#but this is how i’ve always interpreted it

[twst-rose-prisms]

Twst boys and their respective Vocaloid songs

Part 2 of this post!

Characters: All NRC students Warning: Some of these songs contain angsty/dark themes or imply self-harm, however it's nothing too much as that's the nature of Vocaloid songs in general and I recommend you checking them out if you guys can!

Part 1 | Part 2

🕌 Scarabia 🕌

Kalim: Tondemo-Wonderz

This song is full of fun, excitement and upbeat, colorful beats that make you want to smile and dance along, just like the ball of sunshine Kalim he is! The song talks about embracing the unknown and excitement the world offers to us while also having fun, encouraging us to have faith in the wondrous possibilities, while also embracing the failure and mistakes with laughter and positivity. I’d say it’s a perfect song for Kalim, from the vibe to the lyrics!

“Even in this sort of era, We still believe in "wonders," no, no, no? Know! The adult's sharp, money-making memories Make us worry too much! I'm gonna go cross-eyed!” "Why?!" "Do it like this!!" I love everything! That's fine, isn’t it? In this plot to make everyone laugh I can call them rival monsters, right?! We live in a wild, awesome world.” “I reckon it's fine to have troubles you can't do a thing about! I make a pose like I'm gonna save everyone. How about this smile, it's not gonna crumble at all! Even if I fall 100 times, I'm like a phoenix. I won't get upset! Wan wan, too quick, three four! Everybody, showtime!” “Come on professor! This exam is so tough! Agh! Alright, done? Is it final? If I don't get 0 points, it's OK! Let's rain a shower of arrows on those true and false questions! Right and wrong answers are important memories." "There are days when I fail too. You still deny "wonders", no, no, no? Know! Before I'm taken to pieces, listen, wait! This slanted society is too on edge. Charge in, leap in, one more time! Are you ready?!”

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Jamil: Ghost City Tokyo

Like a ghost who is almost invisible to other’s eyes, Jamil used to do the same too, he always makes sure everything he does is at an average level so nobody will notice him. That’s why I picked this song for him, also because of the lyrics - he’s used to losing, to not be able to shine and stand out for the sake of others, and it’s not something he dreamt of at all. Also I think the city here can be interpreted as Scarabia too, because he still wants to be here despite everything that happened in Book 4.

“The lights of the brilliant shining city Shine down on me in stark contrast They mix with the neon colours changing and escaping from the spaces between those buildings" "I trade my time and this world And sink into the night” “It’s fine, someday it will all be fine How many days I’ve thought so, that have piled up on each other But even today, the me who fades into the Tokyo scenery all alone Seems like a ghost” “Even as I grow used to losing These important feelings that I haven't lost - When I held them close to myself, my tears fell suddenly Because I think I still want to Keep living in this city”

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👑 Pomefiore 👑

Vil: Cinema

This song is pretty self-explanatory with the lyrics, it’s like someone views their life as a movie, their story is like an unchanged script, yet they’re being satisfied with everything - they want to be the leading star, the protagonist of the movie. Being someone who always has to play the villain role, I picked this song for Vil because it just fits him so much with his backstory and his goal as a whole!

“A delusion of dawn Invaluable escapades and A misunderstood hero play-pretend Traffic's already jammed up now- Oh well, nothing I can do about that anyway” “No, it can't be this, not this. This is a bad fit for me I'm not suited for it- Should I quit it now, or— But that's not right, right! I wonder, when will I get to be The leading star of this show?” “We're not here yet, yet. This can't be the end, so If you're not suited for the role Then just rewrite the script! Look, for the most part, I'm sure it'll always just be me The leading star will only be me!” “The future I wanted to change has come. Whatever you like, however you like it, This is it. I made it here, all the way from the bottom. Just like a movie, this is my story.”

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Epel: Telecaster B-boy

A song talking about the struggle of growing up, trying to find one’s place in this vast world, the singer desires to be loved and appreciated but always gets misunderstood and underappreciated and also frustrated with society,  just like Epel himself. He hates being the stereotype, cliche thing. If you know his story and goal then this song is very fitting for him! Also the funky, youthful but somewhat fast beat and lyrics fit him very well too!

