#does this make sense. no. but i think about it a lot and wanted to put it down somewhere. so

[harrysfolklore]

can we have a little honorary wag blurb where she’s freaking out about meeting charles’s entire friend group but when she does , she gets along with them really well and baby chiara ADORES her 🥹

thank you for sending this request, i really missed writing about these babiesss 🥺🥺 i hope you like thisss

READ THE HONORARY WAG HERE

A few weeks had passed since Kika and Pierre’s wedding, and life had settled into a pleasant routine for you and Charles. It was a lazy Sunday afternoon, and you were sprawled on the couch in Charles’ living room, a cozy blanket wrapped around you as you watched TV.

Charles was in the kitchen, making coffee. You could hear him humming to himself, a soft, contented sound that made you smile. The past few weeks had been a whirlwind, but you were finally finding your rhythm together, and it felt perfect.

Being his girlfriend felt perfect.

“Do you want anything with your coffee, mon coeur?” Charles called out, his voice carrying into the living room.

“Just some cookies, if we have any,” you replied, stretching out and snuggling deeper into the blanket.

Charles appeared a few minutes later, balancing two mugs of coffee and a plate of cookies. He handed you your mug and placed the plate on the coffee table before sitting down beside you.

“Thanks,” you said, taking a sip of the coffee. It was perfect, just the way you liked it.

Charles smiled and wrapped an arm around your shoulders, pulling you close. “I could get used to this,” he said, his voice soft and full of warmth.

You leaned into him, feeling a sense of contentment. “Me too. It’s nice to have some time to just relax and be together.”

He kissed the top of your head, his lips lingering for a moment. “So, I've bee thinking."

You turned to look at him, curiosity piqued by his tone. "Oh? About what?"

Charles took a sip of his coffee before continuing, "Well, we've been together for almost a month now, and things have been going really well…"

"They have," you agreed, smiling up at him.

"And I was thinking," he continued, his fingers absently playing with a strand of your hair, "maybe it's time for you to meet my friends. My whole friend group, I mean."

You felt a small flutter of nervousness in your stomach. You'd met some of Charles' friends in passing, of course, but the idea of meeting his entire friend group felt significant.

"Your whole friend group?" you repeated, trying to keep your voice casual.

Charles nodded, his eyes searching your face. "Yeah. Joris, who you've already met a few times, Riccardo and Marta, and a few others. They're really important to me, and… well, you're really important to me too. I'd love for you all to get to know each other better."

You almost melted at his words, his green eyes looking at you with a tenderness that made you regret not looking at them for so long.

It wasn’t just the idea of meeting his friends—it was the way he phrased it, making you feel special, like you were becoming an integral part of his life. But at the same time, your nerves fluttered in your stomach.

“Charles, that sounds… great,” you said, trying to sound confident, but the slight edge in your voice gave you away.

He narrowed his eyes at you, gently setting his coffee cup down on the table. “But?”

“I don’t know. I guess I’m just a little nervous," you sighed, shifting so you could look at him fully, "They’ve known you for so long, and I don’t want to feel like the odd one out, you know? What if I don’t fit in?”

“Mon amour, you’re not an outsider," Charles’ expression softened even more as he reached for your hand, interlocking your fingers with his, "You’re my girlfriend, and that means you’re already part of my world.”

You bit your lip, still feeling a little unsure. It was a lot of pressure—meeting the people who had been with Charles through thick and thin, who knew sides of him that you were still discovering.

“I’m sure they’re great,” you said, leaning into him a little, “but it’s still kind of intimidating. I mean, Riccardo and Marta have a baby. What if I’m awkward around Chiara?”

Charles let out a soft laugh, shaking his head. “Chiara’s a baby. All she cares about is who makes her laugh and who gives her food. And knowing you, you’ll have her wrapped around your finger in no time.”

You couldn’t help but chuckle at that, imagining a tiny baby giggling in your arms. “You think so?”

“I know so,” Charles replied, brushing a strand of hair behind your ear. “Look, I get it. Meeting new people, especially people who are important to me, can be overwhelming. But I promise, they’re going to love you. And more importantly, I’ll be there with you the whole time.”

His words calmed the nervous buzzing in your mind, and you found yourself nodding slowly. “Okay. Let’s do it. I’ll meet them.”

Charles’ face lit up with that boyish grin you adored, and he kissed you softly on the lips. “That’s my girl. I’ll talk to them, and we’ll make a plan for next weekend.”

You smiled against his lips before pulling back. “Next weekend, huh? No pressure, right?”

He winked, squeezing your hand, “None at all. Just you, me, and my crazy friends.”

The following weekend came quicker than you expected, and before you knew it, you and Charles were standing outside Riccardo and Marta’s house, your heart beating a little faster than usual. The sounds of laughter and conversation drifted out from the backyard, and you could already hear Chiara’s high-pitched giggles.

“You okay?” Charles squeezed your hand as you stood at the front door.

“Yeah, just…" you took a deep breath, nodding, "You know, trying to remember how to be a functioning human.”

"Mon coeur, it's fine!" Charles gave you a huge grin, "Just think bout the first time you came to a race with Kika and met everyone. You were a natural."

You chuckled at the memory. "Yeah, and from that moment, I thought you disliked me for the longest time."

"Baby, we've talked about this," Charles raised his eyebrows in mock surprise. "I was just... reserved," he said, his tone teasing but with a hint of sincerity.

You nudged him playfully. "You were cold! Barely even smiled at me. I thought, 'Great, Pierre’s friend is grumpy and doesn’t like me at all.’"

"And now, look at me," Charles laughed, pulling you closer, "Head over heels for you. Who would've thought?"

You felt a warmth bloom in your chest at his words. His eyes softened, and before you could respond, he leaned in, brushing his lips against yours in a gentle kiss.

When you finally pulled away, Charles rested his forehead against yours. "I promise, they’ll love you. Just be yourself, like you always are."

You nodded, a small smile on your lips. "Okay, I’m ready."

With that, Charles opened the door, and the two of you stepped inside, the lively sounds of his friends filling the space around you. The air was warm, the atmosphere welcoming, and as soon as you stepped through, Joris waved at you from across the room, and Marta smiled brightly, holding little Chiara.

"Well, well, if it isn't the girl who used to roll her eyes every time Charles spoke," Joris teased, approaching you and pulling you into a friendly hug.

You laugh, feeling some of your nervousness dissipate. "What can I say? He grew on me."

"Like a fungus, I'm sure," Joris winked, earning a playful shove from Charles.

Marta spotted you both and beamed, making her way over with Chiara balanced on her hip. Riccardo followed closely behind her, grinning widely.

"Ah, there he is," Riccardo greeted, pulling Charles into a hug before turning to you with a bright smile. "And this must be YN. It’s so great to finally meet you."

Charles stepped to the side, his hand still holding yours as he made the introductions. "Riccardo, Marta, this is YN, my girlfriend. YN, these are two of my closest friends in the world."

You smiled nervously but warmly, offering your hand to Riccardo, who brushed it aside to pull you into a friendly hug. "We do hugs around here," he said with a wink.

Marta followed suit, hugging you carefully while balancing Chiara in her arms. "It’s so nice to meet you, YN," she said, her smile warm and welcoming. "Charles has told us all about you. It’s about time we finally get to meet the girl who’s got him smiling all the time."

