#can't remember if i've done this one before or not but if i have it has been a While

[sarah-bear706318]

Summary: When Tyler's baby sister joins him and his team for a season she seems to catch the eye of a certain StormPar member much to her brothers dismay... will she listen listen to her big brother or follow her heart?

Pairing: Scott Miller X fem!reader, Tyler Owens x sister!reader

Warnings: Sneaking around, Pissed off Tyler, Love Struck Scott, ALOTS of kissing, A little age gap, Cussing, Drinking, Storms(duh), Falling in love, Slow burn

A/N: This is my first series so any feedback would be amazing! There isn't much Scott in this chapter but there will be plenty of him in future chapters. I'm writing this with the help of @nikkicloudie she save me the idea for it! Go check out her stories there are amazing!!!

You loved storms just as much if not more then your older brother Tyler. You were 10 years younger then him but you were one in the same. You even followed in his foot steps and majored in Meteorology but, you took it a step further and got your PhD in it at UT Austin. You had just graduated early and your brother was proud so as your graduation gift your brother invited you to join him and the wranglers for the season. It took you all of .5 seconds to say yes.

You still weren't sure what you were gonna do with your degree you had a few job offers from different places but joining your brother could hopefully help you figure it all out. Hey you may even follow in your brothers foot steps even more and become a storm chaser who's knows your life was just starting and anything was a possibility!

It was early evening when your plane landed. After getting your suitcases from baggage claim you're off to find your brother. While looking around you all of a sudden feel 2 arms from behind left you in the air.

"Baby sister" you hear from behind you. You turn around and see your brother's big smiling face. You wrap your arms around his neck and squeeze as hard as you can. "I'm so happy you're here" "I am too I miss you big brother" he hugs you back and give you a kiss on your temple "I've missed you too sis, come one let's get your stuff in the truck the rest of the crew are waiting for you they can't wait to see you"

You couldn't wait to see the crew you loved them almost as much as your brother.

The ride to the hotel was 45 minutes away from the airport and the ride was filled with stories about about chases the crew have done and some new research they have and things you've been up to since graduation. You haven't seen your brother since Thanksgiving so it was nice to be spending time with him for the next few months.

Once you pull into the hotel parking lot you saw a lot of other storm chasing teams and of course you see the wranglers. When Tyler parks the truck you barley have time to get out before you have a pair of arms around your waist and your feet lifted off the ground. "Dr.Owens you're finally here"

"Boone oh my God put me down before you drop me" you say as you kick your feet

"Boone don't break my sister she just got here" Tyler says shaking his head making his way around the truck.

"I'd never drop my favorite Owens" Boone says with a big smile.

Boone finally puts you back on your feet so you can hug and greet the others. You all decide to hang around, have a few beers and catch up. Everyone is just how you remembered and you know its gonna be a great time. You are about 3 beers in and laughing at some story Boone was telling but unbeknownst to you your laughter had got the attention of another storm chaser and he couldn't take his eyes off you.

Across the parking lot Scott is standing by one of StormPars trucks uploading data to his laptop when he hears a beautiful laugh. His head shots up and sees not only is the laugh beautiful but it's coming from the more beautiful girl he's ever seen and he can't help but stare.

"Hey man you get that data in the system yet" Javi asks as he walks up to the truck. Scott snaps out of the trance he's in and looks to Javi "oh just about done" he says looking back at his laptop.

"Hey who's the new girl over there with Owens" Scott ask eyes still looking down tapping away "she a new hillbilly member?" Javi looks over to Tyler and and his crew to see who Scott is talking about.

"Nah dude that's Y/N Owens Tyler's little sister, she just graduated from UT Austin with her PhD in Meteorology. She's hella smart not to mention drop dead gorgeous don't ya think" Javi says "She's ok i guess". Scott says with a shug, he couldn't let Javi think he had a thing for Tyler's sister could he it would ruin his hard ass imagine.

Back over across the lot the wranglers are still having their reunion with Y/N. "As much fun as this all has been we gotta get to bed got a long day of chasing tomorrow ahead of us radar looking really promising" Tyler says to his crew and sister.

"Hopefully I get to get up close and inside a tornado tomorrow" you say beaming with the biggest smile. "More like your big brother everyday" Tyler says with a laugh pulling you into a hug.

As the crew is putting all their equipment away you and Tyler grab your bags from the bed of his truck. "You think you packed enough stuff Y/N, you know we are chasing tornados not trying out for that modeling show" Tyler says as he grabs 2 of your bags and looking at the other 2 smaller ones still laying in the back of the truck.

"One that show is Americas next top model and 2 I came straight from school so I had to bring everything that was in my dorm, I'll sort it all out and send the rest to mom and dads" you say rolling your eyes. "Plus you there are some pretty cute storm chasers in this lot never know when ill need a sexy outfit" you say throwing a wink to the crew who bust out laughing knowing how protective Tyler is of you.

"No that's not happening " Tyler says looking at you while handing you one of your smaller bags. You look at him and rolls your eyes while taking the bag from him " Yeah ok" is the only thing you say with a smirk.

"You ok with sharing a room with your big brother tonight? They only had 3 rooms left when we got here" Tyler ask while making you way to the stairs. "Yeah that's fine use to do it when we were kids". You make your way up the stairs to the room you and your brother were sharing carrying the 2 smaller bags. When you got to the door Tyler is looking for the key, he finally finds the card and goes to unlock the door but instead of a green light on the handle its red. "Shit stay here I need to go get a new card".

Tyler leaves you on the second floor while he goes to get a new key. You walk over to the railing cross your arms over it and look out at all the other storm chasing teams. As you're looking over the rail you spot a group of chasers looking way more professional then anyone else in the parking lot. Along with the group you a tall muscular guy in a ballcap catches you eye and all you can think of is how insanely good looking he is. Your focus on the cute guy is broken by your brothers voice.

"Got a new key" Tyler says. "Bless you big brother I'm so ready for a shower, food, and sleep in that order". As Tyler opens the door you peak over your shoulder and you swear you see the cute guy looking at you with a smirk.

Tyler orders pizza for the 2 of you while you get in the shower. It was nice to wash away your day of travel. You stayed in the shower longer then you normally would have but the hot water felt amazing you couldn't help it. You get out and start to dry yourself off when your brother yells to you the pizza was delivered.