“The more I grow up DeDeDe The less I fit in, a vacant temple. The girl the life philosopher spoke to Turns into a bird … With just lip service PaPaPa I'll tie up my raggedy shoes … The boy whom a believer in digitization cursed Turns into wind …” “No matter how you look at it DeDeDe It's a stereo bias, sadistic The girl who sang like she was stung by a bee Turns into a flower... Even if you cover your ears PaPaPa Those guys' voices become loud The boy who got these words stabbed in his chest Turns back…” “In this world where I can't Even breathe for a bit Declaring a goodbye to reality Won't you just forgive us? We, the weak ones Let's meet up again somewhere”

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Rook: Liar Dance

Rook is a bit hard to find, but in my opinion this is the best song for him. It talks about a couple who both hide and lie to each other. But it also means that the singer’s POV is them knowing they’re a liar, a criminal just like other people. Rook himself is not an exception, he also lies and hides many things away even to his friends or someone like Vil. Also I think the lyrics fit him really well, with constant mention of love and lies many times throughout.

''Stolen? Just whatever do you mean?'' Feigning ignorance today as well Having made a vow, to you and you alone Declaring this loveless love of mine in front of you" "Stolen? Just whatever do you mean?" Committing myself to this performance, set lines and all Those memories we've desperately created and clung to, they blend together and feelings between us intensify” “Dance away liar This love has swelled up like a balloon let's turn it into a lie with the prick of a needle On the count of "I-love-you" “Dance away, liar It's too late to apologize We're already partners in this crime called "love" Who cares if there's no going back?”

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💀 Ignihyde 💀

Idia: All I Need are Things I Like

While there could be many other songs that fit Idia, I decided to pick this one because of the lyrics and overall meaning. The song talks about indulging solely into one’s interests and favorite thing everyday, almost every time without paying much attention to reality much at all. Even though the singer sounds happy and satisfied, they also sound lonely, deprived of energy and strength and also longing for actual companionship instead of coping up to the things that they like. It sounds like Idia himself after what happened to him and also his backstory!

"I don’t like weekdays, I like the weekend I don’t like work, I like going back to sleep It’s impossible to live on slacking like this My consciousness recedes" "I don’t like vegetables, I like hamburgers I don’t like barley tea, I like juice Don’t be sweet on me, but I like sweet tasting things My lifetime’s first page" "Only looking at things I like gradually my eyesight gets worse Only being filled with things I like gradually my mind gets duller" "I don’t like living things, I like machines I don’t like the real world, I like the virtual Your tastes were always biased deteriorating and ceasing to think" "Surrounded by the things I like I’ve become unforgiving to the things I don’t like Living only with the things I like I'm resented by someone, somewhere"

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Ortho: Near

This song is gentle, yet emotional and bittersweet, its meaning also fits Ortho and Idia + their relationship a lot if you take it into their backstory context too. At first, Ortho is just a robot that only acts according to how he was programmed but gradually, he starts acting outside his intended programming and learns his own sentience and emotions - just like the robot girl as the song progresses. Overall, I think this fits him a lot!

“Hey, Near. If I don't make fun of someone And if I won't be able to forgive myself How do you feel about This horrible person?" "Hey, Near. Watching other's strides Stepping out without a purpose How do you feel about this Dull person? Hey Near” “Hey, Near. I think living every day with a smile Is something natural How do you feel about This arrogant person?" "Things that do not take any form and cannot be predicted Will interfere with the calculation process" Even so" "Ah, I'll still continue to believe And ask you who doesn't have a heart Because your hand was So much warmer than mine”

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🐉 Diasomnia 🐉

Malleus: Hare wo Matsu

I feel like this song fits Malleus the most with how the lyrics constantly talk about one’s loneliness and about past’s memories. For Malleus, his biggest fear perhaps is his dearest, most cherished people leave his life, like Lilia - his guardian that raises him up ever since he’s still a little lizard or maybe even MC - his ever first friend that treats him so dearly despite his status or his fearful magic power unlike others who is afraid of him. Even the beat is also beautiful but sad, full of longing for your loved one when they leave - just like Malleus himself.

