#but when i see people *seriously* saying that “everyone in this anime is incredibly gay” i feel so damn confused

[chaikajpeg]

kageyama tobio | haikyuu

reference photo: link to the japanese website

model: Ran Takahashi, photo shot by 矢島康弘 (Yasuhiro Yajima i think)

[chipchopclipclop]

i just started rewatching soul eater for the first time since i was 15 and Stein is so much more interesting to me than he was then... what are ur soul eater thoughts chip if youre willing to share

i did not experience soul eater as a wee youth, the first time i watched (and then read it) was 4 years ago (give or take) so i do not have the beautifully tinged nostalgia for the series others might. i say this only bc it colours my thoughts of the series pretty well lmao.

the anime is alot better than the manga just by virture of bones' animation being incredible but also its like 40% less painfully fucking horny (though still is its shounen) and the way some of that plot goes in the second half is so fucking bad in the manga (though not all, but god). It's not like the anime gets rid of everything like that stupid ass argument black star has with maka still makes me want to murder him but ultimately i like the anime and its writing more. i think my minds canon is just a meld of parts i like from both lol.

ohkubo is also just on my top ten list of mangaka i need to actually kill like hes a solid #3 on the needs to die list. his designs and art improvement were fun to watch and i do love halloween world and his toony stuff, undeniably bangs, but you can really tell by the end where his transformation into horny moe artist came from. sometimes i see people shocked by this and soul eater not's existence and i have to think did we read the same fucking manga...??

sorry i needed to get my bitching out before talking about stein. i love stein. so many things wrong with him. he is 70% of the reason i got around to watching it and 95% of the reason i kept reading it. i think how expressive he is is alot of his charm, like he does alot of moe body language you might not expect of his type of chara.

hes #crazy and #madscientist and #edgy and #insaneasylum but also very silly and whimsical... kind of emblematic of the world of soul eater at large actually, this is also alot of the other characters appeal in this universe too (DEATH THE KID).

he's obsessive, hes empathetic, hes also sadistic, hes got a screw in his head, megane, fun with kids, perfect man. hes also got both an equal capacity for getting worse and better in him which can be fun to think about in either direction, and you've got characters that do influence him either way for that in the series. im also kind of remembering clicking the screw in his head is to help somewhat deal with his mental state actually, king of the disability aid...(?)

you can treat his character very seriously or lightheartedly, i think the writing in both versions maintains that balance well. It also makes everyone else who actually sticks around him somewhat deranged too (the fact he did surgery on spirit at school but spirit still interacts like pretty normally at work with him after meeting again. lmfao. THEY WENT DRINKING TOO) the fact he still calls spirit senpai also is so funny. its like 40% a dig at him but also 60% genuine. i hate gay people btw.

i like the thought that he was more stoic when he was younger but as he got older stopped trying to hide his eccentricities as much, and became more expressive lol. younger stein to me is a guy screaming in his head 247 but looking like 😐 while spirit stares at him trying to decipher what his eyelid twitching today means.

[limeade-l3sbian]

That anon you got about straight women liking m/m content while ignoring m/f or f/f pairings... Where to even start...

First of all, I'm a straight woman who doesn't like yaoi/slash/bl/whatever it's called now and never have so I see where you're going. But I understand why so many women prefer m/m overall.

Many women say they enjoy m/m content because it's devoid of gender roles and misogyny. I understand this. I've consumed straight romance (sometimes against my will) and there's so much bullshit in it like I'm sorry. My sister asked me to watch this period drama with her and literally pretty much every pairing starts with the man being sexist or rude in some way to the woman. And they literally bicker most of the time but it's supposed to be "sexual tension" or whatever until at some point they kiss and I guess everything is forgiven. Yay? I don't know what's exciting or good about any of this. This drama somehow managed to make 1800s europe devoid of racism but not sexism, so pretty much every male love interest is sexist in some way. I don't get why women don't write more romance where the males are actually respectful of their gender as a whole. Or perhaps I do and here's comes my other point: many women cannot conceptualize a world where men are actually women-loving.

Seriously, have you ever seen the weird trend of refering to fictional male characters that are actually loving and respectful towards their gfs as male lesbians, or their het relationship "lesbian-coded"? When I was younger, it used to piss me off when women would say they didnt write or draw m/f pairings because they didnt want to deal with sexism and gender roles, I was like "then write a world where men and women are seen as equals!!" But then I started writing myself and it's incredible how fake it will appear to write a male character respectful and loving of his gf AND her gender as a whole. Now I write and draw for myself so I do whatever I want no matter how silly or fake it is, but I would never publish any of that because I don't wanna deal with people telling me "men really don't act this way, you dont know how to write male characters :/" or "Oh I love the male love interest, he's such a malewife!!".

And yes, many gay male romance has them dealing with homophobia, but that's basically them against society/the world. You can tell they are still in it together, and they will choose each other any time even if that means getting ostracized by everyone. With het pairing and sexism is more like man against woman. She has to deal and fight for this man to see her (and perhaps her gender) as capable and worthy of respect so they can have a better relationship. It doesn't seem like they're in it together and the woman has to put all the effort so her man can see the error of his ways.

Why do you think there are many people who joke about how a male character seems to have more chemistry and rapport with another male character (usually a friend or mentor) than his supposed female love interest? Because they're written as equals with interesting traits and a relationship that surpasses many trials, while the female love interest is written as "the woman" - writers will avoid giving female characters interesting traits because they dont think they look good on female characters or believe women dont or shoudnt act a certain way. And believe me, i'm saying this as a woman that's very attracted to female characters - the majority of shows and movies I consume have (a) female main protagonist(s) and I prefer shows that have a bigger female cast. I also get attached to female characters even if they're "badly written" or whatever the fandom says idgf. Ive even watched a lot of those animes and manga that only have female characters, because I have a preference for women in fiction (and real life I guess)

The f/f stuff is another whole issue that it's not very related to this. Most women producing m/m content are straight so they will want to see at least one male in their pairing. F/f can't provide that for obvious reasons. This is like asking straight guys why they don't consume gay male porn if they like lesbian porn so much. It literally makes no sense. These men give the answer of why they like lesbian porn usually as "one woman is hot, two women is DOUBLE the hotness". Think about it like that with women; now they have two men to ogle at.

I had much more to write, specifically about the sexual part (since fanfiction is usually very romance/sex centered) and m/m vs m/f and f/f, but this got too long. Perhaps i'll write a second part.

.

[tobiasdrake]

THE FINAL HANGOUT for Desuhiko. I. Think. I've gotten all of the Baubles up to this point. Going into this chapter, every character has one Bauble left to find for one last chill-sesh with them. The way that lines up looks deliberate.

Like, if this is the final chapter, it makes sense that everyone's last bauble to close out their Gumshoe Gab would be located here.

Oh god, are we breaking up?

You're literally the only character who has shipping tags pop up in the tag list when I go to type your name at the end of the post. Not even Kurumi. So if this is what it sounds like then you're about to break the hearts of approximately 100% of the game's audience.

Yuma has the patience of a saint. Imagine spending an hour hanging out on an empty rooftop with nothing to do but get rained on, while your only companion (who asked you to come here) is evasively trying not to talk to you.

I would have excused myself and bailed after like five minutes.

This conversation is coded as hell. No wonder Desuhiko's the only character with algorithm-prioritized shipping tags. He's gotten closer to a love confession in this brief conversation than Kurumi has in hours of hanging out with Yuma and constantly refuting that she's his girlfriend, anime-style.

This is purposeful ship bait. The game's made clear that Yuma/Kurumi is its OTP. It refuses to shut up about it even though it's moving that subplot along at a snail's pace. But the coding in this conversation is clearly meant to throw a bone to the shippers.

100% "If you get it, you get it. But if you don't then Desuhiko's just being a silly-billy by how seriously he's taking this." A paper-thin subtext with just enough deniability.

And judging by the hashtags, people have absolutely taken the game up on its offer. In fairness, reading into things like this is what you have to do to squeeze even an ounce of same-sex romance out of most IPs. Writers will ship-tease until the cows come home but balk at giving us openly gay/bi characters.

At least we got our cool enby Halara. As long as Kodaka doesn't lose the fucking script in the final chapter and sticks the landing for them, Halara will easily be the best LGBT character he's ever written. (Not that the competition makes that difficult or anything.)

Trust Yuma to be utterly oblivious to the subtext here. It's a long-established character trait that he struggles with understanding people when their behavior doesn't match his standards of normalcy. As is typical of Kodaka's protags, he is aggressively the Straight Man.

The musical equivalent of saying, "No, I will not go out with you, but I would like to be friends instead."

Desuhiko is not taking rejection well. But at least he's not doing that thing some people do, where they'll let someone go on tour with them as a fan while utterly convinced that, if he gives it some time, Yuma will come around and realize that joining the band really is what he wants for his life.

Desuhiko's in too much pain right now to accept Yuma as a fan. But he's accepting Yuma's rejection for what it is. He isn't deluding himself to cling to something that can't be. He's processing his emotions and allowing himself to feel. That's the first step in healing.

He is, however, stonewalling. His moment of vulnerability has passed. The defensive walls are up and stronger than over. Accusing Yuma of only wanting to be his fan out of pity is a defense mechanism.

Yuma has successfully pried Desuhiko back out from behind his walls. He's sorry that they can't form the band that Desuhiko wanted but there is a strong basis here for an incredible fanship, one that could change the course of both of their lives.

Sorry, Yuma. You talked yourself into this. Fortunately, I get to bail and let you two have this private moment together.

As is pretty well established by this point, I don't have a high opinion of Desuhiko. It's personal. He hits too close to home and reminds me a lot of myself at his age. But I can see why others would like him and his dynamic with Yuma.

He's a far cry from what I expected him to be when I met him. I expected a much more objectionable character, especially given Kodaka's track record. But actually, Desuhiko's pretty cool.

[yurimother]

The Best Yuri of 2020

2020 was hell in every way, and many of us are looking forward to new possibilities and advances in 2021. However, the year brought us many small moments and gifts worth celebrating. Among these, the explosive growth and change within the Yuri genre are among the most precious and most outstanding achievements. This second century of Yuri opened with a bang, as phenomenal new works, creators, and moments made their mark and helped change the future genre.

This annual list is a celebration of just a handful of the fantastic titles, people, and events in Yuri. There are likely some even greater ones that did not make the list because there is so much content in both English and Japanese that even I cannot keep up. However, among the troves of treasure, these titles stood out as shining examples of Yuri excellence. Some were released this year, others were recently adapted into English, and still, others are established titles that rose to prominence to dominate the conversation and my mind this year, but every one of them is worthy of being on this list and in your heart.

Here is the Best Yuri of 2020!

15: The Curse of Kudan Remastered

Japanese Yuri visual novel developers show no sign of slowing down as they continue to push to new heights and try new ideas. These are the same amazing people who brought us the delightful educational Yuri game The Expression Amrilato and the hilarious and surprisingly queer OshiRabu: Waifus Over Husbando’s. However, this most recent release, The Curse of Kudan Remastered, is their best work yet. Released near Halloween, this game brings a new edge of dark mystery and the occult to Yuri audiences worldwide.

The Curse of Kudan is available on MangaGamer, JAST USA, Denpasoft, and Sekai Project.

14: Adachi and Shimamura

English audiences were finally treated this year to Hitoma Iruma’s long-running and wildly successful Yuri light novel series, Adachi and Shimamura. Although the story struggles to gain traction, dedicated readers’ have their patience rewarded with a sweet tale full of gay pining. Alternatively, you can jump into its stellar anime adaptation, with gorgeous visuals and realized characters you will actually be willing to put up with the annoying Yashiro just to see where the title characters go. The series shows no sign of slowing down either, as the manga adaptation is coming to Western audiences next year.

Adachi and Shimamura is available to stream on Funimation. The light novel series is published by Seven Seas - https://amzn.to/3rTSZTK

Honorable Mention: Happy Go Lucky Days

The OVA adaptation of Fragtime got most of the attention this year. Still, director Takuya Satou and Pony Canyon also gave us this much-overlooked “love is love” anthology movie based on Takako Shimura’s manga (Sweet Blue Flowers, Wandering Son). The first short in the film, “Happy,” is easily the best Yuri anime of the year. It follows the beautiful yet realistic queer love story of two women hooking up at a mutual ex-girlfriend’s wedding, only for the relationship to blossom and warm viewers’ hearts. Sadly, while stylized, the budget demanded the animation cut a few too many corners. Additionally, the subsequent stories are at best tedious and at worst alarmingly problematic, which is why Happy Go Lucky Days only gets an honorable mention.

The OVA is streaming on HIDIVE

13: Mieri Hiranishi

The Yuri scene has many colorful creators with a breadth of different ideas and stories in the genre, yet few have provided as much humor and joy as Mieri. This talented creator spectacularly tumbled into the scene with her manga essay The Moment I Realized I Wasn’t Straight, which embodies the brutal honesty and realism of Nagata Kabi and matches it with exaggerated hilarity. She continues to chronicle her painful struggles of being a butch girl in love with butch girls in the monthly series The Girl that Can’t Get a Girlfriend. Alternatively, you can follow her on Twitter for just as much heart and laughter.

Read The Girl that Can’t get a Girlfriend on Tapas and Webtoon.

12: My Next Life as a Villainess: All Routes Lead to Doom!

My Next Life as a Villainess has what can only be described as volcanic bisexual energy. Every character protagonist Catarina Claes encounters is entirely enthralled by her. Of course, she is far too preoccupied with her quest to avoid doom flags and change her ultimate fate to notice any romantic interest. The series is rewarding and well structured, as views are just as focused on how Catarina plans to avoid certain doom as they are with the various romantic misses her band of companions cooks up. While the “friendship ending” did not capitalize on its Yuri potential, it was perhaps the most satisfying possibility for this crazy harem, at least until season two comes out, which looks, unfortunately, to be significantly less queer.

My Next Life as a Villainess is streaming on Crunchyroll

11: Love Me for Who I Am

Kata Konayama’s manga series is less Yuri than a general LGBT work, but it has a lesbian character and explores her identity and struggles in great detail. Few titles before have captured the exciting and nervous waves of emotions that young people feel as they explore gender and sexual identities and try to find themselves. This heartfelt and extremely queer series rubberbands between cute moe dress up to tragic and gripping backstory, keeping readers on their toes the whole time.

