#but this single scene has inspired me in so many different ways

[itgirldraco]

do you have any fic recs?

yes!! so many!! please check the tags for each!

all time favorites:

way down we go: an absolute classic. werewolf harry, chronically ill utterly miserable draco, post-war in small town america. enemies to lovers slowburn with protective harry and hopelessly gay draco.

in hopes that you may drown: SO much of my art is based on this author's harry and draco. such a lovely fic. post-war, draco raising delphi and absolutely perfecting the stressed yoga mom vibe. harry is instantly smitten.

in our blood: about haunted houses, parenthood and growing to care for each other. I love this one.

you'll still find stone: arranged marriage. draco expects the worst and harry is an absolute sweetheart. angst but so heartwarming. (mind the tags!!)

ANYTHING by corvetteclaire! their blood link and in the mirror series are severely underrated and genuinely took my breath away. some of my favorite writing and plots.

inside grey eyes: so so beautiful. quite dark and yet exceptionally hopeful. all about draco's recovery from a nightmare situation and harry's unending support. (mind the tags!!)

anything by tessa crowley!! an absolute gem in the fandom with an impressive variety of works.

the mirror of ecidyrue series: perfection.

in your arms, rests my world: “You make me feel safe, Potter. You keep me safe.” yeah..yeah. (mind the tags!!)

anything by toxik_angel tbh..one of my favorites is infairitance even though it’s incomplete; fairy draco is a game changer

oxytocin: angst, angst, angst, and so much cuddling. slowburn in the best way possible.

Soup-pocalypse and The Great Curry Cataclysm: i read this some time ago but i remember adoring it.

Diffraction Patterns (I Don't Know How to Forget You): another incredible old read .

everything by beloved @rockingrobin69 !! this is one my favorites ever i never stop thinking about it

fluff/humor:

manlet: PLEASE read this one! so so cute and adorable and hilarious ft sweet giant harry and tiny angry draco and wickedly funny narcissa. will definitely open your eyes to small draco.

screw you: extremely funny and extremely hot.

like a star across my sky: SUCH a good fic! feels like a romcom.

title of their sex tape: as funny as it sounds.

flirt: really sweet. disaster flirty draco and awkward yet charmed harry.

married to a brute (ongoing): genius and hilarious

smut:

it beats me black and blue: absolute perfection. no notes.

let me roll it: so delicious. clueless mess draco and grumpy harry who hates everyone except draco.

his little something: size difference excellence

scenes of surrender: a combination of smut, love, recovery and caretaking

a perfect fit: hung harry and size queen draco

come up for air: veela draco

fawning for you: harry is completely obsessed with draco's videos. very cute, muggle setting.

burning the ground: creature fic

ongoing/other faves:

one elephant at a time (ongoing): i recommend this fic to EVERYONE. genuinely incredible. think yellow wallpaper, jane eyre, crush by richard siken, and the author mentions being inspired by my dark vanessa as well. so essentially a modern romance with a dark gothic backstory. every single sentence in this fic stands out to me. every characterization, every conversation, is just so honest and genuine. also!! draco has a cat called lady di!! and he loves to wear earrings! (mind the tags!!)

within the hollow crown: more of pre-drarry tbh. such an interesting plot!! harry grudgingly cares for an increasingly spiraling draco who is except under close and constant watch by the dark lord-every second of his sixth year. currently has an ongoing sequel.

imperfection (ongoing): another fic by robin! and another of my all time favorites, so so lovingly written and so tragic and lovely and heartbreaking. really digs into draco's psych and his manic mindset and constant spiral BUT there is light at the end of the tunnel and so much love surrounding him even though it's hard for him to see it. (mind the tags!!)

saviour series (ongoing): wouldn't necessarily call this drarry? more of a stockholm syndrome gothic novel type of fic but i recommend it all the same. the writing is truly extraordinary and the pacing is incredible. will leave you breathless. part one is complete. (mind the tags!!)

perspective series (ongoing): the original books with alpha harry, omega draco in gryffindor, and an adorable friendship dynamic between the golden trio and draco. really sweet, and super interesting. no romance as of yet but there are little moments.

tales of the potters: very interesting take on the arranged marriage trope! i recommend all of this author's works; they have a gorgeous way with words and their work really brings harry and draco to life.

the veiled boy (ongoing): one of the most intriguing recent fics i've read. really delves into character dynamics in such a realistic and refreshing way and draco is so endearing in it. every chapter has gorgeous illustrations.

never in extremity: reread this one recently. equal parts heartbreaking and heartwarming. (mind the tags!!)

[hehosts-moved]

also a favorite “play” method or tactic that goro uses is becoming “your mirror image.” 

the mirror isn’t a necessity to show a “reflection” ... but it does add a creep factor he likes given people are already so distrustful of their own reflections. (we’ll talk reflections in another post with ren/yori shortly). it’s basically appearing to you as yourself, but in a way you would recognize.**

** this plot for like anything is always hard for me because technically we wouldn’t be able to really see our clone / doppelganger / etc as looking like us because we don’t know what we truly look like, if that makes sense. we always see reflections, we don’t see ourselves, so recognizing “us” as an entity outside of our reflected vision, which can already be skewed by a variety of factors (from lighting techniques to mirror types to emotional view of the self, etc). so...you know me, i have to make it somewhat reality oriented, so i think goro would appear to you in the way you would recognize yourself. taking your face for real would mean he’s taking you as you really are, not as you see yourself, which is how other people would also see you. the first is taking an emotional form whereas the second is more equivalent to taking the legitimate physical form of someone. i say “face” but he really does take the whole body, especially if he’s taking that identity for himself. there’s no limit to “who” goro will become, seek out, or engage with. **

he likes to bend or distort reality, so he typically uses this technique (this “trick”) mostly for fun, but sometimes to move a “plot” along. it’s a way to a) challenge someone, who better than themselves? and b) to have fun, it’s boring having ji-hun and deng (and others) do everything. so, while he doesn’t do everything himself, there are some things he still enjoys doing, and he likes to “get out in the field.” 

since he is not “taking” the actual face, just “using it,” it falls under his “parlor tricks.”

i also use this imagery for ren, but that’s in the comic with another character. it’s good imagery. 

a lot of it comes from when i first saw evil dead 2 when i was a kid. this part really stuck out with me, and i’ve used it before in other storytelling, but not as obvious. i also find it fitting to other characters i’ve ended up writing, such as yagami raito, because mirror imagery and mirror play are used a lot in death note to symbolize specific changes in yagami when becoming kira.

“i’m fine...i’m fine...”

“i don’t think so!”

[girlboypersonthingy]

Big reward. I meant for that to be a smut request, my bad.

OMFG I BEEN WAITING FOR THIS ONE!!! Yessss finally some Valentino smut. I love it~ I’m honestly soooo inspired by @sweets4dolls and her Val x bunny!reader smut 🤤 literally so good. He’s so toxic. 10/10 would smash. Go check her stuff out! And I hope you enjoy my stuff too ❤️‍🔥

Notes: fem!reader, she/her pronouns, THIS ENDED UP LONGER THAN EXPECTED OOPS I’m gonna have to excuse myself now, geez 😳

TW: oral s*x (m receiving), DDLG, unsanitary, unprotected s*x, spit, creamp*e, rough, dirty talk, 18+ only MINORS DO NOT INTERACT

Valentino x reader- Superstar 🌟💖

“And cut! That’s a fucking wrap!” Valentino shoots up from his seat so fast his chair tips over behind him as he claps obnoxiously. Boy had stars in his eyes, even his assistant was shocked by his display of pride and admiration. “Damn, baby. That was a helluva show, fuck! That’s why she’s my favorite~” Val smirks as he eyes your figure still up on set, still down on your knees and trembling. He snaps his fingers, yelling out to his back stage crew. “Alright! Come get the vibrator off her, hurry up.”

Yeah…although the scene had ended and the cameras cut at least 2 whole ass minutes ago, you’re still in position waiting for the boss to give you the okay. Down on your knees, hands bound behind your back with thick pink ropes, your pretty lacy lingerie disheveled and drenched in all kinds of different bodily fluids and, of course, Val had one of his most sturdy and powerful vibrators tucked up against your heat, making you grind down against the carpet below you just to get off. The worst part- he made you leave your panties on the whole time. Finally, after a few orgasms had already wracked your body, the vibrating in your crotch disappears, leaving you only half satisfied.

The entire shoot, all he had you do was suck as many dicks as you could, swallowing every single load for the camera. Gagging on cock is hot to some, maybe not to others- but there’s something about how darling you look choking on another demon’s dick that just sets him and his viewers off. Your pretty lashes dusted with tears, your nose and cheeks pink, your forehead shiny with sweat, your bare chest covered in spit and cum, your cheeks and throat stretching to fit every inch. Not that you mind! You’d do anything for Val but damn, you were aching for a real fuck. All the vibrator did was get you prepped and wet and now you need some real friction.

“Everyone, out! Now! I need to talk to (Y/N).” As all his employees scramble to leave the studio, Val walks over to you, still bucking your hips against nothing now. He kneels in front of you, taking your face in his hands. You’ve been staring at his hard on since half way through taping and now that he was right in front of you, dick about to rip through his pants, you feel your walls clenching longingly. “Wow. Holy. Shit.” He lets out a deep chuckle as he stares at your face, your make up smeared under your eyes. “I did okay?” The question has Val scoffing as he looks you up and down, watching as your thighs quiver. “Baby, you did fan-fuckin-tastic. You’re gonna make me so much fucking cash, I’m not gonna know what to do with it!”

With his hands still holding your face, he pulls you into a sloppy kiss, letting his tongue wander into you immediately. You happily tongue him back, leaning into him as you struggle to keep your balance with your hands still tied behind you. Breaking the kiss, his large hands travel down your neck to your chest, his fingers giving your sensitive nipples little squeezes. Val looks down to see you’ve scooted closer to him and you’re still rolling your hips in the hopes of finding something to fill you. He eases your pain by gently thrusting forward, his hard bulge up against your needy crotch for a moment.

“Aww~ I know, amorcito. Such a long shoot with such an empty hole. You must feel so hollow right now, baby. Does my little girl need more?” Nodding frantically, you kiss him again before moaning your pleas into his mouth. “Please, fuck me, Valentino.” His smirk becomes sinister as he leans away, refusing your kisses now. His shift causes you to fall forward into him more, your tits squished against his stomach now. “Ah ah ah. Try again.” His scolding makes you whine, makes tears begin to form in your eyes. “Hmm~ please f-fuck me, daddy~” and within seconds, he’s tearing your once disheveled lingerie completely off of you, your strained voice making his dick twitch.

“Hmm~ yeah, that’s my little superstar.” Within seconds, he had you turned around on your knees once again with your face pressed to the plush red carpet. Val made little effort to remove your panties, leaving them bunched up around your knees. Finally, with your face on the floor, your ass in the air and your throbbing cunt free of the fabric, Val gets a good look at your eager pussy. He yanks off his belt and quickly frees his dick without even pulling his pants down much. He can’t wait much longer and neither can you.

He swiftly leans over, one hand on each of your ass cheeks as he spits on your hole, earning a whine of anticipation from you. With no hesitation, he sits up and thrusts into you all at once, filling every bit of you instantly. “Oh my fucking-“ Val growls loudly as his hands grip your hips, his cock immediately moving at an unforgiving pace. Giving you no time to adjust, he continues to pound into you as he leans forward, putting one hand on the side of your head then forcing it down onto the ground. “Ah~ such a clean little cunt you’ve got, just patiently waiting to be filled by daddy, huh?”

