#but they kept his character development and decisions the same

[tossawary]

Okay, we finished "Kung Fu Panda 4" and I didn't like it. It was, at best, "okay" to me. It felt visually underwhelming, emotionally shallow, and the world it presented felt underwritten. There are bones of character arcs there that are... fine... but the actual execution felt hasty and unearned, with little sense of real danger or stakes, and they kept stomping on potential emotional depth by defaulting to jokes all the time instead of balancing that with quiet contemplation or real angst sometimes. It felt like a series of disconnected, television-quality, jokey romps.

Like, a lot of the fights in KFP1 were great because they were 1) visually stunning, 2) with real stakes and danger, and 3) serious emotional relevance. Tai Lung's escape sequence from his underground prison shows off how deadly and clever he is, building dread over the fact that he's coming for Shifu and Po. Tai Lung versus the Furious Five is Shifu's old student versus the new ones, on a precarious rope bridge, showing off how deadly and clever both sides are. (BOTH Tigress and Tai Lung are not happy Po has been chosen as the Dragon Warrior instead of them.) Tai Lung versus Shifu is rife with personal history and pain on both sides, as they tear into the Jade Palace during a thunderstorm. Tai Lung versus Po is more humorous, but it feels like relief after all that previous stress, and Po gets to show off everything he's learned physically and how he's grown emotionally.

In KFP4, the most visually interesting fight to me was when Po had fallen through the floor after the first Chameleon confirmation, so he was fighting the lizard guards in a dust cloud of inky silhouettes. It was visually different and could have presented a creative challenge with decreased visuals for Po, but it barely lasted a minute.

And none of the fights felt particularly emotionally compelling to me; a lot of them were very jokey and didn't have interesting stakes. The Chameleon is so painfully underdeveloped as a character and has no interesting emotional connection to Po. She DOES have an emotional connection to Zhen the fox, who I also felt was not well-developed, but that relationship also felt underdeveloped and without compelling emotional stakes to me, so their final confrontation didn't feel particularly satisfying. It didn't dig into the pain the same way confrontations with villains like Tai Lung and Lord Shen did.

It didn't feel like Po grew as a person at all. He didn't want to choose a replacement and then he changed his mind, but... I felt like we didn't dig into his resistance. I liked how emotionally vulnerable and also emotionally enduring Po has been in previous films, and I don't feel like we really got to see him open up and connect to Zhen properly.

Also, Po and Zhen felt like they were the same age, so... why is she a good replacement? Po didn't feel like the teacher between them. If there's a theme of "having achieved your goals, it is time to cultivate the next generation", I don't think the movie did it well. I think it would have been improved by the small change of making Zhen a child, obvious in both appearance and personality, very skilled in her own way but prone to making bad decisions and stuck in a bad situation. More vulnerable. More in need of guidance and support via Po's hard-won experiences. (Awkwafina does not make me think "child" or "youth"; her voice makes me think: "That is a grown ass woman.")

I think the movie would have been much more interesting if it had been about Po taking on his own students and struggling to be a teacher, with the different approaches needed for different children. (Movie Trailer Voice: "The Dragon Warrior takes on his greatest challenge yet..." Switch to Po's shocked face as he says: "Teaching?!") Frankly, it's a little weird that the Jade Palace doesn't have any younger disciples at this point anyway. I have vague memories of Po teaching the other pandas to fight in KFP3, but they were motivated by protecting themselves from an active threat, so it would be different.

Like, the first KFP movie came out in 2008. It has been a WHILE. Po is getting older. He's completed the arc of becoming the Dragon Warrior and Master of the Valley of Peace in the initial trilogy, sooooo... he SHOULD be looking forward.

We could open the movie with Po in some fight or another. It's cool. It's badass. Po is having a good time. Po saves the day and the local villagers, defeats the bad guy, and then at the very end... he gets a crick in his back from a relatively innocuous movement. Ow. He signs autographs for the crowd while holding himself at an awkward angle and trying to hide his injury.

Po then goes to the restaurant opening as he does in the movie. He helps open it while trying to hide the crick in his back. Both of his dads are there and concerned for him. One of them could whip out some funky "traditional" remedy for comedy purposes and Po is like, "Ugh, Dad, not again!" (This is a problem Po has dealt with before.)

Both of Po's dads should be visually older. Panda dad could have a cane now. Goose dad is still running around for his restaurant, but he's slower than he used to be and his eyes aren't so good anymore.

Goose dad has perhaps even hired a couple new cooks and servers for his newly renovated, larger restaurant. Things are changing. He needs the help. Po is too busy with martial arts. Goose dad is obviously struggling trying to teach and manage his new employees; one of the young cooks doesn't get Goose dad's explanations and Goose dad is frequently telling one of the young servers to stop playing with [object that is not a phone but is definitely standing in for a phone to the modern audience].

Po isn't surprised by this (he's obviously discussed it with his dad beforehand), but it's obvious that he feels both fondly for his Goose dad and a little sad that he's kind of been replaced. His face has a conflicted smile. He can even confide in Panda dad about this.

Or, perhaps Master Shifu is here! Master Shifu has come to the restaurant opening because he is friendly-ish with both of Po's fathers and enjoys the food. Perhaps it is implied that Shifu has come here with Po before. Shifu is by this point very used to Po's antics as the Dragon Warrior, and while he disapproves of the autographs for adoring fans on principle, he thinks such arrogance and fawning is dangerous, he by now trusts that Po's heart is in the right place and knows that Po will always put the Valley of Peace first.

Po is jump-scared by Master Shifu sitting beside him casually eating noodles. Shifu is relaxing a LITTLE into semi-retirement and also enjoys scaring Po like that. "I was here when you sat down," Shifu says calmly, and it is clear he's messing with Po. (Shifu is also visually a little older.)

Lines are exchanged which indicate their affection for each other (they've come so far!) and some of Shifu's opinions listed above. Shifu calls Po out for badly hiding an injury. Po whines about how this didn't used to happen so often. Shifu says some wise proverb about aging that Po doesn't process immediately, then Shifu translates bluntly, "You're getting older, Po, it happens."

Po whines a little bit. He gets dramatic and has some miniature crisis because he still feels young and childish at heart. There's a joke sequence where we zoom into Po's mind, perhaps with a different style of animation, as Po imagines fighting battles against bandits as an elderly panda with a long beard and a walker. Perhaps it could even be a diverging reimagining of his opening dream sequence from KFP1. He's still kicking ass somehow, there's just a bunch of jokes about the annoying parts of getting older. (The elderly Furious Five didn't show up because they fell asleep in the middle of the day or something.)

Po is snapped out of his daydream by something. Maybe one of the new servers dropped a stack of bowls, there's a loud CRASH. Shifu could be just sitting there calmly, eating, patiently waiting for Po to get back from his dramatic crisis daydream. Shifu is used to that by now.

Po is like, "Master Shifu, you're super old, right?" Shifu, unimpressed, says nothing. Po begs him for the secrets of kicking ass while being old and fragile. Shifu has some blunt, old-school badass response about pushing through the pain. And maybe Po is like, "Yeah, that's what a real warrior would do!" And then he reached for his chopsticks and somehow pulls at the crick again. Ow.

Shifu softens and says that Po has been the Dragon Warrior and a Master for some time now, he has learned a great many things, done a great many impressive deeds, and it is time that Po take the next step towards true mastery. He must take students.

Po reacts with incredulous surprise.

Cut forward. On the way back to the Jade Palace, Po is complaining to Shifu about how he still feels like a student most of the time. Shifu counters that Po taught the other pandas how to protect themselves. Po says that that was a special case.

And maybe Po is a little nervous about change, but the thing is...? I feel like Po would be REALLY excited to have his own students once he settled into the idea a little. Po is a kung fu nerd. Po should know a lot about famous master-student pairs. Po is also maybe a little lonely with the Furious Five gone. (Allegedly, the studio was not keen about the cost of hiring Angelina Jolie back for even a few lines as Tigress.) Po loves learning about kung fu and sharing his love for kung fu!!! I would love to see a character honestly THRILLED for this next stage in their life.

Po should be EXCITED to train his own "Furious Five"! He loves them! He loves that stuff! He wants his own team!

Po and Shifu get back to the Jade Palace and it turns out that Shifu (being the all-knowing control freak that he is) has apparently already selected three new children to be Po's first students. Shifu has chilled a bit but still loves planning his students' lives for them.

(The other benefit to this is that we don't have to waste valuable screen time finding these students. We can learn about the backstories as the movie goes on, but we can for now go straight into Po bonding with these new characters and struggling with meeting their individual needs.)

(I know that Universal allegedly set a strict limit on the length of the movie, because they felt like kids wouldn't be able to pay attention to a long one, and also shorter movies allow for more screenings in a day and also more money.)

Po is excited to share kung fu with these new disciples, but he gets tripped up by the fact that each of these three kids has their own personality quirks and learning styles. They have their own skills. They have their own flaws and vulnerabilities. (One of them could even be connected to the main villain of this movie somehow. A "traitor" stuck in a bad situation.) They don't always get along with each other; they're each vying for Po's attention. (Maybe one of them actually wanted to be taught by Tigress and is grumpy about getting Po.)

Po tries to cook a great meal for them to share together and he can't even get that right on the first try; the kids all have conflicting likes and dislikes. One of them doesn't like dumplings at all! The horror!

Po: "What's wrong, buddy? You're not eating your food..."

10-year-old Student (whose family was killed by the movie's villain): "The only thing that I'm hungry for... is VENGEANCE."

*lightning flashes in the background outside the window and everything*

Po: "...Okay, I love the energy, but that's not on the menu right now. We have tofu."

Student: "...I don't like tofu."

Teaching presents the opportunity for Po to mishandle various situations. He might accidentally upset all three of the kids in different ways. He might feel a little resentful that Shifu shoved him into this without warning and is barely helping. He starts to get stressed when a new mysterious villain shows up in the Valley of Peace and he has to handle that AND three struggling children at the same time. Maybe he gets a little snappish when the kids don't listen to him in a dangerous situation.

And I think Po would feel especially badly about this because of how he has been occasionally failed by each of his father figures. His goose dad discouraged him from following his dreams and has been jealous regarding Po's birth family. Shifu was an ASSHOLE to Po at first. His panda dad was tragically absent and their relationship is sometimes a little awkward. Po thought that his bad experiences would have made him automatically good at this, because he knew how to be better, but it feels like he's doing even worse.

Po and Shifu could have a great heart-to-heart over this, where Shifu ends up (indirectly perhaps) apologizing for springing this on Po, but insists that Po is already doing better than him and that he did it because he knew Po would be a great teacher. Shifu could also pledge to help a little more, Po need only ask. He doesn't have to do it alone.

(I thought that Po's dads in KFP4 didn't have a good storyline. They were overly comedic in a film that already had enough comedy on Po's side of things, and I didn't think that the attempts at emotion near the end landed. They didn't have a compelling role in the film. And Shifu was basically absent from the movie. It's possible to just hire different actors if the originals are too expensive, isn't it?)

