#cap answers

[samwilson-official]

Mr. Wilson! Look what I found 🤭🤭🤭-

Wait I can't send pictures in your ask box :(

This makes me very suspicious

[nocaptainonthisship]

I understand the point of your post but it hurts alot when your fics don't get the kind of kudos or comments other writers fics do.

I completely hear you on this, nonny.

Not comparing myself to other writers is something I am trying to get better at every single day. Its hard! You start to wonder if people aren't reading because there is something wrong with you, or with the way you write. I have to say, I don't think that's true at all.

I think a lot about that old biblical phrase, "there is nothing new under the sun." I think, too, about "there are no new stories, only new writers." Partly, its because I write fanfiction. Partly its because I'm repeatedly drawn to adaptations of older works. Partly its because my number one response to watching marvel movies was usually saying "Cool story, bro, but what if it was about a woman??" and then, a couple years later saying, "Ok, but maybe not like That."

But I get to think about the other implications of that, too. No story I ever tell will be completely 100% from my own imagination. I am the sum total of all my parts. Every book I read and every movie or tv show or play I've seen lives inside me, the parts that most interested me broken down and distilled and recombined to be something that feels entirely my own.

What makes my writing special is ME.

I wrote my first piece of fanfic when I was 12. It was a songfic(Evanescence's Bring Me Back to Life, just in case you were worried I wasn't a baby emo) and it was angsty as all hell(some things never change I guess.) A few people read it. A few even dropped nice little notes about it. I can't tell you if it was actually any good, because that forum has been dead for a long time, and the desktop at my parents house has been replaced in the almost 20 years since. I suspect it was fairly terrible, though. I mean, I was 12.

I wrote a little more as I got into high school, before I started telling myself to grow out of fanfic(don't worry, I also grew out of that.) But I kept writing, mostly just for me. I kept getting better. I kept becoming more and more confident in my own voice and what it is I can bring to the table.

Which, I guess, brings me at long last to my point. I'm not some superwriter who doesn't get a burst of joy when someone leaves a comment on one of my fics. I LOVE connecting with people and knowing that my words touched someone's life in a positive way. But I don't need it. I'm going to write for myself(and the 6 psychos in my dms.) I'm going to write things I can be proud of, things I can stand back and say, "I did that!" I don't need to be the most popular, I simply need to be the best version of myself.

There is always going to be someone out there who is more popular than me.

But there is never going to be another me.

There is never going to be another YOU.

Be the best you that you can be. Tell the stories that you want to tell, not the ones you think will get the most engagement.

What you bring to the table is important, no matter how many people comment.

Keep writing, keep being you. You will find your people, I promise. I didn't find the 6 psychos until my 30s. There was a time I thought no one at all would ever like my words. As much as I enjoy being right, I'm so glad to have been proved wrong on this one.

[capisback]

hiii you mentioned something in my tags about a google doc with all the established goncharov lore?? if you know where i could find that i would really appreciate it, i've mostly just been keeping track of the lore on my own but it would be great to make sure i have it all :)

yeah of course! I heard about it today myself from this post

and here’s a direct link to the google doc. It should be up to date from what I’ve been told and it seems quite extensive, so even if it’s not complete, it should give you a lot of info!

[capaccini]

Bean is soooo cutee i love him

Thank you so much! I love him too… (spent way too long trying to figure out how I wanted to do his hair ;0;)

[captain-nohbody]

THANK YOU SO MUCH FOR THE LIKE YOU SWEET BEAN!(p.s your art work is really beautiful and amazing just like you. And you are a very talented artist,Keep up the good work you do and have a amazing day/night ☆ヾ(*´▽｀)ﾉ

:O! This was a nice thing to wake up to oh my god thank you!! (＾• ω •＾)

[whatsitzface]

The way Annabeth was thinking so far ahead of Percy that Percy was confused. The way she refused to elaborate on anything, and then was like; 'I'm surrounded by idiots' whenever someone (Percy) didn't understand her. The way she looked so smug after she pushed Percy into the water and he got claimed. THE WAY SHE WAS SO BLUNT!!!!! ("ARE YOU STALKING ME??" "yeah lol")

Sorry, but that's the most accurate Annabeth in the world holy smokes Leah did such a good job. All my forgotten love for Annabeth's character that I felt while reading the books just crashed into me full force and I'm frothing at the mouth with obsession.

