In Jesus' Name (book review)
Title: In Jesus’ NameAuthor: Rick DubosePublisher: Chosen BooksDate: 2023Pages: 176
In Jesus’ Name (book review)
The author, Rick Dubose, is currently the assistant general superintendent of the Assemblies of God and is a great man of God, whom I have known for many years. Along with being senior pastor of churches, he has also been a sectional leader, district leader and now a national leader.…
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Thinking about Black Widow Luo Binghe.
Hear me out -- so just like in canon, Shen Qingqiu self-destructs to save Luo Binghe, dies, and Luo Binghe steals his body to put on ice while he looks for methods to resurrect him. But unlike in canon, staving off decomposition is simply not that doable for a matter of years, even with cultivation and Luo Binghe pouring qi into the process. The qi costs are still high, so is Xin Mo, and now Binghe also needs a special artifact that can actually preserve Shen Qingqiu, but that runs on blood sacrifices.
To get the thing working, Luo Binghe feeds it a bunch of prisoners from the Water Prison. Then he starts kidnapping cultivators to drain for his own qi reserves, but that's difficult, controversial, and he can't use the same victims for the blood sacrifice afterwards. Frankly, between one thing and another it would be easier to satisfy Xin Mo with dual cultivation, and focus on finding victims for Shizun's Snow White style glass preservation coffin without having to choose between using targets for one or the other. Especially given that, if he finesses it, Luo Binghe can extend the use of his sacrifices and get more out of them with fewer deaths that way.
He's pretty sure that Shizun would want fewer deaths.
Of course, he is not a fan of the logistics of the plan itself, but he'd do worse things to one day be reunited. He consoles himself that he's building up bedroom experience for one day being with Shen Qingqiu, and that it doesn't really count because his heart's not really in it, and also if Shizun got to spend all that time in brothels then it's only fitting that Luo Binghe be his equal in this as well. It still doesn't make it pleasant for him, but it makes him able to tolerate the necessity of it.
So Luo Binghe ends up marrying a string of rich and powerful figures -- mostly the villainous single fathers and mothers and evil uncles of harem members from PIDW, rather than their daughters -- and coming up with creative ways of making all their deaths a few months into the process look like accidents. After the third one people are undeniably wary of marrying him, but there's always someone with a big enough ego to think they'll be an exception, or stupid enough to believe that it really has just been so much bad luck up to that point. It helps that the universe is predisposed to let him hit it.
When SY wakes up in the shroom body and hears about Luo Binghe's succession of marriages, he's not surprised. What he is surprised by is the bisexual graveyard of toxic dilfs and milfs that has replaced the harem.
What did he do to cause that?!
And what does Luo Binghe mean that he wants to marry his own shizun now? Is this his new method of revenge??? Binghe, you don't have to marry someone to kill them!
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Blessed be Aphrodite Kallist the most beautiful!
Blessed be the hand of love and infinite beauty!
With humility I ask, touch me with your gift.
And teach me to discover my real beauty and manifest it from the inside out.
Teach me to feel beautiful and to see the beauty in others.
May my beauty expand and may it come from my heart.
May I learn to bring beauty wherever I am and make each situation always beautiful.
May I learn to see the beauty in everything and everyone.
And may every word you say be filled with revealing beauty that brings each one closer to the truth, but in lightness.
May beauty always be in my walk and may it be true and bring joy.
I love you Aphrodite, the most beautiful Goddess, she is with me and wherever I go I will carry her name and her presence.
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Socmed discussions about Saltburn, to me —
1) reveal that people are even more squeamish about explicit gay sexuality than they think they are
(And if this is what passes for shocking erotic excess, then we, in the anglosphere, are in a more — not making a comment about individuals here — restrained moment with mainstream American/British adult cinema than we were with mainstream adult heterosexual cinema in the 90s, eg the erotic thriller)
And
2) suggest people are increasingly making art that is in conversation with, if not explicitly nostalgic for, the 2010-16 Tumblr-era.
(I really truly suspect Saltburn is, in part, an adaptation of the tropes and aesthetics that were in certain “The Social Network” fan spaces.)
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