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#can you tell i love this effect
tukkiwing · 3 months
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I'm crucified like our savior.
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jules-tells-a-story · 9 months
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i think we as a society need to return to campy movies. i wanna see more "ghostbusters," more "repo! the genetic opera," more "rocky horror picture show." i wanna see more movies where you can see the effects, where it's all over the place and insane, where the music isn't something you'd find in an opera house, but you can tell that the people behind it put their whole chests, their blood, sweat, and tears into it. you don't need avatar level special effects to make a good project. you don't need marvel level complexity to make a good story. you don't need john williams making your soundtrack to have good music. we should be less afraid of movies being seen as "flawed" or "imperfect" because imo, that just makes them all the more fun and heartfelt.
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chooh2 · 17 days
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A Very Happy Pride to and from 2 characters that are so incredibly important to me, that each carry a piece of my heart and have been integral in my own journey of becoming more comfortable and happy in my own skin 🌈💖
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onceuponaroast · 1 year
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Alright so I just want everyone to know I saw the new DnD movie last night and it SLAPPED
It was so funny, the characters were well written, and it had some beautiful practical effects. I know enough about DnD to understand some of the in-jokes and nuances, but background info isn't necessary to enjoy it. Also the costumes and set design were gorgeous.
I went in expected some Marvel overly CGI'd quipfest but was so pleasantly blown away by an absolute masterpiece. It was so FUN!
I cannot recommend this movie enough, especially if you enjoy DnD or just like watching actors having so much fun. 10000/10
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old-desert · 4 months
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sum blushing Loop sprite edits for the soul
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hecksupremechips · 2 months
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Come back home when you have some sense
You can throw your life away just not at my expense
You’re not the son I raised
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#jhariah#this one just rawrrfrrr#and then uh another line thats like ‘tell me did you raise a man?’#nice#im just listening to the new album to cope with nasty sickness and feeling out of it#god this album is really good it has every emotion in there like this song for example just the part where they scream the chorus its like#hnnnghhh#hm some other moments from the album im liking a lot uhhh i love re: concerns a lot#the part where hes like reading off the complaints and then the part where hes just screaming and its like BAM BAM BAM BAAAM#sasuke is so good and the bit at the end where its like ‘i just want you to know im so so...’#like hes gonna say sorry but cant seem to say the word for whatever reason and i know nothing about sasuke#but i has to imagine the fan girlies are eating gravel over that one lol it gets me#and theres just that like spooky echoing afterwards#the intro to fire4fun goes SOOOOOOOO hard i was losing my shit its awesome#the entirety of trust ceremony is giving me big feelings but specifically that part towards the end where its all quiet and you hear#its like whistling i think? like a marching band is coming in maybe#but it also kinda sounds like nature too and idk i like got a little bit um magical at that part cuz i was driving down a big hill#and it had been raining but there was a clearing in the clouds and the sun was bright and like at this particular hill#you can just see everything like the land stretches for miles theres trees hills the river farms all that shit#and idk with the extreme stress and depression ive been feeling its hard to have these moments where life seems worth it#and its hard to really feel anything anymore or to feel in the moment but idk i was just going down that hill seeing everything and it was#very majestic so yeah that song is definitely gonna have the same effect as pin eye for me#which i must mention pin eye again its still OOOOGHH very good it came at a pretty good time for me#yeah basically this album is uhhhh whats keeping me somewhat grounded rn i recommend 👍
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f1shart · 10 months
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idk guys. i saw the ref image, blacked out, and lo and behold this drawing exists (hey, it's not a doodle this time)
ref in question
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read more for a bonus that is not a drawing this time ❗️❗️⬇️⬇️
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indeed that is almeric davis, recreated in ts3, licking a phallic rainbow object...
you see 👉👈 when i was sick for a month (a week but i was gone for a month) i recreated ALL SEVENTEEN LFT STUDENTS in my beloved sims 3 game. i'm normal i'm normal i'm normal i'm normal i'm fine i'm normal (also a coinkydink: i'm sick again. 😐😐😐😐😐)
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blueautumngrave · 3 months
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WHAT THE FUCK DID AUSTEN DO TO FUCKING GET HOMESICK AT SPACE CAMP AND ITS NO A SIDE EFFECT OF THE COCAINE LIKE IM HAPPY FOR YALL BUT WHAT THE FUCK MAN
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rhythmcrown · 1 year
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Happy birthday to the game of all time, and the blorbos that started it all for me
Yeah, it was Sonic's game too, but we all know who stole the show for that particular era. I'm not biased or anything
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astraltrickster · 17 days
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Guys I don't normally talk about this on this blog, so I'm only going to say it once, and im going to say it as calmly as I can:
Stop with the pro-Trump - sorry, "anti-Biden" propaganda.