Love me for Who I Am is published by Seven Seas - https://amzn.to/3rTSZTK

10: A Summer’s End – Hong Kong 1986

Oracle and Bone’s debut visual novel, A Summer’s End, is set in a vibrant and electric 1980’s Hong Kong. Drawing inspiration from classic Asian cinema, music, and fashion. The worlds of Michelle, a young office worker, and a free-spirited woman named Same collide. The two struggle to comprehend and accept each other’s feelings just as they struggle against society’s expectations and prejudices. An incredibly thoughtful and touching adventure, the creators incorporated vital contemporary elements include Asian LGBTQ rights and growing political unrest in Hong Kong, into this illustrious game.

The visual novel is available on Steam.

Honorable Mention: Goodbye, My Rose Garden

In the same vein as A Summer’s End, Goodbye, My Rose Garden is a beautiful period piece that incorporates LGBT views into its shattering narrative. The story follows a bright-eyed immigrant, Hanako, wanting to make a new life in England as an author at the dawn of the twentieth century. She takes a job as a maid to noblewoman Alice, but their relationship takes a turn when Alice asks Hanako to kill her. This poignant tale is beautiful and an honest depiction of love and its conflict with responsibility and society.

Goodbye, My Rose Garden is published by Seven Seas Entertainment - https://amzn.to/3hFSyaG

9: Shio Usui

Usui’s hit Shaikaijin Yuri manga Doughnuts Under a Crescent Moon could easily take this spot even though it is not even out in English until February 2021. The manga is already making waves and receiving constant praise. The characters and their journey to discover love and self-acceptance are as charming as they are relatable and grounded. However, it is the creator, Usui, who really deserves acclaim. Not just for their work on Doughnuts, but having a second serialized story, Onna Tomodachi to Kekkon Shitemita, in monthly Yuri magazine Comic Yuri Hime simultaneously. It is even more remarkable when you consider these two iconic stories are Usui’s first long-running works, as they only contributed one-shots before.

8: Bloom Into You: Regarding Saeki Sayaka

Bloom Into You is possibly the most iconic Yuri series in the past decade, and while the manga deserves its own place on this list, the best thing to come out of the series as a whole is easily the light novels. This trilogy by Adachi and Shimamura creator Hitoma Iruma dives deep into supporting cast member Sayaka. Readers are treated to a delightful journey as she discovers her sexuality, experiences heartbreak, and finally finds herself breaking free and falling in love. With the help of gorgeous illustrations by Nakatani Nio herself, Iruma masterfully captures Sayaka’s unique voice and emotions in this wonderful series. Whether a fan of the originals or not, every Yurijin must check out Regarding Saeki Sayaka.

The light novel series is published by Seven Seas - https://amzn.to/3hFSyaG

7: Our Teachers are Dating

The best a Yuri can get. This workplace romance follows two teachers at the start of a new relationship taking nervous yet enthusiastic first steps, including saying I love you, going on their first date, and even sleeping together. It is so heartfelt and salacious that readers will squeal the whole time. Additionally, our heroines are supported in their relationship by everyone they know, their students, colleagues, and even the principal. It is a perfect world for these two lovebirds! Our Teachers are Dating would easily be number one or two in any other year, but the competition is fierce in 2020. So even though this is only number seven, it is still a master class Yuri manga.

The manga is published by Seven Seas Entertainment - https://amzn.to/38XY3O9

6: Amongst Us

Who would have thought that a comedy alternative universe story spinoff of a fantasy action series would be the single best Yuri webcomic this year? Shilin’s astounding artwork illustrations the hilarious and irresistible journey of girlfriends Blackbird and Veloce. These two eccentric young women get into all kinds of everyday mischief that bounces between tender and touching romance, completely outrageous comedy, and downright thirst-inducing sorcery. Seriously, you should buy the first volume for Veloce’s back muscles alone. The storyline skips between time, but both their established relationship and their meeting as teenagers are adorkable and captivating.

Amongst Us is available online free on Webtoon and the comic’s website. The first volume is in paperback on Shilin’s site.

Honorable Mention: Éclair

There are a lot of Yuri anthologies out there, and they have done some beautiful things. Many focus on themes like Syrup. Others collect a series of stories by an author into one bound work. However, out of all of them, Éclair is the most successful. ASCII Media Works took some of the genre’s most extraordinary creators and let them do whatever they wanted, and the results are spectacular. The incredible talent behind Éclair somehow packs a full volume’s worth of story and character into just a few pages with every chapter. While the first volume came overseas a few years ago, Yen Press gave Yurijin a gift this year by releasing the entire rest of the series in which readers can get lost.

The anthology series is published by Yen Press - https://amzn.to/38XY3O9

5: I’m in Love with the Villainess

A small trend of isekai Yuri with villainesses emerged recently, and I honestly had few hopes of I’m in Love with the Villainess. The series is pretty popular, but I often find that this does not denote quality, and with isekai having some institutional issues, I suspected this would fall flat. Then the volume three cover showcased an incredible accomplishment, allowing for a lesbian relationship to blossom into a family with children, and it blew me away. Finally, I read volume one and realized that the series has incredible character, some of the best world-building I have ever seen in a light novel, thoughtful discussions of inequality and societal issues, and most impressively, open and frank discussion of queer identity and life Yuri has ever seen! This one is something special.

The series is published by Seven Seas Entertainment - https://amzn.to/3nedvdZ

4: The Last of Us Part II

Yes, I know this one is not Yuri and that a portion of the population despises this game and will likely be exceptionally angry at me for including it. However, I maintain that it was an incredibly challenging masterpiece. Naughty Dog did not take the easy route out and delivered one of the most devastating media experiences I have ever seen. As I said in my article about the game, playing it changed me, and it sticks with me to this day. The Last of Us Part II earns its spot on this list because it pushed boundaries more with LGBTQ inclusion than any other AAA game. From brave inclusion of LGBTQ themes to queer characters and storylines at its center, the game changes gaming and it will never go back.

The Last of Us Part II is available on PlayStation 4

3: She-Ra and the Princesses of Power

She-Ra feels like the culmination of all the LGBTQ progress western cartoons have made over the past few years. From The Legend of Korra to Steven Universe, young people are finally seeing more LGBTQ people represented on the small screen. This epic fantasy concluded with an amazing and powerful lesbian romance, delivering on its queer promise and revolutionized representation in a trope-defying crescendo.

She-Ra and the Princesses of Power is streaming on Netflix

2:  The Conditions of Paradise

The greatest single Yuri work of all in 2020 was the English release of Akiko Morishima’s breakthrough manga, The Conditions of Paradise. Initially released in 2007, this anthology detailed the love between adult women. It was in every way a manga ahead of its time, and seeing it finally get a small piece of the recognition it deserves overseas is a true gift. The fact that we can own this legendary piece of Yuri history and Morishima’s other anthologies is nothing short of a blessing from the Yuri goddess.

The Conditions of Paradise is published by Seven Seas Entertainment - https://amzn.to/38bh4xq

Honorable Mention: Otherside Picnic

This eerie sci-fi horror series combines the best of pulse-pounding thrillers, complex and intelligent hard science fiction, and exciting Yuri romance. Author Iori Miyazawa spends as much time crafting a well-paced and intriguing narrative about a mysterious world where occult creatures roam as he does establishing two believable and grounded heroes in Sorawo and Toriko. The romance between the two may be slow to start, but their chemistry is undeniable and as the stakes and story build, so too does their relationship. Not only are the light novels incredible, but the series’ manga adaptation is coming soon to the West as well as an upcoming TV anime in early 2021.

Otherside Picnic is streaming on Funimation. The light novels are published by J-Novel Club - https://amzn.to/3niiv1g

1. Yuri subgenres

For a long time, Yuri was not a genre of its own, but elements of romances or bonds between women found in other works. Now, thanks to an increasing library of works, the advent of social media, and a wider audience, Yuri is a genre on its own, with many creators telling different stories in different styles. However, 2020 saw the continued emergence of something extraordinary, subgenres. Yuri is now so vast, we can actually categorize the works within. Depending on their characters, like classic schoolgirl romances or spicy shakaijin office affairs, their world, such as fantasy or isekai series and thrilling science fiction adventures, and even other elements within. One of my personal favorites is the feminist Yuri that emerges from titles like Sexiled, where women celebrate the accomplishments of other women and dismantle power structures stacked against them. Now, no matter what kind of Yurijin you are, there is something for you to love.

I am happy to leave 2020 behind, but I bring with me a renewed love and admiration for Yuri. 2021 looks to be a somehow even better year for the genre, and I am thrilled to experience every minute of it that I can. Yuri has transformed into something far greater than I ever thought it would be, and let us all enjoy its evolution and expansion together in 2021.

[harbingerofsoup]

The comprehensive guide for why absolutely everyone should read and watch this work of art.

First of all, Iruma is best boy! He loves his friends and his family, his instinct is to help others, and like… just look at him. So good, so pure. But what truly makes Iruma a protagonist worthy of having a slide to himself is his character development. He actually starts off as a completely selfless person due to how his awful parents groomed him, and his whole character arc is learning how to be more selfish. Of course, Iruma’s selfishness manifests as eating all the food he wants, holding on to his family and friends, and finding ambition.

Sullivan (the first guy) adopts Iruma as his grandson after his parents sold him. This dude radiates grandpa energy and his number one priority is to spoil his new grandson. He’s also the principal of the school he sends Iruma too. And one of the most powerful demons in the netherworld. Opera is Sullivan’s butler, and warms up to Iruma a bit slower than Sullivan (so like a few days). They’re not very expressive facially. Rather they mainly express emotions through their ears and tail. They’re a total Badass™ and surprisingly mischievous. Alice Asmodeus (on the left of the 3rd pic) swore his undying loyalty to Iruma after Iruma accidentally kicked his ass. This man is ride or die, and honestly my words can’t do him justice so it’s better if you just experience this gay disaster for yourself. Clara Valac (right of the same pic) is a gremlin and I love her. Her priority is to play with her friends All. The. Time. But she also has insecurities about her personality after it stopped her from making friends. I put Ameri Azazel (please step on me) in between them. She’s the student council president, a badass, and a huge romantic. Naberius Kalego is the homeroom teacher of the misfit class (the class Iruma ends up in.) He’s a Very strict teacher, but genuinely cares about his students and is good at his job. There are so many other characters, but I want to avoid spoilers and get sleep tonight.

14 year old Suzuki Iruma was raised by his parents to do chores and make them money. Eventually they decided that he wasn’t bringing in enough, so they sold him to a demon who takes him to the netherworld. Instead of eating him though, Sullivan (the demon) asks him to become his grandson, and Iruma, who’s unable to say no under any circumstances, says yes. He starts school at the demon school Babyls (pictured above) where he attends as the only human. Of course if anyone finds out they’ll eat him. While at school, he realizes that he doesn’t have an ambition of his own, so Ameri suggests that he try climbing the ranks (all demons are ranked by their power you know the drill).

This manga is hilarious! With such jokes as Iruma eating a ridiculous amount of food, every interaction between Asmodeus and Clara, and Ameri’s obsession with shojo manga. One of the funniest bits is that due to some unfortunate circumstances, Kalego becomes Iruma’s familiar, and you’ll learn all about this if you check it out, but for now all you need to know is that that fluffy chicken is Kalego. Crossdressing has been used for comedy like three times now, but not in a degrading way. It’s not the butt of the joke or anything. That’s Iruma, and he looks fucking amazing as many other characters have said many times 100% seriously. Moving on, cause explaining humor is difficult!

I adore how Clara is allowed to be a hyperactive gremlin, and I’m not talking “oh she’s quirky” I’m talking playing involves battle axes and acting like a demon bowling ball. You know the trope where the powerful girl isn’t actually that serious and instead is a huge romantic? Well Ameri may be a romantic, but her seriousness isn’t an act. She is 100% dedicated to her ambitions. And look at the designs for some of the recurring background characters! Too often in fantasy settings the female monsters, demons, etc are reduced to almost entirely human, with the exact same body type, and maybe horns or something. Not Here! There’s also the girls in the misfit class who all have their own motivations and interests. I’m also now realizing how many tall girls are in this series… awesome.

Ok so the fact that there’s even more than one queer character already make this amazing. But in addition to that, it’s never treated like a big deal. I mean look at the second picture “gender doesn’t matter to demons” love wins! So Eiko is a recurring character who has a huge crush on both Iruma and Ameri, and later becomes comrades with Asmodeus specifically when it comes to Iruma (they share photos of him it’s hilarious). Asmodeus having a crush on Iruma isn’t explicitly stating, but like I’d like to see someone argue that he doesn’t. Besides, his feelings are always treated the same as Clara’s and Eiko’s when it comes to Iruma. The holy grail of representation though is Opera who’s never referred to by gendered terms. The english dub of the anime actually specifically uses they/them pronouns. When I tell you I screamed! I could go on, but I’m I’m trying to avoid introducing too many characters.

In Mairimashita! Iruma-kun a good family supports and loves each other completely, regardless of blood relations. But it’s not either or. Sullivan, Opera, and Iruma are my golden standard for found family. I mean their love of Iruma is over the top and unconditional, which is what Iruma needs after a life without any such love from his parents. Biological relations are shown as something that isn’t always great, yet it’s not something to be expected either. Clara’s family is a gift, and Asmodeus’ family is one of the funniest dynamics I’ve seen.

These are typically considered negative traits, but here they are portrayed as desirable and useful. And it’s a convincing argument. Through Iruma we see that having your own ambitions and getting pissed is necessary for living a fulfilling life, and we see this because he starts out without having that. Every single time Iruma declares his own ambitions or says something selfish it’s just… chills. It’s always a powerful scene. Whenever Iruma gets truly pissed over something (which has legitimately only happened twice) we all cheer cause we’re so proud of him. I could write a whole essay about this one aspect of the story, but just know that I consider this to be an incredibly compelling narrative, and my favorite part of Mairimashita! Iruma-kun.

In conclusion, I’m posting this on my birthday, so as a present I would like more people to get into this fandom because it deserves a larger fanbase.

[pippenpaddlopsicopolisthethird]

That person might not have said top ten but I would like to see the other five underrated animes 👀

(First post) I’LL KEEP ‘EM COMING, I LIVE FOR RECOMMENDING ANIME. I keep changing my mind on which ones to include because there’s so much good shit out there.

By the way, all of the recommendations in this list AND the last one are 26 episodes or less and tell a complete story. No cliffhangers, no “finish the manga to see the finale”, no “where’s the rest of it???” endings. That’s why, for now, Stars Align and Princess Jellyfish still get stuck with the honorable mentions even though what’s been made for both of them is incredible.

