#unique voice

[davidtennantpussytulpa]

anyone else listen to the 2019 little shop of horrors. anyone else think its kinda dogass.

[gimarija]

Gamka - Ne toks

Gamka yra psichodelinio roko atstovas Lietuvoje. Spotify renkantis kas mėnesines perklausas siekiančias 40k klausytojų, gerbėjams palieką žinutę: Resonating through Universe. Gamka is a representative of psychedelic rock in Lithuania. Spotify collects monthly listens of 40k listeners and leaves a message for fans: Resonating through Universe.

More: Spotify: https://spoti.fi/3uHSVtH IG:   / gamkad  

[murderyourscene]

me slayin it

[sheilamurrey]

Terence McKenna – How to ask the universe for what you want

This talk by Terence McKenna gives insight on a wide range of topics, including psychedelics (of course), culture, language and communication, and …Terence McKenna – How to ask the universe for what you want

[lewdlucidity]

i love Gavin Rossdale's voice. Yes sexy goat man, sing me your angry emotional songs you gorgeous faun, tell me all about it.

[spexirou]

My misc fairy family doodles

[wildmelon]

devora wilde honestly deserves the same amount of praise and hype as neil for her portrayal of lae'zel

[jame7t]

hello jame

ummm. I heard your voice on quizzardry today. why do you sound like a mouse. like you are 7 inches tall. this isn't even hatemail but genuinely I'm baffled

I got that mouse HRT

[leaflingsound]

really enjoying these comments on a video of alan wake's voice lines from dead by daylight (x)

[ranna-alga]

I have a whole list of actors who I consider to be my personal RDR2 live-adapted fancast, and Jensen Ackles as Arthur Morgan is 100% one of them

Do you guys see my vision

[sprinklesdonut15]

Tips For Making Unique Character Voices:

(For both narrating & dialogue)

Decide how formally they speak - this is also based on who they were raised around and what their timeline is, their race and culture, etc.

Know their overall volume of speech - maybe they speak loudly because in their past that’s the only way their voice was heard

There’s a hundred ways to say a sentence - sometimes this changes up in a person, but everyone has the way they word their sentences. Example: “what are you doing?” Can be “whatcha doing” “how goes it” “whaddya doing” “what are you up to” “what is chu doing” etc.

Self representation matters - if a person isn’t confident then they aren’t going to sound confident. But it’s not just about voicing confidence or not, there are details to every trait. If you’re character’s not confident then then they might question their choices a lot. They probably won’t judge other people except in high regards. Every personality trait has finer details

History also matters - maybe trauma makes it so your character gives extremely detailed answers to avoid confusion (anxiety). Maybe some kind of accident makes them speak less

There’s a difference in how much people speak - somewhat a follow up to the last point. But it’s not just personality that determines this but also illnesses. For instance my adhd makes me talk a lot nonstop, so much so that I might trip over words, or if I’m “narrating” then I go very out of order. People who don’t care much (depression) might only give vague or indecisive answers. Some people have long answers, some give one word answers.

People know different things - such as when your character is comparing something to their past. Even something simple, not all of your characters might know something like “this specific type of tree” but one character might because maybe it was a tree in their backyard. Characters knowledge determines their understand and ability to explain.

[bacchuschucklefuck]

Riz has counted four casseroles this week alone. Five, if one goes by the method of cooking, but Yelen's scary when she's crossed, and calling her burek by its proper name is important to her, so Riz does her the courtesy and doesn't include it in his mental tally.

He holds the tupperware over his head to keep it out if the way as he takes careful steps over the piles of notes in his path. The dockman case just closed, relevant documentations handed over to relevant personnels, evidences dealt with as needed; all he has lying around now is just record of the process and traces of himself thinking through it. Unsurprisingly they still haven't invented a surface more convenient for people under five feet who like to pace to put pieces of paper on than the ground.

Actual records go into the case folder with the other documents. Anything else with at least one side still blank is going to the school kids in the block - they chew through an astounding amount of paper just learning arithmetic. The rest is for the recycling basket.

Later. It's his mandated lunch break right now.