All you can muster up is a collection of moans, whines and gasps. Right as you catch your breath, Val spanks your ass hard and his pace slows. “Use your words~” Despite the stinging hand print on your ass, his voice is soft and sweet, so sultry and exciting. “Yes! Ah- oh! I’ve been waiting for you all day...” Your begging goes straight to his head, pulling a hearty chuckle from him. “You’re such a good girl, amorcito. Always doing exactly what I say, right when I say it. And you do it all sooo welllll~”

His thrusting had stopped completely now and suddenly, his hands are on your shoulders, pulling you up to be parallel with his body. Your back against his chest and you now sitting on his dick, he wraps one of his strong hands around your throat loosely and pulls you back against him before whispering in your ear. “Good girls get to cum sooner. You wanna cum now, baby?” And you couldn’t take it anymore, you began to squirm against him. “Yes, yes! Please keep goinggggg~”

And Val obeys, wrapping his arms around your torso tightly then helping bounce you on his dick. He is so strong, he is literally lifting you completely off of his lap before slamming you back down again, making your stomach bulge as he swelled inside you. A moaning mess covered in sweat, you had lost control of your legs and were now relying on him to keep you going. Now you’ve found yourself thanking the stars that you had done good today and impressed him. He was always willing to service his favorites and this was so worth the wait.

He moved one hand up to your neck again, squeezing it as he pants and growls in your ear. With every up and down of your body, you can feel yourself getting close, your tummy feels so full and your walls won’t stop tightening around his dick. “Yeah~ lemme hear you, mi cariño.”

Moaning at a higher volume now, Val couldn’t hold back anymore and he sunk his teeth into your shoulder, drawing blood. As a squeal leaves you, he keeps his mouth latched to you, still thrusting up into your sopping cunt as he licks the blood away. Finally, once you feel yourself fall off the edge of pleasure, your legs tense up against him and your hands bound behind you were searching for something to grasp. “Oh fuck~! Th-thank you, daddy. Thankyoudaddythankyoudaddythankyoudaddyyyyyyy~!” Your cries are harsh, babbles of appreciation pouring from your dry mouth as Val continues to buck up into you.

Without letting you catch your breath, he pushes you back down into the carpet, your weak body going limp as you lay flat against the ground. Panting and whining still, you squeeze your legs together once you realize he’s not inside you anymore. Not a moment later, Val was gripping your bruised hips and pulling your ass back up in the air. Legs shaking violently, you couldn’t control your loud whining as he thrusts back into you again, resuming the same rapid pace as before. Val grunts and hisses at the feeling of your slick dripping down his thighs now. “Hmmph…gonna cum in you. Gonna fill my pretty girl up.” With a firm slap to your already tender ass, Val lets out a rumbling laugh as you pant into the carpet, tears of overstimulation cascading down your burning cheeks.

Already so fucked, you couldn’t even close your mouth for long enough to form a single word. Your only option was to relax into his grip and enjoy it for as long as he lasts. “F-fuck.” Val stutters out as his fingers dig into your soft flesh. With one final thrust, burying his dick inside you completely, he let out a throaty grunt followed by soft sighs. It nearly brought you to another climax feeling his hot cum spill into you. After a few seconds of being still, Val slowly pumps in and out of you, lewd squishing noises sounding from where your bodies connected.

Another hard smack to the ass is followed by Val slowly pulling out of you with his eyes locked on your swollen pussy the whole time. Glancing back at him, all you could see through the blurry tears in your eyes was his huge, satisfied grin as he watched his thick load dribble out of you. “Mm mm mm. You are so delectable. Such a good girl.”

Without another word, Val stands and pulls his pants up, adjusting himself before fastening his belt. You had since collapsed completely, your body heavy and flat against the floor beneath you. Val stepped over your quivering form and skillfully untied your hands with amazing speed. Your arms came flopping down to your sides as you inhaled fully then exhaled deeply. “Get yourself cleaned up and go rest for the night. I’m gonna need you to do all of that lovely hard work again tomorrow. You can do that for me, right baby?”

“Yes, daddy~”

[vintagegeekculture]

Someone deeply influential in a subterranean way to comic book culture passed without comment this week: female bodybuilder Lisa Lyon, who was 70. Even if you've never heard of her, I guarantee you've seen her image, or a takeoff of one of her images.

If she seems familiar in some way, there's a reason.

You see, every single artist in the world has it drilled into them that an art swipe (tracing from figure studies or other artists) is unethical, but here’s the thing:

Every single working comic artist does it!

Is it really cheating if everyone does it? Artists love to mock Rob Liefeld for his art swaps, but it is possible to do the same if you dig into the art catalogue of nearly any comic artist, even today. Nowhere else can I find a better example of the old quote that "hypocrisy is the tribute vice pays to virtue."

In any case, there’s no better figure at the center of this than Lisa Lyon, who in the 1980s, was a female bodybuilder who was the center of an enormously influential series of sophisticated physique study photographs by superstar photographer Robert Mapplethorpe. It sounds almost quaint to remember now, but Mapplethorpe was so influential that he was the first photographer to be called to congress for obscenity in the 1980s, based on his male nudes and study of the gay BDSM scene, in a moral panic that sounds extremely familiar. He was also the first photographer to get a video game, the Flowers of Robert Mapplethorpe on CD-I, which was essentially just an image gallery set to muzak, famously reviewed by a completely baffled Angry Video Game Nerd and his sidekick.

Mapplethorpe’s favorite subject was Lisa Lyon, and his photographs were so widespread that they were essentially traced and used for art swipes over and over by comic artists that need a study of a muscular female physique.

So at different points, photograph swipes of Lisa Lyon were the model used for Wonder Woman, She-Hulk, tons of fighting game characters....it's impossible to list all the times a Lisa Lyon photograph was swiped. We may never find them all. Most importantly of all, she was not only swiped but was the physical inspiration for the appearance of Elektra.

Frank Miller always had a foot in the fine art world, and like his mentor, Philip Jose Farmer, was also interested in the theme of how violence is often a substitute for sexuality in the lives of adventure characters. Miller was always fascinated by BDSM (which to me, explains a lot of 300), and explicitly said in many interviews he based Elektra physically on Lisa Lyon and was a great fan of Mapplethorpe.

[phantomarine]

Hey what were you trying to say in your “it gets good at page 1001” post

Was it more of a comment directed at yourself ( self degradation), is it satire about perfectionism,

Is it supposed to be inspirational for Beginners webcomic creators, or we’re you just in a bad mood?

More of a warning against self-sabotage, because I see it so much. Sometimes it's tied to perfectionism, sometimes it's the opposite - people surrendering to imperfection when they don't really have to.

Creator chat incoming. I'll put it under the deelybob for anyone who wants to read it 👇

I've been in the webcomic sphere for several years now and I've seen so many people introduce their comic with 'I know it's very long and not easy to read, and I won't be going back and changing anything about what I've already made - but please critique it so I can make the rest of the pages better and attract a bigger audience from now on.'

And that's a hard thing to respond to. If a reader can't get through all those existing pages without being confused or bored, then how can they get to the good stuff that lies past them?

So much of gaining an audience is about actively making it easy to 'fall into' a work. Without that easy entry point, it's always going to be an uphill battle to build an audience, no matter how good the later chapters get. There are outliers, but most webcomics won't be those outliers, especially with thousands of them available nowadays. Some people love the grind, but most people will jump to a new tab and try to find something less frustrating.

And webcomic creation is particularly cursed by its very nature. Creators are hesitant to go back and edit pages, even once they've figured out more details about their craft or story structure. It's mostly because of the seeming permanence of it all - the art takes ages and the words feel unchangeable if even one other person has read them. To go back and edit is to publicly admit your failings, right? That's how it feels. What do you MEAN you didn't get it right the first time? You were supposed to do it live, and do it PERFECTLY!

But ideally it shouldn't be any different than prose writing, which is ALL ABOUT finding the story in those edits. And because your story is digital, you can go back and change things whenever you feel like it. A webcomic is fluid.

And if you're thinking 'I should just redraw my whole first chapter' - NO! Hell no, old art can be a part of the appeal! It's far more about finding little tricks to convey your story/characters more clearly. I have read some first chapters with janky art that made me fall completely in love with the story and cast. It's not about the art - as with all things comic-related, it's about conveyance.

Examples I've seen and some I've used myself: A single extra page with a meaningful interaction can solidify the theme of a character's arc. One additional 5-to-10-page scene can help add visual context for an offscreen event where there was none before. Adding a map can tell people where the characters currently are. Changing a character design can help if they get often confused with another character. Redoing your lettering to make it more legible is a huge one too.

In the end, I just don't want people to be afraid of small edits. When I got feedback about the bad clarity of my own work, I knew it would take some time to fix those problems. It wasn't fun to think about or to do, but I'm glad I did it in the end - because it would have limited my audience tremendously. With just a bit of extra effort, I opened a door that wasn't there before, and it now leads more people even more easily to 'the good stuff.'

tl;dr You started your webcomic for a reason, and you're learning more things about its characters, story, and craft every day. Don't be afraid to go back to old pages and inject some of that wisdom through editing. Even a little can go a long way.

***Caveat: If your goal is to just create chaotically, with no goal of gaining an audience, you are a wild and free little thing, and I am in awe of you. This whole rant doesn't apply to you, and you are stronger than me.

[erinwantstowrite]

hi! hope your having a good day/night/timezone/etc.! u got any writing tips (like how to not lose motivation/use up as much of it as u can while u have it, any ways to get the words flowing/“get in the writing mood” that have worked for u) for any of ur fellow fic writers? (idk if this’s been asked b4 (it seems like a common question lmao), but if it has, ‘pologies, lolol ^^)

i have a few that i've been thinking up to try and post!!

remember that you aren't on a deadline to write, and to take the time you need. no one wants to read something you rushed, let alone do YOU want to read it. and it REALLY matters if you love what you're writing. you'll kill your motivation trying to keep up with something like that!! if you only had time to write 300 or you had a great day and wrote like 3000, you're doing great either way!!!

there's a lot to keep up with when you're writing, and you have to remember and understand all of it. if you're trying to write while you're tired/upset/etc, you'll likely end up with something you're not that proud of. (granted, art is art, and sometimes these emotions can create something beautiful or meaningful). take metal breaks so you can come back to your work with a fresh mind, and don't overexert yourself. you'll remember and understand more if you treat your writing time like you would when you're studying. sometimes i make flashcards to remember characters, places, events, etc.

sometimes i can get too analytical with my writing, or it starts to become flat? if that makes sense? meaning, like... i'm putting words on paper rather than delving into the story. too many "they felt this way" and not enough "Character A turns to face the man that had changed their entire life with the single shot of a bullet, careless to what damage he could have caused. It's haunting to see that the man is simply that: a man. Not a monster as they had imagined, laying awake at night and wondering what their father had seen in his final moments. He's just a man." what helps with this is putting myself into the shoes of a narrator, remembering that i am telling the story as if i already know what's happening (even if I don't know where I'm going with a scene yet). i imagine that my reader is right there next to me and i'm telling them the story in real time like we're sitting around a campfire telling ghost stories, or that i'm the quirky narrator of a book they just picked up.

During times where i'm losing inspiration or feel like i'm in a loop, i like to go back to my favorite medias and spend some time with them. i recently rewatched Gravity Falls, the Sea Beast, and the Adam Project, and it was a fun mental break that got me into the writing mood. i try to find similar media to what i'm writing at that time. if i want a scene focused on funny banter or a comedic effect, i read or watch comedy. if i want to write a scary scene, i'll watch a horror movie. etc etc. "studying" your favorite media and putting yourself into your fav writer's writing shoes is a great way to improve your own writing. think about why that joke was funny, what the set up was that made it that way, and if it would have been a different joke if another character said it (Gravity Falls is one of the best media you can use for this, but really, reading mysteries in general can help)

physical exercise, if you can. getting your blood flowing and treating your body well!! when i was in band, we used to do "body warm ups" set to music, and i still do them to this day. it gets me awake and alert while also letting me listen to fun music before i write

[lil-binuu]

I was listening to Saku’s birthday stream and everyone got really emotional 🥹

Some of the things he said were really touching, and i just wanted to share his words so y’all can understand how flipping hard he works and how much he cares about his work, especially because Saku is one of the realest content creators out there.

