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linkspooky · 1 month

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The Supreme King Judai vs. Dark Deku: How To Do a Dark Deconstruction of your Shonen Hero!

Think of this as less me complaining about My Hero Academia, and more me taking a closer look at the writing of the Dark Deku arc and why it failed to achieve what it set out to achieve.

I like to look at writing on a deeper level than Thing Bad, and Thing Good. Imagine a story is a car engine that won't start, in order to find the problem you've got to disassemble all the pieces and look at them one by one to see what pieces aren't working. That's the kind of criticism I'm talking about, break storytelling down into different tools like parts of an engine, plot, world, characterization, ideas, actions and consequences and then look if the author is using those tools effectively to sell a story.

In other words we're talking about the difference in ideas and execution. All works of fiction have ideas, even bad anime can have good ideas inside of it. The idea in question is Judai's case is can exploring the dark side of a hero. Can a hero's positive qualities also lead them down a dark path? Yu-Gi-Oh Gx answers this in a satisfying way, and My Hero Academia I'm going to argue does not.

IDEAS VS EXECUTION

One piece of writing advice I heard from Brandon Sanderson of all people that always stuck with me is "Ideas are cheap. You can always come up with more ideas."

All works of fiction have ideas and themes no matter what the Game of Thrones guy say, but some works are better at communicating their ideas than others. I want to quote a Homestuck Ending analysis of all things to explain what I'm talking about.

When you are a writer you can write anything you want. But if you want to write a story that people want to read you have to follow the rules of good storytelling. There are reasons why storytelling rules exist. A story is a bond between author and reader, readers to other readers. It is a communication between humans and humans work in a certain way. Storytelling rules are rules of communication. Rules for handling expectations and saying what you intend to say without it being misheard. Rules for tugging at emotions and pulling heartstrings in a good way rather than a bad way. Storytelling rules are lessons learned by authors of the past that failed to communicate what they needed to. They are not that subjective.

Chief among these rules is buildup and payoff. In fact one of the most basic techniques of storytelling is foreshadowing, in screenplays you usually foreshadow one important twist, then add a reminder so the audience doesn't forget, before finally paying it off.

To simplify build up and pay off I like to refer to it as question and answer. Usually a story will ask its audience a question, and usually by the end that question is answered, unless the point is to leave that question unanswered / ambiguous.

Character arcs are examples of buildup and payoff too, a lot of characters, especially in serialized media are sold on their potential future development. Here's an example, how may people got invested in Dabi years in advance because of the Dabi is a Todoroki Theory? That's an example of good buildup and payoff, because the author sewed just enough hints to build up an audience expectation and then paid it off. People became invested in the story, because they thought their investment and theories would pay off eventually and it did - so hooray!

Both MHA and YGOGX dedicate an entire arc to trying to deconstruct their main protagonist. They also seek to deconstruct the "Hero Complex" or "Saving People Complex" that each protagonist has, and ask the question if those traits are really a good thing.

This post puts it better than me so I'm going to quote tumblr user rhodanum.

‘Hero complex’ or 'saving people complex’ — an obsession with rescuing people in the face of danger, often to the exclusion of all higher thought processes. All too prevalent among shounen main leads, especially hot-blooded shounen main leads. Yuki Judai is certainly no exception. What is interesting in his case is that the writers follow the consequences of his rash, reckless, often thoughtless actions all the way to their heartbreaking logical conclusion. For those not fully in the know, it involves spiky black armor, an army of sycophants and a fall from grace that caused as much damage as a thermonuclear bomb. Don’t make perky, happy shounen protagonists snap, people. First rule.

I'm going to quote another video too, to add onto the above quote. It's from this video, starting at around 39:52

"GX is kind of famous among fans for taking its happy protagonist and stripping him down to all of his worst qualities. And that's fun. So Judai is a character who's really interesting. He's definitely open to a lot of interpretation, and you know we're gonna be leaning on my interpretation of him. Sorry. It's my video. I think he's commonly referred to a "very typical shonen protag" probably one of the most shonen protag of the yu gi oh protagonists. He is headstrong and loud, and (makes punching noises while air boxing), he is a type of character who's like I'm gonna be the best and brings everyone along on the ride. He's the kind of protagonist that everybody loves him they're all fighting over him, and Yu Gi Oh Gx really puts him up on the pedestal, of like THIS GUY. THIS GUY DOES IT ALL. Then season 3 rolls around and dares to ask: but what if that's selfish behavior?"

That's the question both MHA and YGOGX are asking in Dark Deku arc and Season 3 respectively, what if all of those behaviors that make them the typical hot blooded shonen protagonist are actually selfish? Is their hero complex really a good thing?

Each arc is tasked with exploiting the main character's flaws, until they reach their emotional breaking point and lowest point in the story. Let's see how each story treats their main character and from comparing that I want to make a point about what makes effective storytelling.

The Supreme King Haou Arc

Instead of recapping the entire arc to you, I'm going to touch upon what ideas the story setup in regards to Judai's character and how it paid off those ideas. What are the questions the story asks and what answers does it give us?

I'm going to focus on the two questions I outlined above. Is their hero complex a good thing? and What if this is selfish behavior?

Yu-Gi-Oh GX is an anime where instead of using super powers, the main characters fight each other with a magical trading card game. Besides that fact there's a lot of similarities between GX and MHA. They both take place in an academy setting where the main characters learn about using their quirks, and playing the card game better respectively. It is a shonen battle anime where almost everything is solved with a shonen fight, they just use cards instead of flashy superpowers. The main characters are all students who have to grow up and enter the adult world.

Judai and Deku are both characters that deconstruct the "hero complex" of shonen main characters. Judai is themed entirely around heroes, he has an elemental hero deck where every hero is based off a hero that appears in popular culture, he is the best duelist in the school and the one everyone calls on to save the day over and over again. As stated above he is the most Shonen Protag to ever Shonen Protag, he's a warrior therapist who makes friends and saves the day because he's really good at the card game, and will always show up to fight for his friends.

For the first two seasons Judai is built up on this pedestal of the ideal Shonen Protagonist, and praised by basically every single character for being "childish" and "pure of heart" however when Season 3 comes around the narrative stops heaping endless praise on him and starts to challenge him. However, this doesn't come from nowhere there are signs of these personality flaws of Judai, they just get swept under the rug the first two seasons.

There are several moments such as the climaxes to season 1 and season 2 where Judai fails to grasp the stakes of the situation, saying things like "Oh, this card game is really fun" when he's dueling with lives on the line. Judai in fact has a pattern of "only wanting to duel for fun", he fights because it's fun to him not because it's the right thing to do. However, he's continually forced into high stakes situation where he has to fight for others just because he's the strongest character - and constantly having to carry that on his shoulders starts to weigh on him after awhile. Judai will show up to fight and save his friends every single time they need him, and that's the source of his hero complex because after a certain point his friends start relying on him too much.

In general he also doesn't have deep thoughts of what heroes are, he admires heroes but it basically boils down do "Heroes are cool." He's kind of like Goku where he doesn't really fight for any idea of justice or to save others, just for the thrill of fighting itself. He also has a tendency to be insensitive to other people's feelings and take things for granted. For example, in Season 2 like three of his friends get possessed and Judai doesn't even do anything about it for half a season because he's too busy participating in the dueling tournament.

In general though it's a pattern of Judai only wanting to "duel for fun" and him being forced to duel to save others instead, and be responsible for other people. Judai will show up to fight for his friends, but even then he falls back on just "dueling for fun" because always having to fight for others is too much responsibility to put on his shoulders.

There's a lot of hints of Judai's flaws, but they also tend to get brushed off because shonen protagonists are just like that. Like, Judai can say some insensitive things to his friends sometimes and be oblivious to their feelings, well he's just a book dumb shonen protagonist. Judai should be taking this fight seriously, well he's just being a happy go lucky shonen protagonist, etc. etc. A lot of these things are also just swept under the rug as him just being a child, a boy-at-heart like most shonen protagonists are supposed to be.

However, season 3 starts looking at Judai not as a shonen protagonist but as a person, and it all starts with the suggestion that maybe Judai remaining a child at heart is a bad thing, especially when his friends around him are all growing up. It all starts with the introduction of this guy right here - Johan Anderson.

Johan shares many things in common with Judai, he can see spirits, he's a duelist who loves to duel, he has a strong connection with his cards. However, the more you compare them the more you notice that Johan has a lot of things that Judai lacks. They are so similiar that they become almost instant best friends, but even then Johan himself notices there are a few things off about Judai's behavior.

Sho: Bro... I thought you would have something to say to me. Johan: He seems lost. I think he just wanted you to give him some advice. Judai: SHo will be fine. Johan: Judai, you're colder than I thought.

It takes someone completely new to the dynamic between Judai and his friends, who likes Judai but hasn't spent the past two seasons idolizing him to realize that some of his behaviors are kind of off. That Judai isn't really the most empathic, or even that good at understanding other's feelings.

Johan is the one to point this out because he has the emotional intelligence that Judai lacks. We've been told Judai is our shonen protagonist for two seasons, only for the real shonen protag Johan to step up out of nowhere and show them how it's done. Johan is good at seeing other people's emotions, and he becomes a near instant pillar of emotional support for Judai. More than that, he also is the first person to treat Judai like an equal, he never asks Judai to save him like all of Judai's friends do, if anything they both save each other.

Johan also exists to show what Judai is lacking, mainly a reason behind why he fights.

Judai: I do it because it's fun. Or because of the surprise and delight, I guess. Well, I guess that comes down to "because it's fun", huh? Sorry, I guess that's an awkward question to ask out of nowhere. Johan: What's wrong, Juadi? Judai: Nothing, really. Johan: I have a proper goal. Judai: Don't tell anyone. Even if people don't have the power to see spirits, they can still commune with them. That's why, for those people as well... (I want to be a bridge between humans and spirits).

Judai is someone who will always show up to save his friends when he is asked, but he doesn't really have a concept of what being a hero is or the repsonsibilities it entails, he just admires heroes in a pure hearted way. Johan on the other hand has a reason to fight and that's to help humans and card spirits get along, and Judai expresses admiration for Johan because he has a goal.

At the same time this is happening, Judai gets picked apart by two villains for his lack of reason for fighting. Judai has been praised to death for two seasons for being pure of heart, but now the villains are challenging him by saying he has no "darkness of the heart". That without it the reasons that Judai fights are superficial and frivolous.

We have something that you lack. Judai: That I lack? Yes the darkness of the heart that slumbers deep within a duelist. The burden that a duelist bears in his heart. Judai, you have none of that. Judai: A burden in my heart. I have nver, not even once, dueled for myself. I doubt someone like you, who only thinks of himself could udnerstand that. Judai: What would be fun about a duel like that? It isn't fun at all! You must bear other's expectations while remaining strong. That is what it means.

Judai is a bit of a blood knight, he will be dueling with his friends lives on the lines and stop to go "Wow, this duel is really fun" and it's usually just dismissed a shim being a shonen protagonist until suddenly it isn't.

I'm gonna draw a deliberate parallel between Deku and Judai here that I'll reference later on, they both don't understand "darkness of the heart" and they need to understand it in order to grow as people.

There's also the underlying notion that being a hero is not all it's chalked up to be, to be a hero, to fight for other people's sake means also taking on their suffering. As noble as that may seem suffering is suffering.

Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels. Cobra: You are certainly a talented duelist. But you have one fatal flaw. Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory. Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match. Judai: I... Cobra: Afraid aren't you? Right now, you have nothing to support you.

In the context of this scene, Cobra has told everyone that he's currently enacting his evil plan out of the vain hope that he can somehow revive his son from the dead.

As insane as "I think I can revive the dead" is as a motivation, fighting for the sake of your dead son is a much stronger motivation than "I think duels are fun."

Judai doesn't have an appropriate answer as to why he fights when he's questioned by the villains, and instead of coming up with his own answer he relies on the answer Johan provided for him.

Johan: You idiot. Why are you so shaken Judai? You think you have nothing on your shoulders? Give me a break! You always bear other's expectations on your shoulders. When you have other people's expectations riding on you, it means they've trusted you with their hopes! Don't you always carry those? If you lose what will happen to us here?

Johan's words snap him out of it, but this isn't Judai coming up with an answer himself it's just taking the one that's provided for him.

This is also the point where we get start to develop an answer to our question. Is Judai selfish?

In action he's not. His actions are selfless. Judai is always fighting for others, even when he only wants to duel for fun. He will show up and fight if you ask him too.

However, in motivation he is selfish. His motivations are selfish. Judai isn't fighting out of some selflessness, but because fighting for the sake of other people gives him a purpose. He keeps fighting for his friends, because he's built all of his friendships around being the one to solve their problems. It's why he Johan's answer suits Judai so well, because he thinks that's how friendship works that he has to keep carrying everyone's burden for them.

Not only does it lead to unhealthy friendships (he sees his friends as burdens) but also it's unhealthy for Judai himself (he can't keep carrying other people's burdens without getting weighed down).

Judai's hero complex, this pressure he feels to save everyone around him arises from two things, it gives him friends when he'd been a lonely child before that, and it gives him purpose. Playing the hero is how he made all of his friends, and now it's how he keeps them.

However, in spite of doing all this to keep his friends, Judai's relationship with his friends is so all give and no take that he's practically fighting alone until Johan shows up. Judai doesn't form a healthy and stable relationship with Johan however, Johan just becomes a crutch.

In Summary:

Judai's actions are selfless.

His motivations are selfish.

Judai's purpose is to carry everyone's burdens on his shoulders.

Judai's friends exist to be saved by him.

The following arc is roughly divided into four sections. Everything I've covered above happens in the first section the Cobra Arc.

Cobra Arc

Zombie Survival Arc

Dark World / Supreme King Arc

Oh Shit, Yubel's Back

The cobra arc is the introduction and it sets up the basic ideas of Judai's character that I listed above, in addition it focuses on the question of if Judai is selfish, and the idea that being a hero is a burden. There's also the third question where Judai is called to understand darkness of the heart, something Deku will also be called to do.

The Zombie Survival arc is an arc where the school is teleported to another dimension and they have to survive for several days with a limited food supply, everyone fighting, and an outbreak of zombies.

The main setup of this arc is to show how everyone is working well together as a team, even in a high stress situation. Alexis, Judai, Misawa, Kenzan, all pull together with the help of new students Johan, Austin O'Brien and Jim Crocodile Cook.

However, I'm brushing over this arc because Judai doesn't actually do much this arc. If you analyze who does what, it's mainly Johan and Austin O'Brien who are in charge of the entire school. Johan demonstrates leadership skills, calls on everyone to pull together in a time of crisis, and most importantly emotionally supports Judai all throughout.

Even when Judai is confronting the main villain of this scenario Yubel, it's Johan who shows up to support Judai, and it's Johan who wins the duel at the sacrifice of his own life. Everyone gets through the zombie arc unscathed, but it's because Johan is the hero of this part of the arc, not because of anything Judai really did.

Judai who having gone on so long carrying other people's burdens to the point where he's made saving others his purpose, has for the first time experienced someone helping him carry those burdens only to disappear and Judai does not react well to it.

This is when the story has finished setting up all the dominoes that are about to fall. We have one mini-arc drawing attention to the dark side of Judai's personality and how he doesn't understand his own darkness, and one mini-arc showing Johan being a much more effective hero and leader than Judai, demonstrating everything Judai lacks.

You Either Die a Hero, or You Live Long Enough...

Yadda yadda you know the rest. A character being undone by the same traits that made them a hero, is classic tragedy 101. It's called the Hamartia or the fatal flaw. A character's greatest strength in some situations can be their greatest weakness in others. The Supreme King Arc is a masterclass in showing how the traits Judai had that led to his success in the first season, can lead to his total ruin, and even to him becoming the villain of his own story.

Hero and Villain are much closer than you'd realize, and this becomes especially true in the relationship between Judai and Yubel. Judai shares an extremely close relationship to his antagonist foil, just like Deku does with Shigaraki.

However, in Judai's case he's the reason that Yubel turned evil. While it's not entirely his fault, Judai's decision to abandon Yubel when he was a child, made Yubel go through ten years of painful torture all alone, which is the reason behind their current madness.

To summarize Yubel and Judai's story briefly. Yubel is a card spirit, the thing that Johan wants to serve as a bridge between card spirits and humans. Judai had an incredibly close relationship with Yubel as a child, but Yubel was overprotective and used their powers to harm anyone who came near Judai. Judai launched Yubel into space hoping the righteous space rays of justice would calm Yubel down (I know that sounds stupid just go with it) but instead Yubel was hit with the light of destruction a corrupting force that made them endure years of torture. They called out for Judai's help in their dreams only for Judai to eventually forget about them with a psychologist's intervention. Eventually the satellite they were trapped in made it's way back to earth, and they almost died burning up on re-entry. When they finally crawled their way back to Judai, they found Judai had been living the past ten years happy and surrounded by friends, while they had been tortured in space and nearly died all alone.

At which point Yubel snaps, hard.

While it's not Judai's fault entirely because he was a child and he didn't know what was going to happen, he still made the decision to abandon Yubel and stuck them in that situation. Judai's actions creaeted Yubel, and now Yubel is here broken and hurt and determined to hurt all of Judai's friends.

Judai doesn't know how to cope with the guilt or responsibility for either of these things. Both for creating Yubel, and for the fact that because of Yubel Johan might now be dead.

I'm the one who made her what she is!

This is where the show starts demonstrating that understand in darkness of the heart is necessary, because Judai can't understand two things, number one the fact he might have hurt Yubel, and two how to deal with the sense of responsibility he feels towards Yubel becoming what they are, and for Johan's apparent death.