Riz sits down in front of the corner file cabinet. In an office often overrun with papers and strings and sometimes even thumbtacks, he's never really managed to clutter up this exact square of surface like every other ones. Ever since the bottom drawer rattled for no discernible reason a day long past, his eyes have always just kinda decided to slide across the space without acknowledging it.

It's years out, now. Riz doesn't know why he thought it such a big deal anymore, back then. He wasn't scared, he doesn't think. Not anymore. Maybe just uncomfortable with the idea that certain things persist despite all efforts to change.

He opens the tupperware. Dame Carabelle's experiment greets him with enough spice in the aroma alone to knock out a small mammal. When he chopped the vegetables for this casserole he couldn't really imagine the eventual heft of it, evident even through just these few ladles' worth, maybe weighing heavier for being still warm. His folk eat more through the smell and the textures and the aftertastes than the taste itself. His folk's meal is really the cooking rather than the eating. The eating is the meal's end.

"Hey," he tells the file cabinet's bottom drawer. "Um."

It's the anniversary. Riz doesn't know the exact date of his dad's death; nobody currently alive does. He and Mom both use the date of the funeral, though as he moved out to Bastion and then got more directly involved with Interplanar he hasn't really been going to Dad's grave as much. Doesn't seem like very efficient use of his time, catching a train or borrowing a car or spending a whole spell slot on going somewhere he knows Dad isn't at. They're sorta coworkers now. They talk on and off every other week between missions. When he goes now, it's just to clean up the place, keeping the landmark tidy and respectable.

Without that work to mark the date he doesn't really know what it serves anymore. But he still remembers it. Still takes note, absently or not, when it comes around.

There's not really a good way to tell the drawer that. Riz looks for another way to start the... conversation, hopefully. The question at play, he'd guess, is why he's doing this. He's been pretty content ignoring all the rattlings and the knocks from inside and the times it sits slightly ajar without him ever opening it himself; hell, he still uses the three drawers on top of it. Space is fucking precious in Bastion.

Precious enough to finally fix this damn drawer so he gets his turn to use it? Riz asks himself. Is that what we're getting to? Then he dismisses the thought - he didn't manage to fix it the times he actually tried, let alone-- now. When he doesn't really care that much to.

That's probably a good place to start. "'s fine if you keep being in there, turns out," Riz says.

The lunch hours are quiet in the block, sleepy and bright with the brief window of sunlight that manages to break through roof overhangs and extended balconies and laundry lines and climbing vines. Riz's work isn't loud here (the loud parts happen away from his office, if everything goes right), but the fragment of early summer heat reflected in the steady warmth his meal still carries compels him to lower his voice even more. It makes the words feel intimate, in a way he's never been familiar with - if he says something he just says it. He doesn't whisper. If he gives his friends something, he gives it open-palm. He's found out, along the way, that people usually don't think of rituals and courtesies the way he does.

Small voice for a diminished monster. "You know why I think so?" Riz asks. "Because almost two decades ago you kidnapped me and almost killed me, and now you rattle a drawer in my office."

It doesn't sound as much like a taunt as Riz wanted it to; the drawer has made a lot of noises again this morning when he checked the calendar, and he was definitely annoyed at it. Now, though, facing it like this after cooking the whole morning with more grandparents and peers from the block than he can count on both hands to cater for a tenant union meeting, he thinks the annoyance has morphed. Changed shape.

It has the shades of something like pity. Riz is not prone to pity, and especially not at these kinda matters. It's slightly maddening that he coheres perfectly outside of this one spot. That he commands his spaces, except for a drawer.

He puts the tupperware onto the floor between himself and the cabinet. "I know we're aware it's the anniversary," he says at the drawer. "You do this every year. You make a ruckus every time I decide to go do my job instead of mooching off my friends' aircon, and every time I get an invitation to some stupid social thing I want to turn down, and every time one of the old people tries to introduce me to a child or a nibling, because being a bachelor over thirty is weird," he pinches the bridge of his nose. "I have three fucking jobs. I love doing my fucking jobs. I'm forcing funds into infrastructures. You're never leaving, are you."

