#death takes us all in the end

[eldritchwhispersofficial]

It's just wishful thinking and logically I know it wouldn't be good at ALL (TW: romanticizing death) but GOD it sounds so nice

just thought I would let you know I am uh what's the fucking word

not genocidal because genocide is targeting specific groups of people OMNICIDAL. I want EVERYONE to die. I love you guys but it would be SO much better for the Earth if every last human being on it died Think about it no more destroying the rainforests no more hunting species to extinction no more dumping tons of plastic and metal and textiles into the ocean and third world countries every year no more polluting the air with massive amounts of CO2 Really. No more depression. No more anxiety. No more queerphobia. No more ableism. No more racism. No more fatphobia. No more impossible beauty standards. No more hunger. No more crime. No more war. No more suffering. No more comparing yourself to other people. You don't have to worry about what other people think about you because there are NO MORE OTHER PEOPLE- and there is NO MORE YOU. You don't have to worry or care about a single thing. Just close your eyes. And dream. Forever. No more fretting. The Earth will take care of itself. It took care of itself for thousands of years before us. It will take care of itself once we're gone. It will take care of itself better than we took care of it.

Doesn't that sound nice?

[heymacy]

IAN GALLAGHER + his journey with bipolar disorder

╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher

[aletterinthenameofsanity]

Me, to my new date: doctor who thinks it's a sci-fi story because the Doctor thinks it's a sci-fi story and because the companions think it's a sci-fi story, but it's really just a story about ghosts. a story about an ancient creature carrying the ghosts of everyone they have ever loved, meeting new people, and seeing them only as future ghosts. they are haunted by the future and the past and the present because they are the only constant in a world constantly in flux, and they are running as fast as they can to things before they burn and fade to dust but everything will always end, you understand, because this is the only thing the Doctor understands and yet they keep going. they love too much to stop. doctor who is not science-fiction, it's horror and optimism and spiritual more than anything else, it's religious unto itself, the TARDIS is a haunted house and a church and a graveyard and a hospital and the Doctor is the most haunted being in the universe but more than anything, this is a love story, because how can you love something without being haunted by it- hey, what are you doing?

My date, shoving breadsticks in their purse: I have to go-

[seven-stars-in-his-palm]

the thing i love about bill cipher is that even after i've learned all of this stuff about him, seen him at the most vulnerable he'll ever get, seen him at his most innocent, i still can't give a flying fuck about trying to justify his actions. yes he's traumatized, yes he was twisted into what we know today, and while it gives a semblance of context to why he did what he did, it doesn't matter. he still ruined ford's life. he still drove and baited multiple humans to suicide. he still tormented every human he saw as his ticket out of the consequences of his own actions. he still took delight in his actions. he was willing to commit genocide for fuck's sake!!! (freezing all of the humans into statues). trying to explain away what he did does not get rid of what he did, but it certainly puts it in perspective. you won't be catching me being a bill apologist any time soon <3

[evilfarmin]

Han Ying has blanket permission to snoop because he is ZZS's dumb little woof woof. Window of Heaven is making great advancements in the field by employing the world's first assassin without a brain.

[vaguely-concerned]

which work employed the literary device of staging a play within a play in a way more poignant and thought-provoking, not to say revolutionary and leaving a lasting impact on western literature: william shakespeare's hamlet or legends of avantris' once upon a witchlight (season 1 episode 30 'phantom of the hoppera')? there is a correct answer to this

[quinns-art-box]

rarepair week day 2: running away/death

i’ve drawn so much cute fluffy art of them (definitely more to come in the future) so i wanted to give them something more thematic and sad!! they make me go a little bananas ok…… the tragedy of it all…….