You chuckled nervously, your cheeks flushing a little. "He exaggerates."

"I don’t think so," Charles teased, his arm slipping around your waist again as he beamed at you.

Another one of Charles' friends raised his glass from where he was standing. "And here she is—the woman who tolerates Charles better than any of us."

You laughed at that, feeling some of the tension slip away as everyone welcomed you with open arms. The introductions continued as more of Charles’ friends trickled into the conversation, each one greeting you warmly, making you feel like part of the group in no time. It was clear that Charles’ friends were just as kind and friendly as he had promised.

“I’m so glad you could come," Marta said as she sat down next to you, little Chiara still in her arms.

“Thank you for having me,” you replied warmly, already feeling more at ease with her friendly demeanor.

Baby Chiara’s curious eyes darted toward you. You waved at her with a soft smile, and to your surprise, Chiara giggled, her little hands reaching out toward you.

“She’s been so excited all day,” Marta said with a chuckle, adjusting Chiara on her lap. “I think she knew we were having company. You want to hold her?”

You hesitated for a moment, but before you could even reply, Chiara was practically leaning over to get closer to you. You couldn't help but laugh, your heart melting at the sight of her small, chubby hands reaching out.

“I think she’s made up her mind,” you said, taking Chiara from Marta. The little girl settled in your lap immediately, looking up at you with wide, innocent eyes before giving you a sweet, toothy grin.

Charles, who had been chatting with Riccardo and Joris nearby, turned around just in time to catch the scene. His expression softened as he watched you interact with Chiara, his heart clearly in his eyes as he leaned against the counter, completely mesmerized.

“She loves you already,” Marta said softly, watching the way Chiara kept reaching for your face, fascinated by your hair and earrings.

“She’s adorable,” you said, your voice equally soft as you gently played with the little girl’s hands. Chiara giggled again, her laughter filling the room, and you couldn’t help but beam at her.

Charles crossed the room, his eyes still glued to the two of you. "She’s not the only one," he teased, placing a hand on your shoulder as he bent down to kiss your temple. "She’s got good taste."

"You're such a sap," Joris called out from where he sat, grinning as he popped another cookie into his mouth. "Look at you, all gooey and soft."

“Careful, Joris,” Charles replied, smirking at him. “Don’t make me start telling embarrassing stories about you."

“Oh, I’d love to hear those,” Marta chimed in, clearly enjoying the playful banter.

“Hey, I’m not the one who once locked himself out of the house without pants,” Joris shot back, earning a chorus of laughter from everyone around the room.

Amidst the laughter, Marta leaned closer to you, her voice just above a whisper. “You know,” she said, glancing at Charles, who was still gazing at you and Chiara with that adoring smile, “I’ve never seen him like this. I can tell he’s really happy with you.”

Her words made your heart skip a beat. You glanced up at Charles, feeling a warmth spread through you as you caught his eye. He winked at you, completely oblivious to Marta’s words, but it only made the moment more special.

"Thank you," you replied quietly, feeling a bit shy under her knowing gaze. "That means a lot coming from you."

Marta smiled, patting your hand. "I'm really glad he found someone special. You fit right in."

Before you could respond, Chiara began fussing slightly in your lap, clearly looking for something. Charles noticed immediately and knelt down beside you, offering the small toy she had dropped earlier. As soon as you handed it to her, Chiara calmed down, grabbing the toy and happily gnawing on it.

"I told you she'd love you," Charles grinned as he watched the two of you.

"You're right," you replied with a smile, gently bouncing Chiara in your lap. "She's perfect."

The rest of the evening passed in a blur of laughter and easy conversation. You found yourself quickly settling into the group, enjoying the way everyone seemed so at ease with one another. Joris and Riccardo were relentless in teasing Charles, often making jokes about how smitten he was, while Marta continued to shoot you knowing glances, clearly pleased with how everything was going.

At one point, as the evening wound down, Chiara started to get sleepy. She nestled into your arms, her little fingers curling around your shirt as her eyes fluttered closed.

Charles, who had been watching the whole time, leaned down and pressed a soft kiss to the top of your head. "You’re amazing with her," he whispered, his voice filled with warmth.

"She’s the sweetest," you whispered back, glancing down at the tiny girl fast asleep in your arms.

Charles’ gaze lingered on you for a moment longer, his heart completely full. He had never imagined that watching you with Chiara would have such an effect on him, but here he was, absolutely melting at the sight.

As the night drew to a close, Riccardo and Marta thanked you both for coming. “Next time, we’ll have to do it at your place, Charles,” Riccardo joked, clapping him on the back.

“Sure, as long as you bring Chiara,” Charles replied with a grin, his arm wrapped securely around your waist as you stood by his side.

Marta gave you a quick hug before you left. "Seriously," she whispered in your ear, "We're really glad you're in his life."

You smiled at her, feeling the warmth and sincerity behind her words. "Me too."

[heavysighing-dreamyeyes]

Guardian Angel

CW: Stalking, people breaking into your apartment (Arkham Knight and others), people brushing off an obvious issue, and violence. Be warned, there are no angels in Gotham. ~2.2k words

You have a stalker. Probably. Maybe. If you do, they're so good at covering their tracks that you're starting to believe you're just paranoid.

But it's the odd events, the trinkets moved slightly out of place, that have you checking over your shoulder.

There wasn't even any evidence at first. Your day had been completely normal. All you were doing was cooking dinner, when your nerves went on end, and goosebumps rose on your skin. The feeling of being watched, of being prey set in.

It didn't make sense, didn't have a reason, but you closed your curtains and triple checked your locks nonetheless. (The bat you keep by your bed slept next to you that night)

You would have forgotten about the incident entirely if, a week later, the same feeling crept up your spine while you walked home. You'd never walked faster to get to your building. You'd practically sprinted up the stairs to your apartment, and slammed to the door behind you.

Even within your home, it took almost the whole night for the feeling to fade.

Two times could be a coincidence, but then things started getting stranger.

You could have sworn you left your keys on the counter the night before, so why, why did you find them on the coffee table?

It makes you uneasy, almost sick, but you're already late to work. So you do the only thing you can, you brush it off.

Until it happens. A thing you can't brush off.

You knew you had used the last of the sugar yesterday. Knew it because you had made a mental note to pick some up the next time you went to the store.

But there's sugar. It's not a lot. Just enough to get you through a few days. Enough to make you think you might have just missed the last of it.

You know you're right. You know you were out of sugar and even if your coworkers laugh and tell you to get more sleep, that having an angel that refills your sugar can't be that bad, you know someone's been in your apartment.

You set traps, set cameras, get your locks changed, take note of everything. You don't get any evidence.

But you notice that your window doesn't squeak anymore when you open it. Your shower doesn't rattle when you go to start it. Your oven actually heats up to the temperature you set it to.

It's been like this for months now. And you're starting to believe that Gotham does have its own set of angels that go around trying to make your life a little easier.

That is until, you meet him.

You'd been unlucky. Gotten grabbed and dragged into the alley by your apartment by some haggard looking man waving a gun. It wasn't the first time you'd been mugged in Gotham, and you doubted it would be the last.

You had reluctantly pulled your wallet and phone out of your pockets and handed them off when an armored-clad person dropped between the gun and you.

At first, it was a relief. Being saved by Batman or Nightwing is practically a rite of passage in Gotham.