The drawer vibrates lightly. It's a very, very mild acknowledgement, considering the history of reactions Riz has gotten from this thing. Riz thinks it's emanating joyous agreement, or satisfaction.

It only sharpens the pity. Riz doesn't like that, but it's how it is. That's, ultimately, the lesson he's been taught over and over and over again, just by existing as himself, turned every which way by space after space that don't see him eye-to-eye: it's not like he'd quit living over any of it. It's not like any of it can sand off these fundamental pieces of him.

He's outgrown a lot of things, he's found out. Again, and again, and again. A childhood home, a yearly trip, a monster.

"'s probably scary for you, huh?" He asks. "Because I left."

He thinks he hears joints creak that sound like you did. Probably the way a scorned lover would say it, in a movie or a yellowback. He has no more connection to the idea than he did as a kid. Less, because it doesn't even scare him.

"That's what it is, right? That it's the anniversary, and I'll never be like Dad." He raises a knee from the floor, pulls it back closer to him. Slings an arm over it. "You love to remind me. The thing is, Dad also left. He loved Mom and he loved me, and none of us wanted it to happen, but it still did. Because love does fuckall to make anyone stay on its own."

He's long past being bitter about it. It's just the facts. Once upon a time he looked into the future and the specter of his friends' happily-ever-after casted lightless, fathomless shadow over him. Love, marriage, that kind of devotion, to a fifteen-year-old with more solved cases than friends seemed so eternal. Final.

But you can only watch your friends build up apps' worth of jilted lovers for so long before getting over it.

"You know what I learned?" Riz tells the drawer. "Love doesn't make anyone stay. Project management does."

He stands up, and picks up the tupperware of Dame Carabelle's casserole, that he helped make, that he helped share with a block's worth of neighbors and members of a community he's at home with, and goes sit at his desk to eat. "Last chance to get any," he drops an offer over his shoulder as he walks away.

He doesn't eat all of his share in one go. What he's spared he leaves on the desk when going outside for a smoke break. Baron looks the exact same as when he saw them last, when he catches a glimpse; they haven't grown at all. They aren't there when he comes back inside, but the leftover has gone days-old cold, like someone's sucked the future out of it.

[definitelynotshouting]

Hi smalletho nation i needed a warmup before digging into more hunger au so i decided to write a little snippet specifically intended to make @bad12amcomic want to beat me with hammers<3 its not much but i hope yall will accept this humble offering that has literally zero context whatsoever /silly

"You suck, Etho, never come near me again," Joel snaps. Then, with the edge of a sneer: "Sorry, I didn't mean that— except I did, you loser— bet you didn't see that one coming, did you, you stupid— blimmin'— good at everything...." His voice trails off, curdling and sour as it drips to the ground.

Etho's response is slightly more measured. "I dunno, Joel... seems like you kinda want my attention over here." One white eyebrow ticks up into a perfect arch, the glint of a sly smile teasing the corners of his eyes. The bare edges of a laugh tickle each syllable as he leans in close, both in mock and in challenge. "Maybe I don't suck as much as you think."

"I wish you did," Joel blurts, then flushes all the way to the roots of his hair, entire face flaming. "I-I mean, uh— oh, wow, nevermind, that came out weird. Look at the time— goodbye Etho, I hope Gem kills you really... stupidly. So I can laugh at you. Because I'm cool, and way cooler than you. Obviously."

[missartisticdraws]

Queen Bouncelia my beloved

She's so silly guys I swear isklgkld

I decided to redesign her too, she's also my new favorite character along side Bittergiggle ;w;

She's just the sweetest thing oh my fricking gosh

I needed to make her fluffier, give her them swirls and patterns

I even had to give her a fricking throne

Guys, in case you don't know, I fricking love Queen Bouncelia, she's my absolute beloved ;w; I'm gonna make more content of her in the future

I love her, I just fricking love her

I LOVE HER

[katyahina]

Romina, Scarlet Rot and God of Rot interpretation? What is the Abyss and what 'stagnation' has to do with Scarlet Rot?