The rest of the night spent eating pizza, watching tv, and doing more catching up with your brother. "Thank you for inviting me Ty it means a lot. I still don't know what I'm gonna do my new fancy degree I'm hoping being here and chasing will help me figure it out" you say looking at your brother. "I'm happy to help you figure it out sis" Tyler says with a smile.

When the pizza is on gone and you have cleaned up the mess you crawl into your bed with a loud sigh. Tyler laughs and shakes his head. "I've stayed in this hotel before the beds are not that good" "They so when you've been traveling all day and had a 3 hour delay in Austin" You say as you close your eyes. "Ok well I'm going to take a shower you need to get some sleep got a long day of storm chasing ahead, and with any luck you will be inside your first tornado" your brother says while grabbing his shower things and clothes.

"Can't wait" you mumble not able to keep your eyes open any longer. You couldn't wait for your first real chase and with any luck you would see the cute tall guy with the ballcap.

[honestlynervousnut]

•You can't just leave like this• ｡⁠*⁠♡

(inspiration hit me around 1AM plus I've been wanting to do a helicopter crash fic)

One cold night in Los Angeles, down the middle of the freeway the blaring lights of an ambulance could be heard making its way quickly between the vehicles.

After a whole day of intense searching, the helicopter of the 217 had been found with only one person on the inside: The pilot Thomas Kinard, who was now being taken to the hospital after being miraculously found alive.

His injuries were serious -a gash in his head, multiple bruises and a large piece of glass protruding from his belly and lodged in his pancreas- They had put him on an oxygen label to help with his breathing difficulty.

Buck, Eddie, Chim and Maddie were on the ambulance while Hen assisted Tommy, Buck was clinging to Tommy's hand -And he was unable to let go-

"T-Tommy, Tommy Hey...Hey look at me, Hey!" Buck cries giving Tommy's face light slaps trying to get him to stay awake "Come ooon....p-pleaassee" He sobs placing a hand over Tommy's wound trying to stop the hemorrhage. "Don't leave... don't leave me now please...."

Tommy was pale, cold, disoriented and confused as he looked around the ambulance. But that stopped the moment he locked eyes with Maddie. Maddie clocked that.

"M-m....Maaa...." Tommy muttered weakly reaching out for her.

When Maddie realized he was trying to talk to her she quickly got Up and got closer to Tommy.

"Hey...." She said softly as she grabbed his hand "Hey yeah Its me im here... don't worry"

Tommy smiled weakly

"Momma...." He muttered.

The blood from both Buckley siblings froze from the shock.

"No...." Whispered Buck with a hand on his mouth "No....no...nonononono...." He sobbed realizing what that meant, Tommy was in the delirium phase.

It broke Maddie's heart to see the man who, despite not being married to her brother, had been her brother-in-law for a whole year like this, but right now she couldn't fail him, she couldn't deny this to Tommy, so she wiped away her tears, sighed and spoke to him.

"Y-yes...im here hun....im here don't worry..." She said softly stroking Tommy's hair to calm him down, to what his smile just widened.

"I-I did It mom..." He chuckled as a tear rolled down his cheek "I told you I could do It"

"What did you do?" Maddie asked.

Tommy looked at her.

"I finally have a family...." He whispered excited.

Buck and Chim sobbed even more.

Maddie, Hen and Eddie tried to hold the tears in but were failing miserably.

Maddie smiled at Tommy.

"That's.... that's great honey...I-I knew you could do It....god im so proud of you..."

Tommy chuckled but winced from the pain.

"Mom....It hurts....this hurts...." Tommy sobbed lowly tightening his grip around Maddie's hand.

"I know son....I know It hurts" she said stroking his knuckles "But you have to stay strong....for your family! C'mon you can't leave them right now...not like this....you still have a lot left to do!" She remembered him.

Tommy looked at the roof of the ambulance for a few seconds as if he were remembering and then looked back at Maddie.

"Mom...Can you give Evan a message?"

Buck looked at Tommy, Maddie gave him a quick glance before answering.

"Of course hun....what is It?"

"Tell him.... that I love him...and that the only....thing I regret not having done in this life....Is marrying him..." Tommy smiled.

When we arrived at the hospital, the doors of the ambulance opened wide and the doctors took the stretcher with Tommy inside the hospital.

Buck didn't even have time to respond, he collapsed in the ambulance and started crying loudly. Everyone on the ambulance hugged him.

[seaemberthesecond]

PLEASE tell me all about your textual support for Aurora/Declan, i am LISTENING 👀🙏🏻

This is heinously late and I'm so sorry for that 😭 but this is one of my FAVOURITE things to think about.

Aurora is such an interesting character to me, particularly in relation to Declan. For all that Ronan spends all of TRC furious that Declan has denied Aurora personhood ("She's nothing without Dad") and trying to keep her awake, it's actually through Declan's eyes that she really comes alive. Ronan's version of his mother is more one-dimensional than Declan's, ironically enough, even though he's the one who supposedly 'loves her more.' It's Declan who's spent his life grappling with the philosophical implications of her dreamt-ness and her replacement of his actual mother (which, in a stunning parenting move by Niall, only he seems to remember) and as a result, his feelings toward her are considerably more complicated than his brothers' and he's the only one who really seems to think deeply about her.

The mystery Aurora is shrouded in for Declan turns her into almost this... sinister figure in his mind. It's like - Niall is this known entity for Declan right? He doesn't think of him in nearly the same lionizing light Ronan does, because he actually knew Niall. He doesn't need to create a mythology around him the way Ronan has. His "hatred" for Niall is not only comparitively straightforward, it's self-aware. He knows exactly what his grievances with his father are and he knows that he doesn't even really hate him.

But with Aurora, he skirts around the thought of her. He can't even look his complicated feelings for her head-on. She's inscrutable to him, and that's kind of terrifying in a psych-thriller kind of way.

There's this unease that he associates with her in the text, that's just not there when he thinks about Niall. He's constantly second-guessing himself when it comes to Aurora re: how much did she know, how real she was etc. In Greywaren, there's this part where he's thinking about when he was sick as a child. And it's fascinating to me because there's this implication there that he didn't feel safe in the house with Aurora until Niall came back. He only relaxes and goes to sleep when Niall comes home. And it adds to this general malaise that Declan associates with Aurora.

