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#colin - march or april
windowsandfeelings · 21 days
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Reading the first Smythe-Smith book by/in the pool because Bridgerton continues to own me and WOW Julia Quinn can’t keep track of her own timeline
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lostwords-found · 8 months
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OHHH, I just thought of something.
It's been bugging me that Norris, Chester, and Augustus started speaking around a year ago, and I've been wondering about the significance of that timing. At first I thought maybe it was some consequence of whatever RedCanary stumbled into at the Magnus Institute, because that was a bit over a year and a half ago--we know from the case numbering system that the episodes are taking place in the present day (episode 2 was taking place on Jan 18 2024; note for my fellow US folks that the dates are the UK standard with day first, not month). And from the dates on the forum posts, RedCanary's series of unfortunate events was in April 2022.
BUT based on their case numbers, which give the date the case's events happened even if that's not said in the episode, all the incidents Sam has looked at so far were from mid 2022. They're not perfectly grouped together; the dolls and Arthur and RedCanary were all April through May 2022, while Daria's therapy appointment was September--that last one's a bit of a jump, but it could have happened depending on how cases are being allotted among the various workers. But they're all close enough that it's a plausible assumption, I think, that FR3-D1 is generally finding these things roughly as they're posted and then adding them into people's queues for review. This would mean they're at a current backlog of around a year and a half. (Looking at you, Gwen...)
If that's the case, and if the OIAR's workers have been maintaining a roughly constant rate, then around a year ago they would probably have been reviewing a lot of cases that FR3-D1 found in early to mid-2021. Which means they'd have been opening files that have been sitting in their database untouched since that time.
MAG200 aired on March 25, 2021.
Whether Chester and Norris are a Ushanka'd JMart, or something resulting purely from Annabelle Caine's manipulation of their voices, or something else entirely... l don't know. But I am betting that they didn't start as part of the system, like Colin thinks they did. I think there was some direct consequence of MAG200's events which led to them being embedded in a post that FR3-D1 scraped up, and that they simply weren't activated and "let loose" until some unknowing office worker clicked on their file.
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evansbby · 9 months
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who your cevans character boyfriend is based on your birth month:
January: Lloyd Hansen
February: Curtis Everett
March: Jake Jensen
April: Steve Rogers
May: Colin Shea
June: Ari Levinson
July: Andy Barber
August: Pete Brenner
September: Frank Adler
October: Mike Weiss
November: Ransom Drysdale
December: Cole Turner
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girllookingoutwindow · 2 months
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What do you think the zodiac signs of the Bridgertons are.
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This is what I found.
Penelope I think it's 8 of April, Aries. I agree. Colin is 2 of March, one day before mine, and he's definitely a Pisces.
I hope this help. I honestly agree with her. Violet could be Cancer maybe. She's the home.
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camellia-salazar · 5 months
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April's drawings and doodles!! Get ready! 🎉🌟
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At first, I was gonna draw ARG tangled in some rope, but then the rope looked like a ribbon, so I made Gangle into a monster instead. Also, I drew two of the most underated cats from Warriors ever, especially Lionheart.
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(I started this first but finished it second). Drawings of certain characters cause their birthdays this month, except for Colin his birthday is at the end of March. I just forgot to draw him. I just love how Cody, Popee, and Waluigi share the same birthday, tho. 🎉
Edit: (No offense to those born on April 1st, btw).
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I was writing a story with these six, inspired by The New Prophecy. But I haven't written it in some time. Idk if I'll ever continue it. I don't think I'll post it anywhere, either. Probably.
The next two drawings I started a month or so ago but didn't finish until this month.
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Took quite a while to finish, but I'm glad I did. Idk where this takes place yet, but it is a scene from that crossover I keep thinking about but never really writing down.
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Either takes place before or after the drawing above it, I don't really remember. What I do know, tho is that I drew these drawings because idk I just felt like Adam would have interesting interactions with some other characters.
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I rushed this at the end. I did not want to leave it out. I want a clean slate next month. God damn it. I love crossovers, how bout you?
More about the Multifandom lore and other stuff below if you want:
Characters who die in canon that end up in the place (idk what to call it) keep being in the clothing that they died in. (Rip Ram and Kurt from Heathers: the Musical). (Spoilers warning if needed) So Adam is stuck with his robe he wore during the war with Charlie and the others from the hotel.
Also, about the 3rd drawing, like I said, it's an idea I had that, yes, takes place in the same crossover thing I think about. The colors in the background of each kiddo are involved in it, too.
The first two drawings are pretty much just some random doodles (idk what to do with the one with ARG and monster Gangle) while the other three kinda have stories to them that may or may not be written or animated on someday. (God, I hope that last sentence made sense).
Oh, and Bluey, Bingo and their cousins got to visit the Cul-De-Sac cause of a reason that's also in the multifandom/crossover I think about, I don't know if I should explain it or not. Meh.
BTW I've tried to match the original art styles of everything before, but this time, I've taken some steps forward. The hardest thing to figure out is the claynimated ones like Orel, Clay, and Claire. But I managed (for now, probably).
Edit: i went back and fixed it, I feel so much better about it now.
I even tried to have it seem like Bluey and others are slowly transitioning to the EEnE art style a bit.
But anyways, thanks for looking at my art and reading my rant! (If you did, if not, don't worry)
Have a good one! 🌟✨️✨️👋
(i keep forgetting to include my logo in my fanarts, but whatever, maybe next time, maybe next year ill start. Idk.)
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lukolabrainrot · 1 month
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So, I just wanted to give some additional thoughts on March-April timeline & Australia. We know L went to LA in March w/ A (possibly a group trip?) and N was off promoting "Big Mood" w/ that cast in tow, including E. Now whether we think N was dating E or not he'd been on her socials singing her praises and was her co-star, as L had been... but he also plays a role on the wildly popular Witcher (w/ hottie Henry Cavill) and is a bad ass fighter on the show, not as soft boy. I'd think it's fair to say that L would naturally have some jealousy surrounding that, esp. if N did nothing to quell his fears, incl. E being at her b-day party earlier in the year, and E going to the "Renegade Nell" premiere with her end of March.
Also, if we take what we think happened after BTON S3 filming as truth - that L had been all in and N put on the brakes - L prob thought he was giving N what she wanted. You wanted me to date other people, so I am! (I'm quite sure N didn't expect him going off the rails with his HBS nor date young dancers but, to me, it makes perfect sense - because he's was dating for fun not true love, cause N is who he feels destined for & wants... in that way, I think he & N are very different. I think N prob thinks you can love many people & L feels there is "the one")
But I digress... in March, L & N are mostly apart but prob still communicating bts & he likes several of her IG posts. By April, they're back on the BTON press tour and w/ the excitement of spending time together in Jan & Feb, they're already havings feelings for each other again. The Netflix interview where they're watching their scenes & commenting stands out to me - when N tears up & L asks if she's ok 🥹 (He also couldn't stop glancing at her breasts lol). L keeps the flirtation going, pinching her butt in the IMBD interview (as you prev. noted), and at the London Call the polaroid is taken. L & N are "back on" but, also as you noted, L had already taken the InStyle polaroids back in March, perhaps half trying to appease A, half guarding against N's rejection once again.
Then Lukola lands in Australia end of April - they comment on how relaxed it is and secluded being half way around the world. In interviews they talk about how never getting annoyed w/ each other, N makes several comments w/sexual innuendo and says L smells good. They are asked to walk together in a video and L jokes "no, it's too much time", indicating the opposite. They do several photoshoots & L starts playing bodyguard- the crowds are enormous & he's always looking for N. In turn, N starts getting kind eyes w/ L. They mention going to dinner and are seen drinking champagne at the screening... I'm of the opinion, maybe something happened down under, while they were Down Under!
It's the start of the tour & they're already getting questioned about being a couple so they state in an interview they aren't dating & are friends. (Note: they don't say just friends but friends so there is no lie). Then, the Instyle piece comes out on April 29 - after this lovely time in Australia (and perhaps intimacy?), it's like a gut punch to N. On May 2, she posts "Kaleidoscope" by Chappell Roan, which talks about crossing the line but not making that person stay & going back to friends if that person changes their mind. People always say this is a sad song. And I do believe the Instyle stunt was hurtful to N but I also believe N is fighting for L here. The song also says "And if you ever find someone who could write a better song for you well I'd love to see them try...
Imo, N needed to fight for L after being the one who wanted to separate (if true, ofc). I can see L doing the Instyle stunt out of self-protection, not knowing where he stood with N... and this is why one could see the tension in Italy, which came right after all of this. But we also see it resolve, with them presumably getting on the same page. I can see it being like when Pen said to Colin that if he wanted an annulment she understood and Colin replied, in essence, that he loves her and she's not going anywhere... I can also see L not wanting N to go anywhere.
Now, what happened from Italy-on, there are many theories, but because of how remote Australia was and the conflict resolution thereafter, I'm becoming an Australia truther!
#justanopinion #downunder #Lukolalove
Don't agree with everything, but some interesting theories/things I haven't thought about before.
What do other people think?
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grace-williams-xo · 1 month
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ALRIGHT. I had time to kill waiting for an appointment so I have dug through countless pages on the Julia Quinn wiki, the Bridgerton wiki and used a ss from Julia’s fb to compile the most comprehensive list of as many characters as possibles birthdays and middle names. No point in keeping it to myself let’s go.
Canon (probably) Bridgerton biographical info:
Middle names
This is the birth name of everyone I could find a middle name for. Scratching at the walls for Julia Quinn to tell us the children’s middle names (though I have headcanons)
Violet Elizabeth Ledger
Simon Arthur Henry Fitzranulph Basset
Katharine Grace Sheffield (Kathani Sharma’s middle name isn’t confirmed anywhere)
Sophia Maria Beckett
Penelope Anne Featherington
Michael Stuart Stirling
Lucy Margaret Catherine Abernathy
Gareth William St. Clair
Birthdates
This is very messy because some idk, some vary between show and book and some are inconsistent everywhere (Colin I’m looking at you)
This is the fb post in question. (Julia Quinn how dare you tell us you have all their birthday’s written down and not tell us 😭)
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Edmund: 1764–1803 (was 38 at death, meaning his birthday was later in the year than May ish when he died) [EDIT: his tombstone in the show says he died in May]
Violet: 11th April 1766 (Aries)
Anthony: 17th September, 1784
Benedict: July/August, 1786
Colin: 2nd March, 1791 (books) 1792 or 1793 or 1794 (tv) [okay, so, both wiki sites say show Colin’s born 1792 or 1793 and it has broken my brain because he is canonically one year older than Daphne and in a copy of the pilot script I found online Daphne is listed as 18 (which fits with her debut) and him 19 but for him to be 19 in the social season he would’ve had to have just turned 19 (bc start of March birthday) and that would make him also born in 1994 but it is clearly not possible for Violet to birth two children in six months furthermore in s2 Benedict outright says that Colin is 21 which would have made him 20 in s1 and thus born 1792; so Colin was born in 1793 or 1792 or maybe even 1794 or inside a fucking void idk anymore but show Colin’s birthday probably isn’t March]
Daphne: August/September, 1792 (books) 1794 or 1795 (tv) [I think 1794 because she is listed as being 18 in a copy of the pilot script I found online, and she is debuting, so she would’ve been 18 turning 19 born in 1794]
Eloise: April (before 22nd) 1796
Francesca: April (before 22nd) 1797
Gregory: January/February (I think February), 1801
Hyacinth: May/June, 1803 [EDIT: Edmund’s tombstone in the show says he died in May, making Hyacinth’s birthday likely in June imo but I actually have no basis for that guess other than vibes]
Kate: 1793 (books) 1788 (tv)
Sophie: 1794
Penelope: 8th April 1796 (Aries)
Simon: 1784
Phillip: 1794
John: 1792
Michael: 1791
Lucy: 1807
Gareth: March 1797
If you made it this far, good job! If you have any info to add, please do so in the replies/reblogs.
