#design and dialogue

[umblrspectrum]

so like is it specifically planets the solver craves or can it get by with just eating dirt off the ground

[themaarika]

[razzafrazzle]

continuing my goal of making a deltarune oc for every dark world!! here's my chapter 3 gal, alley-oop! she is Sports.

[image description: a reference drawing for a deltarune original character named alley-oop, a bulky anthro tiger-like darkner in red and black sports gear. next to her are blurbs stating that her pronouns are she/her, that she is a queer woman, and the following: fiercely competitive player of all sports. her own best hype man." there is also a pixel sprite of her next to her. end id]

[piogsailean]

my deltarune

[zorangezest]

Since we got SoundCat, can we get us a ShockBunny 👅🤔

ask and you shall receive

[thezenanna]

The mongoose I want under the house when the snakes slither by

process vid | print available

[carlsdraws]

[frogmansides]

old ish otasunes

[clumsypuppy]

TOGETHER AGAIN 🩷

[astralleywright]

spent like an hour trying to find a post abt the disparity of origin companion's content in bg3 and couldn't so, hey, this fucking sucks

[umblrspectrum]

i got lazy in the second panel

[wanderer-clarisse]

been thinking about Beren and Lúthien ballet adaptation again...

[imbecominggayer]

Giving Your Characters A Unique, Distinct Voice (With Examples)

What does "unique voice" mean? Basically, every single person has their own manner of speaking. This difference can be from politeness, the volume or "loudness", confidence, emotional quality, maturity, accents, cultural slang, and other variables that can be shown in a character's voice.

This can also be shown through "prioritization". Prioritization is what a character or narrator decides is worth focusing on for any given scene.

For example, Tree of Heaven is a cynical cinematographer whose inner life is primarily eclipsed by beautiful landscapes and settings. However, Jukka is a highly dedicated actor who neglects the trees for the people, whether they be strangers or loved ones. While Jukka and Tree of Heaven could be walking through the same park, they would be focused on entirely different things. Heaven would be focused on the way the sunlight scatters through the autumn-coated, gold-platted leaves while Jukka is people-watching!

Sometimes, I use other stories and their tones as inspiration for my characters!

For Haun, their inspiration for tone came from "I Have No Mouth and I Must Scream". Specfically, AM's monologues like the "and I began to hate" or the bee monologue describing AM's thoughts on bees radio play! The reasoning behind this was the fact that Haun Anatemori, my character, is someone with deep-seated resentment. Rage and hatred born out of a feeling of injustice, self-loathing, and a feeling of deep-seated betrayal. However, Haun confines their emotions to logical actions and long-term planning meaning there is no outward way to express these emotions. Leading to his entire inner voice being coated in hatred.

Education and social standing often has the most outward influence on a character's external voice. That's the unique thing about protagonists and narrators. Because narrators don't have to worry about social standing and protagonists can have visible inner life, protagonists often have "two" voices. Their "outside" voice, aka the voice they use to speak to others, and their inner voices they use for their own feelings.

Haun's inner voice is resentful with metaphors and analogies of disgusting things such as bodily fluid used to provide an artful crassness to his voice that shows Haun's education and anger but his outer voice is far more innocent and self-contained with less verbosity as Haun is attempting to portray an innocent, less literate farmer type in order to trick others as he rises the social ladder.

Another highly influencial factor is maturity! If a character is emotionally mature, then they often have a more composed tone of voice with simple, yet profound metaphors that often express clear motivation and clear emotion. They often have accurate ideas about others and themselves. This is different from how emotional a character is! A mature character can be emotional but they have a clearer understanding of their emotions. Not the mood swing type!

Nonkosi Tyali is the most compassionate yet mature character I have with their inner voice and outward voice both having a sense of "refinement". Nonkosi understands what they want, why they want it, and how to get it. Despite their cheerful tone, it's obvious they aren't naive or out of control. Nonkosi also has remarkable observational skills as they are deeply intune to the thoughts and emotions of others which allows them to have accurate and insightful observations about other characters.

Verne Lawless, in contrast, is highly immature with a tendency for rapid mood swings, ranting, and catastrophizing. They rarely compose their emotions with them having to spend far more time detailing and failing to "accurate" translate their emotions for the audience. They rarely focus on the emotional lives of others. While Verne can use flowering, verbose words and nostalgia, this fails to counteract the obvious desperation and run-around Verne has in their thoughts.

Finally, just think about what their emotions are. This doesn't have to be something as simple as "happy" or "sad".

Verne is a nostalgic person who constantly references old classics like Jules Verne with long, verbose poetry. This is influenced by Verne's obvious intellect and his emotional center of love. However, whenever they are emotionally in a tailspin, they often resort to manic, modern slang with firey self-hatred and self-deprecation. This is due to the fact that Verne adores love but he believes that he will never find love. This desperation often leads him to be more psychologically "fragile" with his ability to contain his emotions constantly threatened.

Emotions: Mania, nostalgia, desperation, and love

Nonkosi is an optimistic person which can sometimes veer into surpressing negative emotions and experiences. They maintain the belief that they can be eternally strong and compassionate as they act more like a force of nature then the human they actually are.

Emotions: Awkward optimism, gentle melancholic, and confidence

Jukka is mostly possessed with a quiet melancholy for most of life with pretentious verbosity surrounding the nature of society in a similar vein of "No Longer Human" by Osamu Dazai. However, whenever Jukka is bound up in the passion of acting, Jukka can often dance with mania, emotional highs, and life coated in fandom and acting. Jukka's language is primarily references to media such as Main Character Syndrome, tropes, rivalry, found family, and some not really 4th Wall Breaks because Jukka believes he lives in a series but he doesn't know he is actually a written character.

Emotions: melancholy, sentimentality, and minor resentment.

[kalwithatrenchcoat]

We're going tropical!

Below is the Sketch and No Text Version

It is clear, I cannot stick to one word in regards to the theme. But, at least he has a fresh coconut drink.

[glassrunner]

LIES OF P: Main Puppet Bosses

[intotheelliwoods]

I have been meaning to do a crossover with the one and only @kathaynesart for such a long time! And the @tmntaucompetition has created the perfect excuse for this :)

I think Sprout and Omega would have a surprising amount in common, they have a lot they can talk about with one another!

Apologies for the cliffhanger- haha- whoops-