I've talked before about how the secrets Declan is forced to keep are an allegory of sexual abuse, and in that light it's kind of damning when you consider that in the Lynch household, the arbiter of secrets is Aurora, not Niall. Throughout the Declan Christmas short, it's Aurora who's reinforcing the importance of secrets, who makes him help her hide them. She's the one who tells Declan that he has to keep Matthew's origin a secret. And in MI, it's Aurora who first tells Ronan that he needs to hide his dreaming and never show his dreams to anyone. So if we're looking at the text through the lens of allegory-for-csa, Aurora's position in the household becomes much more sinister because a lot of the harm that's been done to the kids and particularly Declan is attributable directly to her.

And then there's the fact that all the Ashleys' looked like her - there's something Freudian going on there for sure.

tl;dr while the textual evidence is slim lol it is there if you wanna see it and I am looking with a magnifying glass. Was any of this done with authorial intent? Probably not, but who cares?

And this is where stuff diverts from the text itself and veers more into my spin on things, but everything about Aurora/Declan becomes insanely compelling to me when you think about it in relation to Mor. Mor is the hole inside Aurora. Imagine you're a young woman who was molested her whole life by a family member and now you're out-of-touch with your own emotions and you have this kid and you think you love him with this man and you think you love him too. But you know you're fucking them up, so you and your husband dream a version of you that's perfect. She's the perfect wife and the perfect mother and you've sanded down all the edges and sharp, spiky parts that make you you because you think that's the version of yourself your family deserves and then you leave. But you can't dream anything without putting your pain inside it. So you have this hollow half-woman walking around with a pain inside her she doesn't know how she got and a life she doesn't remember and the only person who seems to have any answers is this kid that she think is her own but is he really? And in her attempt to feel the shape of the hole in her she re-enacts your trauma on your kid.

I am EATING GLASS. The cycles are CYCLING. NO ONE talk to me.

[tellmegoodbye]

Hello everyone,

Happy LONE STAR DAY!!

I have a few housekeeping things to talk about before I return to our usual Music Monday format, but I know we're all excited for tonight so I will try to keep this brief.

If you would like to check out our playlist for the countdown event you can find that here.

Since we are getting new episodes now, I thought it would be a cool idea for a new way to participate in the tag. If you have a song that you relate to the new episodes, share them with us!

Please continue to refer to this post for any new Music Monday info, or if you just need a refresher on how the tag works.

Here's a quick overview of what Music Monday is for those of you who are new here. You share your songs that you relate to the show, its characters, storylines, fanfics, etc. All songs are added to their respective playlists and your explanations are added to the docs I have created for each playlist.

Reminder: Make sure to either tag me in your posts OR you can use the 911ls music mondays tag so that I can find and reblog your contributions.

Okay, now that we've got that out of the way, onto my songs for the week!

---

Leave Out All The Rest - Linkin Park

I dreamed I was missing You were so scared But no one would listen Cause no one else cared After my dreaming I woke with this fear What am I leaving When I'm done here?

Don't be afraid I've taken my beating I've shared what I've made I'm strong on the surface Not all the way through I've never been perfect But neither have you So, if you're asking me, I want you to know

When my time comes Forget the wrong that I've done Help me leave behind some reasons to be missed And don't resent me And when you're feeling empty Keep me in your memory Leave out all the rest

This song is a reflection on the way we live our lives and how we will be remembered when we're gone. When I think about these lyrics in the context of Lone Star, they could really apply to any character, but Gabriel is who specifically comes to my mind for this song.

To me, this is Gabriel's message to Carlos. He's spent a lot of time reflecting on his own mistakes and has struggled to express the love he has for his son, but he hopes that Carlos will remember him as someone who never stopped trying and who always strived to be better. He didn't always get it right, but he looks at Carlos and feels so much love and pride, and he wants Carlos to know that and to see that.

Zzyzx Rd. - Stone Sour

Propped up by lies and promises Saving my place as life forgets Maybe it's time I saw the world

I'm only here for a while But patience is not my style And I'm so tired that I gotta go

What am I supposed to hide now? What am I suppose to do? Did you really think I wouldn't see this through Tell me I should stick around for you Tell me I could have it all I'm still too tired to care and I gotta go

I'm over existing in limbo I'm over the myths and placebos I don't really mind if I just fade away

I'm ready to live with my family I'm ready to die in obscurity 'Cause I'm so tired that I gotta go

This is a song written from the perspective of someone struggling with addiction. The narrator addresses his loved ones with a sort of brutal honesty about his feelings towards life, but it's also a song about love and support at the same time. It's about someone who is there for you even when you're in your worst moments and can't see a way out.

This song reminds me of TK and Owen in s1. Owen is ready to do whatever he has to do in order to help TK, and TK lets him in as much as he can, but these lyrics are also an realistic viewpoint on the state of his mental health in the aftermath of his suicide attempt. He knows Owen loves him and is there for him, but he still needs to find that healing outside of that support.

Impossible - Nothing But Thieves

Love, it stings and then it laughs At every beat of my battered heart A sudden jolt, a tender kiss I know I'm gonna die of this And that's because

I could drown myself in someone like you I could dive so deep I never come out I thought it was impossible But you make it possible

I'll take the smooth with the rough Feels so fucked up to be in love Another day, another night Stuck in my own head but you pull me out You pull me out

I really hit y'all with a couple angsty gems today, so I should probably round this post out with a more upbeat song. This song screams Tarlos to me, and reminds me of the early days of their relationship where everything is new and overwhelming, but it also just feels right at the same time. They've come to that realization that what they have is something special, and that they might have found their soulmate. Before they met, such a notion felt impossible to them.

@strandnreyes @lemonlyman-dotcom @bonheur-cafe @heartstringsduet @herefortarlos

Tags!