Vulnerable students would bring serious stakes back into the fights. Po in KFP4 was essentially unbeatable, with little to fear in almost any situation he entered, because he can handle himself even against dozens of enemies by this point. But his students cannot do that! He would have to protect them! And if there's two or three of them, then he can't easily protect all of them at once. One of them could get injured in some fight to up the stakes for Po.

I don't have anything more concrete from here, because that would involve creating proper student OCs for Po and working out how their arcs would mesh with the Chameleon or another villain. I like the idea of one student secretly working with the Chameleon as per the actual movie. Perhaps another student could have actually lost their family or their home because of the Chameleon, which later puts this student in greater emotional conflict with the "traitor" student.

It's just... if the idea was to challenge Po and have him grow as a person, I don't think they achieved that effectively. He felt a little flat to me. Overly naive and condescending. I was not compelled by his relationship with Zhen, which felt a little shallow, without good chemistry, and like it was happening more between equals than someone Po could really teach. A trio of new students or something like that would have breathed even greater new life back into the franchise.

Hmmm... anything else to say... The people I was watching it with and I picked a bunch of nitpicky holes into the plotting and world building. Nothing super duper egregious. Just a lot of things that didn't add up well or could have been tweaked. (Why were the names "Steve" and "Scott" used in this movie??? It's a joke, but it's not a very funny joke, and it feels representative of a larger lack of attention to detail. It's a shallow joke at the expense of the cohesion of the world and now I'm distractedly confused as to when Western elements were established in this film franchise. Surely there was a Chinese pun to be made there that didn't have to appeal to anglophone audiences???)

I was not impressed by the "and then everyone clapped" ending where all the spirit villains told Po that he was cool. It felt like it was undermining previous storylines to have all of them find their inner peace and not try something. Like, uh, the 3rd movie starts with Kai having been imprisoned in the spirit realm for a long time and busting out because he's still a jerk, so even if Kai has magically chilled now, why are ALL of them in peaceful agreement? I would have thought Tai Lung and Shen and Kai would all fucking hate each other. This is taking off their nasty edges without having earned that development.

I feel like I just watched someone miss the obvious turn because they decided that going another direction would be "more fun" or "better" somehow, but it was not. Just take the obvious turn and give Po his own "Furious Three" kid students! (They're workshopping the name.)

[savedbythedrafts]

I have many thoughts about Bridgerton.

Was it the perfect season? Absolutely no.

But it quite honestly is my favorite season so far because it made me realise how the enemies-to-lovers trope has rotten my brain when this is what I want to see. Gentle love, best friends becoming partners.

Things that I absolutely loved this season:

-Pen's arc: In the book she gives up whistledown to become a romance author which is nice, but now we have a legitimate journalist in the house who has proved her accuracy at such a young age. People who are worried about how she's gonna get her info now that people are guarded? Um her main sources were always the maids and footmen and she is observant enough to run a column. Plus now that everyone knows who she is, people might anonymously send her reports (as happens in journalism) which gives her SO MUCH POWER. I am a journalist and I can't stress enough how incredible that is. I know book fans expected the last speech by Colin but imo her taking full control of her decisions and willingness to face the consequences makes it so much better.

-Eloise and Pen patch up: Both of them going to each other for comfort and support when the shit hit the fan made my heart warm. When Eloise comes back, I hope she knows herself a bit better and actually brings her grand ideas to reality.

-Benedict going about his viscount duties in absence of Anthony without the rage of responsibility whilst discovering his sexuality 10/10. Man was also fully involved in all of his siblings feuds, mainly whatever the fuck Gregory and Hyacinth were upto. CUTE. Actually shoutout to all the Bridgertons, they were so perfectly chaotic.

-THe FEATHERINGTONS OMG: I am the youngest daughter of my family as well as the black sheep- so unpredictable, unconventional that no one in my family gets me. That's why I relate to Pen so much and I'll defend her to death. To see the sisters and Portia realise Pen's worth made me sob. Phillipa saying I hope my daughter becomes a writer? Cherry on cake. But Portia opening up to Pen and being vulnerable and proud at the same time was so bloody well done.

-Polin: Fans being livid about the lack of spice in part 2 (minus the incredible sex scene in ep 5) is understandable but I blame the marketing for it, not the showrunners. Over the course of part 1, we saw Colin's relationship with intimacy change drastically. His want for connection becomes a necessity and if they just jumped into angry sex without actually resolving anything, it would have ruined his character development. I think it's the incredible chemistry between Nic and Luke in general and the heavy emphasis on the horniness during the press tour left the fans understandably wanting for more. But in general, their romance felt quite authentic. The Pride and Prejudice 'dancing in the room alone' callback, goofing around in the church, Colin coming to terms with what Whistledown meant to the ton and himself, Penelope's newfound confidence thanks to Colin's frequent words of affirmation, it was all good.

Things I would change to make this season better (this is turning into a full article now but read ahead if you have been here so far):

-The bloody editing: Pardon my french but why the fuck Benedict's prolonged threesome scenes not edited out? He has a whole season coming up so I don't understand so much focus on that weirdly edited scene amidst the drama. Just one shot of establishing his pansexuality (or bi but I am hoping it's pan) would have been enough? I love Ben, he is my favorite brother but this gave me the ick. To think these 3-4 minutes could have been used to extend the last Polin intimate scene. We could have had a good 5 minutes of Pen topping Colin after the BIG REVEAL but noooo. Even the subplots should have been kept short and sweet. Unlike some fans, I am not completely against the inclusion of the Mondrich family, Cressida's back story, the build up to Benedict's and Fran's actual stories, and more. But I believe too much footage was given to these even though the show clearly focuses on one couple per season. Get your shit together Shonda, this is not 20 episode Grey's anatomy, we can't focus on EVERYONE.

-Colin's anger after the wedding: Now I understand why he didn't want to have the wedding night given the stressful circumstances but him being angry till Francesca's wedding made no sense. How I would have written the resolution would have been something like this- In the hours before Rae leaves the house at night, Colin would have been reading the letters, figuring out how Pen is so whistledown at core (like he actually does the very next day but in absence of Pen). And instead of coming into the room to get a blanket, he could have brought in his own manuscript, asking her to read it as promised and taking up her offer to let her edit. This scene was literally in the book and was so easy to adapt. I would give my left kidney to see Colin sitting near Penelope, watching her powerful writing in action. Again, no spice required, just this. This would have made Pen's 'just love me' speech to Colin so good, but alas!

-Cressida: This is the arc I am most pissed off about. Eloise's reconciliation with Pen was great but completely abandoning Cressida to misery was so outta pocket. I realise Eloise is still not a fully realised character and is barely 20 (she's just a girl) but she was always kind. If I was writing Cressida's arc, I would have had Eloise come to her rescue at the end by borrowing some money from Pen and helping Cressida escape to Vienna or better Scotland. I highly doubt Pen would have minded if she knew how similar both of their circumstances were. I detested Cressida in the books because I'll be honest the books were pretty two dimensional with no real character development and just grand gestures (I'll understand if you come for me but this is how I feel, sorry). But the show made me care for her and I wished she could have found some happiness in life.

Overall, I'll rewatch it because the tiny details were so good this season I believe I can relish those till the next season. And I'll miss Polin immensely. But Shonda please, you can do better.

[veespee]

My Creepypasta AU

okay i don't have a name yet but,,, bear with me 😭 anyway i just wanted to make a general post about my AU! (inspirations, setting, the characters, the changes and how it works) hope you guys like it :)

SETTING: Pinewood, Texas / The Piney Woods - summer of '93.

INSPIRATIONS: Texas Chainsaw Massacre, House of 1000 Corpses, and in general older horror movies and slashers. (and of course credit to Moon for inspiring+encouraging me to write it :)!

look below the cut for the characters and more info!

CHARACTERS + BRIEF SUMMARY:

(these are just the ones i have an idea of, there will be more added in the future)

Jeff The Killer/Jeff Woods -> Jeffery Thomas/'Butcher of The Woods': was diagnosed with ASPD, left to live in a cabin on Piney Woods after his parents kicked him out, and became a serial killer who targets hikers and campers. his face got burned almost entirely after his first kill went wrong. he also owns a bulldog named 'Butcher', after being nicknamed 'Butcher of The Woods' by the townspeople.

Eyeless Jack/Jack Nyras -> Jack Underwood: was bullied from a young age, started developing anxiety issues, panic attacks and seizures. due to him living in a small, heavily religious town, medicine was pretty much nonexistent. his parents believed he was possessed, so they took him to the town's priest. the priest did a dangerous exorcism, which actually invoked a demon to possess him. Jack fled the scene after almost killing the priest, fleeing to the forest out of fear of hurting others. in the forest, the demon forces him to eat specific organs, usually from animals, but there are desperate times where he needs to eat human organs.

Ticci Toby/Toby Rogers -> Tobias (Toby) Smith: since Toby was a young boy, he was taught how to hunt by his father. his father was a stereotypical American patriot, and was often drunk and aggressive. he forced Toby to hunt animals, even with his disability (tourettes) and Toby's dislike of harming animals. at 17 years old, after a specific bad episode from his father almost killing his mother, Toby grabs a hatchet and kills his father while his sister and mother are asleep. he removes the body and starts to experience a manic episode, where he makes an impulsive decision to run away to the forest. he leaves a frantic letter to his mother and sister, and leaves for the forest to hide from everyone else.

BEN Drowned -> Ben Williams: a 12 year old boy who was bullied for being lower class by children his age. the bullies went too far and drowned Ben in a river near their school. the young bullies left the scene in fear, and Ben's body was inhabited by a raging river spirit who was waiting to take revenge on the town's people.

Sally Williams -> Sally Brown: a porcelain doll that was actually alive. she was owned by a little girl by the name of Oliver, and was taken care of very well. sadly, Oliver's father was physically abusive, and after a certain incident, Oliver passed away, murdered by her father. Sally took her revenge, murdering the father. the mother of Oliver kept it a secret, secretly glad her monstrous husband was dead, and let Sally free. Sally went on to target abusers for her killings.

Laughing Jack -> Jackson Garcia: nicknamed 'The Ringmaster' by the townspeople, since almost no one knows his real name. he owns a moving circus, with a cast of entertainers. suprisingly, before he was a ringmaster, he worked as a mortician. his dream was to work in a circus. that's when he found a way to bring dead people back to life, by feeding them others' souls. so, he assembled a group of (dead) entertainers, and in his moving circus, he travels around Texas to live his dream. his usual victims are kids since they're easier to obtain due to his circus, and all souls work the same.

most of the name changes are giving them Texan last names! (plus LJ is human now.)

ALSO IMPORTANT: i don't consider Hoody and Masky creepypasta, so they are not included.

PINTEREST + SPOTIFY PLAYLIST:

Pinterest! (board for each character)

Spotify playlist!