"I'm not getting tired of this morning, One that I've waited for. Very faintly, I'm laughing while appearing to be sorrowful, And wishing to completely forget you." "Because there's no end to this curse Of sleeplessness and the painful past. I'm singing a song in the morning glow, If only I could completely forget, it would end." "There's just one thing I can't yield, And still, without knowing the reason, I live, even now..." "Since I don't have a dream I want to protect, These are days with no answer, But that isn't kindness, isn't it?" "Look, since absolutely nothing hurts, It's alright," I say. Someday, when you'll be gone, ah~ Will I be living alone?”

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Lilia: Kanade Tomosu Sora 

I feel like this song fits Lilia the most in terms of the vibe, the lyrics that matched well with his backstory. This song, while sad, full of longing and reminiscent from the past yet it’s like a glimmer of hope somewhere in the deep, dark sea of sad memories. Lilia was the same too despite how we see him acting outwardly. He gives love to others, but he also needs love and hope. He went through events that could crush him easily and yet, he still stayed strong - for a whole 200+ years, for the sake of others. (I recommend checking out the 25ji, Night Code de version too!)

“Every time I trace back my memories, I feel as if I’m going to be crushed, yet Since I have no place to take refuge,  I just keep questioning myself over and over. Ah…” “There are too many things in my way,  It’s as if there are only things I can’t see Is it alright if I try touching it a little? I want to say it. Even though it might surely be impossible, I want to somehow. Hey, more; hey, more; I want to see more” “So I can turn the images I’ve found of your world still unknown to me Into song" "Blaming myself all this time,  I simply live and breathe but only just barely I’ve always shut it away in a cage I’m not asking for a plain, simple story. I simply wish to hear your voice” “It still hurts. Words keep tightening the cord round my neck, but... These eyes of mine I closed so gently as well, still hurt a little, but… I want to say it. Even though now, I still don’t know when it’ll be but someday for sure. Hey, more; hey, more; I want to see more”

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Silver: Ice Drop

I think this song fits Silver a lot mostly because of the lyrics, and the deep sea could symbolize the dreams that he dives into in Book 7. Although it’s upbeat, the lyrics are full of longing and reminiscing of the past and also his father, but eventually move on and “grow up” from it.  Not to mention, you could even take it as a SilverMC song if you think about that aspect! But even if it's not in a romantic sense, it's still a song talking about how much the past affects us and how we long for our loved one even if it's just a memory, that's why to me this song is really for Silver!

“Even the memories of the past are merely a thousand-year tale I take a deep breath as I fall into the deep sea” “Uh- that voice of yours drenches my whole heart Tangled up and captivated by each other, we sing our unchanging love once more You, not letting go of your hands become a rule of mine It's a heart that will melt away the rusted last page That one and only magic will turn this world around” “I’ll be waiting. Inside my dream, I reach out my hand” “Uh- On this planet, I fell in love without sleeping I longed for you and hesitated what to do, but from now on, I'll grow up You, If it’s with you, I’ll dive in without hesitation”

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Sebek: Kashika

Sebek was the hardest to find for me in the entire list mainly because while he has his own character, he doesn’t have too much depth but I tried my best and I think this song fits him the most! This song is powerful, full of willpower and hope towards tomorrow despite the hard, tough times. The song encourages us to keep living, even in the most uncertain moments, you need to cherish each moment of your life as well your living heartbeat, which represents the tenacity and perseverance of life. I feel like the energy as well the meaning of the song fits Sebek a lot overall for his character - with the desire to rise, stand up and protect he always have.

“When my quivering voice breathed life into a song, It was then I realized, That was the first time my breath could be seen. They say that in the end, the value of music is subjective– Well then, I'll sing as I please, I'll show you the message I want to convey. I won't despair over Or be afraid of my mistakes. They say to "live the right way," But I want to fight against that. My whole life has consisted of "it's my fault." Even if I'm treated like a fool, I'll be hurt and I'll hurt others, I'll live, causing both kindness and injury. The present I see is everything to me, So I don't want to cling onto ideals of the past or the future. Beat, beat, o heart of mine! It might be unsteady, but even so, this is my pulse.”