He just feels a lot of guilt, and as someone who's only been the carefree hero up until this point he doesn't know how to deal with that guilt.

Judai makes a very similiar decision to Deku. He decides to go out and hunt for Johan by himself, leaving his friends behind so he won't risk their safety. Unlike Deku however, his friends immediately follow and insist on coming along.

This is when the problems start appearing, because the second everyone enters the Dark World to look for Johan, the show starts demonstrating clearly how different Judai's leadership is from Johan.

All of Judai's flaws start popping up, he's tactless, self-centered, and doesn't consider others feelings, and most importantly of all he doesn't look before he leaps. These behaviors that could earlier be swept under the rug, just become aggravated in a high stakes situation where everyone's lives are on the line. Judai came together with everyone to look for Johan, but he keeps acting like he's alone.

Another user's meta post here summarizes Judai's actions in the Different Dimmension, more succinctly so I'm going to quote them.

Shit Judai’s friends signed up for when they went into the Different Dimension with him:

searching for Johan

working as a team

deciding as a group what risks they’re willing to take

risking their lives together, on an even playing field

Shit Judai’s friends didn’t sign up for when they went into the Different Dimension with him:

having their input thoroughly ignored

being left behind while their friend recklessly charged ahead

having essential information kept from them (Judai didn’t tell them about the fatal consequences of dueling in Dark World)

being kept from dueling without their opinion on the matter ever being taken into account

having their physical, mental and emotional well-being be completely ignored by the de-facto group-leader

being relegated to secondary importance in comparison to Johan, in Judai’s eyes

having their group leader outright break the promises he made to them

To name a few things Judai does while in the different dimmension. Almost immediately after entering the dimension he runs away from the rest of the group, forcing Austin O'Brien to follow before anyone has even gotten their bearings or investigated where they are. Make an agreement with everyone to rest and wait for Dawn to search for Johan, only to run off into the middle of the night without telling anyone. Run off ahead of the group leaving several of their members behind, and when O'Brien tells Judai that members of their group are missing and that he should go back and search for them, Judai asks O'Brien to just do it instead.

Judai doesn't see the flaws in this behavior because it's how he's been acting all along, he always runs off into danger head first and he always fights on his own. Judai's never been good at considering the feelings of others though because he's a tad socially impaired, so he just doesn't seem to notice everyone's growing concerns with how he's acting.

Once again we are asked the question, is Judai's behavior selfish?

Judai deliberately abandons his friends three times, and the third time everyone stops to discuss his behavior.

Kenzan: True, we did come to this world to save Johan, saurus... Fubuki: He did find some minor clues as to Johan's whereabouts, so I suppose it's only natural, but... Asuka: But right now, I feel something is different about Judai. Menajoume: That's right. He got us all riled up about this, and now he's totally forgotten the comrades who came along with him. Kenzan: That's really irresponsible, Saurus. Fubuki: I don't mean to be a wet blanket, but I wish he'd realize the anguish he's putting us through. Asuka: Judai isn't doing this for Johan or us now. It's for himself. He just seems to be rushing forward, headlong, to forget the responsibility he bears on his shoulders.

The answer now is yes, his motivation is selfish because it's no longer about saving Johan, but just to stop himself from feeling guilty.

The stress of the situation is aggravating Judai's worst qualities yes, but Judai's always thought about himself first before others, he's always viewed his friends more as burdens / people to be saved rather than equals.

This all leads to a situation where Judai messes up big time. The same way he abandoned Yubel, he abandons the rest of his friends to run ahead and search for Johan.

They are all kidnapped - and it's Austin who notices they are missing Judai isn't even paying attention. Austin says they should head back and look for the others, but Judai asks Austin and Jim to handle that alone so he can keep searching for Johan.

Jim: The others haven't arrived yet. Something might have happned to them on the way. Judai: I see. Sorry, but could you go back and fetch them? Jim: What? You mean you don't care what happens to them? Austin: Don't forget these are the friends that are in this with you. To fulfill our objective in this dimmension we need everyone working together. You wait here until we return. Judai: Okay, I will.

Austin and Jim agree to go back and search for the others, if Judai promises to wait for them here instead of going on ahead. A promise which Judai immediately breaks.

Which is how Judai walks right into a trap.

Judai abandons his friend so they get kidnapped. He doesn't go back to look for them, so he misses out on a chance to save them. He doesn't wait for Austin and Jim to come back, and because of that he wanders all alone into a trap.

That trap is a sacrifice ritual where the leader Brron challenges him to a duel, and every time Judai attacks one of his friends are sacrificed. Judai is forced to attack and each friend dies one by one.

Judai didn't want to attack, he didn't choose to sacrifice his friends, but he did make every decision leading up to that. The trap was easily avoidable if he 1) didn't leave his friends behind 2) went looking for his friends after they were left behind or 3) waited for Jim and Austin to come back.

Judai didn't mean to sacrifice his friends, but it's a result of his own bad decisions. It's the culmination of an arc where he's been selfishly taking his friends for granted. It's a consequence for Judai just choosing to recklessly barrel forward because he can't cope with his guilt.

Judai's lack of darkness of the heart really dooms him here, because he was blind to his own flaws until it was too late. This isn't even the part where Judai does the bad thing, Judai's careless actions lead to four of his friends dying but he doesn't learn from his mistakes. He snaps, hard.

Judai: But at least I avenged them. Sho I'm really glad you're alive. Sho: Those words... they're just lip service. Bro... bro, you're selfish. Before now, I thought of you as the sun. Someone who gave others energy and made the impossible possible. But, I was wrong. All you care about is getting your way. You don't care who you sacrifice. You'll do anything in the name of your goal. Avenging them won't bring back the people you sacrificed. You're just dueling to satisfy yourself. Judai: O'brien! Austin: I thought I told you to wait. Judai: Are you saying what I did was wrong? Austin: Think it over for yourself. Judai: Why? What did I do that was so wrong? I... I did the right thing! And yet... everyone keeps leaving me! What... What is wrong with me? Supreme King: Yuki Judai. To be willing to be evil to defeat evil. This world exemplfiies survival of the fittest. It must be ruled with power. Judai: Power? I don't have that much power... Supreme King: You hold the Super Polymerization card in your hand. Defeat the spirits that stand against you. Breathe their lives into it and complete that card.

After this point Judai decides to sacrifice everything else for power, and to complete the Super Polymerization card he's already sacrificed four friends four.

It's the culmination of an arc where Judai's only been praised for his strength and his ability to win duels. Where he constantly has been called to win duels to solve problems, until that stops working. When everyone is gone, all that's left is his strength. He had to keep winning to keep people safe, but even that wasn't enough, he was still missing something.

He knew he was missing something, that there was something wrong with him and he didn't know where to look.

Conclusion?

He needed power. If he had power, then he wouldn't have lost. If he had power then everything would have turned out alright. He didn't have the strength to carry everyone's burdens for them, that's why he lost, so what he needs is more power. He's been demanded to win, win, and win again so now winning is all that matters.

Now we have our second question: Is Judai's hero complex a good thing?

That's a definite no, because the pressure to always win, to always save everyone and carry their responsibilities has now completely broken Judai. To the point where he now believes that the only thing good about himself is that he's powerful, but he now is willing to sacrifice others to gain more power.

My name is the Supreme King.

Now here's the best part about Judai actively having a villain arc.

He does bad thngs. He does a lot of bad things.

It turns out when you're abandoned and left alone to suffer you do bad things, crazy that, I'm sure Yubel would have a lot to say about that.

Judai is also not being possessed in this scenario. They state it several times. You could say he's Shadow possessed in a Jungian sense. The supreme King is the symbolic embodiment of all of Judai's flaws that he's been ignoring until now. You could say Haou is representative of Judai's subconscious that has been repressed for so long until all those flaws finally surfaced, and that the Judai we see on a day to day basis is his ego, that the relationship between the two is a metaphor for conscious and subconscious.

Jim does a deep dive into Judai's mind, where we're shown a symbolic sequence of what the inside of his head looks like. Judai witnesses his friends appear in mirrors before they shatter one by one, all while he mumbles about how he needs to get stronger.

These are all storytelling devices to show Judai's fractured psyche, but Judai is still in control of his actions. Judai talks and responds to questions when he's addressed. Judai's friends confirm that it's still Judai, he's not a puppet or possessed.

Misawa says later to Judai's face that he and the supreme king are the same person. Judai later is able to use the Supreme King's powers and maintain complete control, because the Supreme King isn't a split personality. Judai even says when Amon is sacrificing someone he loved for power, that he was doing the same thing as the Supreme King, sacrificing everything for power.

We later learn that the ritual that sacrificed four of Judai's friends was a part of Yubel's schemes, but that's the only thing Yubel set up. Judai made every bad irresponsible decision that led to his friends being captured. Judai was the one who snapped and decided to complete Super Polyermization after it was completed. Learning Yubel was behind the sacrifice ritual doesn't take away any agency from Judai at all, because Judai is responsible for his own decisions.

What it does do is create another parallel between them, because we learn the reason Yubel set up the sacrifice was to make Judai walk the same path that they did.

Judai is hurt, abandoned and isolated and in that situation he ends up lashing out at everyone around him in a similiar manner to Yubel. When Judai is put through similiar trauma, he doesn't overcome it in some heroic way because he's an innately good person, no he succumbs and behaves in ways that are incredibly similiar to Yubel.

Even when Judai's friends selflessly try to help Judai, he resists them every step of the way. He ignores their constant calls to him, their comfort, and he even fights them. Judai is eventually reached by the efforts of Jim and Austin combined, but they both die in the effort. Judai is saved because Jim and Austin were way better friends to him than he was to them.

Judai is effectively snapped out of his destructive spiral, but he's left alone with the sobering realization of everything he's done and the blood of two more friends on his hand.

When it's time for our hero to finally face Yubel, he no longer has the moral highground. Now when he faces Yubel it's not as hero and villain, they're just two sides of the same coin. Two people who when they were abandoned, lashed out and hurt everyone around them.

The question is no longer can Judai save Johan. The question now is whether Judai can live with the guilt he's carrying within him, and for that matter can Yubel live with the guilt of what they've done now too?

By this point Judai's been completely deconstructed. He's no longer the hero of the story, he's just a flawed person who needs to fix his flaws. He has the choice to live with his mistakes, and the biggest conflict now is whether he's going to save his villain foil Yubel, or strike them down in order to save the rest of his friends (the three that are left).

This also creates a much more compelling reason for Judai to save Yubel. Not just because Judai is responsible for Yubel's creation, but because they've both made the same mistakes, they have the same traumas and the same scars. Jim and Austin were willing to risk everything to save Judai even when he didn't deserve it, and didn't want it. Now is Judai capable of doing the same thing, of reaching Yubel the way he was reached, not for the sake of saving the world but for helping a friend?

I just want to save my friend. That's all.

This is to me a very compelling setup for the challenge of whether or not Yubel can be saved. Judai's not really saving a helpless victim, he's not acting out of a sense of duty to sacrifice himself for the world, he's being challenged to save someone who suffers from all the same flaws that he does. Judai and Yubel are so similiar at this point it's really just Judai saving himself.

The Dark Deku Arc - Setup

This is the part where I'm actually going to praise MHA. Shocking I know. Season 1 and 2 of Yu-Gi-Oh GX are about 105 episodes in total. The Dark Deku arc begins at about episode 131 with Deku's decision to leave the hospital by himself to hunt down Shigaraki and AFO alone and try to understand villains better.

The 130 episodes up until that point are much better build up, than the first 105 episodes of Yu-Gi-Oh GX. To put it frankly GX is paced like ass. There's far too much filler, and because of that the plot points the anime is trying to make are delivered less efectively. In fact 105 is a good example of what I said above, that ideas are one thing and execution are another.

Season 2 especially is a season filled with good ideas and weak execution due to pacing. Here's one I use as a go-to example. There's a character named Edo Phoenix who's on a quest to find who killed his father. The ending of his plotline is he discovers that in a twist, the man who adopted him is the one who killed his father, and he's been encouraging Edo to investigate because it lets him spy on the police investigation and keep it off his tail.

That's a good twist - however that twist happens in the same episode that Edo's adoptive father is introduced. The audience is given literally no time to even get to know Edo's adoptive father, or get invested in their relationship so the twist doesn't hit at all. A better paced story would show Edo's relationship to his adoptive father early on, get you invested in them, only to pull the rug out from under you so you would feel the shock of that betrayal alongside Edo.

GX establishes its character cast, and yes the filler does give the cast time to breathe and they're all well characterized but because the plot around them is so poorly structured, none of the plot points really hit. Okay, Edo's adoptive dad is evil. Next! You can have good characters, but if you don't put them in a strong narrative framework that challenges them then those characters are just gonna kinda sit there.

The first 105 episodes of Yu Gi Oh GX does succesfully characterize most of the main cast, but it also feels like everyone's just goofing around. In comparison the first 135 episodes of MHA much more successfully builds an escalating conflict. Each new arc either introduces you to a new facet of the world, makes the amin characters more complex, or adds to the conflict.

We basically go from arc 1 "The hero high school is fun" to Arc 2 "The villains are a serious threat" to the Camp Arc "Oh shit, Shigaraki is learning and the villains are getting stronger."

When Bakugo is kidnapped at the end of the camp arc, the tension is ramped way up with the appearance of AFO, and All Might's retirement.

After that point we're introduced to the Overhaul arc, which not only again makes the League of Villains more complex and sympathetic, but also introduces the audience to All Might's more flawed side - the fact that All Might literally worked himself to death saving others and it still didn't work.

Then My Villain Academia -> The Villains are now a threat and they have an army.

Each arc builds on a previous arc, the characters and the world grow more complex, and it feels like you're learning about these complex issues alongside the characters. It just makes Yu Gi Oh Gx look like the silly card games show by comparison, by setting up this very layered world, and conflict, and heroes that challenge the protagonists on what it means to be a hero and what it means to be a victim.

Then all of that great setup.

We are side by side with the proagonist. We, like Deku now want to see if someone like Shigaraki can be saved. We, alongisde Deku want to better understand the villains and learn to see them as people. We want to know if the corrupt hero system can be salvaged.

However, these are too many questions so let's boil it down to two once more, because this is looking at Deku's character.

Deku and Judai are in some ways different as night and day. Deku is an introverted nerd and the victim of bullying, and he starts out with no quirk at all. Judai is a self-confident, charismatic prodigy who instantly seems to charm and befriend everyone around him. Deku desperately wants to be the hero and works his way up there, whereas Judai is just kind of thrown into the school hero because he's the best at dueling.

Judai is kind of a mix of Bakugo and Deku's traits, he's a self confident prodigy who always wins, but he's also someone obsessed with heroes and who has a hero-complex where he's continually forced to save others.

The Dark Deku arc, like the Supreme King Arc looks to take a darker, more introspective look at Deku's character, while also exposing Deku who is a sheltered kid to the a very grey on grey world. It also seeks to deconstruct Deku's suposed "hero complex". Despite the many differences between Deku and Judai I believe the two questions an be boiled down to the same thing.

Is Deku Selfish?

Is Deku's hero complex a bad thing?

These are the questions the series itself is asking in the deconstruction of Deku's character. Deku himself is asking if there's a better way to save villains tha just beating them down or outright killing them, but we'll discuss that later.

Just like Judai there is some setup before this to give a previously very one-note Shonen protagonist mor depth. Deku and Judai are both people who fit the determined, punchy, solve everything fist fight shonen protagonist to a T, on top of being the one to always show up to fight for their friends. Just like in the beginning of season 3, we do have some hints before this that there's something wrong with this attitude. That there's something about Deku that's not entirely there.

There's a flashback of All Might talking with Bakugo where Bakugo discusses that the fact that Deku never takes cares of himself or factors himself into the equation when he always puts others first deeply bothers him and there's "something wrong with it" that's made him always push Deku away.

This flashback also leads into a scene where Bakugo pushes Deku out of the way of one of AFO's attacks, telling him to "stop trying to win this on his own." In an attempt to make Deku see that he's not fighting alone this time.

Deku has also been warned repeatedly about the way his power destroys his own body when he uses it, warnings he's repeatedly chosen to ignore. Saving others isn't just a goal for Deku, you could arguably say it's a method of self-harm and that's what unnerves Bakugo. Bakugo even gave a similiar speech in the past, about how someone like Deku shouldn't take all of the bullying that Bakugo has given him over the years and still try to be his friend afterwards. At this point it's not really like Bakugo's done anything other than tone down the constant insults a little bit, he hasn't apologized or anything but even this early in the manga Deku has a tendency to just let Bakugo's treatment of him go. It's not like they were super best friends forever before the bullying started either despite what the shippers might tell you. Bakugo is saying it's weird that this kid just takes it, and takes it, and takes it without fighting back like he doesn't care about how people treat him and Bakugo is right... that is weird!

Deku either has such low standards for how he's treated that he just lets Bakugo get away with it, or he just doesn't hold a grudge when he is mistreated because his pain and his suffering just always matters less. Either way it's not healthy, and it could be indicative of a deeper problem hiding behind the surface.

Either way there's setup here, because on one hand you have everyone and their grandma praising Deku for his "drive to save others that eclipses all common understanding."

While at the same time he's criticized by Bakugo for having no regard for others. This could be the setup for the character trait that led to his earlier success leading to his downfall later. In Judai's case, everyone praises his purity of heart, but then that purity is later criticized as childishness, naivete and a refusal to grow up.

As for Deku...

How can you protect others if you can't even bother to protect yourself? How can you save others if you can't save yourself? That's the question Touka asked of Kaneki in Tokyo Ghoul when she rightly called out his desire to protect everyone at the Anteiku Cafe as just a roundabout way of getting himself hurt by acting recklessly.