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strnger1985 · 7 months
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i’m guessing we will get a teaser at the start of march then April 6th (the day pen and colin met) we will get the trailer
as we normally get a trailer a few weeks or a month before the release of a show
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breaniebree · 9 months
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Kismet Characters & Family Trees Part Fourteen:
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Harry Potter (31 July 1980) GRYFFINDOR m. Ginevra Weasley (11 August 1981) GRYFFINDOR (2000):
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1. James “Jamie” Sirius Potter GRYFFINDOR (5 April 2004) m. Hadley Grace Pritchard (2005) RAVENCLAW (2029): a) Rhysand James Potter (28 May 2032) GRYFFINDOR b) Emerson Fleamont Potter (11 March 2035) GRYFFINDOR c) Flynn Harry Potter (2 July 2037) GRYFFINDOR d) Grace Ginevra Potter (18 December 2040) GRYFFINDOR
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2. Albus “Alby” Fleamont Potter (1 June 2006) SLYTHERIN m. Scorpius Malfoy (6 January 2006) SLYTHERIN (2031): a) Lyra Astoria Malfoy (1 June 2037) RAVENCLAW b) Celeste Ginevra Malfoy (5 March 2039) RAVENCLAW c) Archer Kai Malfoy (6 July 2044) SLYTHERIN
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3) Lily Luna Potter (3 November 2007) GRYFFINDOR m. Oakley Wood (8 January 2007) GRYFFINDOR (2028): a) Nash Oliver Wood (31 July 2030) GRYFFINDOR m. Nixie Sparks (2032) RAVENCLAW (2058): aa) Sirius Harry Wood (25 December 2061) GRYFFINDOR bb) Remus Oakley Wood (25 December 2061) GRYFFINDOR b) Noah Harry Wood (31 July 2030) GRYFFINDOR  c) Magnolia “Lia” Katherine Wood (2 May 2033) RAVENCLAW d) Zinnia “Zin” Ginevra Wood (11 August 2035) HUFFLEPUFF  e) Zahira “Zee” Sorcha Wood (11 August 2035) HUFFLEPUFF
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4) Cedrella “Ella” Theodora Potter (21 October 2010) SLYTHERIN m. Spencer Kane-Nott (3 July 2010) SLYTHERIN (2036): a) Logan Theodore Kane-Nott (23 March 2040) GRYFFINDOR b) Zeke Harry Kane-Nott (21 January 2042) SLYTHERIN  c) Nolan Everett Kane-Nott (11 November 2044) RAVENCLAW d) Westley Sebastian Kane-Nott (9 December 2046) GRYFFINDOR
5) Everett Arthur Potter (21 October 2010) RAVENCLAW m. Xara Scamander (13 September 2016) RAVENCLAW (2039): a) Hazel Ella Potter (2 September 2040) HUFFLEPUFF  b) Galina Xara Potter (28 April 2042) RAVENCLAW  c) Landon Everett Potter (19 June 2044) GRYFFINDOR d) Waverly Luna Potter (7 February 2046) RAVENCLAW
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6) Genevieve “Evie” Zahira Potter (9 May 2012) HUFFLEPUFF m. Christian Lyon (2008) RAVENCLAW (2033): a) Leif Christian Lyon (1 October 2035) GRYFFINDOR b) Autumn Ella Lyon (21 September 2038) HUFFLEPUFF c) Winter Willow Lyon (21 December 2041) RAVENCLAW d) Summer Lily Lyon (21 June 2043) GRYFFINDOR e) Spring Rose Lyon (21 March 2047) HUFFLEPUFF
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7) Henry Remus Potter (31 July 2020) GRYFFINDOR m. Daniella Zabini (7 July 2018) RAVENCLAW (2049): a) Cameron Blaise Potter (1 January 2052) GRYFFINDOR b) Aidan Hunter Potter (23 July 2055) GRYFFINDOR  c) Jameson Henry Potter (14 March 2058) GRYFFINDOR  d) Emilia Ginevra Potter (17 August 2060) RAVENCLAW
8) Hunter Colten Potter (31 July 2020) GRYFFINDOR m. Sloane Hart (2023) GRYFFINDOR (2046): a) Simon Hunter Potter (14 February 2049) RAVENCLAW b) Shay Cedrella Potter (14 February 2049) HUFFLEPUFF  c) Colin Fleamont Potter (7 March 2053) GRYFFINDOR  d) Beckett James Potter (19 June 2055) HUFFLEPUFF  e) Parker Harry Potter (24 September 2059) SLYTHERIN f) Noelle Ginevra Potter (25 December 2061) GRYFFINDOR
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Thanks to @ellieoryan7447 for taking the time and effort to make these!
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In honour of Indycar being back this weekend, here is US racing tunes (every drivers racing number). Enjoy 😊
Helio Castoneves (10th May 1975) - The Blackbyrds - Walking In Rhythm
Takuma Sato (28th January 1977) - Al Green - Keep Me Cryin'
Katherine Legge (12th July 1980) - Queen - Play The Game
Scott Dixon (22nd July 1980) - Jermaine Jackson - Let's Get Serious
Ryan Hunter-Reay (17th December 1980) - Harry Chapin - Sequel
Will Power (1st March 1981) - Stevie Wonder - I Ain't Gonna Stand For It
Ed Carpenter (3rd March 1981) - Barbra Streisand & Barry Gibb - What Kind Of Fool
Romain Grosjean (17th April 1986) - Simply Red - Holding Back The Years
Marco Andretti (13th March 1987) - Billy Joel - This Is The Time
Colin Braun (22nd September 1988) - Bruce Hornsby - Look Out Any Window
Graham Rahal (4th January 1989) - Duran Duran - I Don't Want Your Love
Tristian Vautier (22nd August 1989) - Bad English - Forget Me Not
Agustin Canapino (19th January 1990) - Michael Penn - No Myth
Marcus Ericsson (2nd September 1990) - Brother Beyond - The Girl I Used To Know
Josef Newgarden (22nd December 1990) - Madonna - Justify My Love
Alexander Rossi (25th September 1991) - Michael Bolton - Time, Love and Tenderness
Felix Rosenqvist (7th November 1991) - K.M.C Kru - The Devil Came Up To Michigan
Conor Daly (15th December 1991) - Karyn White - Romantic
Kyle Larson (31st July 1992) - Sophie B.Hawkins - Damn I Wish I Was Your Lover
Jack Harvey (15th April 1993) - P.M Dawn - Looking Through Patient Eyes
Scott McLaughlin (10th June 1993) - H-Town - Knockin' Da Boots
Tom Blomqvist (30th November 1993) - Jazzy Jeff & The Fresh Prince - Boom! Shake The Room
Luca Ghiotto (24th February 1995) - 69 Boyz - Kitty Kitty
Pietro Fittipaldi (25th June 1996) - Michael Jackon - They Don't Care About Us
Alex Palou (1st April 1997) - 702 - Get It Together
Santino Ferrucci (31st May 1998) - Madonna - Frozen
Kyle Kirkwood (19th October 1998) - Savage Garden - Truly Madly Deeply
Callum Ilott (11th November 1998) - Jennifer Paige - Crush
Linus Lundqvist (26th March 1999) - TLC - No Scrubs
Pato O'Ward (6th May 1999) - Busta Rhymes ft Janet Jackson - What's It Gonna Be?
Colton Herta (30th March 2000) - Whitney Houston - I Learned It From The Best
Christian Rasmussen (29th June 2000) - Nine Days - Absolutely (Story Of A Girl)
Marcus Armstrong (29th July 2000) - Ruff Endz - No More
Rinus Veekay (11th September 2000) - Jagged Edge - Let's Get Married
Christian Lundgaard (23rd July 2001) - Babyface - There She Goes
Sting Ray Robb (3rd September 2001) - Dido - Thank You
David Malukas (27th September 2001) - Fuel - Bad Day
Theo Pourchaire (20th August 2003) - Matchbox Twenty - Unwell
Kyffin Simpson (9th October 2004) - Nelly ft Jaheim - My Place
Nolan Siegel (8th November 2004) - Maroon 5 - She Will Be Loved
All added to this playlist 😊
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onlydylanobrien · 9 months
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Dylan O’Brien in 2023
January:
New / Old
Rachel Zegler shared this picture of Dylan O'Brien on his phone in her September highlights.
Dylan O'Brien’s sister Julia shared these two pictures in her fav moments 2022 post.
Dylan with some of the Maze Runner cast: x, x, Dylan & Thomas
Dylan O'Brien with Bruno Bilotta behind the scenes on the set of “American Assassin”.
“Ponyboi” bts pic
New
Dylan hanging out with friends: x, x, x, x, x, x 
New York Knicks vs. Phoenix Suns basketball game
Dylan with Victoria Pedredtti & River Gallo: x, x, x, x, x, x
Puppy Tony
Paris Fashion Week
Things also took a twist that nobody was expecting: x, x, x, x
February:
New / Old
Dylan with his mom and sister
“Ponyboi” bts pic
New
Dylan hanging out with friends: x, x
News
Ike Barinholtz, Dylan O’Brien Political Mockumentary ‘Maximum Truth’ Lands at Momentum Pictures
March:
New / Old
“Caddo” Wrap Party pic
“Maximum Truth” bts pics
New
Dylan O'Brien for the Ami Paris “The Casting” Spring-Summer 2023 Campaign
Dylan hanging out with friends: x, x, x
Fan Encounter: x, x
Fini’s Women’s Empowerment night
News
Dylan will be one of the guest stars in “The Other Two” Season 3
April:
New
Fan Encounter: x, x, x, x, x, x, x, x, x, x
Candids: x
Dylan & Tony: x, x, x
News
Dylan O'Brien is nominated in the “Best Comedic Performance” category for his role as Colin in “Not Okay” at the 2023 MTV Movie & Tv Awards
Twitter: + & +
May:
New
Michaela Coel presents Xhosa Met Gala after-party
“Maximum Truth” Stills: x, x
Dylan as himsef in “The Other Two” Season 3 Ep. 3
Katherine McNamara talks about working with Dylan O'Brien in a new interview with Collider
Fan Encounter: x, x, x
Dylan with friends: x, x, x, x
Ofiicial “Maximum Truth” Poster & Promos: x, x
June:
New / Old
Dylan with Sam Lerner at his 31 Birthday party
Dylan O'Brien, Sarah Ramos and Logan Lerman at Sarah’s new art exhibition “Autograph Hound: A Retrospective” x, x
“Maximum Truth” bts: x, x, x, x, x
New
“Maximum Truth” Trailer II Stills: x, x II Promos: x, x, x, x, x, x
Dylan with his family x, x, Tony, x, x, x, Dylan and Tony, x, x
Dylan with friends x, x, x, x, x, x
“Maximum Truth” Interviews: x, x
July:
New / Old
Dylan with Chris, Ki Hong and Alex
New
Dylan with his family x, x, x
Dylan with friends: x
Fan Encounter: x, x, x, x, x
Dylan with Zoey Deutch and McKenna Grace in Ireland
Dylan on the set of his new movie “Anniversary”
News
“Ponyboi” update
August:
New / Old
Dylan with his family
New
Dylan with friends: x
Dylan with the “Anniversary” cast: x, x, x, x, x, x
“Anniversary” bts: x, x, x, x
Fan Encounter: x, x, x, x, x, x
Dylan's 32nd Birthday, Dylan & Tony, x, x, x, x, x
September:
New / Old
“Not Okay” bts: x, x
New
Puppy Tony: x, x, x
Dylan with frinds: x, x, x, x, x
October:
New / Old
Dylan with his “Anniversary” co-stars
Dylan with his family: x, x
New
Dylan supporting the SAG-AFTRA Strike
Dylan with friends: x
Dylan with his family: x, x
Dylan &Tommy Alter in the audience of “Watch What Happens Live with Andy Cohen”
Fan Encounter: x, x, x, x, x, x
November:
New / Old
Fan Encounter: x
Dylan at the “Caddo Lake” Wrap Party
New
Dylan supporting the SAG-AFTRA Strike
Dylan with friends: x
Carolina Hurricanes vs New York Rangers game
Fan Encounter: x, x, x, x
Dylan’s IMDb profile picture was finally updated
December:
New / Old
Dylan with fans this summer
Dylan with his sibling Jules this summer
New
Dylan with Dexter Darden and Aml Ameen at the “American Fiction” premiere
First Look at Dylan in “Ponyboi”
Fan Encounter: x
News
“Ponyboi” will have its World Premiere at Sundance 2024
Dylan O’Brien reportedly in talks to star as twins in James Sweeney’s ‘TWINLESS.’