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[foxconfessorandthewolf]

Okay, so I’m a bit wine drunk but I don’t think I’ve ever really articulated why I love Snarry together and I’m currently trying to finish a fic after taking a three-year-hiatus from writing these two, so this is probably a good exercise!

I’m a bit on the older side of fandom, having been a fanartist and fervent reader since 2003, so my connection was really sparked during that time between OOTP and HBP when Snape and Harry were at some of their most clashing and deeply vitriolic, forced together into hateful vulnerability by Occulmency lessons. Every scene between them was electric, laced with tension as we truly did not know how things would go, or even where Snape’s true loyalties lay. He was an unknown, tied up with Harry’s own family’s mysterious past, connected to Harry in a myriad of odd ways that few other characters were, and - as a rivals-to-lovers lover - I was fascinated by him. From that first moment when they lock eyes in the Great Hall and that frisson of pain shoots through Harry’s scar, I desperately wanted to know who the hell this man was and his story. I think a lot of Snarry shippers come to the ship with a special appreciation for Severus Snape’s character himself. He’s such an incredibly drawn character, rich with complexity, complicated and pretty fucked up, with clearly-held passions, hatreds, weaknesses, and motivations. He’s emotional in a way a lot of other characters aren’t, though I think he’d loathe to hear that. And his character voice! It’s unique and pitch-perfect. You always know exactly who is speaking with his lines. Honestly, the way he evolved from a spy/traitor stock character to become so multifaceted and enigmatic is a masterpiece of characterization, and it’s an aspect of why I’m drawn to him - there’s still so much about his origins and well, what his damage was, that we don’t know. Because of this, I especially love Snarry fics that delve into character studies of him, trying to explore all the shadows left behind. I also admit I have a preference for interpreting Snape as morally grey. I like him petty, sharp-tongued, ambitious, with an incredibly liquid definition of what is right and wrong. He’s self-interested, dripping with disdain, and really doesn’t see that as a problem. What happens to him when he deeply falls in love?

I love a ship that makes me work for it. There’s no obvious line of how Snape and Harry might wind up together, so each fic is a wealth of possibilities of bringing these two together despite their roadblocks. As I mentioned, I’m big fan of animosity in a ship. Give me rivals, give me enemies, give me the sparking passions, the sharp fury, the way they stoke each others’ emotions and seek to hurt, the racing hearts, the raised hackles, the intense emotional reaction to another person. Just throw it at me. I devour that shit. I love the messy and taboo nature of their relationship, the complications raising from their age difference, temperaments, and largely similar and shared traumas. There’s an interesting element of Snape being a foil to James Potter, and how that relates to Harry and their past. Basically, this shit is really good potting soil for incredible fucking fics, packed with nutrients.

The shared natures of their traumas, like Voldemort and each being forgotten and abused as children and how they might be able to understand each other and bond from it is also something that’s fascinating to explore. I love when a writer pushes on Snape’s bruises, looking to make them hurt, cracking his sardonic brain open and rooting around in there, and I love when they compare and contrast to Harry’s. There’s a seductiveness to how Snape is so obsessed with Harry, fixated on his Boy Who Lived heroic reputation, clearly dripping with envy. What, beyond jealousy, might draw Snape to Harry and what, other than hatred, might draw Harry to Snape?

It’s all this, the passionate, electric, dangerous nature of their relationship; the way their characters contrast each other yet have surprising connections; and the question of finding solace that keeps me here, 21 years later. I’ve had wines less complex than this ship. They’re fascinating. They’re messy. They’re everything.

[crossposted from a reddit comment I just left, and wanted to share with y’all]

[metalomagnetic]

First of all, yay for Whiskers. We could have done without gut-wrenching return to the cabin part though (that’s a lie, hurt me more I like it).

I have a thought/note/question/ramble… on the Fidelius. I’m obviously not here to HC-police but it was made quite clear through the text and responses to comments that you subscribe to the idea that the Secret can be obtained through torture when it’s (Pottermore) canon that it can only be willingly given away (big asterisk on the “willingly” though, because it seems like threats don’t count as coercion).

I’ve always liked the latter option as it made the most sense with respect to the Keeper switch in the books yet I can obviously see why the Cruciatus being on the table ups the drama potential in It Runs. I guess what I’m trying to say is how do you imagine the different route the story would have to take if the Secret couldn’t be tortured out of someone? I feel like it could go either so much worse or better.