1. The Tatami Galaxy (Drama, Introspective)

The director behind Ping Pong the Animation and the original author behind Eccentric Family join forces to make Tatami Galaxy, which capitalizes on the best strengths of both shows. The protagonist is a lonely college student facing the prospect of graduating after having thoroughly wasted his college years. He bemoans how circumstances outside of his control, from conniving fake-friends to selfish and shallow extras, have conspired to ruin what should have been a “rose-colored campus life”, and wishes he could do it over again so he can get it right.

So he does, with the show using avant-garde animation and abstract storytelling to explore all of his threads of what-ifs. The plotlines seem separate but weave together and subtly build on each other, culminating to a finale that explores the meaning of relationships and who you are in the absence of outside forces that can define you. It’s heartfelt, funny, raunchy, and deep, and perfectly encapsulates the existential dread of being in college. I watched it for the first time when I was about to finish undergrad and it hit like an emotional freight train, then I rewatched it during quarantine and it hit like a truck. This is one of my top favorite anime of all time.

2. Re:Creators (Fantasy, action)

Most of the anime I’ve put on these lists get their spots for being deep, nuanced, and delicately crafted. This is not one of them. But, by god, is it one of the most over-the-top fun shows I’ve ever seen. Re:Creators is a rare reverse-isekai. Fictional characters from popular anime, games, and manga suddenly start turning up in the real world, instructed to “find your Creator and reshape the world you came from”. The soundtrack by Hiroyuki Sawano is bar-none one of the hypest things out there; seriously, just listen to Layers, the song for a character from a grimdark everyone-dies series begging her author to tell her why.

The characters in this show are so fun to watch bounce off each other, even if they’re not as “three dimensional” as others. Magical girls fight Stand users, mechs face down scifi-noir detectives, Lawful Good Paladins go toe-to-toe with Chaotic Evil light novel villains.  But by including the artists who imagined these characters as characters themselves, it also has a lot to say about the creative process, the reasons people create, and the relationship between an artist and their work. Between the high-octane fight scenes, there’s a surprisingly human and genuine throughline.

3. Sora no Woto (Slice of life, music, post-apocalyptic)

This show is another of my favorite examples of worldbuilding done right. A young girl joins the army as a bugler because it’s one of the only ways she can learn to play music. The episode plots focus on how she and her tiny regiment of young women stationed at a small town in the middle of nowhere deal with day-to-day troubles, while the details of the world around them slowly fill and round out the picture of a broken society where people still just... live. They still create myths, they still have festivals, they still blow glass and tell ghost stories and make art. The plots seem inconsequential, until the world built into the background becomes too prominent to ignore. The background art and music is some of the most gorgeous I’ve seen. It’s part of a genre I’ve been calling “soft apocalypse” and it’s been one of my favorites for years.

BONUS MENTION: Girl’s Last Tour (Slice of life, post-apocalyptic)

Yes, I’m cheating, but listen. Girl’s Last Tour fits perfectly into the canon narrative provided by Sora no Woto, just set in the far future, a few apocalypses later. It’s got less of a main plot, because there’s almost nothing of society left, just two girls wandering together through an abandoned world. It’s soft, introspective, and bittersweet, showing how humanity is still humanity no matter how few people are left. Despite having nothing about their productions in common, it’s the perfect spiritual successor to Sora no Woto and they deserve to be recommended in the same spot.

4. Tamako Market (+ the movie) (Romance, slice-of-life)

This show is the platonic ideal of a soft, heartwarming, sweet-as-sugar, slice-of-life romance. It follows the daily life of Tamako, a high school girl who lives above a family-owned mochi shop in a shopping center, who is followed around by a talking bird trying to find a bride for his prince in a far-off land. But really the show isn’t about the bird. The show is about love in all its forms. The love that the other families in the shopping center have for Tamako, the love that she and her friends have for each other, the love they have for the activities they’re passionate about, the love you feel when someone makes you a cup of coffee, fated love, childhood crushes, family love.

Something about this show that also stands out is how gently and naturally it incorporates some of the best queer representation I’ve ever seen in anime. One of the shop owners is a kind and soft-spoken trans woman, who is never the butt of a joke, never questioned, never treated as different, loved all the same. One of Tamako’s friends is gay, and her crush on Tamako is treated with as much respect and care as every other moment in the show. This series never makes you flinch for fear of “representation” that turns sour. It’s the epitome of a feel-good show.

5. ACCA 13-Territory Inspection Department (Political, mystery, drama)

Yes, I keep saving my favorites for last on these lists. I can’t describe this show as anything but the perfectly written plot. As a rule, I don’t like political dramas, and this is one of my favorite anime of all time. It’s set in a fictional country, where 13 regions all exist relatively independently under one collective monarchical ruler, and follows Jean, an agent of the independent Inspection Department, which acts as a check and balance to each power. The series begins with Jean being assigned a full review of each territory while the powers-that-be field whispers of a coup. This show masters foreshadowing, intrigue, escalation, and mystery. The stakes build and overlap on scales from intensely personal to national. The pacing is amazing, keeping tension balanced with plot twists that answer more questions than they ask.

Plus, it’s got one of the most visually appealing and stylized openings out there. I realize that political drama isn’t exactly escapism right now, but believe me, this series is worth it.

[gay-otlc]

Keepers Of The Chaos (Chapter 1)

The first chapter of the Tumblr KOTLC Fandom Fandom story is here!

Summary: Tam, Linh, Keefe, Biana, and Fitz are part of the tiny fandom for Keeper of the Chaos, and Tam and Linh's podcast convinces some of their other friends to watch it as well. The group finds themselves strangely invested in this show, where students at Tumblr High School who work together to write about an elf named Sophia, cause incomprehensible chaos, and fight their rival Pinterest High School.

Content warnings: Cursing

Word count: 1204

Read on AO3

Linh leans into the microphone. "Welcome to the Twins of the Chaos podcast," she says.

"Where some chaotic twins discuss our favorite show, Keepers of the Chaos," adds Tam. He tugs at his silver tipped bangs. "I'm Tam, and my sister's Linh, and today, we're going to be talking about why you should watch KOTC. Now, if you're one of our five regular listeners, you've probably already seen it, but feel free to share this with a friend or relative to convince them to watch this show!"

Smiling, Linh takes the microphone back and continues. "In this show, there's a group of very, very chaotic friends who all go to Tumblr High School together. As soon as they return after New Year's, their principal informs the school of a writing competition taking place between high schools, with other opportunities for extras like drawing or animation. Every member of the winning team gets a free scholarship to an arts school the characters all want to go to, but don't like their chances of getting in normally or paying, so they sign up. Through the nine episode season, taking place over the month of January, the characters in the writing competition start on the premise, get sidetracked, come up with some truly horrifying ideas, write some gay short stories, and, as the title promises, act very chaotic."

"Now, the writing prompt that the group has to build on is kind of... fuckin' weird," Tam says, barely resisting the urge to roll his eyes. "They have to write about a girl named Sophia, who's twelve years old and can read minds, who meets a teal- yes, teal- eyed boy named Finn, who tells her she's an elf. Then, she travels to the elf world, where she struggles a bit at elf school, makes friends with some other elves, learns that she is an illegal creation of a rebel group called the Dark Duck, and another rebel group- the Rarelynoticed- tries to kidnap and kill Sophia and her friend Deck. And yes, we're aware that the names are shitty but the characters in the show really get into mocking them, so that's an upside."

Linh laughs a little at the names. "There are a lot of rebels, you might have noticed," she adds.

Tam nods. "Yeah, I noticed. There are a lot of rebels because their government sucks. There's a council of twelve really old elves, and only two of them are alright, then one of those two dies, and then one of the previously bad ones turns good."

"The characters in the show were given a very detailed list of worldbuilding, plot, and character details. We don't have to read the whole thing, though- they just consult it when it's relevant."

"But writing about Sophia and the Dark Duck isn't the only plot of KOTC, thankfully. We also get to see the competitors writing Dark Duck interact with one another and have fun. It makes connections to real life events- mainly through Bernie Sanders memes, but whatever. Bernie Sanders memes are funny."

"Bernie Sanders memes are funny," says Linh, nodding seriously. "And yes. There are some romantic ships in there- like Amelia and Akki, or Shai/Lynn/Tater, but there are also close friendships, and you get to see the group bond over their shared desire to get the scholarship, and their collective love of chaos, so the more platonic aspect is definitely given screen time as well."

"Which, given how often shows center only on romance, is really great," Tam agrees.

"The show also does really incredibly with including diverse characters. Pretty much none of them are both straight and cis, and most of them are neither."

Tam grins. "Right, and no one really makes a big deal about it. They mention it when relevant, of course, and some have homophobic parents, but they have depth beyond getting the authors ally cookies or whatever. Everyone uses correct pronouns, or apologizes when they screw up, and everyone's pronouns are validated no matter how 'weird' or 'confusing' it might be."

"The show also has a lot of good religious diversity, with quite a few Jewish characters, who make sure it's very clear that they're Jewish."

"Yeah, one of the characters- Shai- starts a movement to turn all the Sophia and the Dark Duck characters Jewish as well."

"It doesn't succeed, but good job to aer for trying," Linh says, sighing sadly.

They fall silent for a little while as Tam checks their episode outline, scribbled in Linh's rather illegible handwriting. "Linh, what the fuck does this say?"

Brow furrowing, Linh asks "You can't read my handwriting?"

"No, I can't!"

She sighs. "It very clearly says 'great characters- discuss,'" she huffs.

"Yeah, no one can read your handwriting. Also, we should probably cut this out when we edit."

Linh nods. "Probably, yeah."

Tam leans in closer to the microphone and starts speaking into it again. "The competition has fifty something participants- fifty two, was it?" He looks to Linh for confirmation, who nods again. "Fifty two. But somehow, all of the characters have their own distinct personalities and stories and interests, and they're shown as complex human beings."

"Yeah, that's always been my favorite part of the show. The characters are just so interesting. Canon manages to focus on them a lot more than I would have thought possible, but it still doesn't give us all the details- since it has to balance so many people, it can't spend a long time focusing on just one- so there's a lot of room for speculation in the fandom. Some get noticeably more or less focus than others. Like, Lynn and her fiancees get kind of a lot, while I wish some of my favorite characters like Specs or Charlene got a bit more screen time. But everyone gets some, no one gets too many, and the fandom is there to fill in the gaps!"

"Yeah, and the fandom is fantastic," says Tam. "There aren't a whole lot of us, which we wish would change because the show is really great, but we're a good fandom to be in. There's not usually a lot of discourse, and there are so many talented people making content. lordofthesnuggles's theories for season two are always so detailed and logical that I lowkey suspect he writes for the show, and thehunkiestofhunkyhair makes fantastic fanart."

Snapping her fingers, Linh exclaims. "Oh, and les-biana has the best fanfictions."

Tam coughs, and mutters "Yeah, you like Biana's fanfictions."

"Oh, like you're any different with Keefe," Linh huffs.

There aren't any visuals, so no listeners of the podcast can prove Tam was blushing. "Anyway, the first- and currently only- season starts with everyone signing up for the competition, no idea what they're in for, and ended with half of them wearing sleeping masks with teal eyes painted on and the other half watching the chaos with mild amusement. It's entertaining as fuck, and very well written, so do go check it, recommend it to your friends, let Keepers of the Chaos take over the world, whatever you like."

"Thanks for listening to the Twins of the Chaos podcast, and have an amazing day!" Linh finishes, and she stops recording.

[rescue-ram]

I love your brad is trans hc! How do you think that would play out on the show and breaking Brad specifically?

OK THIS GIVES ME FEELS

I had... too many headcanons... and some of them got kind of personal

I don't think Zack knows Brad is trans. They grew up together, so he knows what she was like when she was young, but I don't think she overtly experimented with sexuality or gender until she was in college. So Zack knows Brad was never "like the other boys", that she was gender nonconforming when she was little before her dad beat it out of her, and probably thinks she's gay, but doesn't know she's trans

I imagine Brad had a moment in her mid-twenties, when she's starting to build her career, where she really seriously considered coming out and transitioning, but took a long, hard, self-loathing look in the mirror and decided she would never "pass", and imagined having everyone know something incredibly personal and painful with one look, having to explain and answer questions about it forever, and decided fuck that. No vulnerabilities. She's in an iron clad closet.

I don't think she thinks of herself as Brad, but I don't imagine she really has a "name"- maybe one she used in college, but not one that stuck. Brad is her legal name, someone she pretends to be at work. Brad is successful. Brad doesn't need friends. People can say anything they want about him- he can be a sociopath, or an asshole. Brad is a power play.

But then Zack shows up, and all of a sudden she's once again Brad the scared little boy, Brad the pussy, Brad the weak pathetic failure

Given how quick Zack was to put Brad's eating disorder on blast in mock concern, to solidify his image as a caring brother, I imagine he was sharing a lot of embarrassing stories about Brad when she was little- a lot of them centering on her gender nonconformity or early expression, in order to make her seem unmanly, stupid, and ridiculous

I don't think anyone on the team would overtly bully Brad, or use what Zack said against her- that's very much not the vibe of the show- but they know things, personal things, and Brad knows they know

I don't even KNOW where we go from this point, the thought of the next two episodes fills me with anxiety and preemptive pain

HAPPIER HEADCANONS

Dana and Brad is such an underrated dynamic, and I imagine she's been getting ~vibes~ from her since their streaming days, but didn't know what to make of them. Whatever rumors she heard from Zack confirmed Brad is "gay" to her. She's got too much shit on her plate to seek her out, but if she was alone with Brad in an elevator or an office, she would probably try a "muhluhmuh wuhluhwuh solidarity" joke that Brad would immediately shut down by saying she's straight (it's funny because she is)

(Rachel would be very conflicted and tell Dana afterwords that Brad was an assimilationist- if Brad ever heard this she would think it was funny in an darkly ironic way)

Jo, as we know, turns on Brad. This is mostly to cover up her own conflicted feelings. Brad still sees a lot of herself in Jo, and Jo is uncomfortable with how she no longer looks up to Brad- she identifies with her.

The concept of Brad becoming a V-Tuber who plays Street Fighter with the use of an anime girl avatar and a voice modulator is very wholesome to me.

I'm obsessed with the little curls at the back of her hair and her earlocks, and I love her style. I think her casual fashion is very similar to her office style, but she wears subtly more feminine tops and pajamas. She's very frustrated by how her height makes it hard to find clothes that fit

Her gender is a very interior thing- the way she thinks about herself, and the way she thinks of herself in relation to other people- and sometimes when she's reminded others perceive her as a man she gets a kick out of it, like she's gotten one over on them- and other times it's like a kick in the head

When she comes out, it's abrupt- "Yeah, obviously I'm a woman, keep up"- and not a lot changes outwardly. Everyone is supportive in the clumsy confused way- but Brad is surprised by how much better it feels to be understood

[wonderfulworldofmichaelford]

Psycho Analysis is a series that looks at villains across various media in the hopes of coming to something of a consensus on the overall quality of the character. Are they performed well? Do they enrich the narrative? Are their motives fleshed out? Are they voiced by Tim Curry and thus a sex icon? 