Stop spinning this as a choice between good domestic policy and bad foreign policy vs. bad domestic policy and good foreign policy - there is no universe in which Donald "Muslim ban" "build the wall" "turn Gaza into a parking lot" "has streets named after him in Israel" Trump is an improvement on our foreign policy, no matter how much it may FEEL like we can't get any worse and no matter how aggressively some people try to spin his end-of-term (i.e., EARLY COVID ERA) detainment numbers as "proof" otherwise.
Letting him win the presidency does NOT imply to the Democratic party that Americans want better foreign policy, either - they look at what the majority of voters say as evidence of what the people want. This is why they're so damned wishy-washy - because leftists keep trying, and trying, and trying the inaction strategy...so they go for the actual voters. They go further right - because that's where the people they see as "motivated enough to care" are. Abstaining doesn't send the message "I hate both of these options" - it just says "I don't care." It says "do whatever you want to me or anyone else, it's no skin off my nose." It says "those protestors? They're a tiny loud minority. Most Americans want more war, not less."
You cannot boycott a government the same way you can boycott a business - they're getting your tax money anyway.
You cannot change the world by sitting on your hands and doing nothing. Anyone with power who tries to tell you that inaction will get you what you want is someone who is trying to silence you.
If voting were useless, if voting made no difference, if the right weren't utterly terrified of losing power, then we wouldn't have gerrymandering, voter suppression, disenfranchisement of prisoners, disenfranchisement of anyone with a felony record, voter roll purges, we wouldn't have had to fight to secure voting rights for women and POC, the list goes on. The worst people in the world really, really want you NOT to vote. I am begging people to be more aware that just because someone knows how to speak your language to spin your silence as action does NOT mean they have the best interests of you or ANYONE else at heart.
And there is so fucking much more at stake than this one issue and "imperialists' comfort". Half the horrible shit that has happened domestically in the past four years has been because Trump stacked the Supreme Court - the overturning of Roe v. Wade? Remember that? We're likely to have more vacancies in the next 4 years. If he gets more appointments, we could be fucked for DECADES.
"But what about the rest of the world?"
Look. If I can't convince you that Trump's foreign policy would be worse (even though it is), let's consider climate change. Let's consider environmental laws. You know who the first people fucked over by climate change are, no matter who it is that's fucking around? People in Africa and South America, mostly. Do you want to enable the dismantling of the EPA? Or are you willing to admit that someone whose first act upon being sworn in was to rejoin the Paris Agreement is a lesser evil in that regard, even if his foreign policy re: international weapons sales is maybe 5% less dogshit at best?
If I can't convince you that the lives of disabled and queer people in America are worth the same as anyone else's - not more, not less, but THE SAME - then can I at least convince you that not turning Brazil and Congo into 45°C uninhabitable wastelands, or at least buying some time against that ticking clock, is a worthwhile endeavor?
I know some of you think that there's a chance that if we let Trump win, it will galvanize people to fight back harder. We tried that in 2016-2020. People died. Laws against protests tightened up worse than they EVER have under Biden - I was getting emergency alerts about curfews on a daily basis, because of crackdowns against the BLM protests. The actions being taken against the antiwar protestors now are despicable, yes - but they are nowhere near the same level of intensity. Accelerationism is tricky like that though - it FEELS like you're getting more done when the pushback is harder, doesn't it? - but all it does in the end is kill more people and set precedents to set us even further back.
Trump wants to invoke the Insurrection Act. Martial law. Do you really think that we can take on the most expensive military in the world, domestically, and win?
Do you really think that there is ANY amount of "motive" that will be enough to see us WIN a sweeping Hunger Games-style, burn it all down and rebuild from zero, "revolution" - i.e., a civil war against the US military - at all, let alone in time to save a SINGLE person in Gaza, or anywhere else for that matter? Let alone in the 5-7 months it will take to elect and inaugurate a president? The system will go on, with or without us.
At the end of the day, this is a trolley problem. People are going to die, and it sucks, but there is no third option - BUT, if you pull the lever, the casualties will be fewer. The question is not of which option results in fewer deaths, it's not of which of those lives is "more important", it's not of whether or not the numbers are ACTUALLY somehow secretly equal - it is only of whether or not you can pull the lever, or at least admit to yourself that you can't bring yourself to do it instead of trying to invent a reason the higher death toll is an objectively better outcome, actually.