But then you watched the would-be mugger hit the ground with a sickening crunch of his arm. Then you watched your savior turn to face you, and you knew it was him.

You didn't have an explanation, you didn't have proof. You'd never even seen a glimpse of the helmet that hid his face before. But you knew. He's the one that's been following you. He's the one that's been in your home.

No amount of good deeds can overshadow how violating it feels, to know he's been watching you, observing you, doing things for you. You instinctively step back.

He only matches the distance you tried to create with a step of his own.

"Who are you? What do you want," You snap, sounding braver than you feel.

He doesn't answer at first, just tilts his head like he's studying you. You think it might be because he's never seen you think close before.

"I saved you," he says instead, completely avoiding your question. You wonder if he's expecting to be treated like a hero, if he's looking for your praise. It makes your stomach churn.

"You've been following you. You're the one who's been in my apartment," You protest, eyes darting.

You half expect someone to come help you. With the way he's dressed, with how he's carrying himself, he has to be some kind of new villian you missed on the news.

He straightens out at your accusation, "Have I?"

You almost falter, almost do chalk it up to paranoia, but you just knew. Every fiber of your being knows, "Yes," You breathe out instead, "You have."

He nods slowly, then turns his back to you. A part of you wants to run, to try and escape and scream and get as far away from the man who feels like he could make you disappear without a trace.

He bends down and scoops up your phone and wallet before turning back to you. You freeze when he walks closer, each step steady and measured, then extends your belongings to you. Your hand shakes when you snatch at them.

You half expect him to yank them away, to make you beg, but he doesn't. He only keeps his grip tight on them, forcing you to be connected while you tug helpless at your things.

He watches you with his head slightly cocked before speaking again, "And if I have?"

He's easy, robotic cadence makes your blood grow cold, "Then you should stop," You retort, voice as cold as your veins.

"And if I won't," he prompts, finally releasing his hold on your things.

"I'll go to the police," You threaten, stuffing your wallet and phone back into your pockets.

"They can't help you," he warns. It makes you uneasy, that he makes no attempt to keep space between you. Even if his body language doesn't seem dangerous, everything else about him does.

"They can contact Batman," You try instead.

He laughs. It sounds humorless, empty, "He can't help you either."

You lose your nerve then, when he pats your cheek, and the guns holstered to his side seem to glint at you. "Get home," he tells you, and it makes you feel like you're some kind of pet.

And then he's gone, leaving you to an alley empty of anything, save for you and the mugger crumpled to the ground. All you can do is go home. Sleep doesn't come for you that night.

He's sloppy, now that he knows you know. You can tell it's on purpose.

Flashes of glowing blue outside your window, your things carelessly shifted about your apartment, the broken fan that hasn't worked since you moved in left on and spinning when you come home from work.

The only place he hasn't seemed to touch is your bedroom. You're not sure if it's because he's showing some slightest form of respect or if he's simply too good at hiding his tracks for you to notice.

Both options make you feel anxious, and you constantly comb over your things for proof of his presence.

You rack your brain over it, lose sleep over it, but you can't come up with one idea of who he is and why he's doing this.

There's nothing on him in the news, nothing on the internet, not even a whisper on the streets.

It feels like it's all one big, sick game to him when your favorite flowers start showing up at your door, when your gas tank fills itself.

When you tell your coworkers, in a near panic, about your rent being mysteriously paid, they tell you it's harmless, it's kind of sweet, really.

Shouldn't you just be grateful that someone's doing all that for you? Shouldn't you be thankful to have an angel looking out for you in this city?

But you know it's not harmless. You know he's capable of so much more. You know he's no angel.

The sound of the mugger's arm snapping still haunts you.

But you don't know what to do. You're stuck, on edge, and slowly coming to terms with having to live like this forever.

That is, until your bad luck seems to get even worse. You were in your pajamas, already half asleep as you're lounging on your couch, when your world gets thrown into chaos.

There's a click in your apartment door's lock, and you have the terrifying realization that tonight's the one night you'd forgotten to throw the deadbolt.

"I told ya I could get the keys to this floor. And barely anybody lives in this building afta what happen ta Murphy," the heavy Gotham accent fills your apartment and three men file into your living room like they own it.

They freeze when they see you, and you don't hesitate to sprint for your fire escape.

You've just managed to throw your window open when one of them grabs you around the middle and hauls you back, throwing you to the floor. Your head knocks against the ground, and everything spins.

You think you whimper as they start bickering. "You said no one would be here!"

"They weren't supposed ta be! It's all supposed ta be empty," one of them snaps back. It only makes your head pound and your vision swim.

You try to push yourself off the floor, but a boot lands at the center of your back and forces you back to the ground, "We have to kill them."

Murmurs of reluctance fill the room, and for a second, you think you'll get to live.

"They saw our faces," You hear the telltale sound of a gun clicking off its safety, "I'll do it."

You flinch with the shot sounds, but no more pain comes. The weight comes off your back, and a body collapses to the floor next to you.

You lift your head just enough to see a familiar blur of blue charge at the remaining two men.

It's not so much of a fight as it is an execution. It's a struggle to keep your eyes open, but anything you can't see you can hear.

There's no mercy in his actions, all wrath and fury, and you want to laugh because, in a way, he is your guardian angel. An avenging angel, pummeling the people who threatened you into something unrecognizable.

You're sure how long it lasts, how long you hear his fists connect to their flesh. But eventually, your apartment goes quiet. The sound of fabric shuffling reaches your ears, and calloused hands carefully help you move until you're sitting up.

Warm palms press to your face you realize he's taken his gloves off. You force your eyes to open, morbidly curious if he's removed his helmet, too. You're not sure why you're disappointed he hasn't.

"Saved me again," You mumble, words almost slurring.

"You're not safe here," he says softly, and his thumb runs over your cheek like he's trying to comfort you.

"They didn't think anyone lived here," You supply, but he apparently doesn't find that very reassuring.

"Let's get you out here," he says instead, and you blame it on your head injury for being impressed at how he doesn't show any signs of struggling when he picks you up and cradles you to his chest.

"Don't have anywhere to go," you say weakly, mentally trying to do the math on how much a safe hotel would cost at this time of night.

The moonlight seems to give his helmet an odd shine as you stare hazily at him. It almost looks like a halo.

"I have a place," he tells you, already carrying you out of your apartment window.

That snaps you out of your thoughts. It makes you frown, even in your dazed state, you know you don't want to go with him. That even with the trick of the light, he's no angel.

You start to squirm, "No– no, wait–"

"You need somewhere safe to recover," he says, and he doesn't seem to notice your fidgeting. Your heart leaps to your throat, at how securely he's holding you. With anyone else, it would have felt like a promise of protection.

"I don't trust you, you're not safe," You stumble out, head growing heavy with each step he takes from your apartment.

"No one's safe. But I don't have any plans on hurting you," he murmurs, seemingly more occupied with getting you to wherever he's planning to take you.

"But you could," You exhale out, and your voice sounds weak even to yourself.

That makes him pause, and his helmet tips as if he's focusing on you, "Maybe, but I wouldn't like it."

You want to argue more, demand he set you down. But your brain feels so foggy, and you're so tired and drained that your head just kind of finds itself on his shoulder.

"You can sleep," he says, and your eyes fall shut at how soft he sounds, "I'll keep watch."