CHANGES:

Most impactful changes are the setting, names and backstories, their appearance have little tweaks also. Some stories might be a bit repetitive—as i'm trying to keep a theme. All of them live in Texas or somehow end up in Texas, and i wanted to keep a southern gothic aesthetic to it all. So; there is going to be lots of mentions of strict religion, small conservative towns and some heavy and violent stuff. (so just be warned!)

!! There's will also be a few mental disorders discussed, and i will try my best to depict them as accurately as i can, so if i make a mistake, please correct me. (nicely because i am sensitive /hj) !!

ARE THEY STILL PROXIES?

Yes they are! I'm also debating giving Slenderman a different appearance to fit with the theme. More importantly though, the way Slenderman acquires them as his proxies is more manipulative, as he promises what that specific proxy desires. (ex. he promised Jeff attention and fame)

The Slender Mansion also doesn't exist, they all have their own homes.

thank you for reading<3 this will probably become a fanfic in the near future, i hope you guys like it :3

[canonicallyobserving911]

Buck & Eddie: 2023 - 2024 Rereleased and Unreleased Photos

A timeline of the photos that were released by JS, JCC & TM since 6B.

After TM (9-1-1 showrunner) recently released two "never before seen pictures" of Buck and Eddie, one as recent as last night, I started thinking about all the photos and videos that have been released of them since the start of 6B and it was quite interesting to see it all once I put them together.

Reminder, Buck and Eddie were barely shown to be work partners let alone friends for 98% of 6A and after 6x13 aired, they were shown to be living separate lives again for the remainder of 6B after Eddie was forced into dating again even though he said he wasn't ready. Aside from the Buckley-Diaz Family scene in 6x1 and the small amount of time they shared at the end of 6x7 and the time they were partnered in 6x13 (my favorite episode which was the finale for me since the last 5 episodes could have been yeeted to the sun); they didn't work side-by-side like they did before Eddie quit the 118 in 5x10. That's why the timing of the rereleased and unreleased photos and video is so jarring.

First, in April 2023, JS released the picture below of Buck and Eddie at the poker game before 6x13 aired and he spent most of that three-week mini hiatus counting down to the day when he was going to reveal it on Twitter or X or whatever it's called this week.

Second, in April 2023, a photo of the clapperboard was released weeks in advance for 6x17 which was an episode JCC directed. It includes a picture of Buck and Eddie at the bottom of it.

Third, also in April 2023, after 6x15 aired, several posts alluded to Twitter users being in an uproar about the introduction of ND and how Buck hurt Eddie’s feelings with that BS line about her seeing him (which everyone but Buck knows was a bunch of BS).

Don't try to debate me on this because Buck’s words hurt Eddie and it doesn't matter if they were intentional or not. He broke Eddie’s heart with that $hit so... I digress because thinking about it still pisses me off (it's been months but I'm still not over the way S6 ended).

Anyway, it was posted on Reddit (linked here) that JCC posted the photo from season 3 below on 9-1-1's TikTok account but the question is why would he release it since he didn't direct 6x15? The OP of the thread explained how he never posts things about episodes he didn't direct so it was interesting to read this information but since I only saw it on Reddit and nowhere else, it's unclear if there was a motive behind it.

Full disclosure: I don't have a Reddit or TikTok account, so I don't know if this post was legit but the date on it is April 25, 2023.

Fourth, in May 2023, right before 6x18 aired, TM decided to release a video of Buck and Eddie from season 2 but why did he do that? Especially right before that BS episode that had Eddie acting like he was in high school again and giggling over some chick he witnessed almost kiss her brother in the mouth in 6x5 and Buck settling once again for a woman who only wanted to use him for his "Firehose" and nothing else like AC, AM and TK did?

What exactly was the point? Was he trying to tell viewers something or was he just piddling around on FB like he did last year when he responded to a viewer with a long post about the storytelling decisions he greenlit for LS?

Reminder, TM was working on LS for the past two seasons while he left OG in the hands of KR who literally destroyed all of Buck’s character development and growth by regressing him with TK, LD and now ND. Seasons 5 and 6 went into a tailspin of Buck not growing or learning from his mistakes and the responsibility for that lies solely at the showrunner's feet and who was in charge? It was KR.

The way Buck's gazillion storylines ended was not long form storytelling especially since he was constantly being regressed. He said he didn't want to make the same mistakes but he kept making them and instead of letting him go back to therapy (which he clearly needs) she let him flounder and read self-help books and donate his sperm to that loser Connor (reminder Connor wanted to run out on his pregnant wife because the baby wasn't biologically his but I still believe the baby is his and not Buck's). She wouldn't let him talk to the team like he used to do so they could offer him some good advice about the important life decisions he was trying to make but in Season 5 she had no problem letting Buck tell the 118 about his dumpster fire of a relationship with TK.

Fifth, in January 2024, TM was at it again with posts on Facebook (I don't use FB) but this time he posted two unreleased photos of Buck and Eddie. Apparently, he released the one below a few days ago but it was discovered by a blogger who posted it on 911blr. Based on Eddie's appearance, it looks like it may have been from season 5, possibly sometime around 5x16 "May Day" but who knows.

Sixth, last night, the photo below was released by TM and it's never been seen before either. Based on Eddie’s appearance, this picture looks NEW like it might be from Season 7 but who knows with all the unreleased promos and pics from previous seasons that started circulating in S6.

In the photos above, Buck and Eddie are shown in every season except for the most important one... Season 4. The shooting is missing and so is the will reveal. (I don't count the picture on the clapperboard because it appears to be one JCC added to it for whatever reason and it wasn't an official photo or video like the others.)

So, are they still using the shooting and the will as the catalyst for them becoming a CANON couple? Only they know what they're doing but whatever it is the question has become why are they doing all these cryptic Buck and Eddie posts and releasing photos of just the two of them? What are they trying to say, if anything?

Hopefully it's not so they can do a repeat of the things they did at the end of seasons 4 and 6 and delay them getting together yet again.

If they're going to finally let them be together then it's time to stop with the delay tactics and get rid of all those one-dimensional LIs. Leave N and M in season 6 where they first appeared and should have remained.

If they aren't planning to make Buck and Eddie CANON then they should let them stay single. It's been 6 years; how long do they realistically believe viewers who actually care about them as characters are going to keep waiting? In the past, actors and actresses have left shows around the fifth, sixth and seventh seasons so hopefully that won't happen on 9-1-1 but nobody has time to wait around for 15 seasons for Buck and Eddie to get together.

[leohttbriar]

this entire episode was incredibly fraught and it's conclusion was almost willfully blind and offensive but also it definitely reveals a lot about the paradigm of thought in which the voyager writers were operating. like, i kept wondering since i started watching voyager why they felt the need to make up a tribe instead of grounding chakotay in the many real people of indigenous american communities. and i guess this episode, "tattoo," offered their reasoning for that choice. as baffling and ill-conceived and un-creative as that reasoning is.

see. there was one moment in this episode where i thought the story they were telling wasn't about to be the most frustrating thing ever. this moment was when young-chakotay references how other tribes are not living in the past, but his and his father's is. the simple idea that not all people are one and the same, that indigenous communities can be and are distinct and not a single amalgamation easily filed under one label, as well as the idea that tribes yet exist--that they are not and have not been vanishing. i thought, after this conversation, that the story was going to go on like a wakanda-type route, where the "fantasy" and "myth" chakotay is criticizing above is actually just a specific sort of highly-developed and protected tech and the people of his tribe were isolationists. i thought when we first saw that peaceful symbol on the alien planet that we were about to be treated to an alternate yet hidden history of a tribe from earth having achieved space-travel far before anyone else from earth did and kept it secret. i thought that might justify, a little bit, making up a tribe instead of picking one and hiring several consultants/writers for the writing room.

obviously, i thought wrong. more fool me--like this episode came out the same decade as dances with wolves. i genuinely should've known better.

i think one of the main mistakes (informed by the umbrella ""mistake"" (i.e. profound and deliberate crimes again humanity) of violent and merciless colonialism, which continues to inform how people interact with the world and will continue to do so for as long as we can imagine) is the treatment of the "myth" and "fantasy." like, another made-up indigenous people in star trek is the bajoran people in ds9, which i think exposes a lot of the writers' perspectives about chakotay. i don't think it's a coincidence that they made the leader of the maquis cell that had to be absorbed into the voyager crew explicitly indigenous. or that said leader had a whole situationship with a bajoran character who thinks very, very little of starfleet and janeway. these are all part of the same creative impulse. and it's a rich idea, started in ds9 and continued into voyager--the maquis, their relationship to bajor and cardassia and the federation, and what their principles are. and through that idea, you can see that the 90s star trek writers were trying to draw from real-world indigenous resistance to shape these freedom-fighters as well as from real-world indigenous insight to shape the bajoran (and chakotay's) spirituality. in that: they made the spirituality "real."

the bajoran deities are real beings. thus the bajoran people have a super special relationship to the land. and the deities are material and there. chakotay's spirituality also is "real", in that it has a direct effect on the material happenings in an episode. this sort of thing can either be: spirituality is drawn from the material world/material insights and human consciousness is a very powerful thing OR these particular people have a "magical" connection to nature. based on everything to do with these spiritualities i've seen in these two shows, it definitely feels like they were going more for the latter.

and then in this episode (!) they make the writing decision to explicitly say that all indigenous people in the americas were inspired by and directly gained wisdom from a bunch of special aliens who wanted to make sure the land of earth was protected and so appointed all the american indigenous people as guardians. like they were One people who both had a super special connection to the land and had to be given that special connection and didn't, like, historically shape and influence and change the ecosystems and flora and fauna in permanent and far-reaching ways, over many tens of thousands of years and many types of tech and city-building and migration patterns and cultural practices, all as or more diverse than the land they were living on.

the reluctance to attribute cerebrality and deliberately produced technology to anyone not of western european descent is just so so present in this episode and in the character of chakotay. him and the bajorans--their gods are real and their myths are real and not the product of richly-thought traditions and reasoning practices. no, their religion is thus far un-evolved. they're not like the white american characters who aren't praying to jesus bc christ is a made-up god and those white people have moved on (""evolved"" maybe, ughhh) and separated themselves from nature and their base instincts about religiosity. no they still pray to their gods who can absolutely answer their prayers if they wanted to.

the thing is. it's just oppression 101 to construct a binary and make one half of that binary Human Beings with Great Minds and the other half Adjacent Human Beings Who Are Close to Nature. like all the oppressions work through that basic framework.

the impulse to use indigeneity as an entry point into environmentalism isn't ridiculous. but people (i mean, white european "philosophy") miss the whole step where the reason you often see tribes making such headway with environmental activism is because they are being politically astute and they recognize that "land" being abstracted in the way it has been since Locke (and obviously before that but Locke is the most relevant thinker in terms of like land policy?) is actually irrational. you can't just build a tube of poison over a water-source. that is Idiotic. that is a thing that Unthinking beings do. iron eyes cody crying over pollution on a highway is not an accurate representation of the land-rights justice that tribes all over the americas have been fighting for.

the thing about "myth" and "fantasy" is that they are philosophies. they inform and represent great abstract and fully-reasoned ideas. and this episode so easily could've been about that. when we start with the flashback of young chakotay noticing the symbol on the rock and his dad praising him and chakotay saying "i only saw it because of a lizard," i thought that could be a way to show how lived experiences allow different people to notice different things about the world. it's not magic, it's practice and thought. but the episode just goes on and on, getting further and further into the racist ideas of the innocent and close-to-nature natives, the "noble savage", and the idea that any great insight originating in a non-white people came from aliens.

