#can't read any posts

[jameyannefuller]

Somewhere in the last few updates the Tumblr app has become almost entirely inaccessible with voiceover. I can't read any posts. This needs to get fixed.

[ps1demodisk]

Sorry I'm not low empathy autistic in the "mysterious loner boy who secretly cares about his friends and talks in a monotone voice" way and I'm actually just completely indifferent to the suffering of people I don't know personally and help strangers out of a sense of "this is the right thing to do" and not "I feel so bad for this person" or guilt.

I sit and listen to my friends even though I don't really care about hearing about their problems because I know they'll be upset if I don't, and despite the fact I honestly can't genuinely care about the issue itself, I care about the impact it's having on my friends and that's enough to make me want to help them through it.

Did you know that's actually an expression of empathy all of its own?

It will absolutely happen again I literally am not even sorry

[irenespring]

Really I think nothing shouts "my first Presidential election as a politically active person was 2016" more than the fact that when I feel hope and excitement for the future (possible President Harris) for more than five minutes I immediately get a crushing, all-consuming anxiety of "feeling this positive emotion now is going to make it so much worse when the worst thing possible happens" to the extent that I'll probably need my break-glass-in-case-of-emergency anxiety medication.

[coddda]

Light's relationship with his father is such a heartbreaking multi-faceted tragedy to me I hate it so so so much.

Soichiro loves his son so much, and while he's certainly not a perfect father I know that he cares deeply about Light. He wants to prove Light's innocence so badly but he can't let go of the underlying doubt that he might really be Kira and it gnaws at him. He does not know that from the very beginning he was being used by Light, whether it was to obtain information about the investigation, or to get to L, or to strengthen the foundations of his own lie that he wasn't Kira, this entire time he was simply another resource. He'll hang onto this doubt for years, even after L is dead, even if he doesn't express it in the latter half of the series, until he himself is on his deathbed, with what he believes to be undeniable proof that Light isn't Kira. (It's a lie, of course.) He dies happy, but it's on the foundations of blissful ignorance. His own son brought him here, brought him to the point where he had to sacrifice half of his own remaining life span, to his own death march, and was still trying to use him even now to kill someone else, but he doesn't know that. Soichiro said that what was evil was the power to kill others, and that whoever used it was cursed. Light was that cursed man, of course, and he tried to bring that curse onto Soichiro too by making him kill in his last moments. Soichiro was happy regardless, because he didn't know. He'll never know. (In the manga/anime at least. More on that later).

Light loves his father but it's not enough to turn him away from the terrible decisions he's made, if anything it only fuels them. His idea of "justice" is a twisted model of what he parroted from Soichiro, and he uses his father as another pawn (and a powerful one at that) in his plans. If he can prove that Kira is justice then perhaps his father will no longer call Kira, and therefore Light, evil, so he just needs to ensure that Kira becomes justice, right? It's Light's own actions that land his own father in the hospital for a stress-induced heart attack and yet he says only a few minutes later that he's the happiest he's ever been in his entire life. Even after Soichiro denounces Kira by calling him evil, even after he calls the Death Note's power evil, even after he unknowingly tells Light that he is cursed. When Soichiro dies Light is too deep in his own plans to actually properly process the fact that his own father is dying past what it means for his goals, but at the same time he still cares enough that after the fact he'll genuinely cry, only to brush it all away later. (Personally, I don't have a single doubt in my mind that Light's crying in that scene was genuine and I Will die on this hill). Soichiro had unknowingly denounced Light one last time just before his death, openly relieved that he "wasn't Kira after all", which also reveals that he has had doubts about Light this entire time, even after L died. By the time he's caught at the Yellow Box Warehouse Light will have denounced his father too, seeing him as someone who was made to be a fool, someone who was naive, even, too earnest for his own good. He won't realize that part of this description of his father might have applied to Light himself, back when this all started. Light takes after his father so much in so many ways already, so why not in this way too?

Ough. And honestly the other adaptations never miss out on this tragedy either, and I love them for that. (spoilers for the musical and 2006 live action movies I guess?)