In total:
Dylan filmed 1 movie this year
Had 1 guest star role in a TV show
we got 1 new photoshoot
1 new movie with Dylan was released
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art by em year in review 2023!
for the fourth time, i present to you a selection of the art i did this year! this definitely was the Year of Understanding Procreate, and i think it paid off. as usual, reflections under the cut.
january: i saw @malcolm-f-tucker tag a picture of abigail thaw with a comment about a theresa faceclaim and it left no survivors, i.e. i decided that theresa should have greying hair and did not look back. this was from when i was still trying to figure out what brush to use for lineart in procreate. luckily i had learned my lesson from the sketchbook learning curve and realized that what i liked for lineart would most likely be in the pencil section. however i wasn’t a huge fan of the brush i used in this one, so i didn’t use it again. instead, for later pieces, i decided to customize the 6b pencil brush to my liking, and…
february: …this came out of it! this is still one of my favorite things i have ever drawn, and it’s my favorite thing i’ve drawn yet for herc and linda. this piece really convinced me to use overlay layers more in my art, and the amount of detail i managed to capture in this one still amazes me now. and before anyone asks, yes, they are doing specific things in the startup procedure for an airbus a320-family aircraft, except linda is doing things off the CM1 checklist and herc is doing something off the CM2 checklist, which i learned later is not really something that is done. let’s just say herc is not the tightest stickler to convention.
march: one half of an intended two pieces centered around the f1 au (which, regrettably, i have yet to continue… i just reread what little of the second part is on ao3 and god, it slaps actually, i really need to continue it so bad) depicting a pivotal scene from around the outside, where theresa and linda decide to put aside a childhood feud at the top of the banked curve at monza. at sunset. on theresa’s birthday. i know, very meaningful, incredibly homoerotic. read the fic to see how well that turns out!
april: i always knew i wanted to redraw the first filipino!hercolyn thing i did back in 2020, the one that completely solidified in my mind the notion that These Characters Are Filipino, Actually, and when i got comfortable in procreate i quickly jumped on that. (if you notice, a lot of the stuff i did this year were redraws of old pieces i really liked but wasn’t fully satisfied with.) of course i wanted to draw them in the traditional clothes in my parents’ and grandparents’ wedding pictures. the implication of this being, of course, that this is the soft shoe shuffle wedding. i have a fic planned centered around that, from douglas’ perspective. now that grad school apps are basically done, if my honors thesis doesn’t kick me too hard, i’d love to get on that as soon as i can.
may: YOU JUST GOT COLINED! SEND THIS TO A FRIEND TO TOTALLY COLIN THEM! ah, colin fairbairn: the figure whose presence haunts all of newcastle but is never actually. named. (much to the chagrin of a lot of people who genuinely thought linda’s dad was named colin bc i Wouldn’t Shut Up About It) i just love him so much and i love this piece, i wanted to depict the wistfulness of an older colin whose airline is on the verge of collapse, who has been secure in his job as chief pilot of air cal, who looks out over glasgow airport (that’s glasgow’s runway in the background) and wonders if it’s time to put himself out to pasture. wondering what he could have done differently. it’s okay bby. there’s no way that you could have prevented this. but he’d never believe it. he’s too duty bound. he lives in my head rent free.
june: another redraw, this time of a piece from 2021. i was so happy with this one, and i am very happy with it still! everything about the older piece i loved was improved massively by this redraw: the poses, the proportions, the line work, the coloring. honestly, just thinking about the two of them just existing in the airport, overlooked by bustling passengers, just part of the landscape, but having such a rich history and relationship between them… it’s something i think about a lot and i love it.
july: this comprises the third part of an unofficial trilogy of drawings i did centered around douglas/martin/theresa. in each one, i centered a different member of the ot3: i did one centering martin last year, one centering douglas in the spring, and this one centers theresa between douglas and martin. i really enjoy how i did the expressions in this one: martin, looking out toward the planes; theresa, following his gaze, eager to share in the passion they both have; and douglas, looking down at both of them (yeah i think they’re both shorter than him. i think it’s cute). i feel like when i draw these three, where they look and how they look is very important to me.
august: can you believe before this point i had never drawn herc and douglas together? yeah, me too. anyway, them 🤍 i’ve literally only ever drawn them as older men so trying to draw them younger was. lowkey kind of hard. i’m hoping to revisit air england herc and douglas in the future, especially since i didn’t intend for this to be anything more than a quick bit due to those bisexual divorcee brackets (which i don’t know what became of them in the end except that douglas got through and herc didn’t, lmao)
september: unposted self-portrait done as a part of my aerospace fellowship application i wound up getting rejected from because they required me to do a creative component. not much to say here. anyways.
october: yet another redraw, this time of a portrait of herc, carolyn, linda, and arthur i did a year prior, in october of 2022. i like to think that lfeu!herc carries pictures of linda, arthur, and carolyn in his wallet: he had never wanted to be the family man for most of his life, but in his new life, this new form, he can play it well. something about the coloring seems a little off to me: i think i may have to go in and adjust arthur’s skin tone because i think it doesn’t look 100% right. but i love this one too. i hemmed and hawed for ages over what they should be wearing but in the end i put them in what they’d wear for work bc i couldn’t think anymore. but it turned out super cute and i think it emphasizes what brought the four of them together in the first place: aviation.
november: a cute little doodle of young!colin with baby linda, from a bigger piece. something i generally feel like i’ve gotten stronger with this year has been drawing a larger variety of poses. i discovered that procreate allows you to import reference images in a smaller window that can be very easily dragged around and resized, which was a massive improvement over my previous strategy with sketchbook, which had been to import reference images as their own layers. often, moving it around or resizing reference images resulted in some loss of quality. anyways there’s something just so tender about colin and linda and i love to revisit them.
december: last but not least, we finish off the way we started, with theresa (and an added douglas lol). and boy, how different does december look from january? granted, it’s a different angle, but i personally think there is so much more dimension at the end of the year compared to the beginning. i was less afraid of using overlays to enhance the coloring. and the brush i wound up settling on for lineart really ended up serving me well this whole year, culminating in this piece. not much to say on this one, i like it a lot :)
overall thoughts: i didn’t think i drew as much as i wanted to this year, but looking back i still think i made really good progress and improved a lot from last year, so i’m still happy. definitely want to draw more next year, explore new subjects, and maybe work on redrawing more pieces from previous years because those projects have been very fun to undertake.
once again i want to say a big thank you to everyone who’s ever shared or commented or left a like on anything i’ve drawn: it will have been 10 years next year since the end of the show i primarily create fanwork for, and to still have people out there who like what i do is such a gift. yes i create for myself, but i do also like receiving feedback from others and sharing it with others, so thank you thank you thank you. and happiest of new years to all :)
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weepingfromacedartree · 10 months
Text
Ten Milestones: Dinner with the Future In-Laws
Hi friends!
Chapter 11 is live! Warning: it is extremely awkward.
CW: toxic family dynamics // alcohol
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Dinner with the Future In-Laws
Colin opens his mouth, presumably to read “Number Eight” aloud. But just when Penelope expects those words to leave his lips, he frowns.
“What is it?” she can’t help but ask. 
“Nothing, just —” 
Though she can’t see his screen from her current position, he appears to be scrolling up and down, re-reading the article’s text a few times. He frowns again. 
“I’m only now realising that it’s a rather interesting choice of words to say that each one of these milestones should be ‘celebrated.’”
Anxiety hits Penelope swiftly as she thinks over his words. It’s coupled by confusion when she mentally goes through all of the milestones they’ve already crossed off. 
“Grief” was one of those milestones. What could possibly be less celebratory than that?
“What is it?” she can’t help but ask.
“Number Eight: Dinner with the Future In-Laws. Whether you like it or not, marrying the person you love also means marrying into their family. Before you two can start a life together (or host a drama-free wedding ceremony), you must first ensure that your respective families can get along. If you can survive a meal with all future in-laws present, you will be one step closer to starting that life together.” 
“Oh.”
-------------------------------------------------------------------
One Year Earlier: April 7th, 2022
Relationship Status: Best Friends
Hors D’oeuvres
This was Colin’s idea, Penelope reminds herself for the twentieth time tonight. (Tonight began twenty minutes ago.) She’ll remind herself of this fact at least a hundred times tonight, because it’s a comfort to know that this hell was not of her own making. It might be her birthday, but this was his idea. 
The idea formed about a month ago, shortly after Colin returned home from a brief trip to Amsterdam. He, Penelope, and Eloise had met at a pub to discuss, among other things, plans for her upcoming twenty-seventh birthday. She suggested karaoke, which they all agreed to (despite Eloise’s “fundamental” objections to such an activity). The problem — Colin’s bad idea — only formed after Penelope mentioned her plans for the night before her birthday (i.e. tonight).
Tonight was supposed to be a family dinner. The Featherington family, specifically. It was only supposed to be her, her mum, her sisters and their respective spouses. She had mentioned it in passing without thinking any better of it… 
She certainly didn’t think Colin would worm his way into those plans. 
Penelope realised her mistake approximately two seconds after the words left her lips, when she looked from Eloise to Colin and noted a familiar expression rising on his face. She noted his clenching jaw and his furrowing brow. She noted the way his gaze simultaneously focused on her and on something far away — something that didn’t exist in that room with them. 
It was the expression Colin sometimes gets when Penelope mentions her mother in his presence. She has seen it on his face countless times over the last twenty-seven years, and it has only become more frequent with time. 
He didn’t voice his idea aloud on that night in early March — but still, she saw it in his face. Her suspicions were confirmed the very next morning, when Portia called to tell her that she “just so happened” to bump into Colin on Grosvenor Street and that the chance encounter gave her “the best idea.”
Tonight, Portia may think that this hell was of her own making. But no. Penelope knows the truth. 
This was Colin’s — 
“I wish we were at karaoke tonight,” Eloise mutters sorely. Her words are delivered to her drink more than they are to her best friend’s ears. 
Shaking her head slightly, Penelope takes stock of the room around her. 
They're in the drawing room of her childhood home, which is just as green and dusty as it was when she was a literal child. There are ten people in attendance tonight: Penelope, Portia, Prudence, Harry, Violet, Kate, Anthony, Hyacinth, Eloise, and Colin. This event was meant to be a family dinner, and the Bridgertons are currently outnumbering the Featheringtons. 
Turning her attention back to her best friend…
“I thought you hated karaoke. I thought you called it ‘dumb’ and a ‘voluntary act of public humiliation.’”
“It is. But this,” she hisses, her voice barely a whisper, “is an act of voluntary torture. If I have one too many glasses of wine, I’m going to get into a fist fight with your mother. Which —”
“El!”
“— would be fine if my own mother were not here to witness the indiscretion.”