(and somehow these biases get transported to the bajoran characters, all of whom are actually played by white characters, which shows how these biases are an actual paradigm and not some sort of 'instinctual prejudice' like racists like to claim their racism is--i.e., not their fault and can't be unlearned.)

this got me thinking about "far beyond the stars." how it works as a futurism and as a comment on racism now. how the futurism is in fact an argument: that the future belongs to everyone; that exploration and great thoughts and great adventures belong to everyone; how this can be framed as inevitable because it is right; how imagining it so is the first step towards actualization; how people are thinkers and they will make a world that is so expansive and so egalitarian that a black man will captain and discover and exist in the stars and among wonder and different people and so much life. and this works as a speculative piece because there is present in its foundation the idea is justice is not retrospective. as going back is impossible, people build forward. sisko imagines forward, and even as he's imagining backward to being a scifi writer in the 20th century, he's still imagining forward.

this episode, "tattoo," completely misses how "far beyond the stars" functioned. how speculation and futurism work as commentaries on the past and the now. it's particular and personal and doesn't imply that an alien species is the reason for any future liberation. or that innocence is a virtue. or that such innocence is due to "protecting the land" (which means one thing and one thing only) and thus gives one magical powers over the weather.

personally, i think chakotay should've found descendants of his tribe from earth on that alien planet--not aliens. i think the episode should've been about how that symbol for peace or something was a symbol for some sort of logical proof of sorts and these descendants should've used it as a technology that could affect the weather through some sci-fi star-treky technobabble that enables telepathy. i think this advancement should've been fundamentally rooted in what the descendants learned long ago on earth by studying the stars and birds and building cities and pyramids. philosophies that are entrenched and informed by a deep understanding of the natural world, expressed not just through tech but through spiritual practice, while not being relegated to """"primitivity.""""

but also i'm definitely not the best person to ask. and the main problem here is that they made up a tribe and put themselves in a position of not really being able to ask anyone.

like i loved chakotay being able to reexamine his past and his relationship to his father and his connection to the galaxy at large. i loved that he found a semi-home so so far away from his own planet. i love that they wrote a character doing that, finding a place of true belonging seventy-thousand light years away. i think that's an interesting as well as important story to tell. but the framing and argument provided in the episode undercut that story so much.

anyway as i am not the person to ask, i'll just leave this excerpt from a paper written by a much much smarter person than me about a sci-fi movie made by navajo filmmaker nanobah becker about the project of cultivating mars:

"Science Fiction, Westerns, and the Vital Cosmo-ethics of The 6th World," Salma Monani

[presidentofthelipglossclub]

Please, tell me more

About Heatwave and Bumblebee siblings dynamic

It sounds stupidly fun

And with lots of shenanigans

Tell me👀

YESSSS OK.

listen this just started out because i had the passing thought that we all joke about heatwave being optimus's kid and it's been a pretty popular joke for a long time to say that about bumblebee as well. it was just a joke headcanon. but then i got to thinking.

heatwave and bumblebee are actually a really interesting duo (even tho they barely interacted in canon) for a lot of reasons, but the main one is that they're functionally narrative foils. in case anyone doesn't know what a foil is, foils are characters who are opposites in ways meant to highlight specific qualities each character possesses. in some cases, the foil for the protagonist is an antagonist, but not always. also, when i say narrative foil what i mean is the development and storyline the characters follow are opposites.

the narrative foils between heatwave and bee are more easily drawn between rescue bots and robots in disguise, because in rid bumblebee becomes team leader, like heatwave. because of that all the stuff i'm saying is about them post war, during rid.

firstly, heatwave starts out as team leader, while bumblebee we see growing into the role. this creates an interesting dynamic because optimus has always known heatwave as a leader, while for a very long time bumblebee was someone under his command. the differences in how optimus treats their decision making could cause some sibling rivalry. bumblebee is jealous of heatwave because optimus trusts him more, and because optimus isn't constantly hovering. heatwave is jealous of bumblebee because optimus actually spends time with him, and because they know each other better.

another interesting thing about them is their backgrounds. heatwave's dream was to be on optimus's team, because he wanted to prove himself. he loves fighting, and wanted nothing more than to help by joining in on the action. to heatwave, bumblebee is living the dream. but bee would much rather live like heatwave, away from cybertron where everybody expects him to just move on. of course they both understand that the other's life isn't perfect, but they're both seeing through rose colored glasses. the grass is greener on the other side, so to speak.

also, bumblebee loves earth, like, a lot. in rid he's constantly talking about how beautiful it is, and how interesting humans are. heatwave is the complete opposite. even after cody convinced him to stay, he was still the least interested in earth. to him, it's just another mission, which makes sense because he'd been to plenty of other planets for the same reasons. earth isn't anything special to him. but for bumblebee, someone who rarely had the chance to explore the life of other planets, earth is unique. the autobots were too busy fighting to take in the sights in the earlier days of war, and by the time they moved to new planets the old ones were usually destroyed anyways. being able to just exist on another planet is something he hasn't done, and especially not in a post war situation.

i think bumblebee would harbor a lot of negative feelings towards heatwave (especially in the beginning) just because he's known optimus for way less time but earned his trust much faster. also because heatwave has a lot of potential? i guess? because of his quadruple changer status and as the last rescue bot leader. and since i headcanon him as a psychic, heatwave is really a golden child, so to speak. bumblebee resents him, but then he feels guilty for resenting heatwave because even if he's jealous that's still his brother.

heatwave is less resentful of bumblebee (although there is still a level of resentment) and more openly admiring of him. to the rescue bots, who have been kept from knowing anything about the war, bumblebee is a hero. i mean to a lot of people he's a hero, but the rescue bots get most of their info about everything that's going on from bumblebee because optimus doesn't want them to know. heatwave wants to fight, but optimus won't let him. he feels weak and unworthy (serious survivor's guilt btw), and so he sees bumblebee as what he needs to become.

a lot of this stuff is kinda angsty which i didn't intend because i genuinely do think they would also get along really well and could become close. but also there would be a LOT of sibling rivalry between them just because of the kinds of people they are.

(also important to note: i personally see bumblebee taking on an older sibling role especially during rid because it fits his character arc of maturing and growing into leadership. this adds another layer of complicated to their already weird relationship because heatwave has always been the one responsible for others while bumblebee is very new to it. but as bee gets more comfortable exercising his own agency and heatwave gets more used to trusting others, they settle into a sibling dynamic that actually works.)

[elerrinacrownedwithstars]

Galadriel in the Rings of Power, Part 1: Warrior of the Plot Hole

Galadriel is perhaps one of the most difficult characters in the legendarium, and I mean difficult in a sense that there are variations as to how her story goes. Tolkien kept developing her tale until the end of his life and his last ideas about her very much contradict his initial thoughts. So what really is canon about Galadriel and what's not? Why do I think her portrayal in ROP is so bad? I would argue there are certain fixed points about her story that cannot really be altered, especially not in the way the show has done, because they actively contradict and/or create problems for how things go down in The Lord of the Rings. 

Ever since the first season aired, Galadriel being shown as a warrior has been a controversial topic. I personally think it is a very bad decision, may create plot holes for her later story, and turns her into a completely different character. IMHO it's also misogynistic, as I will argue in this post. However, I shall try to make my arguments deeper than the usual complaint about girlbossification.

I will post my arguments in a few different posts, because that should make the whole much more readable. I will use the tags #anti rop and #anti rings of power for the benefit of those who may want to filter my posts.

I try to confer my thoughts in the most objective and respectful manner possible, and ask the same of those who may wish to challenge my views. If you like Amazon Rings of Power, I have no issue with that; I only take issue with how a character I've loved for over a decade is portrayed in this show.

1. Galadriel as a warrior, as shown in ROP, has little or no basis in canon and it may even create plot holes for The Lord of the Rings.

Galadriel's early history is commonly taken as a defence of the show's portrayal. She is called Nerwen, Man-maiden, and she is tall, strong and athletic. Her intellect is also on par with the loremasters of her people (which interestingly is rarely if ever mentioned by the show or its fans). It is implied - and arguments made in defence of ROP's portrayal stress this too -- that Galadriel in her youth is not like the other women of Noldor and doesn't do feminine things, such as weaving (keep this in mind, it will be important later). The show and the fans stress the line about Galadriel wearing her hair as a crown when she partook in athletic pursuits to such a degree that it's a little bit odd - as if this proved something more than the fact that she is a sportswoman in her youth.

In other words, her being physically strong and athletic does not immediately equal martial inclination, especially when Galadriel's youth, and the time these mentions allude to, is specifically a period of peace in Valinor. So where does this idea come from? Is it because of societal norms that equal physical strength with masculinity, and (toxic) masculinity is connected with aggression and violence? This may be in our society, but why is that norm applicable to an immortal, ethereal race and their society that would have to be in many ways different? I also seem to recall that for the Elves, the difference in strength and physical ability is much lesser between the sexes than for mortals (but please correct me if I'm remembering wrong). Either way, it seems to me like the basis of Galadriel being a warrior hinges on the belief that physical activity and strength equal readiness to aggression and violence. And this is done in a show based on stories by a writer who often lets his male characters be tender with one another and showing their feelings openly: the exact opposite of toxic masculinity. 

There are other examples in the legendarium that being athletic doesn't equal martial skill/inclination. Take the character of Aredhel. She is a huntress in Valinor, which probably means that she has skill with bows and spears. Aredhel is an athlete and she is certainly brave, but she is not depicted as a warrior -- and if she were, you would think it would be alluded to during her wanderings in Beleriand. However, she takes guards with her and Maeglin presents himself as her protector when they make for Gondolin, which implies that Aredhel is not a fighter despite being an athlete in her youth. 

What about mentions of Galadriel fighting, then? Again, I acknowledge there are different versions of her story. I myself only remember a mention of her fighting at Alqualonde (please let me know if there are other mentions). Some take this as a proof that Galadriel is a warrior, but I would argue that it is not, when you look at the context. At Alqualonde, Fëanor and his supporters attack the Teleri - Galadriel's kin by her mother Eärwen. What does a brave and physically strong person do in a situation where their family and relatives are being attacked? She probably takes up arms to defend them, whether she is martially active or not. Saving a family member's life does not hinge on being a professional fighter. Tolkien also says elsewhere that Elven women did not usually take part in fighting, but they could at need wield arms. Galadriel's kin being slaughtered would be such a need. In other words, this one mention of Galadriel fighting is not evidence of her being an active warrior. Moreover, the show's portrayal seems to hinge - to my knowledge - on these few lines, when the textual evidence of Galadriel being a courtier, politician and a leader is overwhelming. The evidence of her being martially occupied except at utmost need is extremely thin, and so making her a warrior is poor writing and makes you wonder why this change was deemed so necessary by the show's creators.  