In the musical we see Soichiro express his doubts and conflicts about who to believe, Light or L, if the son he raised really is a murderer, if everything he knows about him is just a lie. Like, there's an entire song about this, and you can tell how torn he is about it all, how badly he wants Light to be innocent but about how he also needs to face the truth no matter what it is, but at the end of it all he doesn't even get the answers he wants. At the end of the musical the only thing he finds is two corpses, Light's and L's, with no answers. No last words, no closure, only dead ends and a dead son and a grieving daughter. It's so awful I hate it here.

And the live action movie is fucking Insane. Like, wow. Okay. (Spoiler for the ending of Death Note The Last Name I guess) In the 2006 movies/novels Light writes Soichiro's name in the Death Note himself, and it's such an inconcievable move that it leaves even Misa shocked; Light tries to make Soichiro give him the Death Note for the last part of his plans, seeing his death as a "necessary sacrifice" (insert tangent essay about why I think 2006 live action movie Light is actually the most "coldhearted" Light Yagami, despite how infamous anime Light is). It doesn't work, and Soichiro does end up finding out that Light is Kira this time, and they have a confrontation, but he doesn't even sound truly hateful towards Light for it. He Never seems to outright hate Light for it, even after Light calls the whole confrontation a waste of time and instead tries to continue killing with the piece of the notebook in his watch, even after he tries to get Ryuk to kill everyone. When Ryuk inevitably writes Light's name and he collapses, Soichiro still reaches out for him and holds onto him as he's dying. Light literally dies in Soichiro's arms, still looking for the validation that he was right, that this wasn't all for nothing, that he was doing the good thing, trying to make Soichiro understand that he was trying to enact justice based on what he learned from him in the first place. Soichiro not only learns but sees for himself what his son has become, and Light dies in his arms leaving no closure for either of them. Soichiro will announce Light's death in L Change the WorLd on the news without saying his name, saying instead that it is only Kira who is dead, even though he and Light are one in the same. Sachiko and Sayu will never get to know the full truth about what happened to Light, instead Soichiro will lie and instead tell them: "Light was killed by Kira."

And then holy Shit the jdrama. If I write about it here this post is gonna literally double in length and also I don't really wanna spoil it but. Man. Man. If you watched it you know. Holy Shit dude I Cried.

It's the fact that, canonically, Soichiro will die oblivious to what Light has done, but even in the instances where he does find out, it doesn't make it any better, and it doesn't make him love Light any less, it just gives him more to grieve.

It's the fact that there isn't a single universe where Light doesn't use his father for his own gain, whether to gain information, or to try and control him with the Death Note, or make him write in the Death Note himself, and not a single time will he realize just how far he's strayed from Soichiro's ideals, and not a single time will he not forsake him for it by the end of the story.

It's the fact that, despite everything, Light will always refers to Soichiro as "dad/my dad" (informal) rather than "father/my father", even after he has been "denounced" (and this is true in every language that Death Note has been translated in, as far as I could find. Man, isn't that so cool! :) <- Through tears).

Anyways that's what I've been thinking of how's your guys' days going

[starryeyeddreamer21]

I need Vaggie and Husk to be friends SO badly. I just think they have potential like they could possibly be one of the best duos if given a chance. I actually have so many thoughts on this so hear me out:

There's so much potential JUST because of their relationships with Charlie and Angel (Charlie and Angel are siblings but we don't need to get into that right now)

But seriously short grumpy characters with wings and their extroverted beanpole partner is killing me

So basically I can see them both ranting about what their partners are doing on a daily basis but it always ends with "I love them SO much" "Cheers I'll drink to that"

I have a feeling Charlie and Angel are both the kind of people to leave lipstick marks on their partners and just not tell them so Husk and Vaggie have to check each other out real quick before going anywhere. I mean no questions asked just one of them standing in front of the other with their arms and legs spread out until the other one gives them a thumbs up or a rag to clean it off with.

I also think it would be funny if Husk was the first person to know Vaggie was an angel he just didn't mention it. He says so himself that the residents of the hotel will spill their secrets when they get drunk so Vaggie definitely got drunk and let it slip that she was an angel but didn't remember it by morning. Husk's motto is basically "That's none of my business" so he just doesn't say anything.