Suffice to say, Eloise shares a similar disdain for Portia Featherington to her brother. Hers began at age six, when Portia’s face went red after witnessing she and Penelope tracking mud into the house from the back garden. 
“Perhaps you should lay off the wine then,” Penelope suggests, forcing her voice to sound much lighter than it wants to be right now. 
“How else am I supposed to make it through the night?” Eloise counters, clearly trying very hard to keep her words at a whisper. 
Penelope can only shrug in response. She doesn’t know how to answer that question for herself, let alone Eloise. 
This was Colin’s idea.
Taking a sip of her own drink, Penelope spares another glance around the room. Violet and Portia are on the settee in the corner of the room. They’re too far off to hear, but judging from the look on Violet’s face (pleasant but disbelieving), she can’t imagine she’s missing much from that particular conversation. 
Anthony, Kate, and Hyacinth are having their own conversation by the fireplace. Well, Hyacinth and Kate are having one. It doesn’t look like the youngest Bridgerton is letting her brother get a single word in. 
Prudence and Harry are technically not in the room, but are (unfortunately) within earshot of where Penelope stands by the door. When they aren’t audibly making out behind the bust of great-great-great-grandfather Featherington, they’re planning their escape from tonight’s festivities. 
Colin is by himself in the centre of the room, chewing on a seemingly endless stream of prawn cocktails from the hors d’oeuvres table. After swallowing yet another, his head turns and he meets Penelope’s gaze. 
This was your idea. 
He shoots her a tight-lipped smile from across the room. 
This was your idea.
She tries to return the gesture, but her lips aren’t quite listening to her brain at present. 
This was your fault. 
Colin moves his body like he’s about to walk over, but before he can take a single step, a new person enters the room — the private chef that Portia hired for tonight (a decision made after the Bridgertons were invited, of course). She informs them all that supper is ready to be served. 
꙳ ꙳ ꙳
Main Course
Colin closed the distance between himself and Penelope about halfway en route from the drawing room to the dining room. The two of them are the last to enter and, by default, are the last two to pick their seats. Thankfully, the remaining seats are situated next to each other. Less thankfully, one seat is situated directly next to Portia’s, who currently sits at the head of the table. 
Penelope’s first step into the room is pointed in the same direction as that seat. But Colin has longer legs than she; he steals it before she can sit down. 
“Are you okay?” she mouths upon sitting down in her own chair. Her brows are furrowed in a way that tells him she was questioning his sanity more than she was his well-being.
“Of course,” he mouths back. He then throws her a smile, suspecting that his silent words won’t be enough to convince her. The latter must do it; with a nod, she turns to her right to say something to someone else. 
As the chef moves around the table and presents each guest with their dish, Colin takes note of the seating arrangements. 
Eloise is sitting on the other side of Penelope. Hyacinth is beside her. Violet is between her and Kate, sitting at the other head of the table, opposite Portia. Anthony is beside Kate. Harry is beside him. Prudence is between her new husband and —
“Oh, this is exquisite,” Portia gushes after the final plate is placed. “Anne, you have truly outdone yourself tonight.” As others sing their praises and the chef nods in thanks, Colin looks down to the food before him. It does look rather nice. 
It’s beef wellington — a blood red piece of meat, encapsulated by a flaky crust with an intricate braided design on top. From the looks of it, Eloise is eating some dirt brown, plant-based version of the dish. This makes sense, seeing as his sister is a vegetarian. What makes less sense is that Kate also appears to be eating the alternative meal; as far as Colin is aware, his sister-in-law is not a vegetarian. 
She isn’t drinking wine either. 
Literally shaking away those thoughts before they can distract him too much, Colin settles his eyes on the plate next to his. Penelope appears to be playing with her food more than eating it. She’s currently prodding at a carrot on the edge of the plate.
“Why isn’t Philipa here?” Hyacinth asks bluntly from the other end of the table. Though he had surely just been lost in his own head, Colin assumes the question had been unprompted.
“Hyacinth.” Violet’s voice falters somewhere between a laugh and a scolding. “Don’t be ru—”
“Oh, it’s quite alright,” Portia cuts in. “Unfortunately, she had to stay home in Kent. She’s in bed with a crippling case of morning sickness.”
“I thought that only happened in the morning.” 
“Hy—”
“Oh, you’d be surprised,” Kate offers, scooping a carrot into her mouth. When several sets of curious eyes suddenly land on her, she simply smiles. “That’s what Daphne tells me, at least.” 
After throwing his wife a brief but undeniable glare, Anthony clears his throat. 
“Well, that’s too bad for Philipa — missing not only this lovely meal, but the chance to celebrate her sister’s birthday.” 
A few others around the table smile and wish Penelope a happy birthday. When Colin flicks her eyes over, he finds that her cheeks are already burning a light shade of pink. After thanking the group, she turns her attention back to that carrot on the perimeter of her plate. After drowning it in a pool of gravy, she finally plops it into her mouth. It isn’t until she finishes chewing that he realises he has yet to actually touch his own food. 
(A first, for Colin Bridgerton.)
After taking a few bites, he comments on how delicious the tenderloin is. His words weren’t delivered to anyone in particular. The only reason he said them was because he realised that, like eating, he had failed to say a single word aloud since sitting down at this well adorned table. 
After several very long seconds of palpable silence, Portia is the next to speak up. Her voice is sticky with enthusiasm — a sound that immediately grates on Colin’s nerves.
“Oh — Violet! I meant to congratulate you on Benedict’s engagement.” 
“Why, thank you, Portia!” His mother’s face is now lit by a smile. A genuine one. “We are all so happy for the two of them. And honestly,” she chuckles, “before he met Sophie, I feared Benedict might never settle down.”
“Ugh, mum —” Eloise starts, but her words are drowned out by Portia’s. 
“Well, I can certainly relate to that feeling.” 
Portia briefly stops talking to chuckle, like there is something very funny brewing on her lips. The sound turns the skin on Colin’s forearm into goose flesh; he doesn’t know what’s coming next, but he doesn’t like it. 
“I should count my lucky stars that I was able to be in attendance for Philipa’s wedding. Between Prudence’s unexpected elopement and Penelope’s demanding career, I fear I won’t get another chance to watch one of my daughters walk down the aisle.” 
In the back of Colin’s mind, he hears Eloise scoff very loudly. In the forefront, he’s fucking screaming. But before he can translate that noise into something appropriate for the dinner table (i.e. something other than “fuck off” or “fuck you” or “not if I can fucking help it”), his mother speaks up again. She sounds notably less enthusiastic than she had just a moment ago. Her smile sticks, but it looks put on. 
“Well, I can attest from personal experience that worrying about such matters is typically more trouble than it’s worth. And fruitless, in hindsight. Just look at Kate and Anthony.” Her eyes point briefly to the couple on her left. “They both have incredibly demanding careers, but they always make time for one another.” 
Colin prays to god that that will be the end of this discussion. It’s not, of course. 
“I suppose that’s the key, isn’t it?” Portia muses, a confusing smile on her own lips. “Time. Ensuring that you’re using it for the things that matter most in life.” 
“Like one’s career?” Eloise offers flatly from down the table. 
“Well… Sure,” Portia concedes unconvincingly. “But also love. Family. Those things matter, too.” 
The absolute fucking nerve of this woman, Colin thinks while his lips remain stitched together. Saying so much in the wrong fucking direction. 
He isn’t sure if he’s ever hated Portia Featherington as much as he does in this very moment. He isn’t sure if he’s ever hated anyone as much as he does her right now. He doesn’t know what makes her think she has the right to speak on the importance of family, of all things. He’s questioning whether Portia knows her youngest daughter at all. He’s —
“You know,” Anthony says, catapulting Colin’s attention back into reality. “My little brother over there is the same exact way.”
What the fuck?
“Obviously, I’m no stranger to over-prioritising my career, but Colin really is the champion, in that regard. I mean, we barely saw him for five consecutive years due to his profession. And running from country to country during that time certainly didn’t give him much of an opportunity to maintain a romantic relationship.”
What the fuck?!
“But now —” 
Anthony cuts himself off with a chuckle. The sound is almost enough to make Colin jump across the table and strangle his brother. Almost. 
“Well, now I don’t know what his excuse is. But nevertheless, he hasn’t had a serious girlfriend since uni. And that was —” 
For the first time since speaking up, Anthony finds the balls to actually meet Colin’s eye. The bastard smirks. 
“What? Ten years ago?” 
Eight years. Dickhead.
Instead of actually answering Anthony’s question, Colin turns to Kate (the sensible one in their marriage). He expects her to reprimand her husband for acting like such an arse in a public setting. At the very least, he expects her to look annoyed with said arsehole husband. But no. If anything, it looks like she’s desperately trying not to laugh.
What the fuck is going on?
Colin opens his mouth, but before he can formulate a single word, Penelope speaks up. 
“Well, I can’t speak for Colin, but I do date. Just for the record.” 
She seems to look at everyone except Colin when she says this. Which is probably for the best. It’s probably for the best that she can’t see the way his eyes light up with jealousy at her words. 
There are a variety of other reactions to Penelope’s words from those that sit around them. From Portia, a look of skepticism. From Violet, a silent apology for having inadvertently introduced this topic. From Eloise, a look of shared bewilderment that it had been brought up at all. 
The most unexpected response comes from Harry Dankworth, of all people. 
“Of course Penelope dates! We dated a few weeks ago!” 
That earns a unanimous response from nearly every Bridgerton at the table. Most of the shock is delivered silently, but Hyacinth cannot help but release a “What the fuck?” beneath her breath. 
When Colin’s eyes flick to Penelope, he finds that she’s staring straight ahead at her current brother-in-law/recent ex-boyfriend, Harry. She looks about ready to murder him.
Clearly unphased by the sudden shift in mood or the woman turning into a tomato right in front of him, Harry answers Hyacinth’s question while chewing on what appears to be a rather tough cut of meat. 
“It’s a funny story, actually. We met on New Year’s. Went out a few times after that. I thought it was going pretty well, but we were in the middle of dinner and she turned to me and said, ‘I think you would really like my sister.’ Not exactly what you’d expect from a girl on the third date, if you know what I’m saying…”
Colin knows what he’s saying, and he suddenly shares Penelope’s visible desire to murder the bloke across the table. 
“But she was right!” Harry briefly stops telling his tale to lean over and kiss his newlywed wife on the cheek. Prudence could not look any happier, listening to the re-telling of the most fucked up meet-cute Colin has ever heard. “Six weeks with Pru and I knew we were meant to be.”
“I know some people,” Prudence’s eyes shoot pointedly at her mother, “were disappointed by our decision to run off and make things official as quickly as possible… But it just felt right. Especially since we married in my ancestors’ homeland.” 
Audibly confused, Penelope clears her throat and says, “Prudence, you eloped in Scotland.”
Her sister nods. 
“I’m well aware, Penelope.” She snickers. “I was there, after all.” 
Colin turns his head again and watches as Penelope’s brows furrow deeper. He can practically see the wheels turning in her head, deciding whether or not to inform her sister that their family hails from Ireland. A country that is decidedly not Scotland. 
In the end, she holds her tongue, and Prudence resumes sharing the questionably factual details of her and Harry’s elopement. 
“Well,” says Violet, voice willfully pleasant. “I think that all sounds very romantic. When some people fall in love, it’s just too obvious not to act.”
“Quite romantic,” Kate agrees. 
“That’s one word for it,” Portia mutters into her wineglass.
An extremely brief moment of silence passes before Eloise huffs and releases the words that have clearly been stuck in her throat the past few minutes. 
“Just for the record, no one has to date or marry anyone. Certainly not a woman with as much wit and potential as Penelope. And certainly not Colin — there are enough Bridgertons in the world as it is!”
“Elo—”
“Sorry, mum.” 