How does the show portray Galadriel's background before the show? Firstly she is apparently a lonely child who doesn't get along with other children, but gets bullied (for whatever reason) and she lashes out at them violently. The show doesn't establish any particular hobbies or interests, except for a vague pastime of playing with small toy boats (which implies some kind of creativity, but the object itself is nothing that a human child could not make) and fighting with her peers. Apparently, she also adores her brother, who is soon after revealed to die at the hands of Sauron. 

Now we come to the First Age. ROP's take on Galadriel appears to be that she is a warrior in the trenches of Beleriand, and her motive is some kind of vengeance against Morgoth for the darkening of Valinor - a generic aim that other Noldor shared, but whether Galadriel has some personal stake is not clear. She doesn't stand out with dreams or hopes or ambitions specific to her. War is apparently the only thing that ever mattered to Galadriel and she is not shown as having any other preoccupations or interests than fighting and hunting for Sauron. Whatever motives she had in canon about ruling a kingdom of her own are absent. And by the show's logic, she would have to be a warrior through this age, because in the start of the first season of ROP she is the commander of the northern armies, and I cannot imagine that role being given to her if she wasn't an experienced fighter by the end of the First Age. And if her initial motive was to fight against Morgoth, then one would expect that she was a member of one of her brothers' companies. Namely Finrod, because he (and avenging him) is her obsession in the show. However, ROP's take on Finrod's role has to be quite different from canon, because Nargothrond was not in the frontlines of Beleriand during his lifetime. If Galadriel in the First Age is specifically concerned with fighting Morgoth, then surely she would not have spent it in a hidden kingdom?

Galadriel is not mentioned as a commander of war like her brothers in the Silmarillion, and neither is she anywhere else to my knowledge. She is not mentioned as taking part in any of the numerous battles of the First Age, in fact she leaves Beleriand before the final showdown. Rather, she is in Doriath with Melian, and at some point betrothed to Celeborn. I would argue that this period is crucial for Galadriel as a character and for who she later becomes.

Doriath ruled by Melian is the blueprint for Lothlórien under Galadriel's leadership. Doriath is the hidden kingdom, the fairest dwelling of the Elves east of the sea, fencing out outsiders and standing up against the Dark Lord. It is ruled by a powerful sorceress whose influence reaches far. The queen of that realm, along with her maidens, is a skilled weaver who fills the halls of Menegroth with wondrous cloths. She is also the giver of lembas to weary travellers, and has the gift of foresight. It is notable that according to The Nature of Middle-earth, Galadriel is one of the key persons in bringing the art of making lembas and the corn required to make back to Middle-earth, and it seems likely that her long stay in the safety of Doriath allowed the new corn and the art of making it into waybread to take root. This would take time and effort that Galadriel the warrior would not have.

In other words, Doriath is where Galadriel learns and combines the skills that she later uses to help the Fellowship, and I don't think it's an exaggeration to say that if Frodo and Sam did not have Galadriel's cloaks and lembas, they would not have endured all the way to Orodruin. 

If Galadriel spent the First Age fighting Morgoth's hordes, or even as a march warden of Doriath (unlikely, if she was fuelled by vengeance), she did not have time to learn the skills she needs in The Lord of the Rings to help with the quest to destroy the Ring, nor could she have had a role in establishing lembas in Middle-earth. In Doriath she would have learned the Sindarin and Silvan technologies of stealth and survival on a dangerous continent and absorbed enough influence that she too would one day rule a very similar realm. Her model of rulership is so like Melian's that it's hard to believe she would or could have exercised it without spending a long time in Doriath. She also could not have established the new corn or the making of it into lembas if she was constantly away on the battlefield.

One could also argue that the time Galadriel spent in Doriath and her link to Melian make her a viable option as a ruler for the Elves of Lothlórien. She is not just a Noldo who was born and bred in Valinor, she is also blood-related to Kinslayers. Despite this, she is still accepted as a leader by the Silvan elves and what survivors of Doriath lived in the wood. This could only be if she had taken time to learn the ways and culture of the Elves of Middle-earth in Doriath, and did not spend the whole First Age engaged in specifically Noldorin wars. 

Obviously, ROP can't use The Silmarillion, but there are still many ways that the script could work around this if the show's creators had bothered to try. Turning Galadriel into a warrior and making it clear she spent the First Age in the trenches actively denies the chance and time she needs to learn the skills that she will eventually use to help the Fellowship and to establish herself as an individual that the Elves of Middle-earth would respect and take as their ruler. You can't have it both ways. Could she have learned these things elsewhere? Perhaps the craft, but not the art and the magic, which Elven artifacts very much are about. Again we come to the fact that Doriath is the blueprint for Lothlórien and her connection to Doriath is what makes her a viable ruler; its exclusion from Galadriel's story creates too big of a problem. Also, what this change of her story actually does is downplay the importance of feminine skills and the time it takes to learn and perfect them. This is one of the many ways the show, and Galadriel's story in it, is misogynistic.

ROP!Galadriel is also portrayed as too consumed by her quest of vengeance, making it unbelievable that she would actually be interested in learning skills that don't have to do with finding Sauron. Moreover, the mentions of Galadriel being athletic and showing masculine traits are also taken from texts that Amazon does not have rights for, so it is contradictory that this bit is used to legitimise her being a warrior, and other parts where her femininity is shown, are refused because they don't fall in the sphere of what Amazon is allowed to use. Again, you can't have it both ways. 

Lastly, the change of Galadriel's backstory during the First Age raises questions about Celeborn. If she was busy being a warrior and did not spend any meaningful periods in Doriath, then when and where did she meet her husband? How did she have time to get to know him, and grow to care about him enough to want to marry him? How long were they married before he went missing? If Galadriel is this angry outcast who has a hard time getting along with others, what endeared her to Celeborn and vice versa? Here the show has the problem that will become familiar later on: compressing too many events in too little time. Between the arrival of Noldor in Middle-earth and the end of the First Age, there are less than 600 years. Moreover, according to Elven custom they did not usually marry or have children in times of war and in canon this is the reason Galadriel and Celeborn don't marry during the First Age, even though they live in Doriath away from the frontlines; so how ROP!Galadriel, preoccupied as a warrior and apparently far away from the relative peace of Doriath, could possibly get married at this time? Seemingly, Celeborn is already out of the picture at the start of the Second Age, leaving little to no time for the couple to meet one another, fall in love, get married, live any amount of time in the married state, and Celeborn to go missing.

&&&&&&&

That's it for this time. In the next post, I will share my thoughts about ROP!Galadriel's so called war trauma, whether it works in the frame that Tolkien's legendarium provides, and what are its implications considering the timeline and her position as a military officer.

[olasketches]

What do you think are Sukuna and Yuuji’s greatest personality strengths and weaknesses? Why? What do you love about their dynamic?

oh I love questions like that!!

for sukuna, I wanted to say his intelligence and creativity but to be honest I think it's his curiosity and inquisitiveness. Intelligence and creativity are like muscles. you develop them the more you observe, learn, practice and experience and one of sukuna's defining traits is that he's incredibly observant. his curiosity in a way contradicts his "I don't give a fuck about anything" attitude but then we have witnessed time and time again how he finds other sorcerous intriguing or in sukuna's words "fascinating". he even admits later to kashimo that he finds people tasty interesting

sukuna's curiosity allows him to learn new things and lets him acquire more knowledge (hence why he's so adaptable and strategic in combat), probably as a way to keep himself entertained, after all he's also a super bored individual. However, one would think that for someone with such strong sense of curiosity and inquisitiveness that naturally leads him into exploring and learning, he would be much more prone to growing and evolving as a person... well not in sukuna's case nuh uh. cause this guys biggest problem obstacle is him himself.

sukuna claims he doesn't need anyone and thinking his way of living is perfectly fine and yet he showed doubts when that one "annoying brat" who he can't seem to ged rid off (by literally and metaphorically cutting them off) the way he did everyone else, made him reflect on himself for the first time in millennium. sukuna is a great and cunning observant... of everyone but himself. I think his greatest personality weakness is his absolute lack of self awareness, which is kinda funny considering that he's also a character with the most overwhelming sense of self. it’s like he knows damn well who is and doesn’t need external validation but then because he never self reflects he can’t really grow and evolve as a person… and if it wasn't for sukuna and yuuji's forced coexistence, sukuna would have most likely still kept going about his life the way he always did without trying to understand his own thoughts, feelings, values, beliefs, and actions. the reason he never questioned his own way of being is cause others are just a way for him to pass time rather than an opportunity to reflect upon himself and learn something about his own inner workings…

and then we have yuuji who I would say is on the same spectrum just on the opposite end. yuuji doesn't really reflect on himself or question the world he lives in but that wasn't always the case. in the first ten chapter we actually get to witness his internal monologue about death and his place in all of this but after his first encounter with a certain death, everything changes. yuuji stopped reflecting on himself and instead started repressing his emotions. someone actually made a great meta about this, he actively avoids thinking about the whole situation, which brings me to my point. I think yuuji's greatest personality weakness is actually his impulsiveness. he tends to make decisions without thinking about the consequences first. yuuji, like most of teenagers tbh, doesn't want to think too hard about the world he lives in so long as he has something to do but I believe this might also be related to the perception he has of himself as "the dumb one". “Im an idiot so there’s no point in me thinking about these things right?” you can even see that sort of attitude when megumi admits why he saved yuuji that day

you’re so smart fushiguro. thinking about all sorts of stuff, unlike me.

oh yuuji.. yuuji.. :/. but in some ways yuuji's impulsiveness can also work in his favour. his "do it now, think later" attitude doesn't allow him much room to overthink, so once he commits to a task he doesn't back down until he achieve his goal. that's why, I believe his greatest strength are his determination and strong will, something even sukuna couldn't break.

sukuna and yuuji’s strength and weakness go hand in hand and complement one another. sukuna's habitual curiosity reflects yuuji's obliviousness to the world around him, whilst yuuji's determination (but also just sheer existence) caused sukuna to have doubts about his way of living. they're complete polar opposite and yet in some ways they're more alike than they think. neither of them is a big fan of self reflection. they're both stubborn af. physical pain is just an after thought to them, they'll keep going even if they loose half of their limbs. "violence is the solution". they're both freaks who don't mind eating human flesh and one of them actually enjoys it. and lastly, they're both just really miserable. sukuna's selfishness only made him hollow inside and yuuji's selflessness only brought him more suffering and pain. they also think that the solution to their problems is to kill the other one (which is kinda funny now that I think about it lol tho in yuuji's case this is kinda true.. but also not really) and yet they’ve been essential to each other’s growth. they’re both really fucked up individuals who hate each other’s guts and make each other’s lives a living hell but at the same time they also know and understand the other one’s soul like no one else… what’s not to love?

sukuna and yuuji’s dynamic is actually the reason why I fell in love w jjk in the first place. their interactions are always fun and entertaining and they always leave with an even bigger brainrot but at this point I think it’s safe to say that these two consumed my mind and heart and maybe even soul completely. I just can’t get enough of them.