There are a lot of important questions that I look into, but ultimately, Psycho Analysis boils down to asking one simple little question: How bad can a character be?

Thankfully, there’s one villain who decided to answer that question for me... in song form.

Psycho Analysis: The Once-ler

(WARNING! This analysis contains SPOILERS!)

Yeah, I’m finally talking about everyone’s favorite greedy bastard who, back in some of the darkest days of Tumblr history, ended up being the premier sexyman on the website. People were thirsting over this twiggy weirdo, acting as if he were God’s gift to women and shipping him with alternate versions of himself. Much like the movie he’s from, he is now incredibly hard to take seriously.

But hey, speaking of alternate versions of himself, I’m going to be covering him from the original book and the animated short film as well. Might as well just knock it all out of the park at once, right? Now let’s see how ba-a-a-ad this guy can be.

Motivation/Goals: The Once-ler is all about biggering. He’s making thneeds (things that everyone needs) and he is gonna stop at nothing to craft these things. Not even the power of the Lorax, Danny DeVito or otherwise, is going to stay his hand from getting that sweet, soft Truffula fluff to make his wares. This is ultimately a little unrealistic, at least for the Illumination version; if Danny DeVito asked me not to do something, I’d listen, no questions asked.

Performance: In the animated special, Bob Holt does double duty, as he is portraying both Once-ler and the title character. It works really well for what they’re going for, and the double casting is interesting because it highlights the ultimate role of the Lorax as the Once-ler’s conscience given form.

In the film, Ed Helms portrays the Once-ler, and he’s fine. He’s certainly better casting than Audrey, but that’s not particularly saying much considering that’s a non-singing Taylor Swift (when Cats is able to utilize Taylor Swift better than your musical, you know there’s trouble). I don’t know, Ed Helms is fun and all, but I’m just not sure his take on the Once-ler is all too compelling overall.

Final Fate: In the original book and the special, the Once-ler wins… but even he realizes it’s a terrible, pointless victory, and all he has achieved is ruin, his family leaving him, his business ultimately collapsing, and the environment permanently damaged. He’s left as a miserable, jaded hermit, broken by the bleak consequences his greedy actions have sown upon the world and only able to tell his story and pass on the last Truffula seed in the hopes that maybe, maybe someday the trees can regrow and the Lorax will return. The Illumination version follows this but then tacks on a happy ending  where the Lorax and Once-ler reunite because as we know ambiguity and bittersweet endings cannot exist in children’s films.

Best Scene: Obviously it’s the scene where he shakes his ass to seduce Jack Frost, in one of the greatest gay romances ever put to film.

Joking aside, it is undoubtedly his villain song. It has become such a meme, but real talk? “How Bad Can I Be” slaps. This is a really good song, probably too good for the movie but you know what, I’ll take it.

Best Quote: HOW BA-A-A-AD CAN I BE? Yes, I’m using a line from his villain song. Sue me.

Final Thoughts & Score: What can one really say about the movie version of the Once-ler that hasn’t already been run into the ground? Well, how about… He’s not too bad, honestly? Like, yes, he has next to nothing to do with his book counterpart and they really go way too far into trying to make a capitalist pig sympathetic… but the animated special from the 70s did that too. I think the Once-ler honestly works better when there is a dash of complexity to him and he isn’t just a simple-minded Captain Planet villain.

Of course, the issue here is that the 70s version took a simpler approach, kind of less is more. The 70s Once-ler brings up some valid points to the Lorax about his work, and the Lorax can’t help but agree that there’s no easy answer while also stressing that the environmental devastation is still really, really bad. It works, it feels complex, and it arguably helps the ultimate point that we need to protect the environment better than even the book did (and I love the book, don’t get me wrong, but its take on the Once-ler is a bit too simple for its own good; it almost runs into the Femme Fatale problem by being a bit too much of a strawman). The movie version has a bit too much going on, especially with his family. His family are much more blatantly evil, greedy, and manipulative, but they’re relegated to the background for much of the film and don’t effect things all that much. The whole narrative would have been infinitely stronger if they were the greater scope villains behind Once-ler and were who needed to be defeated and maybe taught a lesson, but instead they are ignored in favor of someone I’ll address very shortly.

All of this leaves movie Once-ler feeling extremely disjointed, but not irredeemably so. As I said before, his villain song is unironically awesome, and as lame as it is compared to the more haunting, contemplative ending of the book and the special, I’m not so much of a curmudgeon that I didn’t at least smile when he finally reconciled with the Lorax. Ultimately though, him being memed to death really didn’t help his case, but it means I’m not giving the movie version anything less than a 3/10. He might in fact be the best “so bad it’s good” villain ever, or at least up there. He’s just so undeniably enjoyable even if the narrative isn’t making him as complex as it thinks it is. The animated special version gets a 9/10, the book version is a 7/10, and the Once-ler’s family gets a 5/10 for being an interesting concept they sadly do little with, which will now be elaborated on as I follow up on the foreshadowing from the last paragraph...

Psycho Analysis: Aloysius O’Hare

Remember how I said the Once-ler’s family gets ignored in favor of someone else? Here he is, Aloysius O’Hare, one of the absolute lamest villains ever put to screen.

Motivation/Goals: He’s greedy. That’s it. I’m not kidding. He’s just a cartoonish caricature of a rich person, which still makes him a realistic portayal but also makes him boring as sin compared to the wacky dude with a big musical number about how bad he can be.

Performance: Rob Riggle does a decent job, but there’s really not much for him to work with here. This character is a cardboard cutout who exists to be as cartoonishly greedy and evil as possible with no nuance so the kids know who to root against and so that Once-ler doesn’t look bad in comparison.

Final Fate: Look, he’s a blatantly evil corporate villain in a kid’s movie about the environment. Of course he gets defeated and everyone turns on him. What’s especially funny though is that, on the brink of learning his lesson, he rejects any form of redemption and just goes whole hog on being a villain.

Best Scene: I will absolutely give him this: in the face of his ultimate defeat, after having the virtues of trees sung to him and the entire town turning on him, he for a moment contemplates turning over a new leaf… and then absolutely rejects the thought and instead decides being evil is just too much fun, at which point he tries to get everyone back on his side by seeing a funny little song about death while wavedashing. If more shitty villains did this, I don’t think there would be shitty villains.

Best Quote: LET IT DIE, LET IT DIE, LET IT SHRIVEL UP AND DIE! Yes I’m quoting a song again.

Final Thoughts & Score: Look, I’m not gonna mine words here: O’Hare sucks. Big time. He is a prime example of why The Lorax failed as an adaptation. In a story that is dealing with a moral grayness with no easy answers, O’Hare is just a big, blatant target, a dark shade of black in terms of black-and-white morality. He’s like a reject Captain Planet villain with Edna Mode’s haircut.

The movie would have been infinitely better if, instead of him, the Once-ler’s family were in control of the town, and they needed to learn the lesson about saving the trees instead of simply vanishing from the story. They were shown to be overbearing, manipulative, and greedy, and they had a much more personal connection with Once-ler being, you know, his actual family. The fact they abandon him and never really get any sort of comeuppance despite being perhaps the most evil people in the move, egging on Once-ler and taking full advantage of him, makes O’Hare all the more egregious, because there could have been some strong thematic elements that would have tied the film together and made it come off as much less preachy and more nuanced.

But we don’t live in a world where that happened, we live in a world where we got O’Hare. Aside from some genuine hilarity from him at the end, O’Hare really adds very little to the film. I gotta give him a 2/10, but I will say he’s a lot closer to a 3 than he is to a 1; there’s no denying his absolute rejection of learning a moral is absolutely hilarious. I love when villains do that. It’s just a shame those funny moments are wrapped up in something monumentally unimpressive.

[life-rewritten]

WHAT I WANT FROM BLS IN 2021 AKA A LOOK AND DISCUSSION ABOUT HOW TO IMPROVE THE BL GENRE

Hi, Hello; Bls have become incredibly saturated and growing each day, every single day we hear about new projects, new ideas, latest trailers, and it's been so great to see how BL has changed from 2015 to now. It's been a positive upward trajectory; however, again, we have to mention that it's being overfilled and not always with good shows. From the six or more countries that fight to get our energy and time to watch their shows, movies and animations, to the low budget, lazy plots that don't need to be written, Bl can sometimes be a phenomenal experience and incredible stories that make us cry and feel and learn or it can be this flop with no message, no structured plot, stiff acting and more. Am I being harsh? Should we just be okay with the fact there are more BL shows now to binge and to watch? Should we just settle for these bad stories just because there's nothing else available? I don't think so, I think with shows like ITSAY, Cherry Magic, GAYA SA, Bls have the potential to be so prominent, so unique and even beat out other heterosexual shows. So I am here to make a list of what I would like to see in 2021 with these new BL shows. Because it's quality, not quantity we want, we want better stories, better characters, better developments, just better. If we can be better, we can take over a lot of media, and there'd be more representation, education and more for the voices that want to be represented through BLs. Okay so without further or do let's get into it; 

The problem with Skinship

Now I hate to be the one that has to mention this issue, because sometimes in BLs this is not an issue; in fact sometimes some shows have too many kisses/skin ship, that end up making fans bored and frustrated with how much screen time is not being used to tell a great plot. But for me, since I started this journey into this genre, kissing has always been an issue with forced censorship that makes no sense, and stiff actors that clearly aren't comfortable with doing that. To couples that are meant to be so devoted and in love they resort to acting like buddies who can't touch each other to cut scenes and weird camera angles for a scene. Skinship isn't always needed but when a couple is meant to be obsessed with each other or addicted to thinking about touching the other, or there's a build-up of longing, and they're a long term relationship,  passionate couples kissing makes it more believable to me. What's up with this pattern of BLS avoiding kisses; please stop it's irksome I know I sound like a fujoshi but those couples that do this make me want to throw something because they're not believable no matter how much they scream from the top of their lungs,  that they love being with each other, or are attracted to each other, the lack of skinship just makes me get annoyed by it all. I also love shows like Cherry Magic where it's a softer relationship but teasing kisses and then like hiding behind an elevator for the main couple, not cool.

 I'm not going to make it a big deal, but I did feel somehow cheated at the finale of the show because one, in the manga this is not a problem, there is a lot of kisses with Adachi and Kurosawa, two, why would the second lead couple get a kiss scene but then when it comes to the main it's hidden behind an elevator, it's such a cheap way to censor it in my opinion especially since we've been teased about these two's kiss since episode 2/3. I don't need to see Adachi losing his virginity or whatnot, but I was disappointed when the elevator scene happened I was like but why it could have just been a cute kiss scene on the roof. It didn't need to be so covered and hidden. Make it make sense.  

So I don't particularly appreciate being teased by stuff like this, because it's not a sin for two people to show they care about each other like an average couple and kiss. It doesn't make the show not tasteful, or too crass, it just means that the couple are attracted to each other. I don't know, maybe it's just me, perhaps I am a fujoshi, and this is bothering me. But it's seriously to me more than that; there are some shows where this isn't a problem, where we don't need kisses and all that, but there are some where it feels so hypocritical and odd to censor a kiss like it's a sin or something. And with these shows (2gether for example)  it doesn't sit well with me, it really doesn't.  Just my opinion

The Issue With Side couples. 

Side couples need to add something to the show's plot or be balanced: there's the saying too much or too little. And with BLs I have found that the screen time of side couples can ruin or elevate a show. If you can't write a well thought out plot for extra couples, then don't add them. Normally some side couples are written powerfully and interesting as the central couple like Tin and Can from LBC or KingRam from My engineer etc., other times side couples just steal screen time for no reason, we could be using that time to make the other main couple stronger and it would be fine. Not in every BL show, that every single person have to turn out gay in the show, it's not by force. What side couples should do in a show, is add to the structured plot, give information/exposition about the world of the show, the ideas of the show, the themes of the show, they should be just as 3dimensional, just as important and fleshed out as the other characters are otherwise there's no need for them. 

Why R U, for example, had great bases for every side couple but failed due to rushed editing, lazy directing and more to make use of them. At the end of the day, the confusion with the side couples ruined the show and made everyone feel frustrated and tired by how the show was done because it felt unsatisfactory for the other plots of the side couples. An example where a side couple was done right in terms of plot but also didn't have enough coverage was TharnType season 1 with Tum and Tar, their plot was fantastic, essential and necessary to the storyline and it made sense. However, it still left a weird empty feeling because their relationship was still confusing, in LBC 2 we were meant to sort that out and Love by Chance 2 was one of the worst ways side couples are done. 

They used them for product placement (same as TharnType 7 years). Their stories were just repeating the same things we've already seen before, with no effort, no energy, and no direction given to the actors who were working hard to portray these roles. It's frustrating when side couples could be just as great in the show, but they're ruined by bad writing. 

Either have side couples with depth and storytelling that is good or don't add them at all. An example of a show without a side couple is Gaya Sa Pelikula and ITSAY. And you didn't see us moaning or crying about the lack of side couples instead it was praised because every side character had a purpose, a story of their own to tell, and depth to their characters that was needed to get us to the rest of the plot. Everyone had their own important role in the plot, and it was brilliant. So you don't need a show with many couples, you can just focus on one, or if you do have many storylines for couples, please just make it worthwhile. Please? 2021? I'm begging

More unique BLS: 

When we think about plot lines for BLs, we tend to especially in Thailand have one thing in mind which is engineering, medical students, university angst and guys in white t-shirts playing the same role over and over and over again. Don't forget the sotus gear being a symbol of their heart. I find it funny because I don't have a problem with this; if the storyline is unique/addicting enough for me to not focus on the fact it's a university plot. For example, Theory of love, but it is funny that for a very long time BLs have been focused on one type of setting; the university. We had other BLs that came from China, and Taiwan and others that weren't always based on this setting, especially China which has fantasy and more but those ended up being sad, censored or ruined. 

This is the problem. Luckily in 2020/2019, Bls started to want to be different, with new stories based on mafia-like worlds like Trapped, with supernatural storylines like He's coming to me, with the introduction of Korean BLs and Philippine BLs, we're starting to see different tropes soulmate aus, paranormal, fantasy, action, adventure etc. And 2021 already has a line up where most of the storylines veer from this engineering university plot. It's exciting. To think every country is trying to move away from student/ university storylines or give them more depth and change the normal tropes and ideas with them is so exciting and needed. I still love these tropes, but less is more, and a unique plot is even more because it shows BL can be more than just stories, can have depth, can have different versions, and can reach out to a new audience, to other tastes etc. It's been changing, and in 2021 I can't wait to see these new stories come to life. 