@eclectic-sassycoweyes @literateowl @carlos-tk @paperstorm @guardian-angle22

@ironheartwriter @emsprovisions @sapphic--kiwi @whatsintheboxmh @firstprince-history-huh

@nancys-braids @captain-gillian @alrightbuckaroo @theghostofashton @sweettkstrand

@toomanycupsoftea @corsage @certifiedflower @goldenskykaysani @reeeallygood

+ open tag

please tell me if you would like to be added/removed from my tag list

[smiley-positivity-potato]

i feel like i didn't get to talk about this much online in great enough detail, but for the young or OLDER transmascs and trans men out there, it is perfectly natural to look for a masculine or male role model to look up to for masculinity inspiration and guidance, whether you personally know them or not. Whether they have passed or not, it's okay to search for somebody to look up to and grow ideas from on what it means to be a man in your eyes. It's natural for cisgender boys and men to do it, so why not you as well?

as you grow, you will come to discover there are all types of role models that'll you be able to relate to. or you may only find one. and when you find that person that brings out your inner sense of worth, and what it means to truly be a man to you, and not just from what the media presumes, you'll know. you'll feel comfort in not just your skin, but also your mind. you'll feel a sense of strength, security, protection, balance and loyalty. you'll speak with actions over words. you'll be able to proudly follow the path of a man, something you hadn't been able to envision before. thanks to having a masculine role model, you will now have something to strive to surpass.

there is no perfect male or masculine role model. there isn't anyone in this world who is perfect. in fact, due to your past womanhood and cautious upbringing, you may believe you don't deserve to receive guidance in this new world as a man. you may still believe and remember the words you spat and the evil you were taught about the everyday man, especially if you grew up in a dangerous area being groomed, abused or having had experienced traumatic history. this doesn't mean men can't hurt others, but you have been taught every man WILL and CAN hurt you, if given the chance, by the men AND women in your life. so now you worry and wonder, "Will people think I've become a man so I can become the attacker, instead of the prey waiting for the pounce?" you'll begin to think, you betrayed yourself as a fellow transmasc, and trans man. you'll see that frightened, confused "girl" who was still in the "attic"- because at this point you shoved those thoughts about your gender so deep inside the closet of your brain that it rose above your head until it finally collapsed on top of you. you'll wonder, "If I was cisgender, would I have hurt me too?"

the answer is you don't AND will never truly know. and it always will be like that. but what you do know is that if given the chance, you'd save yourself all over again in this life right now. you'd rescue and hold that little girl that was scared and misunderstood. because at the end of the day, your soul and values are your own. and your character still shows, regardless of your gender. and even if you aren't that socially aware, you'd comfort that little girl because you would KNOW what pain she was talking about. the pain of feeling misplaced. the anguish of following everyone else's advice, desperate to feel SOMETHING BETTER, only to end up feeling empty- just another puppet on someone else's strings. "But at least I made everyone else happy?, you'd think. but in the end, you didn't make yourself happy- not even a little.

you will know what it feels like to want CHANGE in your life, even if you are still unsure how you'd like to accomplish it. because you've been there. you've done that. and now you can say, you ARE your younger self's hero.

as you search inside yourself, and around you, for a role model on what masculinity means to you, you'll start to realize it all starts with acknowledging who you truly are, who you want to be, and how you want to stand. you begin to realize that the media and radfems have made you think a "perfect man" exists if they just follow a list of rules and guidelines they've made up when you KNOW it's not true. for you were born and went through a lot of the "womanhood" they experienced as well. and even if a masculine person meets ALL THESE GUIDELINES AND RULES, THERE'S STILL ROOM FOR A GRAY AREA. BECAUSE PEOPLE ARE HUMAN BEINGS. WHETHER FEMME OR MASC, ANYONE CAN BE A BAD OR GOOD PERSON.

being a masculine person or man doesn't make you a horrible person, it just means you're human. and if we aren't taught to self hate, hurt ourselves or dismiss our own feelings as men, we can achieve so much. especially when we aren't hating ourselves on our journey through our manhood. i am lucky to know the few cis men i do in my personal life that i do; and that i get to look up to them. for they are leaders, strong both mentally, and emotionally. they are loyal and love, loudly and silently. they behave differently based on their relationships with others, but are never indirectly inconsistent, for they are honest. and i admire them for that. for they are themselves and they demand respect. and to me, a nonbinary transmasc human being, that is and has been the hardest thing for me to do: demanding respect from others.

when you find your masculinity role model, you'll begin to understand what younger cis boys most likely felt when they looked up to some of their heroes; whether family, family friends, older classmates, entertainment stars, sports players or historical figures. you'll get to experience the newfound feeling of walking down a different path then originally planned as a transmasc man. some cis people will tell YOU you HAVE to act this way to discover your role model AND to live like said person. you do NOT. for your personality, AND your manhood are a part of you that show your inner character. your clothes, morality and male role model(s) show what you like, honor and value. but your soul shows your identity. your words explain your story and heart. your wisdom shows your willingness and strength to learn how to be an honest, hard-working man.

and just like the male role model you are searching for, you'll soon start to find out you may be someone else's reason and inspirational story. thanks to you they may have a reason to continue exploring their own masculinity. they can now define their own path on what it means to become a better man. thanks to you.

[everythingsallticketyboo]

Nina: Why are Crowley and Aziraphale sitting with their backs to each other?  Maggie: They had a fight.  Nina: Then why are they holding hands?  Maggie: They get sad when they fight.

[front-facing-pokemon]

[youremyonlyhope]

I love when I see posts like "Share how many crochet WIPs you currently have! I have 5, it's so many!"

Like, girl, I have unfinished projects from over a decade ago that I refuse to frog on the off chance I decide to finish them. I've found years-old projects I forgot I even started and will impulsively just finish it on the spot. I've started three different projects in the last 2 months, including one I started yesterday, that I already know I may or may not finish within the year depending on motivation.

The number of WIPs I have is infinite.

[aresianrepose]

Before the semester kicks off and murders me, @disniq​ asked for my essay on Jason Todd and hysteria. So, without further ado, here is an actual essay (fucking dissertation) because I refuse brevity. It is extremely long. I’ve split it into sections so you can find the section header and read what you want. This does not encompass all the narrative trauma themes and lived experiences that this boy holds, just specifically hysteria. 