You really do want to protest, but his shoulder is surprisingly comfortable. You can't help but think, as you drift off, that your angel might have fallen far lower than you can handle.

[aliensubstance-011]

Fiddlestan AU!!

AU where Ford gets into West Coast Tech, but Stan manages to (somehow) get into Backupsmore and gets roomed with Fiddleford! 

Stan was kicked out after Ford left (because if his brother was ready to leave home, so was Stan). Stan lived in his car & the public libraries he found (all his fake IDs are just fake Library Cards lmao. nerd). Stan also discovered he was queer (did drag for the prize money, then went OH. All these queens are treating me like this because I'm a baby queer. That makes sense. Guess I’m doing guys now.).

I like to think that Stan spent a year or two studying up after Ford left so when he gets in Fiddleford is in his second or third year! This does result in a “I'm your new roommate. You first year?” and Fiddleford going “What in tarnation... I'm THIRD year? How did we end up in the same dorm????”

At first they HATE each other- Fiddleford thinks Stan is reckless, and doesn’t know what he’s doing there, and that he’s kind of stupid, while Stan thinks Fiddleford is some stuck-up hippie who formed an opinion on Stan too quickly (he did). Once they do start talking they have a very quick ‘oh you’re actually not that bad’ moment. Fiddleford leaves before Stan, obviously, but they keep in close contact even after Fiddleford moves in with Emma-Mae. 

Stan and Ford have a huge argument about Ford not needing Stan anymore. Cue: “Of course I need you, you're my brother” “WELL YOU DON'T ACT LIKE IT”, which is another reason that Stan and Fiddleford leave together. Not long after this, around Stan’s graduation,  Fiddleford has a 'I'm gay and don't love my wife' moment, and Stan casually suggests running away, just driving (maybe something a little nostalgic in it, maybe when Stan looks back at his car he feels like he can hear a distant New Jersey shore). The next day Fiddleford shows up with a duffle bag of things, and Stan realises Fiddleford took him seriously. That he’s willing to run away with him, even if it’s not on a boat, that Fiddleford wants to. Stan gets very, very close to realising he’s in love that day. 

They run away after Stan’s graduation and just drive until they get to Gravity Falls! They set up shop there, with Fiddleford doing auto repairs (and making inventions on the side). Fiddleford confesses to Stan when they’re staying in a motel- he thinks Stan is asleep, so he just says that he thinks he’s in love with him, while Stan is laying wide awake in the bed next to him. Stan spends the next few days Freaking The Fuck Out while Fiddleford doesn’t acknowledge what he said. Stan thinks Fiddleford knew he was awake, so when he confesses back he says something along the lines of “I think I’m in love with you, too” and Fiddleford bluescreens.

Just General HCs:

Stan falls first, but doesn't realise until Fiddleford confesses.

Ford is still self centred but doesn't hate Stan. Stan resents Ford for not doing anything when he was kicked out, and a little bit for leaving him. He understands, though, why stay with your good for nothing brother when you have dreams across the country to fulfil? 

Fiddleford is Repressed Gay until he confesses his Awful Secret to Stan who's just like....”okay?”. He does get to the point of marrying Emma-mae, before he confesses to Stan. 

I don't quite know what Stan will be doing, both in Backupsmore and once they move to Gravity Falls. I like a little bit about him either doing Art or Law, but I feel as though he’s not willing nor smart enough (respectively) for either one.

Stan IS smart, don’t get me wrong, he just needs it to be something ‘physical’ that he can interact with. Fiddleford helps a lot with this (having gotten a lot of hands-on work while he was on the farm). 

I think eventually Ford does end up in Gravity Falls too, but by this point he’s distanced himself from everyone not because of Bill, but because of his own hubris. 

Because of Stan and Fiddleford being queer, I don’t think Dipper and Mabel would be allowed to visit them until their parents have no other choice- though they do hear a lot about their Grunkles and see them from time to time. 

If I did include a Bill/main timeline ish plot it’d be Fiddleford who gets tricked- maybe after Ford gets to Gravity Falls, and Bill offers a way to keep Stan happy/repair his relationship with Ford (maybe Fiddleford thinks Stan is going to run away- just without him this time. He knows Stan would never, but he could.) 

I’d probably include a B-plot where Stan thinks Fiddleford will cheat on him with Ford- they click immediately and so much better, Ford is so much smarter, he’s the better twin, because insecure Stan is my favourite thing ever. Just a small detail, but I think that Fiddleford is a lot more confident and stable with Stan, mainly because Stan has encouraged him to step out of his comfort zone so often, and has proved time and time again that all Fiddleford has to do is ask and Stan is right there to catch him.

I'm still not sure what Stan should do, so if anyone has any suggestions, let me know! That and drawing requests god let me draw them PLEASE.

[alpaca-clouds]

BG3 fans, we gotta talk CPTSD

Okay, I have spend about a week considering writing this blog, but I really gotta say, that it is something people really need to understand. See, I mostly see this issue with Astarion and his depiction in fandom. However, I would argue that it is a thing that affects literally all characters that play some sort of bigger in this entire game. Including many NPCs.

But let me start with Astarion. See, I wrote the blog two weeks ago about people being judgy on people, who do not want to have graveyard sex with him. Mostly people will argue how Astarion should be allowed to have his agency in that moment - while I argued that whoever the player is playing should have also agency in that scene. Including the agency to say "no" for whatever reason. I also included that my Tav absolutely denied Astarion, because he was not trusting that Astarion in the scene really was ready for it, for a variety of reasons. Which is very much a valid reason for someone not to want to sleep with someone else. (Literally every reason is a good reason for that, mind you.)

And obviously there came the comment, that went basically: "As someone who was raped I am very appalled by you saying that raped people cannot consent." Which is very much not what I said.

What I said was, that my Tav did not consent. Yes, he did not consent because he thought Astarion was not ready for it - but he is the one not consenting. It does not matter for this whether his assumption about Astarion is true or not. Tav does not feel comfortable in the scene, so Tav does not want sex right there.

However... If you consider the drow orgy scene, Tav is also very much right. If you do that scene after defeating Cazador, Astarion is enthusiastically consenting to that orgy, but he still ends up dissociating during the scene. (And in that scene, even if your character notices it, you cannot go "Stop!" Which I hate.)

Here is the thing. If you are in the BDSM scene, you might actually have encountered a scenario in real life where someone was enthusiastically consenting to something - only to them realize, that they were not into it at all. And people can withdraw their consent IRL at this point. Only that in this game, obviously you can't. So within the game choices I will just start out with "no" for this character.

Still, that is actually not what I mainly wanted to talk about. No.

What I wanted to talk about is the other thing. I absolutely know that for a variety of reasons a lot of SA survivors do identify with Astarion, and I do not want to take that from anyone. I think it is amazing that we got a character with whom we see this issue portrayed seriously. And let's face it. Especially in tumblr fandom circles, we will have a lot of SA survivors, because the userbase of this website is majority afab, and many are queer. And we know from statistics that queer afab people are even more likely than non-queer afab people to experience SA at some point in there life. So, yes, Astarion is going to be embraced by this community makes sense - even without his dashing looks.

But here we get to the actual meat of the issue: Astarion was not just raped. Astarion was abused in a variety of ways - some of them sexual - over the course of 200 years. He went not through a single traumatic event, but an ongoing trauma that, again, lasted for 200 years.