In Kaneki's case he's not trying to protect anybody, he's just picking battles against the doves and getting himself hurt. He's acting out a hero complex in the sense that if he feels like he didn't fight his friends battles for them like Judai then he wouldn't have any friends to begin with. That's why Touka also says "Besides that, everyone doesn't belong to you. You have no business protecting us."

Is Deku fighting for the same reason? Does he harm himself to protect others because he views himself to be worthless and the only way to demonstrate his worth is try and fight to save others?

We don't get an answer for that question. Judai thinks duels are fun, and he's really good at them, and because he's good at dueling he's made friends. He think to keep those friends he has to keep dueling for the sake of others.

Deku's not motivated by the idea of protecting or keeping his friends, that's a secondary motivation. All we have on Deku is that he feels a strong desire to save others, and that he worshipped heroes like All Might growing up but has a naive idea of what a hero is supposed to be. However, his lack of motivation could be the "something that's missing" just like Judai has.

The GX writers did some hardcore digging into Judai's character by focusing on how shallow he was in motivation compared to everyone else, and showing that to be a symptom of his childish naivete.

There's also the potential parallel between All Might and Nighteye's breakup, and Deku's decision to leave all his friends behind to hunt for Shigaraki himself.

Even if Deku doesn't have a deeper motivation than just "an unnatural drive to save others" then you could show the effects of Deku walking down the same path that All Might did, the belief that he has to be the one to save everyone singlehandedly and if he rests for a single moment than someone might die, leads to him not only destroying his body, but also doing permanent damage to all of his social relationships.

Even if Deku's motivation isn't too deep, you could still have the traits that led him to earlier success now driving him to ruin as the story punishes Deku for his excessive selfishness.

This is also where we finally get back to Deku's goal of understanding Shigaraki, and contemplating whether or not it's possible to save villains without killing them.

I draw a parallel between this and Judai's enemies calling him out on lacking "darkness of the heart" and that without understanding that darkness he can't win.

Judai's lack of darkness of the heart means two things, he's not mature enough to understand the reason why his enemies are fighting, and he's also not mature enough to se the darkness in his own heart which is why he ends up blind to his own flaws and making pretty severe mistakes later on.

For Deku, it's mainly a lack of understanding of the motivations of the villains he's fighting again, villains he's only ever really beat down with his fists until now.

However, for Deku lacking darkness of the heart you could also re-contextualize that as meaning because of his idealization of heroes he's never once looked at the darker sides of hero society that might have driven people into becoming villains.

Deku's lack of inner darkness may just come from the fact that compared to the villains he's fighting against, he's gotten to live a pampered life. Without understanding that darkness, he can't be a full person because he'll still be a naive sheltered child, and not an adult wise to the way the world works and the moral greys he inhibits. Either way, it's just as necessary for Deku to gain an understanding of "Darkness of the Heart' as it is Judai.

So here's all the setup for the start of Deku's Dark deconstruction arc. As different as these characters and scenarios you can still boil it down to those three narrative questions about Deku / Judai, is there behavior selfish? Are there hero compelexes a good thing? Do they need to understand darkness of the heart?

Before moving on I'm going to summarize Deku's setup as thus:

Deku's actions are selfless.

Deku's motivations are also selfless (a desire to save others).

Deku does not benefit from saving others in any way, if anything he actively harms himself in order to do so.

Bakugo finds this behavior incredibly disturbing.

All Might destroyed his body and burned all bridges because of similiar flaws to Deku.

So the answer to the first question is Deku selflish? No. Is his hero-complex a bad thing? Potentially.

While Deku himself decides that he needs to understand darkness of the heart in order to better understand villains. Deku is actually more set up to contemplate darkness of the heart than Judai is, because Judai charges into the dark world blindly with only the motivation of saving Johan not even caring for Yubel, while Deku has the explicit motivation of trying to understand the little boy inside Shigaraki.

DEKU LEFT THE HERO ACADEMY

Deku begins the arc by leaving alone to go searching for Shigaraki, with hand-written letters addressed to all of his friends that tell the truth about One for All and also say Goodbye. He makes the deliberate decision to leave them behind so they don't get targeted alongside of him. It's a pretty classical superhero motivation, I need to cut myself out of my loved ones life in order to protect them. Of course this sort of ignores that everyone in his class has super-powers too, but you know heroes they're all such drama queens.

Is this selfish behavior?

This is going to be the only time I'm going to solidly answer yes. Deku clearly did not take his friends feelings into account. His desire to protect them, is more important than their own agency. They also might want to fight alongside him, they'd be upset if they saw him die or get hurt trying to protect them. Deku thinks of his own feelings of wanting to keep them safe and not being able to handle the emotional burden of protecting him, more than he does their own personal feelings.

This is also something that All Might did they permanently burned all of his bridges with his sidekick and friends, and deeply hurt his sidekick who was just asking him to take a break so he did not get himself killed and quit because he didn't want to watch All Might slowly kill himself by inches.

Deku is being selfish here, and later on when he does face his friends he even acts pretty condescending belittling them and insisting they can't fight on their own or keep up with him.

However, I need to ask a secondary question.

Is there any lasting consequences for this selfish behavior?

Besides the fact that it hurt his friends feelings for a little bit, no. I spent a much longer time covering this in Judai's sections because Judai's selfish behavior led to character conflicts. Judai disregarding his friends led to everyone starting to resent him in the Dark World, and their once tight-knit friend group further falling apart.

Judai on three seperate occasions makes impulsive decisions to run ahead without consulting with the group. The second time he outright lies to the group and sneaks ahead without them. THe second time all of his friends are captured when they go after him and try to follow him to give their support because they're worried about him. The third time he makes the decision to run ahead, he knows about the danger they're in and the risk of getting captured and he just blatantly ignores them. When Austin notices they're missing Judai doesn't even go looking for them because they're not a priority at this point - saving Johan is.

This is something that has very real and lasting consequences in the story, they're captured because of his recklessness, and sacrificed in front of his eyes. Even though they technically come back in season 4, the trust between Judai and his friends is all but gone and he's alone for a lot of Season 4.

Judai's decision to abandon his friends has direct and lasting consequences. He is being punished for his hero complex. Running ahead, and fighting alone against the bad guys is what Judai has always done and what's worked before, but now in a more complicated world it's not cutting it and Judai is being challenged for his flaws.

Deku hurts his friends feelings a little bit, but even in that case the focus is on how sad it is for Deku, how hard it must be to be a noble hero fighting alone.

Deku's Mary Jane and Spiderman bullshit never impacts his friends directly, other than the fact that they find it slightly condescending. His "I need to keep secrets from my loved ones attitude" is challenged because his friends want to fight alongside him, but there's never any narrative punishment delivered to him. It's just solved with one fight scene and a character holding out their hands. Whereas, the consequences for Judai's rash actions last two seasons.

I call it "Mary Jane and Spiderman" Bullshit, because Spiderman keeping his identity a secret from all his loved ones is a big conflict in the comics. Something that got Gwen Stacy killed, because Peter Parker never told her his identity in order to protect her, and then that just ended up with Norman Osborne finding out about her anyway and kidnapping and killing her.

You might have heard of the "Death of Gwen Stacy" it's a pretty famous moment in comics. It's also a case where it shows that the Hero's failure to communicate honestly with their loved ones in the name of "Protecting Them" can actually get them killed.

There's even consequences in MHA itself for heroes choosing to sacrifice their personal lives to help complete strangers. Shigaraki literally made a whole speech about it. Kotaro Shimura is traumatized for life over his mother's decision to abandon him instead of giving up on being a hero. Nana Shimura believed she was doing something selfless in sending her child into foster care to keep him out of AFO's clutches, but that was shown to be wrong as AFO just found Kotaro's household and then destroyed him later on in adulthood anyway.

So in the story we are shown scenarios where choosing to abandon your loved ones in the name of "protecting them" can have disastrous and lasting consequences, but as for Deku himself, the decision to leave the school has basically no consequences whatsoever.

Well, Deku making the decision to fight alone is something that might lead to some consequences. After all, Judai's breakdown came about because he always felt the pressure to fight alone and carry everyone's weight on his shoulders until he couldn't.

Perhaps, with Deku fighting alone to protect everyone we'll reach a similiar breaking point. Just as Judai couldn't handle carrying everyone's burdens, looking for Johan, and leading his friends into the Dark World all that the same time and eventually broke down maybe we'll see Deku break down because he just like All Might can't carry the burdens of an entire nation - oh wait nevermind he's working with the Top 3 Heroes.

Even the premise that this is Deku leaving the school, to become something like a vigilante wandering the countryside trying to fight AFO on his own is just incorrect because Deku is receiving government assistance right now.

In the Dark World it was really just Judai and his friends, so every single bad decision Judai made had consequences because they were well and truly alone. Deku has backup so he's not even really "alone" in the arc that's supposed to be about him fighting AFO and trying to understand Shigaraki alone.

ALL YOU'LL FIND IS BLOOD AND VIOLENCE

Let's briefly focus on questions two and three, is Deku's hero complex bad, and does Deku need to understand darkness of the heart?

Judai's hero complex was based on the idea that if he wanted to have friends he needed to fight for them and solve their problems for them.

Judai got in such an unhealthy negative feedback loop, that he had to carry his friends burdens in order to maintain his friendships with them, but at the same time he couldn't receive any help from them because he made their friendship all about him carrying their burdens. He was operating underneath an amazing pressure to always win until he lost. The very thing he did to try to maintain his friendships, keeping his friends at arm's length and fighting alone is exactly what ends up driving them away and leaving him alone.

But, still...! They're all... They're all gone. There really was something missing in me. But what is it? What was missing? What should a duelist burden themselves with?

Judai paradoxically fights alone in order to keep his friend group together, which only ends up with him losing four friends and being abandoned by the rest when they're disappointed for him in his selfish behavior. Judai screams out why, realizing he did something wrong here, that something went wrong because he's been winning duels, he's been fighting the same way he did before only to end up with the worst option possible. The realization that he is truly alone breaks him down entirely.

Judai's hero complex unwravels when simply charging ahead to fight doesn't work for him anymore, because the situation becomes more complicated than that. Darkness of the heart can mean many things. Judai not understanding his own personal flaws. Judai not seeing how his flaws are affecting others. Judai not looking at other people's emotions, he doesn't hear or respond to criticism when his friends start trying to tell him how is selfish decisions making is making them feel.

I can't just stay and wait. All this time I've run on instinct, never second-guessing myself. If I just stand still now... I'm sure I won't be able to start running again. And I won't be able to get to Johan.

Judai's hero complex has a clear source - he believes he has to keep running ahead and fighting for his friends the same way he always has in order to keep those friends and if he stops he'll lose everything / succumb to the guilt he now feels about being uanble to save Johan. His Hero Complex also has clear consequences, him running ahead without thinking gets all of his friends kidnapped and used in a sacrifice ritual that could have been avoided if he had made different choices.

Spiderman kills Gwen Stacy because Peter Parker deciding to not tell her about his secret identity to protect her backfired and made her an easy target to the Green Goblin.

Heck, Spiderman's entire character is about how the burden of being Spiderman and his Hero Complex constantly sabotages any attempt he makes at having a personal life. Miguel O'Hara's catchphrase in the incredibly popular Spiderman movie is that "Being Spiderman is a sacrifice" and he's not wrong either.

SO, is the narrative punishing Deku's hero complex in any way?

Well, the one warning he did receive that if he kept fighting he'd lose permanent loss of his arms turns out to not matter anymore because his body is just stronger now.

So, even the phyiscal toll of fighting alone that's a consequence for Deku doesn't actually apply here.

I keep talking about consequences but what do I actually mean? Am I talking about strictly punishment? Do bad things need to happen to characters in order to get their lessons?

Not necessarily.

When I say "consequences" I mean in terms of actions always having consequences in a story. The best stories are succinct, that means you basically cut down in as many frivolous details in a story as much as possible so everything that happens onscreen is something that matters and contributes to the whole. Therefore, every action should have a consequence directly seen onscreen in story. Stories are all actions and consequences, the choices the characters make should have direct impact on the plots and the other characters because it makes those choices seem like they matter.

If the story constantly draws attention to the fact that Deku is afraid of ducks, but the story takes place on the moon and there are no ducks living on the moon then that's a wasted plot thread because there are no consequences. If a character does something bad, other characters should discuss it, or it should negatively impact them in some way.

When Judai decides to run ahead without all of his friends for the first time after they all agreed on a plan, the result is the next episode they all start talking about their shared doubts with Judai when he's not around. If they all just swept Judai abandoning them under the rug, then Judai running ahead and leaving the others alone doesn't feel like an impactful character flaw.

There's no lasting consequence for Deku's hero complex. It doesn't drive him to any kind of breaking point like it does Judai.

I think the reason why is because there's no real moment of failure for Deku. When he tries to ask Muscular why he fights, and Muscular rejects him and says that he was just born evil and has no deeper motivations, Deku's not frustrated at all.

Deku who feels a "unnatural desire to save others" isn't really bothered by the fact that Muscular insists that he can't be saved and that they can only fight. Despite this technically being a failure, Deku has failed to talk a villain down, failed to find a way other than fighting and also failed to understand the darkness in someone's heart it's of little consequence because it's not framed as a failure.

Deku just punches Muscular, back to the drawing board.

There's another manga called Choujin X running right now, where the main character is on a similiar quest trying to see if there's a way they can save the big bad Sora Shihouhin, and when he is forced to fight against a villain who won't back down, de-escalate, or listen to reason he has a complete emotional breakdown.

This is the reaction of someone who's genuinly invested in the idea of saving the villain, and frustrated with the reality that he might not be able to save her, that he can't talk to the villains or convince them to back down. Tokio's not even characterized by an unnatural desire to save others like Deku is, so why is he the one breaking down and not Deku someone apparently so selfless that he wants to save the mass murderer that's trying to destroy society?

If Deku's desire to save others is so strong why doesn't he show frustration at being unable to talk down, or understand Muscular?

Judai is stuck in a negative feedback loop where he's forced to fight for others, because he believes he has no worth to his friends otherwise. All we're told of why Deku feels the need to save everyone around him is that he's just like that, he just feels like saving everyone no matter who they are the moment they come into view.

If we're choosing to characterize Deku that way, then number one he should be attempting to save everyone, and number two the stress of having to save everyone is something that should get to him. His "Hero Complex" should be what's breaking him down at the moment. The unnatural desire to save everyone around him that led him to so much success should be what's punishing him this arc.

Judai felt pressure from two aspects, first the pressure to carry everyone's burdens, and second the lack of understanding of darkness of the heart. Unlike Judai who doesn't want to understand darkness and who avoids it as long as possible, Deku goes into this arc actively seeking to understand how his villains think.

Deku and Judai also suffer from a lack of darkess in their own hearts. This leads to them having empty motivations. Judai has a childish desire to enjoy fun duels. Deku has a childish desire to save everyone. Neither of them have tried to grow or change or even question those motivations in any way and because of that they're stunted people.

Judai doesn't know why he fights. He doesn't question why he fights. He just takes on the burdens of others to give him something to fight for. This all together leaves Judai blind to his own personal darkness, and also because of that blindness he can't grow in any way because he never evaluates himself, he never looks at himself and tries to change.

When he's on his knees and at his breaking point he screams at the top of his lungs, "WHY? WHAT AM I MISSING? WHAT DID I DO WRONG?" simply because Judai's never thought about these things.

Deku's asked these same questions both in the Dark Deku arc, and hundreds of chapters later he's asked what he's planning on doing as a hero in order to make things better and Deku never materializes an answer.

Pre-Dark Deku Arc, during Dark-Deku Arc and Post Dark Deku arc, Deku always solves his problems by recklessly jumping in and saving others. There's never any point where he's punished or criticized for this behavior in any significant lasting way. He never has to self reflect and develop a reason on why he wants to save others, or eve think about how he's going to save others, he can just keep acting as the rash, impulsive hero.

Judai and Deku are both characters who are empty, and lacking in motivation but Judai is ruthlessly criticized for that until he reaches his breaking point and is forced to look at his motives.

This once again comes from a lack of failure on Deku's part. Deku never fails the way that Judai does. There's a scene where you could have easily had Deku fail. The entire Nagant vs. Deku fight where Deku fails to give her any substantive answers to his questions.

Imagine if Deku's simple philosophy of always extending a helping hand failed here. Imagine if Deku actually got deeply ivnested in the idea of saving Lady Nagant, and did his beset to talk and reach out to her but his answers weren't enough and because of that she just chooses something like suicide. Imagine he has her by the hand, and she's dangling off of the roof and he thinks that his impressive move to save her should have been enough - he's reached out a hand like always. He thinks this should have won her heart over, by showing her that someone still cares in all of her despair.

Then, Nagant in one final spiteful move lets go. The person he heard her entire backstory, the person maybe he once was a huge fan of her when she wasa hero, the person he wants to save the same way he wants to save Shigaraki chooses to let go and fall to her death because dying would be better than living in whatever kind of corrupt world that Deku is trying to build.

This could be Deku's Gwen Stacy moment. Spiderman carelessly webs Gwen Stacy whe she's falling to catch her and for a moment he thinks he's saved her because he's overconfident and has caught people falling like this a thousand times, only to find out he's snapped her spine. His overconfidence, his hero complex making him believe everything magically would work out led Gwen Stacy to her death. This could show the simple act of just offering a hand out to someone in need isn't enough, without empathy and understanding.

Instead, AFO just blows Nagant up in Deku's face.