Also continuing with the "that's none of my business" thing, Vaggie absolutely agrees with that sentiment as long as it doesn't hurt Charlie or the hotel. Neither of them like people digging into their business and having Alastor in their lives means someone is ALWAYS digging so it's nice to be with someone who just does not care.

Oh and they both shit on Alastor 24/7 so good for them

PREENING EACH OTHER!!! By the time Vaggie gets her wings back they're close enough for this. Husk hates his wings and is shit at taking care of them but Vaggie really wants this to happen. She does miss some things about the exorcists and that's one of them. Of course she would never say that out loud but Husk gets it and they do it anyway.

Vaggie would start flying ALL THE TIME after getting her wings like she has so much time to catch up on. Angel knows that her and Husk are good friends and that Husk hates his form so he'll get Vaggie to convince Husk to fly with her. It takes a little bit but they have fun and Charlie is really proud of her so it's worth it.

They can literally sit in comfortable silence for hours and not get bored

They bicker all the time about everything like they'll say the meanest shit but they're besties and they're joking so it's fine

They are so down to kill Valentino at any time. They have multiple plans, they have lists, they're really creative about it too.

They'll just sit, people watch, and judge strangers together

They're so judgemental but also the least judgmental??? They'd be like "Why would you do that you dumbass" but also actually listen to what's being said and try to find a reasonable solution for each other

Double dates that Vaggie and Husk don't actually want to go on but unfortunately Charlie and Angel are convincing (they have a really good time)

They were both stripped from their occupations (overlord/angel). They miss it sometimes and they feel bad about it because they were both terrible people during those times. When they get like this they always seek each other's company. Sometimes they actually talk about it, sometimes they change the subject to something completely different, sometimes they have a drink and sit in silence. Either way they only acknowledge it with each other.

Husk teaches Vaggie how to make drinks. It's calming for him (even though it's annoying that he's technically being forced to do it) so he thought she might like it. She does and is actually really good at it. When they get more residents she'll help him out behind the bar.

Sometimes they'll sing together. They sound amazing and their partners love it. Husk also tries to teach Vaggie how to play saxophone it does not go as good as bartending did

They're the only ones in the hotel that can speak Spanish so yes they do use that to their advantage

Are both so tired all the time. They just deserve a stress free nap. They end up curled up together asleep and are found by Angel in the middle of the night. He takes a picture and immediately sends it to Charlie. Charlie and Angel manage to keep the picture but are not allowed to show anyone or ever mention it again.

They would never actually admit to being friends even though they're best friends and one of the few people the other can actually stand being around

JUST HUSK AND VAGGIE BEING BEST FRIENDS YOU GUYS

[sergle]

yall are about to piss me off by not having any PASSING basic knowledge of the way the u.s. military manipulates its recruits into joining by typing up one of your uninformed, unresearched, unempathetic, individualistic, unbelievably annoying posts about how 100% of the people in the military ended up there because they just Love America So Damn Much! they're extremely mature and informed at time of recruitment, they can totally leave anytime they want, they totally had tons of other avenues in life they could've taken, there was no rush at all to get income as fast as possible, and everyone in the military also totally is part of the combat divisions and personally enjoys being IN the military very much, big believers of violence. everyone in the military is shooting guns all day, that's how that works. they LOVE BLOODSHED. also I love the "amewicans haha" twang to this type of shit because you're actually TOTALLY stealing our Thing, which is turning systemic issues into Individual Issues. Instead of talking about the powers that be, it's so Personal Choice up in here. It's, "well you shouldn't have done it then. I totally wouldn't because I know better." you don't wanna talk about the military industrial complex as a whole, and you don't want to talk about recruiters, you just want to pin the blame on Specific Individual People one-by-one, as if they're responsible for the system that they're being ground up in. someone was in the military? bad person, no matter what. it's easier to believe that, I guess, than to acknowledge that Normal People (with high school educations) are manipulated and incentivized into joining a system that is Bad. at like age 18. but yeah no that 18 year old should have just been smarter lol haha anyway here are some screenshots for no particular reason

side note this reply of someone going "umm just get loans and go into a high paying field it's easy XD" as a direct response to someone trying to explain how most americans joining the military are being funneled in that direction out of a need for money.

and another person who Decided that americans join the military just CLENCHING their teeth thinking of other people, and not thinking completely selfishly about their own selves and their own income/housing/healthcare.