Jason Todd, The Hysteric & Bruce Wayne, The Batman

I think it’s a common reading that Jason Todd is girl-coded and the patron saint of victims, at least within the circle that I’ve fallen into within this fandom. There are plenty of meta discussions on why those readings stand, so I’m not going to reiterate them. A pillar of him being girl-coded and someone trauma survivors have latched onto as one of our own has to do with being written in the context of hysterical femininity. And let me just say, I don’t think that writing was done in a way that he was intentionally coded as hysterical, but it is a function of our patriarchal society that this coding was used on him albeit without the explicit purpose of writing a hysteric story. 

For the purpose of this post: the word woman includes ciswomen, transwomen, and any person who is socially positioned as a woman regardless of gender identity. I include the positionality here because anyone can experience misogyny and sexism depending on the perception of the perpetrators either interpersonally or systemically. 

The History and Context of Hysteria

To understand the context, we have to look at the history and oppression of hysteria. Hysteria (in the modern context of psychology) emerged in the nineteenth century and is difficult to define by design and often applied to traumatized, unruly, and broken women. The main patriarchs who contributed to hysterical study were Jean-Martin Charcot and Sigmund Freud. I only mention this because it’s important to know their names moving forward for any of this to make sense. The beginning of this started with Charcot literally putting women whose lives had been marked by rape, abuse, exploitation, and poverty on display in his Tuesday lectures (which were open to the public) to show his findings on hysteria. This was actually seen as restoring dignity (fucking yikes) to the women because before Charcot these hysterical women were cast aside and not treated at all. In Charcot’s work, the women’s speech was seen as simply “vocalization” and their inner lives, their stories, their words, were silenced. After hearing a woman cry for her mother during one of the public sessions Charcot remarked, “Again, note these screams. You could say it’s a lot of noise over nothing” (Herman). 

This led to Freud, Charcot’s student, wanting to surpass his teacher by discovering the cause of hysteria. This was disastrous. Freud started with listening to the hysterics. In doing so, he learned and believed them about the abuse, rape, and exploitation of their pasts. He then published his work and gave a lecture on it. The work rivals even contemporary psychological work on trauma in it’s level of compassion, understanding, and treatment of survivors. However, he was then labeled a feminist (this was all happening during the first wave of feminism) and professionally ostracized. How in the world could these aristocratic French men be sexually abusing their wives, sisters, and daughters??? Insanity, truly. And... This always fucking gets me. He recanted his work and then told his patients they all imagined it because they wanted to be sexually abused by their husbands, brothers, and fathers. This set back the study of trauma by literally a century. One colleague called his work “a scientific fairy-tale” simply because he had the audacity to believe victims. Also, I want to point out that the famous hysteria case during this time was the case of Anna O and she was ultimately villainized by the entire psychological community for going into crisis after her care provider abruptly ended their therapeutic relationship after two years of DAILY sessions. 

Anyway. We can see how the power of these men over vulnerable women silenced, pathologized, villainized, infantilized, and used male ‘logic’ to completely destroy their credibility and lives under the guise of care and hysteria. Even when credible men lend their expertise and voices to the victims, their voices are silenced. This particular iteration of hysteria lasted over a century, and we are still dealing with the consequences of these actions and ideas within our social construction, medical and mental health care, interpersonal relationships, and more. Patriarchal pillars such as hysteria don’t die. We saw it move from hysteria to schizophrenia (which used to have the same symptoms of hysteria before the diagnosis changed in more contemporary psychology) after this which led to widespread lobotomies and electroshock therapy (my least favorite case of a lobotomy being done is on a woman who was diagnosed with LITERALLY ‘narcissist husband’) to depression in the 40s-50s with the over prescription of benzodiazepines to house wives to keep them in a zombie state (these prescriptions were sometimes double and triple what we take today with the intent of medical catatonia). In my opinion, as well as other counselors within the feminist therapy theoretical orientation, we are currently seeing it with the emergence of borderline-personality disorder. Think about how BPD is treated and demonized for a second. I professionally know therapists who refuse to work with BPD clients due to this villainization and just fucking gross perception of victims.

These are just the highlights, but it shows the history of hysteria. There have been centuries of women being marked as hysterical and the cures have ranged from lobotomy to bed rest (which sounds not so bad but read the Yellow Wallpaper and get back to me on that one). While the Yellow Wallpaper is fictional, the life behind it was not. After the traumatic birth of her child the author, Charlotte Perkins Gilman, was remanded to bed rest by the authority of her husband and doctor. Within the sphere of medical control, hysterical women are often treated as children while their doctors make decisions for their mental well-being without consulting them, or they hide the truth of their procedures for “the woman’s own good” and because “she’s hysterical and wouldn’t comprehend the logical need for this.” She then had a mental break due to the treatment. Again, we see hysterical women being silenced, infantilized, discredited from their own experiences, and under the narrative control of male logic and voices. 

Hysterical women have often historically been seen as beneath men, except for when they’re dangerous. Listening to victims is inherently threatening to the status quo because all trauma comes from a systemic framework. The framework that upholds patriarchal power. It’s easy to see why that would be seen as dangerous to powerful men. We saw this with the European witch genocide in which oppressed women were targeted and wiped out under the excuse of what was considered women’s work. (Before this time, witchcraft wasn’t tied to any religion and was mostly just seen as women’s work. It was targeted specifically to have an excuse to persecute widows, homeless, disabled, and vulnerable women who no longer had men to reign over them during a time of political unrest and scarce resources). This time period saw hysterical and traumatized women demonized as dangerous, evil, immoral, hypersexual, and supernaturally wily. A threat to the moral fabric of society. 

(Interesting history side note: this caused the view of women’s base traits we have today. It stemmed from the Victorian era that came after this time period in which women learned if they behaved a certain way, they would be spared the stake. For example, before the witch trials, women were actually seen as the ones with unsatiable sexual appetites, something we culturally prescribe to men now.) 

Notice how none of this has to do with the actual abuse that happens to the women, but instead the labeling and treatment of women when they are already showing the symptoms of abuse, trauma, control, exploitation, and rape. 

Jason Todd, The Hysteric

So, how does this relate to Jason Todd? To say that Jason has experienced trauma would be an understatement. Extreme poverty, loss of parent to death and addiction, loss of parent to the justice system, parental abuse, manipulation, witnessing violent crimes, witnessing the aftermath of sexual abuse and assault, arguably (not explicit in the text) his own sexual trauma, witnessing the dead bodies of victims, a violent death, and subsequently a violent resurrection. There’s also an argument to be made for being a child soldier and how that is romanticized up until he dies, but the text does not treat this as traumatizing.