Or to put different: Astarion does not have PTSD. He has C-PTSD. Complex trauma. The kind of trauma that develops when the trauma lasts over a long, long time, without the survivor getting a chance to ever really properly ever relax. Something that was very true for Astarion's time under Cazador. He was under constant threat of rape, torture, and other forms of violence.

While CPTSD is a form of PTSD, it has some differing symptoms - and additional symptoms from plain old PTSD.

I found this graphic on this blog here, and found it fairly good in the depictions. (If you google CPTSD you will find several graphics like this.) It shows very well the additional symptoms, compared to normal trauma.

Generally speaking, CPTSD brings a lot stronger issues with self-worth, interpersonal problems, and emotional regulation. CPTSD folks are often prone to emotional outbursts (this graphic names anger, but technically it can be all other kinds of emotional outbursts - which is why at times CPTSD gets confused with BPD).

And Astarion is written like this. He shows very much all the symptoms of CPTSD. And let's be honest: That is an issue he will have to deal with for a long, long while.

But... As I said, the same is actually true for pretty much all the characters.

If you look at the companions, it is obvious.

Gale spent at least a year in constant fear of blowing up. While Mystra's abusiveness towards him within the relationship prior the orb is more fanon than canon (though the relationship was defnitely not an easy one), the "one year in constant fear of death" is very likely going to instill some form of CPTSD in him.

Karlach was a slave for 10 years, forced to fight in the hells. While she will also probably suffer from certain forms of PTSD more common in soldiers. Additionally I would argue that she also has some CPTSD from tiefling-racism. While she does not bring it up often... She does seem to have a thing there.

With Wyll it is a bit more complicated. Yes, for him I would see the kind of CPTSD I have - parental abuse related. Ulder was not openly abusive, but neither was my mother, and guess what fucked me most up in my childhood, despite experiencing some really bad violence elsewhere.

Shadowheart was abused by Viconia and midwashed and tortured and was forced to kill her fucking pet mouse. Bonus points that a lot of it happened during her childhood. She very much is gonna suffer the consequences.

Lae'zel... Do I really need to say something about her upbringing among the Gith?

Then we have Halsin. We know fairly little about his background, given that he is very coy in talking about it. But his "three years as a drow slave" definitely make it likely that he has developed some form of CPTSD.

And then we have Jaheira and Minsc. For whom just the... Well, look folks, the adventuring lifestyle would logically also leave you with CPTSD of some sort.

Even if you play a Tav who entered the game after having a very untraumatic life... They will spent what has to be at least two months with a tadpole in their head threatening to kill them - while half of Baldur's Gate is trying to do the same. They'll have PTSD after this at the very least, if not CPTSD. (Even though, let's face it, chances are we all gave our Tavs more than enough background trauma to go along with it, right?)

And same goes for so many other characters. The tiefling refugees. Our main villains (especially Gortash and Orin). Cazador. The other vampire spawn (duh). The list goes on.

So, what am I trying to say here?

Well, for once I just want to make sure folks understand that CPTSD is a thing that exists and while being similar to normal PTSD differs in some points. Including the fact that people with CPTSD have a high likelihood to make very rash decisions driven by instable emotional states, that might be harmful to them on the long run.

And mind you. In real life most people with CPTSD have it because either they were bullied for a long time, or were in an abusive relationship of some sort. (Abusive parents, abusive partners, abusive friends/roommates.) But even in those heightened scenarios the game represents for the most part - the issues are gonna be still mainly the same.

[cemeteryvalentine]

astro observations part 4 !!! ^____^

(specifically based off my family :3 pleaseee don't get offended at anything that doesn't resonate)

🗝️: one thing about a sag placement, they are gonna hang up FIRST !!! i swear, if anyone misses flip phones, it's a sag placement/dominant. i just know they miss snapping that phone shut in a petty manner LOL. my mom is a sag moon AND rising, and she'd call me and demand me to do something in such a bitchy tone and then hang up on me like girl who tf do u think u areee 😭😭😭😭 LMFAO. but honestly good for her, i love being petty like her.

like i swear i take after my mom because everytime she does that annoying hang up before i can respond thing, i call her again just to say a snarky remark, and hang up on her back!

🐇: i swear, virgo placements have no problem being the grossest people alive, but suddenly it's a problem when someone else does it :/// it's really annoying. my brother has a pigsty of a bedroom, doesn't wash his hand when he pisses unless i make him, and leaves his trash everywhere, but constantly gets on my sister for the same things 😭. like the calls coming from inside the house !!! i think basically, (some) virgos are like picky(?) with what areas they'd want clean. like they're only really comfortable with THEIR mess and no one else's.

🗝️: i love how pisces mercury communicate because it's like what the hel are u awn about 😭 in the NICEST way though :3 they're so kewl and interesting to talk to, plus they're so nice and understanding. maybe because they're water mercuries after all. speaking of, my favorite artist ever kurt cobain was a pisces mercury and it SHOWSSS. a lot of nirvana lyrics feel artistic and metaphoric, or just realllyyyy silly. liiike "angel left wing, right wing, broken wing. lack of iron and or sleeping" from milk it, one of my nirvana faves. and "i vomit C*M and DIARRHEA". like girl whatever that means !!!! (song, mexican seafood)

🐇: mars influence on the asc makes for prominent features. especially eyebrows. my brother has an aries rising and he has such a bad case of RBF. i swear he never looks happy 😭 his virgo sun and cap moon definitely don't help at all either. then im a mars rising and i have big eyebrows like my brother. like we're the only ones with big eyebrows, while our parents brows look invisible LOL. also i'm a virgo rising !! and ppl are always saying i look mad which honestly pisses me off :P so in conclusion, mars influence + virgo placements = major rbf

🗝️: i HATE to add on to the cancer hate train since i'm one myself and i loveee being one + we get soo much hate, but i feel a (unevolvled) cancer makes for the worst pick me girl ever !!!! this def doesn't apply to all cancers, but the few cancer women i know can be so mean to other women so unprovoked. especially my mom, it gives me the ick when she calls random women b*tches or makes fun of them to me for their features or success or soemthing. i used to be a pick me too up until i was like 13 (im soooo happy i grew out of that mess QUICK!). i would constantly strive for male attention, it was embarrassing 😭. ik another girl who values her shitty boyfriend over her (girl) friends and i haaate it. like ive only known a few cancer women, but a lot of them are like the meanest pick me bitch ever, or such a sweeet, caring soul :). i feel like being a pick me stems from cancers being feminine AND traditional. yk? i pray i make sense, but yk how it's traditional for girls to be perfect for her man, and value him no matter the circumstance ?? and cancer/moon being **traditional** ? yeahhh 😭

anywayzzz that's all :3 tyyy for reading !! i had sm making a new observations, considering it's been a year since my last LMFAOO. and again, if it doesn't apply, let it fly. ty bye ^__^

[dreemurr-skelememer]

Hello :D

I have been following you for the last year or so (a few days after I got my Tumblr lmao) and I absolutely love your art!