[rayndis]

Some new information about my bunnidoll funkid.

I changed his clothes a little. In principle, he didn’t look bad in shorts, but I thought that as he grew older, he changed them to pants.

__________

Wildyx and Wildix...I don’t know exactly how to convey his name to English people, because I’m not sure that it sounds right to them, because I’m Russian. But I think there is no big problem in this.

_________

Let me remind you that he is an NPC specially created by Kane for Ragata and Jax. It has artificial intelligence, which is developing and can apply independent decisions and have its own characteristics.

Wildich is really afraid of knives and anything sharp, since there was one unpleasant situation that was forever imprinted in his memory (that’s why he had a stitch in his ear. )

Who is he most like? To your dad. He is really cheerful and cheerful, but his jokes do not go too far, although sometimes he can go too far,But this will make him feel terribly guilty and will not calm down until he is forgiven. Otherwise, his character is quite friendly and sociable. Like his mother, he is ready to help all newcomers to Kane’s Digital Circus.

Wildix He loves his centipede Minky very much, which Kinger gave him. It took Ragatha a long time to accept the fact that her son kept a pet centipede as a pet.

He loves his parents. And he loves to remind them of this because he believes that they really deserve the same love as they give him theirs. Ragata's good upbringing definitely affected her.

He has a favorite aunt. This Pomni . How Jax is a favorite uncle to Dveri (My next fankid Pomni/Kane) By the way! Their kids love spending time together, although sometimes they do really stupid things.

That's basically all I can say about Ragata and Jax's fankid. I personally like his implementation as a child, he came out quite pleasant in terms of color palette and I like it.

Thank you for reading to the end. I hope you liked Wildix too. Very soon I will show you a new fankid😳

[oleworm]

🔥 aegon ii

I'm going to talk about the show version only because I tried to read Fire and Blood and I didn't much care for it. I'm going to speculate that George published it because of pressure to get the last two ASOIAF books out and that's why it reads like the notes you write before the actual story. Moving on.

Surprisingly I have a lot to say about Aegon II, especially comparing what he actually does and how it is presented by the narrative vs. what Rhaenyra does and how it is presented by the narrative. I am aware that TGC was fighting to develop Aegon's character beyond being a rapist and a drunkard, so that already shows a bias by the writers. I don't know if you agree, but when I watched the series I thought that the audience is meant to find him foolish and ineffectual. He supports measures that alleviate the burden on the smallfolk and that's seen as bad--we can't do that, Aegon, we've got a war going on, they're going to have to get used to austerity. Let's ignore that, geographically, the blockade doesn't make sense because they should be able to bring in supplies by land, ha. OK! Maybe he doesn't have all the logistical details, but the principle was correct, if he is to govern these people he is also responsible for them--only, this is considered to be too naïve of a view. But I don't know, it could be giving the writers too much credit to assume they were trying to make a contrast between the ideal of a king, that is, the fiction that is sold to the people so that they accept his authority, vs. what a king actually does, which is funnel state resources to cement his political power and that of his kin-group.

Then he goes out on his dragon and gets burned to a crisp--we're supposed to think that he's emotional and stupid, but he sets Sunfyre on Meleys when he sees that she's burning the soldiers and no one on their side is doing anything about it. If anything, Criston and Aemond's plan was to let Rhaenys think it would be easy, let her kill a bunch of people before they bring out Vhagar. It was an impulsive decision to come in the first place, but it cannot be denied that he risks his own life in trying to protect them. It was significant to me that when Sunfyre was wounded it flapped its wings as to not to crush the soldiers that were running away in fear, and later Vhagar tramples them to death like they're nothing, the same way that Daemon and Caraxes did in earlier episodes.

I don't know what the show is trying to say in writing them the way they do. It is very inconsistent. Here you have Aegon, who threw in his lot with his people and exposed himself to many of the same dangers, even if it wasn't the most effective way, but that is supposed to be a bad thing because he is a ridiculous person? And you have Rhaenyra, who is queen because she said so, who starves her people and sends weapons of war while sitting comfortably in Dragonstone. In real life it would not be like that, we have different laws, but in their world outside of Dorne there is no precedent for a daughter passing over a legitimate son. It's like, in-universe Rhaenyra has the odds stacked against her for being a woman, but in real life we are supposed to root for her for that very same reason, and it has very little to do with either of their actions.

I read your reply to my ask and I agree that they should have kept that part about him abusing women that have no recourse, it adds complexity to his character that a lot of people don't like!

[keruimi]

Your Emphathy

Pairings: Kageyama Tobio x reader

Warning: Little Angst, Comfort

Note: Not proofread. Wrote this while watching Gho's "King Again" amv about Kageyama Tobio. His character development made me love him more. Please inform me if he's too out of character. Hope you all enjoy it!!

_____________________________

Egocentric King... An oppressive dictator.

I am known for that reputation. Not Kageyama Tobio, who is deeply in love with volleyball.

The same words that haunted me even when I entered Karasuno Highschool. Even if I became the main setter.

The fear that I will lose this position if I don't manage to prove myself in the court.

That no one would want me to be part of their team at all because of the way I can't control my emotions over losing one point.

Those thoughts were the reason I declared myself incapable of loving someone.

Until she entered my life without any warnings.

Shizuko Y/n

The one who I unknowingly gave my heart to. The student that started to become part of my thoughts.

A nice student who first offered her help when I struggled adjusting in this place.

When I feel like I'm being eaten alive by regrets, she suddenly appears in front of me like she is pulling me away from it.

The girl I let my guard down on. Someone who entered my heart that I opened for her.

Yet even of thoughts about me loving her, the fear never left me at all.

The fear of not being better, not giving enough, not being caring enough. Things you need to give to the person you love.

So even if it was against my will, even if I didn't want her to leave. I chose to push her away.

Because I would not let her tolerate a tyrant like me.

I would not let her be in pain because of what I will do.

After all, I'm not aware of what was right and wrong from the start. I don't know how to act to the people around me.

The time I started ignoring her was still bearable. Passing the hallways as if we are strangers.

Like we never interacted with each other.

Those moments made my heart throb knowing those are the thing I chose to feel.

Before I implicate her worse than it should be.

I don't need anything or anyone, I just want to play volleyball my whole life. Play until to my heart's content.

Those were the words I tried to believe myself into.

But having no one, scared me to my very soul.

"Y/n..." I muttered her name under my breath as I put my gaze on the court.

"I badly wanted to be with you"

It was the words I told myself when my heart and mind started debating on what's for the best.

What's the less painful decision to take?

My one-sided love is kept to myself for months until it finally bursts when she decides to make her way to me.

When she decided to approach me to fix the problem between us that I made myself.

"What did I do wrong, Kageyama?"

What should I do now?

We're tired of you, you egocentric King!

I'm tired of trying to understand my feelings too. It's more complicated than what I have thought.

Did I just run away?

Running away from these feelings I never want to exist.

"Please talk to me"

"Stop!" I shouted as I gripped my hair in frustration.

I hate when these feelings enter the picture. Why won't it disappear?

"Just please disappear from my life"

"A heartless king"

I don't want to love anyone at all.

I'm scared of giving my everything and no one will be there to recevie it.

I'm scared of hurting anyone because of it, especially if it was her.

"I don't want you to leave..." I opened my thoughts to her once again as I let my hands fall in the side in defeat.

I hate fighting with myself.

It felt like the world turned quiet and the only thing I felt was her pulling my head to her shoulder making me lean down to hide the pathetic expression I'm making.

"I can't do it" I felt tears left my eyes as the silence of the night is the only thing I heard.

The fear of everyone leaving. The empty space and no one around me. I know that I won't experience the same pain I went through in middle school.

But being alone again really scared me.

"I'm madly in love with you, Y/n"

I really wanted you to stay no matter how much I push you away.

I snake my arms around her waist as she kept her mouth shut, letting me out everything I hid to myself.

"I really wanted you to stay" I whispered and I finally felt her hands on my hair as she started to gently caress it while I felt her release a shaky breath.

"I thought you would never ask"

At that moment, I knew I had someone to run to. Someone I can vent my heart on.

"The Japan volleyball team really set my standards high. I might not be able to control myself in the practice match later" I ranted as I felt her warm hands took a hold of mine as she gave it a light squeeze.

"Look at your team once again, Tobio-kun" my eyes avert to my senpai's who are casually talking at the sideline as I felt my heartbeat went faster.

It's that fear again.

"They are far different from your middle school team." I gave her a side glance who turned to look at my way, with a small smile lifting from her lips.

"You'll do better than what you are thinking right now. Because you finally found the place you belong to"

A woman who accepted my passion. Someone who didn't question my priority at all.

She let me do everything I want. Let me have the freedom to move how I want.

Someone who didn't bother changing my bad sides. Never compare herself to volleyball.

She's a woman who never asks for much, just my love.

And that somehow manages to ease my mind.

"Are you not scared if I can't give you the attention you deserve because of volleyball?"

"What attention do you think I deserve, Tobio?" My mind seemed to pause from her words before she halted on her steps in front of me.

"I love you while you're still playing volleyball. Why should I remove something you already got used to before this relationship existed?"

She turned to me before holding my cheeks on her hands being warmed by gloves.

"It's alright if you prioritize volleyball. That's where you are passionate about. That's where you find who you are" I can't help but blush from the warm gaze she is giving me.

"Volleyball created who you are. Tobio, loving you is already enough. I'm alright with being your shadow, being your supporter from the sideline" she took a hold of my hand before we started walking again.

"As long as you don't ignore the messages of reminders I'm giving you. We'll be fine. This relationship will survive." My heart warmed on her words before I rested my head on her own.

"I don't deserve you..." I whispered as I felt her squeeze my hands once again.

"I don't deserve you too" That made me stand upright and glance at her who looked ahead of us.

"You have dreams while I don't. You know what you want, while I don't. I'm the type of woman who just goes with the flow of life." She exclaimed as she wrapped her hands around my arm before looking at me.

"Tobio, without getting over our fears, we can't love without hurting the other. There will always be mistakes and shortcomings" she stated.

"It's better if we take things slow. We still have a lot of years ahead of us where we can know each other better". I felt her squeeze my arm a little that made me face her.

"Pause and take a rest. We are not in a hurry"

And I knew that time.

I opened my heart to the right one

[spinteresting]

After having an OFMD S2 marathon yesterday, I have some thoughts.

The first 3 episodes are really good. But they change the tone of the show a lot from what it was in season 1. And the following 5 episodes do not properly deal with the descent into darkness. They made Ed incredibly unlikable. And it wasn’t funny. Everything with Blackbeard and his crew felt very dark and serious.

I think the 2nd season would have worked better if they had kept a more comedic tone and not gone as dark as they did.

My favorite Ed/Stede moments in season 2 were stede begging Ed to wake up, mermaid, and when they reconnected at Anne and Mary’s place.