[kittyandco]

does anyone else get so upset when you think about all the things that happened to your f/o... all the things they went through? all the things they haven't healed from? the pain that they may still be enduring? how you can do your best to help them but you can't protect them from everything. so you just love them the ways they needed before, how they deserved. and you see them happy because they finally accept, at least in some ways, that they do deserve it. they deserve love like all beings do

[originalaccountname]

Mori Ougai’s belief as the boss is [...] “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. [...] “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.”

Kafka Asagiri, for the BSD exhibition

On Mori and regret.

This man acts based on his perceived "optimal solution". It means relying on cold logic, detached from (his own and others') emotions. In that way, he fits right in as one of the smart characters of BSD, contrasting for example Dazai's way of working with/around people's feelings, and Fyodor's way of manipulating and twisting those feelings into monsters.

Mori remains cold, logical, distant, efficient. It meant disregarding Yosano's and the soldiers' deteriorating mental health during the war because the concept of an army that cannot be wiped out was too good. It meant following Natsume's plan and taking the old boss' place himself to fix Yokohama's underground and protect the city and its people. It also meant disposing of Mimic by sacrificing Oda in order to get the special ability business permit, despite (and perhaps because of) Dazai's attachment to the man.

The thing is, humans are not logical creatures, and will inevitably encounter conflicting emotions.

(does this look like the face of a man without regrets to you?)

Mori in Dark Era tried to pass on to Dazai his practice of putting aside his own feelings for the sake of choosing the most efficient solution that will benefit the group. It backfired spectacularly, so much so even, that Mori regrets it to this day.

For the BSD exhibition, Asagiri wrote some individual character commentaries, all very interesting insights into their characters and the writing intentions. For Mori, here's what he wrote:

“He who fell out of the optimal solution” Mori Ougai’s belief as the boss is described in the novel “Dark Era” and “Dazai, Chuuya, Fifteen”. That is “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. There is an unspoken additional point to it. “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.” We can catch a glimpse of that in this scene. [the ADA-PM alliance meeting] Mori’s expressions after “Burnt it.” and “Like what you did to your predecessor”, gave us a glimpse of his true feelings that were made sacrifices for the sake of the “logical optimal solution”. (By the way, it goes without saying that Dazai is inducing Mori’s thoughts by words that will make him regret the past. It is to make him decide to form an “alliance”.) source and translation: Popopretty

(notice the inclusion of Hirotsu in this scene. Remember that later, Hirotsu suggests that Dazai knows why Mori did what he did to overthrow the old boss, which, in my opinion, is both a proof of Dazai's support in Mori's goal, and a reminder to uphold it.)

One of my favourite parts of the Dark Era light novel is a small scene during the epilogue that was not adapted into the anime. This is two weeks after Dazai defected:

To quote Asagiri again, "Therefore, no matter how much your heart aches, you have to ignore your personal feelings." Mori is conflicted about the outcome of the Mimic incident. He holds in his hands the Silver Oracle he himself gave to Oda, and reflects on its purpose: to "help the man mentioned above without hesitation in the face of any and all trials". Didn't he fail to do just that with Oda? Didn't he set him up and sent him to his doom? Didn't he abandon him to his trial?

But he rationalizes the events by saying he got the permit they so badly needed. No matter if he sacrificed one of his men. No matter if he drove Dazai away. He accomplished his priceless goal. It was a total success.

And yet, he poorly folds a paper airplane with the very Silver Oracle he gave Oda, throws it, watches it crash immediately, and mourns the loss of his right-hand man, without ever moving on.

But we have a direct example of Mori expressing regret.