I have been wanting to study your art style for a while but don't really know where to start,,,

Could you please show me a small portion of your art process, if it isn't too much trouble of course. Thank you and have a nice day!

hello. oh my god. this took forever to find. im sorry it took 2 WHOLE FUCKING MONTHS for me to respond to this but i wanted to put it off until i felt happy with my art process again, so here it is

my fall 2024 rendering tutorial! (this will be very very long)

FLATS AND WHATEVER YOU WANNA DO WITH LINES GIRL. then make sure to recolor the lineart to better match your base. trust me it helps, bold dark lines are Not your best friend when rendering. wait for that post-rendering

i start off with a doodle or a sketch, and then filling it in with flats and other details such as blush

FIGURE OUT YOUR LIGHT SOURCE. FIGURE IT OUT GIRL YOU CAN DO IT you can make it as simple as possible, make it as big as possible, dont even THINK about the details.........just make it really fucking big so you at least know where the shadows and the light goes THEN add smaller shading details LISTEN TO ME. LISTEN TO ME OKAY!!!!!!!!

my key point with this is for you to learn lighting fundamentals. it's SOOO ANNOYING but alas......they are all correct. it helps a lot.

one thing i also really want to point out is that i like creating a big shadow shape first before fixing up the little details (such as folds and whatever) because it helps me focus on the way the lighting actually works instead of tunnel vision-ing into making the shading make sense on the clothing.

contact shadows (i dont remember if thats what theyre called okay) theyre fucking ugly because im not actually thinking sorry 💔

okay so basically: contact shadows (if that's what they're called) are the spots in shading and lighting where light will NEVER hit.

shadows are still influenced by the colors and lights around it (it's why a blue shadow and a yellow shadow feel completely different, despite both being shadows) so it's not always COMPLETELY dark. BUT! there are small points in shadows where light never hits, and they're almost always super dark or pitch black.

it's hard to explain shadow and light so briefly for a tutorial, but you'll notice it when watching fundamental studies and when trying it out for yourself

YES i unclipped the multiply layer YES its ugly and terrifying but it makes coloring the multiply layer easier okay the colors merged w multiply so now it looks cool and has depth overlaying colors that actually make sense

so basically what i did was color the multiply layer that i used to shade the overall drawing

adding a band of red/orange/yellow around where the light hits, and blue where the shadows get big and wide, gives it a fake ambient occlusion effect in the way that a person would get if they stood under the sun with a clear blue sky

the colors don't have to make sense, especially because i never draw backgrounds, but coloring the shadows really help it give a sense of depth and extra subtle detail and effect that just helps make the painting look nicer

around the end, i also put in colors (in an overlay layer with a low opacity brush) that actually make sense in context of the drawing, which is the lit cigarette and the yellow eyelights mostly because none of the colors were making sense and i needed to actually make use of the lighting that DOES exist in the drawing lol

adding a muddy golden yellow pin light layer (opacity turned down to like 40-50%) to make the light colors less ugly lol

i SWEAR by the fucking pin light layer style. it's so useful and so so underrated.

i used an almost brown-ish gold color on stop of all the layers, and with the pin light layer, it helped make the bright (almost blue-ish) white colors more warm and more yellow. it just helps make things more warm (something i prefer)

i could probably show what it looks like without adjusting the layer opacity to truly show off what i mean (like in the coming section) but i sadly forgot to do that lol

make a layer on top of your drawing with this color in these ranges YES the drawing is fully merged NO don't be afraid, the base was fucking ugly anyway 💔 make this layer into an exclude/exclusion layer style TRUST turn down your exclusion layer opacity from a range of 10% to 40% literally until you're happy with the contrast and the way the color over the drawing. use your eyeballs. i know you can do it im so proud of you

this is pretty self-explanatory instruction-wise, so i'll go into why i do this instead

i really like art that seems like it has low contrast, with almost mid-gray shading and lines. i don't personally use dark and bold lines and shading, unless i find it necessary for the tone of the piece, so using this method helps lower the contrast of the art and make it look "pleasantly muddy" in the way that it's easier and softer on the eyes.

the inverted blue color also helps makes things warmer! the exclusion layer style is still a bit of a mystery to me but i really like the effect it gives, even if i don't completely get how it works lol

if you want an alternative method to this, and if you have access to it (because i primarily use sai and sai only), i absolutely encourage you to play around and experiment with gradient maps. there are so many out there you can make yourself or even get from others that just give the painting an extra amount of depth and color variation. they're SO fun.

personally, if sai2 gets a gradient map update, it's over for y'all it will literally be so over no one will be able to stop me

then i merged everything and actually adjusted the contrast back up because it was looking too muddy for me 💔 but the color adjustments are still there so all hope is not lost here's a comparison of the adjusted contrast in black and white (adjusted on the left) (newly merged layer without adjusting the contrast on the right)

as you can see, i actually turned the contrast back up (despite talking all about how i liked things with less contrast lol)

i wanted to demonstrate that doing adjustments should be done in moderation, and is why i adjust layer opacity often when making color effects you are free to play around with colors to help your style, but don't lose your initial idea and colors along the way. you still need to trust your own colors and intuition!

along with that, i just want to say that it's completely okay to change your mind mid-painting, and it's okay to make somewhat drastic changes. don't be afraid to change things you don't like or change your mind about certain aspects way later on that's basically the whole thing of this!!! don't be scared!!!

now im gonna hold your hand when i say this..........but you need to learn how to render by yourself. it seems like i can teach you but i literally can't, because rendering is different on every piece and depending on how clean your base is. i have to render A LOT because of how fucking ugly my sketches are LMAO to simplify it, think of it as obsessively cleaning up every detail you can see, but with a color picker and a clean, hard edged brush. if you have shit lineart, you don't have to redraw it cleanly over and over, just paint over it. that's basically what rendering is

THIS especially is where you need to be brave and stop being scared. like i said, i can't teach you how to render, and it's something you have to discover yourself because rendering is something that will always be personal to every single piece you make. the way you render on every piece is different. on one piece, you will barely need to render, and on another, rendering is more than half of your ENTIRE process.

don't be afraid to paint over your old art. rendering is a process that's both very perfectionist yet also very careless. find your balance and just go for it.

and then that's it……..u did it………..now yuo know how to paint and render. it's literally just layering shading and lighting knowledge until you think it makes sense and looks okay lol additional note: since i render in only one layer (you don't HAVE to do this, but it'll be harder for you…), i also made slight adjustments with the transform (and liquify, if you have it) tool to make things more proportionate. (i drew the head too big lol)

if you compare the finished piece to the final unrendered base, you can see that a LOT changed, including a bit of subtle proportion adjustment. particularly, the sleeves changed A LOT (because i really didn't like them) but it's also over all cleaner and more coherent, instead of having haphazard colors and shading just thrown about.

rendering is when you finally use all 100% of your brain to finalize and figure out where the shading should go, where to clean up your lines, where to ERASE or ADD BACK in lines, and make sure all your colors look coherent.

it's not as intimidating as it seems, i only use a hard edged brush with a little bit of color mixing and my color picker. it's like dragging and dropping colors to cover up mistakes, it's really quite fun when you get used to it i wish i could explain it clearer but it's hard to describe without visuals!

i hope this helped, and i hope all my yapping isn't annoying (art as a special interest beloved)

have fun studying and trying to render in my art style!

[rey-jake-therapist]

Ok, here am I again posting another TROP/Haladriel meta... Feel free to mute me if you can't take it anymore, these are gonna be two long weeks as there are still two episodes left...