“-You’re gonna expect me to know how to do something I don’t know how to do, and I end up falling flat on my face, I- I can’t really have that right now.” “You still don’t get where you fit into all of this, do you?” SHE’S TALKING ABOUT THE PROPHECY AND HOW SHE KNOWS HE'S A POSIEDON KID, BUT SHE HIDES IT AS HOW HE DOESN’T KNOW HIS PLACE IN THE CAPTURE THE FLAG GAME!!!! BECAUSE SHE WON’T TELL HIM!!!! AND ITS EPIC BECAUSE IN THE CAPTURE THE FLAG GAME HE DOES FALL FLAT ON HIS FACE, BUT IN THE PROPHECY HE DOES GET HIS DAD TO SEE HIM!!!! And then she fixes his armor plate, making sure that its secure. Making sure he won't get hurt. That's not part of her plan, and things always go according to her plan. She's the game master. IM SCREAMING

[phoenixcatch7]

Okay I know reading cap's mind doesn't work but what if Billy's mind wasn't as protected. Like imagine if the jl got shunted into Billy's mind (idk he wasn't answering his comm so they went to check and got waylaid by sivana or something) and like.

Captain marvel, THEIR all powerful world famous behemoth of a man, sitting at a little fancy tea table, sipping from a floral tea cup: what are you doing here

[sluttywonwoo]

omg i have had such bad mingi brain rot and i figured ‘who else to go to other than mother kaili?’

that g.i mingi pic is SENDING me into thoughts of him fucking you with his hands behind his back with that shirt between his pretty teeth to showcase you those abs he knows you love so much, his pants pulled down only to his glorious thighs as his hips sink into you with ease. i think he’d release a few chuckles when you fuck yourself back onto him, but they would quickly turn into a muffled, deep whimper when ur cunt tightens around him at the sounds.

- ur old pal, all cap minghao anon

the shirt between the teeth… the hands behind his back… WHAT IS WRONG WITH YOU

your dress is pushed up around your hips, a pool of fabric on the mattress underneath you. it was the middle of the day, the sun was still out, but mingi just couldn’t wait.

at least that’s what he’d told you as he’d pulled your panties to the side and ate you out on his knees at the foot of your bed— unrelenting until you came all over his tongue (and nose).

he hasn’t bothered to undress himself either. he’s just fucking you with his pants pulled down under his ass. he had been kind enough, however, to lift his shirt up so that you could see his tummy. he’s got the hem of it between his teeth, holding it in place so you could watch his muscles contract with every thrust. he’s thoughtful like that.

you’re clenching around him like crazy, making him swear incoherently into the material of his shirt. it’s so hard not to cum when you’re doing that but he knows you can’t help it. you’re still all sensitive from making a mess on his face a few minutes ago, and the way he’s fucking you now is only pushing you closer and closer to that edge again.

mingi slows down for his own sake but you take it upon yourself to resume his pace on your own, desperately chasing that feeling as you fuck yourself on his cock.

“mmph- fuck, baby, wait…” mingi grunts, hands coming from behind his back to grab your knees.

“i can’t,” you whimper.

he tries holding you still but somehow you overpower him, probably because he’s splitting his focus between manhandling you and not cumming.

“you’re… you’re gonna make me cum if you don’t stop,” he protests.

“i know, it’s okay,” you pant, “i’m, fuck, i’m going to cum too.”

he sort of half chuckles and nods. “i can tell. but i didn’t want to cum yet. wanted it to last l-longer.”

mingi manages to get you to stop moving by wrapping one of his massive hands around your throat and squeezing just a little. works every time.

“could’ve fooled me with the way you didn’t even let me take my clothes off,” you quip, strained.

“that’s because i was in a rush to fuck you, not to cum. did you just roll your eyes at me?”

“maybe.”

your boyfriend scoffs, shaking his head. “you know, i was going to let you cum… but since you want to be a brat, i think you need to earn it.”

your smile falls. “wha- please no, i’m so close!”