I hope he doesn’t mind me posting this, Saku you are such an inspiration and mean more to us than you may think. Keep doing what you’re doing because it’s bloody fabulous. You have touched so many hearts and will continue to as you grow and become more and more recognised for your amazing work.

…

“Honestly, a part of me, earlier on this month, I was honestly doubting myself as a creator. I was really doubting myself as a creator, hence why i’m taking a break. But, I feel like i’ve gotten to this point where.. It’s not like i feel like i’ve run out of ideas, it’s that I lost purpose in what i was making. I couldn’t find it. And i kind of had it in the beginning, where i was just really eager to create and learn, but i think that i lost my purpose with content creation. And i think, having you all here, reading all of your messages, it’s… *laughs* it’s crazy to think that i think i’ll be able to find it again, because of..because of all of you.

I was really exhausted, i mean i am exhausted, but i was exhausted *laughs* because i was just, go go all the time. I had no breaks, if i was making an audio i would brainstorm it, i would outline it and then i would record it. Then things could go wrong, it could be longer than expected, so then i would have to make a completely new one in a shorter time frame, and get that out much quicker which would be more stress, but then if something went wrong with that one then i’d have to make another one and it was just on, and on and on and .. there are things that don’t work out behind the scenes that no one knows about. There’s things that i don’t talk about that happens, there’s like, i would have to change things very quickly, i would have to change the story. The thing is, when it comes to the work I do, I am so particular about the stories that i make, that it hurts me. When i need to change things, with the story, because it’s something that i just have to do, and even though, y’all might be like, you won’t mind what i make, you won’t mind what character you get or what story you get, you won’t mind if it’s set in an AU, all that stuff, it matters to me. It matters that I put out quality content, it matters that I’m providing you what I know is the best that i can provide.

And when I can’t do that, it .. goes very bad for me, let’s just put it that way. I.. overanalyse ..”

(rev: oh it bugs the hell out of him.)

“Yeah, it does. Because i know.. I know what you expect of me and when I can’t give that to you, I get .. very anxious and I disappoint myself. And the biggest thing is, I don’t want to disappoint y’all. That is the biggest thing. So I always have to make sure. I’m like, okay: it’s even down to..and it might *laughs* it’s probably ridiculous if you hear it, but even- even down to like, making sure all of the sound effects are completely right. Like if someone is coming into the left side of the room then i have to be like ‘oh, every single sound effect has to be the exact left pan because if it’s not then they’ll notice!’ you know, I’m that particular about my work.

And then it’s like, all of the different sound effects like uhh, if I make (trying to remember what it was) in asirel’s audio, i can’t remember what it was or what i was doing or holding, but i had one item in my hand which wasn’t the item that was actually in the audio but I was like ‘they’re gonna notice if i use this as a sound effect, and it’s gonna take them out of the immersion’ you know? It’s.. i think it’s something that i have to work on for myself.. how, engrossed i get with my work, because i do.

Umm, but.. I truly, truly care about the work that I put out. And i think it’s come to a point where I’m starting to question it, but reading all of your messages today has kind of helped me see a glimpse of why I do this. And, i guess, look outside of me… And look outside of why i do it for myself and more about what other people are getting out of it. You know?

Yeah.. *sighs* I love y’all. So so much. I can’t put it into words. I really can’t. So thank you.

Ugh. YALL MAKE ME EMOTIONAL! FUCK! OH MY GOD!

(thank you sleepybunnex for the bits :D)

This would be the one circumstance where I would hug y’all. I would. I would absolutely just have a huge hug, i feel like i need to hug someone right now.”

(rev: that’s why one day, CRUMPET PLUSHIES!!)

…

“I feel like that’s where i thrive, making stories, you know? It’s what I love doing.”

(saku ends up hugging a biscoff with his mouth)

…

“Literally like, a hundred. A hundred people from all around the world, are here to celebrate my thirtieth birthday. Like when you actually say it out loud, it is insane to me. But the fact that y’all are here, it just.. blows my mind and… I could not be.. I could not be happier, I really couldn’t.”

(and then kieran makes saku cry again with his sweet comment 🥹)

anyway.. HAPPY BIRTHDAY SAKU!! WE LOVE YOU!!!

[fairysluna]

unrequited.

Aegon was unable to keep his love for you as a secret, but he did not expect for you to shatter his heart into pieces after realizing you do not feel the same way.

MASTERLIST

PAIRING — Aegon II Targaryen x Fem!Reader.

TAGS — angst, unrequited love, inspired by THAT scene from little women, hurt/no comfort, a bit of miscommunication, one sided love, a lot of crying, guilt, cursing, aegon was named heir. If something is missing, let me know!!

AUTHOR'S NOTE — i was sad, i was watching little women, and then i remembered that i haven't written angst in a very long time. It's short, but well, it is what it is. I'm trying to escape the writer's block so bear with me if this isn't perfect, hope you all like it!🤍

WORD COUNT — 1.6k

ㅤㅤㅤㅤㅤㅤ ㅤㅤenglish is not my first language.

There was something in the way his eyes looked at you that should have warned you about what was going to happen. Maybe the way his company felt slightly different, or the way he purposely brushed his hand as he walked beside you along the shore of Dragonstone.

A peaceful silence reigned between you two, where only the sound of the sea and seagulls were heard. There was never a need to be talkative whenever you were with him, you two did not need words to express to one another, just a single glance at him and you would be able to read him as if he was a book. It had always been that way. Aegon had never attempted to hide how much he enjoyed your company; no matter how many duties and responsibilities his position might have, he would always find some time during the day to make you company. The mere sound of your cheerful laughter was enough for him to feel whole. Happy.

Your friendship with Aegon began unexpectedly; you were a Lady of a small house, bannermen of the Tyrells. Not even in a million years you would have thought you were going to be one of the heir's closest friends. But you were, and Aegon loved it. You were not like other maidens, you always saw beyond his royal title, beyond the power he would once hold. You saw him as Aegon, Egg as you would sometimes prefer to call him. He loved that you were a breeze of fresh air that would wake him up from his torment every time he felt too overwhelmed.

You were everything for him, an escape of the four wall prison that would often be disguised as a castle. You set him free.

Aegon, inevitably, fell for you in the most beautiful of ways; slowly and unexpectedly. One day he woke up and felt the urge to hold you in his arms each morning; he could not stand another minute without you by his side - it felt almost unnatural to be without your company. His heart found a reason to beat with your presence, his brain would often overshadow his thoughts with silly daydreams about you.

You, you, you. It's always you. It has always been you.

Now, as you were complaining about your Septa scolding you that same morning, Aegon was in awe, mesmerized by you doing such a mundane thing like talking. And, bewitched by the way your lips moved, he stopped his pace. Salty air filling his lungs as he encouraged himself to say what he has been dying to say to you.

You did not realize about it until you were a few steps further than him, and you turned around. He was just looking at you; his puppy, lilac eyes staring at your face almost without blinking. You chuckled nervously, confused about what was happening. You smiled awkwardly, feeling a bit too exposed all of the sudden.

“Is something wrong?” You asked, frowning.

He did not reply, but you saw it in his eyes.

Your smile slowly faded away once the realization hit you, and the atmosphere changed immediately.

“Aegon…” You mentioned his name so differently, it felt almost foreign due to the way it left your lips. It was a plea, you were begging him to not say the words that were about to be pronounced.

He took a step closer; the dreamy glow in his eyes was still there, as if he had not seen the look on your face yet.

“Please, don't,” you managed to say, breathlessly. Your heart was beating so fast that you felt tired. Exhausted, even. You desperately tried to stop it before it was too late.

But you failed.

The weight in your chest became heavier, almost unbearable. Your lower lip was shaking, your legs trembling. You were heartbroken because you knew what you would have to do. Shaking your head, you refused to let him speak, both of you interrupted your words as a desperate attempt to silence each other.

“You need to hear me-”

“-stop this, Aegon-”

“-there’s no use to keep hiding it-”

“-don’t do this-”

“-you know what I'm about to say-”

“-Aegon, please-”

“-I love you.”

The heat of the burning sun was not enough to vanish the coldness that suddenly grew between you two. You closed your eyes, defeated. The silence became painfully awkward, and in that moment Aegon knew the truth.

His heart shattered.

You lifted your head to meet his eyes; they were covered by a layer of tears that were reluctant to escape. He was trying so hard not to fall apart, almost shaking as he stood as stiff as a rock.

“I love you,” he repeated in a whisper, thinking you might have not heard it the first time. “Please… please say it back.”

“Aegon-”

“Please,” he pleaded. His voice was broken and weak, trembling as he choked on a sob. “Please, say it.”

“You cannot do this to me-”

“I have loved you since the first day,” he confessed. “I’ve been trying to deny my feelings, trying to convince myself that it was nothing more, but it is. I need you, I love you more than words could tell, and my heart cannot bear another day without you being mine.”

“Aegon, I don't- I can't-”

“I want you to be my queen, my life companion,” he continued, watching you as you kept shaking your head. “My love, I want everything with you. I want to rule this fucking kingdom with you by my side. Please…”

“Aegon, I'm not fit to rule-”

“Me neither, but we can be a great team, I- I know that-”

“I can't be a queen, I can't marry you,” you interrupted him, trying to make understand your point.

You hated the prohibitions of a title. You see how Aegon was trapped in an invisible cage without escape, and you did not want that for yourself. You wanted freedom, you wanted to travel, to cross the Narrow Sea and meet foreign lands. As a queen, you would be caged; and as a wife to a king, you would be forced to provide him with heirs you do not wish to have yet.

It was selfish, you thought, but it was the thing that would make you happy.

“Aegon, this would never work,” she murmured as she grabbed his hands. He took a sharp breath when he felt your touch. “We're too different, we do not wish for the same things.”

“I know you love me too…. I know you do,” he told you. Some part of himself knew that it was a desperate attempt to try and convince himself that his words were true. But, deep inside, he knew it was not the case; one single glance at you would tell him what he's too afraid to accept.

“You are my best friend, you are the person that I trust the most, you-”

“Because you love me!” he raised his voice.

“I don't, Aegon…” you stopped him before he could say more. His nostrils twitched once he felt the itch on his nose, his lips trembling. “I don't love you like that.”

There was another silence. It was torturous. Aegon pulled his hands away from you. You quickly wiped the rebel tear that fell down your cheek.

“I know you think I'm the one, but I'm not. We would never work, this would only make you miserable-”

“You're the one for me,” he murmured, his eyes lost in the ground.

“I'm not,” you said, trying to reach him, but he just took another step back. “You'll find someone who will love you, who truly deserves you-”

“Am I not worthy of your love?” He suddenly asked, your heart aching at his broken voice.

Gods, you were about to explode.

“You're much more than what I truly deserve, Aegon, you're way better than-”

“I want you, I don't want another. I love you, I could never love anyone else the way I love you!”

“But you will!” you raised your voice to match his. “You will love someone else, and you will forget about me.”

“I can't ever forget about you,” he muttered. He remained quiet for a while before he looked down at you, noticing your teary eyes; a part of him hated himself for making you cry. After a few seconds he said, “I figured you would love me too… After everything we've lived and felt together. I thought we were gonna be happy-”

“You will be happy, Aegon. You'll find a fine young maiden who will give your life a purpose, but that is not me. It cannot be me.”

“You were my purpose,” he murmured, his face covered in tears as his puppy eyes would not look at you.

He felt embarrassed for how broken he was. For how naive he had been to even dare to believe you could possibly love him back. He wondered how he could be so foolish.

“I wish I could be the woman you want, I wish I didn't have to say these things- Aegon!”

He walked away, not wanting to hear any other of your excuses. It hurted enough as it is, your words would only wound him even more.