Now, I’m not going to dive into the trauma he experienced. The purpose of this is only to look at how he’s framed as hysterical in the narrative, and as I stated, hysteria was a word slapped on women after they tried to talk about their trauma or exhibited symptoms (or were just unruly women). Jason does embody many facets of the victim experience and this is just one of them. 

Feelings vs “logic” - Firstly, it is really hard to talk calmly about things that you carry, your experiences, your trauma, and things that specifically harm you. It is easy to talk calmly about things that don’t. This is why there is an abuse tactic of gaslighting or silencing victims by framing their very real reactions to harm or their triggers as abuse, this is known as “reactive abuse.” This tactic is also employed in oppressive settings where the privileged group will often default to ‘winning’ a debate by being able to remain calm while the marginalized group whose life, personhood, etc is being harmed by the things being discussed and are unable to have a sterilized, emotionless debate. 

Both of these settings fit Jason nicely within the moral context of vigilante comics. He fought back, he didn’t lay down, and he will do what he deems as necessary to protect himself and others from his fate. This, however, is framed by Bruce and others as being just as bad as his murderer or even just as bad as Joe fucking Chill. To put this in perspective of a real world equivalent. Combine every billionaire on this planet into one person and instead of their shitty business practices murdering people, they did it with their own two hands. And due to their resources and political power, they would never, ever stop killing or be reasonably contained. More people would die with absolute 100% certainty. Would killing that one person make you equally bad as that person or violating the sanctity of life? That’s the moral question that Bruce puts onto Jason. While the moral question inherent to Jason is actually, is there a line worth crossing to provide reasonable safety (for yourself or the nameless community)? There is actually a difference between those two questions and the reactive abuse framing is certainly a choice. Also, it is funny to me that a man with the amount of power Bruce has (and frequently misuses) can lecture a murder victim on the misuse of power and morality. Are we supposed to be agree with his stoic, philosophical lecturing to a marginalized, abused, murder victim? (yes, we are). Bruce leverages (personal) philosophy against victim’s voice for their own safety, and take a wild guess which one is framed as logical and reasonable.

Jason’s morals come secondary to Bruce’s philosophy in a universe where there is still harm being done (but it’s an acceptable harm). Why is killing the line? Bruce is regularly destroying families and lives by feeding them into the prison industrial complex while supporting it with his whole chest. Or he’s disabling and seriously maiming people with the level of violence he uses. 

Crying - Throughout the entire story of Under the Red Hood, we never once see Bruce emote while interacting with Jason outside of tight grimaces. With the exception of the shock he shows at the Joker’s life being threatened, which... Okay, suuure. We never see him cry during any of their interactions, but we do see Jason cry. Specifically, we see him crying when he’s at his most emotionally vulnerable and physically dangerous to the toxic male power fantasy. This kind of vulnerability is rarely shown by male characters, and when it is, it’s usually done with a mist of a tear in their eyes or their face is hidden. There are a few narrative devices that allow men to cry, but they are the exception rather than the rule. Usually, it’s to play for laughs, infantilize, or emasculate. Here, we see Jason combine the violence of a bad victim, bucking the system of power, and fully crying. Just slide right into that hysterical coding like a glove. Jason often shows his feelings entirely. Time and time again, the readers have seen Jason have breakdowns, cry, and be overcome with grief. This is tied to his portrayal as hysterical and unstable in the narrative, but in actuality it shows his capacity for love and how vastly impactful his death was. 

This fits nicely with the next point that Jason fits into the hysterical box. Love is framed as one of his key faults. A son reaching for his father. 

Love - One of Jason’s defining features is the amount of love and compassion he holds. He’s willing to put up with any treatment, shoulder blame, and sacrifice himself for others to almost an unhealthy degree. However, this doesn’t extend to what he defines as his baseline safety. This one line of safety is the one thing that can’t be crossed, even with all of the love he feels for his father. He desperately wants to feel connection, have a family, and be loved in return with the same unwavering ferocity love that he gives. This is such a fucking key part of the victim experience, especially victims of childhood trauma. The desperation to just be chosen. He’s raw and honest with his reasonable expectation for love to provide safety for him and that is framed as hysterical, needy, unstable, naive, and fucking childish. Victims know what they need to have safety, and this framing as Bruce knowing what’s best for Jason and literally giving a cold shoulder to his needs is disgusting. 

Less than - Jason is portrayed as less powerful than Bruce even though they have similar expertise. There are so many instances of this that if you just open any media they both appear in, you can close your eyes, point, and land on an example. It makes me die laughing every time I remember that the Arkham games made Jason just one inch shorter than Bruce. Like, they can’t even be the same fucking height, that’s the level of insecure masculinity surrounding this relationship. Jason cannot and will never be able to be on par with Bruce because of his hysterical femininity and the power of Bruce being the self insert for the toxic male power fantasy. This power dynamic applies to the other batkids as well, but specifically in Jason’s case there is an element of hysteria. The reasons change because he’s so inconsistently written but usually he can’t surpass or even meet a stalemate with Bruce because he’s too emotional, he’s unstable, traumatized, and simply Bad. It’s even explicitly stated by Alfred in Under the Red Hood. 

Victim blaming - Jason deserved to die because he didn’t follow orders. Jason deserved to die for not following his training. Jason deserved to die because he was an angry Robin (oh no a child had an appropriate reaction to sexual violence). Jason deserved to die for being human.

Infantilization - Jason is repeatedly infantilized in contrast to Bruce. When given the ultimatum at the end of UtRH, Bruce speaks to Jason like a child, or a bad dog. Ordering him to do things like, “enough!” or “stop this now.” Bruce knows what’s best for Jason (and for everyone in the entire world), we should really just take his word for it and not the victim’s. Imagine staring at a 6 foot wall of a man and scolding him like a child. Beyond that, as mentioned above, his views of love and safety are framed as childish. Even though they are actually leaning more toward collectivism rather than the rampant individualism that Bruce so strongly defers to. (also, just a side note, collectivistic methods in healing from trauma is actually the only scientifically reliable way to heal. Every other method has absolutely abysmal results and higher rates of relapses.)