“i know. but you should’ve thought about that before. now you just have to pray you can hold on until i think you deserve my permission.”

[james-p-sullivan]

If your option isn’t listed please reply in the tags!

[cerealboxlore]

you know those posts where cap’s seen as a dad figure? what if one of the reasons why the other superheroes think that way is because when league members bring up there kids or need cap to cover for them when their kids need them cap is just super understanding, empathetic and gets oddly proud of them for being with there for their kids

the actual reason why he’s like that is because billy just really values those things as an orphan and is proud to work with such great people

Whenever someone mentions or even breathes the implication of Cap being mistaken as a dad or seen as a father figure, I lose my marbles, because, oh cheese and crackers, I just can't express enough how much I adore this headcanon! I'm doin' a little happy dance :D

Billy Batson is someone who has always yearned and wished to be a part of a family again since his experience was cut short due to tragedy and made sour thanks to his uncle Ebeneezer being crusty dusty, so it's easy to see him respecting those who appreciate the family they have. He had to grow up and mature far faster than any kid his age, and compared to most adults, Billy is actually more mature and responsible than they are, unfortunately. It's reasonable to see that this would be reflected in Captain Marvel; someone who's immature at times, but ultimately a good-natured person with a golden heart and good intentions, who others can depend on anytime and anywhere (much to the sacrifice of his personal life).

Billy has been in enough foster homes at a young age to know the difference between a good parent and a rotten one, so seeing members of the league prioritize their family members and kids would make him really happy. He's the type to take on any shift or mission in the place of another member if they had something important to do with their family. What you said about him being very proud and empathetic towards parents in the league made me realize that Billy would have loved to have parents like them had his own not perished. In a way, he's not just proud of them, but a little bit envious.

This also brings up another headcanon of mine, where Captain Marvel is the unofficial designated babysitter of the league when emergencies come up. Because despite not knowing who he is/his secret identity, people trust him enough to let him know theirs. Like, it all starts with the Captain in the watchtower break room drinking apple juice, and is suddenly bombarded with a group of children or sidekicks being thrown at him by the other heroes, saying that the Captain was in charge while they were away before teleporting away.

All these kids and teenagers that he suddenly has to help look after, and while Captain Marvel is calm on the outside, Billy Batson is freaking out on the inside. Some of those kids are older than he is, and there's some hilarity to it. Shenanigans ensue in the Captain Marvel: Adventures in Babysitting day, but it all turns out okay in the end. As a kid, Billy would know how to talk to them and keep them busy with fun/educational stuff. Might even teach them a thing or two about good morals, manners, archeology, or ancient magic stuff.

I imagine some of those kids would want to be babysat by him again, and Billy would welcome it (with warning ahead of time). Captain Marvel is just someone people like being around with his good dad vibes. Some of them even ask if he has kids of his own, but are met with an empty room immediately as the man zooms off whenever people ask him questions about family.

Gosh I went rambling again, but I loved this ask!

[samwilson-official]

BARKBARKARFBARKBARKARFFFRUFRUFF

....

[zarla-s]

Do/for you have to make references for any other characters in Handplates? Like the mouse or pterofractal? The same goes for the characters that have canon designs in Undertale. Did you ever need a ref for them?

Honestly I like never make reference sheets until something forces me, haha. With the mouse I just go back to the first comic he appeared in and just ref off of those. I might have mentioned this before, I forget, but originally that mouse was supposed to be the mole in the MTT comedy club but then I looked up their speech pattern and it didn't fit, so instead I made them a Rathbone cameo from The Lost Mind of Dr. Brain. :B

I had to improvise his lower body so I just gave him big wading pants lol.

As for Pterofractal, Jaz gave me this!

I do have a folder for canon refs, mostly screenshots I've taken to get colors and layouts for certain areas in the Underground, haha. And some sprite sheets if I need them.

Nothing really official or purposeful though, just screencaps and snips from other files I end up reusing.

[capisback]

I'm sorry, keyboard and bitch? Okay ik snap hoe iemand per ongeluk op "teef" zou kunnen komen... Maar toetsenbord????????