@dr-rarepair-week-blog

[time-is-restored]

btw not to make everything about My Fucking Guy but i honestly think one of the things that seperates q!phil out from the other islanders is the approach he takes to dealing with the lack of agency + control all the islanders have over whatever the fuck the federation's doing.

it shows up most prominently whenever tubbo is excitedly telling him about the 'progress' he's made with cucurucho or various investigations (ie: trapping him into a corner with the 'do you have free will' questions), and phil always shoots it down w an immediate 'that doesn't mean anything. curucuho will say anything to mess with you. you can't take anything he says as true.'

and it's not that phil is... a paticularly pessimistic character? he's just EXTREMELY practical. like, he's yet to give up on anyone EVER finding ANY answers (he was the one who initially gave the federation that one week ultimatum w the cage for a cage stream), he just doesn't trust the idea that curucuho is ever going to voluntarily give them. they're uncontrollable + senseless - you might as well argue with the weather.

and like, if that's how he sees the one (1) and only point of contact the islanders HAD with the federation for months, it explains a lot abt his characters lifestyle! ofc he sits on the wall all day, talking to his kids, and keeping his head down. he believes that the federation wants nothing more than to drag the islanders into sick games + tasks just so they can fuck with their head (ie: curucuho revealing he was the one cellbit gathered all that information for). and while he can't totally PREVENT any of that from ever impacting him, he can make sure his kids are well fed, well protected, and as happy + comfortable as he can manage. this is objectively not a perfect situation, there is a guaranteed amount of suffering + fear that he can't mitigate, but he can at least account for it.

like, he REFUSES to engage. whenever curucho shows up, he treats them with total ambivalence. he's not going to get riled up by anything they do, he's not going to get super attached to the guy, he's just gonna laugh it off and irish goodbye it when things drag on. the ONLY time he's strayed from that general guiding principle has been since he's lost his eggs, and can no longer afford to let the federation's fuckery go: those are his fucking kids.

hence the completely unprecedented levels of outward rage and sadness and terror he shows throughout the birdcage streams - almost all directed directly to cucurucho. it's all a completely fair + proportional response to the horror the islanders are being subjected to, but it feels so different bc until now, q!phil has been so dedicated to not reacting, and not giving the federation any sign that they're actually getting to him.

[hauntingblue]

Gear 5 luffy's laugh is so contagious I just hear the drums and go insane how does this work. What did he do to me

[coquelicoq]

crashes ur board meeting n drags u out by the collar but its fine bc youre the one always saying shit like "im looking for people i can use" ok lol. get used idiot

[unganseylike]

“ace up my sleeve,” lord huron // The Raven Cycle

this was originally going to be a story about gansey but he and blue are the same, so it became about them. so its about being born just to die then live then die again curses destiny and free will and endings and defying all that anyway

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[spacedlexi]

thinking about clem vi and minnie

[desthen]

when you finally get the metaphor in Dolls of New Albion that the two concepts warring in every act and between every conflict, in every game, are just "Life" and "Death"

[torgawl]

i forgot to make a post about this but one of the reasons i believe megumi will be saved and come back, and how that will tie with a major moment in the story (either related to sukuna or the merger), is because of his name. or, to be more precise, because of his father and the legacy he chose to leave behind. toji's character has been the catalyst for almost everything in the current timeline of jjk. he was behind gojo's awakening, riko's death, geto's spiraling and defection which ultimately led to kenjaku's possession of geto's body, the lack of options to release gojo from the prison realm when he was imprisoned by kenjaku, he was the object of yuki's study to break free from the status quo, etc. quite literally, if we do have a plot, we have to thank toji for it. toji, who turned the world upside down and changed everyone's lives by breaking the chains of fate - literal symbolism used in regards to him and other concepts within the story like binding vows, specifically the one sukuna made with yuuji. toji, the one who linked the six eyes, the star plasma vessel and tengen (subsequently relating to the merger) by achieving a state of no cursed energy and reaching something akin to enlightment. such a bringer of chaos who was looked upon as the key to save the world by yuki, who knew there would have to be a change in the souls of the population of japan and cursed energy as a whole to finally break free from the cycle of suffering (breaking from the samsara and achievement of nirvana). now, how does that relate to megumi? the irony in the role toji plays within this story as someone who was born without power. the fact his influence caused nothing but destruction yet he birthed a blessing. what if megumi's name meaning blessing isn't just a coincidence or cute detail symbolising toji's love for his family but a sign for what's to come? what if the blessing yuki saw in toji's achievements as well actually translates to something more meaningful. more precisely, what if megumi is, quite literally, the embodiment of it?

[swordmaid]

my hag romance murder mystery au turning to magistrate astarion working with executor shri’iia we kind of like that development