Except, that isn't even a failure bcause Nagant turns out to be just fine! There's no point in blowing up Nagant except for the spectacle of it, because she turns out to be fine five minutes later and even shows up to fight in the next arc.

There's no consequencs to anything that happens in this scene. Deku doesn't suffer any consequences for being blind to the faults of society. (He's working right alongisde a killer cop just like Nagant and he doesn't even care.) Deku isn't forced to reflect on what saving people or making society better would even mean. He also isn't punished for his lack of understanding the way that Judai is.

Afterwards, Deku denies help to a very mentally-ill Overhaul, who is apparently not one of the villains that Deku wanted to save. There's a whole buch of asterisks on that "Deku wants to save everyone***" goal. This also isn't framed or used to paint Deku in a bad light because Overhaul is unworthy of salvation in Deku's eyes for hurting Eri.

Is this action part of an arc? Is Deku reaching his limit with trying to sympathize with villains only to see people like Overhaul and Muscular fighting him every step of the way and telling him they don't want to change?

Nope, this scene is never brought up again.

Deku never fails, and he never does anything wrong. Even when there are situations where you could argue he does do soemthing wrong, like denying the armless, mentally ill Overhaul help - he's not painted as being in the wrong.

The entire arc is supposed to be about criticizing the protagonist for their hero complex, and their lack of understanding of the darkness of the world but for Deku there's no criticism to be had here.

Compare this to the sacrifice ritual in the Supreme King Arc, where not only does Judai fail to save his friends, but the friends that survive ruthlessly tear into him aftewards for his selfish behavior. THe actions of one protagonist matter, have consequences in the story and are criticized. The actions of another protagonist have no real consequences and are never criticized.

The whole mansion blows up and... nothing happens. No one's injured in the explosion. It may as well have not happened in the story because there are no consequences for Deku just continually choosing to blindly run ahead like his hero complex tells him to.

There's evena moment where Deku winds up in a similiar situation to the dark ritual. After receiving information from Nagant, he blindly wanders into a mansion in Haibori woods believing it to be AFO's base, only to find out it was a trap and AFO was waiting for him to blindly charge in all along.

THAT'S WHAT MAKES US HEROES AND VILLAINS

This is where I'm going to talk about another big similarity between Deku and Judai, and also the biggest point of divergence in the Dark Deku and Supreme King Haou arcs.

Deku and Judai are both character foils with Shigaraki and Yubel respectively. This is where I'm going to praise MHA again, surprising everyone.

The foiling between Shigaraki and Deku is masterful. They both started out in relatively the same place, as boys with dreams to become heroes who were softly told no by their parents. Tragedy struck Shigaraki and he killed his family on accident and wound up alone wandering the street for days until he was found by AFO.

They're both the students of the greatest hero and villain of the last generation. They both end up being surrounded by a group of close Nakama that they want to protect. They're both continually challenged to grow up, and show how they're going to be better than their predecessor for the hero and villain sides respectively. They both have to prove they are worthy successors. Shigaraki has all the heroic spunk and determination that Deku has but on the villain's side, and while Deku loves heroes, Shigaraki is hero society's critic wants to bring down the hero system that didn't save him.

You get the feeling that Shigaraki really is Deku just in a different situation, a same person on the opposite sides of the conflict kind of character foiling.

As the biggest Yubel stan here, in some ways the foiling for Shigaraki works better than the foiling for Yubel because Shigaraki isn't just Deku's foil, he's the foil for all of society. Yu-Gi-Oh Gx takes place in a society run where everything centers around card games, it's not really that deep. In My Hero Academia you have that 100 episodes of great setup where Deku is not only learning to look at the darkness within himself, but also the darkness within hero society around him.

Judai's narrative as much as I love it, is entirety about Judai.

Not only could Dark Deku arc develop Deku's character, it could also say something deeper about the world it's taking place it, because Deku has all these connections to Shigaraki, who also kind of represents the orphaned boy failed on all levels by the society around him.

Shigaraki is the shadow of -> Deku, but also Shigaraki is the shadow of -> all of society.

Yubel is the shadow of -> Judai, and only relates to Judai's personal growth.

Yubel is Judai's personal villain, and was created by his actions as a child. His decision to abandon Yubel into space, led to Yubel being tortured and their later madness.

Yubel is also Judai's shadow. They carry all the same flaws, but those flaws are obvious in Yubel and repressed in Judai. Yubel's belief is that Judai is someone who purposefully enjoys hurting their friends, and that's how he shows his love. While that's twisted it's not hard to see how Yubel came to that conclusion. After all, Yubel loved Judai so much only for Judai to abandon them and turn a blind eye to their suffering. In the Dark World, Judai abandons his other friends continually in order to search for Johan, and they wind up suffering too.

While Judai doesn't sadistically enjoy hurting others as Yubel put it, there's an element of truth to Yubel's criticism. Judai does abandon people, Judai isn't as empathic as he seems to be. When Judai is subjected to the same kind of isolation and abandonment that Yubel has endured for the past ten years, Judai loses his mind a whole lot quicker and starts lashing out at everything around him the same way Yubel has. Judai without the love of his friends starts to hurt everyone around him in his lashing out, the same way that Yubel desperate for love starts to inflict pain on the people she loves. Even before the ritual happened, Judai was unwittingly hurting his friends with his own selfish behavior.

Yubel's stated criticism is "of Judai is "Anguish and sorrow born from loneliness. That is the nature of love as you taught it to me" and further beyond that "When you forgot about me, I suffered. It's hot. It hurts. I am in pain. Why? You know how much I love you? Why did you do this to me, Judai? In that moment I realized that was how you showed love. Because you loved me, you hurt me and made me suffer."

That sounds crazy, but hasn't Judai been hurting the people he loved for his own selfish reasons this entire arc? Is it that crazy then to conclude that neglect and abandonment must be how Judai treats everyone he loves, so surely he loves me.

One of the biggest criticisms of this arc is how Judai's behaviors impact his relationships, so of course his most personal villain and foil is his jilted ex nonbinary dragon lover. On a less joking note, when Yubel was displaying troubling behavior as a child, Judai's first response was to abandon them. Which is ironic for someone like Judai so paralyzingly afraid of being abandoned that he became everyone's workhorse and worked himself to death solving their problems for them. Who when abandoned by those friends finally, snaps just as hard as Yubel did when they were abandoned.

Do you see the parallel I'm drawing here? Judai is slotted into the spot of the protagonist who's friends with everyone he meets, who loves and fights for his Nakama. Yet under closer scrutiny he's shown that he doesn't really understand what love or friendship is or how to give and receive love from others in a healthy way. His antagonist is his former childhood best friend, who is obsessed with love and demands that Judai love them back. Judai's lack of understanding of relationships and love takes a dark twist with Yubel, their shadow, foil and antagonist.

These are once again very personal challenges to Judai, society doesn't really factor into this equation. Though, Judai is somewhat challenged as a hero because there's an irony to Judai plunging into the world to save his best friend Johan who he's known for like three weeks, but not really lifting a finger to save the antagonist of the arc Yubel who he's known since childhood and is personal responsible for putting through torture.

That hypocrisy there too, is a personal challenge to Judai that paints him in a less heroic light. He wants to save Johan and ignore Yubel because it's easier, because saving Johan relieves him of his guilt. He doesn't even know what to do about Yubel, so he doesn't try and falls back on his previously established behavior of playing the hero.

The hero is really just a mask for Judai at this point, something the story has ripped right off of his face by the time it comes to face Yubel.

There are two ways in which Yubel serves as an ultimate foil to Judai.

Yubel acts like a callout post to all of Judai's flaws

Yubel represents a dark path Judai could have taken.

This second one is what Shigaraki and Deku have in Common with Judai + Yubel. There's something deeply tragic about the idea that while Deku was making friends, getting taught by a loving teacher like All Might, Shigaraki was all alone being pushed by a ruthless manipulator like AFO into becoming the worst villain.

Judai and Yubel's lives follow the same tragic parallel path. They began in the same place as childhood friends, but after abandoning Yubel, Judai spent the next ten years growing up, making friends in a healthy and safe envirnoment while Yubel the one who was abandoned was alone in space desperately crying for Judai to come save them only to be ignored because Judai has long forgotten them.

However, there's a striking difference there too. Yubel is created directly by Judai's neglect and actions. Whereas Shigaraki is created by the neglect of all of society, it's not Deku's fault directly.

#1 Shigaraki acting as a callout post to Deku's Flaws

However, this is where Shigaraki's callout post comes in. Shigaraki gives a long speech on how the existence of heroes itself, creates villains like him.

"You heroes pretend to be society's guardians. For generations you pretended not to see those you couldn't protect and swept their pain under the rug. It's tainted everything you've built. That means your system's all rotten from the inside with maggots crawling out. It builds up little by little, over time, you've got the common trash all too dependent on being protected. And the brave guardians who created the trash that need coddling. It's a corrupt, vicious, cycle. Everything I've witnessed. This whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I take power for myself. Simple enough, yeah? You don't understand because you can't understand, that's what makes us heroes and villains."

To break it down simply, heroes look away from the faults in their society, they intentionally ignore the people they cannot save, and when those people turn into villains the heroes beat them down hard. The villain attacks then convince the common people of the need for heroes, and the cycle perpetuates itself. This is all powered by the people's blind, uncritical faith in heroes.

Deku is a person who has that same blind, uncritical faith in hereoes, and until this point has never thought of Shigaraki as anything more than a villain to be punched until he stops. Which is why this is still a callout post that applies to Deku, because Deku's blind admiration for the Hero System is part of the problem that enables the very flawed hero system.

Deku does not understand darkness of the heart, therefore Deku does not understand that heroes could possibly be bad, and he could possibly be supporting a bad system until he's slapped in the face with it.

However, is there a lasting consequence for Deku's blind support of the hero system?

Nope.

I just described up above what could have been a consequence, if Lady Nagant refused to have faith in Deku since he didn't back his words up with action.

Deku also clearly does not want to break away from the corrupt hero system that created Shigaraki, because the heroes that he brought along to fight with him are Endeavor, Hawks and Jeanist, a child abuser, a state sponsored murderer, and a guy who makes bad puns. He doesn't change any of his bahavior that enables the corrupt system to stay in power.

Not teaming up with the Top 3 heroes, and deciding to go full vigilante would have at least have been breaking away from that system.

This circles around to a big underlying problem in this whole arc in that Deku isn't really doing anything different from what he was doing before, and he's not punished for his character stagnancy either.

So we're left with.

#2 Shigaraki represents a dark path that Deku could have Taken

This is where Judai / Yubel succeeds and Shigaraki / Deku falls flat on its face.

When pushed to his absolute limit after failing repeatedly, Judai snaps. With no friends left he decides that all that matters is power. This path seems natural for him because we've already seen what being abandoned and left alone can do to a person and how it twisted Yubel. The story hints again and again at Judai's blood knight tendencies, and that he thinks the only thing he has of value to offer others is strength by fighting for them.

He loses his friends and the fighting is all he has left.

At the point of despair he decides to just embrace power. If he cares about nothing more than strength, at least that will give him some sense of control over his life after the out of control tragedy that happened to him.

"Yuki Judai. In order to defeat evil, one must become evil. In a world with the law of the jungle at work, one must rule with power." "Power? I don't have that kind of power." "In your hand lies the super polymerization card. Defeat any spirits who may oppose you, and combine their lives into it to perfect the card."

Supreme King is just a villain persona that Judai adopts to as a protetive blanket for all the hurt and pain they've gone through, just like ding, ding, ding, the villain persona Shigaraki Tomura is for Shimura Tenko.

Judai snapping under such intense pressure shows us that if even the faultless hero can snap, then how much can we blame the villain for snapping under similar circumstances? Maybe the reason both the hero and the villain fell is because they're both equally human and to fall down is human.

Deku never falls down as hard as Judai does. He doesn't even fall down and scrape his knee. There's no instance where he fails to save anyone. There's no instance where his actions hurt anyone. There's no instance where he takes things too far and hurts a villain. I kow it's unlikely for Deku to turn into a villain, but he could have at least gotten so frustrated he turned into a punisher style vigilante! Is that too much to ask?

There's not even a single moment where Deku goes too hard in a fight and injures or even kills a villain. They could have pulled an "I thought you were stronger" moment like in Invincible.

I don't know why this is called the Dark Deku arc because there's no darkness in Deku's heart for him to exploit, nor is he actually called to better his understanding of the darkness in others hearts. Judai understands Yubel's darkness because by the end of his personal arc he's been there, he's not the hero he's the atoner. He can either punish Yubel, or hold a hand out to help Yubel atone.

Deku's arc might as well be called the "My Little Pony Friendship is Magic Arc" because he never does or confronts anything dark. His worst crime is not showering. All that isolation and his repeatd failures in hunting AFO down should have worn Deku down, but it didn't because he's just that special of a boy!

Deku's hero complex also is completely uncriticized from beginning to finish. Judai's hero complex is an unhealthy behavior that utterly destroys him. Deku's hero complex is a job interview flaw.

FRIENDSHIP IS MAGIC

Just to hammer my point in I'd like to compare these two scenes. One is in the middle of the Supreme King Arc, the sacrifice ritual scene where all of Judai's friends are blaming him for the fact that they're about to be sacrificed while he's still trying to save them.

The second is the climax of the Dark Deku arc, where all of Deku's friends are showing up to fight him and convincing him to accept their help.

Just look at how vastly different these two shows treat their shonen protagonists when it comes to his flaws.

For the ritual sacrifice scene. This is immediately after Manjoume wakes up to find that he has been chained and kidnapped with Judai standing right there.

Judai: Sit tight! I'll save you soon! Manjoume: Wait, is he dueling? JUdai you damned idiot! Weren't you going to save Johan with us!? Getting yourself all flared up. You didn't even stop to think about us at all, did you? Judai: That's not it. Manjoume: That's just how you are! You were the only one in your kingdom from the get-go. We were the idiots for getting all motivated with you and feeling some sense of friendship with you being like that!

Then Judai watches helplessly as Manjoume dies. His other friends don't fare much better.

Kenzan: Big Bro? Why'd you want to save Freed's comrades when it meant sacrificing us-don!? Judai: You're wrong. That's not it. Fubuki: It's painful. This pain isn't just physical. It's the pain of a friends' betrayal that I have tearing my soul. apart. Asuka: I'm being betrayed and sent away by you. To think that I'll have to bear a sadness like this.

All of Judai's friends die spitting on him and telling him what a terrible friend he is and that this is all his fault. Which it is, because his decision to abandon them got them captured and led up to the sacrifice ritual.

Now, what scathing criticisms do our heroes have to give Deku after he left them all behind to fight Shigaraki alone?

Denki: Midoriya! We get that all for one is really importnat but you got something even more important in your life! Me and you we aint'g otta ton in common, but you're still a friend! Even if we gotta force this friendship down your throat. TodorokI: What a look you have on your face. Is this resposnibility so much that you can't let yourself cry? Seems like a burden you should share with the rest of us. Uraraka: The thing is Deku, we don't want to be protected by you and reject who you are and what you're doing, we just want to be with you (this part is narration).

Deku is told that none of his friends are mad, they want to be by his side no matter what, and that it's okay for him to cry.

I should also mention how underdeveloped this supposed nakama group is in the manga itself. The entirety of Season 3 of GX is tha the bond between Judai and his friends are more shallow then it appears, but he's also spent two whole seasons bonding with a group that consists of: Asuka, Sho, Kenzan, Fubuki, Manjoume. That's six people total including Judai who serve as is primary friend group. Their friendship is more unhealthy than it appears, but Judai has spent the past two seasons hanging out with one small friendgroup.

Meanwhile the entirety of Class 1-A shows up to tell Deku how much they love him and how much he means to them, and Deku's hung out with maybe like... four of them?

You have one bond shown to be how shallow it is, and one shallow bond treated like it's the deepest, most loving friend group in all of fiction. Deku doesn't even receive some lgiht criticism for how inftantalizing it was for him to abandon them for their own protection, because no one resents Deku or is capable of holding any negative or critical emotions towards him whatsoever. He's just told how much everyone loves him and wants him to come home.

And yes, Judai also does get two characters sacrificing themselves to try to reach him when he's the Supreme King.

However, as I stated above Jim sacrifices himself to help Judai because that's who JIm is as a person. Austin does it after Jim fails, both to honor his friendship with Jim, and also because of someone who got scared and ran he feels like he has to confront the darkness of the heart.

Jim and Austin O'brien's sacrifice is also a sacrifice. They died trying to save Judai, and Judai has to wake up with the knowledge that not only did he kill a bunch of people in his quest for power, he killed two more friends who were only trying to help him.

At the end of the arc, Judai has woken up with the knowledge that he has done bad things that can't be taken back and he's barely better than Yubel at this point.

At the end of the Dark Deku arc, Deku gets a speech from Uraraka about how amazing and selfless he is, and how he never gives up and how he always pushes forward, and how everyone at the UA shelter should appreciate him more.

The Supreme King arc exists to criticize Judai. The Dark Deku arc does nothing but flatter Deku from beginning to end.

Judai's hero mask is ripped off and he's forced to be a person. Deku's hero mask stays on, his hero complex is unchallenged, and he's praised for being teh greatest hero evarz.

I often get accused of not liking MHA simply because I expect it to be a different story than what it is. That I want it to be darker, when it's a more optimistic shonen manga.

However, here's my secret. I hate edgy superheroes. I don't like watching stuff like The Boys because it gets too dark for me. The oly reason I read invincible is because my friend told me that Omni-Man got a redemption arc. My favorite DC Superhero is Superman. My favorite Superhero of ALL TIME is Spiderman.