Het was een karakter genaamd "Klavier". En de andere was eigenlijk "Trut", maar Teef zie ik ook zo vaak wanneer mensen een grappige/schattige manier om Teeth te zeggen zoeken. Heb ook nog een gezien die "Kip" heet maar dat is blijkbaar een normale engelse naam, waar ik niet over kan

[sen-ya]

Who’s the Lawlu kid’s favorite aunt or uncle? I imagine it’s a constant battle between everybody for ‘favorite’ status

Oh for SURE. And the Straw Hats are all terribly confident it’s one of them. Esp Nami who is absolutely smitten and gets on with the kid so well. And tbh my instinct was to say Bepo lmao. But actually my self indulgent no nuance answer is penguin is best uncle that’s it goodbye

(also no nuance favorite straw hat is probably sanji or jinbei)

[stemmmm]

Close to a year and four rewrites later, I present to you...

Stem's Thoughts on the Game Design of Harvest Moon on SNES

I’m not going to lie, if you don’t like farming sims, you won’t like this one. At their core, every farming sim (at least in the rpg genre) is nearly identical, and that’s because of this game. In a way, I might dare to say that Harvest Moon for the SNES is the perfect farming sim because it has every one of the usual elements in their most simplified form and it just works straight from the get-go. It works so well in fact, that after this game came out in 1996, four more entries to the series were released before the year 2000.

If you are someone who does like farming sims, I can’t recommend this game enough. It’s simple and to the point, with a fast pace and enough random events and points of intrigue that the game kept me relatively engaged for my whole playthrough.

Also, by nature of this being the first game and therefore hard to cover concisely and by nature of taking so long to write this... it's long as hell! Enjoy! :) <3

I can’t say my appreciation of this game doesn’t come with a few caveats. I’ve intermittently played HM games all my life, starting with the GameBoy port (GB1) all the way to Pioneers of Olive Town, so while I don’t know exactly how the series has evolved, I’ve seen it at some of its earliest and at its latest. My vague childhood memories of GB1 (a game I didn’t own and didn’t play much of) were that it was pretty sparse and bland, so knowing that this original game was allegedly the same thing but with a little more content, I was expecting the bare minimum. I was prepared to never even be able to leave my farm, but the first thing the game did was shuttle me off to the nearby town and blocked the exit until I talked to everyone there. 

(Maps of the town, mountain, and farm via The Spriters Resource)

You learn everything you need to know about the game right here at the beginning; Firstly, that this town is small as all hell and has hardly anyone in it aside from the five girls you can marry and their immediate family members. The next thing you’ll learn is that there’s a fence on your farm, and you need to be taking care of that. Of the few repetitive lines of dialogue any given person in town has to share with you on any given day, a fair amount are devoted to reminding you to fix your fence, to make sure it’s in good repair. There was just a big storm so watch out! Remember to check it every day! Are you chopping enough wood? Because you’ll need it for that fence!

I’m being dramatic of course, you aren’t reminded about it that much, though the thin variation of dialogue means it comes up a lot. The emphasis on your fence does exist, and it isn’t for nothing: while it doesn’t matter as much if all you do is grow crops– if you keep animals, the game tells you that the ideal thing to do for yours and the animal’s happiness is to put the animals outside to graze. Animal feed bought from the livestock shop will keep them fed, but it's nothing compared to fresh grass grown on your farm. You can’t even buy animals without a certain amount of grass planted! And sure, you can cut the grass to store for later, but it’s at its best straight out of the ground. However, the way the game is programmed, the animals only eat when the day rolls over, so putting animals outside for the day and taking them in at night isn’t an option, and on top of that, there’s things that come out at night that can hurt your animals. This is where your fence comes in.

The Utility of Fences

At the entrance to your farm is a cluster of buildings: your house, a small lumber shed, a barn, coop, and silo, a tool shed, and an old, dried up well. Just barely surrounding all of these is a little wooden fence that looks more like a row of upright logs than anything else. Despite this farm having presumably been abandoned, the fence is in perfect repair. You’ll quickly discover that the fence as it is won’t work out; there’s hardly space to plant anything within it, and with the well dried up, you’re forced to hop it to get to a water source to fill up your watering can. It’s pretty clear that you’ll need to expand your fence, and it’s easy to do with all of the tree stumps littering the massive field that it’s blocking off. 

