#devin kelley

[bibuddie]

the way my jaw dropped when i heard devin kelley's voice on that episode...shannon diaz they could never make me hate you. and then GAVIN what the fuck. he BODIED that performance. i've been that kid that lost a parent young and had to grapple with the feeling of being left even when knowing it wasn't their fault. i've felt those feelings and it was such a visceral gut punch but also so nuanced bc like!!! grief isn't linear, and feelings about it can and do get more complicated as time passes, and i'm just...yeah. yeah. what the fuck.

[dontmean2bepoliticalbut]

[911bts]

cast | Gavin and Devin from filming 2x17

[911whatsyourgratitude]

I loved how it was shown just how much losing a parent as a child can affect your view - conscious or subconscious - on love and relationships. You grow up with the first-hand experience that even the happiest, most loving relationships can be torn apart any second, and it just does something to you. Eddie and Buck handled Chris' grief so well in this episode. If only one widowed father or mother watched and learned from them, the episode will have served a great purpose.

Submit Your 7.01 Gratitudes

[buddieisgoingcanon2024]

At least we know that one actress can keep her mouth shut! 😂 Tim kept that cameo under lock and key! It was so nice to see Devon (Shannon) again, even though I do not agree with all the character's choices, Chris needed that letter. The voiceover was a chef’s kiss to an episode. And did you all see, all 3 of Christopher’s parents sat on the same spot on the bed?

I did also love that moment as well. Wow. We’re winning this season. I just know it in my gut.

[danlaw1991]

Such an unexpected yet beautiful moment in the premiere episode of 911 Season 7.

[iconicbuck]

A new couch might be in danger in the season finale.

An unexpected return of character. A character was last seen from many seasons ago.

After Buck's near death, 911's storytelling is forever altered.

Aisha, Ryan and Oliver seen filming with a bloody ambulance.

I'm trying to connect the dots. Eddie is the couch and he is getting injured or in danger. He's gonna have his own short hallucination/dream similar to Buck's. Eddie meeting and talking to Shannon. Telling him to go back to Christopher and to finally fully let go of the past and be happy because someone's waiting for him. Eddie, waking up to Buck.

No fireworks bullshit. It's not a realization. It's finally the acknowledgement of their Feelings for each other. God damn it! I knew it!!! 🤣

PS : The actress Devin is following Oliver, Gavin and the 911's official IG account. I was sure she following Gavin even before but I'm sure she wasn't following Oliver as I checked her IG just five days ago. What's the meaning of this?

[buckttommy]

Edy Ganem stop being queerphobic challenge level: IMPOSSIBLE.

[seancody-reject]

devin p kelley

[magnumopusfiant]

Devin Patrick Kelley - Fiant

Source:

ENG: https://en.wikipedia.org/wiki/Sutherland_Springs_church_shooting

GER: https://de.wikipedia.org/wiki/Amoklauf_in_Sutherland_Springs

Magnum Opus - Fiant:

https://beacons.ai/magnumopusfiant

[the-bi-library]

Happy October! Here are bisexual books with vampire and werewolf MCs that I found! (do let me know of more books like these if you know) And I included Marceline because how can I not? She is our iconic canon bisexual and black vampire queen!! Books listed: 💖Vampires Silver Under Nightfall by Rin Chupeco The Lost Girls by Sonia Hartl Cutting Your Teeth by Caylan MacRae A Flame in the Night by Morgan Dante The Modern Mythos Anomaly by Juniper Lake Fitzgerald A Dowry of Blood by S.T. Gibson Interview with the Vampire by Anne Rice True Love Bites by Joy Demorra 💖Werewolves Wolfsong by T.J. Klune Edge of the Woods by Jules Kelley Teeth and Tarot by A.A. Fairview Mate of Her Own by Elena Abbott Kinship and Kindness by Kara Jorgensen Undaunted by Devin Harnois 💖Honorable mention - Werebear Bearly A Lady by Cassandra Khaw

[mysterycitrus]

top 5 dc writers & top 5 dick grayson writers pretty plssss

i feel like this q has to come with a big * beside each name because most of these writers have written twice as many terrible comics as they have good. like chuck dixon is a foundational writer for dick (and tim and connor) and he’s also a violent turbo-fascist who’s made the industry indescribably more toxic. devin grayson’s run on nightwing 1996 is an exercise in her weird racist fetish, but she also wrote for titans 1999, one of the better fab 5 comics. grant morrison wrote batman and robin 2009, and irreversibly butchered the popular interpretation of talia al ghul, etc.

so take these with a grain of salt —

1. mark waid — this should be obvious imo. there’s really no competition. the writing (for dick in specific) in worlds finest blows everything else out of the water rn. he can balance large casts well, his version of the titans was fun, he has an obvious knowledge of comic canon. i wish he’d pick up the ongoing nightwing solo and give back dick’s personality.