It's been some time since I read the books, but I don't think in the books is mentioned anywhere that it can't be obtained through coercion.

However, I found on wiki that:  "methods of magical coercion such as Veritaserum, Legilimency, the Cruciatus Curse, or the Imperius Curse had no effect on the charm." This is not in the books, thought!

However, if someone is tortured through non magical means, or threatened, I think they might become willing to share the secret.

It's not as if you can take it out by using the Cruciatus until the victim becomes mad with pain, mind broken, and they say it like that, unaware of what they are doing.

No, someone that is tortured but remains sane and aware, can willingly choose to divulge it.

That is my interpretation of it. If there is a choice, then it is a willing action. Sure, the other choice would be to die if you don't tell Voldemort what he wants, but it is still a choice you willingly make, at the end of the day. You choose your life and comfort over the Secret.

Otherwise I don't know why Sirius would have bothered to hide in the books, why it was assumed Voldemort would go after him because he was the Secret Keeper. Why would Voldemort want to get his hands on Sirius, the Secret Keeper, if the Keeper can't be tortured, coerced or made in any way to divulge it? But everyone was under the assumption Voldemort would go after Sirius, and thus they switched, because Sirius was too obvious of a choice.

So it is possible for Voldemort to get the Secret out of someone, by some means, surely. Otherwise Sirius would have been the Secret Keeper and that's that, if there was no danger of the Secret being forced out of him. The point was that he becomes a target by pretending he is the Keeper, so that Peter won't ever be suspected, won't ever have Voldemort after him. Thus, the need to protect Peter implies there is a way to get the secret out of the Keeper.

Does that make sense?

[writingquestionsanswered]

Hi! I am writing a story and planned the basic locations such as rooms it will be set, but I'm struggling with how to connect them. It will be set in a castle but I don't seem to be able to make a full map for the place, so I wanted to ask if you have any tip regarding this? For example how can I describe the scenery and scenes in a way people can imagine it, but don't have the problems when I say another newer information in connection to how something looks/placed which can destroy someones view completely that they'll need to reimagine it.

Fleshing Out Castle Layout

It sounds like you need to do some research on castle layouts. There are many castle layouts available online, but you may want to start with looking at real castles that match the type of castle you're imagining, then see if you can find a layout online for it. Knowing the proper names for different rooms and how they're usually laid out will help you tremendously.

Also, it's important not to get too bogged down with describing your location. Readers will never imagine exactly what you're imagining, no matter how much effort you put into the description. Your goal as a writer is to create a sense of place by giving them a few details that allow them to create their own interpretation of the setting in a way that works with what needs to happen. (See: The 3 Fundamental Truths of Description)

Happy writing!

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[fnvmademysoul]

i swear trying to write joshua is always such a mess for me because do i write him as

a. a man who hasn’t really changed at all and whose evil nature is thinly veiled behind an idea of spiritual redemption he clings to desperately and almost crazed ramblings about morality and sin

b. a self-loathing old man who truly regrets what he had done and treats his wounds and dysfunction as a constant punishment for the sinful life that he has lead, constantly plagued by regret as a result of losing his chance with important ideas in his life such as marriage and children.

c. a man who has genuinely changed for the better, acknowledges his sin, and looks to religion as a guidance for trying to understand what he has done and how he has hurt people and is trying do take all he can for his chance at moral redemption, feeling regret but accepting that such regrets were his own fault and the result of his choices

i feel like they’re all such interesting pathways to explore and i’ve seen all three of these ideas in fics and they’re all really, really amazing. I just don’t know what to pick.

I also feel like with my courier each idea changes their relationship so much.

she would be obsessed with the idea of a joshua who hasn’t changed because he would remind her of her father so much that she forms an unhealthy attachment to him/joshua views her as subordinate and yet another thing for him to do with as he pleases because she is a woman and thus beneath him.

a self-pitying joshua would be the only way that they could have any form of relationship beyond colleagues because that’s the only way he could allow moral compromise.

a “redeemed” joshua would give her comfort and allow her to realise that she can forgive herself for mistakes she made as a younger woman even if they are not on the same scale as joshua’s sin.