We're having a lot of discussions about what we'll get to see in Episode 8 (maybe even a bit in episode 7??), and it's really great and exciting to speculate about what will happen when our two love birds mortal enemies finally meet again.

It seems to be the general consensus that Sauron will try again to convince her to be his queen. Now I may be the dissonant voice, but I personnally don't think it will be that straightforward.

Charlie said several times that Sauron was pissed that Galadriel rejected him, but that it wasn't the end of the world, for him. Meaning: he totally believes he can make it without her.

To the Nerdist, he said :

"Speaking of your old screenmate, Sauron asked Galadriel to be his queenOpens in a new tab at the end of season one of The Rings of Power. How much, if at all, does he still want that by this point? And does he think it’s a possibility? Vickers: I think he probably does think it’s still a possibility because he has this hubris and this self-love. He thinks he’s really cool, and he thinks, “Well, she rejected me once, but next time I come back for her, she won’t reject me again because I’ll be so powerful she won’t be able to.” But I don’t think he necessarily wants that. I think his initial proposal to her was to join him, and they could be king and queen of Middle-earth, but really, he would’ve been king, and she would’ve been his righthand woman. Any kind of dreams he has involve her being number two and him being number one."

(I would love to see him try to submit Galadriel to his will, btw. I mean, c'mon man)

To Collider, he said,

"His getting rejected definitely leaves him with this sour taste in his mouth, and he goes away thinking, “I can make this right.” Whatever that means to him. That's one of his throughlines in terms of his motivation or goals for this second season is how much he's driven and how much this relationship gives him a sense of purpose."

And to Schön:

That connection will endure as long as the show endures because although they might not be together in proximity when we pick it up, he’s pissed off that she has turned his pitch down [laughter]. That drives him to think, I can make her join me, or I’ll make her pay for this.

Here, there's also an interview he gave for Total Films, where he reveals that there's a "huge amount of urgency in each of them trying to obtain what they want in that situation": https://x.com/totalfilm/status/1830244276539654595

I'm sure I've read an interview where Charlie said that Sauron would probably want to taunt Galadriel with what they could have done together had she said yes. Edit : found it! Interview for TV Insider.

Second to his lust for more rings is Sauron’s desire to get the Elven rings back. “While he didn’t directly touch them, which is a big thing this season, [Galadriel] has this ring that he put all this effort into, and he wants that back,” Vickers admits. Sauron “covets” these jewels, “and particularly hers,” he explains, “because he knows what they represented when he was making them.” Sauron feels “taunted” and “pissed off” that Galadriel rejected him. That makes getting her ring back personal, but Vickers insists that “he’s past ruling with her.” That won’t stop him from showing her “what could have been, what you could have had,” Vickers teases.

Of course Charlie can't give much away. But so far, it matches with what we saw in season 2 : he's in Eregion, forging his rings of power with Celebrimbor, he's visibly happy (just kidding, the man looks exhausted and depressed), but sometimes he can't help but think of Galadriel.

I love how the experience is completely different for him, from it is for Galadriel: while she had a bittersweet flashback of her and Halbrand in the Southlands, he gets lost in the contemplation of Mirdania's hair because she reminds her of Galadriel, and manifests images in his mind palace that also remind him of her (there are several posts about all this on Tumblr, including one of mine... I won't enter into the details again).

It would be very OOC of Sauron to display an outright nostalgia for the time he spent with Galadriel as Halbrand, imho, even if it was only for the audience to see. He's not supposed to be sad and nostalgic, but pissed at her for rejecting him, and determined to move on and to obtain what he wants without her in the picture. He's probably annoyed af to see his thoughts shifting towards Galadriel while he's in the middle of something very important. He's in his "the fuck with her" phase of the breakup, which pretty much matches what Charlie said. In his hubris, he believes that once he has his rings, he will be so powerful that Galadriel will have no other choice than joining him. She hurt his pride, so now he wants to relish the sight of her submission to him.

Regarding the mind palace scene, precisely the one where the guy tells the Galadriel look alike he wrote a poem : it probably remained unnoticed by most viewers, but I think it's very significant that this scene arrived at THIS moment. Let me explain:

To convince Celebrimbor, Sauron first assures him that when the story of this age is written, the Silmarils will be "no more than a whisper". Of course it's meant to motivate Celebrimbor who always wanted to create something that would be remembered, like the Silmarils. But it can be interpreted as a personal goal for Sauron as well :

1) Morgoth found the Silmarils so beautiful that for weeks, "he could do nothing but stare into their depth".

2) Fëanor admired Galadriel's hair so much it gave him the idea of imprisoning and blending the light of the Trees, and three times requested a tress of hers (she always said 'no').

The two people he loved/admired but hurt him the most are connected to the Silmarils in a way, so he could see the creation of something "more precious" as a personal challenge. After he promises Celebrimbor that his rings of power will be "deemed the most precious creations in all Middle-Earth", and Celebrimbor returns to his workshop, his attention is caught by the sight of a couple. The man (whose face remains unseen, because he's a just a self-insert) tells the Galadriel look alike :

"I've written a poem, but I fear your beauty still overshadows anything I could possibly write."

Of course we joked about Sauron's pathetic attempt at poetry (it's terrible lol), but imho there was a deeper meaning to this scene. I think it was his subconscious manifesting what he already knows deep inside of him : that without Galadriel's light, there will ALWAYS be something missing. That what he told Celebrimbor was a lie, no matter how much Sauron wants it to be the truth. The Rings of power are his poem, but Galadriel's beauty/light will always overshadow it.

Hence why it's pretty much granted that he will try to "get Galadriel back". He'll show her how powerful he is now that he has the Nine rings, and his proposal will probably not be as charming as it was the first time. I think we should prepare ourselves to a lot of gaslighting and threatening from his part (he's still pissed off, guys). He'll surely tell her that Eregion is burning because she refused him, that kind of thing. He will definitely use her memories of Halbrand (it's pretty much confirmed by the presence of Halbrand's theme within The Temptation music, and maybe Galadriel's vision of Halbrand enters that scheme too), but will it be to show her what they could have had if she had said yes the first time, or what they could still be? It remains to be seen.

We probably shouldn't forget that in his mind, it happens like this: "she joins me, or I'm making pay for it".... It should be pretty intense.

Then we've got what Charlotte Brändström revealed about Sauron (bless her heart) :

"I think Sauron even really loves Galadriel and you will see that at the very end”

There are already several threads discussing how Sauron will show his love for Galadriel... Will he spare her? Save her in one way or another? Heal her because she's hurt? Prove her in some way that what he said he felt as Halbrand was real? Something entirely different? Anyway, it will be something that can't be confused with manipulation.

There, I said my piece. Why isn't it next Thursday yet?