“How’s university, Hyacinth?” Penelope promptly asks. Colin turns his head again, wishing to give her a silent “thank you” for altering the course of this blasted conversation so directly. But yet again, she isn’t quite looking at him. 
“Oh, absolutely brilliant! I just got cast as Viola in the summer production of Twelfth Night.”
“That’s amazing!” Penelope exclaims, a genuine smile on her face. “Congratulations.” 
“Thank you! Rehearsals begin next week and I’m buzzing to get started. They brought actual live lobsters on stage last year for The Little Mermaid and I’m trying to convince our director to incorporate goats into our story. I…”
Hyacinth rambles on for another minute or two before Anthony interrupts.
“Perhaps you could save some of the story for the stage, Hyacinth.”
From the other end of the table, Hyacinth sticks her tongue out at Anthony. From right beside Colin, Portia takes another long sip of wine before speaking. 
“If you don’t mind me asking, Anthony, how did you and Kate meet? I don’t believe I’ve ever heard the story.” 
Colin looks to his older brother. Anthony is sharing a look with his wife, both faces adorned with shy smiles. 
“Kate and I actually met about a decade before we married. We were both studying at Oxford Law. We were both bright, ambitious, bloody competitive students who wanted the top spot of our class. We met the first week of law school and —” 
Anthony cuts himself off to steal another look at Kate. They both laugh giddily.
“We loathed each other,” he goes on to explain. “From the moment we met to the morning of our graduation. We were so obsessed with each other during that time — constantly bickering and trying to one up each other in our courses. Which, in hindsight, was really the first sign that our feelings for each other were not wholly antagonistic from the start, but…”
When his voice trails off, a hint of a smile creeps up Anthony’s lips. He spares one quick glance at his wife again before continuing. 
“We didn’t even speak at our graduation. We just went on our separate paths, each hoping to never see the other’s face again. We didn’t see each other for five years. Then she won a case against me, and I never wanted her to be gone from my life again.”
When Anthony takes a short pause, his eyes settle on someone other than his wife for the first time in what feels like hours. 
They settle on Colin. 
“It’s funny what a bit of time apart can do to two people. When Kate and I were thrown into each other’s lives again, it just seemed so bloody obvious. That we had always been kidding ourselves. That the ‘loathing’ was just a distraction from how we really felt. I can’t help but wonder how different our lives would be now, if we hadn’t spent so many years running from the truth.” 
Anthony’s eyes are still on Colin. Colin doesn’t like it. The weight of his brother’s gaze has never felt so heavy. 
“Well, that’s a lovely sto—” Portia starts, but her words are interrupted by Prudence. 
“It really took you two ten years to get married?” 
Though visibly confused by the question, Kate nods. 
“Wow. It only took me and Harry six weeks.”
“Yes, Prudence.” Portia sighs. “We are all well aware.”
After that, the table breaks out into mini conversations. Violet asks Penelope about the story she’s working on. Anthony and Harry discuss real estate. Portia and Prudence discuss fashion. Hyacinth inquires on Kate’s morning sickness comment from earlier with minimal success. Colin remains quiet through most of it, listening to Penelope gush over her latest column while chewing the last few specs of food from his plate. 
When she finishes her story, Colin is suddenly struck by the fact that, despite sitting just a few inches to her right throughout this meal, he hasn’t spoken a single actual word to Penelope during that time. Before yet another one of his family members can steal her attention, Colin leans to his left and gently places his hand beneath her elbow. The connection is out of view from anyone else at the table. 
Her eyes land on his in an instant.
“You wanna bail?” he whispers, only half joking. “We could go back to my flat and watch When Harry Met Sally.”
Penelope’s mouth twists together in that way that it always does when desperately attempting to hold in a laugh. After a moment, it straightens out. 
“Again? What is it with you and that movie?” 
Colin shrugs in response. Then he laughs, not even making an attempt to hold it in.
“I think it would be in poor taste to leave my own birthday dinner early,” Penelope tells him, her voice too soft for anyone else at the table to hear. “But I do appreciate the offer.”
Noticing that her hand has moved below the table in the last minute or so, Colin grabs blindly for Penelope’s palm. After accidentally brushing against her knee, he finds it. He squeezes it once. 
“If you change your mind, just give me the signal and we’ll get the fuck out of here.”
Penelope nods, her lips twisting together again. A noticeable blush creeps up her cheeks. When she turns her head to the side to respond to something Eloise is whining about, her hand remains cradled in Colin’s. It remains there for the rest of the course.
꙳ ꙳ ꙳
Palate Cleanser
The group retires to the drawing room to kill time between courses. Almost immediately, two groups emerge. 
On one side of the room, near the fireplace, Colin stands in a circle with Kate, Anthony, Hyacinth, and Penelope. They’re discussing… something. Maybe real estate. Maybe football. It’s hard for Colin to keep up while only half-listening to the conversation. Half of his attention is on the other side of the room.
On the couch by the window, Portia, Violet, and Eloise are discussing… something. Colin cannot make out the details from this far away, but judging from the look on his sister’s face, it can’t be good. (And judging from the way their mother’s arm is looped through Eloise’s, it can’t be one his sister is willingly participating in.)
After a few more moments watching Eloise squirm, Colin considers leaving his spot between Anthony and Penelope to rescue her. But before he can even decide, Eloise wiggles her way out of Violet’s hold and walks over to the table of leftover hors d'oeuvres. It isn’t until he spots Eloise throw a prawn into her mouth that Colin ultimately abandons the safety of his current spot. 
“Why are you eating those?” he asks, pointing to the prawn currently placed between Eloise’s index and thumb. 
“You’re one to talk,” she grumbles, mouth still full from her first two prawns. 
“No. I just — Aren’t you a vegetarian?” 
Eloise’s mouth stills. She gulps, eyes wide and not quite meeting Colin’s. 
“I’m a pescatarian.”
“Yeah? Since when?” 
“Since we ran out of vegetarian options 30 seconds ago.”
“El! You —”
“I’m uncomfortable!” she hisses. After turning her head from side to side to confirm that no one else is listening, she leans in close and whispers, “Portia Featherington is the devil!”
“That’s…” His voice trails off, searching his mind for the right words. 
An apt comparison. 
“A bit over-dramatic.” 
Eyes wide and angry and very much pointed at him, Eloise lets out an exasperated huff of air.
“Colin —”
Quickly, he glances around to see if anyone else is paying attention to their conversation. Penelope seems to be keeping one eye fixed on them, but no one else is. 
“I don’t disagree,” he cuts in, his voice but a whisper. He then pulls Eloise by the elbow into the hallway, out of view from everyone else. “But could you keep your loathing to yourself until the night is over? It —”
“Why should I?” 
A pang of hot red annoyance hits Colin in the chest; they had discussed this earlier today. 
“Why shouldn’t you cause a scene?” he shoots back. “For Penelope. The whole reason we’re here is to act as a buffer between —”
“Why should we have to be a buffer?” 
“Are you seriously asking —”
“Yes, Colin.” She steps even further down the hallway, presumably so she can raise her voice above a hiss. “I am serious. Everyone is so quick to correct Portia’s bullshit, but no one is willing to actually call her out on it. Don’t you see a problem in that?”
All at once, Colin is hit by something very, very cold. Chills creep up and down his skin as he realises just how true Eloise’s words are. He feels momentarily stuck in place, frozen by revelation. Eventually, though, his body returns to relative normalcy.
He isn’t sure exactly what he says to get Eloise to nod and begrudgingly abandon any plans to cause a scene. He’s too busy re-playing her words in his head to pay attention to those currently leaving his own lips. 
Everyone is so quick to correct Portia’s bullshit, but no one is willing to actually call her out on it.
When they walk back into the drawing room, Colin half expects the others to be staring at them in a mix of anger and sympathy after overhearing them in the hall. But no. By some grace of god, their conversation had gone unnoticed. 
The groups had shifted in Colin and Eloise’s absence. Now, Hyacinth and Violet are on the couch, while Kate, Anthony, Penelope, and Portia are all standing by the fireplace. Eloise walks towards one group, Colin, the other. 
Squeezing his way between Penelope and Kate, Colin inquires on the topic of conversation. 
“Your brother was just telling me about his and Kate’s plans to move to the country full time,” Portia says.
“Well, we haven’t decided on anything yet,” Kate clarifies. “I was just about to say that the commute is what’s holding me back. Anthony and I both work in the city. Our friends are here. So many of our family members are here. Even if we move out to the country, so much of our lives will be spent here in London.”
Though he and Kate are fairly close, Colin nearly jumps when he feels the unexpected weight of her arm around his shoulder. 
“Just think about how much traffic there is in London on a daily basis. We already spend so much of our lives lying in wait, killing time until the next thing happens. Do we — Anthony and I, I mean — really want to subject ourselves to even more time sitting doing nothing?”
Suddenly feeling quite lost, Colin looks to Anthony. He’s smirking.
“Couldn’t have said it better myself, love.” 
When he looks to Penelope, she appears just as perplexed. 
“Yes, well…” Portia sighs. “I never cared much for the country either,” 
With a nod, Portia steps away from the group. She’s followed by Anthony and Kate, leaving Colin and Penelope (relatively) alone. 
“So…” he says, after a few solitary seconds of silence. “Ready to take me up on that offer?” 
He expects her to smile or laugh or twist her lips together. But she doesn’t. Penelope’s face seems to freeze for a moment, looking up at him in quiet contemplation. 
“I…” she starts, sounding as though she has no idea where the rest of her sentence is headed. In the end, she doesn’t get the chance to finish it.
“Dessert is ready to be served in the dining room,” Chef Anne announces from the doorway. 
When Colin looks back to Penelope, her face is resolute. 
“Come on.” She brushes past him. “The final course awaits us.” 
꙳ ꙳ ꙳
Dessert
The seating arrangements do not change much from one course to the other. The only person who has moved their spot is Hyacinth, who is now sitting next to Anthony and across from Penelope. She’s sitting in the seat that —
“Where is your sister and her husband?” Colin asks, leaning close to Penelope as to avoid anyone else hearing his question. 
“Oh,” Penelope whispers, eyes darting between the seats they left behind. She chuckles softly. “Saved themselves, it seems.” 
Colin grumbles something in vague agreement, the realisation sitting heavily in his stomach. He then picks up his fork, using its tongs to stab the gelatinous surface of the dessert on his plate. The little yellow tart smells so distinctly of lemon and sugar that he limits the number of sugar cubes in his tea to only two. 
“Is there no birthday cake?” Hyacinth blurts out, poking at her own tart.
“No,” Portia answers, laughing lightly. “I’ve always found those to be a bit… cliche.” 
“Too cliche for a birthday?” Hyacinth asks, and Colin can’t help but laugh beneath his breath. 
“Hyacinth,” Violet cuts in, her voice clipped. “You’re so… inquisitive tonight, dear.” 
“Yes,” Anthony agrees, smirking. “As opposed to her usual quiet, well-behaved self.” 
Though Colin can’t see the act itself, the sudden pinched look on Anthony’s face tells him that their sister just stomped on his foot beneath the table. 
“Please give my compliments to the chef, Portia,” says Violet. “This tart is delicious.” 
Before that last word leaves her lips, though, Kate suddenly shoots up from her seat with an expression that screams anything but delicious.
“Please excuse me a moment,” she murmurs, words muffled by the hand covering her mouth. After she disappears into the hallway, all eyes turn towards Anthony, already standing to follow after his wife. 
“Apologies. Her stomach has — uh — been a bit… unruly lately.” 
After Anthony disappears into the hallway, Portia clears her throat. 
“When I was pregnant, I could never eat anything this sweet,” she says, raising her wineglass to her lips. “My stomach couldn’t handle it.” 
Baffled, Colin looks over to his own mother, who just so happens to have her eyes trained on the hallway. She looks as though she would very much like to disappear into its darkness, as well. 
