#canes cannot

[mrmeepsmadmind]

i love when ppl draw bumblebee like the happy little creachure he is but also i love when people draw bumblebee like he's had 500 beers in the last 1 hour and still the pain won't even ebb

[pyotrkochetkov]

tkachuk is the biggest loser in hockey lmao

[german-garbage]

Can't believe I couldn't find ANYTHING regarding a House MD cyberpunk AU on tumblr so here's some self-indulgent cyberpunk Hilson

[yoki-loves-stars]

i never show my wips soooooo

[copper-skulls]

quick colored doodle of TD!grillb so I can swear on artfight that he's legally distinct* (*at least one different design element) from actual grillby. we are quiet abt the fact that TD is canon-compatible. sh

(all my drawings for the boys are like. soft. i change how I draw them all the time, never take anything I draw of them as a hard ref and draw them however the hell you want if you ever do)

[teleport-warning]

[loosethreadsofyoursoul]

i made a tma playlist! it’s one song per fear entity, each corresponding to an avatar or victim (see below the cut for song breakdowns and more yapping)

cover art i downloaded from pinterest - it doesn’t say the artist but if u know who it is lmk !

the buried: like real people do - hozier

pov: alice “daisy” tonner

why were you digging / what did you bury / before those hands pulled me / from the earth

what did jon bury? what was he hiding as she suffocated? what was daisy hiding from before he came and pulled her out of there? did she ever feel like a real person?

the corruption: my strange addiction - billie eilish

pov: jane prentiss

hurts but i know how to hide it, kinda like it / … / my doctors can’t explain / my symptoms or my pain / but you are my strange addiction

and she did kinda like it, she was drawn to it, addicted to it, even with the pain and the detriment to her entire life. the corruption is toxic relationship core and she made a perfect avatar.

the dark: i will follow you into the dark - death cab for cutie

pov: manuela dominguez

if there’s no one beside you when your soul embarks / then i’ll follow you into the dark

i mean, she literally followed maxwell rayner into the dark. for all the good and the bad, she would have followed him even if no one else did. yknow, for cult reasons. but still.

the desolation: agnes - glass animals

pov: jude perry

agnes, just stop and think a minute / why don't you light that cigarette and / calm down now stop and breathe a second / … / a choking rose back / to be reborn / i want to hold you like you're mine / you're gone but you're on my mind

thinking about agnes montague for this song… jude really loved her. and it wasn’t pretty, she wanted control and loved her partly for how she was connected to their god, but the love was there. and i think she always missed agnes.

the end: if we were vampires - noah kahan, wesley schultz

pov: georgie barker

If wе were vampires, and death was a joke / we'd go out on the sidewalk and smoke / and laugh at all the lovers and their plans / i wouldn't feel the need to hold your hand

i considered this for trevor/the hunt bc of literal vampires but like the narrator is a realist in this song which is very much who georgie is. death is inevitable. danger is inevitable. and just because she couldn’t feel fear didn’t mean georgie wasn’t aware of what she had and that she needed to protect it and herself. she wasn’t reckless with her life which is what this song means to me.

the eye: every breath you take - the police

pov: elias bouchard/jonah magnus

every breath you take / and every move you make / every bond you break / every step you take / i'll be watching you

self explanatory. to me. still giggling about it actually.

the flesh: under your skin - jukebox the ghost

pov: jared hopworth

how much can you fit under your skin? / … / i can fit two people under my skin / … / and i can feel you laughing, under my skin / and the happy palpitations are making me… grin

also self explanatory. just shoving bones in there as often as possible. thanks a lot, jurgen leitner.

the hunt: run boy run - woodkid

pov: trevor herbert

run boy run, this world is not made for you / … / run boy run, break out from society / … / tomorrow is another day / and you won't have to hide away / you'll be a man, boy / but for now it's time to run, it's time to run

this song is so young trevor trying to find his place in the world after violently losing his brother to a supernatural being he didn’t know existed and feeling the responsibility of that while also being ousted from society. he never did stop running huh.

the lonely: agoraphobia - autoheart

pov: martin blackwood

tried on 13 pairs of / shoes and not one made me want to / leave this blessed house of mine / that’s just fine / i really don’t want to go anywhere / i don’t really want to go anywhere

i see why this is on so many lonely playlists and it really is martin in mag 170, trapped in that house by his own mind but also by what the house is doing to him. it’s a comfort, but not a good one, very much those feelings of self isolation.

the slaughter: in our bedroom after the war - stars

pov: melanie king

it's us, yes, we're back again / here to see you through, 'til the days end / and if the night comes, and the night will come / well, at least the war is over

i like this song for melanie and the slaughter bc it’s kind of an antithesis to who she is. as long as she has a war to fight, she’s comfortable. she won’t lose everything she’s fighting for. the war may be raging but by god she won’t be the one who loses.