On top of needing to expand the range of your fence, the individual planks eventually will rot away and leave useless stumps. They show up more frequently after rain or a large storm. The posts don’t rot away completely so they have to be manually removed, but replacing them is as simple as smashing the old post with a hammer or ax and popping a new post in its place. It becomes a very natural part of your daily routine to run a lap around the farm’s perimeter before you go to bed to make sure everything looks safe and secure. It’s a good way to ensure your animals are put away and debris is cleared out, too! It slotted very nicely into my daily schedule until a certain point.

With how much time you have to spend hopping over the logs to get to the rest of the area too large to fence in, you might be tempted to leave one out of place for easier traversal. When night comes, it’s clear why that would be a mistake. Sometimes when you go to bed, you’ll hear your dog barking. It’s a small detail, one that took me a long time to notice because I didn’t always play with the sound on. There are wild dogs that prowl around the wilderness surrounding your farm, and only at night do they dare to come close. Your dog, if left outside, isn't able to do anything other than warn you of their presence if they show up. There’s nothing to notice during the daytime if it happens, unless you happened to leave one of your animals outside. There was one night that I left my chickens outside, having thought my fence was in perfect order and repair. I went to bed and heard the dog barking, followed by a horrible crunch. When I went out in the morning, I saw where my chicken had been before, it had been replaced by a pile of feathers. On the north side of my farm was a rotted fence post I’d failed to fix. 

The Reality of Fences

After losing my chicken, a cluster of pixels on my screen it may have been, I didn’t feel comfortable leaving my animals outside. I didn’t want to take a risk again, the sound and sight of feathers was upsetting enough. On a more logical note, the chickens didn’t even lay eggs if left outside so there was no value in it. Cows were a pain to put back inside the barn too, because of some silliness with the game’s collision. As much of a disappointment as it was to not have my animals roam around, it was just easier. At the time, I was focusing on upgrading my house anyways, so I didn’t have time to take care of my animals outside where time would pass when I could use that time gathering wood, and everything I had was being saved up for the house so I didn’t have any extra materials to repair my fence with. My fence was all rotting away. Because it was inconvenient for getting to my crops, I started smashing all the old posts as they went, too. That’s when I noticed something: the wild dog wasn’t coming anymore.

I didn’t pay much attention to it until I was looking up a completely different mechanic and discovered a forum explaining how the fences were broken. Rotted posts attracted the wild dog, they said. It didn’t matter if you had gaps in your fence, or even a fence at all–in fact no fence was the best kind to have because the mere existence of posts that could rot was a liability. 

I was hesitant at first to test this concept, after all there wasn’t much I could gain from it. My chickens wouldn’t lay outside, and my cows would be too challenging to get back in if the forecast called for rain. The thing that got me to finally try it was when I was trying to hatch more chickens. My coop felt like a nightmare to navigate due to its current population. I wanted less animals inside that I had to feed, so I threw a couple chicks outside–they weren’t laying yet anyways. Lo and behold, the dog didn’t come. More days passed and more animals were left outside, and it never came. My fence had rotted until there was nothing left at all. No dogs could ever come to my farm again. And I realized that the game’s own insistence on its mechanics was all a lie.

How You’re Told To Play - How The Game Lies

Of course, my animals didn’t stay outside. For a minute it was fun having a crowd of cows milling about while I tended to my crops, but letting them wander free and uninhibited made it impossible to find and milk all of them without any trouble, and there were the rainy days to watch out for. After the novelty wore off, they went back inside and stayed there. The thing is, that didn’t make a single bit of difference in how much they liked me compared to how they were living in the barn. On top of that, they didn’t seem to care whether I was feeding them grass or store-bought food either, though I mostly stuck to the grasses since they were cheaper and easier to get. Nothing about how I was told to care for animals really mattered past feeding them every day, petting it and maybe brushing it, if it was a cow.

