still isolating for him from their reality. Then, the worst lines from Rhaenyra come out. And I don't know why these are often ignored, but they're based on the characterization of her in her adult years of wanting everything at the cost of nothing because of her position.
She blames Laenor for not being there for them, uses his sexuality and the agreement they had to do so and then makes him stay at her side when he doesn't want to because she thinks it's good for appearances not taking anything he's saying into consideration.
Then we find out that Laenor writes to Laena all the time, it seems because Daemon doesn't want to go back, and Rhaenyra doesn't let Laenor leave. Laenor being restless has been his way, but she kept him at her side. And then Laena dies, and he's crushed.
This is after Rhaenyra finally decides that they can leave for Dragonstone, which is away from all the questions of court, tells him he can bring Quarl and doesn't let him make the decision. We see how upset he is before she tells him of that. Laenor seems to find out about losing Laena on Dragonstone.
Laena is gone, and he's reeling from her loss. He's in the water trying to be near her, grieving. He's getting drunk and can't perform his role, being accosted by Corlys (I know it's Quarl but context clues) for it and is in no position to do anything. He's lost the one person who would be happy for him with this change, the person who he keeps in contact with ten years later. He's distraught.
And Rhaenyra’s conclusion, although based on the fact that she's lost Ser Harwin, is to say he'll be useless to her now.
She sleeps with Daemon, which I won't get into because it doesn't matter right now, but two conversations happen. We see Laenor get drunk, and in Quarl's attempt to go fix his spirits, be completely unaware of the whole Driftmark fight, Rhaenyra sleeping with Daemon or what has occurred with Vhagar and Aemond.
Laenors words to her are I should've been there. I didn't protect Laena, I did not protect you, and there is no comfort. She tells him to sit. They have this conversation, which is his apologies while grieving for his failing and her saying he's a good man with a good heart.
The condition of Laenor in this scene is heartbreaking because of what happens next. He's lost Laena. He's trying to do right by his family, recommiting himself to them, and she suggests he fake kill himself and escape with Quarl. He's confronting their past mistake of thinking that love and marriage are mutually exclusive and knowing his lover is being sent away and that Harwin is dead dedicates himself to Rhaenyra and their boys, wanting to be a family.
But because of Daemon, that's a long gone possibility for her. It's not for him. We don't get to see her, or Daemon or Quarl suggest Laenor leaving, but based on their relationship in the last episodes, he'd simply agree if she said it, reluctantly so.
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Astarion the Musical
Today, I spent several hours creating a playlist that tells Astarion's story (a version of it) through songs. I want to share the playlist with you, along with this post as a companion to describe the context.
In my mind it plays out like a musical would- context and dialogue happening between musical numbers. I hope you enjoy.
Song explanations:
The Code: Post game Astarion introducing his story to the audience. A synopsis of his story from the POV of the person who lived through it.
"I, I went to Hell and back
To find myself on track
I broke the code, whoa-oh-oh
Like ammonites
I just gave it some time
Now I found paradise
I broke the code, whoa-oh-oh"
The story starts when he is attacked by the Gur and is approached by Cazador.
The Killing Moon: Cazador turns him into his spawn.
"Under blue moon I saw you
So soon you'll take me
Up in your arms, too late to beg you
Or cancel it, though I know it must be
The killing time
Unwillingly mine
Fate
Up against your will
Through the thick and thin
He will wait until
You give yourself to him"
Dead Arms & Dead Legs: After he has turned, coming to terms with his new undead self.
"I have been out walking with these Dead Arms & Dead Legs
And the mysteries of the universe are patterned in my head
The terrain becomes unbearable - too steep to stick your heel
I imagine myself here again in 50 million years
I run to the left... I run to the right
And all my fears become a life
And what is left... and who are you in the end?"
Queer: He is seducing victims and luring them to Cazador using his body and charm.
"Hey boy, take a look at me
Let me dirty up your mind
I'll strip away your hard veneer
And see what I can find
The queerest of the queer
The strangest of the strange
The coldest of the cool
The lamest of the lame
The numbest of the dumb
I hate to see you here
You choke behind a smile
A fake behind the fear
The queerest of the queer"
The Dead Come Talking: Feeling guilt about the victims he led to death. He can't seem to forget them.