You tried to stop him, to grab his arm, yelling his name, and try to make him understand you, but he just walked away leaving his footprint on the wet sand as you stood there.

Tears were streaming down your face as you watched him go, one of your hands pressed against your chest as if you were trying to take the pain away. It hurted you to see him so broken, especially when you know it was you the one who caused it.

You had just lost your best friend, and there was no returning point from that.

ㅤㅤㅤㅤㅤㅤ ㅤ ㅤㅤfollow @by-fairysluna for more updates!

[polarisbibliotheque]

Can You Hear The Rumble? - Vergil x Reader

Music Inspired Fics (Devil May Music) - Cirice, by Ghost

Pairing: Vergil x Reader

Summary: Everyone knew the kind of demon a hunter should be wary about is the one who plays with their victim's minds. You and Vergil were very proud on the outside - but how would it be when having to save each other on the inside for the first time?

TRIGGER WARNING: A lot of blood, cuts, bruises, scars and suffering on both Vergil and the reader's sides. The reader also struggles with perfection and self-loathing - in a "I'm never going to be a good person" kind of way, because I needed to get more intimate on the reader's part as well - and there are scenes with the reader covered in cuts and bleeding, though not self-imposed, it could be read like that. Those scenes are the reader's and Vergil's internal images of themselves. Reader and Vergil meet each other on their imperfections and the darkest parts of their souls, so BE WARNED. This might not be everyone's cup of tea and there are lots of potential triggers.

Author's Note: @tokkis-shelf asked me if Vergil's part of the Halloween special was inspired by Cirice, and here we are now. It is what kickstarted the song-fic requests! As with a lot of people, I think, Cirice is pretty personal to me.

In the video, it was so comforting to me seeing the black sheep being represented hahahaha and I guess that's why people love it so much. The part where they hold hands? I died, I'd never let go, I cry my soul out upon watching. (I did a very similar drawing to that scene when I was in school around 15 years ago, so it drop-kicked me out of my body xD)

Now, when writing this, I kept in mind that this song has a double meaning and can be quite comforting and quite manipulative at the same time - hence why I use the "can't you see that you're lost without me?" in two different situations, 'cause I think Cirice can be interpreted in so many ways and each person takes what they need from this song. I hope you guys like it!!

Plus, the song the reader and Dante sing at the end is The Power of Love, by Huey Lewis and The News

Cirice, by Ghost

“Can’t you see that you’re lost…?”

It happened every time Vergil walked in the darkness.

That voice in the back of his head, silently taunting him, the hiss of a quiet viper in the hopes of taking him back to the darkest parts of his soul. Quiet, lurking, whispering… Mundus always there, somewhere in the folds of his consciousness, guiding him back into the void – luring Vergil back into his shackles.

“Can’t you see that you’re lost without me?”

As if Vergil couldn’t belong anywhere else, as if his place was in Hell. After all he had been through, after all the sins he perpetrated, he believed wholeheartedly there was no hope for him at all – only a fool’s hope; only a glimmer of a wish he wasn’t as tainted as he was… A desire to not be such a monster as he was.

Pacing quietly through the empty cathedral, Vergil had already learned not to give in to those thoughts – to keep them at bay, as only a whisper in the darkness, of trickster voices that would always remind him of how inhuman he was.

It was times like this Vergil longed for the faint glimmer of the moon, or the warm ghostly light of a candle. It was easy to get lost in the dark, but a single ray of light could help through the direst of situations. That night, though, it seemed like the moon had fallen asleep behind the curtains of the clouds – Selene hiding her tears for her earthly lover in his eternal sleep.

None of you knew what that night entailed – you weren’t even certain what you were dealing with. That was the reason why Lady strutted in the Devil May Cry, not too fond of taking a job she didn’t know if it was up to her abilities.

“Well, looks like I have a new one for you to pay your debt, big guy!” Her singsong voice interrupted the ambience of the jukebox; Lady entering the shop with Kalina Ann and all.

“Eh, I’m never gonna be free of my debt, Lady, let’s be honest.” Dante sighed, putting his feet down and throwing his magazine across the table, shooting her a serious glare. “But things have been borin’ lately, so one of your odd jobs’ not gonna hurt. Whaddya have for me?”

“You talk as if I never help you enough to maintain this place.” She lifted one eyebrow, approaching the big desk at the middle of the shop.

“Gotta give the woman credit, Dante. Last month’s bills were on her.” You shrugged as you had finally come out of your shower, happy to see Lady around, still drying your hair with the towel as you went down the stairs.

“See? Someone who has a bit of common sense.” Her smile was nothing short of devilish as she gestured towards you.

“You know where you are, Lady. ‘Common sense’ isn’t much of a thing in this household.” You greeted her by quickly blowing her a kiss while passing by, making your way towards the couch where Vergil was quietly reading.

“Ey, you’re hurtin’ my feelings like that.” Dante put one of his hands over his heart, laughing alongside you as you kept on your way. “But fine. I’ll give ya that, Lady. So, what’s up? What job do you wanna throw at me this time?”

“I am not throwing it at you.” And there it was: you could always see when Dante stroke a nerve when Lady got defensive and with that fiery stare on her multicolored eyes. “If you wanna do it, great, if you don’t, I can deal with it myself just fine. I’m here to be a good friend since you can barely afford all that pizza you keep stuffing yourself with!”

As you sat by Vergil’s side, you both exchanged a telling glare. Just like you, Vergil was used to observing people. Granted, he didn’t know Lady as much as Dante or even you, but he did know her since he was very young. That fiery, easy-to-anger personality had been there since they first met at the Temen-ni-gru – and Vergil argued it was one of Lady’s traits that would never change.

Something he was quite pleased with, if he had to be honest with himself. It was a good trait for a human demon hunter like her. Dante always praised human’s hearts and particularly their love and empathy – Vergil praised their burning anger that made them unconquerable in the direst of circumstances.

“Jeez, alright, alright, don’t shoot me!” Dante raised his hands as if he was at gunpoint, making you wheeze quietly. Vergil side-eyed you for a while – half judging, half holding his own laugh. “It’s not like I have much of a choice, do I?”

“Humpf.” Lady rolled her eyes and took a slice of pizza from the box resting on the desk, pointing at Dante with it right after. “You know I wouldn’t bring you something if it wasn’t important.”

“Actually, you would.” With those words, Dante rested his arms crossed on the table – all the while, you and Vergil watched it all as if it was a show. Who needed a TV when you had those two? “But you’re bein’ too dodgy ‘bout it, babe. What’s goin’ on?”

“I got a call from a priest in a city nearby.” Lady’s answer was uncharacteristically quiet, followed by a bite from the pizza while she seemed pensive and in any hurry to chew it. “I’ve done some jobs there, know the guy, he’s nice. All the times he called me, it was always a quick, good-paying job. He said some weird things have been happening at the cathedral for the last couple of weeks.”

“Not to sound mean, but there’s always somethin’ strange happenin’ at churches.” Dante’s eyes carried a bit of skepticism: ‘weird things’ didn’t always entail a job for the Devil May Cry – and it usually ended with all of you hunting a rogue raccoon or something.

“I know. But this guy, he doesn’t get scared easy, ok? He’s one of those types of priests who’ll try to shoot down a couple of demons with a shotgun and, if that doesn’t work, he gives me a call.” Those words, though, made you and the Spardas raise your eyebrows. Indeed, it was a rare type of priest, but a good one to keep as acquaintance. “He said the cathedral is increasingly quiet, even from noises outside, with occasional distant noises that are not done by any of those who live there. After it all started, the other priests reported having weird nightmares, of being chased by something in the dark, inside the cathedral – this thing whispering things they can’t understand. Alright if it happened to one or two, but soon all of them started waking up in the middle of the night with similar nightmares – and, catch this, the higher ups of the clergy didn’t tell the common priests about it, but they all reported the very same dream.” Those words caught everyone’s attention. Vergil finally closed his book and leaned forward, paying attention to Lady’s retelling of the priest’s misfortunes. “The priest has been trying to figure out what’s going on, but some old books appear to go missing from the library, only to re-appear as if nothing has happened. Some books are missing pages, something that never happened before. He also said the inside of the cathedral has been getting darker and darker as the weeks go by. As if something is approaching – his words, not mine.”

Vergil immediately furrowed his brows and seemed to turn into an ice sculpture right by your side. You risked a glance, finding him with his usual dark aura – pensive, somber and quiet; hunter’s eyes showing themselves in a matter of seconds.

“Rare are the creatures in Hell in search for knowledge…” He muttered loud enough for his brother and Lady to turn their attention to him. “But those who do, are usually among the worst. Haunting noises, torn books, nightmares, dead silence and total darkness…”

“What? You think those Hell Piranhas came out of their pit?” Dante’s question had a bit of fun in the words, but his eyes were serious and he didn’t allow his lips to smile.

“Could be. Could also be a demon trying to mimic them to hide something else.”

“Hell Piranhas?” You and Lady didn’t need a cue to ask at the very same time. Neither of you had ever heard of that – and both of you had heard of a lot.

“This is not their name, but it is how Dante calls them since we were kids.” Vergil almost sighed in response.

“How we both called ‘em. Mister smart-pants over here isn’t that much better than lil’ ol’ me.” Dante winked at both of you, making you giggle quietly in return. “They’re kinda like illusion demons, but they like stayin’ in the darkness and gatherin’ knowledge. Usually work for someone bigger, though.”

“And even if they don’t, they swallow up all their knowledge and that is dangerous in itself. Afterwards, they feed from the victims they have been toying for so long.” Vergil continued Dante’s thought, ignoring his brother’s previous words. The more you didn’t think about what Dante had said about him, the better – for Vergil couldn’t deny it. “They hunt in packs, and the more victims, the more powerful they become. Some call them the Pit Deceivers, others call them the Lie Weavers…”

“You call them Hell Piranhas.” You concluded bluntly, making Vergil stare at the horizon with emptiness in his eyes – he could say all he wanted, flex all his demonic knowledge, you heard the Piranhas and now you’d never forget it.

“I never heard of them.” Lady had her eyebrows furrowed, searching her memory for some story like that.

“They either don’t leave the pit that much or not many humans survive to tell the story. That’s why.” Dante pointed at a great, old book Vergil had left on one of the tables a long time ago and now it was its official resting place. “You can find it only in the likes of the Codex Daemonica.”

“So either we have them around, or it’s something else. Something bigger. Right?” As you asked, Vergil only agreed with his head as the attentions turned to you. “Or something mimicking the Piranhas.” And Vergil had to sigh at your addition. He would never have peace again. “The mimic or the master, what kind of demon would the Piranhas answer to? If they are that obscure, I take it their existence is more of a niche knowledge in Hell rather than a common information.”

“On that, you are correct…” Vergil murmured in response, falling back into his pensive demeanor. You knew he would be lost for a while.

“See? Good thing I brought this for you, then.” Lady waved dismissively at Dante, but you could sense a little edge in her playful voice. Dealing with big things was fine, same as dealing with cruel demons and the ones that played the big-scary-one persona. Unknown demons were another kind of monster – one only Dante and Vergil used to deal with. “Plus, they always pay well.”

“Eh, I won’t be seein’ much of that money, if I know ya well.” Dante scoffed, having a small smile hidden in the corner of his lips; his tone and demeanor, though, were quite somber and you knew the red devil was taking it seriously.

“If you don’t mind, Dante, I would like to take over this one.” Vergil finally declared while getting up from the couch. “I know some of the hellish creatures who might make use of the Weavers or mimic them.”

“Fine for me, I’m needin’ some time to rest.” Dante sighed, but looked right back at you while Vergil rested his book on the big Devil May Cry desk. “But I’m gonna feel a lot better with someone around to keep an eye on ‘im, pretty thing.”