“Yes, well…” She draws her words out long. “I suppose there are lots of reasons why sugar could upset one’s stomach.” 
“Lemon always gives me gas,” offers Eloise. 
“I thought citruses were supposed to have the opposite effect on one’s body,” Hyacinth counters quickly. 
“What can I say? I’m an enig—”
“Girls,” Violet cuts in, using that pleasant, clipped tone again. “I think that’s more than enough lemon discussion at the dining table.”
The room goes quiet after that. For a short while.
“You’ve been awfully quiet tonight, Colin,” says Portia. Which is true, but that fact doesn’t make her words any less annoying. “Is something on your mind?” 
Yes.
“No. I, uh —” 
He searches his mind for something to say that won’t get him kicked out of the Featherington home. (Possibly forever.)
“Sorry,” he says through a smile that stings his cheeks. “I apologise if I seem a bit off tonight. I got back from a trip just this morning; I’m still feeling a bit of jet lag.” 
His words are true, save for the “jet lag” part. From the next chair over, Penelope has to clap a hand over her mouth to prevent herself from laughing at the “jet lag” part. 
“No need to apologise. Where are you returning from?” 
“Bath.” 
“Oh.” Confusion presses into Portia’s brow, but she does not press the matter any further. “Do you have any other travels coming up?” 
For a moment, Colin can’t recall. He can’t remember when or where his next plane ticket is scheduled for. 
After a moment, the details come back to him. 
“New York. But I don’t leave until the first week of June.” 
“What was it that your brother was saying before? Something about you not travelling as often as you used to?”
“Oh, um… Yes. About two years ago, I switched from mostly writing and travelling to mostly editing and staying put. My trips have been sporadic ever since.” 
His mother says something about how nice it is to have him home more. Eloise makes a “joke” about how unfortunate it is. Portia inquires on the reason for this change, to which he can only give a noncommittal, vague answer. 
What Colin doesn’t say is that he came home because he wanted to focus his time on writing a book. That would mean admitting he has been firmly stuck in the middle of it for what feels like forever. That he has spent the majority of the last two years freelance editing real authors while his blog has been steadily losing steam. 
What Colin doesn’t say is that he came home because he was terrified that his family and friends would forget about him if he stayed away any longer. That he feared becoming a living ghost — one who wanders from continent to continent looking for a purpose that was left behind at home long ago. 
What Colin does not tell Portia is that he came home for her daughter. That he came home because he loves Penelope. That he came home because Penelope is his home. 
Colin can’t say any of that aloud, because doing so would mean admitting that he hasn’t said anything of the sort to Penelope over the last two years. It would mean admitting to holding his happiness hostage at the hands of his fear. That he fears they aren’t ready to move onto the next stage of their lives yet. 
(There are many other reasons Colin can’t say any of those things in the middle of a dinner party. That reason just happens to be the one that keeps him up most nights.)
Back in reality, Portia says something to swiftly bring Colin out of his own head. 
“Perhaps you and Penelope could have a discussion about the importance of prioritising one’s life over their career. I certainly can’t get through to her.” 
“What —” the fuck, he almost says out loud. For better or worse, Penelope interrupts him before he can get the words out. 
“I’ll keep that in mind, mum.” Then, with barely a breath between topics, “Hyacinth — sorry, but could you explain to me again how you plan on incorporating live goats into your university’s production of Twelfth Night? I believe I missed the connection the first time around.” 
Colin will have to ask Hyacinth to explain it a third time later on. Yet again, his mind is too loud with someone else’s words to properly pay attention. 
Everyone is so quick to correct Portia’s bullshit, but no one is willing to actually call her out on it.
When Hyacinth finishes speaking, no one at the table jumps to fill the silence she left behind; the scraping of knives and the slurping of tea are the only sounds in the room for several unending seconds. Colin spends that time attempting to get Penelope’s attention with his eyes alone. In the end, he’s unsuccessful. Her eyes remain trained on the half-eaten lemon tart in the middle of her plate. 
He longs to reach for her hand like he did during the previous course, but he can’t. The gesture wouldn’t be safe from prying eyes like it was before. Now, both of Penelope’s hands are above the table, sipping tea and poking at her food and fidgeting with her napkin. 
As the longing and the silence both grow at exorbitant rates, Colin briefly considers other points of connection. He wonders if it would be better to brush against her back or her waist or her thigh. He wonders if any of those gestures would go unnoticed by everyone else at the table. He wonders if any of those gestures could be explained as the touch of a friend. He wonders if he should get her attention at all, or if it is better to let her sit and dwell in her own silence. 
Before he can make a decision, the silence breaks. 
“Is Philipa having a boy or a girl?” Hyacinth asks (yet another unprompted question). 
Putting down her wineglass, Portia scowls ever so slightly. It’s barely a flash on her face, but it does not escape Colin’s notice. 
“It’s too early to know for certain, but I do hope it’s a boy.” Then, with a great, suffering sigh, “I always wanted a son. But it was never in the cards, I suppose. After Penelope, we just… gave up.”
What the fu—
“Well, how fortunate we both are to have been blessed with the children we were given,” Violet says with a smile on her lips and a look of detest in her eyes. 
“Of course,” Portia says, casually enough. She says something else. Presumably, something unrelated. Colin doesn’t catch the change in subject. Yet again, his mind is loud. 
Everyone is so quick to correct Portia’s bullshit, but no one is willing to actually call her out on it.
Everyone is so quick to correct Portia’s bullshit, but no one is willing to actually call her out on it.
Everyone is so quick to correct Portia’s bullshit, but no one is willing to —
His mind clears when a soft thud hits his shin. He turns his head to the left. To the culprit. 
“Are you okay?” she mouths for the second time tonight. 
Colin nods, but Penelope doesn’t look like she believes him. Before she can press any further, though, they are interrupted. Again. 
“Apologies for running off so suddenly,” says Kate, walking back into the room with her husband two steps behind. She stands in the space behind Colin and Penelope, placing one hand on the backs of both chairs. “I must admit that my stomach has been a bit off all day. Penelope, I wish we could stay longer, but I believe it would be in everyone’s best interest for us to depart before I turn green.” 
“Please don’t apologise,” Penelope insists, standing from her chair. “Thank you for coming tonight, but please go home and get some rest.” 
“Thank you for inviting us. I would wish you a happy birthday, but I shall do that tomorrow when I drop your present off at your flat.” 
“Kate!” Penelope cries out, mouth falling open. “I told you all not to —”
“Oh shush.” Any attempts from Penelope to do otherwise are swiftly killed when the taller woman pulls her into a hug; her protests against gift-giving are lost in the fabric of Kate’s sweater. 
After she and Anthony disappear down the hall again, the remaining guests seem to take stock of the dwindling attendance all at once. Six sets of eyes dart from seat to empty seat. 
Portia is the first to speak the obvious aloud. 
“Well, it seems rather silly to continue sitting around this massive table with so many empty seats.” 
After spending his entire adolescence in the polite, passive-aggressive London social scene, Colin could sort out the implication of Portia’s words from that very first “Well.” He knows that her statement was not so much an observation as much as it was an invitation. One prompting the remaining guests to follow Anthony and Kate’s leads and get the fuck out of her house. 
While it would be wise — or at the very least, less painful — for Colin to play along and say something about how late it is or how wonderful the evening was… He can’t bring himself to do it. His head is still very loud. 
Everyone is so quick to correct Portia’s bullshit, but no one is willing to actually call her out on it.
“Couldn’t agree more,” he says. The smile he forces on his lips feels just as strained as all of the other smiles he forced tonight. “Perhaps we should all retire to the drawing room to finish our tea.” 
No one at the table seems particularly enthused by his suggestion — least of all Eloise, who darts her head back to throw her brother a death glare from two seats over. And yet, no one voices any protests aloud. 
“Brilliant,” Portia eventually mutters. 
As the room shifts and the six remaining guests stand to retire to the room a few doors down, Colin looks to Penelope. She’s looking down at her feet. 
“Pen, I —”
Before he can say another word, Eloise steps forward and positions her body between them.
“Excuse me,” she grumbles, looping her arm through Penelope’s. “I require the birthday girl’s attention.” 
꙳ ꙳ ꙳
Smoke Break
“Are you having any fun tonight?” 
“No.” Penelope takes a drag of Eloise’s offered cigarette. It’s the first one she’s smoked since graduating uni. “But ‘fun’ was never really the point of tonight.” 
They’re standing in her childhood bedroom. They’re sticking their heads out her old window and releasing smoke from their lungs into the cold spring air. Eloise is complaining about Portia’s various “problematic” comments from earlier. Penelope is thinking about the real point of tonight. 
Tonight was supposed to be a simple family dinner. No private chefs. No overdrawn, awkward conversations. No witnesses. Tonight was never going to be fun — but she could have handled the original version of it. 
This version of tonight — the hell of Colin’s making — has been almost too much to bear. 
She knows why he did it. She knows why Colin felt the need to get himself and every last Bridgerton in London invited here tonight. She knows that he knows how difficult things can become on nights like this. She knows he wanted to be here not to bear witness to those difficulties, but to try against logic to make them less difficult. 
After all these years, Penelope knows Colin is kind. She knows he acts with the best of intentions. She knows he only wanted to help her tonight. But god — she wishes tonight wasn’t something she needed saving from. She wishes she wasn’t the type that needs saving. 
Now that the night is almost over, Penelope can look back on it through a puff of smoke and know that things were easier, having Colin and Eloise by her side through it all. But tonight was also far longer and more complicated and more visible than it would have been, had it only been her own family in attendance. 
In truth, Penelope doesn’t know which version of reality is the lesser of two evils. If she could go back in time to that pub in March, she doesn’t know if she would hold her tongue or invite the Bridgertons here herself. 
This was Colin’s idea.
After a few more puffs of smoke, Penelope stubs out what little life remains in their cigarette on the windowsill. 
“Hey —”
“Come on. Let’s get the rest of tonight over with.” 
Penelope pulls Eloise into the hallway with a newfound confidence in her step. The last course was so dreadfully awkward… By the time they return to the drawing room, the others will surely already be wrapping up. And by the time those big green doors come into her view, Penelope is almost convinced that things will be easy on the other side of them. But just as she raises her arm to push through…
“Oh — Penelope, dear.”
When Penelope turns her head, she finds Violet walking down the hall towards them, presumably coming back from the loo. 
“Eloise, may I have a moment to speak with Penelope?” she asks, closing the gap between them. When her daughter does not immediately respond, she adds, “Alone.”
“Mum, we’re sort of a package deal. I can’t —”
“El, go inside,” Penelope instructs gently. “I’ll be in in a minute.” 
After throwing her best friend the briefest of glares, Eloise does as she’s told. 
“Penelope, I wanted to give you something,” Violet says almost immediately after her daughter disappears from their view. She then starts opening the purse Penelope hadn’t realised was hanging over her shoulder until this very moment. (The blue of her purse is an exact match for the blue of her dress.)
“Oh!” Penelope breathes out, a panicked feeling rising in her chest. “You really didn’t have to —“
“Yes, I know dear.” Violet laughs lightly, waving one hand through the air in polite dismissal. “Colin told us all that you insisted upon us foregoing presents tonight, but…” 
After rummaging through it another second, Violet pulls the item in question out of her purse. It’s a small thing. Pink with white —
It’s a birthday hat, she realises a second before Violet places it in her hands. There are little white bows and delicate paper butterflies decorating the pink fabric. Two silk ribbons are pinned to either side to tie it all together. 
It’s perfect, she decides after possessing it only a few seconds. 
“I know a birthday hat may seem like a silly gift to receive on the eve of one’s 27th birthday.” Violet laughs lightly, her lips pulling into a smile as the breath escapes her. “But it’s a family tradition. My father made one for me every year until he passed. I always make them for my children on their birthdays. I did not wish to come here tonight without bringing even a small token to commemorate this milestone in your life.”