I DONT KNOW. i honestly find the way people write joshua to be more interesting than his in game character. there’s so much up for interpretation. i’m currently trying to figure out how to blend all three of these ideas together.

[impossibledial]

twelve is made for clara the same way victorian clara was made for eleven if that makes sense

[skillbattle]

hi 😭 know I haven’t been very chatty or done much art here lately but let me share a wip of my personal mario princess designs ( and their honorary princess toadette ) and waru peach ( along with my personal interpretation) i was planning 🍄⭐️

[herebecritters]

Happy pride, here’s a reminder that non-binary Flaky is incredibly important to me

[laniemae]

I know I’ve been complaining a lot about this recently but I’ve been really disappointed in how the milgram fandom treats its female characters. In that one popularity poll the top 4 most popular characters were all male, and by a long shot. And I haven’t seen as much theories on stuff on the female characters despite how they’re just as, if not better well written than the guys. The milgram girls also get heavily mischaracterised by the fandom with the fandom reducing them more to blank versions of themselves and more prone to villanise them compared to the male characters. I feel like I’m just ranting here but I really want to talk about the misogyny in this fandom

[ravenxbones]

updated kobra kid design! as i mentioned in my party poison post i’m redoing all of my killjoy designs so i have nice clear fullbody refs and can therefore be more consistent moving forwards!

untextured plain version for accurate colors & details under the cut!

[ignatius-pennyfeather-ix]

since ofmd season is coming up here’s a little edit that i’ve never posted on here :)

[chibi-scone]

It’s been said before and the fact that I’m an Izzy simp aside like having a character who survives the most certain death shit ever (shooting himself in the head at point blank) and literally being nicknamed by another character “indestructible” and then become a symbol of protection for a whole group of people die from a fucking bullet to the side that was established in universe to have no vital organs in order to “atone for his sins” or however you wanna spin it and have him say he wants to go after (see point one) literally trying to kill himself in the show that is literally about growth and betterment of the self in a cruel world that wants you dead and where the main (and mostly queer) characters survive the most batshit insane injuries is like COSMICALLY stupid writing like I don’t even understand how you get there and the fact that it’s supposed to be a kind/ happy/meaningful ending is beyond me

[dashiellqvverty]

avatar scholars does anyone know if anyone on the legend of korra team ever ACTUALLY said anything about the villains all representing different political ideologies or whatever?? i feel like it’s a very widespread claim among fans and then people are always talking about how they did a bad job of it or misrepresented the ideologies but did they ever actually claim they were trying to represent anything specific???

[greenvillainredemption]

Broke: Alma is homophobic

Woke: None of the characters are homophobic

Bespoke: It’s a catholic town in the early 1900s girl everyone is homophobic

[crossbackpoke-check]

18 + swaymark!!

oooo thank you!!

#18 - pleaser, wallows + swaymark

okay i know they are canonically obsessed with each other but. the song is in some ways about feeling like you’re failing in your relationship and being not quite as obsessed with them as they maybe are with you, and in this video of them talking about being a tandem, there is the slightest pause before swayman answers “do you miss him?” that makes me want to probe a wound. we’re not talking irl reasons of how that’s an absurd question (how do you miss him. you’re coworkers you’re seeing each other all the time) we’re talking that maybe this whole goalies-in-love thing got blown out of proportion and now swayman’s having to buy into the bit too hard. linus loves it & everyone’s asking about their bromance & how they love each other so much and the thing is—linus is safe. he’s got a wife and plausible deniability and jeremy? jeremy is gay. sure, he can crack jokes and people-please but the more people ask the more they're going to find out until maybe they find out something jeremy doesn't want them to know. and the longer this goes on, the more jeremy has to sit at linus' dinner table with linus and his beautiful wife and pretend like he isn't a little bit in love with him. and you know what? the longer it goes on and linus doesn't dial it down jeremy does stop being in love with him, because it just feels cruel, until he finally is done enough that he stops biting his tongue and ruins the moment.

[undeadsolaris]

UNDERTALE MONTH - DAY 1 - Frisk ✨