“Well, I didn’t intend on letting you guys deal with this all by yourselves anyway.” You got up from the couch, immediately receiving a glare from Vergil. “I’m going, blue devil, whether you want it or not. I want to get acquainted with these Piranhas.”

Vergil only closed his eyes, letting out the longest and most regretful sigh you ever heard in your life.

And there you were – although Vergil lost track of you quite a while ago. He knew the stirrings rippling through his heart when you were in danger; and being the fierce human you were, Vergil wasn’t worried about having you search for the demons in the cathedral.

There was, though, a slight uneasiness. That voice echoing in the darkest parts of his soul, it always came as an omen – causing nothing but destruction, inside or outside of himself. Vergil never could really say which one would be, but both were devastating.

“Veeeeergil…”

His steps came to a dry halt in the middle of the cathedral. The night outside the colorful stained-glass windows was pitch black, robbing the colors of their warmth and light – the fire on the candles, long dead in that cold night. The whisper that crept to his ears, like stark chalk on a chalkboard, dragged itself through the marble floor and took a hold of his soul in its clutches.

It was a different kind of sound – different from the ones inside himself, calling him to the darkness. It was from the outside… The Lie Weavers. Slowly coming up, finding him as their next victim. He was close to one of the places they were certainly lurking in the shadows, patiently waiting for someone they could consume.

Vergil never feared the darkness. Tightening his grip around Yamato, his steps resumed his way, approaching the places in the cathedral the faint light of the night could barely touch. Those demons should have known their end was near, and he was the harbinger of their demise – he expected all kinds of trickery, of resistance, of fight from them.

He did not expect to hear a familiar voice, filled with uncertainty.

“Vergil…?”

Halting his steps once more, this time his silvery eyes lost their predatorial gaze as his heart jumped in his chest – even if for a slight second.

“Mother?”

His answer was but a whisper before he was swallowed by darkness.

*

When engaging with illusion demons, one should be aware of not falling into their element: when engulfed by it, those demons were more powerful than expected, able to subdue even the strongest of foes. Breaking from their control required mental and emotional discipline rather than brute force.

It was a slight second – a foolish slip from his human soul, disarmed by the trickery of Eva’s voice – and Vergil was surrounded by a sea of darkness and turmoil. His heart stirred with anger towards himself for being such a child, a vulnerable stupid child, tricked by a puppet of something his heart missed so much.

Eva was long dead. There was no demon able to bring her back. And he would never see her again. All that logic was tossed aside in a spark of a second by his stupid human heart, trembling upon hearing her speak his name again. Granted, Vergil only heard his mother in his dreams, barely remembering how her voice sounded in reality, and this time he heard outside himself – but he should have seen it coming. Illusion demons, trickster demons, cruel demons… They all relied on the barely closed scars inside his damned human soul.

Vergil could always count on them to re-open those wounds, making him bleed as much as he did on the floor of that cursed cemetery so many years ago – and he was a fool to fall for it after he had been through so much.

“Vergil… Can you hear me…?”

“I can, you damned deceiver. You can stop these theatrics – mimicking my dead mother will not affect me.” His voice cut through the dark like the sharpest of ice, his predatorial gaze back into his silver eyes.

“I… Don’t understand you, son. I cannot find you.” Her voice had a tinge of sorrow and desperation – but it was exactly like Eva’s voice. Vergil remembered it with a tinge of gold, probably a result of the haze of nostalgia, but today it was grounded and melancholic – perhaps, that was how Eva had always sounded… He just didn’t remember it. “I can’t find you. You aren’t home.”

“I haven’t been home for a long while.” Vergil didn’t even try to hide the growl that raised from his chest as he argued with that creature. He was used to having a puppet of his mother parading in front of him to hurt his human soul even more, but that was already getting on his nerves. Taunting him about the fact his mother ran to find him that fateful night wasn’t part of the usual games those filthy demons played – and to say they were honing his wrath was an understatement. “And I will never be back.”

“I… I cannot see you, Vergil. Where are you…? Why…?” He could hear the weeping in her voice, faint sobbing while the desperation made her words tremble. Vergil raised his head in the darkness, holding his own heart not to quiver: she wasn’t real and it was all a gimmick to affect him. He would not be affected. He was stronger than that. “Why couldn’t I save you? Those demons they… They hurt you, didn’t they? Oh, my child! My son! They hurt you and I could do nothing! I couldn’t be your mother!”

“Enough with this, filthy, hellish creature!” His voice finally exploded from his chest, roaring in the dark and echoing through the void, finding only silence. “You have no right to desecrate my mother’s memory like this! Shut your putrid mouth and stop with your rancid lies!”

The glint of the Yamato being unsheathed made the darkness recoil for a split second, only to envelop the Dark Slayer once more. His grip was tight, his eyes fiercely looking for his first opponent to direct a very well-placed judgement cut that could end all those creatures with just one swing of his hand. Vergil had enough and all the patience he carried in his being wouldn’t be enough to stop him from overkilling those demons – he just had to know where to direct his wrath.

“Don’t say those words, Vergil… You are not… Not like this.” Her voice still trembled, and his hand was still certain around Yamato. Vergil knew quite well at that state he was a weapon of mass destruction, he just had to find his opponent. His soul was screaming for him to do that, to put a stop to all that mockery. “You are good… You are my son.”

Vergil would have sliced that demon into a thousand million pieces without flinching, even if it took the form of his mother – but his eyes widened as a soft, warm hand touched his face. In all those years being taunted by demons, being tricked and mocked, seeing so many puppets of Eva, Sparda and Dante, none of them had touched him… And none of them genuinely felt like them.

It had been so many lost years he hadn’t felt his mother’s touch – last time, she could cup his entire face, thumb lovingly caressing his innocent eyebrows, but now her thumb could only reach his cheekbones. Nevertheless, it felt like her: not like a golden, nostalgic lost memory of how she felt, but exactly like Eva’s hands, even with the slight roughness of her continuous gardening.

“It took me so long to find you… I am so sorry.”

“You are not my mother.”

“Don’t say that.” Her answer was a sorrowful whisper, her thumb now carefully caressing his sharp cheekbone. Vergil closed his eyes, unable to move, convincing himself all of that wasn’t real and not allowing his heart to sway – forcing his arms to remain frozen by his side, fighting the urge to embrace her. Reminding himself: his mother was dead, killed while trying to save him, a long time ago, and nothing could bring her back. “Your heart hasn’t hardened as much as not to recognize me. You…” Her voice once more became soft, as if trying to do the same with his soul. “You are not a monster… You are my son, my Vergil.”

With those words, Eva’s hand was finally met with a tear – melting the ice from those silvery eyes.

*

There was an impending storm rumbling inside your chest.

Whenever that turmoil took ahold of your heart, you knew Vergil was in trouble. You had just finished checking your side of the cathedral, finding some things out of the ordinary but no demons, when the waves became aggressive in your chest. Your steps were already taking you to meet him, but you found yourself walking even hastier – the sound, though, eaten by the shadows that seemed to only grow around you.

Neither of you had calm seas of feelings: they usually raged like a maelstrom of emotions you could barely get through without some destruction – be it internal or external. But there was a certain note of melancholy and desperation in your heart at that moment that made you know Vergil was hurting – and that hurting, you knew quite well.

It was almost ironic how you apparently despised each other at the beginning, but after a while you came to understand; that aversion was there because you, in a certain way, were a mirror of each other. You could see in him the traits in your soul you disliked the most, and Vergil did see in you the same thing – those traits, however, were the same ones that brought you together, and made both you and Vergil feel seen and understood for the first time in your lives.

He didn’t judge your sins, as you didn’t judge his. To your eyes, he was never a monster, and to his, you could never be as crooked as you thought you were. You found each other in imperfection and, in that, you managed to talk and feel on the same level – after that, every feeling of admiration, care and love was easy to blossom.

You understood that storm, that thunder rumbling inside your chest at that very moment. You could feel it exactly the way he felt – and you knew Vergil needed help… Even if he would never say so himself.

You couldn’t hear or see him, though. You found yourself exactly at his area of patrol in the cathedral, but there was no clue as where your blue devil had gone – and for him to completely disappear, imposing presence and all, was quite an achievement in itself. The air was stiff, heavy as if the windows had never been opened, eating up any sound from the inside and the outside. The darkness was heavier than the one you had previously patrolled, shadows allowing only a few glimpses of the opulent decoration and the path in front of you – although, you couldn’t see more than a few meters beyond your feet.

If you couldn’t trust your sight or your hearing to find him, you could trust your heart: the storm would guide you. Closing your eyes, you allowed your feelings to take over, following with your footsteps in the direction you could hear his soul calling.

Those shadow creatures wouldn’t be able to hide him from you: no matter what happened or where you found yourselves, you would always be able to feel Vergil’s presence and find him in the darkest of hours.

And as the thunder in your chest cracked violently, your feet came to a halt and you opened your eyes.

Right in front of you, there was only darkness. Not like in the shadows that took the cathedral little by little, but pitch-black darkness, that no light could cast aside. To enter it would mean to be completely bare: vulnerable, lost, without guidance, naked – but the screaming in your soul made it very clear Vergil was in there.

Contrary to your lover, you were afraid of the dark. You always preferred to have a little light by your side, for you never knew what could be lurking alongside you, ready to pounce and drag you to certain suffering and death. You protected yourself by being forever vigilant, as you always did – a trait that exhausted you, yes, but luckily, in the last few years, you had Vergil around to keep a light by you when your body started giving out.

For that reason, you would never fear entering the darkness for him.

And with a deep breath, your bold steps took you inside the dark.

*

Your feet were cold, bare, stumbling over a sticky floor. Even if your eyes could see only darkness, you felt the freezing air of that night slicing your skin: you were shirtless and something was hurting… Oozing. The cold wind mixed with a faint warmness that leaked from the open wounds on your skin.

Blood. You were bleeding.

Your arms immediately wrapped around you – those scars, they were showing. They never showed before.

Running your hands quickly over your body, you could feel the warm blood slipping through your fingers; some wounds barely holding themselves closed while others still poured as in the day they were created.

That was the version of yourself you used to fiercely hide. None of those wounds were physical, none of them could be seen… But whenever you looked in the mirror, you saw them there, under your skin, under your soul, quietly resting until you couldn’t hide them anymore.

“You are lost…”

It was always the same voice, of something dark, something inside you that could break your soul if you didn’t shove it back into the darkness like you always did. That was why you were afraid; that was why Vergil always kept a faint glow by your side whenever you couldn’t hold yourself together. The dark was dangerous to you – to both of you.

“You are lost without me…”

“I can survive quite well without you…!” You growled to the darkness, keeping that part of yourself at bay. The part that gave in to the pain, that bathed in the blood and didn’t want to get up… And the part that would bathe and rise in rage, making you survive at great cost to those around you.

You were past that. And you didn’t need that to survive. You didn’t have to survive, you could live.

“Can’t you see that you’re lost…?”

“Vergil!” Your scream was a roar in the dark, looking for the one you plunged into the darkness to find. You wouldn’t give in to the trickery of those Piranhas – and you would get Vergil out of there.

They would learn they shouldn’t fear only the son of Sparda: they should also fear you.

“You think you can find him…?” After the mischievous ethereal voice questioned, you heard a giggle rippling around your feet as you stumbled on the sticky floor to find your lover. “You think you are that good? You think you aren’t a monster?”

You furrowed your brows, doing your best to ignore the voices. You knew it was that part inside of you that always taunted how broken you were, how imperfect your soul was. For the longest time you believed there was nothing good in you, nothing to save you from a life of loneliness, until you crossed paths with Vergil.

He was broken too – and he would never judge the things you did to survive your lethal wounds.

“Vergil! Can you hear me?! I’m here to find you!”

“How chivalrous, how heroic! What are you trying to accomplish?” The giggles pooled around your feet, threatening to drag you inside that pool of viscous darkness. “Trying to prove yourself? You’re never going to be perfect. You’re a black sheep, an outcast, remember? The likes of you aren’t heroes.”