It’s Quality not Quantity : 

This is so important, bls are becoming saturated as happy as this makes me; it also suffocated me with bad shows not worth the praise of effort and energy and these aren't put into some shows. In 2020 we got shows like ITSAY where the producers, actors and directors fought and worked so hard to make it happen, they went through obstacles, struggled with days, they pushed through just to make sure ITSAY was created to the best of its ability. This was so incredible, and it made me almost tear up each time I watched the documentaries about how ITSAY came to life.  

Shows like ITSAY and Gaya Sa again that have directors and producers with fixed goals of trying to make a BL show more than just a typical low budget show, putting all their effort, time and ideas to make this mean something is so incredible, so excellent, words can't explain the masterpieces that are created from people who take what they're doing with this genre seriously. And for a long time, we've struggled for people to take this genre seriously, to put in effort and energy to ensure that the story they're telling makes sense, and is done well. 

I'm always harsh because you know sometimes the things needed to make something high quality isn't always available. Some people are genuinely putting everything they can into shows. However I feel like you can tell which shows do that, you can tell when a show is doing all it can to be as great as it possibly could be, for example, the History series; it's a low budget, but it's brilliant, some shows like Love By chance season 2 yes I'm going to keep on calling out this mess, you can tell did not try at all with what they were given, it was a lazy attempt just to feed fan girls and make money. And the thing about things like that is that it's just insulting, to the fans who waited with anticipation only to see the sequel come to life, to the actors who put in the effort and tried to make it be something, it's just disappointing.

 I'm sorry, but like in 2021, we don't want a repeat of that. If you don't want to put in the effort and make something that is high quality despite the low funds or whatever then don't make a show. Other shows are being made and you won't be missed.  Luckily 2021 seems like we will be getting shows of better quality, GMMTV appears like they've invested a lot this year into making BLs be more, we have the incredible Filmania KinnPorsche that is just outstanding for just a 10-minute pilot teaser, we have new channels with budgets and research ready to make new shows like Channel 3, and we have China with new directors wanting to make more danmei donghuas (with incredible quality like TGCF, with excellent live actions like the Untamed) and we have more countries just making good stories and good productions with all they have. So yeah I'm excited to see what shows will be created with this type of energy in 2021.

Let’s make it more risky

So already discussed about unique plotlines and better quality. But one thing as well in the same category as all of these suggestions is BLs being riskier. There are times where BLs try and go overboard and take risks to do new stories that make people uncomfortable, or agitated like Friendzone but the thing is I live for these storylines because it's not just fluffy or tropey stories that are based on novels that need to be told. BL can be so much more. Sometimes bls are stale, and sometimes they try to do riskier messier stories with more depth. And for example, with a company like GMMTV where they have sources and sources of stories they can tell that can be riskier and be different to the pattern they usually follow, we can get such great plots and tales based on new ideas.  I want to see a show like the gifted with bl plotline, the shipper season 2, focused on WayKim,  things without using a book adaptation and without basic plots we needed to settle for. GMMTV is trying to do that now with Not Me coming soon and shows like Friendzone, Baker Boys etc. But I want more riskier stories. Again so that BLs are more than just what they're known for, the same tropes all over and over again, the same ideas and plotlines, but new screenwriters, unique stories not based on books or what's already been made, just new ideas. That's one thing that will pave new ways for BL. Like Give us a historical Thai BL, give us a sageuk Korean show, give us time travelling. I don't know just new ideas, sci-fi, new genres, more psychological thrillers. It could be anything, and it would be so fantastic. Let's see what 2021 offers. 

Let's keep with the PC Energy; 

Shows are being called out for unnecessary toxicity, sexism, bad females that don't get the point that they're beards, problems with non-consent; these need to stop in 2021. I'm not saying we can't have shows that talk about the results and consequences of these kinds of issues, because I find it fascinating when shows take a risk and mention that, like TharnType, but it is 2021 , a new decade, we really need to stop having shows that romanticise topics that aren't okay, emotionally abusive relationships should be seen as emotionally abusive and not praised, character toxicity needs to be called out and shown as that, not as a typical bad boy who needs to be saved trope etc. I don't want to get rid of angsty haters to lovers or flawed characters that need to grow; because those stories are so exciting to watch, and analyse, but don't just add trauma for no reason and not take it seriously, don't just make characters do things without making sure the audience knows this isn't okay. We're getting better, and we're getting more healthier relationships, tropes and conversations, but there's more work to be done in some shows in 2021. Some shows like the shipper in 2020 that had predatory behaviour, incest  (not dealt with properly) which felt like a flashback to the past. 

Longer BLS:

Looking at you Korea, don't mess around you literally can have this genre in your hand,s if you make a worthy production like a typical kdrama it doesn't have to be 16 episodes. Ten is fine, even just 30 minute per episode is okay with us. If you just add more minutes and more depth to the stories, so there are more character flesh outs and more chances for your stories to be developed and not rushed. Then Korean BL will literally take over everything.  There's nothing else to really say, Korea has fantastic plot lines, intriguing characters, fun storylines that make you addicted. Yet, it always feels unsatisfactory and annoying because it's just 10-15 minutes per episode. Make it make sense. I mean there are reasons for it because of budget, and lack of mainstream support but I still think we can just focus on one show, with all the money and effort from the other shows add it to one show, make it long, make it big and create a masterpiece and it will explode. The potential is there, plus with Channels like Channel 3 in Thailand, Bls are really starting to be one hour long and have like 16 or more episodes. That's been a fun journey. But Korea, please join this energy and make more shows that are longer and better. Please??

China it's enough: 

I'm being serious; I don't know how we'll ever pass this problem, but TGCF tried to, and I can see many companies are trying to find a way to overcome this. I know with China it's not fair to demand this it's not a full representation of the Chinese culture or whatever,  but it's irksome; there's a lot of shows that can take our breaths all away in China, so many great shows so please stop ruining that. I'm tired of the PTSD of the shows potentials we lost (The guardian)  because of censorship and other issues, sad forced endings, cutting scenes and deleting episodes like it needs to stop in 2021. Because now, don't pretend that the success of BLs isn't making money and causing the Chinese industry to make more shows like these. But this is my wishful thinking like I said I don't fault writers for trying to be careful with laws, but it is incredibly frustrating when you have a country with the best creativity, storylines, acting etc., and it's ruined by censorship. Let's hope 2021 finds a way to get around this. 

Let the BL animation rain; 2020 saw a remarkable rise to danmei donguas! I'm talking MXTX universe with scum villain, TGCF, Mo dao zu shi and more, so let's keep that energy; what I love about danmei is how unique the plots are we can have transmigration, fantasy, supernatural, mafia etc. it never ends, these stories are incredible, the quality of the animations are so excellent, and the love of the characters always get me. We just need to see more come to life. 

The Brilliance of Meta; 

With ITSAY and Gaya SA and Cherry Magic taking over 2020, meta in BLS have been delicious to watch and analyse, and I want more. This is such a selfish ask, but what can I say, I live for shows filled with meta, with depth, with analysis, with characters that are not just one way on the surface but they tell a different story in subtext. I live for clues, and evidence, and production choices, hidden facial gestures, and objects with meanings;  more symbolisms, more foreshadowings, more dramatic ironies, more character dynamics, more use or other literature/media as bases for the story (like Theory of Love with Flipped and movies). I live for this. It makes a show so much more special and exciting when we're part of the journey; it gives something to do other than just watch the story unfold, we can predict, we can guess, we can analyse, we can just be part of the world of the story and fully understand the message that the writer is trying to tell us. Give us something to look for; clues to watch for, to see where the story is going. Change my mind.  For example with Cherry Magic, the fact that it was already precious and made us smile, was even more enhanced by how relatable it was with the meta, the pain, and the struggles the characters went through was so fascinating to analyse and read into and relate to. That's what I want from more BLs, like it's incredible when any kind of show has meta. I think it's one of the best signs of a great writer and production team. 

More Dimensional Characters; 

Especially villains, we don't want  stale girlfriends who know they're a beard but refuses to let go, we don't want the stale homophobic parent all the time, we don't want the bullies that always try to out people. Give me villains with revenge that makes me question who's in the wrong, reformed villains who become love interests, powerful villains we can't help but hate, but we also love, shocking villains with plot twists we can't see coming (like Lhong from TharnType). Give me depth give me angst, give me plot.

 Villains can make or break a show, they can make the show so exciting and thrilling to watch like we want to see them be discovered or end up where they deserve to go, we like feeling bad for people, and getting to see another side of a villain, we enjoy seeing villains that are different from what we initially thought about them. We like deep villains; we don't always need the same villain, like give us unique ones, give us interesting, weird ones, give us conflicting ones that make us side with them. I want that. Example of a show where there's no actual villain, but they all act like it, is Friendzone and it's so incredible to watch and see how these characters behave, grow, regress etc. I want more characters like this, real, human and makes mistakes. I want more flawed characters with deeper reasons for why they're the way they are. It makes a show very addicting to watch. Maybe that's just me.

The problem with streaming services, YouTube and international fans;

  It's weird international fans need to be taken seriously,  international fans are part of your shows rise to fame, more fame, more success , more projects can be made, and more bls can be seen. Some shows in 2020 lost their chance to shine because of the streaming issues (My engineer), subtitle issues and more. Please stop, please take this into account; try harder, there is always someone internationally willing to help translate or help. Just let us know. Putting shows on Aisplay without subs when you can find a contract that enables you to do so, is a bad move. It's just making you lose because international fans will always find an alternative source to spite you. Like it makes no sense to me, if in 2021 we're still struggling with subs, and where to watch a BL show. It makes no sense because 2020 showed that international fans could break or make a show (2gether) and as much it's privileged for me to say this, international fans should be respected and taken seriously. Luckily Channel 3, GMMTV and others are starting to put more effort into recognising international fans. Finally thank you. Let's see if we improve in 2021. 

This has been a fun rant and discussion to write. I sound so spoilt, and annoying complaining about each of these minor issues, but it really does mean a lot when a BL show tries hard to make their show worth it. Like it might seem like a small issue, with like the skinship, censorship, meta, saturated stories etc., but if BLs just stop focusing on the genre and what other people think this genre should be if people stop focusing on BLs as just BLs and see it as stories of love and representation and more, BLs can be incredible, they can be better than other dramas out there with better budgets, and mainstream support, they can have meaning, and create incredible, incredible one a kind stories. I just want that so badly for this genre. Like I don't want BLs to be seen as just the same tropes, and same issues, and same ideas that we had about them in 2015, we want growth and improvement and effort, this is not just for weird rabid fangirls only, this can be more, it can be for representation, education, for entertainment, and it can be for more people and cause a shift in the media in the world. It really can one day become just as big as many other versions of media like the world of kpop, kdramas etc. in the world.  I don't know, that's what I've always thought it could be. And if that happens, it'll be just a great thing. Anyway Let's defeat 2020, we need to keep this upwards trajectory going, and from the shows coming in 2021, I think it's possible. 

[sunnysaylorboy]

my opinion on/a surprisingly passionate defense of Mulan (2020) (SPOILERS)

I’ve seen a lot of ppl ragging on the new Mulan for so many reasons, so I will go over why these (mostly) are stupid reasons and why I love the new movie.

1. Liu Yifei supporting the Hong Kong police. Now this is not a stupid reason, this is valid. I am an East Asian studies major, and as much as I love Disney, when I first heard the news I knew I could not watch Mulan (2020) in good conscience. It went against everything I have learned in my studies, and everything I believe. However, now I am almost positive Liu Yifei was forced to make those comments- I've seen several sources saying so recently. You can look for these sources on your own, because this isn’t the whole point of my post, but I think it's true. A movie about a woman defying her government and social expectations of the time? Hong Kong citizens could absolutely use her as a symbol for protesting against China. It makes sense that the government would take preventative measures before this could happen. But anyways, I was not planning on watching Mulan (2020) until I found out that what she said was most likely fake/forced.

2. The removal of Mushu. Yes, I too miss Mushu but I completely understand why they did that. A lot of ppl make these sort of complaints about the live action remakes not using humor in the same way as the original, but that’s bc it doesn’t translate well. Humor in animated movies is exaggerated or silly, and it works in that medium but if you do the exact same in a live action film, it will come off as too slapstick. Think Will Ferrell in Elf (still a good movie). Mushu’s whole character is based off of this humor that appeals more to kids, and it would have really made the dialogue with him super cringey. and I know if they made him a more serious supportive character people would've complained about that too, so I understand why they did it.

3. The removal of Li Shang. I miss our bisexual boy too, but I actually think they did a really great job with the new guy Honghui. The directors removed Li Shang because he is in a sense, Mulan’s boss, and they felt that it was too much like the #MeToo movement, which I applaud. At first I was upset that supposedly this new character would be a jerk to Mulan until he found out she was a girl, but that's not what happened in the film fortunately. Honghui and Mulan start off on the wrong foot but they grow as comrades and sort-of friends, and Honghui is the first to stick by Mulan’s side when she reveals who she is. Even if there aren’t as many signals of him being bi, I think they progressed their relationship nicely. (I was sorta hoping for a kiss at the end though).

4. Mulan’s “chi.” Apparently people do not like that Mulan already has a sort of warrior streak inside of her already, as opposed to the 1998 version where she struggles to get used to the army. I think this is an overgeneralization. Mulan does struggle to become a soldier, as we can see in the training montage. Similar to the pole and the arrow at the top, she cannot reach the top of the mountain carrying the buckets with her arms outstretched like everyone else at first- then when she manages to do it, she knows she has proven herself. Plus, I like that they gave her more character. We don’t see any of Mulan’s childhood years in the original, so it is a little hard to understand why she is such an outcast. She only had one incident with the matchmaker and suddenly she is questioning her identity. But the 2020 version establishes that Mulan has been different from the start and everyone has known it since then. It makes it more believable that she brings dishonor on her family so easily. And just because she has strong chi doesn’t necessarily mean she is already a warrior. She is told to hide her chi as a child, and she does not tap into it easily- her commanding officers can sense something is holding her back. She is special, yes, but she isn’t “the chosen one.” She still works hard and she still relies a lot on her strategy instead of brute force just like in the animated version.