The perception that Mori in BEAST is a completely different character than Mori is in canon, when that perception doesn't extend to any other character from that universe, rubs me the wrong way. The characters in BEAST are very similar to their canon selves, with some core traits getting a new twist. They are all one or two major life changes away from becoming these versions of themselves. As far as we know, Mori's only life-altering event was being forcefully removed from the Port Mafia by Dazai, and secretly put in charge of Atsushi's old orphanage.

Mori unambiguously made that orphanage a better place, as stated by Atsushi himself. BEAST!Mori is a lot softer, vulnerable and honest. That Mori offers to be a father to Atsushi while he heals. He also expresses regret in not being able to help Dazai when he was in his care.

I think it's very interesting, especially when knowing that Asagiri wrote both BEAST and Fifteen at the same time for the Dead Apple movie, because in Fifteen we have this:

The beginning of the first chapter of Fifteen is a gold mine. It is narrated from Mori's point of view, the man of logic and calculations, and yet it is full of doubt. He is alone and struggling to fix everything with so many people against him. But, throughout this scene about grasping at the Port Mafia's power, there is also this secondary thought being woven in, of Mori having started to actually care for Dazai.

The teenager is scary to him, smart enough to be a threat should he decide to be done with all this and turn against him, and yet, he immediately (and with a hint of sadness) finds that Dazai reminds him of himself. This lonely, lonely man found a kindred spirit, bright enough to grasp any situation in seconds and prone to using an uncomfortable obsession to divert and keep you guessing his true intentions. Mori entered Mentor Mode™ then. He taught Dazai his ways, he shared his struggles and thought process, he fought tooth and nail to keep him alive.

So when he asked Dazai why he wanted to die, it was with the concern of someone who has started to care. It was with the mind of someone who is trying to prevent the worst by fixing the problem at its source.

(translation: Reneray)

But it's also that self-projection/ability to relate that made him drive Dazai away, when he pushed too hard and forced Dazai to adhere to his optimal solution philosophy. Because Dazai cannot separate himself from his attachments, could not ignore his emotions like Mori does, and chose Oda over Mori's logic. From Dazai's point of view, that was betrayal. Mori and him were accomplices!

Dazai planted the idea that Mori was afraid of him taking over as boss, and Mori seems to agree with that thought (would it be because he feared for his life, or for Dazai's ability to replace him?) Yet, for a man afraid of his closest subordinate backstabbing him, he seems to be hanging on quite hard to the possibility of Dazai coming back, leaving his seat open to this day, inviting him back twice in the same arc, and...

(yeah I used this picture at the start too. "I hAvE nO rEgReTs" he says)

Mori may try to convince himself he feels no regrets and no guilt over his own actions by weighting gains and losses objectively, but he still hurts and has a very hard time moving on. He's human despite his best efforts, prone to mistakes and doubts. He's lonely and wishes to impart his knowledge onto others. His cold logic has both helped him in fixing the city, and alienated him from some of the people he most cared about.

In a similar vein, should the ADA employee transfer be of topic again, and should Mori clash with Yosano again, I wish we get to see some similar conflicting emotions in Mori between the usefulness of Yosano's ability, and Yosano herself as a person. The war was 14 years ago, that's a long time, and I want to believe that counts for something.

[coquelicoq]

as a huge unreliable narrator enjoyer i love the fact that the raven tower is narrated by someone who cannot lie. so the narration is not unreliable, and any kind of uncertainty is always couched in "here is a story i have heard" or "i imagine", but it scratches the same itch as unreliable narration because the evidentiality of the narration is still so central, just in the opposite way. stories that don't care about where the narrator is getting their information or what biases are present in the way that information is shared with us are on one end of a spectrum, and stories that do care about those things are on the other end, and the raven tower is firmly situated alongside the unreliably narrated stories even though the whole point is that the narrator is as motivated as it is possible to be to never say something that is untrue. and it's fascinating to see how ann leckie manages to build suspense and subvert expectations without really at any point deliberately misleading the reader. every time i reread one of her books, the bouncing of the dvd screensaver in my brain gets a little more frenetic. how does she do what she does. ann leckie what is your secret.

