Honestly Will Graham isn't straight or gay or bi to me. He's just some fucked up guy and the only person he could ever have an equally fucked up relationship with is Hannibal. He's whatever sexuality that is
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Red.
Your lips.
Your hands.
My chest.
You are my angel of destruction.
So breathtakingly covered in blood.
And while you devoure my heart,
I am on my knees in front of you.
Looking up to you and praying for your love.
Let me be a part of you.
Let me be yours for eternity.
And so I shall die a thousands times as long as it's your hands that take my life.
As long as it’s your arms that hold me while I take one painfully last breath.
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the fact that yellowjackets, a show focused by design on a limited number of characters seeing that it's about a plane crash that stranded a high school soccer team in the woods for over a year, STILL has a number of background and unnamed characters they can either ignore for two entire seasons or summon out of thin air when it's convenient to the plot (like they did with crystal) is absolutely insane to me. there's not even space for a 'oh they just weren't close to the main characters' excuse because it doesn't matter, they are all stranded and either killing each other or driving each other insane in the woods!! they HAVE to coexist whether they want to or not. there's no unremarkable person on a scenario like this
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At the Nguza marked
A complete overview of my female domination stories can be found here: http://www.evilbedtimestories.com/stories.html
And my patreon is here: https://www.patreon.com/AugustRenfelt
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I’m not going to word this very well and these are only half-gestated thoughts but I think the characterisation of Chani in dune part two vs her book counterpart is rooted in a certain type of artistic insecurity, one that is becoming more and more prevalent, which is lack of faith in the audience’s intellect/keenness of eye. Chani must be vocally and visually and obviously repulsed by Paul’s actions rather than remotely complacent or complicit in them because Villeneuve wants the audience to know that he knows Paul is immoral — there must be an in-universe beacon. It’s not exactly a subtle movie, and I think a lot of these un-subtleties were born out of the criticism levied against the first: that it is indisputably a white saviour narrative, that Paul is there to ‘save’ the Fremen and by proxy Chani, the only prominent woman of colour. As a result she must be seen as wholly independent from him, unswayed by his influence, separate and unique from the rest of her people on account of her lack of belief. The problem with this is that it arguably turns her into another caricature, complexities ironed out, remarkably individual and good. She’s a character to be handled with delicacy and I think so many cannot see her for what she really is. But we aren’t trusted to figure her or the narrative out for ourselves; we must be told, directly, over and over again
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thinking about the group of characters who survived Hannibal Lecter by turning away from/having no interest in consuming meat (by choice or circumstance):
freddie lounds (vegetarian)
frederick chilton (stopped eating it post his gutting by gideon where he became unable to digest it properly)
margot verger (lesbian)
alana bloom (bi but ends up with a woman & stopped drinking beer once she realized Hannibal had been making her cannibal beer)
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HI!!!! i made a hazbin hotel oc!! her name is mary-ann and she died in 1850 i hope she looks fine (she ate her husband)
i believe she's in lesbians with rosie
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