5. Lack of musical numbers. I do miss the musical numbers. But they did well with incorporating the musical themes from the original into the movie. The little “Honor to Us All” theme playing while she gets ready for the matchmaker? Perfect. The bit of “Reflection” playing when she reaches the top of mountain? Beautiful. And “Reflection” playing at the end when she is recognized as a hero? I was bawling. Also, this isn’t the first remake that Disney hasn’t made as a musical- the 2015 Cinderella did not include “A Dream is a Wish Your Heart Makes,” (except in the credits like Mulan did), or “Bibbidi-Bobbido-Boo,” or “So This is Love.” I know that Cinderella is an older movie and may not be as beloved to this generation as Mulan, but those song are still incredibly iconic to the Disney brand and I didn't see anyone complaining about those songs being removed. Idk, I don’t think it’s a big enough deal to be upset over it, especially because they included instrumentals of the songs for the live-action version.

6. The addition of the witch. I can’t believe people are complaining about the personification of the hawk from the first movie- seriously, watch the remake and you’ll see how great Xian Liang’s character is. I love the parallels drawn between her and Mulan. Despite fighting for opposite sides, she sees herself in Mulan, and Mulan sees how she might end up if she had chosen the route of evil. I think they did it wonderfully and I’m definitely not gay for Gong Li...

7. The cost. This one, I understand. $30 is a lot to pay for a movie, but I get it because they’re losing money from not going to theaters for a few months. I paid the $30 because I felt like I had waited long enough to see it, I was foaming at the mouth the night of its release, and I had $30 I was willing to spend on it. Ofc Disney is a multi-million dollar company, so I don’t begrudge anyone pirating it bc screw capitalism.

I just had to get this off my chest because so many criticisms of this film seem so unjustified, weak, or deliberately negative. I swear, not just with Mulan, I see so many people who hate the live-action remakes- it’s like they’re trying to find things to hate about them, and I'm frankly getting sick of it. Like damn bitch why you gotta be so negative about everything?? The acting is great, the music is phenomenal and timeless, the costumes are so extravagant, the action sequences make you hold your breath in anticipation... y'all will find anything to whine about and I'm TIRED. And it seems like some of y'all are purposefully ignoring WHY they made these changes. These changes were made to adhere to the Legend of Mulan more closely, to make up for some of the racial insensitivity/cultural inaccuracies in the original, and to appeal to their Asian audience. the 1998 version is a VERY Americanized way to tell they story- so stop complaining, you got “your version” that appeals to you.

Some things I loved were

1. Mulan’s sister. It’s not often we see Disney princesses with siblings. Even though she didn’t have much screen time, I loved Xiu and the relationship she had with Mulan.

2. The phoenix symbolism. In Mulan (1998), there is heavy dragon symbolism as Mulan is preparing to run away to the army. This insinuates that Mulan is the dragon, the protector of the family, and that is why the Great Stone Dragon doesn’t awaken later. In this version, she is instead guarded and represented by a phoenix. In Chinese mythology (correct me if I'm wrong), the phoenix stands for yin and yang, harmony and is often the female counterpart to the dragon. The wings specifically represent duty, which is why the wings of the phoenix spread behind Mulan when she saves the emperor singlehandedly. Though I don’t know if they intended this, in Greek mythology the phoenix is a symbol of death and rebirth. Mulan is reborn again as Hua Jun, but ultimately in this version she is not discovered as a girl, she chooses to fight as one. The moment she does, “Hua Jun died, and Mulan was born again,” as she sees the phoenix once more. Mulan is the phoenix, and she brings harmony after defeating the Rourans. It’s beautiful.

3. The avalanche scene. A lot of the battle scene was different, but I loved that they kept in the avalanche from the original. Mulan’s planning in this one shows how big her brain is, and how well her strategy works.

4. Xian Liang and Honghui. As I already mentioned, I really loved how they portrayed these characters.

5. The fight scenes. God they really got the perfect actress to play Mulan. Liu Yifei leaning back to avoid an arrow from a Rouran? Impeccable. Mulan’s display of her techniques when she and Honghui get into it when they’re supposed to be practicing? So cool. 

All in all, I loved this movie just like I love all of the other Disney princess live-action remakes. Disney obviously spent a lot of money on the action sequences, the costumes, the backgrounds, the historical accuracies, the casting, the storyline, everything is amazing. I will definitely be watching again.

[bullshittierlists]

Spoiler Warning!!! - This review will contain spoilers for all of SDR2 and the first chapter of DRV3 as well as slight spoilers for DR1. You’ve been warned.

I see no god up here other than me

Gundham Tanaka- His name is GUNDHam TaNAKA

Sonia Nevermind- This is my third time typing this rant. I literally don’t know why people hate her so much?? There are two main arguments that I’ve come across. The first is that she is boring and shouldn’t have survived, but that’s the same as Asahina and everyone seems to love her. (Don’t get me wrong, I also love her, but all she had were donuts and her relationship with Sakura) She’s just a cute girl with some occult-ish quirks and I don’t see why that has to be such a bad thing. The other, more prevalent, argument is that since she’s at the center of the infamous love triangle, she must be the root of all its problems. It’s really frustrating when people blame her for Kazuichi’s faults. I’ll talk more about Kazuichi later, but his terrible qualities are a result of his own actions, and Sonia shouldn’t be blamed for being the object of his affections. It’s honestly blaming the victim and I’m sick of it. Obviously, she hasn’t treated him perfectly and I understand why people are frustrated with it. The only example of this, though, is in chapter four when she goes back-and-forth between treating him coldly and praising him when she should’ve just rejected him a long time ago. However, I think I can understand where she’s coming from in this chapter. I think it was kind of a Shuichi/Kaede situation. She had already figured out that Gundham was the killer, but didn’t want to admit it to herself, and definitely didn’t want to tell everyone else even though he was more than ready to admit it. Therefore, she treated Kazuichi coldly whenever he was getting close to the truth (or treating her poorly) and praised him whenever he was leading the group in the wrong direction. I don’t have any evidence that these were the times she treated him this way, but that’s how I remember it. Anyway, Kazuichi should stop being a creep, and apologists should stop rationalizing it. Her one slip-up in this case when she was panicked and worried for her closest friend does not make up for all of the other times Kazuichi treated her terribly.

You’re the best

Fuyuhiko Kuzuryuu- Boss baby boss baby boss baby. Also, he’s a fantastically fleshed out character and his relationship with Peko makes me cry literally every time :)  I just wish his character development had been a bit more stretched out, instead of on-the-spot like it was. I also kinda wish his sudden development had been a result of the despair disease, but you can’t have everything.

Nagito Komaeda- Recently, I haven’t been able to stop thinking about how SimpleFlips calls softlocking in SM64 “gay baby jail” and Komaeda makes me think of that.

Chiaki Nanami- I’m not quite as attached to her as everyone else seems to be, but I totally see the appeal. Cute girl, cute backpack, and plot-relevant??? Incredible.

Ibuki Mioda- She’s just so fun. I don’t typically like characters who are loud for the sake of being loud, but I can’t help but love her. This was the first game I fully voice-acted for fun (the girls, at least) and Ibuki was definitely one of my favorites. It just feels good to yell sometimes, you know?

Hey, I think you’re pretty cool, I like you a lot

Peko Pekoyama- I’m a simple woman. I think of chapter two, I cry. At least, the epilogue of that case. I wasn’t the biggest fan of Twilight Syndrome Murder Case and I definitely didn’t like the, albeit fake, serial killer twist. It didn’t feel natural and just felt bad. Loved hearing Sonia say “Sparkling Justice!”, though.

Hiyoko Saionji- I totally understand why people hate her. I get it, I do. But I just can’t bring myself to hate her. She’s obviously not a good person, but I have shit taste. Byakuya and Kokichi aren’t good people, but everyone loves them anyway. I just think she’s so funny and terrible, I can’t help but get attached. I’m not usually the type to like little sister characters, or even bullies, but she’s just such a perfect combination of the two that I can’t help but love her. I also obviously am not the biggest fan of Mikan (I’ll explain, I swear) so the bullying didn’t really affect me too much.

Hajime Hinata- He’s the protagonist. I don’t really know what to tell you. I used to believe in Hajime supremacy, but I’m starting to understand the Shuichi supremacy now, so idk, Hajime might end up lower after I finish V3.

Byakuya Togami/Ultimate Imposter- He’s just such a good guy. I know that the real Byakuya is an ass, but the imposter is so nice and supportive. I can’t even take him seriously as Byakuya anymore because of how supportive he is. The real Byakuya could never. I just finished his last free-time event and he really feels like his own person now, which I can imagine is all he’s ever wanted. He isn’t Byakuya to me anymore, he’s himself. I just don’t have a unique name to call him by.

I remember you

Mahiru Koizumi- Her photography thing was cute, I liked it a lot. I don’t know the basic stance people take on her crush on Hajime, but I thought it was really cute and believable. I don’t know if I ship it, but I can see it in canon. It makes sense and works well.

Akane Owari- She’s a jock. I feel pretty neutral about jocks unless they have another prevalent thing that fits my interests.

Nekomaru Nidai- Again, a jock. I’m just not the biggest fan. I know that his backstory makes up for a lot of his inherent jock boringness, but I just can’t get into him as much as some other people can. I definitely see the appeal, though.

Usami/Monomi- She’s a mascot. Cool. Honestly preferred Monophanie.

You are literally the worst. Actual scum. Leave this planet and never return

Mikan Tsumiki- I told you I’d explain. First, I need to explain some personal reasons I didn’t like her, rather than objective characteristics. Like I mentioned with Ibuki, I voice-acted the whole game with each of the girls. Never before has a voice physically affected me as much as Mikan’s. In order to make her voice so high and quiet, I have to close my throat and tighten my jaw. It makes my throat, jaw, and head hurt all at the same time and it feels awful. The only time this wasn’t the case was during her breakdown and that’s because I couldn’t make her say those things with that voice, it didn’t make sense. Which brings me to my next point: her breakdown. I didn’t like it. At all. It wasn’t interesting and it didn’t make sense. I know that everyone else was sad because she was bullied a bunch and began to romanticize it, and yeah, I feel bad, but it wasn’t enough to make me like her. Her breakdown made a little more sense after watching the anime, believe it or not, but it was still not great. She could’ve been easily redeemed for me if she had a different motive for killing Hiyoko. I don’t really have an opinion on whether or not Ibuki should’ve lived longer, or even survived, but I definitely agree with Hiyoko dying during the third case, I just wish the motive had been different. It would’ve been so powerful if Mikan’s despair disease had made her remember her past with the bullying, and then she realized how much she hated it. She started to notice how Hiyoko was treating her and finally snaps. She kills Hiyoko in cold blood on purpose, instead of on accident, and covers it up in a more reasonable way instead the literal impossibility that we actually got. Then, in her breakdown, instead of pleading for forgiveness, she tries to rationalize her actions and convince everyone else that she was in the right by killing her. It would’ve been much more interesting and would’ve made much more sense. I also wish she had made use of Ibuki’s despair disease (which made her gullible) and commanded her to hang herself instead of staging the other thing, because it was a lot of extra work that was really unnecessary and it would’ve made more use of the despair disease other than a plot contrivance for Junko’s entrance. This kind of turned into my review for the third chapter, but still. Killers are always more fleshed out in their respective chapters, so their existence is often pretty much tied to the events of that chapter, since everything typically revolves around them. I might as well add here that her execution was really basic and underwhelming, but as far as I’ve seen, I’m not alone in that opinion.

Monokuma- It’s kind of an ironic hate with Monokuma. Sure, he makes me laugh, but he’s also fuel for the killing game, so... I don’t know. He pisses me off sometimes, but he’s also pretty funny at other times.

Kazuichi Souda- This is basically a continuation of the Sonia rant, so here we go. I would like to preface this by saying that in the context of Kazuichi’s free-time events, he’s one of my favorite characters. However, in the main story, I placed him here. I would normally average out my opinions of his different forms, but his optional events don’t make up for his actions that are required to be experienced. While some of his quips toward Sonia made me laugh, they still made me uncomfortable to some extent. It’s honestly frustrating to see him try so hard when she obviously isn’t interested in him. Some people choose to see this as an underdog story, but I think it’s just annoying and low-key creepy. He’s constantly fetishizing Sonia and keeps making moves on her even after she treats him coldly. He isn’t brave or cool for doing this, like the media would like you to believe, he’s creepy and persistent, and not in a good way. While I do agree that Sonia should’ve just turned him down from the very beginning, I still don’t put all of that blame on her. I’m sure she’s had her fair share of creepy guys making advances on her and she’s just had to take it, since she’s a princess and it would hurt her noble reputation. Kazuichi should also be able to think for himself and see that she’s not interested. It shouldn’t be completely up to her to get him to stop. He should be able to take a hint and back off, whether she tells him directly or otherwise. She definitely hints to him that she’s not interested in some of the later chapters, but he completely ignores it and keeps trying anyway. I wouldn’t have such a problem with him if he didn’t represent a very real issue that we are facing in the world today. Nice guys will, unfortunately, always be plaguing our society and it doesn’t look like they’re getting any better. It doesn’t help that the media continually raises them up and convinces them that they are in the right, even though they definitely aren’t. No man is entitled to any woman and people need to stop sympathizing with men who are rejected and keep pushing. In almost every post I’ve seen from Kazuichi apologists, they explain that Sonia should’ve given him a chance. Really? She did give him a chance. She gave him several chances, in fact, more than she was entitled to. The first time she acted coldly towards him was at the end of chapter 4. That’s four entire chapters, plus a prologue, of chances that she gave him. She was always polite and talked to him when he approached her. Maybe she saw this as her noble duty, but either way, she didn’t reject him outright the first time she saw him. She tried to be friends, he was creepy, and then she started to hint that she wasn’t interested. This is a natural progression for her character and is in no way wrong of her. He is not entitled to her attention and should learn to back off when he’s not wanted. The other big reason I see that people don’t like Sonia is because she basically ruined any chance of Kazuichi and Gundham having any sort of relationship other than rivals. Again, it’s not Sonia’s fault that they both liked her. It’s also not her fault for choosing Gundham over Kazuichi, since he treated her respectfully and they also shared interests. She also didn’t need a specific reason to choose Gundham over Kazuichi, because she is free to make her own choices based on anything she wants, including nothing. Even though I said all of this, I do actually wish that Gundham and Kazuichi could’ve had some kind of relationship. I think it could’ve been very interesting, but it didn’t need to be devoid of Sonia. I think it would’ve been just as interesting for Gundham and Kazuichi to talk with Sonia as it would’ve been for her to introduce them to each other more formally and get them to become friends. I think it could’ve been fun for Kazuichi to have a little playful resentment towards Gundham for getting the girl, but instead, he went completely off the deep end. If he had just backed off like I suggested earlier, maybe they could’ve had that relationship that everyone longed for. I am also obligated to say here that I think all of his free-time events were absolutely adorable and the fact that he gets motion sickness is the single best piece of comedy every written.