“Oh, I’m no hero…” You growled back, fighting against the things trying to pull you back; fighting against the pain of the freezing cold and warmness of blood. “I’m a fucking fighter. You’re messing with the wrong kind of monster, fucking Hell Piranhas.”

“Piranhas…?” A faint whisper in the dark broke whatever control those things were trying to have over your body, starting at your feet. It was Vergil’s whisper – followed by a louder speaking tone. “Y/n! I can feel you, where are you?!”

“Trying to find you!” You screamed back, immediately dragging your feet towards Vergil. You couldn’t see him, but you could feel where he was – and there was nothing those demons could do against that.

The darkness seemed to shift for a couple of seconds. You couldn’t understand what was happening, but you saw a faint, ghostly pale glow in the dark – almost imperceptible, but your heart knew, you could finally see Vergil.

And, in return, he could see you. Moving his feet, Vergil dragged heavy shackles through the floor, screeching in a horrid, soul scratching sound as he willed his body to move towards you. You could hear him grunting with the effort, another set of chains being dragged as Vergil moved his arms – slowly, but surely, wearing all of his strength to get to you.

You felt the viscous ripples of the floor creeping up your legs, almost on your knees, doing their best to pull you away – back into the darkness, back to the taunting voices, to the doubt, the hurt, the self-loathing.

“Vergil! Let me hear your voice! You’re still there, right?!”

“Yes. I am always here.” His answer came with grunts of effort, barely above the noise of the chains screeching around him.

The darkness shifted again, and his form became even more visible, as yours did to him – followed by a scream that rumbled in his chest, Vergil managed to get even closer. That made something spark inside yourself, that thundering storm breaking in your soul cracking in a scream that broke the insidious tentacles holding you back and making you lunge forward.

Once again, the glow you diffused only to each other seemed to get stronger as the darkness wavered.

“Y/n…” He growled once more, the shackles screaming on the floor as he reached out to you.

“Vergil…!” You reached out in return, barely making out the form of his fingers in the dark.

As you were almost touching each other’s hands, the heavy, muffling darkness faltered once more. You could finally see one another, as you were in that godforsaken place.

Vergil was shirtless, his body covered in wounds – new and old – bleeding profusely. His silvery eyes were red, sunken in deep shadow, surrounded by a deep purple mist on his dry skin. You could see his bones under his pale skin covered in so many lacerations you wouldn’t even know where to start healing him. His knuckles were battered, showing the flesh underneath, as well as his wrists covered by heavy iron shackles – wounds from fighting against them for so long. His hands were still long and elegant, but bony and covered in bruises.

You had never seen Vergil so hurt, so broken, so… Vulnerable.

In return, his eyes took in shock the vision of you: as shirtless as him, as battered and wounded as he was. Even if not locked in the shackles he wore for so long in Hell, you walked barefoot leaving a trail of blood behind you. Those scars, those wounds, those bruises… He knew they were there, but he had never seen those. You looked weak and tired, bloodshot eyes under dry skin, as if you hadn’t slept in ages… And those things you fought so much to conceal, now crystal clear in front of him.

Those were the scars you carried inside yourselves. The wounds you had to fight against every day – that you had to try to heal, even if sometimes it seemed impossible. The things you would never show, but, somehow, you managed to sense it in each other… Now you could see it, clear as a bright night.

And, even if you wouldn’t admit to yourselves, those were the very same breaking thunders that would keep you moving – fiercely fighting, fiercely surviving.

As you took in each other’s internal selves, Vergil’s silvery eyes finally found yours.

A loud thundering noise shook the floor underneath your feet twice, as your hearts rumbled alongside the devastating sound. You lunged forward, holding Vergil’s hand as if your life depended on it. Never breaking your eye contact, Vergil held your hand with the strength you would expect of the legendary Dark Slayer. You made each other stronger, and there was nothing that could come between you now.

His shackles immediately screeched back, pulling Vergil violently away from you. At the same time, you were grabbed by the viscous darkness – your knees, your legs, your abdomen, your arms. It pulled you back with vicious strength, doing its best to drag you away from him – back into the darkness.

“Don’t let me go!” You screamed back, tightening your grip around his bony hand.

“I will never let go!” He growled, doing the same, trying to drag his body forward – failing to notice you willed yourself towards him as he pulled you into his arms. Those silvery eyes never moved away from yours.

“You are lost…! Lost…!”

The voices chanted and screeched around you, doing their best to drag you apart. For a moment, your hand slipped and you let out a desperate scream, hurting your lungs as you were almost pulled back into the void. Vergil’s cry resembled a roar as he willed his body to move and tightened his grip in a way he didn’t hold even Yamato.

He hadn’t held his brother’s hand once. This time he wouldn’t make the same mistake. This time, he would hold you even if that damned the both of you to the darkest pits of Hell.

“Can’t you see…? Can’t you see that…?”

“I am lost…!” You barked back to the voices, still staring into Vergil’s eyes, trying to catch your breath while your lungs stung as if you were inhaling a thousand knives.

As Vergil looked into your eyes, though, he knew exactly what you were going to say – and he could safely say it was the very same thing he struggled to find the words to.

“Without you.” His answer came in a dark tone, ragged from the effort he too made to be able to hold your hand.

The thunder rumbled twice again – the voices shrieked and you suddenly found yourselves being launched into each other’s arms as the forces that bind you broke into a million pieces.

Vergil’s arms wrapped around you, one of his hands holding your head close to his chest, as you wrapped yours around his waist, keeping him as close as you could. His head rested on top of yours, and you kept your eyes closed – washing away the blood above his heart with the tears that streamed down your face.

“Don’t ever hide from me.” Vergil’s voice was uncharacteristically shaky, somber but reassuring. You had never been so vulnerable in front of him – and even upon seeing you like that, his reaction was to take you in his arms, to welcome you. “I’m not afraid of the dark.”

“And I’m not afraid of your darkness.” You tightened your arms around his cold, bony body as you felt tears running through your hair. “I can see beyond your glimmer, and I’m not afraid of what’s in the dark.” Your voice shook as you took a deep breath and Vergil’s arms held you even closer – his body shaking with the tears falling from his eyes. “It’s you. And I’m never afraid of you.”

“Neither am I of you.”

His answer was but a whisper – a whisper enough to break the darkness into a memory to be kept away in the deepest pits of Hell.

I can feel the thunder that’s breaking in your heart I can see through the scars inside you

*

*

*

*

“You killed the Piranhas from Hell with the power of love?”

Vergil wanted to crawl into a hole and disappear. Or die. Or both.

Probably both.

The whole crew was there as you and Vergil never came back from the job as quickly as expected – and when you did, it looked like you hadn’t slept in days.

The priest was more than happy with the result of your work – even though you never discovered why the Weavers decided to come out of hiding nor what they wanted. The congregation was just happy they were gone and the whole reason behind it would be a long-term thing for the Devil May Cry to work on – or to keep an eye on; maybe something bigger was approaching.

You and Vergil didn’t feel like going back to the shop, though. When you were hurt physically, things were very much ok to deal with, but when the wounds were emotional… You needed time for yourselves.

Unlike his brother, Vergil was a little more responsible with his money – and you, a lot more than the two. You managed to find somewhere to spend a few nights… Which involved the both of you talking out everything you felt and saw. It was harrowing at first, something neither of you were versed in and honestly were terrified of, but it eventually brought you even closer together.

So, to say you had defeated the Lie Weavers with the power of love was something that killed Vergil inside.

And you could almost see his internal self, glaring at you with a ‘really, after all of this you say this kind of foolishness’ look in his sad, silvery eyes, as Lady stared at both of you and made the question everyone was thinking.

“Yep. Power of love, it’s a curious thing.” You shrugged, making Vergil physically groan by your side while Dante slapped his table with a huge grin on his face.

“Make a one man weep, make another man sing! Hell yeah, Back To The Future, babe!” He winked back at you as you smiled in response.

“Of all the people you could end up dating, Vergil…” Trish sat on Dante’s desk, crossing her long legs while sporting a devilish smile on her rosy lips. It was interesting how her voice could never really sound like Eva’s. “It had to be someone who references the same songs as your brother.”

“Alas, fate plays many games…” Vergil rolled his eyes, but as they rested on you, there was a vulnerability you saw only once in that pitch black darkness. “But it is kind enough to give us what we need.”

No one ever really understood what he meant, but Dante was the only one who managed to see something inside his brother’s silvery eyes that could only reflect in yours – and that made him genuinely smile.

Indeed, you would never be the romance of a fairy tale book or a romantic comedy – but you could see what lied beyond each other’s scars; taking a glimpse at the worst of each other without fear and finding whatever light was left inside. You could understand – and that was much more than most lovers in the world would ever have.

[three-realms-archive]

Let's Form an Idol Group

(Check the end for a fun commenting idea which might turn into more of these, if there's interest :D)

“So. Maybe a band wasn’t the best idea.” Asmo began, pushing the last of several clothing racks he had selected from his walk-in closet into the House of Lamentation’s ballroom. The inhabitants of the House of Lamentation were sat on various chairs around him; wearing expressions ranging from buzzing with excitement, to complete disinterest. “But Levi has introduced me to the wonders of idol groups; and my beautiful, fabulous self has decided that this is our family’s calling! Let's talk outfits - ”

“Concept! Concept first.” Levi said, interrupting his younger brother’s monologue.

“Right, concept!” Asmo corrected himself, taking a seat on one of the many chaise-lounges in the House of Lamentation. He sat against the plush pillows dramatically, in a way which made Satan roll his eyes - but you stifled a giggle when the fourth and fifth-born both leaned back and crossed their legs in almost the exact same way.

“I’ve seen a bunch of idol concepts before.” You spoke matter-of-factly, as you put your phone back in your pocket. The start of the conversation had inspired you to quickly text a song recommendation to someone. You continued. “It might be best to decide if you want to go cutesy - or badass - or maybe some inspired kind of theme.” Out of the corner of your eye, you noticed Leviathan nodding enthusiastically in agreement with you. Finally; something he could do with his family that could hold his attention.

Satan raised an eyebrow. “Inspired?”

You nodded. “Yeah, yeah! There’s been dark vampire-y vibes, high school settings, beachwear. It’ll be, like, the main part of our hit single! Though sometimes it permeates into merch, and stuff.”

“A-Ah! Merch! Yes - we need merch!” Levi squeaked, suddenly doodling in the binder that you swear wasn’t in his hands a few seconds ago. In your peripheral vision, you could make out his scribbled lines to be a line-up of seven, anatomically-accurate body drawings (from the hair, it looked to be his brothers); as well as some hastily scrawled merch ideas. Light sticks, tote bags, photocards… and ‘Beel-inspired instant ramen’? You decided not to ask.

Asmo was also looking at the third-born with stars in his eyes. “Yes, big bro! MC! That’s the spirit! I think our theme should be Cutie and Elegant Asmodeus, so that’s all settled. Now - “

“How come you get to decide, huh?” Mammon interjected, leaning against the doorframe. He had pretended to not care when Asmo had first called a family meeting and announced his plan to turn his family into an idol group. But, from the way he was intently listening, he was 100% into the idea. “We should have a cool concept. Something badass and awesome.”

“That’s no different than the first band we tried to form over phone chat, and look where that went.” Satan interjected calmly. “How about a story-inspired concept? Fairytales, or film noir?”

“Ooh!” You piped up happily, much to Satan’s delight and Mammon’s visible dismay. “This girl group once did a love song inspired by a bunch of famous movie scenes. I totally see us as idols in a video like that.”

Lucifer shook his head. He, like Mammon, had spent most of the conversation appearing disinterested by sitting at a table to do work. But even the Avatar of Pride was drawn in by the conversation, and you smiled fondly as he looked around at his brothers bonding with a softer-than-usual gaze. Even if he did visibly cringe at the word ‘idols’ and ‘us’ in the same sentence.