The thing about Spiderman though, is that it is hard to be Spiderman. The entire point of Peter Parker's character is that he has a terrible work/life balance and constantly loses people around him because being Spiderman is a sacrifice. The story doesn't bend over backwards to praise Spiderman as being a selfless hero, in fact it points out what a loser he is constantly. Peter Parker's friends are always frustrated with him and he's a wreck of a person.

Yet, the fact that being Spiderman is such a sacrifice and he keeps choosing to make it, shows what kind of person Peter Parker is, and that's just a person who does whatever he can to help out.

Even Peter Parker, the nicest, most well-intentioned boy ever has the Symbiote arc. One of the most famous arcs in comics dealing with Peter is when he lets Venom graft onto his suit, and even though the symbiote makes him violent, and makes his behavior change he spends the longest time not wanting to peel it off because the power boost the symbiote suit gave him made his life that much easier.

Dark Deku is an obvious reference to the Venom Suit, but a completely shallow reference because Dark Deku acts exactly the same as regular Deku the only reason he looks like that is he forgot to take a shower.

Superhero stories don't need to be Dark Deconstrutions, but they do need to be SOMETHING. They need to say something about the character. The problem with the Dark Deku arc isn't that Deku didn't experience a villain arc.

It's that nothing of consequence happened in the entire arc. Nothing changed. The story asked us if Deku's hero complex was a bad thing, and then it didn't deliver any answer. The story asked us if Deku needs to understand darkness better and then didn't answer that.

These are ideas that the audience promised were going to get answered. We were told Deku was going to get his development this arc that he was going to be pushed to the edge. The entire premise of this arc was that it was supposed to better help Deku understand Shigaraki and Hero Society only for Deku to not learn about either of those things.

Deku's learned nothing. We've learned nothing. Nothing has changed in the story itself. The only thing we've accomplished was wasting a lot of time that we could have been using watching Yu-Gi-Oh GX!

#mha meta #ygo gx meta #yu gi oh gx #yuki judai #judai yuki #supreme king haou #supreme king jaden #supreme king judai #yu gi oh gx meta #dark deku #ygo #ygx meta #ygo meta

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freefallfiction · 15 days

Text

File: Masterlist (Criminal Minds)

Last Reviewed: 5/16/2024

Originally posted by tinywolfcoffee

rules No Pedoph!l!c Content No Minor Interaction Send Requests Through The 'Asks' Channel Fem!Reader Unless Requested Otherwise Don't Like Don't Read Mind The Warnings Have Fun

S. Reid

United In Grief

How long can two hurting people hold on with only love keeping them together?

Late Night Concessions

Someone broke into your place; it was just past midnight and the rain was near deafening, but you were sure that was the sound of your front door window being shattered. With your phone on silent and Spencer’s number already dialed, you can only hope they’re here for your purse and tv and not the hiding girl beneath the bed.

Re-Run Special

Spencer finds love with a genius hedonistic girl who turns his world upside down, but their clash of personalities can leave him feeling a little left behind.

Play Your Cards Right

Y/n always loved Yu-Gi-Oh. From watching the show as a kid to trading and playing the card game, it’s always been a part of her life-- she should have known her boyfriend would try to learn it for her.

Coffee, My Secret Admirer

He had been wanting to try out the coffee shop on west and third for a while now, and he finally had the chance. He never thought he’d be caught up in a romance when a beautiful girl hopped over the counter and took his order, nor did he think they’d turn into not-so-secret admirers of one another.

Scale of Mental Stability

When a string of murders pick off where a long-arrested serial killer left off, the FBI’s first stop is the children of the cursed family. The problem? The only person who hates the man more than the son they arrested, is the daughter who’s out for blood.

My Hermes (Sending Me Letters From Above)

A coincidental meeting years ago leaves Spencer enthralled by a voice heard in the most unfortunate of circumstances. Y/n couldn't forget the man who gave her the best gift of all, the phone call of a lifetime.

The Seven Stages Of Loving You

A seven part series where Spencer falls in love with the BAU’s CI, or, Spencer finds out just how hard it is to build a future with someone constantly attacked by their past.

Absquatulate

Years had passed. Cases opened and closed, books were written and sold, the world spun and spun until... until it didn’t. The world kept moving until three am on Halloween night-- six shots of whiskey deep-- the world crashed down.

A. Hotch

Last Man Standing

No matter what it takes, even as bodies fall all around him and blood paints the streets, he will come home to you.

Just Like The Movies

It was a rare sight even before what will henceforth be known only as 'the incident' for Aarons smile to stretch so wide his eyes crinkled in a boyish manner that everyone believed was lost to time. It must have been a miracle.

The Egg Crusher

Serial killers in their own backyard had a tendency to start fires within the team that burn hotter than usual; one targeting pregnant women was practically begging them to shut him down. Aaron had begged her to take off work and finally start maternity leave. The worst part was she listened; the constant messages to his work email that set of ‘nesting’ alarms in his head had him convinced she had dived head first into it. Then he gets one signed off with the hidden moniker used when one of them gets themselves in trouble.

D. Morgan

Where You Go (I Wanna Go With You)

Derek always believed the job came first; complete the mission however he needed to for the case to close and the rest was simply collateral damage. Even now, when all is said and done, he couldn't say when his priorities shifted.

Where You Go (I Go)

Derek knew what it meant to be a great soldier. He knew how to follow all the rules and take initiative when appropriate; he’d learned these things as a means of survival. Even if the country he serves has dwindled down to one person, he knows to do everything in his power to get to her till his dying breath. (a part two)

Domesticated

The people at work tried to be more encouraging than envious when her boyfriend insists on driving her to and from work some random Tuesday. The imposing figure the man struck was intimidating, yet they all called him her ‘doberman puppy’.

J. Gideon

The Heart

He thought he'd lost it forever; for years it had been pegged as just another thing the horrors of his profession had stolen from him, a risk his mind simply wouldn't allow him to take. He should have known the brain had no power over matters of the heart.

E. Prentiss

Dancing With The Stars

Maybe in another world, when Emily crossed the dimly lit ballroom with a cutting smile and wandering hand, she did it without the mic in her ear.

E. Greenway

Comfort, Come Forth, King Forge

It was a dangerous field; that was all anyone ever said- you're a small girl, they'll eat you alive. For years after the academy she was always a girl first agent second; then she met her.

D. Rossi

Bella, Ciao

He may have chosen the wild life, but his heart remained every faithful in her hands.

These Trembling Hands

He thought it might be over; similar fates have happened to men far more successful than he. A mission gone wrong and they're sent to recovery, a mandates psych eval that already is stamped 'denied' to send him into retirement. He never thought he'd last this long in the first place, and if the pretty psychiatrist was his parting present he'd be a fool to look the gifted horse in the eye.

P. Garcia

Something Lost, Something Gained

It was a gilded reassignment that brought the new liaison to the team; she was, perhaps, the only agent who loathed the idea of being tacked on to the BAU's list of revolving-door members. The Cyber Response Unit had been home ever since the academy, but a single misstep had started the spiral towards madness, better known as the Behavioral Analysis Unit. Hopefully there would be someone on the team that wouldn't inherently know every little secret which had been carefully tucked away.

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shadyvoxtruth · 5 months

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How ShadyVox Threatened Myself & Others For Years

My name is Martin Billany but I am also known as LittleKuriboh in the YouTube sphere/Yu-Gi-Oh fandom.

I am posting this here for posterity in case all of my other posts elsewhere about it are removed. Also because there has never been a single unified place to find all of this information presented in sequence.

Patrick, also known by his pseudonyms of ShadyVox or Scratch21's Matt Robinson or Blake Swift, spent the better part of 2019-2023 both threatening me and manipulating a group of real victims.

A brief history - for those who don't know, Patrick/ShadyVox and myself were heavily involved in the "abridged series" world in the late 2000s/mid 2010s. I myself started the whole abridged parody nonsense with Yu-Gi-Oh Abridged, and Patrick would follow suit by doing a Yu-Gi-Oh GX Abridged. We met through content creation and formed a friendship through it. Not best friends or anything, but friendly enough.

Patrick would later leave the abridged series stuff behind and start over making music, working in original animation for popular internet channels, etc. Stuff he was genuinely very good at. It was a strong choice to move away from parody content, as it likely would have held him back at some point.

At a certain point in 2018, I received a communication from him that requested I remove certain YouTube comments on my videos that featured him. These comments were demanding to know why Patrick was following various right wing channels and were calling him alt-right, etc.

I agreed to remove the comments because I considered him a friend and automatically assumed there was some big misunderstanding. As it turned out, he was subscribed to a few channels that caused me to confront him.

I was emotional and upset, admittedly. Things politically were at a fever pitch and I had been swept up by it. I have included screencaps of our conversation.

Later I would apologize to him for my outburst and try to make amends. You're probably wondering why I would include this since it doesn't seem to involve Patrick threatening me, and it seems if anything to suggest I got upset at him.

That is because I truly believe this is the moment Patrick decided he was going to find some way to come after me. I believe that Patrick had spent a lot of time creating a mask for himself, and had worn it very well, and the moment someone saw through it for even a moment he decided I had to be dealt with somehow.

At this point - mid 2018 - Patrick and I were not close. We hadn't worked on anything together in half a decade. We really only kept in touch in a cursory fashion. So I imagine this interaction stuck in Patrick's craw something awful.

I was, however, closer with the person Patrick had worked in conjunction with on his abridged series, X. These days X is my best friend. Back then, I don't know how close we were. But definitely closer than either of us were with Patrick.

One day in 2019, entirely out of the blue, Patrick messages me privately to inform me that X once slept with a girl who was 17 when he was in his early 20s.

My own spouse was sexually assaulted before I met them, and as a result I have a no tolerance policy on anything that even could resemble assault. So I immediately ended my friendship with X.

And as I was doing so, Patrick told me repeatedly that I was overreacting.

As you can see, by Patrick/Shady's own words, this was a long time ago. Just under a decade or so, by my count.

And most importantly, Patrick had been aware of this for the whole decade or so and chose this very moment to tell me that this happened.

I want you to keep that in mind, especially the fact that when I said I was ending my friendship with X, Patrick's actual response was "it was a long time ago, he's gotten better."

It was painful to end my friendship with X, but I did. I told him that if he could provide satisfactory proof that what Patrick had said didn't represent the facts of the situation, I could be his friend again. Until then, I cut off all communication from X.

A week or so later I received specific evidence that pointed to a situation wherein Patrick was intentionally misrepresenting what happened, or the alleged victim's story. The alleged victim VERY specifically disagreed with Patrick.

You'll note that I'm not including screen caps of these conversations - that is because the alleged victim, and other involved parties, DO NOT WANT to be part of any of this and have needed actual therapy because of Patrick's behavior in the past. Not just here.

Anyway.

I returned to Patrick/Shady and told him there had been a misunderstanding. I wanted to clear the air and give him a chance to say something along the lines of "oh okay, obviously I had my facts wrong." I mean, as you yourself have just read - he said himself that this was a long time ago. Maybe he got some wires crossed.

This is how Patrick actually responded:

The screenshots were taken on different dates, hence why his twitter icon looks different suddenly.

But yes. His response to me explaining that the alleged victim disagreed with his stance, was to insist that the alleged victim must be lying and that I should be absolutely infuriated.

After he'd tried to tell me that there was no point in being upset about this information that he had sat on for the better part of a decade.

Patrick continued to scream at me via dm, repeatedly requesting that I give him my phone number so we could talk about this. I assume this is because he didn't want any kind of text evidence of what he was going to say to me, or what he was doing.

He would later, mid-conversation, tell me that he was deleting all of his dms to me. Not sure why. It doesn't remove them from my side of the conversation, so I still have access to all of them. I have not shared the entire private message thread yet, because it's sensitive and involves people beyond just myself. But if the dms ever do need to be made public entirely, I have them.

I ended up blocking Patrick during this very conversation because he had begun screaming at me, behaving extremely unhinged and in a frightening manner. I honestly think he had hoped that I would initially try to defend my friend from his accusation, in which case he was going to fly off the handle then. But because I had genuinely believed him and removed my friend from my life, only to then learn Patrick's story didn't hold water, he had no choice but to lash out now. When it didn't make any sense to suddenly be irate about a thing he had told me about, and had literally just said "it was a long time ago."

Within 24 hours, Patrick had sent me a threatening email saying he was going to expose me for everything I was doing. I have attached the highlights of the email, parts that don't involve other people's names.

Some of the references in this email - specifically about how I've associated with others and ignored people calling me out for it - are related to a podcast I was on, alongside Patrick. Until recently I had indeed tried to move on with my life after a number of the people involved had revealed themselves to be toxic. I had made efforts to separate myself from those people. It had been years since I'd really had any direct connection to any of them.

I do indeed regret not speaking out about it sooner.

Having said this, Patrick himself was equally as guilty for not speaking out - and had in fact spent a significantly larger amount of time talking to/working with the people in question.

As such, I believe a lot of this is some form of bizarre projection on his part.

I ignored the email because I was a) worried that he had suddenly snapped, and b) I didn't think any of the content warranted a response.

A day later, I received this email from Patrick where his tone has changed entirely:

As you can see, this is more in line with the reality of the situation. He is apologizing profusely and insisting I didn't actually do anything wrong, and that he was the one in the wrong.

You'll also note that he signs this particular email "Patrick." That is because it is his real name, and I believe he was possibly appealing to my humanity and the part of me that might still have seen a friendship worth salvaging. Otherwise I could not tell you why he signed his real name - he typically hates using it.

I still did not reply because at this point I was confused and scared and wanted him to leave me alone. And to that point, he had specifically stated at the end of his email that he was the problem and he would not "involve himself in my life any longer."

The police were contacted and they told him to stop. I had hoped that my part in all of this was over.

Later that very month, Patrick announced on his ShadyVox twitter account that a new GX Abridged was coming out for April Fools.

When it is posted on April 1st - less than a month after he had sent his email saying he would remove himself from my life, and not long after the police have visited him - the video contains many references to our conversations, and specifically the fact that the police got involved.

Yes, after being told by the police to stop - and after writing an email that insisted he knew he was the real problem and would be getting help - he decides to make a mockery of the situation publicly, in a manner that nobody else will understand. Except the people it is targeting.

The tweets about this video are the only thing remaining on Patrick's twitter account, as he had purged it some time ago.

(An aside - I do recall someone attempting to call Patrick out for being toxic previously on twitter, and his response was to spam them with the words "PROVE IT. PROVE IT. PROVE IT." until they gave up. I would include screenshots of this, but like I said - he purged his entire twitter except for this specific GX Abridged video he'd thrown together in a week to respond to the fact that the authorities had intervened to get him to stop)

One other important element of this video - which is where, I believe, this whole thing veers into genuinely disturbing territory - is that it is interspersed with garbled footage intended to look like some sort of creepypasta/vhs effect. At the end of the GX Abridged video, it is clear that Patrick is using this video to allude to some upcoming song tracks he is producing.

Songs that are tailored to threaten me in cryptic, indirect ways that very few people pick up on.

But I'll get to those later.

During 2019, Patrick reaches out to actual victims of the toxic individuals from the podcast I used to be on more than half a decade before any of the stuff chronologized in this post. He tells them lies, and demonizes me to the point that it convinces them that I am still both defending/supporting the toxic individuals, and actively mocking their victims in private.

I am aware of this because Patrick tweets about it - before deleting the tweets entirely. He even attempts to throw popular abridging group TeamFourStar under the bus, which I assume was merely out of spite because they had absolutely nothing to do with any of this.

I wish I had screengrabbed the tweets when they were still up, but there is still remaining evidence that they did exist.

Here is someone posting on Reddit about it - he only references one tweet, but this was around the time Patrick was posting and then immediately deleting what he'd said. I honestly can only assume - but I think he was fishing for people to latch on to what he was saying and contact him privately.

Not to mention the fact that the police had specifically told him to stop, so that was likely in the back of his mind also.

Here is someone replying to a since suspended twitter account that was discussing what Patrick was saying about TeamFourStar. Obviously I have no clear way to prove it, but please know that I have no reason to make that much up and point to a random ass tweet.

I imagine Patrick (not the suspended person in the above screencap) realized the best way to not seem directly to blame or involved at all was to remove any and all posts he'd made. Admittedly it would have worked if I didn't have the dms and these emails.

Speaking of emails, I received a third one in late 2019 - as you can see, Patrick's promise of leaving me alone forever didn't even last a year.

You'll note that he's speaking as though the second email never even happened. He's also just plain lying through his teeth for a significant part of it, but I think it's most important to note that this email requires you to assume the second email never got written.

He has gone from pages and pages of "of course it wasn't your fault, I'm the problem, you're good, I'm bad" to "I told you..."

Also, I think the words "You tried to damage me" should be highlighted here as it reinforces my theory that all of this was about me insulting him for all the right wing channels he'd subscribed to. Which, to me, was barely even a thought in my mind at this point.

So I choose to ignore this email also. Because y'know, why would I even humor responding to the guy at this point? I decide that I will only speak on any of this if it becomes public conversation. Until then, anything that happens would be because of Patrick's actions.

I do let my friends know about all of this - including TeamFourStar, who through this entire thing have been blameless and didn't even do anything to Patrick to begin with. And every time Patrick does something, I make sure people in my circle are aware and to be cautious.

Meanwhile Patrick alludes to all of this indirectly in the songs he posts to his YouTube channel. Yes, a situation that involves actual victims and one alleged victim that Patrick hadn't spoken to in years. He chose to make reference to all of this in videos where he raps, amongst other things.

There are a number of songs that feature references to this, it's mainly these two that I want to focus on

Birdy Boy is a song that is explicitly referencing Patrick's issues with me, without actually going into any details about what the issue is.