[loriache]

honestly i'm kind of interested in the idea of laios in an arranged marriage. because obviously straight-up inherited monarchies are ...bad, to say the least! but it's what the characters are familiar with (even laios' father's extremely local, extremely minor leadership role is inherited, presumably through the male line). and it isn't just about what they think the best way to run melini is; in terms of ensuring that the other longed-lived nations respect melini's continued sovereignty, having it passed down in a manner that's close enough to their own ways for them to understand it and respect it is important. And it seems like most of the other nations have leadership through inheritance - thought that isn't confirmed for certain except with the elves.

Also, a marriage carries the potential to establish foreign allies - something melini is certainly lacking. A marriage could come with resources they'll badly need, treaties of mutual defence, money, legitimacy and political capital... not that these things can't be worked around, but if laios isn't strongly opposed, there are a lot of advantages! and i don't think he would be, because that's the framework for marriage (conferring practical advantages, building intracommunity relationships and providing a partner to do important work that he can't do) that he had grown up with. he isn't exactly a romantic and I doubt he's holding out for any sort of relationship of that nature.

Like, I don't think it's impossible that they would go with this path, because it's the most obvious and it carries a lot of advantages and it's what almost all the decision-making characters would consider normal and not objectionable. and it could be so interesting.

I think Laios would have major hangups if expected (i.e., by Marcille) to establish a genuine, romantic interest in a woman. Whether because of his sexual or romantic orientation, or just his own deep-seated trauma about rejection and being inherently disgusting and scary. And I think he'd hate the idea of having kids, too, and be very frightened of being like his father. But I don't think he'd refuse on that basis; he could cope with a marriage contract, with clearly laid-out expectations and responsibilities. And when it came to having a kid, I think he'd be reluctant to express that he doesn't want to do it, because he isn't naive and he understood when he agreed to be king it would carry responsibilities like this. It's clear from his nightmare that he already felt pressure from his parents to have children, probably magnified by the fact his father has got a position, responsibilities and wealth to pass on. Obviously he isn't a perfect martyr, so he might struggle when it comes to actually going through with it - but I don't think he'd actually, outright refuse. I think he might do it even though he doesn't want to, and I think that could be really messy in a way that appeals to me.

I don't know, there's something about negotiating these kinds of complicated situations that's interesting to me. and i love a platonic marriage. If they find a woman who has an interest in education, for example, and can work with marcille on setting up schools and universities. she'd ideally be politically savvy enough to be an able partner to laios: even though kabru can and would continue to do a lot of that, there are different spheres that a queen and a prime minister can work within!

how would their relationship work? maybe she finds laios' perspective on the world, and his frankness, unexpectedly liberating after an extremely controlled, cloistered upbringing. maybe she had a rebellious phase, has magic, or something else which makes her a relatively unpopular candidate for marriage - even as melini grows in power, i doubt that they'd be getting offers for the cream of the crop in terms of perceived value on the marriage market, because laios' relationship is a bit too ambivalent/monstrous for that, and melini too new. maybe she's a widow! an older woman, wouldn't that be cool - though they'd want her young enough that she could definitely still have kids.

certainly i think he'd be happy for her to pursue other relationships, though ideally in a manner that couldn't produce illegitimate kids. with other relationships in play, that's even more interesting. like, both kabru and toshiro have complicated emotions relating to infidelity. i think kabru would actually find it quite cathartic to be in the kind of high-status environment that rejected his mother for perceived infidelity, pursuing an affair that all parties consent to, though he'd likely be incredibly aware of the public image - since "image" is what he was rejected for. toshiro... i just really really love the way he'd feel about being the "other woman" in laios' marriage, considering his feelings about his father and maizuru. especially given how much closer he is to maizuru than his mother, being in her position...! his emotions would be so complex, it's incredibly tasty. i bet he'd make a bunch of assumptions about how laios' wife feels about it and be totally wrong, and that's so interesting. also, i think laios' wife should fuck marcille (she and falin have an open relationship).