Please. Think calmly for a minute about what the alternative is. Remember everything Trump has very clearly said about Arabs, remember the streets named after him in Israel, before just assuming that at least he can't be any worse, let alone that he's going to somehow be good on foreign policy and spare at least one non-American for every American he kills. Think about EVERYTHING that's at stake instead of flying into a blind rage about how that evil traitorous Joe Biden wrote "gullible" on the ceiling, because when you mistake sitting on your hands for a political statement just because the plea to do so was wrapped in emotionally charged leftist lingo, you are playing PERFECTLY into fascists' hands.
Please.
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sea-buns · 5 months
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Forgive me if I'm a bit nervous about Gorgug this season. It's just that the last Zac Oyama pc was Colin Provolone, who was arguably one of his greatest D20 performances, if not the greatest.
Zac always does great with every pc he plays, but Colin was something else. He came out swinging with actions and words that were teeming with unspoken emotional baggage. The way Colin's presence affected the other pcs; there was this level of depth that I don't think I've seen in any of his other characters. It was understated and quiet in that signature "just a guy" way that he tends to be, while still captivating everyone instantly with just how raw it was.
Not to say we haven't seen emotional depth in Gorgug. It's just that, compared to the other Bad Kids, Gorgug's journey and progression as a character has been very... impersonal? Like, yes, he found his birth parents, and he found friends who appreciate him, and he faced his insecurities about his intelligence, and he navigated relationship troubles, and his trial through the claustrophobic bug-tunnels was a horrifically-uncanny parallel to how he's spent his entire life trying to make himself as small as possible.
But how much of that has actually changed him from the Gorgug we started with? I would agree that he's definitely happier with his life, given all the loving and supportive people that have been added to it when it used to be just him and his parents. And he's certainly grown into himself and become more self-assured in his abilities, even if he's still, and always will be, our anxious little guy. And there's nothing wrong with that. I've always liked how Gorgug was a representation of all the little things. The subtle acts and kindnesses that don't seem like much to most, but to some are everything.
We don't need another Bad Kid living in fear that their mouth could be shit-in at any moment. We've already got one-too-many.
All that being said, I just feel like Gorgug's personal story beats are much easier to sweep under the rug than everyone else's. He has the same soft and understated quality that Colin held, but they lack that extra oomph that pushed Colin over the edge from being just another guy in a series of dudes, to a character that the vast majority of us could not get out of our heads. He took someone who was anxious and softspoken, who ultimately never wanted to be violent— someone who is remarkably similar to Gorgug in many ways— and maintained that demeanor and core in Colin's character while still hitting us in the feels with character development at max velocity at every turn.
I think Zac gets better and better at this with every season that goes by. With each new character, there is always something that leaves me stunned in awe. And it's been, what, three? Four years since we last saw Gorgug?
I'm just,,, I'm cautiously optimistic but also going into a bit of a worry about what violence this man may inflict upon us
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coquelicoq · 7 months
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what i love about the Famous Actor Natori Shuuichi of it all is that...it's not just that he's famous and therefore widely recognizable wherever he goes. like yes that is very funny because he was an exorcist before he became a famous actor, which means he CHOSE, on purpose, a day job that would make it harder to hide his double life/secret identity from the hordes of his adoring public, but it's more than that. it's not just that he's famous, it's that he's famous specifically for being an ACTOR, aka a person whose job it is to dissimulate, to make believe, to inhabit roles and emotions other than his own. like he decided he was going to become as visible as possible (which again was literally not necessary! he could have gone into any other career for his day job!!) but in such a way that everyone would see him but no one would see him - they would just see his various made-up personas, including the Famous Actor Natori Shuuichi persona. i can't decide if he's a genius or if he just made so many absurd decisions that they canceled each other out and circled back around to working out. he's either playing 9-dimensional chess or he's eating the pieces. too soon to say.