A few seconds pass before Penelope can find the words to respond to all of that. 
“It’s not silly,” she insists, voice soft but resolute. “It’s wonderful. But you really didn’t have —”
Violet places a hand over Penelope’s, still frozen in front of her holding the hat. 
“Everyone deserves a bit of cheer on their birthday. And besides —” She chuckles softly, then gives Penelope’s fingers a little squeeze. “Auggie helped me create this one.”
“Auggie?” 
She looks down to assess the craftsmanship of the hat in her hands. She finds it hard to believe a four-year-old came anywhere near it. 
“Well…” Violet laughs again, a bit louder this time. “He picked out the butterflies. He was quite insistent, really.” 
Penelope looks down again. She appraises those paper butterflies. She watches as the sparkles twinkle in the light of the hall. She tries to recall a time when her mother did something like this for her. She wonders if there was ever a time when Portia took time out of her day to do something small and unnecessary and kind, for no other reason than to bring her youngest daughter a bit of cheer. 
Then Violet pulls her into a hug, and Penelope cannot help but wonder when the last time her mother did that. She thinks of other birthdays. Of celebrations. Of holidays. Of funerals. Of her childhood. Of everything.
In the end, she can’t recall. 
“Thank you, Violet,” Penelope says into the older woman’s shoulder. By some grace of god, her words are too muffled to hear them crack. 
“Happy Birthday, dear.”
She keeps her perfect hat in her hands when she walks back into the drawing room. Perhaps she’ll wear it tomorrow, but tonight does not feel like the proper place for it. 
This was Colin’s idea.
꙳ ꙳ ꙳
Tea
“Are you making it your personal mission to ensure this night never ends?” 
Colin is standing by the hors d’oeuvres table with the very last prawn of the night in his mouth. He was by the couch before, but then his mum disappeared into the hallway and Hyacinth started discussing goats again. After about 30 seconds, he decided that wasn’t a conversation he needed to bear witness to and left Portia to fend for herself. 
Now, Colin is in the center of the room. Now, Eloise is back and, annoyingly, Penelope isn’t. 
“Lighten up, El,” he mumbles, swallowing the final prawn (which has grown to an alarming room temperature at this point in the night). With no real food in sight, Colin throws a mint into his mouth and about a dozen into his pocket. “We’re at a party, remember?”
“That’s a bit hypocritical, wouldn’t you say? Considering the scowl that’s taken ownership of your face the entire night.” 
Eloise’s eyebrows shoot up, waiting for Colin to react. To confirm. To deny. To scowl again and prove her point. But he doesn’t. His attention has been caught by someone else. 
He turns on his heel and walks back to the couch before his sister can say another word.
Penelope and Hyacinth are sitting closely on a settee that doesn’t look like it could bear the weight of another person, so Colin stands behind it. He uses one hand to hold his teacup limply in front of him, the other to clutch the back of the seat. His fingers graze the ends of shiny red curls. 
The women are discussing something. It sounds like Hyacinth is gushing about a new instalment of her favourite book series, but Colin is struggling to pay attention to the finer details of the conversation. His eyes are glancing around the room. His mind is wandering. 
Eloise was right, of course. He has been in an awful mood all night, and he’s made virtually no effort to hide that fact. Which is arguably strange behaviour coming from Colin Bridgerton, someone who typically excels in shoving his worst feelings down and upholding a charming exterior on nights like this. But not tonight. 
Not here. 
Being here has made it impossible for Colin to shut down his worst feelings. He can’t look around and not see the home little Penelope Featherington used to run away from crying in the middle of the night. He can’t overlook Portia belittling her daughter at every chance she gets. He can’t ignore the constant reminders of one simple fact. That Penelope was neglected as a child. 
She may have had a roof over her head and food in her stomach, but Penelope had other needs that had never been met by the people who were meant to care for her above all else. Her family has never treated her with the basic care, attention, and love that a child needs to grow into an actual, functional adult. It’s a miracle, Colin thinks, that Penelope was able to cross that threshold without the help of her —
“Happy Birthday, Penelope!” 
Hyacinth’s voice isn’t what pulls Colin from his thoughts. It’s Penelope. Or, it’s the loss of her. Instead of leaning back into his fingertips, she’s now leaning forward, towards his little sister. They’re hugging. 
“I’m sorry,” he barely hears Hyacinth whisper, her words muted as they’re spoken into Penelope’s hair. 
“What —”
Hyacinth darts her head back suddenly, keeping her hands locked on Penelope’s shoulders. Her eyes look guilty.
“I believe I was the only Bridgerton in attendance tonight who didn’t get you a birthday present.” 
Though Colin can’t see Penelope’s face from his current position, he can see her shoulders shake in silent laughter. 
“Thank you,” she whispers, pulling Hyacinth back into the hug. “For being the only Bridgerton to follow my directions.” 
When his sister stands, it finally clicks. While Colin was busy stewing in his own misery, his family was wrapping up the night. 
His mum is standing too. When he looks over to Eloise, her body is teetering on the edge of her chair — both hands clutching the fabric, both eyes pointed towards the nearest exit. Before she can move, Colin meets her gaze and tries with all his might to send her a look that screams: “Do. Not. Leave.” 
If Eloise receives the message, she moves right past it. Literally. She walks right past Colin, rips their mother out of Penelope’s arms, and gives her best friend a fervent hug. 
“Goodnight Pen! I’ll see you tomorrow for karaoke,” she exclaims, her excited tone slipping on that last word. 
After Penelope and Eloise separate, all eyes in the room seem to fall on Colin. He can see the expectation in their eyes, for him to follow suit and announce his departure. But he doesn’t. Instead, he raises his previously forgotten teacup and swallows a sip of the frigid liquid. 
“If it’s not too much of an imposition,” he says, eyes landing on Penelope and Penelope alone, “I think I’ll stay back and finish up my tea.” 
“Of course,” Penelope says, but her face is made up of anything but assuredness. Her eyes scream, “Why?” Which is better than “Please. Leave. Now.” (Although harder to respond to with looks alone.)
As the rest of his family exits the drawing room, Penelope and Colin take their seats. She returns to hers. He takes Hyacinth’s, draping his right arm across the back of the settee. Almost immediately, he feels the weight of Penelope’s shoulders and the weightlessness of her hair brushing against him. 
Portia remains alone on the couch, a tight smile on her lips and an indignant look in her eye. 
For the next few minutes, the three of them sit idly, sipping tea and making mindless conversation. About the weather. About Philipa’s morning sickness. About the weather. About traffic. About the goddamn weather. 
Through it all, Colin is a rather awful conversationalist, responding to Portia’s questions and hopeless attempts at small talk with monosyllabic sentences and a series of indifferent head nods. His behaviour does not change much when Portia re-introduces a topic from earlier. 
“Colin, where did you say you were travelling to next? Somewhere in the states?”
Once again, it takes him a moment to recall. 
“New York,” he eventually answers. 
“How exotic,” Portia remarks in a tone that makes it difficult for Colin to discern if it was meant to be sarcastic or not. “And what brings you all the way out there?” 
Once again, Colin does not answer straight away. Not because he can’t remember the details, but because he’s annoyed that the conversation has taken a turn that no longer allows for one word answers. 
“I’ve always enjoyed my time there. And I haven’t made the trip in a few years, so…” 
He shrugs noncommittally, not feeling up to the challenge of finishing that sentence.
“You always write of New York so beautifully,” offers Penelope from beside him, at which Colin cannot help but smile. 
“You should see it for yourself.” 
“I —” 
Colin will never know what it was that Penelope was about to say. Portia cuts her off, a twisted smile on her lips. 
“You know, I never quite understood how the two of you can be so… close.”
Yet again, Colin’s response is delayed. This time, due to shock. He doesn’t know what Portia is getting at, but whatever it is, it can’t be good.
“Pardon?”
“You two are such polar opposites. It’s difficult to imagine how two people can be so dissimilar and manage to remain friends for as long as you two have.” 
“Mum —”
“‘Polar opposites?’” Colin echos, incredulous. He could laugh at her statement, if it hadn’t filled him with such a sudden burst of rage. 
“Yes, I mean —” 
She laughs suddenly, as if overtaken by the humour of a joke Colin can’t even begin to understand. 
“You are so adventurous and independent. Penelope,” she says, as if Penelope is not also in the room with them, “would never run off to New York like that. She doesn’t have the follow through. Or the time! She’s so preoccupied by her job that she can barely make the fifteen minute walk from Hyde Park to Mayfair.”
“Mum —” Penelope tries to interject again. But again, it’s as if Portia can’t hear her at all. 
“Lest a dinner be thrown here in her honour, of course.”
All night, Colin has done a remarkably awful job at letting his emotions stay hidden beneath the surface. All night, he’s sounded tense. Confused. Annoyed. But he has not sounded angry, despite the anger that has been building up in him from the moment he walked through the front door. 
He has not sounded angry all night. Until now.
“Are you fucking kidding me?”
Portia must be rendered speechless by his sudden outburst; while she opens and closes her mouth several times, no words are spoken.
“Sorry,” he mutters. Not to Portia, but to Penelope. When he turns to look at her again, her mouth is hanging open like a fish. An adorable fish, but a fish nonetheless. 
“I beg your pardon, Mr. Bridgerton?” Portia finally shoots out, which really does not help with Colin’s rage. 
“Sorry,” he says again. “My emotions got the best of me. What I meant to say is that I don’t believe you know your daughter in the slightest. Which is a damn shame.” 
Portia does that thing with her mouth again. “I love Penelope, of course, but —” she eventually begins to say. But Colin isn’t finished. 
“But do you know her? All night, you’ve taken every opportunity to talk over and belittle her. And now you have the gall to claim that Penelope Featherington of all people isn’t ‘independent?’ To imply that her job — which she is so bloody passionate about — isn’t important or worthy of her time?” 
Colin briefly halts his insane speech to steal another glance at Penelope. Her mouth is still hanging open, caught somewhere between being impressed and mortified. 
Turning back to Portia…
“If you truly can’t see your daughter for the intelligent, funny, good person that she is, I feel very sorry for you.”
For a brief moment, Colin thinks he’s done. He thinks he did what he needed to do and will now face the consequences. (Most likely never being invited to step foot into the Featherington household ever again.) But there’s one thing still nagging at him.
 “And just to clarify, Penelope is my best friend. And I’m lucky to be able to call her that.”
“I —”
Whatever Portia was about to say, Colin will never know. Penelope interrupts her. 
“Colin, I’ll walk you out.”
In one quick motion, she stands, grabs him by his shirt sleeve, and pulls him towards the nearest exit. 
꙳ ꙳ ꙳
Mint
The walk from the drawing room to the front steps was short and silent. It isn’t until now, stepping onto the pavement and into the cold April air, that either one of them says a word. 
For his part, Colin doesn’t quite know what to say after his outburst upstairs. His first instinct — correct or not — is to apologise. 
“Pen, I’m —” 
“Thank you,” she interrupts. She looks so earnest in her resolve, gazing up at him with soft, open eyes. “For what you said up there.”
Colin’s eyes flick down, suddenly unable to keep her gaze. 
“Please, don’t —” He takes a breath. “I didn’t say anything that shouldn’t have been said a long time ago.”
Penelope doesn’t drop her gaze. She looks at him like she’s about to argue. But in the end, “I don’t think anyone has ever spoken to my mother that way,” is all she says. 
“Long overdue, I think.”
“Even then… Thank you for —”
“Pen, please. You —” He sighs. “You’re my best friend. It’s sort of my job to defend you.” 