(This is a reply for an ask I've got on my other blog) Anon I am sorry I am THIS late, I swear it was just me deliberately avoiding progressing in the DLC because I didn't want it to end + bad timing :pensive: But thank you for leaving this ask because I did want to discuss her as soon as I've met her!

What Happened:

She WAS a victim on Messmer's tyranny, and shown in the second trailer ( x )! Moreover, she originally appears to be from Belurat; not only this trailer shows Messmer specifically burning it, but also this is the exact previous scene before Romina appears:

So I am getting an impression that originally, these buds appeared in Belurat, and somehow Romina knew to relocate them somewhere else:

+ Also, if anyone here can read Japanese please let me know because I've heard that a more accurate translation would be 'she found a divinity and clung to it' or something alike! Here is the Japanese text:

全てを焼かれた教会で ロミナは異形の神性を見出し 禍々しい、朱い腐敗に縋った

焼け跡に、また蕾が芽吹くように

Abyss and Stagnation in this:

My initial interpretation was that originally, this type of buds was growing IN Belurat, and then what she saved got relocated in Rauh Ruins, but "within the scorched remains" part makes it sound as though their fate was being decided right in the moment of the tragedy! So, somehow, what later became Scarlet Rot appeared within the ruin! After all, Formless Mother is another precedent of a god originating from the tragedy:

But why would a plant-insectoid life sprout within the fire? So, basically, I'll dive into headcanons territory for this post, but hear me out! We are not sure what the 'Abyss' is, however.. what IF, when Messmer gets a bit TOO into using his powers, the power of Abyssal Serpent is capable of opening sort of a 'gateway' into somewhere else, and some kind of horror might escape that 'Abyss'?

+ I need to add that Abyss of the serpent plaguing Messmer and Abyss of the woods tormented by Frenzy are different things though; whereas serpent's Abyss is 深淵 meaning literally an abyss, Woods' Abyss is 奈落 that means Naraka (Hindu Hell)! His serpent is AKTUALY named Base Serpent, but he refers the 'Abyss' in his Stage 2 transition: '光無き、深淵の蛇が'. ( x ) In fact, his dialogue in both English and Japanese original suggests the 'Abyss' is a PLACE, where Base Serpent comes from! The mysterious space without light!

Look I can't help using this meme just deal with it fdsgfdgs So, let's say that Messmer got so unhinged that the gravity of his powers still opened up the Abyss a little, even despite the seal Marika gave to him!

The next interesting thing is that there are no traces of Scarlet Rot in Belurat, despite Romina presumably releasing/creaing it right on that spot! There ARE poisoned swamp, the illness that turns people into fly-men, and even giant Spider Scorpions that are a variant specifically developed because of Romina:

+ they likewise deal regular poison, not Scarlet Rot! Some of them developed the wings as well:

So it is more likely that what Romina allowed to live (to the worse or to the better you decide) was not yet the Scarlet Rot itself, however it developed INTO it later, together with her. But what was freed that day and what left its traces in Belurat, as well as spreading across more of the Shadow Realm with at least two villages full of man-fly sickness, was 'stagnation'!

It is a concept commonly addressed across other Fromsoft's games, specifically the stagnation of water 穢れ (kegare)! Poison and Scarlet Rot are connected through themes of poison AND stagnation of water! It is what becomes a poisonous swamp, one of the most Rot places is literally named Stillwater Cave and all that. Scarlet Rot is a 'stronger' version of the venom that becomes of stagnation!

^ (looking through this ( x ) model view video) Additionally, Romina features not only part of the scorpion but also part of the centipede, and centipedes were used as a symbol of human dregs in Sekiro and Bloodborne!

I've also noticed that Blood of Formless Mother, Scarlet Rot and Deathblight are all connected by shared themes of plantlife and spontaneoutsly sprouting winged insects! With the cursed blood, flowers quite literally grow from it and flies spawn from impurities within festering blood swamps. Deathblight are literally roots with multiple flies spawning along them + often getting to fly free too. Scarlet Rot IS associated with flowers and butterflies, and whereas Malenia herself never got insectoid wings (since wings of Goddes of Rot ARE the butterflies, like stated by Romina's incantation), her knights did:

(Close look by Zullie the Witch ( x ) as I've never took a picture)

These three scourges feel like three ugly siblings to me fsdhhfds Needless to mention that Blood Oath, Scarlet Rot and general poison incantations are crammed into the same category, and Death ones aren't here only because they're sorceries!