"Feel the worms eating holes through my mind
Like regrets that'll kill me in time
Walking backwards is always a guess
Distant faces burn holes in my chest, mm-mm, mm-mm
Shadows floating, they're out in the hall
They still haunt you long after they're gone
Buried in the basement, cold cement
Dead come talking, can't put them to rest"
rises the moon: Montage of his life as a slave under Cazador, time passes and his hope for an escape becomes less and less.
"Days seem sometimes as if they'll never end
Sun digs its heels to taunt you
But after sunlit days, one thing stays the same
Rises the moon
Days fade into a watercolour blur
Memories swim and haunt you
But look into the lake, shimmering like smoke
Rises the moon"
Abbey: He is out in the city hunting, daydreaming of freedom.
"There is a light, I feel it in me
But only, it seems, when the dark surrounds me
There is a dream and it sleeps in me
Keeps me awake in the night
Crying, "Set me free"
And I wake every night
Crying, "Set me free" "
Kidnapped by the Nautiloid.
Nautiloid crashes.
Hand Me My Shovel, I’m Going In!: He wakes up at the crash site and is freaking out. He is in the sun, and not burnt to ash.
"This is not enough, this is not enough to prove it yet
No, I need to hit the bottom
This is not enough, this is not enough to prove it yet
No, I need to hit the bottom
Gotta get to the bottom of this
Gotta get to the bottom of this
Gotta get to the bottom of this"
Meet Tav.
Survival: He realizes he has an actual chance at freedom now that he met Tav.
"You won't pull ahead
I'll keep up the pace
And I'll reveal my strength
To the whole human race
Yes, I am prepared
To stay alive
I won't forgive, the vengeance is mine
And I won't give in
Because I choose to thrive
Yeah, I'm gonna win!"
Biting Down: Drinks Tav’s blood for the first time. His first time drinking blood from a thinking creature and he realizes why it was kept from him. He feels alive. He feels powerful.
"Skip a hit, don't make a sound
(It feels better biting down)
Breathed so deep I thought I'd drown
(It feels better biting down)
Listen to the beats resound
(It feels better biting down)
It feels better biting down
(It feels better biting down)"
Little White Lies: Gaining Tav’s trust, making her fall in love with him for protection.
"Would you leave me for dead, or would you come to my aid?
If I don't tell you some pretty words
Should it keep you coming my way
I never meant to lie, but there are things we do and say to get by
Little white lies, a small surprise, how big they grow in size
It all starts simple enough
Your present is dark because your childhood was rough
So you shed your skin and you change your name in the hopes of
Putting air in between you and the pain, so grab a mask
Fill up a flask, slither like a snake into the mascaraed"
Terrible Thing: Seduces Tav enough for her to sleep with him.
"I know what you're doin' here
Made your intentions clear
Oh you, you terrible thing, you
Terrible thing, you
Terrible thing, you
Beautiful thing
Honey, you're so cold
You left me on patrol
Lose my self-control with you (when I'm with you)
Do things I don't want to do, ooh"
Laplace’s Angel (Hurt People? Hurt People!): Feelings for Tav are growing, and the guilt of manipulating her is starting to get to him so he tries to justify his actions.
"It doesn't take a killer to murder
It only takes a reason to kill
We've all got evidence of innocence, it's "everything's coincidence"
The difference twixt fate and free will is whether you're singing
Ooh, could you take a look at me?
Am I bad, am I bad, am I bad, am I really that bad?
And now we're singing, ooh
Whatever you think of me
If you were in my shoes (yes, it's only natural!)
You'd walk the same damn miles I do
Oh, oh, right!"
Gilded Lily: After Tav does not force him to drink Araj’s blood. He is processing his trauma. He realizes that Tav cares for him more than anyone ever has.
"Haven't I given enough, given enough?
Always the fool with the slowest heart
But I know you'll take me with you
We'll live in spaces between walls
Every city's got a graveyard
The service bought and paid for
Now I'm sleeping in the backyard
Passing out as night turns into day"
Against the Kitchen Floor: He confesses to Tav that he was originally manipulating her but now has genuine feelings for her. He has never known the feeling of somebody wanting him for more than his body and he doesn't know how to handle it well.