For the briefest second, he watches as something new crosses Penelope's face. Regret? Realisation? Despair? Colin can’t name it for certain, the change too brief and the night too dark for clarity. But just as quickly as it left, her resolve returns. 
She smiles. 
“I’m lucky, too,” she tells him. “To call you my best friend.” 
Yet again, Colin drops his gaze. Penelope’s words. Penelope’s smile. Penelope’s lips and their relative distance to his own. Penelope, his best friend… 
It’s all so good. There are times when it overwhelms him.
“Do you ever feel like it’s a curse?” he asks when the thoughts in his head get too loud. “Knowing your best friend your entire life?” 
Penelope looks just as confused by his question as he feels himself.
“What do you mean?” 
“I mean…” He pauses, attempting to find the words. “You know me, the 29-year-old somewhat functional adult Colin. But you also know the 18-year-old complete arsehole Colin.” 
“I —”
“And don’t forget about the 8-year-old idiot Colin, who thought fart jokes were the pinnacle of comedy.” 
“So what?” Penelope asks, a hint of a smile on her lips. “We’ve always been friends. We were friends through all of the different versions of us. When I was an insecure dork or a —” 
“You were never a —” Colin starts, but his voice doesn’t seem to break through.
“— little kid, afraid of her own shadow. We grew up together. That’s not a bad thing, is it?” 
Colin doesn’t know what to say to that, because it does feel bad. But it also feels great. And beautiful. And overwhelming. 
“I think it’s a gift,” Penelope offers, only after several seconds watching Colin standing with his mouth hanging open like a fish. “To know someone for as long as we have. To be able to look back at who we once were compared to who we are now.” 
That last sentence sends a chill directly down Colin’s spine, but Penelope does not seem to share his dilemma. She laughs again, crinkling her nose as she briefly turns it towards the stars above them. 
“And it’s a bloody miracle, that our friendship was able to survive so many different versions of ourselves.” 
Desperate to find his voice again, Colin clears his throat. 
“I think ‘miracle’ might be doing us both a disservice,” he says, trying his hardest to keep his tone light. “We’ve put quite a bit of effort into maintaining this friendship over the years.” 
“Sure,” Penelope utters quietly. Her head turns from right to left — from her childhood home to Colin’s. “You know… I don’t know what version of myself I would be today, had I not grown up on 15 Grosvenor Street.” 
Colin mumbles something that vaguely sounds like agreement. His stomach is suddenly heavy with not just the food and alcohol and three and a half sips of tea he consumed all night, but also a revelation. 
He was wrong. The two of them growing up together was not a curse. A history without Penelope Featherington would have been. 
“Can I ask you a question?” Penelope blurts out, to which Colin can only nod. 
“Did you stick around after everyone else left just so you could pick a fight with my mum?” 
Colin tilts back and forth on his heels, considering her question. In the end, he gives her the most truthful answer he can find within himself. 
“I wouldn’t put it in those words exactly, but… Yes. I suppose that’s the gist of it.” 
Though it may be rather dark on this particular patch of pavement, it almost looks as though Penelope is holding in a laugh. 
“And is that why you invited yourself and your family over tonight?” 
Another chill goes down Colin’s spine. 
“I… didn’t say you could ask me a second question.” 
Penelope does laugh this time. Her laughter is short lived though, her face almost immediately settling back into seriousness. 
“Well, for future birthdays and other family events… I need you to know that I can handle her on my own.” 
“Pen —” he starts. He means to inform her that she should not have to handle this on her own. That she should not have to “handle” her mother in the first place. But his voice seems to get lost in the wind. 
“Perhaps not as directly as you did up there…” She laughs again, nose wrinkling slightly. “But perhaps next time I can strive to be more forthright.”
“I know you can, Pen. But if you ever need someone there, I’m always —” 
“I know, Colin,” she interrupts. Her voice is soft, but it cuts through the darkness between them. “Thank you.” 
He opens his mouth to say something, but before he can figure out what, Penelope leans forward and wraps her arms around his neck. Well, she tries to. Even on her tippy toes, she has to pull him down to secure her position in the hug. 
Though Colin is initially caught off guard by the feel of her body against his, he’s quick to recover. He wraps both of his arms around her — one across her shoulders and the other on her waist. 
For a few seconds, time seems to stop. The rest of the world — anyone or anything not currently wrapped up in Colin’s arms — ceases to exist. 
When Penelope eventually slips away, she looks up at him with a familiar expression. She’s about to say, “Goodnight.” But before she can, Colin uses his newly-free hands to fish the phone out of his front pocket. 
10:11 PM
“Happy Almost-Birthday, Pen.” 
“Thanks Colin,” she says a bit sheepishly. “You’re still coming to karaoke tomorrow though, right?”
Colin gasps in mock-horror, grasping a hand against his chest. 
“Do you really take me for the type of person who would not show up for karaoke?” 
“No,” Penelope giggles. “You’re not Eloise.” 
“Thank god for that.”
“Are you heading back to Bloomsbury?” Penelope asks suddenly, before Colin has the chance to delay this part of the conversation any longer. 
“Uh, no.” He nods his head to the house across the street. “I’m gonna sleep off my inevitable hangover at mum’s place. You know, there’s about a dozen vacant bedrooms there these days. If you want to —”
“No,” Penelope interrupts, sweet but insistent. “Thank you, but no. I’m just going to sleep here tonight.” She nods her head to the right, towards the house she previously claimed to never wish to sleep in ever again. 
“Are you —”
“Yes,” she cuts in. “I am.” 
She must sense right away that her words did nothing to quell his blatant worry.
“You know…” she continues. “This house feels different to me now. Different than how it felt when I was a kid.” 
Colin lets out a shallow breath of air. 
“How so?” 
“It’s hard to explain. Maybe it’s just that I feel different. Like I finally grew up enough to not feel so small in its halls.” She laughs again, quietly. “It only took about twenty-seven years, but better late than never.” 
Not for the first time tonight, Colin feels speechless. He feels as though he could search his mind for the right words for hours, and he would still come up short. But before he can muster up halfway decent…
“Goodnight, Colin. Thanks again.” 
With that, she’s gone. Before he can even return her words, she’s disappeared from his view behind a big green door. 
There’s no traffic on the street between his house and hers. He could cut across and be home in ten seconds. But he doesn’t. He pops a mint into his mouth and takes the long route. 
After circling the block twice, Colin walks up his steps, opens the big blue door, swallows his mint, then throws one final glance over his shoulder. 
Goodnight, Pen.
-------------------------------------------------------------------
“You do realise that marrying me also means willingly making yourself Portia Featherington’s son-in-law, right?”
Colin shrugs.
“That’s a burden I’m willing to bear.”
“Are you —”
“But we’re spending holidays with my family from now on.” 
“Okay.” Penelope laughs. “Deal.”
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megaawkwardhuman · 9 months
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hey hey happy new year everyone!
sooooo idk how common this is but I saw a few people doing this like "one drawing per month this year" thing and thought it would be neat to put something like that together!
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note:so there's no drawings for january or febuary due to me not picking up pixel art after not doing it in a year until march
below are links to every drawing here due to 1 many having to be cropped and 2 the quality not being the best here
march: the first wwdits bunny/bunny memo drawing
april: guide tarot card
may: tattoo memo fanart
june: redraw of one of the good omens season 2 posters
july: cuck horn chair nandor
august: autism creature colin robinson
september: wellness center nandor bunny
october: slayer guillermo bunny redraw (as a part of cringetober)
november: wellness center car scene redraw (fun fact apparently this was the ONLY pixel art I drew in november)
december: mothman memo glowing eyes gif
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bm-blog01 · 6 months
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Will there be any new S3 content on 25 March?
Within the fandom there is speculation around what - if anything - may be released on the second anniversary of Season 2.
The promotion timeline for season 3 has been unpredictable, and with it releasing in two parts it is not easy to predict how it may go, but below are my thoughts on what may, or may not, be released on 25 March.
Main Poster / Book Cover: This is a possibility, however, with the book not releasing until May, I don't think this will be released as yet. The Season 2 posters, revealed all at once about 3 weeks prior to the release, with the book cover being revealed on Julia Quinn's IG the same day. The season 1 posters were revealed over the period of a month from about 6 weeks out, though there was no teaser poster for this season so the first poster revealed was also the book cover. For Queen Charlotte, the main posters were again released all at once about 6 weeks prior to the release, and these also included the image that would be on the book cover.
Based on this, I don't expect the main poster or the book cover release until after Easter.
Teaser Trailer: This is a high possibility as it is in the timeframe for previous seasons, however, this will potentially depend on how Netflix intend to do the trailers for this season with the two parts. Will there be a teaser with a longer trailer for the two parts, or will they only release a trailer for each part with no teaser trailer? If they are going to release a teaser and then two trailers then tomorrow could see the release of the teaser, however, if they are only going to release a trailer for each part then this could delay the trailer until later in April.
More Stills: A high likelihood of more stills being released, perhaps of the Bridgertons, specifically Benedict, Eloise, Francesca and Kate & Anthony, perhaps even some of Violet. The other possibility with stills is releasing some of Queen Charlotte and Lady Danbury, as we have not had any of them as yet, and maybe a few more of the Featheringtons as we have only had one of them so far. I think there may be one (or two) more of Penelope and Colin, but this could depend on whether they release stills from the whole season or part 1.
Another Clip: Is it possible we could get another season 3 clip? Possible, but unlikely, but if it was to be another clip then I don't think it will be Polin. For season 1 there was only one clip of a full scene released, which was the Bridgerton family dinner, but for season 2 there were four clips released, these comprised one of Kate and Anthony, one of the Sharmas, one of Penelope and Eloise, and one of the Queen and Lady Danbury. So far for season 3 there have been three clips, one of Kate and Anthony (with a bit of Francesca), and two of Penelope and Colin, so I think it is highly unlikely there will be anymore Penelope and Colin clips released until after the release of season 3.
Character Introductions: Up until writing this I was of the belief that it would most likely be the beginning of the character introductions that we would get, however, I realised I had misremembered the timelines of the previous seasons character introductions and they didn't come out as early as I thought. So I think this is the most unlikely.
Season 4 lead announcement: There has been some speculation that the season 4 lead could be announced before season 3 releases, this is based on the idea that season 4 could begin filming shortly. I don't think this is likely, however, it would be fitting if it was Benedict's season and they announced the season for the second son on the second anniversary of the second series.
Announcement of season 5 and 6 renewal: I have seen some wonder if they may announce a renewal of Bridgerton beyond season 4, personally I view this as highly unlikely - in fact I would be inclined to say that no, they won't be announcing any renewal before July or August if they were to announce one at all this year.
Season 2 Blooper Reel: Many were expecting a season 2 blooper reel at the end of the rewatch as they did for the season 1 rewatch, but they didn't end the rewatch with the much anticipated blooper reel, so could they be saving that for the actual anniversary day? Maybe, but I don't think so, I think if the Bridgerton and Netflix PR are going to release anything on the second anniversary of season 2 it will be connected to season 3.
In summary, my best guess for the season 2 anniversary is either more stills and/or a teaser trailer if they are doing one.
What do you think they may do for the season 2 anniversary? do you think any new content will be released?
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garadinervi · 1 year
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Elisabeth Kley: ‘Minutes of Sand’, Edited by Sarah Braman, Essay by Amelia Stein, Interview with Rachel Adams and Karen Patterson, Designed by Joe Gilmore, Photography by Joe DeNardo, Carlos Avendaño, and Colin Conces, The Fabric Workshop and Museum, Philadelphia, PA / The Bemis Center for Contemporary Arts, Omaha, NE, 2023 [Exhibitions: The Fabric Workshop and Museum, Philadelphia, PA, March 5, 2021 – August 15, 2021; The Bemis Center for Contemporary Arts, Omaha, NE, December 8, 2022 – April 16, 2023]
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