“If I may. Perhaps you all should consider coming up with something unique. It would be a selling point to do something new and innovative, no?”

Asmo and Levi nodded enthusiastically. Belphegor (who was sleeping on your shoulder until Lucifer had started to speak) and Satan grimaced. You and Mammon looked at each other, thoughtfully.

Suddenly, Beel walked in. Only you and Belphie had noticed that he had walked out of the room earlier with a rumbling stomach as soon as Asmo had started talking.

Now, the Avatar of Gluttony had returned, holding a comically-large tub of sorbet, shovelling a hefty scoop into his mouth using what looked like a ladle. Between bites, he seemed to be mumbling something.

“… boom, boom, boom - bah, bah, bah - cookin’ like a chef, I’m a five-star Mich - oh. Hey, MC.” Beel sang absentmindedly, stopping when everyone in the room turned to look at him. Lucifer nodded to him in acknowledgement. Levi and Asmo had heard what he was singing and grinned excitedly. Belphegor, who saw what you had texted to his twin earlier, snickered. You smiled. “Did you like the song I sent you, Beel?”

Beelzebub looked straight at you, an slightly-embarrassed blush dusting his cheeks at the thought of his family hearing him singing. Nevertheless, he shot you a boyish grin. “Yeah. I can only really remember that part, though, for some reason.”

(it doesn't seem like asmo to just stop trying to form his boy band, so i headcannon that he does a fortnightly attempt to make his dreams come to life. we have overture now tho, so i'm gonna say that was all asmo - and maybe levi's - doing. i thought it would be nice for the brothers to partake in some of levi's interests, too :D) (pls comment below if you got any of the kpop references! as a hint for one of them, i don't think i can call myself a stay but i love stray kids' music and really respect the members for being so talented - but that lyric was the first one in my head when i thought about beel ahaha)

(edit: whoops fixed the cookin’ like a chef lyric ahaha)

Comment below one of the following and I might turn some into writing, or a bunch of small snippets, if I get enough:

A name for the brothers' K-Pop group!

A concept for the brothers' debut!

A silly or unique piece of merch their group would have!

[makotonaegiunderstander]

something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.

“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”

[magistralucis]

The chef has entered the kitchen [Drabble]

(For @eleooooooo. AU of an AU (😂) inspired by the Unravel!Imotekh cameo in From Darkness Unto Thy Light, which somehow pretzeled back into this scene. Imotekh makes Orikan a mushroom risotto/porridge/succulent vegetarian meal. Since AO3 is down the brainworm has been entertained, I hope it turned out cute aaaa)

----------

The tent flap rustled open. Imotekh looked up, the spoon scarce halfway to his mouth. At the entrance of the tent stood a veiled figure, his dark hair loose and mussed from a recent sleep.

Orikan stared at him. "What are you eating?"

"Orikan." Imotekh put down the spoon, and was just about to rise in greeting when the chronomancer took the liberty to plonk down right next to him, peering into the bowl. Through the cloth the tips of his ears were twitching in a way Imotekh had not seen before. "I didn't mean to wake you."

The cryptek contemplated this for a moment. Disregarded it, to return to the more pressing question. "What are you eating?"

Imotekh laughed. "Tried something different today. You can only have so many nights of gruel in a row, no matter how low down on the food chain you are." He stirred the grains for a moment, then glanced back up. "Would you like to try?"

Orikan nodded. Imotekh offered him a spoonful. There was a pause, then the cryptek hesitantly pushed his veil to the side, revealing just enough of his mouth that he could eat.

He didn't take the spoon from Imotekh, just leaned down towards it. Licked the broth off the tip, warily. The soldier watched, somewhat taken aback, as Orikan lapped slowly around the edge of the spoon - before finally closing his lips around it. After a few seconds he was up again, savouring the taste. Nothing about his demeanour suggested an opinion either way.

"... Well?"

Orikan remained silent. Imotekh worried that he'd blown it somehow, though he noted this was unlike any other reaction he'd seen from Orikan before. If he disliked it he'd probably have walked away without a word, like he'd done for so many meals of dry rusks or ration-cake stews. There was never any joy in it when he was obligated to finish something, either, he seemed to find the very concept of consumption mortifying. Still, he thought, this thing - it's no apple, certainly nothing you'd find at a banquet - but if he'll actually eat it...

"Orikan?"

And then he saw it. The tiniest of fidgets, accompanied by the brief clutch of the other's slender hand upon Imotekh's lap. He had no idea how he'd done it, but the cryptek was flustered - and pleasantly so, judging from the increasingly insistent stare Imotekh could feel a veil and an eternity away.

The soldier's face brightened. "Would you like more?" He exclaimed.

Orikan nodded. Hurriedly Imotekh scooped up another spoonful. And this time the chronomancer actually took matters into his own hands, accepting the spoon with one hand and pushing back the cloth with the other. There was none of the wariness from before: just the mouthful followed by another, the third faster than the second, until he abruptly dropped the spoon into the bowl.

"Let me-"

He then took hold of the veil's edge, and flipped it right back from his face, so that he might be wholly engrossed in the business of eating.

Strange, how Orikan made such a fundamental activity the subject of pure awe. Imotekh felt almost out of himself as he watched the cryptek eat, his every move laced with an enthusiasm he'd not thought him capable of before. Orikan did not even stop to let the porridge cool, even though every bite was piping hot; where the spoon came away with more grains he chewed them thoroughly, delighting in the slight firmness to his teeth, and when there was more broth he sipped and savoured the rich creamy thickness upon his tongue. There was not a single complaint of too hard, too soft, too flavourless. Anything but.

The usual soldiers' fare: dry the hell out of it, bake it into bread, or throw everything into a stew. Flavourings were negotiable, foraging inconsistent, and sometimes even the fundamentals of nutrition were up for debate. Imotekh inwardly praised himself for saving up his salt-rations - food at the cryptek temple was bland, or so Orikan had told him, the boy might've hankered his whole life for some seasoning - as well as taking the time to collect mushrooms during the long forest marches, staying up late all those nights to dry them carefully over the brazier. He could do little about the quality of their grains and pulses, but where others might've tossed them into a pot straight away he'd taken the time to process them even further. The barley-grains he toasted prior to boiling, the legumes he soaked overnight then ground to a fine paste. Orikan was not partial to meat, so mushroom broth it was, simmered so slowly that it took almost an hour to extract their savoury depths; then came the grains, then the vegetables and a splash of seed-oil, the legume paste stirred into the mixture in between stages for thickening. Who could resist the mix of those flavours, the tender way the mushrooms fell apart between the teeth, the tiny drops of oil melting upon the tongue?

Not bad, Imotekh thought. Orikan's praise was yet higher. Before they both knew it the porridge was all gone, and the soldier found himself eye to eye with the chronomancer, who was slowly licking the spoon clean and dealing with the realization that he'd eaten the whole contents of Imotekh's bowl.

He hadn't asked, or anything. It never even crossed their minds that he should.

A deep embarrassed blush bloomed across Orikan's cheeks.

"Why, Master Orikan!" Not that Imotekh minded. He could hardly keep the grin off his face, so relieved he was to see Orikan finish a meal for once. The fact was even sweeter because the Diviner had favoured him - because no one else, Imotekh thought, had yet come up with an experience Orikan had thrown himself into so eagerly. "There's more where that came from, you'll be glad to know. You enjoyed it, then?"

Chronomancers were meant to be indifferent. Certainly a stranger would've said that of Orikan, with his blank expression and empty eyes. Imotekh, however, had learned him during their past months together: he read sentiment in the microscopic flickers of the veil of Orikan's lashes, how from first taste his ears had perked up and hadn't stopped perking, the slightest drag of his tongue along the lower lip where the residual flavours dwelt. Notably, Orikan did not retreat behind the cloth. Presumably he thought he could've been more graceful, but he did not look away - and, eventually, gave Imotekh a shy little nod.

The soldier laughed. "I thank you for your high praise, sweet Master." He stood and beckoned Orikan up, and the Diviner followed him right away, one slender palm folding like a lotus upon Imotekh's own. "Come on. I think that calls for seconds."

[see-arcane]

I wish for something Dracula as sort of post-apocalypse. Maybe killing him did not stop the infestation, maybe it emboldened other vampires and you have now 100 Ruthvens in his wake having turf wars, maybe his visit awakened legendary dormant ancient evils, maybe it inspired ambitious lords of the dying british/european aristocracy wanting to copycat him and make devil pacts and training in the mountains. And the survivors who experienced it all first hand dealing with it.

Honestly, it stuns me how little has been done with the 'Dracula technically leaving an open spot at the top of the vampire food chain' possibilities. I think Castlevania kind of touches on it, but overall there's just a whole lot of nothing going on in Dracula-adjacent media about it.

Though I will hand the other public domain vampires a pass because, to be honest, I think Count Dracula was the only vampire in literature who was ever concerned about Taking Over the World. Everyone else in the undead scene is just sort of doing the smart thing and. You know. Chilling.

Lord Ruthven wasn't out to conscript others. Dude went out of his way to kill his victims with knives and drink the red runoff, as if to explicitly avoid making other vampires.

Carmilla was out there romancing and drinking girls like an undead Casanova. The vampire who turned her first when she was Countess Mircalla might have been different! But we never find out who that vampire was; we just know about Millie and the growing list of broken/siphoned hearts left in her wake.

Clarimonde, the dead woman in love~, was so bad at making another vampire. Comically, tragically bad at it. All she could bring herself to do was construct a fantasy dreamscape to live in with her human priest crush while taking literally only a single pinprick's worth of blood from him to keep herself going. This, when the priest in question openly declared SHE COULD HAVE HIS ENTIRE CIRCULATORY SYSTEM if she wanted it!

Varney the Vampire was and remains just...terrible at being a vampire. In general.

Countess Dolingen and her undead village, along with Gorcha and the Vourdalak village, both seem to have the whole 'conscript everyone around me/all those I love' angle handled. Except neither group ever ever expands past the borders of their territory. Maybe it's a rule? Maybe they just ran out of people they felt like drinking? Either way, they stopped caring about collecting others and just tucked themselves in their graves to doze once their respective villages were turned.

In short, for somebody to take over Dracula's ~King of the Vampires~ role, we'd actually need an OC to step in. All the actual classic literary vampires, many of whom were kicking well before Dracula appeared on the scene, just are not interested in the undead tyrant game.

(Probably why Dracula had to go around recruiting in the first place. None of the other vampires returned his letters or carrier pigeons for centuries. No, they don't want to join his pyramid scheme vampiric onslaught campaign, thanks. Too busy minding their business and/or dealing with personal drama. Please lose their address.)

[butterflyscribbles]

So I haven’t talked nearly enough about Mutant Mayhem yet but I saw it for the second time a few days ago and they have consumed all my thoughts have some random headcanons I’m dying I have to talk about them more:

⚠️(Spoiler warning for MM as well)⚠️

April

- Lives with her mom and grandfather on her mother’s side. Raised by a single mom who’s a veterinarian and her grandpa, a retired tailor and clothing retail manager, moved in after her grandma passed away a few years ago.

- Listens to way too many murder mystery podcasts and thrillers are her favorite movie genre

- Practices doodling a lot in the sides of her journal or class notes. She’s inspired by courtroom sketch artists and old biology journals.

- Swears like a sailor. Even more than Raph. Tries to censor herself around them but it only gets worse the closer they become as friends

- Becomes a sort of ambassador for the turtles and other mutants in the city. Anyone who doesn’t approve of them, goes through her…

- Favorite subject is biology, outside of working on the school newspaper of course

Leo

- Big time book worm. Has read a lot of the classics like The Great Gatsby, Catcher in the Rye, etc. which gives him an advantage heading into high school. His favorite subject is literature naturally as a result.