More interestingly, in Rauh Ruins we find not only Scarlet Rot, but also the Bloodfiends (so, the Formless Mother guys) AND Deathblight:

^ I forgot to take the picture as a proof that the Dancing Lion in Rauh uses Deathblight, so here is screenshot from this ( x ) video of battling it! There are NO Deathroots anywhere near its arena, however it summons Basylisks in the second stage and deals Deathblight damage itself! Divine beasts, additionally, are Belurat thing too!

So, we have all three of these 'affiliations' in Rauh Ruins, giving a strong impression that it is full of Belurat survivors! Whereas the man-flies sickness is found here too, Romina, Bloodfiends and death-dealing Dancing Lion all feel like they've went separate Pokemon Eevelution from the same initial 'stagnation' concept that is the sourse of fly sickness fhhsdgfds I think that either 1) it is exactly what I just joked about, and stagnation is able to naturally develop into one of these stronger "branches" over time or 2) it develops into something specific under influence of an outer god; Deathblight doesn't need 'Prince of Death' since Outer God of Death IS a thing!

Survivors of Belurat here found their affiliations, initially getting afflicted by the "clean" form of it, fly sickness Romina allowed to escape and live!

^ So yeah @ second anon, I do also think that Romina in Rauh guards what is left of her civilisation! Such as one of like, two Dancing Lions and other Hornsent that unfortunately got manfly sickness too! Except, she is not antagonistic to the Scarlet Rot or sees it as her tragedy, but on the contrary: she sympathised with it!

I know it sounds more like a fairytale than an solid theory, but my impression is that a lot of 'waste' goes into the Abyss space and supposedly should have been burnt by the Base Serpent forever! Not as something inherently evil, but just a natural part of the course of life! Eiglay is the God-Devouring serpent, too! Both of them serve as the forces that ensure everything and everybody meets their end eventually, they might even be related! Again, Dark Souls for one had ten Primordial Serpents! We know three here (Base Serpent, Winged Serpent and God-Devouring Serpent) but it could be still a throwback like Fromsoft loves doing!

I think maybe someone, at some point, believed that living forever was a better idea and might have "killed" Base Serpent and Eiglay both! As we know from Rykard's last words though, 'serpent never dies' and he probably was right!

^ Whereas Eiglay had to grow back from a tiny snake again, Base Serpent settled in Messmer's body being so tiny that it could curl behind his eye! Both needed to recover their former power, so whatever eventually slipped in the Abyss was free to persist, rot further and escape back into the living world given the chance!

+ bonus:

Trina ends up having a lot of petals and flowers as part of her body, not unlike Romina, whereas Miquella had insectoid wings at the moment of being kidnapped! The same trademarks of the 'stagnation' again!

I questioned whether it was just Crucible at first, since it also features flowers and wings! In the DLC we've learned that the Fell God himself was connected with the Crucible (Furnace Visage) and Radagon has his red hair due to the curse of his Fire Giants (Giant's Red Braid) 🤔 But.. crucibles are MANY things. It is also horns, spikes, feathered wings, scales, you name that! A LOT of aspects of organic life and not just these two! So I think the Crucible Curse is safe to stay within Morgott and Mohg, and this more likely refers to Miquella himself getting infected at some point! Whether it was having sucked Scarlet Rot out of Freya's wound, or napping in the Haligtree that was getting slowly scarlet-rotten, or both! Sure there are no traces of it left when he becomes a God, but Trina was discarded before that of course! Alternatively, he was a victim of stagnation himself due to not being able to age physically. He, himself, was a lot like Scarlet Buds that are "never to bloom". Endless child state of a body and buds that can't bloom are like eggs that can't hatch but will go terribly bad over time.. what is MORE stagnant?