"I don't owe you my heart
And I don't owe you my body
But you should know that I'm sorry
For being careless with you
Lord knows I owe you more
Than I'm pretty sure I ever could give anybody
But I can't pin down what normal people want from foreign objects
Bottom shelf erotic products like me
So, I could hold your hand but keep you at arm's length
Or hang me from a branch too high to climb and shake
Less rare than scarce, less diamond than rough
Unlikely to be more than just the coal you fail to crush, and
I swear, I'm really trying
It just don't come natural to me to think that you'd want me for me
I swear, I'm really trying
Oh, I'm sorry, I promise, I'm doing my best
I just haven't learned how to be human as you are yet"
you should see me in a crown: They find out from Raphael what his scars on his back mean, and about the Ritual of Profane Ascension. He is fantasizing about what he would do if he managed to overtake it in private. He wants the power it would grant him.
"You should see me in a crown
I'm gonna run this nothing town
Watch me make 'em bow
One by, one by one, one by, one by
You should see me in a crown
Your silence is my favorite sound
Watch me make 'em bow
One by, one by one, one by, one by one"
Perhaps Vampire is a Bit Strong But... : Astarion fights and confronts Cazador for the centuries of abuse he put him through.
"'Cause all you people are vampires
And all your stories are stale
And though you pretend to stand by us
I know you're certain we'll fail
I've seen your eyes as they fix on me, full of confusion
Your snarl is just so condescending
Try to explain that we're onto a win
If the fee we are in near recoups what we're spending"
He can choose to complete the ritual in Cazador’s place, or kill him.
Tav convinces him to not go through with the ritual, he kills Cazador:
What Was I Made For?: He kills Cazador and doesn’t complete the ritual expecting a sense of relief and gratification but feels nothing. He thought he would feel free without a master to rule over him, but he feels lost.
"What was I made for? Hm
'Cause I, I
I don't know how to feel
But I wanna try
I don't know how to feel
But someday I might
Someday I might"
Two Coffins: He is coming to terms with Tav’s mortality. He is mourning the loss of the opportunity to have her forever by not going through with the ritual.
"Two coffins for sleep
One for you one for me
We'll get there eventually
In the dark of our graves our bodies will decay
I wish you'd never change
How lucky I ever was to see
The way that you smile at me
Your little moon face shining bright at me
One day soon there'll be nothing left of you and me
Two coffins for sleep
Two coffins for sleep
All the things that I have yet to lose
Will someday be gone soon
Back into annihilation
All things will fade
Maybe it's better off that way
I wish you'd stay with me"
Rain: For a moment, he regrets not going through with the ritual and feels a slight disdain for Tav for stopping him. This song is when he comes to realize it was the correct choice and is thanking her. He knows that he would have just become just like Cazador, and thanks to her he is breaking the cycle of abuse.
"For so long, I have waited
So long that I almost became
Just a stoic statue, fit for nobody
And I don't wanna get in your way
But I finally think I can say
That the vicious cycle was over
The moment you smiled at me"
My Instincts Are The Enemy: He is confiding in Tav that he wants to be with her forever, but explaining what that means for her. He is tied to the night, and she is tied to him. Is she ok with that?
"I'm paralyzed, engaged in civil war
What can I do?
Either way, I lose
You lose, too
Days are nights, and nights are unbearable
What can I do?
Chained to this mood
You're chained to me
Keep asking different questions
The same answer I receive
I need you more than ever
To tell me what you've seen"
Sunlight: The Netherbrain is defeated and the tadpoles are gone from their minds. Without the tadpole he is now unable to withstand the sun. He is coping with the lack of sun by replacing it with Tav. From now on she is his sunlight.
"I had been lost to you, sunlight
And flew like a moth to you, sunlight, oh, sunlight
Oh, your love is sunlight
Oh, your love is sunlight
But it is sunlight
All the tales the same
Told before and told again
A soul that's born in cold and rain
Knows sunlight, sunlight, sunlight
And at last can grant a name
To a buried and a burning flame
As love and its decisive pain
Oh, my sunlight, sunlight, sunlight"
Fin.
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