2. kelley puckett - unironically wrote the best run of all time. no one has done it like him before or since. i need him to come back and write for cass again (or damian). would love to see him write the dick + damian + talia dynamic.

3. scott snyder — this man wrote black mirror (the best dickbats story) and court of owls (which ruined everything). he's three dimensional. he is my enemy. he is not allowed to worldbuild unsupervised.

4. greg rucka — i met him at a con once and he was a very chill dude. he's an ally. he's always wearing a hat. no man's land, u will always be famous.

5. judd winick — this man either writes something that changes the status quo (utrh) or one of the worst books ever (titans 2008). no inbetween. he's a freak. he wants tim drake and kon-el to kiss. honorary ment for being another guy that ruined talia. he does get points for writing outsiders (2003).

also a shoutout to jeff lemire and amy wolfram

[catdadeddie]

DEVIN KELLEY CREDIT?? SHANNON APPEARANCE??

[scintillyyy]

i just sometimes think with unpacking misogyny in comics we do need to move a bit beyond "this male character was condescending/mean to this female character and that's sexist and evil" and really get into the meat of how women are viewed as a class within the media in question.

because take robin (1993). the problem with it is not so much tim being mean to steph after steph has made a mistake that almost got or would have gotten someone hurt (such as the robin 80 page giant). the problem with it is also not *necessarily* that some main character traits of steph's are that she's never quite as good as everyone else and she's kind of a liability in the field and she's kind of prone to making mistakes (these are all things that make her a 3d character that's interesting, actually. and are fairly consistent character traits you see under writers who aren't dixon--including kelley puckett, devin grayson, lewis, scott, gabrych etc. the problem is really more the rather unfortunate execution of them than the fact that these character traits exist). the problem underpinning a lot of the issues people take with robin is how the writers view women as a class, and how write their female characters accordingly.

so take dixon. and to dixon, women are both extremely hypercompetent and also extremely incompetent at the same time. this is how he envisualizes women--they need men, but at the same time they are still capable of everything and more. and he also has a tendency to slot women into either the extremely hypercompetent, badass amazing role or the slightly incompetent, but still underestimated and badass role. and it's a sexist, reductive view of women as a class and it's why those character traits of steph that are interesting don't really work well under his writing. because steph very much starts off as the second one--and it's frustrating that she's never given a real chance, that she's given the role of being the more incompetent one who will never be as good as everyone else merely because she is a girl and that is the role she's alloted in life based on how dixon views women as a class.

however dixon's opposite tendency towards if a women isn't incompetent, she's gotta be hypercompetent is also sexist. i think a lot of that panel in robin where bruce tells steph she could be better than tim if she works hard enough, and it's interesting to me because people will forgive this because it's being nice to steph but it's also completely and wholly emblematic of dixon's brand of misogyny. because if she can't be incompetent, she has to be hypercompetent. there's no in between for how dixon views women.

and it's an especially interesting quote to me give the surrounding context--that particular quote takes place at a time when we know dixon had been begging for quite a bit of time to reward steph for her hard work and perserverence with robin. and we know that his plan for her as robin was going to be that she was just so hypercompetent and good and amazing and better than anyone at it, it was just going to fall apart because bruce would be too worried about her because she's a girl and be ultimately unable to work with her. so his story for her was going to swing from she's kind of bad at everything because she's a girl (bad, terrible way of how dixon views women) straight to she's amazing at everything because she was actually destined to be a hypercompetent female all along (which also happens to be a bad, terrible way of how dixon views women). it's definitely a total fuck you quote to editorial that kept refusing the idea of steph as robin. it is a fascinating facet of his sexism. and it's a reflection of how misogyny works in real life, too. the cultural expectations for women to either be the best or be nothing at all is a very real phenomenon.

because that's how it is as a whole. so when you just focus on how the male characters treat the female characters you're missing out on so much else that's misogynistic within a female character's story. misogyny in a narrative is about so much more than how one character is treated (though that's also important). it's about how even their successes/how they're treated "well" have to be viewed under a critical lens. the thing is that fixing misogyny is about ensuring there's an authentic variety and meaningful differences in how women are treated narratively, not just fitting them into a box of competent or not competent.

[bisexualbvck]

they really brought Devin Kelley back to read her letter to Christopher