the spiral: strawberry fields forever - the beatles

pov: michael shelley/the distortion

let me take you down / cause I'm going to strawberry fields / nothing is real / … / living is easy with eyes closed / misunderstanding all you see / it's getting hard to be someone, but it all works out

there’s the obvious “misunderstanding all you see” spiral and distortion connotations but for michael, it also was hard to be someone. nothing was real to him either, really.

the stranger: you’re somebody else - flora cash

pov: tim stoker

well, you look like yourself / but you're somebody else / only it ain't on the surface / well, you talk like yourself / no, I hear someone else though / now you're making me nervous

the irony of this song is that. she didn't look like herself. or talk like herself. but to tim, it was sasha, and she didn't make him nervous until the end when he became nervous about everything because of what happened to her. and he became somebody else, too.

the vast: space oddity - david bowie

pov: simon fairchild

i'm stepping through the door / and I'm floating in a most peculiar way / and the stars look very different today / for here / am I sitting in a tin can / far above the world

this song has very clear vast connotations but i also like the imagery of simon sitting far above everyone else. in a literal way but also he thinks he's above most people because of his abilities, so he uses them to cause problems on purpose which is ultimately his downfall. what an interesting, weird old man.

the web: control - halsey

pov: annabelle cane

my mind's like a deadly disease / i'm bigger than my body / ... / goddamn right, you should be scared of me / who is in control?

the thing about annabelle is that all those things are true but. at the point where we get to know her, she's part of something bigger than herself, it genuinely doesn't matter to her whether she lives or dies.

the extinction: love song (for the apocalypse) - ira wolf

pov: jonathan sims

i packed a photo of us from our very first date / you packed the water 'cause I couldn't carry the weight / and into the ashes you carved out a heart with our names / ... / we could say we told you so, but what good is that now

i like this song for jon and the extinction for many reasons but firstly i think it's funny to have jon's song be associated with the only entity that didn't actually mark him. but yeah this song is very jonmartin during the eyepocalypse. everything's a disaster, but they're together, and they endure.

[iguessitsjustme]

Joke: *gets caught by Jack in one of his schemes*

Jack: Oh you’ve got to be joking me

Joke: I mean, that is the idea, yes.

[library-ghoulette]

Some men on Fet really send messages like

Hello Complete Stranger! Judging from the singular photo of your butt on here, you’re very hot!

I see on your profile that you’re interested in but have not tried Risky And Painful Activity. I just bought a toy to do that with. Can I use it on you, a stranger I’ve never met irl and whose full face I’ve never even seen?

I pinkie promise nothing will go wrong!

My dude….

[nariarts]

there's an ooze in edinburgh.

for zine-o-ween. be careful if you visit. side-step any ooze you see.

[habken]

did you have gatcha life pajse

no I don’t even really know what it is

[luc1ferian]

you know what I think Hyde was onto something, we should beat old politicians to death again

[littlefankingdom]

New headcanon: Bruce uses a cane from time to time after Knightfall.

There's no way he doesn't suffer from chronic pains after that defeat, but also no way he is able-bodied. Even more because he didn't rest completely and TRAINED while healing. And they didn’t know if he would be able to walk again at first. Yeah, Bruce should be using a cane sometimes. And when he is being Batman, he is pushing through it like crazy, because he is insane like that.

Also, they already destroyed the Porsche, so Bruce can say he had a car's accident to explain the disability.

[crippy-tangerine]

Something something something. Disabled horses. Because we are going insane. And horses are our lifelong special interest. So. Insane cripple horses. Because am…. Insane cripple. Having a moment.

Heavily inspired by artist Amber Skye Alcock (who did the art of the horse with a sword for a horn).

By the way. The UK government is bringing back austerity for disabled people. Say no to the cuts. Protect your crips.

[empresskaze]

hear me out: viktor in a cardigan…with a cold/bad allergies 😈

HNNNNNNNNGGGGGGG *adds this to what Im writing currently* ANON YOURE GONNA GIVE ME A HEART ATTACK /POS

[jonathanbyersphd]

You know the thing is I think the pitfalls of Joyce's relationship with Jonathan would be a lot less severe if we knew what they were like before. Like in s1 we have a series of flashbacks of her relationship with Will (partially to make us love Will partly to showcase Joyce's motherhood)

But we don't have that with Jonathan and Joyce. From the jump, we see the parentification. He's helping find her keys, he's making breakfast, he's supposed to know where Will is. And their next big interaction is her admitting that she's checked out as his parent.

But baring one brief moment at the end of the season we don't see them interact outside of this structure. We don't see Joyce interact with Jonathan as her child!