Teruteru Hanamura- I’ve been doing a lot of rants and I’m kind of tired of it. You know why I don’t like him, I don’t need to explain it. He’s shitty, blah blah blah. His tiny bit of plot with his mother didn’t really do anything to redeem him for me and I just plain don’t like him. Sorry, not sorry.

Wow, this took way too long. I forgot I had so many opinions on these characters. I would’ve said a lot more about Gundham, but it’s kind of my thing here to say more about my second favorite characters and characters that I don’t like than my favorite characters, and I knew there were going to be several rants, so I decided to keep his very short. My definitive favorites list is Gundham and then Sonia, with a pending Fuyuhiko in third. The four dark devas are the best characters and I’m so upset they weren’t on here. I would apologize for my Kazuichi rant, since it had two parts, both of which were very long, but it all needed to be said because I’m sick and tired of Kazuichi apologists. They keep coming across my dash and I would like to be rid of them. If you like Kazuichi, that’s fine, I actually quite like him, too, you just need to acknowledge his faults instead of just rationalizing them in a bad way. If someone wants to send me reasons why Sonia is terrible, I’ll listen, because I’m sure I’m probably being a bit of a Sonia apologist, although I feel like her actions were a lot less impactful. Sondam supremacy, thank you, goodnight.

[redxblueihateloveyou]

This is a personal opinion but from where I see it the Given movie and the anime itself definitely was... something that I would question because somethings just.. didn't make sense to me. The development of the Characters were either super fast or super slow and it made the pacing really really weird for me idk. But I do think that a huge reason so many people love the Given movie is because of the fact that when you compare Given to OTHER JP BL animes, there's very very slight improvement in terms of the story itself of Given. Is the story poorly executed? Fucking hell, who the hell is going to say no here. But is it better then some of the JP BLs out there? That's depended on how you view BL to be. For a lot of people things like Super Lovers or Hitorijime My Hero are super unbearable to watch because it's "problematic" (which honestly okay, you do you BB) which then leads them to look for BL animes that DON'T have such "themes." Leading them to actually liking things poorly executed but just "not problematic", Given for example.

Given is “not problematic”? Debatable.

Their first kiss was right after Mafuyu finally had a courage to sing a song about his ex who commited a suicide. ???

Problematic doesn’t only mean stuff like “he’s underage”. What about using someone to get over your grief or getting into a relationship with someone who is still not over his ex death and is vulnerable at the moment? Is this suddenly “not problematic” bc they’re same age and he haven’t pushed him into a wall in throws of passion?

To me it’s not even about the fact if it’s problematic or not (it’s rarely not tho, no matter what ppl think), it’s about whether its believable and feels genuine or not. It depends on many factors: situation, characters past, traumas, etc, etc. It depends on the story and how you write it.

Change some stuff and it��s gonna be a completely different thing. Make it like Uenoyama only hugged Mafuyu after the song, even tho he wanted to kiss him, but knows that it’s not the right moment. Make Mafuyu heal first, make Uenoyama be in his own angst that he loves Mafuyu so much for example, but cares about him recover more, so he doesn’t expect for it to go somewhere, then he tries to date someone and Mafuyu first starts getting out there, when he feels like he can start trying again. Someday he gets sick and Uenoyama cancels his date to take care of him even tho it’s nothing serious and then the realization comes. Make Mafuyu kiss him first and take the first step. This would’ve changed everything so much. He should’ve made the first step when he was ready, this would’ve felt so right. Uenoyama kissing him after that song is just.. it feels, I was like ehhhmmm.. weird?

Seeing someone saying that Given is a masterpiece is hilarious to me. The fact that it includes heavy themes like suicide, doesn’t make it a masterpiece, esp when it’s handled this badly. Once again, if you pick such thing as a base for a love story, do it right then, not in a “bibbidi bobbidi boo” kind of thing. 

BL or not BL, any relationships, it depends on whether you watch it and it feels plausable or not. 

For example, if Yuu says that he can’t live with Mika, my tongue won’t even twist to call it “unhealthy” or be like “dude why”. But if some high schooler in slice of life anime who has a caring family tried to end himself bc his two weeks friend left him, I would’ve yelled “bitch go see a doctor”. 

Depending on the story you can sell some feelings or not.

Nezumi and Shion are also problematic according to ppl’s logic these days. But I 100% believe they’re each other’s true loves. Only 11 episodes and it’s sold.

In Given I didn’t believe it. Bc it’s ridiculous, ok? It wasn’t the right place or time to start this relationship. It is not a new love story, it’s just a sad story. 

Given movie is slightly better compared to other japanese BL? Why would you offend Sekaiichi Hatsukoi, Uragiri wa boku no namae, No.6 and many others?

Also better where? They kept the same old “’stop, i don’t want to’, but he did it anyway” stuff AND on top of that the story sucks.

The way he used him knowing very well that he was unrequitedly in love with him for so long is so disgusting that it leaves a much grosser feeling than many yaois combined. You’re saying “it’s slightly better” bc they’re of age or don’t have an age difference? I don’t get it. It somehow makes everything better?

No, thanks. I’d rather watch Onodera sleep with Takano in high school with them being genuinely into each other and it going great than whatever happened in the Given movie. I don’t care if they’re both 18 there, it made me feel bad.

I didn’t feel bad, when Wei Wuxian thought “why the fuck didn't I have sex with Lan Zhan back when I was 15? I've really pissed away all my days, haven't I?”. I wonder why is that.

Like what you’re saying here is that their opinion on BL is so low that they automatically would give it 10 out of 10 bc it’s slightly better than smth that they find “unbearable” to watch? What kind of evaluation is that exactly? Maybe also let’s compare each anime to “boku no pico”, then everything will look like a masterpiece.

Like excuse me for the fact that when I watch some shonen-ai and yaoi, I judge it the same way I judge any other genre and any other relationships (hetero or gay) in animes. On a scale whether I care or don’t care, whether I believe that they love each other or don’t, whether it’s a good story or not. I don’t get what it means “it’s good for yaoi”. It’s just not good. This movie is trash, I mean, the relationship in it is trash. Who the fuck cares gay or not gay. Trash relationships are trash. Bad story is a bad story. Whether it’s a bad gay story or a bad hetero story, I don’t give a shit.

The reason I’m more into boy on boy ships is because I love the relationships there more than relationships in most heterosexual couples. My fav hetero ships are either “from hate/attraction to love” stories like “gone with the wind”, “anastasia” or “pride and prejudice” or stuff like “equals without pink goo, who only see each other and don’t need no one else and would die for each other, epic soulmates” like Richard and Kahlan. In anime 99% of those fit bromances, not romances. Like I don’t find Midoriya/Uraraka appealing at all for a reason that “she said ‘hi’, he blushed as a tomato, now they’re supposed to be each other’s romantic interests” is not what I find romantic. I find romantic the fact that Todoroki is forever devoted to Midoriya bc he knows he’s amazing and is not afraid to say it; and he’ll always be there for him when he needs him, no matter what it is, him just sitting there crying, some villain trying to kill him or if he’s too late out ther grossery shopping. Uraraka most of the times doesn’t even care where he is.

Most hetero romantic animes, I just find ridiculous, too cheesy and unrealistic and I’m not ready to watch 50 episodes for them to hold hands. I’m not in that age and I also never found things like this romantic before either. Stuff like Kisa/Yukine, when you meet someone, find him attractive, wanna fuck him, then fall in love accidentally.. yeah, that’s understandable to me. Stuff like Takano/Onodera “I was an naive idiot in high school, but now life made me a sassy bitch and I can’t open up to people as easily” also yes, relatable. 

When you’re turning into a tomato bc someone said “penis” and think holding hands will take your virginity or smth, that’s not my thing.

So when I watch BL, I expect more, not less. So if it’s bad, I just say it’s bad, I’m not gonna be like “hmm... unproblematic... then 10/10″ like what? 

1stly, even “little mermaid” and “cinderella” are problematic. 

2ndly everyone is so focused on purity these days, like storyline don’t matter at all. It’s like any great love story is automatically trash if they have age difference. Any trash love story is great, if they don’t?

Let’s then also rate “Dororo” as 1, bc it’s like 24 episodes of them falling for each other while she’s 11 and he’s 16. Wow, such gross relationships they have during the whole story. Doesn’t matter that she grew up at the end of the last episode, the whole anime she’s a child. And let’s rate Noragami 0, bc 2000 years old perverted Yato is into 15 year olds.

No one has to fuck asap (heck even in the same hella problematic “Super Lovers” you talk about, Haru refused to fuck Ren even tho he was 17 in s2 and wanted to fuck another guy) and the rule “you can only fall in love after 18″ doesn’t exist. Also underage is not BL thing, it’s all anime thing. It’s time to shut it already. There are zillions of age gap couples out there who are great. Hyakkimaru waited for Dororo to grow up, it’s fine, seriously, they love each other in the right way, he didn’t want to fuck her when she was 11, okay? They did love each other tho already then. Pls excuse them for that.

3rdly, some relationship that ppl here call unproblematic are 20 times more problematic, than what they call problematic.

4tly, why the heck it’s like couples who have an amazing character and relationship progression, who love each other to death and will do anything for each other, ppl go: “wow, at the very beginning, he grabbed his wrist, he needs to go to jail”. Meanwhile a relationship who has no base, no story, no logical progression, no anything are “yes, best love story in the world”. Yeah... who cares if it feels like it’s all been pulled out of an ass and doesn’t make sense, very healthy tho.

It sounds lately like if most ppl here had two stories in front of them and one would be about two men who just met and the next day one proposed and they lived happily ever after and 2nd would be some complicated incredible story with a natural progression of the relationship, but they yelled at each other once, they’d be like “1st is better”. Well, not to me, no.

[bitchin-beskar]

The Internet is Forever Part 1

Fandom: The Old Guard

Rating: T (vague mentions of sex, but nothing explicitly described)

Word Count: 1.7k

A/N: Once more, y’all have The Gay Guard gc to thank for this lovely crack. It’ll be in three parts, with this one focusing on Joe and Nicky, Part 2 will focus on Andy and Quynh, and Part 3 will focus on Booker and Nile. I’ve never actually streamed or posted videos on YouTube, so I apologize for any inaccuracies, but... this is crack, so... you should kind of be expecting that at this point.

Tags: @the-chaotic-virgo, @hi-short-for-hello, @immortalwarriors, @the-killer-queenie, @roses-are-red713, @acolorandafeeling, @bookersebastien, @fetchmeabook, @ikilledtheducks, and @goalkeepernerd I blame every single one of you for this cursed fic. They all contributed to this AU so they ALL get credit for encouraging me to write this. 

Also @perropascal!!!

Let me know if you’d like to be tagged in any of my works!

Please consider liking and reblogging! I love the feedback!

You know the saying, “The internet is forever?” It’s true. It’s incredibly difficult to remove anything once it’s posted on the internet. That’s why Copley had been able to find all the evidence of Andy, Joe, Nicky, Booker, and Quynh from over the years. No matter how hard they’d tried to scrub their backgrounds, a few things always fell through the cracks. And now, in the twenty-first century, with technology growing at an unprecedented rate, it was harder than ever to stay off the internet. When the team had hired Copley to cover their tracks and find them jobs, he’d known he was going to have his work cut out for him. Unfortunately, he’d never expected… this. 

***

“Nile, can you come here for a moment, please?”

Nicky’s voice called out from the kitchen, and Nile got up from where she was perched on the couch, shutting her copy of Les Misérables–in the original French, mind you, Booker was trying to help her learn another language–and tucking it under her arm, walking down the hall and into the kitchen. She stopped, frowning in confusion as she took in the scene before her. 

Nicky was standing at the kitchen counter, a plate of baklava on the countertop in front of him. The rest of the kitchen was a mess, dirty bowls and measuring cups filled the sink, and ingredients covered the counter. He had a webcam set up in front of him, along with a laptop, and Nile could see that he was streaming. 

He looked up as she entered, smiling brightly. “Nile! Come, you must try this baklava!” He holds the plate out eagerly, and Nile steps forward cautiously, carefully taking one of the little squares. 

“Why? What are you doing?” Nile asks, suspicious, as she inspects the piece of baklava, not convinced that Nicky hasn’t done something to it.

Nicky looks at her, hurt. “I just want you to try my baklava. I’m teaching the internet the proper way to make it, and I want you to tell them how it tastes!” He gestures to the live webcam. “I need you to be honest, tell me how it tastes, even if it’s bad.”

She gives him the look. She’s never once eaten something made by Nicky that didn’t taste absolutely amazing. As long as this isn’t a prank, she’s not sure there’s any way his baklava won’t taste divine. She takes a bite, and nearly moans at the taste. The buttery texture of the dough is perfectly complemented by the taste of walnuts, hazelnuts, and pistachios, and there’s a hint of orange citrus that just brings everything together. 

“Well?”

Nicky’s looking at her, his eyes wide and expectant, waiting for her to give a review. “It’s amazing Nicky, seriously,” she says, grinning as Nicky beams at her. “It’s the best baklava I’ve ever had. Try some!” Nicky picks up his own piece, taking a big bite, but before he can say anything, a voice floats over from the doorway. 

“Yeah, but how much baklava have you had, really?”

Both Nicky and Nile turn to see Joe standing in the doorway, his arms crossed over his chest, a playful smirk on his face. “I mean, if you’ve only ever tasted his cooking, you don’t really have anything to compare it to, do you?”

Nicky growled–seriously, growled–under his breath, and Nile looked between the two, confused. She was so used to seeing them acting like they were still in their honeymoon phase that seeing this other side of both of them threw her for a loop. She backed away from the couple, glancing at Nicky’s laptop, seeing that he was streaming to YouTube. She snorted when she read his channel name: BetterThanOliveGarden. She glanced at the live stream of comments and had to do a double-take. Based on what people were saying, apparently, Joe and Nicky had this online rivalry, and people kept debating their relationship, whether they were roommates, dating, or something else.

She watched as Nicky shoved the plate towards Joe. “How about you try my food before you critique it, Joe?” A sly smirk spread across Joe’s lips, and he took the plate, setting it down without taking any food off it. Instead, he strides forward, cupping Nicky’s face in his hands and kissing him deeply. Nile looks away awkwardly when Nicky moans, and she glances at the comments and sees that they’re going nuts.