It is so clearly about me that people pick up on it - and rather than confront the issue or have a dialogue, Patrick decides to pin the comment about it to the top of the comments page.

Of course, if Patrick made any attempt to directly describe the issue or explain himself, it would likely result in the police becoming involved once again.

So he sticks to singing about the whole thing.

This next song is the most upsetting one.

Patrick/Shady writes a song called "Joker" about a psychotic individual murdering someone who "used to be funny." This is, specifically, the song that he teases at the end of the GX Abridged Episode 21 video he posted earlier in 2019 for april fools.

He has teased it multiple times on his twitter, and elsewhere, with the words "Coming Soon." The very same words he used to title his third threatening email.

Here is the email, placed next to some lyrics from the song Joker.

He is seemingly very specifically trying to threaten me without anyone noticing, in plain sight. I was unable to watch the video in full until after all of this stuff came out into the public. It was only through reading people's responses and the lyrics that I realized what he was doing.

Again, at this point I am doing and saying nothing publicly. Just watching this behavior and waiting.

Meanwhile in 2021, a videogame based on the web series TOME gets fully funded and Christopher Niosi - the creator of TOME - reaches out to the voice cast to see if they'll return. I myself was the voice of Nylocke, one of the main characters, and Patrick was the voice of THE main character.

As such, I told Christopher no and explained my reasons.

And here is Christopher's response.

Please pay careful attention to the fact that Christopher Niosi flat out says he already knew Patrick was doing this stuff - it isn't just me imagining it.

As a result of this interaction, I do not reprise my role as Nylocke and Christopher Niosi chooses to just recast every single character. Please note that he could have just recast Patrick, but did not. As a result, I feel responsible for all of the original cast losing out on work. It hurts to think about. But at least I feel like I did the right thing.

One member of the TOME production staff takes it upon themselves to reach out to Patrick personally. They discover that he is planning to write more songs/raps that target me. They ask him nicely to stop. He insists that he has to do this. Y'know, make vague allusions to extremely sensitive topics that he lied about in the form of song. Has to do it.

The member of production staff tells Patrick he should seek professional help.

Patrick ignores them.

Patrick continues to engage in behavior that, while not openly hostile or even specifically targeting anyone, is very clearly intended as mockery at best and a threat at worst until 2023 when all of this comes to a head.

In August of 2023, the real victims that Patrick has manipulated make a callout post aimed at myself and TeamFourStar. It specifically cites Patrick's testimony and the songs he has posted. They have been misled, but their anger is understandable.

Within a week, it becomes apparent to all sides that this is Patrick's fault. The person who posted the callout takes it down and apologizes to everyone. Not just me. They apologize to TeamFourStar, and to X.

And only then do I speak publicly about what Patrick has been doing.

I share all of the screencaps I've posted here, and give context. It's all a little muddled as at the time, my cat was dying of terminal cancer and so all of my posts are somewhat scatterbrained and aren't in chronological order. But it's still remarkably clear to everyone that Patrick has manipulated this whole thing, starting in 2019.

And that's only the stuff I feel comfortable sharing.

Since the callout post first dropped in 2023 and I began pointing people's attention toward Patrick, Patrick himself has been entirely silent. He has dropped off the internet with nary a word in defense. Not a single person directly associated with what happened has attempted to dispute my description of events.

This isn't my word versus his. It is my word versus silence.

I have it on good authority that Patrick is alive and well. I am grateful for that much. My attempts have not been to hurt him, but to defend myself. My efforts have not been to hunt him down and crucify him, but to make people aware of what transpired - and what could have easily been undone by Patrick/Shady just choosing to stop.

Instead a number of victims, and people who never did a thing, experienced a considerable amount of trauma as a result of his thoughtless and spiteful actions.

Patrick is a remarkably talented individual, and it makes me sad I have to be the one to show people who he is. I genuinely think all of this could have been avoided. It's so meaningless. It's just pain on top of pain.

And Patrick stood in the center of it all, not just pulling people's strings but practically uprooting them and then acting like he didn't do a thing.

I'm not expecting an apology, and I'm not asking for his cancelation, whatever shape that would take. But I do think it's important that people know this happened, that he chose this.

He did this for almost no reason to a person he considered a friend, who worked on videos with him.

It just seems like the responsible thing, to make sure people are somewhat aware that he could do this to them if they aren't cautious and careful and super aware.

I'm sorry to anyone disappointed and hurt by all of this information.

Believe me, I understand.

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kaiowut99 · 4 months

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youtube

A Special Announcement~ | Yu-Gi-Oh! ARC-V Tag Force Special Re-Translation Project!

I've been itching to get around to posting about this for a few months now, but wanted to wait until I'd worked on enough for it, but also had the idea to create an announcement trailer to go with it for added good measure--after recording and editing clips for a couple weeks and leveling the audio last night, heremst we are! (For some clips, I forgot to turn off the PPSSPP emulator's DevMenu option so that shows up in the top-left, buuut I didn't feel like re-recording those, lmao.)

Details worth reading below the cut here, but tl;dr work has been in progress for over a year in between things, work will continue to be in progress for a while, and the release will happen when everything's ready, but stay tuned, fun's getting started etc etc~

So, I'm sure most of us are familiar with the as-yet-unlocalized-by-Konami TFSP, the seventh and last entry in the Tag Force series on the PSP that came out early in ARC-V's run (featuring the first five series which was a cool first), as well as the current translations out there originally worked on by the guys at XenoTranslations (omarrrio and ScrewTheRules/ClickClaxer01 at GBATemp handling the card and story/etc translations, respectively) and how there are... some issues with what's out there. Everything from the DM story mode being loaded with YGOTAS references (no shade to YGOTAS and much respect to LK/Martin for his ongoing work on it still making me laugh sometimes, ofc) to the off-the-cuff edginess of 2014-2015-era internet culture and the problematic (in some cases, derogatory) language that permeated it--though to its credit, some parts do have some level of translation attempted, but taken as a whole, it can definitely turn people off from giving the game a try and seeing what it brings to the table (which is still a good amount despite the corners Konami cut here/there compared to prior TF games).

I actually did attempt a translation of my own back in 2015 (if you've been following me for a long time, you might remember it lol), tackling the GX story text starting with Judai's heart events, but eventually put it on the backburner as I focused more on my GX subbing work and beginning to finalize everything (which I'm still doing). Sometime in 2022, a friend over on NeoArkCradle (the "anonymous YGO fan" in the opening screen) was poring over the story text and patching it up the best he could to remove the references and inaccuracies with more coherent work, and after a while of seeing what he was working with in the Discord, I was a bit blown away by just how inaccurate much of it was--so alongside him, and using the better tools available since then (including some really awesome work from both nzxth2 [who did a proper re-translation of 5D's TF6 not too long ago and was kind enough to release his tools for it] and our coding helper Xan1242 who we eventually reached out to for some help), I decided to *cracks knuckles* get involved and help give everything a more accurate and professional translation, much like I do with my GX subs, working directly off the Japanese text and files. I've been taking cracks at everything in between the GX episodes I've been finalizing going back to at least last January (and I'd used my little hiatus after finalizing GX Season 2's subs to really get at some other stuff throughout the game), starting with re-translating DM's story text but also properly translating other aspects of the game, from the character names (using the original Japanese names, including those of the TF-exclusive characters, partly since Konami made a whole mess of them in English TF1-5), in-duel dialogue, pack descriptions, and more to images with Japanese text (such as localizing the in-duel cut-in onomatopoeia as you see in the video above, or other little images throughout) using some Photoshop skills I've picked up. And it's been a joint effort, as said NAC friend and I have been bouncing off how we'd like to see this go between us to stay on the same page and all, while also checking with other translators there for second/third opinions as needed.

Our plan is to release two versions of a translation--one which uses the OCG [translated] card names in Story Mode, in-duel, and other text but not in the game's card system (mainly to deal with story-relevant notes like Osiris vs Slifer with the Gods or things like not-Utopia Hope being symbolic between Yuma and Astral, akin to how I do my GX subs), and one which uses the TCG card names in everything (like how the official subs go about it). While we're mostly working with the Japanese game files due to how the Xeno team went about decoding everything, we'll be using the card-system-related files from the fixed ISO provided by FLSGaming which fixed some issues that had been present there. And Xan has helped us with a plugin that will be used to apply our translations to the system files that were hard to edit otherwise (things like the character and recipe names, as well as the pack names pulled from for the Card Description screen), but more on how that'll work once this is ready for release, lol. At some point, I'd like to also look at HDifying textures and things, but that's definitely a bonus-level thing for after the main work here is done.

SO.

Currently, Story-Mode-wise, I've gone through everything up to Yusei's events--so Dark Yugi/Kaiba/Jounouchi/Ishizu/Mai in DM, Judai/Manjoume/Asuka/Misawa/Ryou in GX, and Yusei in 5D's have been fully retranslated, though I took initial cracks at Yuma and Yuya's events to get content for this video lol (I've also been intentionally holding off on as much ZEXAL as I can until I've properly watched the whole show so I have context). I haven't tackled overworld text yet, though (like pre-duel or the tournament-related text, which is all in the same file as all the story text). I've also been handling the in-duel dialogue as I go through the character stories, so also just up to Yusei, though I did take initial cracks at Aki's, Yuma and Shark's, and Yuya and Yuzu's for the video.

Other things tackled that were sprinkled into the video, along with some other notes:

Pack names and descriptions have been retranslated, though the descriptions may see minor edits closer to release for a little variety between worlds given the different characters at the shop. Character recipe names were also retranslated, with Yugipedia's translations for them used as an occasional second opinion, though ones based on pack names had to be abbreviated in spots.

Menu text, from the Options to Help screens and stuff in between, has been retranslated, as have in-duel text strings (so, you'll see a full "Activate Effect" instead of "Activate" or "Switch to Attack/Defense Position" instead of "Switch to ATK/DEF Position", etc--also fixed the "BATTELE PHASE" graphic typo, and NAC friend created a new translation for the "Turn Change" graphic for accuracy since ENG TF1-5 made that into "Next Player's Turn").

Database stuff, such as the Sound Test, Tutorials, Duel Missions, etc., have been retranslated closer to the Japanese text; originally I retranslated the Tutorial text via hex editor, with compromises done on quite a bit of it due to the space limits, but as Xan recently updated a text extractor tool of theirs to more cleanly pull out and reinsert that text, I've been going through and fleshing out those translations more (on my commutes to/from work mostly, to be productive lol).

As mentioned, I've been localizing/translating Japanese-text images throughout the game as I come across them, like with the in-duel onomatopoeia that come up during cut-ins or images in the shop/duel/etc screens using Japanese text, to make sure the game is fully translated.

The series logos, used during the title sequence and in the Series Select screens, were updated with translated fan edits shared on Deviantart (which we'll credit in the final release) for DM and GX, while the 5D's-ARC-V logos were edited to enlarge the "Yu-Gi-Oh!" text on them that was pretty hard to see originally.

The game's original opening sequence starts on an anti-piracy message before going into the Konami logo and then a "From Yu-Gi-Oh!..." screen before the opening animation for each series logo--the original team decided to use the first image to vent their frustration at Konami for not localizing this game, and while that's valid (to some extent), we thought we'd use the opportunity to dedicate this project to Kazuki Takahashi for inspiring our love for YGO and the place it's had in our hearts for all these years.

We'll be updating the names of cards that had TCG releases after the original patch was worked on/updated by FLSG to those corresponding names.

Xan has been working on many UI fixes for us to apply with this, among them 3-line dialogue box text as is used in the ENG TF1-5 games--once implemented for TFSP, I'll be going over everything to make full use of that extra space where needed, so things might not look as they do in the video by then.

Character bios will be worked on after I've done the story stuff, though I've taken initial cracks at it for Yuma and Yuya's bios for the video, along with translating the location/affiliation names ("Domino High School," "Satellite," etc).

Currently no release date is planned, as I'm working on this between my GX-finalizing work and actual IRL work, though we'll see how later this year looks as more work gets done--but as noted in the video, all things being equal, it will be released when everything is ready. I'll try to post regular updates or rambles now that this announcement's been made, lol, but do try not to constantly check in on a release date. 🙏🏽

All that said, I think that covers just about everything I wanted to put out there with this, lol. It's been fun to work on this so far and getting to see what I've re-translated in-game is definitely neat; looking forward to us being able to release everything when ready.

Stay tuned for more; the fun's just getting started!

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girl-of-ink · 2 months

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Puzzlefic Recs

These Days We Celebrate / Reconfiguration by Phoebeus

Original synopsis: “Originally a series of canon-compliant stories spanning the six month gap between the defeat of Pegasus and the arrival of Otogi, it now includes a branch-off story that changes the climax of the Millennium World arc and explores what would have happened if Atem had gotten his own body a month prior to leaving for Egypt. [Manga-canon, Puzzleshipping]”

Type: Series of oneshots + one multichap longfic

Word count: 300k+ altogether

Rating: G/T/E

Warnings: None

Status: Complete

Times read: 3 times for the whole series, at least 5 or 6 for Reconfiguration specifically

Standout characters/aspects: Yuugi's mom & Honda

Notes: The holy grail. The puzzle fic to end all puzzle fics. Nothing beats it. It aligns almost 98% with my personal headcanons, & the small things we disagree on are contextualized in a way that makes sense in the story. Yuugi's mom is iconic in this story, & my own interpretations of her lean heavily on her portrayal in this series.

Haunted House Sweet Home by InkFlavored

Original synopsis: “Yugi doesn't believe in ghosts. He never has and, up until now, he thought he never would. But when he moves into his new apartment, things start disappearing, doors start slamming, and an ancient crown has it out for him. He's forced to face reality: he's living in a haunted house. But will he be ‘living’ there for long?”

Type: Multichap longfic

Word count: 150k+

Rating: T

Warnings: Mention of eventual major character death, brief mention of eventual Yuugi/Atem/fem OC in final chapter

Status: Complete

Times read: Probably 3ish

Standout characters/aspects: Feriha (fem OC) has a very small part, but she is integrated in a well-thought-out manner & quite likable.

Notes: This fic takes a lot of normal aspects of ygo like “cursed object” and “troubled king” and gives them a new spin! Bonus points for writing an OC villain who works as well as Hazim does.

Egyptology Exercises / All This We Do in the Name of Ma’at by Nedjemet

Original synopsis: “My attempt at redoing Yu-Gi-Oh with a focus on character development, magic, and historical accuracy instead of card games. While this is technically a series, "All This We Do in the Name of Ma'at" functions as a standalone story. All of the other stories are just in-universe follow ups to show what the characters got up to after the story was over. These shorts largely function as stand alones, too, since Ma'at follows cannon very closely in the important ways. All of the stories are ordered loosely in terms of when they occured. You can read them in any order.

All of the Egyptology is heavily researched and I did my best to get it right. If something is off and you have a source, please send it my way!

All of the stuff in modern Japan has minimal research done and is more for flavor than anything else. I'm going for anime-level accuracy with that, not realism.”

Type: Multichap longfic + a couple of shorter multichap fics + bonus work diving into the Egyptology research used in the fics

Word count: 200k+ altogether

Rating: T/M/E

Warnings: None

Status: Complete

Times read: Twice for All This We Do in the Name of Ma’at, probably 5-6 times for the two sequel fics

Standout characters/aspects: Nedjemet’s research on the Egyptology aspects is very impressive

Notes: Really good! The main fic is quite plot & research heavy tho, so I find myself revisiting the two shorter follow-up fics more often. More fluff than substance for me.

The Last Puzzle by Tenderwulf

Original synopsis: “11 years after the Ceremonial Duel, Atem and Bakura inexplicably find themselves back in Domino. When they meet their previous hosts, they realize how much things have changed: Yuugi, the now world-renowned King of Games, is going through a marriage crisis, Ryou is struggling to balance studies, work, and his brittle mental health, and Malik... well, Malik is living his best life—and his own yami is nowhere to be seen.

They soon realize they all have to work together in order to solve the mystery of the yamis’ return: some to make sure that they stay, and some to make sure that they don't.”

Type: Multichap longfic

Word count: 300k+

Rating: T

Warnings: Graphic depictions of violence

Status: Ongoing

Other ships: Tendershipping [Bakura Ryou/Yami Bakura], past Peachshipping [Mazaki Anzu/Mutou Yuugi]

Times read: 1

Standout characters/aspects: Yami Bakura’s character development is stellar.

Notes: Very good, altho I confess that I’m slightly more interested in the puzzle storyline than the tender story (which happens to be the main plot lol). Very much worth reading.

Keep the Light Shining by Clydeside

Original synopsis: “Yugi's new job as a lighthouse keeper sounds simple enough... until he realizes he's not entirely alone on the remote island: a dark spirit haunts Crawford Sound.

It lingers like a shadow in the night.

It watches, and it waits.

The past keepers warned of an inescapable terror, but as the days turn into weeks, Yugi begins to think it's not the ghost he ought to fear.”

Type: Multichap longfic

Word count: 50k+

Rating: M

Warnings: Major character death (Atem is already a ghost)

Status: Complete

Times read: 3

Standout characters/aspects: Worldbuilding!!!! This story is so gorgeously atmospheric

Notes: Please please please read Keep the Light Shining, it’s so good. The horror aspects combined with the romance and mystery aspects are so well-balanced.

Lineament by Zuzeca

Original synopsis: “Once seven, now three. A broken Pendant, a crumbling empire, and tugging at the seams of reality, hints of a sinister power returning. His faith in destiny strained past breaking, newly-crowned-and-deposed Pharaoh Set makes the questionable decision to try and solve the Millennium Puzzle with magic. As it goes with magic, his efforts are rewarded…but not quite in the way he expected.”