It gets worse. The most basic aspect of the game is the fact that time passes. The story takes place over 2 and a half years, running through each day until the end, and these days last from 6AM to 6PM according to the game’s own internal time setting. After 6PM, all of the shops aside from the bar will close and you lose the ability to sell anything as you’re told it would rot in the shipping bin overnight, so there’s nothing to do but sleep until the next day. Issue with this is that when the days stop at 6PM… they just stop. Time doesn’t flow anymore. The game doesn’t give you any kind of clock to know the exact time it is until after you’ve upgraded your house, so all you have to go by before that is the color of the environment and whether or not your character has played an animation to eat something (you’re automatically fed when you wake up, at noon, and at night). I discovered this because I was curious if I could actually see the wild dog by staying out, and left the game running for probably 20 minutes in real life only for nothing to happen. Because of the time freeze, the time after 6PM actually becomes really valuable for farm logistics. You can’t sell anything, no, but you can pull up all the weeds on the farm, water your crops, fix your fences, feed and care for animals if you hadn’t already, and harvest wood for fences and house upgrades which would have taken a lot of valuable time to get during shipping-hours. The only thing that gets in the way of doing all that is you running out of energy.

Your energy is what allows you to use your farming equipment like your ax or watering can. Running out of it doesn’t mean you fall unconscious or anything, but your character will play an animation of them stumbling over and will fail to use any tools. The most obvious fix to this is to simply go to bed, as sleeping gives you a full recharge. You can also, however, recharge it by going to the hot spring on the mountain, or by eating food bought at the restaurant in town or foraged for in the forest. You can’t tell easily how much is refilled, as there’s no visual indicator like a health bar, but you’re able to eat more than once, and jumping into the hot spring seems to count whether you did it or not more than how much time you spend in there, so you can hop in and out a couple of times and call it good. 

Individually, time freezing at 6PM and energy being endlessly replenishable aren’t bad things. Even together, they’re not the worst. Having free time to focus on profitless chores is nice, and I think it’s important to be able to replenish your energy in case you have a limited amount of time to do things like for example, cut all of your grass before winter kills it. What makes an exploit out of these is the fact that the resources in the forest will never run out. Every time you re-enter the forest, all forage items and tree stumps are respawned. The infinite amount of forage makes for infinite energy refills, and could also make for an incredible money exploit if you didn’t have a very limited amount of time to ship things. You don’t have a limited amount of time to cut up tree stumps though. If you wanted to, you could run up to the forest after 6PM, chop every stump, then simply reload the area, and everything’s back. You can get all of the wood you would ever need to fully upgrade your house in one night. It’s a bit of a grind to do all at once, but it’s a grind you’d be doing over time anyways. It’s not the worst exploit in the world, since you still need money to pay for the house upgrade, but arguably because of how you have to focus your energy elsewhere for most of the game, the wood is the harder thing to get. Additionally, when the game has very little to do in both fall and winter due to the lack of crops, this exploit takes away just about any reason to play those two seasons other than to take care of animals. It’s an optional exploit of course–as all exploits are–but once you learn about it, it’s hard to resist the desire to get the grind out of the way all at once and mess up the pacing of the game.

The Charm of the Game

Learning that the fences were completely broken as a mechanic was a huge disappointment for me. From the moment I got a grasp on how the game was supposed to work, I wanted to eventually surround my whole field with fencing and keep my animals outside so I would have some life on my farm while I worked. I didn’t just want this, I was excited for it! This was something I’d never done in a farming sim that didn’t already manage putting animals in and out for you like Stardew Valley or newer Story of Seasons games do. My routine is always the same: I go into the barn and coop to tend to each of my animals, I take care of my crops outside, then run straight to town to talk to everyone, and go to bed. The change in routine that would come from taking care of the animals outside and patrolling the fence every night felt fresh to me. It made me feel that even though this was the first game of its kind, it was different and required new things of me. But in the end, I played it exactly the same.