- Autistic, practically canon but just putting it out there

- Like April, he’s got a sensitive stomach under pressure. Nausea flares up all the time, especially at the sight or smell of blood. They bond over it. Nothing brings two people together like commiserating that your tummy hurts all the time🤝

- Hopeless romantic. Had fallen head over heels for a few other girls he spotted up top even before April came along. She was just…different. He watches a lot of sappy romance movies too they make him feel all warm and fuzzy.

- Love language is words of affirmation big time. He’s always about hyping up the people he loves and will defend them through anything.

Raph

- He’s the team medic in this iteration. He’s no professional but growing up he had so many injuries from being a scrappy lil dude that he picked up on how to take care of ‘em on his own and of course shares that knowledge with his bros and April later. He’s surprisingly gentle when he needs to be.

- He’s the most prone to nightmares/night terrors. The fact that Raph was the one to go seek comfort from Splinter in the tots scene is so important to me.

- He and Donnie are the anime enthusiasts. Hasn’t seen as many as Donnie but it’s close.

- Scratching his shell gently, especially up by the shoulder blades, is like an automatic snooze button. He passes out within minutes.

- Second biggest crybaby to Mikey. It happens when he feels any emotion too strongly whether it’s happiness, anger, sadness, etc. and he hates it. Makes him feel weak, which is why there usually is a lot of punching involved too.

Donnie

- Can’t swim and is the only one who actively dislikes getting into the water.

- He and Leo have been studying how to speak and write Japanese together for years. Don has picked up a lot from all the anime he watches.

- Is the most emotionally open version of Donnie to date. He’s always telling his family how much he loves them without restraint and is the first to ask what’s wrong if he picks up on someone acting weird or trying to hide something.

- To compliment the above hc, he’s insanely observational, like Sherlock level. They don’t know how he’s able to do it but his attention to detail and his ability to take that and create plans and get a read on people is baffling. If Donnie doesn’t get a good vibe off someone, believe him and run the other way. (Makes him really good at those spot the different puzzles too lol.)

- Loves to dance just like his previous incarnation before him:’) Bootyyyshaker9001

Mikey

- Is actually afraid of cats…growing up with Splinter, who would freak out at the sight of them, only taught him to freak out along with him. They are sharp and unpredictable.

- Other than that however he’s an animal lover. Had a few pet fish through the years that he saved after being flushed.

- Practically canon but the most physically affectionate by leagues. Constantly seeking a brother, adopted mutant family member, or an April to cling to.

- Super into musicals and is a actually a decent singer

- Can take a punch like nothing you’ve ever seen and can still be standing….but gets sick constantly his immune system is wack

[imnotavamp1r3]

♡ A guide to emo, goth, and scene! ♡

So since I see a lot of confusion over certain subcultures are and the differences between them, I thought I would make somewhat of a master post basically outlining the characteristics and differences of three aesthetics that I see misinterpreted a lot. If I do at any point get something wrong, feel free to correct me because I really don't intend to spread misinformation.

🎀 Emo

Emo is a music based subculture that first emerged in the 80s out of the hardcore scene. The name emo came from the music genre emocore, which was short for emotional hardcore. The fashion is typically pretty casual, with some staples being straightened and teased hair with a sideways fringe, black clothing, band shirts, arm warmers, sneakers, skinny jeans, fishnets, arm warmers, wide leg pants, studded belts, and merchandise from various properties like Emily The Strange, Nightmare Before Christmas, and Ruby Gloom.

Since the early days of emo, the music in the subculture has expanded outside of hardcore and post-hardcore, and has since gone on to include alternative rock, horror punk, metalcore, pop punk, and screamo. Some of the most prominent artists in the scene are Avril Lavigne, Blink 182, Fall Out Boy, Green Day, My Chemical Romance, Panic! at the Disco, Paramore, Pierce The Veil, and Sleeping With Sirens.

Since the subculture is mainly music based, fashion is not as important to being considered part of the scene. Therefore, not dressing in a specific way while listening to the music wouldn't make you a poser, but dressing emo while not listening to the music would. What is not considered emo is listening to a random genre of rock music. Bands like Metallica and Nirvana, while enjoyed by many emos, are not emo bands and therefore don't make someone emo. Furthermore, I can't believe I need to say this, but, contrary to what many people seem to think, kawaii people are also not emo. While it is common for kawaii people to listen to metal and other heavy music genres, their style is not at all similar to emo and they don't consider themselves as part of the subculture either.

🎀 Goth

Goth is probably the oldest subculture here, with it dating back to the 70s English punk scene, with bands like Siouxsie and the Banshees and The Cure pioneering the culture. The post-punk band Bauhaus' debut single 'Bela Lugosi's Dead,' a song inspired by the famous horror actor Bela Lugosi, who portrayed Dracula in the 1931 film adaptation and also starred in White Zombie which is a film that's typically referred to as the first zombie movie, is often considered the first gothic rock song.

Goth is a subculture with many different sub-subcultures. Some of the most popular are batcave, bubble goth, cyber goth (formerly referred to as gravers), death rock, mall goth (formerly known as spooky kids), nu goth, romantic goth, steampunk, vampire goth, and, my personal favourite, gothic lolita. Contrary to what many people think, I don't consider aesthetics like pastel goth (which I do love) to really be a part of goth since it doesn't have roots in goth. Obviously I'm not going to go over every substyle because that would take way too long and would have to require its own post, but some common staples in most of these styles is lots of black, horror-inspired imagery, very big teased hair, black or red lipstick (red was the most common in the earlier days), and very pale almost white skin. Therefore, e-girls and emos (e-girls especially) are not goth. Also, the fetishisation of the 'big tiddy goth girlfriend' is very demeaning and offensive to goths, as well as just not funny at all because of how it objectifies and reduces them to simply walking breasts who wear black.

Goth music is, in my opinion, some of the most accesible and palatable alternative music. The most popular genres are dark wave, electronic rock, gothic rock, industrial metal and rock, new wave, and post-punk. Some of the most popular bands are Bauhaus, Evanescence, Joy Division, Marilyn Manson, Rammstein, Siouxsie and the Banshees, The Birthday Massacre, and The Cure.

🎀 Scene

Scene is an aesthetic that originated in the 2000s on the website MySpace as a derivative aesthetic to emo. Many scene kids were considered emo posers because of their unconventional style and the music they listened to, which included genres ranging from crunkcore to metalcore, often being considered 'trashy' by other subcultures. Despite all of the hate towards scene kids, many embraced their label and many of the most popular people in the subculture started being known as scene queens who are also often credited as the first influencers. This included people such as Ambrehhhisdead, LedaMonsterBunny, and Melissa Marie Green.

Some staples to the style are colourful clothes, straightened and teased hair with colourful raccoon hair extensions, the scene swoop fringe, brass knuckles or diamond necklaces, bows, leopard print, zebra print, colourful shorts, tutus, tight clothes, sunglasses, knee high converse, band shirts, and merchandise of characters like Gir from Invader Zim, Gloomy Bear, and Hello Kitty. Personally, I would consider the modern rendition of scene, scenecore, to be a different aesthetic that, while it is pretty similar to scene, typically borrows from aesthetics like glitchcore rather than emo or mcbling.

Scene music is pretty diverse in what it provides, as it ranges from very heavy genres such as deathcore and metalcore to more pop and rap adjacent genres like crunkcore and neon pop. Some of the most prominent artists are 3OH!3, All Time Low, Asking Alexandria, Blood on the Dance Floor (unfortunately), Bring Me The Horizon, Brokencyde, Cobra Starship, Dot Dot Curve, Jeffree Star, Ke$ha, Metro Station, and Millionaires. A lot of the music is known to ignore many of the typically conventions of music, with the lyrics often containing themes relating to partying and sex.

That's it, byeeeee! ˚｡⋆୨୧˚♡

[nadianova]

How much time do you spend planning some of your visual novels? At least going by some of them being jam submissions, it feels like you go from pre-production to a finished build very quickly, and it's amazing how you can manage that while still having an awesome story and so many assets.

Also, what is like, the process of planning a story out for you, if there's any vague or concrete similarities that you've noticed?

i think the important context here is that if i get bored/have nothing to do i jhust immediately get really suicidal its like ridiculous how bad it gets(ITS FINE DONT WORRY ABOUT IT IVE HAD 5 YEARS OF THERAPY). so i hate being bored and want to occupy my time wit something fun whatever that is. if i have a project to focus on but especially if I'm working for a game jam i have a deadline and i just decide to myself okay i will release a game now.

because ive made a decent amount of games i roughly have an idea on my capabilities, i can estimate how long it takes for me to write a story so and so long and how long it takes for me to draw stuff i need and how long it takes for me to throw stuff in renpy. these are estimates like as in I'm not accurate with it but still enough that i generally know where to start cutting ideas since the most important part is just having something to submit. i also know to plan around my brain wanting to slam my head into a wall an my hands suddenly giving up on being able to draw.

i think thats the beauty of game jams it forces you to just go for it and release something. releasing a 'bad' game is better than no game at all. experience only comes over time and i think just going for it is the best approach there is. like its literally 2 weeks 1 month whatever of your life. if you have the time and motivation go for it. make it work or fuck it up it wont matter in the grand scheme of things

im not sure what is the motivation behind the question but i do want to point out that this is just my method (if you can even call it a method) and the only way to figure out what works for you is to just try until you find something that actually works for you

idk not everyone will find it doable/fun to plan around spending two weeks gamedev 10 hours a day just cause i wanted to fit in 100 cgs for a jam game but apparently i can do that when i cheat my stupid adhd brain into hyperfocus with adhd meds

READMORE BECAUSE I CANT STOP RAMBLING

as for planning tho i think ideas on their own are worthless and its always about execution in the end. a great idea or a meh idea are the same for me but i do still enjoy the planning process so i keep notes

like i see a great tumblr post or i see some art or visual novel has some scene that inspires me: i save that shit for myself

having a big collection of random floating ideas like that helps me easily pick from especially during a jam type duration. right now i have like 4-5 half-baked project skeletons, some are literally like 3 pictures and some like naomida are a hundred hours worth of me writing world building about how the toilets work in a city with no plumbing cause its -30celcius(i love bringing this up)=

i dont normally plan that much, i tend to just wing it. like for malmaid i seriously just had some rough ideas and just went along as i wrote

same thing for dddeviance i had a handful of scenes that i really wanted to make and knew what kind of start and end it was meant to have and just figured out how to fill the in between. a lot of plot points changed vastly like halfway through i realised my devil + angel combination was stupid and i should just go for fallen angel + angel.

i think there really is no simple answer tho (as evident from the long as hell post) i don't really have a 'process' because every single game has been worked on has come with different type of planning since I'm always trying new stuff to try and distract me from boredom. like I've been using obsidian for naomida while previously I've just used a empty discord serve as my notes app for malmaid and dddeviance

and tbh with naomida I'm running to a new problem where I'm definitely planning too much. like I'm spending too much time fidgeting with details in chapter 4 even when i haven't finished writing chapter 1 just cause its so easy to get in the loop of "oh ill just change this one line" and boom 20 mins spent playing with my notes that didn't really progress my game since by the time i reach this point the whole scene might have shifted to something else

.

but if i had to squeeze an answer itd be something like everything related to my art or writing or games is just like "oooooo that seems fun i should remember this for later" and then i just string 10-100 of those into a story

i tend to write my stories in a format of

character A does this and that

this happens here

puppy play ryona piss orgasm

new day and then this happens here

sad thing happens

more piss orgasm

the end

and just like start filling in more details and working on my story in a nonlinear fashion until i feel like i have a strong enough skeleton that i can start writing my scenes. i hop around a lot, often preferring to write the fun scenes first like ero stuff or the ones I'm the most interested in and then the rest is just filling the blanks and stringing the cool scenes together