Who is the God of Rot and why the pink color?

Another side of Romina is a tail of a scorpion, and the giant variant of Spider Scorpions is said to be the result of her actions! At the same time, God of Rot itself was scorpion-like!

I think this makes it... oddly coincidential, that God of Rot is a scorpion at least partially, whereas scorpions are native for the Shadow Realm AND were important animals for Belurat! Like I said before, Belurat strangely has no signs of Scarlet Rot for a place where Romina presumably created/unleashed it!

So, maybe rather than God of Rot already existing as is, it received a particular form in the 'outside' world! I'd say the same for Formless Mother, but her form is ABSENSE of form kind of fdhshdfs Maybe 'receiving the character' is a better way to describe it! Formless Blood, Scarlet Rot and most likely Deathblight didn't exist "outside" but developed from the shared source, and their gods (at least two of them) were born thanks to people! God of Rot might have manifested from a giant scorpion Romina took special care of, or a scorpion who got the 'divine' energy for another reason since giant variants are still not JUST in Rauh! Again, like how Formless Mother manifested in the shadow of a corpse of someone else! The Scarlet Rot became a thing thanks to Romina, developing within her over time!

Again, this is just my idea that Outer Gods are "born" in "our" world rather than simply exist as is, especially since 'outer' is just a type of gods meant to be discerned from Marika's family and who are like Lovecraftian mythos! I just think so because the scorpions connection is a bit too coincidential! It is not necessary!

Eiglay is a God-Devouring Serpent, not Demigod-Devouring Serpent, however, so I think in either case her purpose had more to do with not letting guys like this to ruin the world! Things just must die eventually, not endlessly exist via endless rot/rebirth cycle not allowing for any truly new life to sprout. It makes it double awesome that Base Serpent, and maybe even Eiglay herself, are connected with the fire element as fire itself is ALSO not just an evil force of destruction! It is meant to help the nature to "clean" so it doesn't rot; this power simply must be kept in check to not burn SO much that there is nothing left to be born from the ash and ruin *looks at Frenzied Flame*

Lesbian flag colors joke aside, it seems that color pink is a mark of lacking the master and/or the capacity to bloom! I do think that blooming is a thing only a Demigod is able to do! +remember that Millicent is a unique sprout of Malenia, carrying more of her signs as a Demigod than other girls!

Orange/red is the color of 'true' Scarlet Rot, and you could see even God of Rot itself was orange from Scorpion's Stinger look! It craves the buds that will bloom to grow stronger and increase, similarly to how Formless Mother craves wounds!

+ I also think that Bloodflame is the mark of more "perfect" form of the same concept similarly, as it becomes self-cleaning this way! It similarly could only be accomplished by getting a Demigod (Mohg) involved, whereas regular Bloodfiends are using just the blood itself! Then, Deathblight was not receiving the big roots as we could witness by Dancing Lion in Rauh, without getting a Demigod (Godwyn) involved! The cringe triplets........

________________________

So in the conclusion, Romina reached out for the 'twisted divinity' she witnessed somewhere in the middle of the ruin of everything she knew before, similarly to how Bloodfiends chose to revere the 'twisted deity' found in a corpse of their ancestor as they've lost everything! These two affinities have connotation with strong misery, and it is additionally confirmed by how Millicent can only bloom if she experiences the pain of betrayal! Some sinister power only appears within a lot of pain and death, but on itself it is just "flowers and wings", and a concrete God is born in the place it appears at, depending on the circumstances. It needs the miserable person as much as the miserable person needs it; a call is nothing without the receiver. Together, they define more specific purpose and affinity for it to continue existing and poisoning everything!

...not 100% sure that Deathblight is just as similar, because how do you birth death? Maybe it similarly came to be through the first person to die (Nito, you?????)

P.S.: I'll be damned if the water Dancer Fairy didn't originate from Rauh and simply freaked out upon seeing Romina telling the God of Rot "may you find your worth in the waking world" fsdhfhds

[mspaint-flower]

this is really random but have you ever drawn kaai yuki? she's so silly

creature