Harvest Moon is still very different from all of the games that followed it, though. In many ways, it’s because it has less “stuff” in it– both in terms of items and things you have to do. But I wouldn’t say that it feels incomplete. Harvest Moon runs over the course of 2 and a half years before your work is evaluated. Until that happens, you have the ability to farm four different crops, you can raise both cows and chickens, you can upgrade your house to have more features, upgrade your working tools, build relationships with the townspeople to a small extent, go to town festivals that happen each year, and you can get married to one of the five girls living in town with whom you can have up to two children. Everything that you would come to expect as a fan of games like this is already here from the very first iteration. The most notable lack this game has, and one that seems to be completely unique to this game, is that there aren’t any crops in the fall or winter, which means that unless you have animals, there’s a whole half of the year that you don’t have anything to do. The game is clearly aware of this though, because in an average playthrough, this is where you’ll start to run into the story events.

There isn’t much of an overarching story in the game, past the general concept that you’ve run away from home to work on an abandoned farm. The conclusion rests on how good of a job you actually do. In between those two points are smaller events, usually tied to when you get tool upgrades or special ones for each of the romantic interests. The first event you’re likely to run into happens on the very last day of summer, where one of the woodsmen comes to your house in the morning to ask if you’re okay because he heard a huge crash at night and you should check your farm. What I found was that a tree in my field had fallen over, and its remaining stump had a big empty hole in it. When I inspected the stump, I was suddenly underground in a cave filled with loud and industrious music, and I was faced with two, little green people–Harvest Sprites, though I don’t know if they’re called that yet here. One asked me if my scythe worked well, and when I said yes, told me that they had made it and that I should check my shed tomorrow for a better one. Other tool upgrades are obtained in similar fashion; one comes from feeding a starving sprite a mushroom and another comes from another hole in the farm opening up to reveal another part of the cave system that has a couple of hints on how to unlock other things. 

The events for romantic interests happen at less scripted times, as they’re tied to how strong your relationship is with each girl. Each girl only has one event, and it only triggers when your relationship is high enough that you would ask her to marry you. The events usually take up a whole day, and don’t necessarily add much to each character. Ellen’s revolves around how she’s no good at keeping pets– something established on your second day at the farm when you get your dog from her, Eve’s hammers in her fraught relationship with her grandpa, and Ann’s is about losing the chicken weathervane, or “weathercock” which sits on the roof of her workshop and goes missing every time there’s a storm. Conversely, Nina and Maria’s scenes bring up entirely new events that bring up a number of questions while providing no answers. Nina disappears while looking for a medicinal plant because her mother is apparently sick, and Maria vanishes for days until you find her hiding away with the woodsmen for some reason. All of these events, whether they share new information or not, manage to add some greatly appreciated depth to each character by giving them more room to speak and be sincere than their short and repetitive day-to-day dialogues do.

The dialogue in this game is simple, to the point, and sparse– probably because there was only so much memory that could be reserved for approximately 15 people who all have multiple lines of dialogue, and only so much money to pay someone to write more. There is simple dialogue that doesn’t tell you much more than “hello, how are you” would, more dialogue that I’d label as tutorial text, and a few lines that I truthfully couldn’t understand well because of the sub-par translation this game received for english. The dialogue that exists to inform the world really manages to create a unique vibe though. Nina’s dialogue, almost always about plants, goes into forays about how they’re creatures with wills to live, too. Ellen’s uncle who runs the ranch shop tells you that it’s much better to feed your animals fresh grass if you try to buy any from his store, and if you decline to purchase he laughs as if he’s won something. There’s even dialogue referencing the silent player! Multiple lines exist to comment on him not paying attention, and inspection prompts have people telling you not to touch something rather than being an item description. It was the last thing I expected, to get the same level of personality out of the main character as I did from each of the girls, albeit very subtly. He went from a kind of nothing, self-insert into being what I perceive to be a hyperactive boy, akin to a border collie who was let out into a field of sheep for the first time–the exact kind of person crazy enough to take on an abandoned farm and succeed.