Nothing else was very compelling. They didn’t have many good moments together this season. And in fact, the show kept flashing back to their good moments in s1 instead of building their relationship further.

Despite kissing multiple times and implied sex, they really lacked any passion or tension. They didn’t seem to desire each other. There was no romance. It felt very flat.

I still love Lucius and Pete. I wish they had been given more screen time this season.

I still hate what they did with Jim and Olu. It made no sense with what we saw in season 1. They should have been poly this season, just adding another into their dynamic instead of changing it completely.

Episode 5 was my favorite. It was funny and the crew was featured significantly.

Episode 6 needed about 5 more minutes added to its runtime. I loved the concept though.

Episodes 7 and 8 were not good. They both had good moments, but overall they felt rushed and underdeveloped. And they felt disconnected from the rest of the season.

And the decision to kill Izzy is baffling. It makes even less sense when watching the whole season in one go. Nor does it read as “he’s not really dead” like Lucius’ death in season 1.

One other major weakness this season was the Prince Ricky character. He wasn’t funny and he really needed to be. The Badmintons in season 1 were hilarious and added so much to the comedy. Season 2 needed that with the antagonist.

The other major complaint I have about this season is that the writers mostly forgot it was supposed to be an ensemble show. The crew were not given as much time or development as in season 1, and that was one of the best things about the show. I loved all the B and C plots in season 1 and this season really needed that. It had a couple but they weren’t executed as well as the ones in season 1.

Overall this season also lacked in comedy. It was no where near as funny as season 1.

Season 1 of Our Flag Means Death set the bar really high, and season 2 just didn’t reach the same level.

[maneaterwithtail]

Did Elf Senshi Change or Not

Figured post character development, at the least result of red dragon, use his mithril knife. Maybe tear clothes to make cloth shield

I realize the gag is supposed to make him super duper p**** looking While still committing to the same bit of just standing there and being archetypical even to a goofy degree just elegant Alf as opposed to doofy dwarf

The problem is you have to turn off every other aspect of his personality and behavior in order to get the gag to work to the extreme it goes to

And as even more so in the episodic presentation but especially what came before you figure he would be all about committing himself to a pragmatic solution for his current predicament and group utility.

OK sure not carrying his PAN because it's too heavy for him. so why isn't he carrying anything else that can cook or keep food abd provide safety with or make sure he's armed because he definitely knows how dangerous the dungeon is and how critical it is to have some sort of tool in order to affect violence that might be necessary for living

Contrast and compare say how he introduced the golems to how he's handling the gargoils

Now it's understandable, the gargoyles are new and the golems are known and familiar

And it was pointed out he has a tendency to use his weapons in such a way that he runs them down as opposed to keeps them in the best condition. the exception being his cooking implements which he treasures immensely which might be due to his own single focus on cooking or the fact that you know they're ancestral keepsakes from the closest thing he has to family and the only property he's probably had most of his life

Which is strike 2 on the whole him just leaving the PAN behind because he's kept it with him for literally decades at this point so it's too heavy that's why I left it seems an odd decision (empty and all carrying make more sense)

Having his knife on hand makes perfect sense because a knife is incredibly practical tool that you can use in a variety of situations that are likely to come up especially in combat exploration or survival situations

To be fair that is a knife that he seems to reserve almost exclusively for elements of cooking or at least did until the dragon situation. So naturally at this time it should be readily available for him. Especially as he's just recommitted himself utterly and completely to the good of the group.

And the previous incident had him more or less coming clean and being more open.

so if the issue is " I don't know how to fight without my normal strength and tools" you think he would express this at some point to his leader so that that way he's prepared or ask what to do next when it comes up.

The implication is when he's been Blunt before yes he is doing so but it's also with an unspoken level of communication based on instruction and cooperation such as the incident with the shiki Gami

There 3 members of the party effectively coordinated an attack that was able to come together. With the implication that if not exactly planned this, he knew how to act in conjunction with his friends

Again all of this disappears when he becomes an elf. he apparently loses all sense of unity with the party that he's remarkably been able to work alongside and definitely has been developing this rapport about

He doesn't communicate critical information that would be relevant to ongoing practical concerns nor is he prepared for a likely upcoming practical concern

And he betrays his own limited Arbitrary but established stubbornness such as With regards to keep sakes or sticking to a certain lifestyle or collection even if it's Deviant from his race or others expectation

Simply put Senshi has been surviving in the dungeon on practical terms for very good reasons for a very long time.

I can understand why for instance he could walk around with a broken axe until he got to the point where he could replace it either from a corpse or earning enough coin to go into town and buy one

I could understand for instance him leaving his equipment in one place and then coming back to it later if believe it's critical for his own safety or recovery

None of these apply here and more importantly the party knowing it's roles and how to be armed and what to expect is absolutely critical. so much so that this first off not being taken care of in a passport or between scene is already a bit dubious. We see scenes of them dressing and of them basically rearranging to the circumstances as they are

For instance it makes sense to me that Marcel fired a magic shot even though she doesn't have as much in the tank. it's established very early on how much she is all about and prides herself on magic as well as can often overlook practical concerns and practice and also the realities of things that she might know intellectually but is unfamiliar with in practice.

That's in fact her very constant gag! Though they definitely find new ways to explore that. just the previous episode, for instance, in terms of making familiars As well as designing how to maximize their use

So she keeps hold of her staff, because that's her item. the only one experienced in order to use it especially now, and she instinctively uses too much magic because that's her first instinct at almost all times but then due to a recent disability she has not adjusted to she's taken out of the fight as a direct result

The same as when lios tires out in mid fight. he's gotten used to the strength. so he naturally assumes that that's going to come with stamina only to realize, especially in a fight, that's not the case. but he's only recently had this body and recently addressed its physical realities and this is the first major physical confrontation he's had.

but note he still has armor and he still has a weapon

Chilchuk - I think this is missing in the actual episode z but he just comments how weird his senses feel and when he sticks to his normal strategy of run like hell and hide in a corner. it doesn't work explicitly because he's so big and probably draws greater agro now or nit used to running in this body with these senses

It also makes sense he doesn't compensate for it. he's been established as someone who doesn't regularly fight. the one skill in fighting he's started to establish as firing arrows. I don't think he actually had the bow and Arrows available. and he was up against Stone monsters this time. so understandably didn't even bother to try. especially in a situation that was unfamiliar to him. he's been established as - I don't want to say cowardly but definitely does not stick his neck out unless he absolutely has to though he will try to save someone if they are in danger **which is something we actually see him do**

Nstsumi has a tendency to go on a bit of a feral attack given Traits of animal instincts as a result of her own modification. Hers is arguably the biggest change but 1, she is less established so there is more leeway. 2, we are literally given a reason for it right when it happens. new animal, new instincts. so she doesn't know how to control or respond to them. So she has to be worked around on that level. It's a major change but it's also a major change that's the focus on the scene and folks working on it

But Senshi's there's this major change but then he says there isn't one which doesn't hold up. To be fair he did do the " stand there and look hot "during a battle one time. specifically the Fallon chimera. but even that 1 kind of made sense, because there were Multiple other fighters and he did have a strategy at hand.

'Appease the leader who was threatening the group by having the meal prepared.' it was a weird strategy but again it falls within the 2 sort of obsessions that he's known for and sticks to stubbornly.

Also the threat before then was that the mixed party would basically start fighting each other and in fact a fight had nearly broken out before the chimera attack and he was already doing that so he just didn't change course in order to attack what was already being addressed or at the very least stay out of the way so that he didn't ruin the one strategy he did have when the very attack ran the risk of reigniting interparty conflict

It was certainly Blunt and stubborn and arbitrary but it wasn't thoughtless or Without group concern.

So yeah I do think the transformation in terms of practical effect had way more of a change than I think even he is willing to admit. To be Fair reading his diary versus watching him in a narrative you get the sense yeah you get inside on what he's thinking but you also realize the way he's thinking doesn't necessarily reflect all that's true even in regard to just himself

As an example, the entire hypogriff soup entry is remarkably very truncated and doesn't explain a lot of what's going on

In fact they're surprisingly amount of stuff he glosses over in terms of what he thinks of as relevant or worth noting or reminding himself about

Which hits at a much more mired or thick headed psyche than one might think as opposed to project a deeper wiser one.

[ferryfoam]

This is corny and silly but for some reason I truly love Deep Space 9 so so deeply... I think it's wonderfully written, I love each and every one of the main characters and how much they care for each other (the fact that you can /feel/ that they're all genuinely friends and enjoy each others company makes me so ridiculously happy - the little things like how comfortably O'Brien and Julian talk with Odo about their holodeck program, how Jadzia occasionally goes into Odo's room to move all his furniture by a few centimetres, how easily Sisko asks for relationship advice) and the fact that the show allows certain plot-lines the time they deserve to develop properly, rather than rushing through them in just one episode. It's so lovely and I am having the most wonderful time watching it ! Currently I am ~mid season 4, and it's funny but every single episode of s4 so far has been an absolute delight to watch ! Ahhh!!! I feel bad about comparing to to Voyager, but I felt as if around the same place on my voyager watch through I had to kind of force myself to keep watching because goshhh they really fell off in the later seasons (I think my dislike is partly due to the fact that I just don't find the borg interesting at all.. I might have mentioned this in my voyager complaining post but the borg are so deeply boring to me), and as a whole the Voyager crew felt more like they were just tolerating each other at times, rather than having genuine deep friendships with their crew mates (This is pretty obvious but I am a massive platonic relationship fan I love friendship so so much and Voyager was just not doing it for me) and also this is a nitpick but the characters kept making pretty stupid decisions, which I feel DS9 has far less of (ds9 characters tend to actually think things through and do the smart thing. Yay!)

I rambled again oh well tldr I love deep space 9 so much I have genuinely wept thinking about it like the strange little nerd I am

[mobius-m-mobius]

I cannot believe that season. truly just. there was not a single episode I didn't sit down to without a genuine conviction that *this* would be the episode where they spit all over everything I loved about the show. I braced constantly throughout the episodes as they kept setting themselves up for Very Stupid story choices only to pull the rug and go "HAHA surprise, idiot!!! We've given you exactly what you wanted <3". until the final episode which was NOT what I wanted and also exponentially better storytelling and character development than any of the ideal scenarios I'd constructed.

something deeply meta about it all. truly a chaos season for the chaos god, where the most chaotic, unexpected, transformative thing they can do is to be good.