#the other thing i love about it is that in a very real sense it's his actor day job that is his alter ego#being an exorcist is his normie job. he's just a famous celebrity on the side#which isn't that uncommon in secret identity setups but it's still very funny#natsume's book of friends#natsume yuujinchou#natori shuuichi#natsuyuu meta#my posts#f#i think probably the actual answer is that acting was a very natural career choice because he already masks so extensively#both to hide that he can see things other people can't (and that youkai exist and that he exorcises them)#and to hide what he's really feeling so that no one can use it against him#so if it's already something he has to do & he's good at it...why not have someone tell him exactly how to do it & get paid for it?#and the other part of the answer is that most ppl don't go into acting assuming they'll get famous. the fame was a side effect#so each decision as it was being made probably made perfect sense. but put them all together#and you have this hilarious assortment of elements that seem to directly contradict each other#okay also i would be remiss if i didn't mention the other possible answer which is that the attention came first and was unavoidable#and the acting developed from the need to protect himself from the attention that he was going to be attracting no matter what he did#because he's so beautiful. and (in the exorcist world specifically) because he's the last of the natori#the more i talk about it the more i'm like no becoming a famous actor was the only path that made any sense for him lol#1) he's gonna be watched no matter what bc he's him -> gotta figure out how to hide his secrets -> learn to act as self-defense#or 2) he's got secrets -> he's gotten a lot of practice hiding them -> hey you could make a career out of this!#all roads lead to actor natori shuuichi. and since he's beautiful...all roads lead to FAMOUS actor natori shuuichi#i love it when i ramble so much in the tags that i end up contradicting my own post lol#he's neither thinking ten steps ahead nor is he irrational. he's simply making sensible individual decisions#that follow logically from what is available to him and what his priorities are
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esshades · 4 months
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I finally finished my watchthrough of the 2 MDZS shows and here are my thoughts from my notes
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The eggs are asleep, and finally Philza and Missa can catch a moment to themselves. Unfortunately, catching that moment means admitting to the injuries they have been hiding from their children - fussing over scratches while having arrowheads lodged next to your spine is the duty of a parent on Quesadilla Island, but an exhausting one.
Missa's quick fingers manage to pull said arrowhead from Philza's back, the momentary flash of pain causing him to nearly drop the iodine solution. He doesn't, though, just a little stain on the floorboards, and so he continues applying it to the wound in Missa's leg.
He barely notices the scratch of a needle against his back, but Missa cannot help but whine as the gauze is pressed against his wound.
"I hate it here," Missa manages, thankfully in English as Philza is in no position to twist and see his translator. "Why is everything trying to kill us?"
"The island fucking hates us, is why," Philza grouches, reaching over for a bandage. He's managed to get Missa's leg to stop bleeding, but it should still be covered. "Enjoy the island my ass."
Missa giggles a bit, even as he tapes a dressing in place over the arrow wound. He says something in Spanish which is definitely too fast for Philza to parse; he tries to turn and look, only to be gently pressed back into position.
"It's nothing," Missa assures him. "But the skeletons! Why are they so bad?"
"The skeletons aren't even the worst of it," Philza groans back. "If you ever see glowing eyes and nothing else? Run."
There's a long pause, and Philza hopes that Missa understands the severity of his warning - a Nightmare Stalker is exactly that, and Philza knows Missa is not nearly equipped to handle one. If he struggles as he does, he doesn't want to think about how his partner would suffer in his stead.
"It's okay," Missa pats his shoulder a few times, leaning around his wings to do so. "I'm good at running. It's my special talent!"
"You're good at a lot of things," Philza promises.
Missa doesn't reply; this time when Philza turns, he is allowed to. His entire body aching he sits himself up and twists himself around, taking Missa's face him his hands.
"You are so good," he promises. "So, so good. There's nobody else I would want to raise my eggs with."
There's more on the tip of his tongue; Philza quashes it as Missa closes his eyes, rest of his expression hidden by his mask.
Philza can see Missa struggle with his words for a bit - he's always amazed how someone can make themselves understood in two languages - before eventually receiving, "you are the best egg father."
"We have the best egg child," he retorts.
"We do!" Missa's entire body language perks up. "Chayanne is the best egg child, and he is ours. We are so lucky."
"We really are."
Philza isn't sure when it happens, but eventually he realises that he has leant forward, his forehead resting against Missa's mask. He closes his eyes and savours it, feeling as Missa loosely places his arms across his bare back - Philza needs his for support, one either side of Missa's hips and taking his weight, but otherwise he would do much the same.
The two of them stay in silence for a while, savouring each other's presence. The pain is still there, from protecting their children, and yet... In a simple house of oak and glass, for a moment it is all peace.
"Run away with me."
This is not how Philza had ever meant to bring it up, but the words slip out of their own accord.
Missa startles, eyes wide and spine straight as he blinks himself out of the peaceful haze, "qué?!"