[i-am-not-a-who-i-am-a-what]

so about the header that proceeded today's statement:

Viability as agent: Low

Viability as subject: None

Viability as catalyst: Medium

i didn't know what to think of this part of the entry at first, but the longer the statement went on... was the institute in this universe trying to manufacture avatars?

the dice can't do anything without someone to use them, they can't be an "agent" by themselves, but might be capable of manipulation, so in that aspect their viability is "low."

the dice could be a "subject" in the sense that they could use further studying, but the statement itself was a very thorough investigation of their workings, so in that aspect their viability is "none."

the dice seem to influence their holder to roll them, or at least find more victims to roll them, and could therefore be described as a "catalyst" for someone's becoming. but, as seen in the statement, their owner can give the dice to someone else (albeit not without consequences), so in that aspect their viability is only "medium."

so what about the line following all this, what does "Recommend referral to Catalytics for Enrichment applicability assessment" mean? if we go by this interpretation, i'd say it could mean the institute wanted to find a way to make the dice even more potent as an artifact, maybe even remove that pesky ability for their owner to reject them.

imho all of this this brings a whole new level of context to the events of episode seven, of unknown violent agents going after an influx of objects that seemed straight out of artifact storage. was that the nature of the titular "magnus protocol" first mentioned in episode four, the one that involved the starkwall group? containing or destroying potential artifacts before the institute could get their hands on them?

it also makes their "gifted kids program," and sam's link to it as one of the kids being studied, all the more horrifying to think about. was it not just avatars in general they were after, but child avatars specifically? no wonder gertrude got so defensive over the possibility of sam and celia dragging gerry back into the institute's business last episode, we all picked up on her clearly knowing more than she's letting on but now we might know the shape of that information a bit better.

and one final bit of food for thought... this statement had a lot of familiar themes, didn't it? free will or the illusion of it, gambling and not-so-random chance, the statement giver being done in by one final hit from what feels like a bit of an addition... all hallmarks of a certain mother of puppets. doesn't it seem fitting that "chester" would use this kind of statement to warn sam about what harm pursuing the magnus institute could bring to him, considering the one his voice might draw from? and doesn't it seem so painfully ironic that his warning seems to have only driven sam further into that web?

[carnivalcarriondiscarded]

Lights out! Poppy: Ahh I had such a refreshing na- Why is Sally glowing?

LMFAO YEAH. pretty much how it goes...

[koushuwu]

𝐆𝐞𝐦𝐬 ↳ dedicated to @squidokja

bonus:

Goshenite & Morganite

[bizarrelittlemew]

every time i see "Ed asks Lucius to write down his lyrics" used as an argument for claiming that Ed can't write i just want to. you know. point out that Stede has Lucius write down everything he says?? and does?? all the time?? and when he can't find Lucius he asks Frenchie (who actually cannot write) to do it instead of just writing it himself. and we know Stede can write. it's got nothing to do with ability to write, just that the captains don't seem to want to write stuff themselves when they have an employee whose job is to do that exact thing for them

[arpeggio]

this is the first poem i've written in a while, and although it's not perfect, it's very dear to me. titled revision of the fourth of july.

[willowser]

just to make sure we are all on the same page in this corner of the internet, i want to be explicitly clear about my stance/feelings on some things:

if i come across "content"/fic in this niche that i absolutely do not like, do not vibe with, am not interested in, that icks me out completely and totally—i scroll past it as quickly as i can and i move on with my day.

in the case that it's "content"/fic that really bothers or triggers me in any way, i make sure that i have blacklisted/blocked certain tags and keywords so that in the future i may not come across those things again.

i also understand that there is a variety of tags used throughout the internet and that websites are not perfect/things slip through the cracks. people are also human, and mistakes are also made.

in the event i am exposed to something that i do not want to see, point blank, i would never and will never believe it is my right to harass and terrorize the person writing said thing/s, and if i witness this kind of behavior being celebrated among the people around me, whoever you are, i will be removing you from my space.

to be perfectly and abundantly clear: i will always be a supporter of dark content, and its right to be written. even if i don't understand it, even if it "disgusts" me, even if i never want to read it.

please understand that i do not say this with hostility, nor do i mean it as a threat or to be confrontational. you should protect the space that you are in; this is me doing that, this is me making sure that you do that, even if it's against me.