Spent the day processing my love for this season only to have your message sum my thoughts and feelings up perfectly, thank you so very much for sending it 💖

Same as you, not for a second did I go in truly expecting anything from s2. Owen and Mobius have my heart, always will, so primarily the show was a vehicle to provide whatever crumbs of his scenes and chemistry with Tom I could get and with the start of every episode I braced for the moment that would get ruined in some way, only to be continually hit with everything I've ever wanted in a show or pairing right up until the finale. Which, while not what I would've chosen, was beautifully crafted and an almost Shakespearean tragic romance that will haunt me for the rest of my days and is still infinitely better than the nightmare scenarios I'd been floating around in my mind so at least there's that and it's impossible not to be thankful for eps 1-5 for giving content anyone could dream of and more 😅

Besides the obvious ending, I'm mostly crushed our Loki and Mobius didn't get a proper goodbye but honestly believe Loki decided to seek out s1 Mobius instead knowing s2 Mobius loved him too much to ever let his sacrifice happen and it would've been too much to bear, so having made his mind up already he at least tried to visit a version most likely to validate his choice. Just wish the Mobius now waiting until the end of time had at least a similar opportunity, but I'm just thankful he didn't lose his memories and could make his own decision that his faith in Loki is what's carried him before and will continue to do so now.

The flip of their characterization from order or chaos is exactly what has me convinced Lokius will reunite because how can they not with such an open ended future?? Even in separation they revolve around each other and they're the only ones left wanting. Mobius and his life are in ruins with nothing but the passage of time and possibility of some spent with Loki ahead while Loki's surely going to find a way to meet halfway when the choice of order has not only made him potentially the most powerful being in existence but one who spends eternity looking at the only person who ever saw him back.

[infoglitch]

My very bad takes on rwby ships (the well known ones atleast. And yes most are jaune)

(i do not represent anyone except myself so do not judge others based on me because if you do. That's YOUR problem. Not the peoples you think I represent)

Hoi! I think its time I get crucified. Kidding obviously. This community isn't completely toxic, that much is obvious. Now let's get the obvious ones out the way

Bmblb.

Ok... time for the one I don't wanna touch because I don't have nice things to say.

Ok first. I don't mind this ship. Wanna get that out of the way because unlike most would assume. I don't hate or love this ship.

BUT. I got problems with how it was made fucking cannon. First off, fuck you rt and your "from the beeginning". I don't fuckin care how much you try to cover your incompetent asses. If the pants don't fuckin fit. Don't fuckin wear them!

Second. There was no real build up (you can argue there was. But it wasn't good. Anyone could have done a better job than rt). The only real thing that could "prove" this was planned was that yang "flirted" with Blake. Now you might be saying-

"oh but she explained her trauma to Blake that clearly means shes interested in her" in which. NO. Yes this moment is VERY good basis to build off these twos dynamic. And if rt kept building onto this by having yang slowly break down Blake's wall before eventually getting her to open up, I would be applauding rt for it, hell I would be a fan of it probably because for these two, it fuckin works! Blake clearly is alot more reserved and is rather prickly meanwhile yang is the rambunctious, ass-whooping, badass, and overall awesome ball of joy (sounds weird saying especially since yang is my favorite character). yet rt dropped the fuckin ball the moment sun showed up. Now I love sun and i enjoy black sun. But for the love of GOD if this shit is from the beginning than this clearly proves it was fucking not!

After volume three who did blake spend most of the time with in menagerie and rt was clearly trying to push? Not bmblb! BLACK-FUCKING-SUN. Let's give a round of applause to RT for making the dumbest decision of saying bmblb was planned from the start because bitch it was not.

And what did we get for yang. Oh only her trauma from one losing an arm and the fact she has PTSD from it. Oh yeah let's not forget the fact yang had ABANDONMENT ISSUES. Yet the moment her and Blake meet back up suddenly it doesn't fuckin matter because Weiss managed to somehow fix it by telling yang that Blake had suffered as well (i know that's not exactly what happened but point is I fuckin HATE the scene where Blake rejoins the team and yang is just "OK! I totally still don't have problems with the fact you left me and the team at both my and our teams lowest moment." Personally fuck you rt)

.....where was I again? Oh yeah rwby ships. So before I fuckin lose it at rt's incompetence at story telling, developing a romance and character building- let's move on to..... whiterose.... SON OF A BIT-

Whiterose

Look does the fact I don't care for BB and the fact I hate white rose with such a burning passion make me look like a misogynistic homophobic asshole a bad thing? Yes. But I just can't enjoy this damn ship because I just find it so FUCKING BORING!

I get it, it's "opposites attract". But I just don't care because this is so boring and basic that I can't even be glad a gay ship is actually popular instead of the same boring straight pairings.

I don't care if ruby could help Weiss be less of a bitch. Because that troop has been done to fucking DEATH.

There's not even the fact that it be a middle finger to Weisses dad because guess what he's already got his comupance and is also you know, FUCKIN DEAD. There's no satisfaction from any of this ship for me. Is it a bad ship? Fuck no we aren't even going to cover THAT!

But do I like this ship and hope it'll be cannon? No. And if it is? I won't care and I'm not even gonna celebrate it. You can take a fat piss on my grave before I say whiterose becoming cannon is the only option.

Now what ship is next- oh. Oh no. It's the ship everyone enjoys.

Arkos

Look I'm already gonna get fuckin crucified for my opinion of WR and BB. I don't feel like pissing off even MORE people!

... ok fine I'm saying my opinion.

I don't care for this ship. I don't care for pyrrha and I'm actively glad she is dead.

I won't even elaborate because this ship is dead and will gladly piss on its grave.

Rest in piss arkos. Overrated as fuck!

Next up is... rose garden. Finally a ship I dont mind supporting... but also... one thats gonna be hard to say

Rose garden

Look... their just fuckin cinnamon rolls and I love it!

"but you hated arkos yet both jaune and pyrrha were cinna-"

Uhp! No! None of your bullshit. But I will explain.

I don't care for arkos because I don't care for the fact pyrrha has no development. Not even a personality. She was always "the one girl that has feelings for jaune" which don't get me wrong, jaunes one of my favorite characters but I prefer the character he would be shipped with are actually characters and not... cardboard.

Now thankfully Oscar does not suffer the same fate. He's not infatuated with ruby, he is just a "kid" who just found a wizard stuck in his head and now he's off into a war he never knew about. He was timid (batshit terrified even) and yet when he sees the courage shown by the cast he slowly tries to be like them. with the moment between ruby and Oscar being a moment I fuckin love. Oscar is being honest and asking ruby why, why does she keep fighting? Keep marching into a unknown war that could very well kill her. And ruby simply answers by admitting she Is aware she might die, she even lost good people during the fall of beacon but she kept going because she wanted to be a huntress, she wanted to HELP people.

One of the many reasons I love rose garden is because these two fuckin dorks grow WITH each other instead of the simple "oh I'm the love interest of the main character I'm gonna be a cardboard cutout of the character I should be!".

I can't put it into proper words but I just love rose garden.

Whiteknight

Wait... are we actually talking about white knight and not another ship that I probably don't care about and get crucified because of them?

FUCK YEAH!

Gentlemen and ladies. I am proud to say I am whiteknight trash because damnit I love this ship.

I will say it now this ship is the shit that gives my Tumblr account LIFE. And like rose garden I can't even find words to describe how this ship makes me my brain go up with dopamine. This ship is just my favorite ship. Weiss and jaune have had so much buildup. Starting with jaune being a idiot and trying to flirt with a very much more cold Weiss (HA) To Weiss laughing at jaunes reaction to his voice after the high of depression that was V9! The little smile jaune had as he heard Weiss giggle. To the mother fuckin mature scene that has skyrocketed to memehood! I just love this ship because it is just everything I want out of a romance subplot!

Knightshade

Oh... oh we already at some.... unpopular ships.

Now this isn't exactly ship related as pyrrha was to arkos but I just don't like Blake, so you might be thinking "oh then you must hate knightshade". Well..

You.

Are.

WRONG!

I don't know why I like it I just like knightshade. It's cute, it's got enough crack to make it a crack ship, and the memes! The. Fuckin. MEMES.

God I love knightshade.

Knightfall

So... how do I say this?

I love this ship. Not joking I love this. I'd be peeved if this became cannon but as syndrome once said

"OH COME ON! YOU GOTTA ADMIT THIS IS COOL!" (Man was a salty man and died like a BITCH)

As to why?

The

Fuckin

ANGST!

I could write an entire fanfic of jaune and cinder fighting each other for days on end until jaune fucking loses but instead of killing him cinder just lets him live. To continue to fight as she gets some sick enjoyment from the attention.

That's all. (Also cinder please choke me with your thighs-)

[GLITCH HAS BEEN TEMPORARILY BANNED.]

Alright I'll behave. No thirsting, now onto.... Lancaster.... you know I can't tell if I want to be killed or be celebrated as a fuckin gift because this list is bizarre as fu-

Lancaster

.... where do I begin?

Ok I should probably state this now. I love this fuckin ship despite how... cliche it really is. I want these two dorks to be fuckin happy but I just can't say whole hearted this is my otp. It's just not for me, I'm sorry. But as you all know I have written.. some.. Lancaster fanfics (I am absolute jaune shipper trash, you can Bury me before I say any jaune ship is terrible except THAT! Even arkos ain't bad just overrated!)

But... yes I like this ship that why I'm writing fanfics in the first place I like alot of jaune ships (despite how much I hate THAT!) Because we'll most female characters that I pair with jaune have atleast some form of interaction. (Except silent knight. I just like that one because I like the "small murderous and tall gentle" dynamic. But we aren't covering silent knight.)

Now thats all I could say for Lancaster but there's one more sister that I wanna talk about but first.

For runner up on this list. Drum roll please.

🥁🥁🥁🥁🥁🥁🥁🥁🥁🥁🥁🥁🥁

Thank you-

.....

Huh I guess that drummer wasn't as dumb-

🥁🥁🥁🥁🥁🥁🥁🥁🥁🥁🥁🥁🥁🥁🥁🥁🥁🥁🥁🥁🥁🥁🥁🥁

Ok fuck you, your fired!

Now for runner up on this list (mainly because I like it but I don't have much to say-)

Martial arcs

(ha bet y'all rat bastards weren't expecting me to list a gay ship that I liked.)

Now all I have to say is.

🎶let them be fucking gaaaaaaaaaaaaaaaaay!~

OH YEAH!🎶

Now onto... my favorite one thats not white knight. The one, the only, the truest form of "what the fuck is glitch snorting"-

Dragon slayer

This is the one ship that has continued to be a ship I love dearly.

To me yang and jaune feel like they would be each other's wing(wo)man and would just be an ride to watch.

There wasn't even any evidence in why this ship could happen. But I still love it. Y'all can call it "just a write inserting themselves as jaune" but let me say this.

Dragon slayer is the Pinnacle of the most wholesome moments! Not even Lancaster can compare to the intimacy of this ship and yes! I AM TALKING OUT OF MY ASS BECAUSE I LOVE THIS STUPID SHIP AND AINT NO ONE TELLING ME I SHOULD BE ASHAMED!

....

Ok I think that's enough talking about Rwby ships for one Day because I've caused three things.

1) probably pissed off arkos, BB, and WR shipers.

2) weirded out quite literally everyone with my batshit insanity.

3) probably started a debate on what I mean when I say "THAT!"

Anyway have a great day/night/or what other time it is bitches, bros, and non-binary rat bastards

I'm off to get crucified because OH BOY did I probably poke the bear.