Type: Multichap longfic

Word count: 50k+

Rating: M

Warnings: Major character death (Ghost Atem again)

Status: Complete

Other ships: Logicshipping [Priestess Isis/Priest Seto]

Times read: 3

Standout characters/aspects: Set & Isis are very interesting & well-developed characters here.

Notes: Really interesting twist on the whole series. Somewhat of a time travel fic, but in a much more satisfying and less cheesy way than most.

Snake Charmer by InkFlavored

Original synopsis: “Prompts: ‘Wow, my pet snake looks so cute this morning and I’d be even happier if I actually had a pet snake.’ & ‘You curse under your breath in a foreign language and I know I shouldn’t be turned on but I totally am.’

Type: Oneshot

Word count: 20k+

Rating: T

Warnings: None

Status: Complete

Times read: 5

Standout characters/aspects: Osiris the snake is an icon

Notes: 100% fluff. Cute snake. Utterly delightful.

Cut Off / Whiskey, No Chaser by InkFlavored

Original synopsis: “Few people choose a day during the week to drink away their problems at a bar downtown. Most people wait until the weekend, content to simmer with their issues until Friday. Others do it at home with friends, and without worrying about how they're supposed to get home in time for work in the morning. All in all, it's rare that someone walks into a bar on a weeknight at ten-thirty to start drinking.

But that's exactly what happened to Atem.”

Type: Two multichap longfics

Word count: 100k+ combined

Rating: T

Warnings: None

Status: Complete

Other ships: Past rivalshipping [Mutou Yuugi/Kaiba Seto]

Times read: 2

Standout characters/aspects: Great way of showing how Atem becomes part of the friend group

Notes: It’s cute! Not InkFlavored’s best work, but all of their stuff is worth reading.

Macchiato Incommunicado by InkFlavored

Original synopsis: “Prompt: ‘my favorite coffee shop is closed for the day so i have to find somewhere else where i can get my overly-advanced pretentious order and i found the place where you work and now i never use the other place anymore because even though you always serve my drink with a “what the fuck has normal coffee ever done to you”-sigh you're really cute and i'd like to go out with you.’

Type: Oneshot

Word count: 15k+

Rating: T

Warnings: None

Status: Complete

Times read: 3

Standout characters/aspects: Points to everyone else in this fic for putting up with Yuugi & Atem’s stupid bullshit.

Notes: Pretty good interpretation of the dreaded miscommunication plot and the cliché coffee shop AU.

The First Leaves That Fall by Clydeside

Original synopsis: “When Yugi arrives in Yubari to settle the last of his grandfather’s affairs, he finds a mountain village in quiet decline. Most people have left for the city, buildings are crumbling, and nature grows dense and wild against its outskirts.

But among those who remain, superstition abounds, and they all offer the same advice:

Stay out of the forest.

Yugi, however, is intrigued. By the puzzle of its shifting paths. The riddle of a wind that speaks, if he listens.

And, perhaps most of all, by the stranger who always shows him the way out before dark.

Or: Yugi falls hard for the local cryptid. Not everyone is cool about it.”

Type: Multichapter longfic

Word count: 40k+

Rating: T

Warnings: None

Status: Ongoing

Times read: 1

Standout characters/aspects: Honda & Miho are really great friends, and bonus points for local Shinto priest Bakura, who is as ominous and strange as ever.

Notes: I love this fic!!!! Again, Clyde is the best at writing spooky & atmospheric stories. I can’t wait to see what really happened in Yubari to make the nature spirits (including Atem) so angry.

Chained to You by SajiSpellhart

Original synopsis: “Taking place after the events of Season Zero, all the shadow games happened but Yugi never found out he was possessed by the spirit of the puzzle. Now he's an adult, living on his own, and he starts to notice strange and spooky things happening around his apartment. When he sees his own shadow moving Yugi begins to suspect his new place is haunted. But is this shadow spirit malicious or... kinda sweet?

Yami does a bunch of stupidly sweet domestic shit for Yugi to help take care of him. Expect romance, fluff, self-care, and Puzzleshipping shenanigans.”

Type: Multichapter longfic

Word count: 100k+

Rating: T

Warnings: None

Status: Ongoing

Times read: 1

Standout characters/aspects: Yami is incredibly cute in this fic.

Notes: Really interesting AU where Yuugi never finds out about Atem as a high schooler, and so Season 0-esque shenanigans continue into adulthood.

He Has a Heartbeat by Kaibbage

Original synopsis: “Atem is back, and this time he's living and tangible. As such, Yugi cannot stop touching him - and vice versa.”

Type: Oneshot

Word count: 3k

Rating: E

Warnings: None

Status: Complete

Times read: 10 at least

Standout characters/aspects:

Notes: So cute!!! One of the best Atem Comes Back oneshots out there. Very sweet short little PWP.

Superimposed / Bird Rock Lambchop (Bird Bigger Bird) by Toffeecape

Original synopsis: “Yugi wants his other self to have nice things.”

Type: Series of oneshots + short multichaptered fics

Word count: 70k+ combined

Rating: E/M

Warnings: Some installments mention major character death (but with the caveat that the characters cross over to the Egyptian afterlife), most have no warnings

Status: Complete

Times read: Superimposed probably like 5 times, whole series twice

Standout characters/aspects: Love Yuugi’s urge to provide for Atem, very sweet. I also love the chapter of Like a Stone into a Pond that focuses on Yuugi’s mom’s relationship with Atem.

Notes: This series is sort of YMMV for me. To be entirely honest, the smut gets a little too weird for me in a lot of installments, so I don’t revisit it too often, but the first installment is definitely my favorite, and I love seeing the intimacy between Yuugi & Atem grow while they’re still sharing a body. The 4th installment is my other favorite, as it focuses less on smut and more on character interactions.

Phantom Limb by Killdoll

Original synopsis: “In the hospital after the fire where Yuugi reassembled the Millennium Puzzle, Yuugi and his Other Self have a heart-to-heart.

(Puzzleshipping, set during anime canon, attempted ghost cuddling.)”

Type: Oneshot

Word count: 3k

Rating: T

Warnings: None

Status: Complete

Times read: 5+

Standout characters/aspects: Really great characterization

Notes: Very sweet examination of the aftermath of (the anime version of) the fire.

Pieces of Puzzleshipping by Phoebeus

Original synopsis: “Originally this was where all of my tumblr prompts and random ficlets would come to live, but it's quickly become home to all of my random puzzleshipping fluff, instead. We shall acknowledge it as such until at least one other ship invades!”

Type: Oneshot collection

Word count: 17k+ combined

Rating: E

Warnings: Author Chose Not to Use Archive Warnings (I don’t remember anything too triggering in these oneshots besides a safeword use that is immediately respected in chapter 10)

Status: Complete

Times read: 2-3

Standout characters/aspects: To be honest, I don’t remember these individual oneshots all that well, but I love all of Phoebeus’ work.

Notes: Bite-sized and enjoyable fluff!

Getting Rivalzoned (and Learning to Live with It) by Oogenesis

Original synopsis: “Finding out that your best and closest and most infuriatingly attractive rival has come back to life is one thing.

Finding out that he and his former vessel have eyes only for each other - well, that's quite a different matter.”

Type: Short multichapter

Word count: 8k

Rating: T

Warnings: None

Status: Unfinished (seems to be abandoned, but I recall the last chapter working fairly well as an ending, so it’s not too infuriating)

Other Ships: onesided Prideshipping [Atem/Kaiba Seto]

Times read: 3ish

Standout characters/aspects: Just so incredibly funny.

Notes: This is my ideal prideship scenario. Sorry, Kaiba.

Visiting Hours by Oogenesis

Original synopsis: “Kaiba, at Atem's insistence, finally brings Yugi along on one of his visits to the afterlife, and promptly regrets it.”

Type: Oneshot

Word count: 1.5k

Rating: T

Warnings: None (possible major character death as Atem has already crossed over to the afterlife)

Status: Complete

Other Ships: One-sided prideshipping [Atem/Kaiba Seto]

Times read: 5ish at least

Standout characters/aspects: Same as the previous fic, just so funny to see Kaiba so deeply jealous while being completely ignored.

Notes: Love how excited to see each other Yuugi & Atem are.

Ours, Not Mine by MagiMevi

Original synopsis: “The spirit found such ease and amusement in simply perusing Yugi's daily memories, and Yugi no longer wanted to just share them with him. He wanted to make them with him – he wanted the spirit to create new memories – he didn't want to just amuse the spirit with the passing fibres of his life – he just – he wanted -

Don't worry about it, partner.”

Type: Oneshot

Word count: 5k

Rating: T

Warnings: None

Status: Complete

Times read: 2-3

Standout characters/aspects: Great exploration of Yuugi’s character

Notes: Yuugi scheming like hell to try to get Atem to live & enjoy himself while in the puzzle is one of my favorite tropes, 10/10.

Take Him (Cut Him Out in Little Stars) by InkFlavored

Original synopsis: “Most people think of light and silence as comforting things. To Yugi, they're anything but. Atem's mind is tearing itself to pieces and no one understands.

PuzzleJune 2019 (Week 3: Light)”

Type: Oneshot

Word count: 5k

Rating: G

Warnings: Creator Chose Not to Use Archive Warnings (Major character death canon to the end of the manga)

Status: Complete

Times read: 5+

Standout characters/aspects: I love Atem’s talk with Akhenamkhanen.

Notes: Definitely one of the most influential Atem comes back fics to my own work! It’s fabulous, 10/10.

The Seldom Seen by Clydeside

Original synopsis: “Yugi’s soul has gone missing after reassembling the Millennium Puzzle in the fire, leaving the Other Yugi to fill his place.

As he tries to hide the truth from Yugi’s friends and family, he searches for his partner and the scattered pieces of his soul. But without Yugi at his side, he is losing control of the Puzzle’s power over the shadow realm… and the creature it contains.”

Type: Mid-length multichapter

Word count: 45k

Rating: T

Warnings: Major character death (albeit tagged as “only sort of permanent”)

Status: Complete

Times read: 3

Standout characters/aspects: Angst!

Notes: I love any fic that examines Atem’s relationships (or lack thereof) with Yuugi’s friends and family.

Jolly Sailor Bold / Shellfish Tendencies by Kudalyn

Original synopsis: “‘The seas sing for those who are lost, and for those who find as well.’

Atem is a siren/merman and Yugi is a ghost haunting a sunken ship Atem comes across. Atem is intrigued by the ghost, hangs around enough that they start to get to know each other, getting attached, and falling for each other over time. But Yugi’s memories start to fade, as ghosts don’t get to stay forever on the living plane, and Atem has to deal with this loss.

My entry for the YGO Big Bang 2018!

Content Warning of character death and mourning, with reward at the end if you stick through it ;)”

Type: Series of two oneshots

Word count: 15k+ combined

Rating: M

Warnings: Major character death (sort of temporary? It’s complicated lol)

Status: Complete

Times read: 3ish

Standout characters/aspects: Honestly really interesting implications about the origins of mermaids……….

Notes: Super fun twist on a mermaid AU.

Untitled Puzzleshipping Doujinshi by Kaluda

Original synopsis: “This is a doujin I made in 2019 that I decided to post here as well. Inspired by the end of the Dark Side of Dimensions film.”

Type: Short comic

Word count: N/A?

Rating: Unrated (I would say G)

Warnings: None (Major character death canon to manga/anime)

Status: Complete

Times read: 3ish

Standout characters/aspects: Such cute art!!!!!!

Notes: Rare comic example, but it’s posted on ao3, so I’m counting it as a fic. It’s really very sweet & short, go check it out!

Angle of Approach by InkFlavored

Original synopsis: “Definition: (in golf) the angle at which the club head strikes the ball. This affects the trajectory the ball will travel and spin.

The only thing Atem hates more than his family’s annual summer vacation is the “family” part. A whole three months away from home, away from friends, and away from freedom. This year, he’s nearly resigned himself to the worst trip he’s ever been on, surrounded by people he couldn’t care less about.

Then he meets Yugi, and decides to make his own fun.”

Type: Multichap longfic

Word count: 130k+

Rating: E

Warnings: No archive warnings apply, general warning for emotional and slight physical abuse by parents, and definitely warning for workplace sexual harassment

Status: Ongoing (Unfinished? Abandoned??? I sure hope not)

Times read: 2

Standout characters/aspects: Yugi is phenomenal in this AU. I’m obsessed with him.

Notes: I love this fic!!!! I usually don’t like fics where Atem is an asshole, but apparently it’s fine if he’s a bottom lmao. Anyway I love seeing Atem very very slowly become a better person against his will, and I’m really hoping Ink_Flavored is still working on this fic. It’s one of my favorite ongoing works.

Dress Up Game by InkFlavored

Original synopsis: “The Mutou family, including the newly resurrected Atem, get invited to a wedding. Neither Yugi nor Atem have anything to wear to the event, but it’s not a big deal. All they have to do is go shopping to pick something out. How bad could it possibly be?”

Type: Two chapter fic

Word count: 25k+

Rating: T

Warnings: None

Status: Complete

Times read: 3

Standout characters/aspects: Really great attention to detail about Japanese culture. Taught me a lot about traditional Japanese weddings!

Notes: This fic is so cute! Really nice fic that focuses on Atem living life after coming back from the dead.

Await Red to Become Anthracite by Zigur_zig_ah

Original synopsis: “Yuugi, security guard un-extraordinaire, leads a particularly mundane life. He sits in front of a monitor for eight hours a cycle, pretends to concern himself with the safety of five-hundred and thirty-nine Roman coins of no value whatsoever, and occasionally, when work is especially slow, occupies the unenviable position of Duel Monsters champion of the known universe.

But something stalks the perpetual darkness of Proxima-b. A horror from beyond the grave, loosed in a moment of carelessness, has set its hollow, empty sights on Yuugi - and Yuugi, try as he might, can't seem to stay away from it.”

Type: Medium length multichapter fic

Word count: 30k

Rating: M

Warnings: Creator Chose Not to Use Archive Warnings

Status: Complete

Times read: 1

Standout characters/aspects: Really fun combination of futuristic sci-fi, horror, canon, and ancient Egypt?

Notes: A bit less romance-y than plot-centered, but the way the story unfolds is really fascinating.

Hindsight by Cloudsmachinations

Original synopsis: “Yugi needs to wear glasses. Atem needs to calm the hell down.”

Type: Oneshot

Word count: 2.5k

Rating: T

Warnings: None

Status: Complete

Times read: 3ish

Standout characters/aspects: I love an Atem that is down bad

Notes: So cute tbh

#aka: a rec list for anyone who hates dom atem as much as i do lmao 😅😅#a lot of these are pretty obvious/popular already eg anything by clyde/inkflavored/phoebeus but hey #it's my list & i'm in charge #morgan rambles #my ramblings #yugioh #ygo #yugioh duel monsters #mutou yugi #mutou yuugi #puzzleshipping #atem #yami yugi #blindshipping #fic recs #rec list #yugi mutou #yuugi mutou #yugioh dm

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theblueskyphoenix · 2 months

Text

"While it is clear this young man has done wrong on all accounts, his life is not what the price should be for his arrogance." Were her first words to him, a glare burning in her silver eyes. "You're better than this, My King."

Ah it's nice to finally draw this. Took me forever to decide when Lotus would first appear in the story of Yu-Gi-Oh! but after reviewing the manga and anime I decided she appeared during the incident with Inogashira Goro in Duel 6: Into the Fire. As much as a punk as Goro was I don't think blowing him up was... exactly fair. Look, I get it, Yami is relentless with his punishments. (There's a reason Storm and I both jokingly call him Murder Ghost during the initial chapters and Season 0) Especially since Goro really did do some damage. But killing him was... a bit much. So, decided to go the anime route where it's softened a bit. With Lotus being the one to prevent the death. Up until this point she has been a silent observer, letting Yami do his thing. Plus she was still getting herself put together and trying to figure out how to introduce herself. When she saw this... she had to step in. Finding he was going too far and well... not being better than what they would eventually face.

XD So... Yeah. Their first meeting as they are in the modern day wasn't a happy one but it was a needed one. Lotus is basically telling Yami to calm the heck down. And then... things will develop from there.

Very happy with this first entry and I can't wait to reveal more lore. I'm actually currently typing up a whole character summary for Lotus on my ToyHouse. It won't have everything but it will have the basic summary. I'll do scenes like this one to help fill in the blanks and give more detail but it will have the basic information. If you wanna read what I have so far, follow the link below.

Till then, I'll catch you on the next one.

ToyHouse Bio: Lotus Bloomfield

#yugioh #yugioh duel monsters #yugioh oc #pharaoh atem #yami yugi #lotus bloomfield #court of the kings

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listen-to-the-inner-walrus · 11 months

Note

can you explain why you dont believe the titanic switch conspiracy theory? didnt they find a propeller with "olympic" written on it amongst the wreckage?

i feel like the phrase "you just activated my trap card" applies here but i have also never watched yu-gi-oh so dont fully know the correct use of that. anyway whats the text limit on a tumblr post because i think i might hit it with this response.

before we begin (if you wanna join me on this fucking journey), ill just drop some useful sources on the topic:

olympic & titanic - an analysis of the robin gardiner conspiracy theory dissertation by mark chirnside in july 2006

titanic or olympic: which ship sank? by steve hall and bruce beveridge

olympic & titanic: the truth behind the conspiracy by steve hall and bruce beveridge

with that shipkeeping housekeeping out of the way, lets jump into it after the cut

so hands up, how many people knew that this theory originated in a book from 1995?

yeah, its a pretty modern theory considering titanic sank in 1912. the theory originated in the riddle of the titanic by robin gardiner and dan van der dat.

and the theory argues that the ships were switched and titanic (actually olympic) was deliberately sank as part of an insurance scam. now they didnt do this at all for shits and giggles. instead, the theory posits that the navy enquiry that followed the 1911 collision between hms hawke and olympic was biased which meant white star line couldnt recover the costs of repair from lloyds (the insurance company), and therefore, they wrote olmpic off as too damaged to be repaired, lied about the amount of damage, switched the ships and sank olympic disguised as titanic to recover some costs.

far-fetched? oh definitely and it gets worse, but ill leave that til later in this gargantuan response because its really fucking funny.