Silenced and Safety Villainized - Jason is silenced in his own story, acceptable and honored when he was dead and met with vitriol in life. All of the love given to him as Robin turns to ash as soon as he collides with Bruce’s power and morals. I think any survivor can relate to the experience of being told that what happened to them was a long time ago and it’s time to move on. Or even that they’re leveraging their own safety to get what they want in a manipulative way. Regardless of whether or not there was any accountability or justice for the harm done to them. Alfred asks Bruce if he should remove Jason’s memorial in the cave like two seconds after learning of his resurrection because Jason’s methods of securing safety for himself and using his own voice to define his story. Bruce was able to tell Jason’s story when he died. He was able to memorialize, grieve, and ultimately define Jason’s story because Jason wasn’t there to speak for himself. When Jason does speak for himself, he is villainized and literally stripped of his past significance as Robin (or a good victim) by Alfred within seconds. This is reflected in real life with adoptee advocates speaking about how adoption is unethical/harmful/traumatizing and subsequently being framed as ungrateful, selfish, etc. They were little perfect victims without voices before they grew up and could speak for themselves.

Erased - Gestures at the entirety of how Jason is either talked about or completely erased during the 90s Tim Robin run. He wasn’t convenient to talk about, as victims rarely are. This also ties into how Steph’s death was erased and Babs was written like she “won” at trauma by simply... beating it??? 

Dangerous - Jason is framed as threatening the basic fabric of society (in a story with vigilantes this is hard to do, so they have him oppose the no-kill rule, and then doubled down on Bruce’s characterization of no-killing). Anything that bucks the status-quo is usually marked as villainous in mainstream vigilante/superhero comics, but this is a step beyond that into the interpersonal and political sphere. Hysterical women are often framed as dangerous, villains, snakes, and treacherous (the other side of this coin is weak, pathetic, and pitiable) because they are victimized and then have the audacity to do something to the system about it. Whether that be the system of their immediate families or the political sphere. I don’t think it’s a coincidence that Jason was paired with Talia in Lost Days to hammer this point home to the reader. It could’ve just as easily been anyone with access to the Pit that rescued him, but no, we had DC’s favorite brown, treacherous, venomous, female punching bag. 

Bruce Wayne, The Batman

Bruce fits well into the father, enforcer, and logical man slot in Jason’s hysterical story. There is a history of ownership throughout women’s history when it comes to their subjugation to men. Women actually couldn’t be put on trial before the witchcraft genocide because they weren’t seen as legally a person. Their male owner would be put on trial instead. Women would go from being owned by their fathers to their husbands after entering marriage, the most dangerous woman being one who isn’t owned (orphaned, widowed). Bruce does treat (and even thinks) about Jason like he’s something that he owns. He’s his protege, his son, and his responsibility. 

The narrative function of Bruce as a perpetrator in Jason’s story. 

“The perpetrator asks the bystander (reader) to do nothing. He appeals to the universal desire to see, hear, and speak no evil. The victim, on the contrary, asks the bystander (reader) to share the burden of pain. The victim demands action, engagement and remembering” (Herman). 

Bruce does remember what happened to Jason. He keeps a permanent memorial to his dead son. However, this doesn’t translate into any kind of tangible action. He doesn’t do anything to actually stop the murderer who took his son’s life and he continues to throw child soldiers at the problem of crime (how many children have died for the sake of his no-kill rule at this point?). When met with the reality of his inaction, he fits into the perpetrator’s role like a glove:

“In order to escape accountability for his crimes, the perpetrator does everything in his power to promote forgetting. Secrecy and silence are the first line of defense... If secrecy fails, the perpetrator attacks the credibility of his victim. If he cannot silence her absolutely, he tries to make sure that no one listens... From the most blatant denial to the most sophisticated and elegant rationalization... One can expect to hear the same predictable apologies: it never happened; the victim exaggerates; the victim brought it upon herself; and in any case it’s time to forget the past and move on. The more powerful the perpetrator, the greater his prerogative to name and define reality, the more completely his arguments prevail” (Herman). 

I think it is simply fact at this point that Bruce is the head patriarch in Gotham if not, arguably, in the entirety of DC. That level of power in the narrative cannot be ignored, especially when faced with the very real, screaming voice of a victim that Bruce uses all of that power to silence. Bruce, because of his status as patriarch, default protagonist, and self-insert for the toxic male power fantasy, has the ultimate power to name and define reality. Especially to the reader. Bruce doesn’t deny what happened to Jason, because that’s physically impossible to do. But what he does do is ensure that no one listens to Jason, discredits him, and rationalizes his own inaction, actions of violence towards Jason, and victim blames.

Here’s Bruce using the most base form of denial and victim blaming:

After this panel, Bruce also revokes Dick’s access to his childhood home simply for asking a question.

This theme extends to other members of the batfam because of Bruce’s narrative power over them. It’s why we can’t have Dick, Steph, Babs, or even Damian step in and relate to Jason’s trauma or vindicate him. Even when we, the readers, can see parallels and wonder why these conversations or bonds aren’t forming. Jason HAS to be a lone wolf because he is hysterical and a threat to the system of power. This also shows why most of his runs in group settings outside of the batfam fall apart or fall flat. If he was humanized by any other character or had his trauma validated in any actionable way, it would be recognizing the failure of the toxic male power fantasy. The readers are not supposed to see the flaw in this system that allows the bodies of children to pile up and sympathize with one of their voices. It would be a crack in the system of power that exists not only in the source material, but very much within our real world.

Side note: Jason is allowed to interact with others in a wholesome and validating way when he no longer threatens the systemic power of Bruce. When he is silenced by the writers and plays the “nice victim” (like Babs does), he is allowed connection. Only when his healing is done in a way that doesn’t demand action and is only his personal responsibility (gotta love the rampant individualism). If he is hysterical, demands action, and asks for someone to be held accountable for his death, he is shoved away into a lone wolf box. Examples: Gotham Knights (from my very basic understanding, I haven’t played the game, only seen play throughs) and WFA. Victims are acceptable if they do their healing in a neat little box and stay there, but hysterics are the ones who step outside of that box.