"Run away with me," he shifts so he can see all of Missa's face, taking both of his partner's hands in his own. "Take the children, and run away. Find a way off this island, and to another world - one where the skeletons are the /only/ thing to worry about. I'll build you another house and we'll make it a home. Any colour you like, with a fence and walls and real bedrooms and a kitchen for Chayanne and gardens for Tallulah... You can have your own music room and kick Wilbur out for trying to steal your guitar, and we can sit on the roof in the moonlight and you can sing and I'll dance with the children asleep beneath us and no risk of zombie horsemen on our tail."
"But how-" a small whine catches in Missa's throat. "How do we get away? They said we cannot leave."
"There's always a way to leave," Philza says. "We just have to find it."
There's hands in his wings, and Philza startles.
"Your wings are so big... If they healed, you could fly away," Missa says, something wishful in his tone. "Up and up and far, far away, so far they could never catch you."
"And leave you behind?" he asks.
"You'd come back for Chayanne. And I... I could follow you then?"
"Even if something happens to Chayanne, I'd come back for you," Philza promises. "I won't leave you here, not in this hell."
"You wouldn't leave anyone here, if you could help it."
"Probably," Philza admits. "But I wouldn't come back for them, not if I didn't know I could escape again - I'd come back for you."
"I'll wait for you," Missa seems almost to melt in Philza's touch, whimpering as he curls in on him. Philza isn't even sure what he said wrong, just that his egg partner is clinging to him, whimpering.
"We might not always be together," he tries to reassure. "But I will always come back for you - I'll always find you. There's no point in running away if we don't run away together; if some day I /can/ fly away, I'd only do it to come back with help."
The whimpering turns to sobbing, and Philza adjusts his position to hold Missa properly. The hands in his feathers dig deep - one finger catches on some tape holding one of the litany of dressings in place - but Philza just holds Missa and worries.
Why this reaction? Was it something he said?
He stops talking just in case; Missa clearly wants a hug, so he just holds him, understanding only odd words of the broken fragments of Spanish between the sobs.
Eventually the tears slow; Missa pulls away, still sniffling.
"And... Spreen can come?"
"He can live next door, if he wants," Philza promises; it'll be a little hard to negotiate with Fit, but interpersonal drama is just a part of life. "A whole new town for /everyone/ - all of the islanders, and all of our friends. Maybe if we let his ex in Forever will even stop hitting on me."
That earns a laugh, if a bit of a wet one.
"I want to dance with you," Missa says.
"With no zombie riders," Philza promises. "Maybe tomorrow we could dance a bit at the Favela? But, one day, we'll do it somewhere safe."
"On the roof, under the moon?"
"I'll make a roof specially designed for it."
The tears slow some more, and Missa drops to actually lie on the bed.
"Do you really think we'll escape?" Missa turns to Philza and asks. "We broke the Wall, and the Federation-"
Philza moves to lie beside him - on his front while Missa is on his back - and takes a hand. "We will. I promise."
"But-"
"Someone cleverer than us will work it out," he smiles to Missa. "We've just got to survive while they do."
"And if they don't?"
"Then I'll burn the Federation to the ground."
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nebulaeyedfish · 1 year
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I always wanted to die clean and pretty, but I'd be too busy on working days.
So I am relieved that the turbulence wasn't forecasted-
I couldn't have changed anyway.
See pinned for commissions
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lovecolibri · 7 months
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Oh I am *cackling* at the producers trying to claim the show was driven by Loki and Sylvie's relationship when she refused to lift a finger to help multiple times (while platonic bestie Mobius was living out romcom moments by the dozen with Loki), and honestly they could have not had her in the season at all and barely anything would change. Like, I don't like that ship but it's still SO deeply disrespectful to give them NOTHING on screen all season while giving all the cute classically shippy moments to Lokius, and then come out after and claim it was some grand, sweeping romance and also there was nothing intentional about giving all the shippy stuff to Lokius. 🙄🙄🙄🙄🙄
Also, as I said in some tags, the "we can't get into Loki's head" like is just....peek absurdity. My brother in Christ, YOU'RE the writers! This character has been in the MCU for like, 14 years, played by Hiddleston who is *obsessed* with Loki. Getting into Loki's head should have been a cake walk! And even if it wasn't, IT'S LITERALLY YOUR JOB TO GET IN THE CHARACTER'S HEAD. Maybe this is why shows are so shitty? Instead of letting the characters drive the plot by getting into their heads and making choices from that perspective, showrunners instead twist the characters into a storyline.
ANYWAY.
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