People are screaming, keyboard mashing, and comments like: OHMYGOD WHAT, are popping up constantly. Nile grimaces at the webcam. She whispers to the camera, “You guys do know they’re married, right? They do this all. the. time.” She throws a thumb over her shoulder at the two men, still locked in an embrace. Joe has one hand clutching at Nicky’s hair and the other in the back pocket of his jeans, and Nicky’s got his arms thrown around Joe’s neck, both of them completely lost to the world. 

The comments are still blowing up, and Nile isn’t sure if she should actually end the video or not. She shrugs, deciding to leave it going. What’s the worst that could happen?

***

Well, apparently, Nicky and Joe forgot about the live stream. Nile only found out when she went to go and find the video, only to see that it had been taken down due to “violating YouTube content policies.” She asked Joe about it.

“Well, you see, apparently it’s frowned upon when two people decide to show their love for one another–” 

“You two started taking off each other’s clothes, didn’t you.”

“Yes. Yes, we did.”

“Please tell me the two of you left the kitchen before the pants came off?”

“Of course we did, we have enough self-control–” 

“Andy came in and yelled at the two of you that you were about to do it in front of a live audience, didn’t she.”

“Um, well… yes.”

***

Nicky’s retaliation happened later that week. Joe apparently ran an art tutorial channel, where he did sketches, showing people how to draw anything from animals, to the human body, to landscape, to architecture. His channel was called ScrewMichelangelo, which had confused Nile until Joe had explained the man refused to stop flirting with Nicky, so Joe hated him. Nile was skeptical, until Joe pulled up an image of the statue David, pointing out all the similarities between the marble statue and Nicky. 

Nile was shocked. She could see the resemblance and turned to Joe in shock. “Wait, Nicky posed for Michelangelo?” 

Joe grumbled, frowning deeply. “No. I accidentally left my sketchbook in his workshop one day, and there were some sketches of Nicky inside. He used those for his inspiration. When I found out I…” Joe looked sheepish. “I was very upset. Nicky keeping me calm was the only reason Michelangelo survived my wrath.”

Nile grimaced. “Yeah, I can see why you’d be pissed.” Joe nodded, and he began to set up the webcam. 

Joe had asked her to help him out, so Nile was once again in the video, this time posing for Joe so he could show people how to draw braids. She was still trying to get through Les Misérables–seriously, she hated french–and she’d lost track of time when she was startled by the door banging open. She looked up from her book, watching as Nicky strode determinedly into the room. 

“This,” he said, coming up behind Joe and laying his hands against the sides of Joe’s neck. “Is for ruining my baklava video.”

He tipped Joe’s head back, pressing his lips against Joe’s harshly. Nile had learned from the last time. She got up, shut off the webcam, and left the room, shaking her head when the men didn’t even react when she shut the door loudly.

“Stupid horny immortal husbands.”

***

It had been a quiet week, and Nile was suspicious. Nicky and Joe had each ruined multiple of the other’s videos with intense make-out sessions, and Nile was surprised that they both hadn’t had their accounts banned from YouTube. Neither of them had done anything this week though, so Nile was just waiting for the other shoe to drop. 

When she woke up one morning to a YouTube notification from Joe’s account, she actually groaned. She wasn’t sure she wanted to watch what they’d gotten up to, but she figured she should probably check. 

Clicking on the video, she was surprised to see that she couldn’t actually see anything, because the video was pitch black. Suddenly, a soft light appeared, showing a shirtless Joe. He held a finger to his lips, giggling, before shining the light onto a sleeping Nicky next to him. 

“Nicolo, destati.” 

Nicky grumbled, trying to swat Joe’s camera away, but he missed. “Nicolo, habibi, destati.” Nicky groaned, rolling over and blinking up at Joe. 

“Yusuf, what time is it?”

“Three am, habibi.”

“Why Yusuf?”

Nile can hear Joe giggling. “I wanted to show everyone what I get to see every night for the rest of our lives.”

Nicky’s face softened, and he reached a hand up, pulling Joe’s face down and into the frame, and into a kiss. Joe managed to hold the camera steady, somehow. When he finally pulled away, Nicky grabbed one of Joe’s hands, tugging him down so that Joe is spooning him and his arm is wrapped tightly around Nicky.

“You’ve got your video, amore, now let’s sleep, please.”

Joe says something, but it’s muffled as he sets the camera down. The light turns off, and Nile thinks the video must be over, but when she checks, she realizes there are still hours of footage left. She fast forwards, and once the room starts to brighten, Nile realizes it must be morning. She sees as Nicky and Joe come into view, still spooning on the bed. She watches as Nicky wakes, and sees the camera still running before he reaches out to shut it off.

She shakes her head, shutting the phone off. Maybe now they’d stop ruining each other’s videos and she wouldn’t have to listen to their complaints anymore.

***

Well, Joe and Nicky had stopped bothering her. But Andy and Quynh were a whole other story.

[xxtha-blog]

So apperently I wrote a oneshot fanfic and forgot about it for almost 2 years

And because it's comedy fucking gold, and also some quality post-comic Ace content, I thought I'd share it with you people here.

Without further adieu, may I present to you

A Casual Encounter With Ace

Ink knew very little of Ace. He had met him once, briefly, in the last moments before his AU disappeared into nothingness, Ace sneaking through the portal Dream had created and slipping away from the destruction of his own home like it was nothing more than an average Saturday. Ink barely had the chance to talk to him, didn’t even know his name, he just knew that there was a flamboyant top hat wearing skeleton that enjoyed stealing things and harassing Dream, prancing around the multiverse and causing chaos with no restrictions. Of course, Ink planned to catch him… eventually… if he hadn’t forgotten… multiple times. But it was Ace who seemed to catch him instead.

  Ink had been sitting in the snow, crouched behind the trees of Underswap, checking up on the stability of the timeline, when he heard a voice behind him. At first, he thought it was Blue, the only one who would know to look for him there, but the accent threw him off. Ink turned slowly, curious, and saw the black and red skeleton leaning against his staff behind him, smiling modestly as he surveyed the rest of the underground as Ink did.

  Ink paused for a second. “Hey– Don’t I know you…?” He tapped a pencil against his chin, working with all his might to remember.

  “Perhaps, dear sir, perhaps indeed, for I am quite popular, simply ask my wonderous fans, who may be reading this right now! Which does remind me, do you ever realize that we transcend not only drawings and comic books, but also code, writing, and animations. It’s quite crazy when you think about it, I mean, just look at you. What? One of the most popular characters in the entire fandom created by a mere teenager! Mind boggling and simply astounding, our existence, both of us in fact, relies only on two simple teenagers bringing us to life.” Ace talked mellifluously, his accent smooth and precise, as though someone had mashed together a French and British accent and added a gay flare to it. He talked incredibly fast, as though to confuse everyone with his slur of words, despite them not being slurred in the slightest.

  Ink stood up, brushing the snow off his sweater. “Wait a second!” He glanced up again his eyes widening. “Aren’t you that magician guy?!”

 Ace tilted his head, intrigued.

   “Aha!” Ink declared in triumph. “I finally found you!”

  “Magician guy is quite vague. And a guy, no, no, dear sir, not at all, I simply am I, an illusionist, a magician, a slight bit insane, but far saner than you, so I must ask for you to be a tad bit more specific for fear I may misinterpret what you wish to say and be unable to reply!” Ace spun his staff around, giving Ink a slight smirk.

  “You’re from that AU- Oh what was it.” Ink spun his hands through the air, churning his memory around. “Magicwhatever, Lucktale, Underchance, Chancyluck, Chance, Chance something, Chancetale-? CHANCETALE!” He put his hands on his hips proudly.

  “A dead name, no?” Ace raised his eye sockets into a quizzical expression.

  “I mean, yeah, but you’re still here, which means you’re screwing up timelines. Which means I gotta stop ya!” With a quick flip of his arm behind his head, Ink pulled his paintbrush out in front of him and pointed it towards Ace.

  “Stop me? Stop me! Oh, how wonderful!” Ace’s eyes lit up as he spun on his heel with glee.

  “You’re supposed to be worried,” Ink pointed out. “Like, oh no he’s going to catch me?! Whatever shall I do! And then I go, heck yeah I’m going to catch you! Because I’ve got a super cool paintbrush!”

  “I dare say you do not.”

  “What do you mean? My paintbrush is awesome, I mean just look at it–" he stopped. "Where’s my paintbrush?” Ink’s hands were empty, his fingers grasping at the cold air around them and nothing more. He wondered if his memory had lapsed again, but he could have sworn he had just been holding it. He reached back only to grasp at the air once more.

  Ace casually spun the paintbrush in his hands, still standing stationary a dozen or so feet away, studying the fine patterns on the metal clasps. “Quite a nice paintbrush, indeed, I do not disagree with that, however, you do not have it, therefore your statement was false.” Without another word, the paintbrush disappeared into thin air, and Ace merely tilted his top hat.

  Ink started to take things a little more seriously, his smile fading. He straightened. “This’ll be interesting.”

  “Oh, tis always interesting when I’m here! Just ask your dear friend Dream!”

  “We’re not really friends,” Ink said with a shrug. “He just happens to be useful sometimes.”

  “Oh my! What wonderful news we have here! I’ll be sure to keep it in mind to use against you so that I can slowly break apart your relationship until you are both mortal enemies in which case I can use your turmoil to my advantage!” He clasped his hands together, smiling softly, before adding, "If need be."

  Ink stared for a second. “You know if you really want to be evil, you shouldn’t announce what you’re going to do out loud.”

  “Evil? No, I’m not evil. Never in my wildest dreams would I ever consider myself to be evil, for that would mean I am profoundly immoral, and although I am profound, immoral I am not. I know precisely what is right and wrong, and good and bad, and have no trouble discerning between the two. I simply choose to do good and choose to do bad based on the situation and outcome it will provide me, and dear sir, it is quite a bore to be simply one or the other, is it not? I mean, you’re one to speak, think of the things you have done and the people you have hurt for your own benefit, quite chaotic indeed, but not evil. Few would call the fabulous Ink evil. Therefore I am not evil. I am just spontaneous, whether that be something pleasant or something disagreeable.”

  “You really do talk a lot,” Ink said, crossing his arms.

  “Tis a showman thing.”

  “Showman?”

  “Oh! Would you like to see a show?!”

  “Not really. I was in the middle of–”

  Ace clapped his hands together cutting Ink off, his staff forming between his palms as he pulled them apart. He twirled his staff like a baton before stamping it down into the snow and pulling his top hat off his head, taking a slight bow before beginning, “A magic show! For the fabulous Encre!”

  Ace began to perform his dazzling illusions. As real as reality, yet as mad as a dream. He swept up beside Ink and before Ink could say a word, slipped his scarf right over his head and turned it a kaleidoscope of brown butterflies. Ink went to protest, but a butterfly zipped over top of his mouth and turned into a brown piece of duct tape. The rest of the butterflies froze, falling to ice cubes on the ground before bursting into tiny glass shards that glimmered with little lights.

  “Butterflies were not meant for the underground! How unfortunate. The terms and conditions said nothing about turning to glass, however! Then again, I did not read them. Alas, now I must clean this all up.” Ace spun back around Ink, standing over top of the pile of glass shards.

  Ink shouted, but his words came out as muffled gibberish. He tried to pull the duct tape off, but it refused to budge. He waved his arms around, exasperated.

  “What’s that dear sir? You wish to see more magic tricks? Well, I wish to perform more as well!” Ace spread his arms out, the glass shards levitating off the ground around him before spinning into a small ball and transforming into a lightbulb above Ace's fingertips. He caught it out of the air, studying it closely, before looking back up at Ink.

  “I would put this above my head and say I do so happen to have an idea, but that would be terribly cliché, would it not?”

  “Mphfffff!”

  “I wholeheartedly agree! I’ll put it inside my mouth instead!”

  Ace slipped the lightbulb between his teeth, smiling deviously.

  “Now dear sir,” he said with zero hindrance, despite the lightbulb clamped between his teeth. “It is a well-known fact that when one puts a lightbulb inside their mouth, it shall go in quite fine and then never ever come out again in one piece! Today I am here to prove that theory wrong and promote the putting of light bulbs in your mouth everywhere!” Ace let out a small laugh before quickly inhaling the lightbulb.

  Ink’s eyes narrowed, giving up his attempts to talk through the duct tape.

  “Where ever has it gone? Ah! I know!” Ace reaches a hand inside his left eye socket and pulls the lightbulb into the place his heart-shaped pupil should have been.

  “And now to turn it on!”

  With a slight flick of his wrist, Ace summoned an egg out of midair, then cracked it against the nearest tree. From the cracked shell sprang a toaster, which Ace caught in his hands as though he had done this many a time. He quickly plugged the toaster into the tree and waited a few seconds, but nothing seemed to happen.

   Ink watched, both baffled and annoyed, only able to express his feelings through a few grunts and shakes of his head. Ink had seen many things over his life, AUs full of nothing but Sanses, characters made of watermelons, atrocious crossovers, but nothing quite as strange as this.

  “Oh, I see what I’m doing wrong! Forgive me, dear sir, I have never used a toaster in my life! I run solely off of white chocolate!” Ace unplugged the toaster from the tree and threw it as far as he could muster. “Farewell, dear toast maker. I shall miss thee.”

  He reached inside the small red pouch on his shirt, barely bigger than a golf ball, and pulled a full sized hair dryer.

  Why do you have a hairdryer?! Ink shouted, his eyes wide, but it simply came out as “Wff duh vu hvv a her dyr?!”

  “For this, dear sir, why else.” Ace put the end of the hairdryer up to his eye and turned it on. It wasn’t plugged into anything, the cord dangling around Ace's ankles. As the hairdryer whirred to life, the light bulb flickered on.

  Ace pulled the hair dryer away, making it disappear into a flurry of little pink sparkles before taking a long bow, one of his eyes now made of a little yellow glowing light bulb.

  Ink clapped sarcastically.

  “Why thank you! Thank you! Truly an amusing time we've had here today!” He pranced over to Ink, patting him on the head twice. When Ink tried to grab him, his entire vision spun around and he was suddenly facing the complete opposite direction.

  “Now, now, that’s no way to treat someone who just performed for you.”

  Ink turned on his heels, looking around for Ace, but he was nowhere to be seen. The piece of duct tape had vanished.

  “Farewell, dear Ink, until you wish for another magic show!”

  The voice came from nowhere and echoed throughout the trees before fading into nothingness. On the ground, there was a small paper card. Ink bent over and picked it up, flipping it open. Inside was a tiny brush, smaller than a thumbtack, taped to the inside of the card with a small heart and delicate cursive handwriting: I believe this belonged to you?