Red Hood, The Political Voice of Hysteria and Trauma

Red Hood is deeply political in terms of hysteria and trauma. Herman stated that victims and those that authentically care for them or listen to them intently (whether that be interpersonally, clinically, or professionally) are silenced, ostracized, and discredited. Survivors need a social context that supports the victim and that joins the victim and witness in a common alliance. On an interpersonal level this looks like family, friends, and loved ones. However, trauma is systemic and the social context mentioned above must also be given on a wider social scale. For this to be done, there had to be systemic change and political action. Jason had the interpersonal social support and witnesses to his trauma ripped from him by Bruce. So, we see him move onto a systemic level of addressing trauma in his own political way. He literally cannot escape Bruce and this constant trigger because of Bruce’s philosophy and just... fucking power to define reality... being re-enforced constantly in DC no matter where he tries to go. So, he tries to heal by taking the systemic issue of perpetrators who cannot be held accountable or have fallen through the cracks of accountability into his own hands in a very personal way. A one man political movement.

Whether his methods are moral or ethical doesn’t really matter in the overall framing him as hysteric. He simply has to be opposed by the male power fantasy in some significant way. This shows that the goals, needs, and work towards victim’s and the marginalized’s freedom is dangerous, doomed to fail, and ultimately unethical if the victim is framed in a villain light instead of the more pathetic/pitiable iteration of hysteria. 

You can see how this is not only problematic but also reflects the real world values instilled in arguments against human rights movements (which are intrinsically tied to victims rights). Defunding the police is dangerous, the MeToo movement is dangerous, abolition is dangerous, trans rights are dangerous, etc etc etc. Think of the victims voices tied to each of these movements and how they are integral to the real change offered by these political movements. You can’t have human rights violations without creating victims. And you can’t have political movements surrounding human rights without listening to victims.

We can also see how the individuals within these movements are ostracized, villianized, and often silenced (sometimes ultimately silenced with death) because they rally against the systems of power that victimized them. The framing of traumatized, vulnerable people as hysterical is integral to upholding the system of power that traumatizes and harms them.

A popular comic book movie adaptation that highlights the importance of Jason’s hysterical framing and how it impacts the political narrative/how he is written is V for Vendetta. To be fair, it received an insane amount of backlash by conservatives (not within leftist or liberal spaces) for V’s methods in over throwing fascism, but only because of the movie’s release date being so close to 9/11. V and Jason have many parallels, it’s only the lack of hysterical framing that makes V more palatable to the viewer. We are told, not shown through behavior, that V is traumatized by his past and he does not pick a fight with the protagonist that functions as a toxic male power fantasy. He is the protag, with his version of Bruce being men who are not framed in a sympathetic, heroic, or relatable light. 

Additionally, there is literally an unemoting mask standing between the viewer and V, whereas Jason takes off his helmet to allow the reader to see every aspect of his trauma and pain. V readily dehumanizes himself into an idea, rather than a person. Whereas Jason screams to be seen as a person in a very hysterical way. So, we can see how the framing of Jason as hysteric against the logical, heroic man greatly impacts how the audience reads him when contrasted by a very similar political story/character who uses similar (and arguably more violent) methods to meet his ends. (This just made me realize that I would die for a Jason adaptation written by the Wachowski sisters). 

Jason’s work as Red Hood is seeped in leftist, victim, and community centered politics. His portrayal as a hysterical antagonist (at best an anti-hero) is rooted in misogyny and upholding patriarchal, capitalist, and the prison industrial complex systems of power. He is the righteous embodiment of “the personal is political” for victims. Even his Robin run draws attention to and shows correct, angry reactions to the system of patriarchal power in sexual violence.

Patriarchal Writing and Enforcement

Jason is girl-coded and hysterical because he’s supposed to be emasculated, discredited, and disliked by the reader. He serves the narrative function of boosting the toxic male power fantasy of Bruce and in doing so, the writers use one of the oldest tropes in the book (one that we have all subconsciously been taught since birth) to get the reader on their side. Make him a hysterical woman. 

References: for anyone interested in furthering their understanding of any of the concepts mentioned above and to, you know, use sources for my own writing.

Barstow, A. Witchcraze

Bondi, L., Burman. E. Women and Mental Health: A Feminist Review

Freud, S. The Aietology of Hysteria

Gilman, C. P. The Yellow Wallpaper

Herman, J. Trauma and Recovery

Ussher, J. The Madness of Women.

Van der Kolk, B. The Body Keeps the Score

Wilkin, L., Hillock, S. Enhancing MSW Students’ Efficacy in Working with Trauma, Violence, and Oppression: An Integrated Feminist-Trauma Framework for Social Work Education

[aelswiths]

Aelswith & Alfred (destroying me 😭) in 3x03

*sobbing* I love them so much *sobbing*

[solradguy]

MBTI's bullshit but I think it can be fun for introspection and light conversation so I've had ISTP on my about page since I made it. I wonder what people have thought about that, I hope it's "zero percent surprised this guy 3D printed a giant sword and coded his own website"

Unrelated, but I noticed HELIOGENOMS 4.0 only has like 6 pages of text and I'd already cleaned the pages a while ago so I'm going to translate that real quick before digging back into Lightning the Argent. Realized lately that I was starting to view these translations more as something I owe and not something I'm doing for fun. Which is backwards. So I'm doing what sounds more fun at the moment: Sol Badguy licking Johnny's throat fanbook story

[sumeragi-hokuto]

Set 4 of chapter 3, volume 4 of the Tokyo Babylon manga. 9th chapter overall.

Cleaning/typesetting done by me, official Dark Horse translation used.

Select/open the images to view in higher quality.

Previous, Next

[vault81]

went ahead and used this picrew to create my new fo4 oc's!!

I've decided to name this one Sullivan, he's my pre-war ghoul OC that used to work for the DIA and now the Railroad (this is him pre-ghoulification in his late 20's)

and this is Marie, my scientist/scavenger OC, scrounging ruins for artifacts and data on the old world (more than likely will end up joining The Institute)

[bossladytae]

~

[mewgatori]

A big part of revisions has been me going "WHY did I think that was ok?" at things that are wildly different levels of bad

[macroglossus]

accidentally set it up so i finished thieves guild, dark brotherhood AND champions questlines today 💪