(seriously, i recommend you read til the end or just skip to the part where i start talking about the sinking itself because fam, gardiners theory gets wild )

according to van der dat, who is a dutch journalist and naval history writer with an incredibly dutch name, gardiner had wrote the manuscript after researching the titanic for however many years and sent it to his literary agent. this agent had previously worked with van der dat and so sent it to him to double-check the information by going back to the original sources. he then rewrote the book with line-by-line consultation with gardiner.

and would you like to hear a quote from van der dat regarding the theory? i think you would:

"the publishers were disillusioned when the theory did not stand up"

he also, in correspondence with titanic author and researcher paul lee, called it "bilge" which is a fun ship joke alongside calling the theory bullshit.

anyway, the publishers went ahead with the book anyway because fuck integrity, i guess... thats kinda harsh considering this first book (oh yeah, theres more) was praised for stellar research and for being balanced, and the final chapter of the book literally acknowledges that the wreck has titanics shipyard number (401) on it, hence disproving the theory.

in 1997, it was published in the us under the name the titanic conspiracy - cover-ups and mysteries of the worlds most famous sea disaster, and it sold like sliced bread in 1928 because 1997 was titanic fever, baby!

unsurprisingly, gardiner's following books (titanic: the ship that never sank? in 1998; the history of the white star line in 2001; the great titanic conspiracy in 2010) were a lot less well-received and were not co-authored by van der dat.

"but wait, kai!" you might shout if youre up to date with issues of the times from 1914, "what about raymond asquith's comments? he was junior counsel for the board of trade at the sinking inquiry!"

and i would say, what about it? the letter asquith wrote to the times was a sarcastic letter in response to a prior stance taken by the paper.

yes, he said "the architect, the owner, and the captain to repair their desperate fortunes by sinking the ship and sharing the insurance money" but said letter also included the phrase "manipulating dummy icebergs".

if were taking sarcastic or satirical responses outside of their original contexts as serious quotes, then i guess i need to cancel my dropout subscription since the company holds the opinion that oj simpson is innocent.

and while were here, that single deathbed confession from james fenton is not evidence of anything. his name is not on any crew lists or survivor lists, and not a single payment was ever claimed by a crewman called james fenton. he was not on board the titanic and his claims hold no weight.

now, my go-to explanation as to why i dont believe the switch theory is that their insurance scam would have lost them money and they would know that it would have lost them money.

see, it cost white star (which was a subsidiary of the international mercantile marine) £1.5million/$7.5million to build titanic and they insured it by lloyds (you can check their records on their website) for £1million/$5million.

you dont have to be good at maths to see a problem here.

they didnt just not insure the rest; it was self-insured by imm's insurance fund, but that still means theyd have lost £500,000/$2.5million on the sunken ship.

this whole insurance thing was established by uh the united states senate inquiry report:

"the vessel fully equipped, cost £1,500,000 sterling, or about $7,500,000. at the time of the accident the vessel carried insurance of £1,000,000 sterling or about $5,000,000, the remaining risk being carried by the company's insurance fund."

oh and the £1,000,009 insurance was announced in the daily mirror on 16th april 1912

and the insurance scam seemingly thought up by someones whose first and only introduction to maths was golf isnt the only way white star would have lost money on this.

after the sinking, olympic was temporarily pulled from service to increase safety measures like adding more lifeboats. obviously, a logical move made by a company with a brand new, safer ship on their hands who were desperate for any money they can make.

white star also halted construction of britannic, titanics other sister ship, in order to alter the design and make it safer. this costs quite a bit of money and is, again, an odd choice for a company apparently desperate for money.

and hey, question for you guys: if you were alive in 1913 and needed to cross the atlantic, would you

a) choose the near identical sister ship of that ship that sank last year and was the deadliest sinking of a ship at that time

b) choose any other option such as the lusitania or the mauretania or the ss france or the ss imperator

personally id take my chances with option a, idk about you

yeah so the point im making here is that the sinking of the titanic was what the kids say

a marketing disaster

it was the loss of the newest flagship on its maiden fucking voyage and it had been touted as "practically unsinkable". maybe just maybe people wouldnt feel that comfortable getting on a white star line ship after that.

i dont have any figures for you because reading through a detailed account of white stars history just is not on my to-do list, but that doesnt even matter. what matters is that its clearly a massive risk and who the fuck is taking that risk?

as titanic author, senan molony states:

"one doesnt need to compare designs and count portholes - a moments serious consideration of the reputational risk involved - individually and collectively - is all that is required to end any entertainment of the notion"

anyway, you guys wanna compare designs and count portholes? yeah? okay, here we go!

may i present a non-exhaustive list of differences between the ships:

olympics wheelhouse was curved; titanics was flat

titanic was 4 inches longer

the porthole arrangements on shelter deck c were different

on b deck, olympic had a 1st class promenade; titanic had 2 private verandahs and suites (put a pin in this by the way, it comes back in the best of ways)

titanic had additional cabins on promenade deck a

olympics promenade was open all the way along; on titanic, the forward half of the 1st class promenade on a-deck was enclosed with retractable glass screens

on titanic, the forward bridge wings aft docking bridge on the stern extended over the ships side by a couple of feet; this would not be true for olympic until the 1912/13 refit

the officers deck house was pushed out more on titanic

the iron gates of the elevators were different between the ships and this is evident in the wreck itself

their propellers had different pitches and hence not interchangeable (pitch is a theoretical concept which is like the distance a propeller would move if it turned once through something solid, yeah i dont know either)

the wireless cabin had an outside window on olympic, but not titanic

further, it was placed on the port side of the officers deck house on olympic but amidship on titanic

they had different air vent arrangements around the funnels

white star line cut the ships names into the shell-plating at the bow and stern, four feet high and a ½ inch deep

now, please, close your eyes, take a deep breath and consider how much money it would cost to switch just the list above. now compare all of that to the -£500,000/$2.5million youre losing in the insurance scam.

truly, a spend less on candles situation.

and while we're here, shall we quickly talk about how much hush money white star would be paying to silence everyone about this since its apparently an illegal insurance scam.

not to make another non-exhaustive list but heres just who i can think of that youd have to silence:

the 15,000 workers employed directly by the shipyard

the 20,000+ workers in support services or sub contractors

any permanent or casual staff at the belfast dock and harbour comission

all of the officers and crew who came directly from olympic onto titanic such as the captain or stewardess violet jessop (puppet history fans rise up) who interestingly remarked on how improved titanic was compared to olympic

any staff at white star, imm and harland & wolff (where she was built) who would be in the know such as designers

passengers who had previously sailed on olympic who then sailed on titanic

just like anyone in belfast who walked past while the ships were docked together

olympics wreckers: thomas wards & sons who kept huge loose-leaf ledgers for each ships. the one for olympic was 72 pages long and funnily enough olympics yard number and builders I'd frequently appear in it, as seen below

bob ballard who was the one who found titanic. hes known as a very honest man and didnt even claim salvage rights on titanic because he assumed everyone else would also recognise it was a gravesite. he also said "i think it is the titanic at the bottom of the ocean"

every other explorer or researcher like james fucking cameron or us navy consultant and titanic wreck explorer, parks stephenson

its been estimated likely over 60,000 people were involved in just the building of titanic. this was ⅕ of belfasts population and ⅓ of the working population. heres a photo of them leaving olympic at the end of the day

now maybe im just a fool, but that looks like a lot of people you need to silence, and unless white star were blackmailing them or idk fucking killing them i guess, thats a lot of hush money just in the photo above.

i mean, theres also the claim, from noted liar james fenton, that the surviving crew were forced to sign the official secrets act of 1911, but that act was about espionage that benefits the enemy military so im not sure how this is relevant to the switch, and also, again, the guy was never on the ship.

are you perhaps starting to get the picture as to why i dont believe the conspiracy theory because im still going.

okay so as established, if the ships were switched, there would have clearly been a lot of work that would need to be done to switch the ships.

and i only mentioned some of the structural differences, i didnt get into the aesthetic differences like the floor tiles and carpeting being different colours, or how the lounge furniture in each ship having the ship name on them.

mind you, this is what titanic looked like (in the foreground) when olympic was first docked next to her:

this was taken around october 11. olympic docked next to titanic on october 7th for repairs after that whole catastrophic collision.

now how much time do you think it was before olympic sailed away? mind you, titanic has already been launched at this point and just needs to be fitted-out, and that normally takes around 4 to 6 months?

oh, what was that? 44 days? why, kid, youre going somewhere. it was 44 days exactly!

now, i dont think i need to get into the fact that the dock only had 1 crane (which you needed to install and uninstall funnels and machinery) that physically couldnt reach olympic unless she was moved or how olympic was painted white for her launch and then painted black and that the white paint would get exposed in rough weather so the same would have to be applied to titanic so it would look convincingly like olympic.

i mean, you have that information now, but im hoping just by the words "44 days", you might get how off the wall insane it is to suggest white star was able to switch the ships so well no one noticed for decades in 44 fucking days.

"wait kai, youre forgetting that they were docked together again!" you shout, "after olympic threw a propeller, they were docked together from march 1st to march 7th 1912"

and i dont know dude, im pretty sure white star cant warp space time so i really dont know what eight extra days is gonna do.

i hate to strawman but man, the late robin gardiner would have won a gold medal in scarecrow hide and seek.

lets also take a quick detour into the idea that olympics repairs were so expensive.

without getting into gardiners claims about the damage because theres no evidence of it and as mark chirnside states "there are no credible sources indicating that the damage to olympic was worse than reported at the time - and indeed ample sworn expert testimony to the contrary", lets just quickly go over some financial stuff.

during the case, it was unofficially estimated that the damage didnt exceed $125,000. imm, by including lost passenger receipts, wanted to claim for as high as $750,000, but they lost that case.

during the year 1911, imms surplus profit was $822,062. so weve got:

750,000 > 822,062

now as we might remember from key stage 1 maths, the bigger number eats the smaller number, aka, their surplus profit covered the costs of repair.

aka, no ill-advised insurance scam needed.

"thousands of people in belfast would have seen the switch operation - and yet there is not one word in the papers of reporters or photographers rushing out to find out what was happening."

-dr paul lee

so this is the section where i ask how did no one fucking notice?

no one on titanic, who had previously sailed on olympic, ever said anything about the switch other than one guy who was literally not on the ship at any point.

no one who has ever explored the wreck or done research on it has definitively stated it was olympic. rather, they have definitively stated otherwise.

for example, what remains of the base on the wheelhouse shows it to be straight and not curved, and as you might remember: titanics wheelhouse was heterosexual straight and olympics was curved.

(id be impressed if you did remember)

also, as parks stephenson has stated:

"weve got actual high def images of this wreck. ive seen with my own eyes. weve identified the name titanic on the port bow"

its difficult to make out but its there; the name is on the fucking ship.

also, as you might remember, titanics b-deck was different to olympics. the 2 suites there were nicknamed the "millionaire suites" and jim cameron has used rovs to go inside of them.

funnily enough, robin gardiner has gone on the record saying that these suites didnt exist so make of that what you will.

and further, no one noticed anything about olympic even though she sailed for 24 more years. theres no written record of anything, theres nothing in the board of trade reports, theres no photographic proof and theres not even fucking hearsay.

she served as a damn troopship in ww1, youd figure someone would figure it out as all of her fittings were ripped out.

but no, theres nothing.

as i mentioned above, olympic was scrapped in 1935, but some of her fittings were auctioned off and still exist today. and these have the number 400 on them because that was her shipyard number. titanics was 401 and the wreck reflects this also:

the wooden parts are from olympic; the other has been salvaged from titanics wreck.

theres even the famous myth that olympic or olympus as one person told me is written on the propeller at the bottom of the ocean. its not, but you can see the number 401 written on it:

and while were disproving myths about the name olympic being on the titanic, the story about olympic being engraved on titanics lifeboats is also false:

theres no written testimony, no sketches and no photographs of this.

white star didnt engrave names onto lifeboats, the names were on metal plates that were screwed on

do you really think they did all of this work but just didnt fucking swap the lifeboats? if theyre this stupid, how did it take until 1995 for someone to figure it out?

we can also discuss the stupid olympic room thing while were here. see theres a maritime superstition that changing the name on a ship is bad luck and obviously, if youre swapping the ships, youre changing the names.

so to... get around this? cheat luck? outsmart superstition? i dont fucking know, to take a detour to avoid this, white star named a room "the olympic room."

i cannot find any evidence at all that this room ever existed. its not in the design plans or the blueprints, and no passenger or crew has ever said it existed, so im pretty sure the room just didnt exist.

and even if it did exist, titanic was in the olympic class of ships. thats what olympic, titanic and britannic were. its not weird to have an olympic room on an olympic class ship. i mean it is weird in this case since the room didnt exist, but you get my point.

and heres some quickfire myths and falsehoods

the myth about the 14 vs 16 bow portholes is also a false. yes, titanic had 14 portholes on launch but an extra 2 were added before her maiden voyage so yes, the ship photographed departing southampton with 16 bow portholes is the titanic, and do you really think it would take 83 years to figure this out if it was this easy?

similarly, titanic did have evenly spaced b-deck windows on launch, but then the extra verandahs and suites were added so the window configuration was altered, so that photograph is off the titanic.

the idea that titanic had a 2 degree list to port like the olympic before her is evidence of the switch theory is, to borrow a word from dan van der dat, bilge. plenty of ships at the time and now have minor lists. the one on titanic was only recorded by 2 passengers and we know that the list was related to coal consumption. it means nothing.

jp morgan (owner of imm) did not cancel last minute. as mark baber points out on encyclopedia titanica, it was announced in the new york times that hed be in venice on april 23. at that time, transatlantic voyages took at least 5 days so it would at least be a 10 day round trip and likely not give him time to get to venice for the opening of a store of whatever it was.

also, j bruce ismays wife and kids also didnt cancel last minute. theyd already decided to go on holiday to wales rather than sail on titanic.

addendum to that point: if ismay knew it was going to be sank deliberately and so warned his wife, why would he get on board himself? further, why would harland and wolff designer thomas andrews (who did not survive by the way) get on board?

and we're finally at my favourite part of this entire mess: the sinking itself.

see, a deliberate sinking doesnt really make sense for titanic because the conditions under which she sank has led to the descriptor "freak sinking."

these are: a new moon meaning less light, unusually calm ocean that disallowed lookouts to watch for foam as waves hit any icebergs, ice having drifted further south than normal for that time of year, and a sideways glancing blow that breached more watertight compartments than the ship could handle and stay afloat.

and idk dude, is there not an easier way? like maybe some light arson. just call it an accidental fire that got out of control and led to the ship being a write-off, this isnt difficult.

but you see gardiner has an answer to this, and i am laughing as im typing this, he claims that:

titanic didnt hit an iceberg, it hit an imm rescue ship.

thats right, this guy fully says titanic didnt hit an iceberg. apparently it hit another ship and NO ONE FUCKING NOTICED

i mean we have testimony from survivors but fuck them i guess.

he claims that as titanic was apparently a "steel double-hulled vessel" so an iceberg simply couldnt inflict so much damage.

yeah titanic wasnt double-hulled. she had a double bottom, but it was only after titanic that shipbuilders were like ah maybe full double hulls arent an unnecessary expense after all.

theres also the issue of uh no evidence of this rescue ship ever existing? at all? i dont know where it came from, i dont know where it went, and who fucking knows, maybe it was called the rms cotton eyed joe.

yeah so weve got a theory riddled with problems and im just gonna introduce some more problems with this theory as gardiner has also alleged that:

the original plan was to open the seacocks and slowly flood the ship, but this was interrupted by titanic hitting another ship

1) titanic didnt have seacocks? and 2) was the rest of it a coincidence then? i think its meant to be a coincidence.

i believe his theory is alleging that the crew on titanic would open the seacocks that didnt exist to flood the ship slowly, and that the imm rescue ship that also didnt exist was in the area in advance to help evacuate passengers, alongside other ships such as the ss californian.

this is that ship that was like 10 miles away or something and didnt respond to titanics distress signals. according to gardiner, they were expecting a rendezvous with titanic according to the "original plan", but never received it.

instead, they saw the rockets of the fabled imm rescue ship and helped them instead.

this is fucking stupid.

i cant be charitable here, its a fucking stupid theory. i mean, that imm ship did not exist, and also californian is a ridiculous choice for a rescue ship. her capacity was 47 passengers and 55 crew; there were more than 2200 people on board titanic.

to counteract this argument, gardiner alleges carpathia was also in on the scheme as a rescue ship. she, at least, had capacity for the passengers, but theres also several problems with this too.

for one, it was fucking 50 miles away and famously arrived several hours after the sinking even though the captain had her running at top speed to get there.

for two, carpathia was owned by cunard, white stars rival. was their rival line in on the insurance scam??? how much money did they have to pay cunard for this????? why? just why?

do you understand why i dont believe it? please tell me you understand. i need you to understand. i need you to tell me that you understand that the guy who created this conspiracy claimed titanic didnt hit an iceberg.

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