It’s these short little character details that bring life into the game. Each day, you’ll really only see one line of dialogue from each character, be it new or old, with that dialogue usually only changing if there’s a change in season or festival coming up. The repetitive, pretty mindless routine of the game can turn into a sort of meditation if you let it, where you spend your time working thinking about the folks in town and what they had to say to you the previous day. The developers took this concept in stride and gave the side characters loads of dialogue about life, about God and religion, and about… very basic morals, but morals nonetheless. It’s a children’s game after all. When you take the thoughts, questions and prompts the characters give you back to the farm to do your long and tedious routine, you have to ask yourself– what are you working so hard for? For the feeling of accomplishment? Recognition from your peers? For the sake of some higher power, if you worship one? For me personally, it was to write this essay, but it was also for a good grade on the high score screen at the end, so to be honest a lot of this stuff was lost on me until just now when I was reviewing the game to get screenshots.

Setting The Standard - Why You Should Play HM SNES

You may read all of this and still think, well, it doesn’t sound like the game has much in it. And you would be right, it’s a very small game, but it’s also extremely quick. On average, my days only lasted about three minutes of real life time. Everything flew by, and I think I finished the game in 20 hours or less. I barely got a chance to notice that there wasn’t much going on because every second of my day was spent busy doing something, and when I wasn’t busy, the break was appreciated. I didn’t start to run out of things to do until I was finished with the second year, and when I looked up what I needed to do to get a decent ending, I was already most of the way there. It was easy to push through those last two seasons to get to the end, and it was so, so worth it. 

As I mentioned earlier, the game ends with a high score screen, meaning it has to track all of your accomplishments. These include, but are not limited to: the number of things you ship, number of each crop you grow, number of animals you have and how much they like you, how upgraded your house is, who you married, how much all of the girls in town like you if you didn't get married, how many kids you have (which basically equates to how long you were married), your happiness score (increased by going to festivals and decreased by having animals die), and how many times you’ve pet your dog. In addition to these being tallied up and presented to you, you get special cutscenes not just for each one of these accomplishments, but additional ones for if you managed to do even better! I got a cutscene for having a cow, followed by one for having lots of cows, followed by yet another for having cows that loved me! Watching them play one after the other felt like taking a victory lap even without getting the best possible result. Seeing all of my numbers come up at the end made me want to try again to actually get those other cutscenes, not to get to see them, they’re so easy to find on Youtube, but because the game made it feel like an accomplishment! If I weren’t following this game up by immediately playing its GameBoy port, I absolutely would have started a new file right away. I’ve been playing the Harvest Moon series since I was a little kid and this was the first time I’d actually managed to beat one of these games. I struggle to think the finale of any game following this will feel as good as this one did.

I started writing this whole thing about the fences because it was an easy and silly entry point to get into my core issue with the game, and so I could have an opportunity to dig into game mechanics and the way the knowledge you have of them will completely alter your playstyle, because that’s all fun and interesting for me to talk about. Another reason why I focused on that was because it was near impossible for me to pick any kind of focus point when talking about this game. After all, I’m trying to study a whole series of games that spans multiple decades, and this is not only the first game in that series, but a game that created the whole genre of farming sims and defined that genre so thoroughly that you can see its DNA in every single game that followed.

 I didn’t expect much to come out of my experience with this game. My expectations for it before I even picked it up were that it was going to be basically featureless, as informed by my experience with one of the first games I ever played as a child, Harvest Moon GB, which I will get into next. This game was not that at all. I think that everything it did manage to get working right came together just about perfectly. Harvest Moon is exactly what it wanted to be, and where it wasn’t, it lied about how it worked to try and make you play the correct way anyways. When I believed that lie, my time playing was even more enjoyable. Maybe if farming worked just a little bit more like how you’re told it’s supposed to, and if there was just a little bit more story, those would cover the things I felt wanting for the most. But maybe a little flexibility and ambiguity is a good thing. Maybe actually maintaining a fence is just too hard, and maybe if the girls were more fleshed out, I wouldn’t be able to enjoy filling in their gaps in my head.

There are many more things I could say and wanted to say about this game, but this has grown far too long already so I'm cutting myself off here. I'm sure my later entries aren't going to get near this length. If you managed to get to this point, thank you so much for reading!

[thewastelandlosers]

Wait we can request fallout stuff… can we see Jeremy and Edward Deegan interact? :) honk honk

Absolutely welcome to send in requests, my inbox is open <3

Once again Jeremy has struck fear into the commonwealths hearts! Whilst Deegan is confused why of all creatures, that is still around.