[lexirosewrites]

so i was driving to work the other day, taking the exact same route that i always take, and i passed a sign i see every single day. but for some reason, this particular day, i was hit so hard by a steddie thought that i instantly had to jot it down when i pulled into the parking lot of my job. i haven't stopped thinking about it actually, so i made it omegaverse and decided to send it in for slick sunday. this is VERY loosely based off something that happened in my own hometown a couple years ago. (also, for reference, the sign i saw was for a local business called munson construction, so the following thoughts make a lot of sense actually)

a!eddie and (possibly) b!wayne have a construction company. they don't a ton of business, but they make enough to pay the bills and put food on the table. they by no means live a life of luxury, but they're comfortable where they're at. plus, they enjoy what they do.

so, onto plot.

living in indiana, they don't get nearly as many tornadoes as some other states, but it does happen. one spring, hawkins gets hit hard. a lot of houses are completely leveled, even more are severely damaged. lives were lost. it absolutely devastates the entire community. so many families are homeless now. it doesn't take wayne and eddie long to decide that they're going to do whatever they can to help rebuild. they were fortunate enough to make it out on the other side generally unscathed. the worst they got was some damage from a tree falling on their roof, but it was a quick and easy fix for them. they know not everyone was so lucky. they want to do their part.

eddie doesn't expect it to change his entire life.

they start at the emergency refuge shelter. rows and rows of cots set up in the community center for those who either lost their homes completely, or have damages that make it inhabitable until repair. eddie is hardly one step in the door before he's drawn to a certain family. he elbows wayne and nods to the far side of the room. a baby is crying, being held and rocked by perhaps the prettiest omega eddie had ever seen. he needs to talk to him, even if it's only once.

as he and wayne approach, it becomes more and more obvious just how stressed the omega is. he rocks and bounces the child on his hip, desperately attempting to soothe. nothing seems to be working, though. the baby is still screaming, and people are staring. eddie's honestly feels really bad for the guy, who looks so overwhelmed and on the verge of tears. eddie can't just stand by and do nothing. he steps in, offering to help.

basically, from there, eddie learns that the omega (steve, duh) is a single parent who lost pretty much everything to the tornado. he and his daughter have been staying at the shelter, trying to figure out how he's going to get them back on their feet. obviously, eddie is in love instantly, and he is determined to take care of them in whatever way steve will let him. there's some back and forth probably, but eventually, steve also falls in love and they court and get married and blah blah blah happily ever after the end.

(a nice addition: post-marriage & mating, eddie builds steve a dream house by hand, where they grow their family and fill the home with love and support and all that good stuff)

ANYWAY, happy slick sunday :))

ahhhhh so cute!!!!🥺💕

[thefandomenchantress]

I know I predicted radio silence from me...But I had what I think is a cool idea and wanted to share it before anything gets disproven in the next episode (Brief, singular mention of the Eden!Culprit theory).

So, I saw a lot of people talking about the Arei-Eden parallels, and the Ace-Arei parallels (and differences), and the Min-Eden parallels in the hug scene...Because of that, I started thinking about how Eden and Ace relate to all the others. And then I remembered the very obvious Teruko-Ace parallels.

Ace and Teruko both trusted someone who betrayed them in one way or another. Teruko with...Well, everyone, and especially Min, and Ace with Levi. In chapter two, they're both pretty similar, being closed-off and trying to not care about others with varying degrees of success. And, of course, Ace almost dies just like Teruko did, in an attempted murder.

All those things are fairly obvious, especially them being the only participants to be almost-victims. And I'd always noticed that, but it got me thinking...

In chapter one, Teruko was the victim of an attempted murder, surviving on the pure luck of the knife just-so-happening to miss anything vital in her abdomen. Then, instead of sympathy for her life almost being taken, people are upset with/suspicious of her because they think she was the one who killed Xander. And that fact is no fault of Teruko's, she just had the misfortune of being at the scene of the crime (and Min moving the evidence to further incriminate her). Barely anyone asks if she's okay or shows much concern other than Min, who betrays her, and Eden. She is then forced to defend herself in the trial almost completely alone until finally some others start to come to her defense.

In chapter two, Ace has been put in the position of being the victim of a murder attempt but surviving through the pure luck of Eden and Teruko just-so-happening to come to the second floor late at night. If Teruko hadn't happened to forget her clothes on the second floor, chances are that Ace would be dead. No one feels sorry for what Ace went through, because he was a total asshole to Nico and along with no one taking him seriously to begin with, they think he, in a way, had it coming, trauma and injuries be damned. Now, he is forced to defend himself, presumably alone unless Levi decides he wants to help and be the Eden equivalent. And Ace has been blamed for Arei's death not through any fault of his own, but because he had the misfortune of being at the scene of the crime, where someone else tried to murder him.

I guess what I'm trying to say is that it would honestly be pretty cool if Ace finished this chapter going through rather similar events to the ones Teruko experienced last chapter. Some people say that Ace being her parallel will show her during this chapter that distrusting isn't the right way to go, but he doesn't have to die to show her that at this very moment. Hell, it might hit even harder if he manages to go through everything she did, since it would make them even more similar.

Plus, if Eden is the Min parallel, and Ace is the Teruko parallel, that's pretty dang cool! Of course, if Ace does all the Teruko stuff during the trial, it makes sense for Eden to have done all the Min stuff...And I mean, the episode seems to be saying that's depressingly possible, so maybe.

So yeah, I just thought Ace and Teruko's similarities continuing into the trial would be fun. After all, he's been pretty consistent about following in her footsteps so far, so you never know. Like imagine if he says a protag line or something it'd be hilarious. Especially if all his points during his defense are like Teruko's, but with an Ace-y twist that makes them more funny or stupid or whatever. Fun!

Or who knows, maybe Ace will just hire David as his defense attorney, since he's the only one to have successfully defended Ace so far. /j

[1moreff-creator]

Select Two, Choose One: How will the Culprit get Found?

Since the latest DRDT chapter seems to have narrowed down the suspect list to just two people, many have speculated on how exactly the cast is going to pin down the correct suspect, and whether or not the audience has the tools to do so. I thought I’d throw my hat in the ring too! And while I’m still really 50/50 split, there is one piece of evidence that could change the murder method… in a way that points us to the culprit. Very inconclusive evidence, but it’s there. Let’s get into it.

Spoilers up to CH2 EP14. CW: Hanging, murder, blood, Eden and Ace!Culprit discussion

As a starting point, I’ll assume that the deduction that the culprit must be one of Eden or Ace is accurate, to simplify things if nothing else.

I will start with what I’ll call “meta only” arguments. In other words, things that characters can’t reliably use to narrow down the suspect, but that we the audience can take into consideration for theory-crafting.

-Mindset post-Nico murder attempt: Immediately after Nico runs out of the gym, the killer needs to be in the correct mindset to grab the tape, and they also need to be able to more or less figure out what Nico did to replicate it with Arei. Although, importantly, the killer doesn’t need to come up with the full plan on the spot, and they don’t need to fully understand what Nico was doing. At the end of the day, the only real similarities are the general idea of a pulley and a hanging.

Here’s more or less the train of thought Eden might have had if she’s the killer.

Eden: Hmm… The fan is broken and there was wire on it, Ace’s neck looks cut… Maybe Nico used some kind of pulley to hang him and it broke? Maybe I could do that… This tape looks useful for that.

Meanwhile, since Ace woke up in the middle of the murder attempt, he has to do a little less deducing.

Ace: Did I just get knocked- HOLY SHIT NICO IS HANGING ME WITH SOME SORT OF FUCKING SPINNING DEVICE AAAA-! Ooh, tape! :D

The actual planning of a murder would come later in the morning for Ace, once he sits down and has A Thought about it. Grabbing the tape in that context seems insane, but there may be precedent for Ace being prone to stealing the weirdest shit (we’ll get to it), so…

I think both of these are plausible. I wouldn’t say either can be disqualified like this, so we keep looking.

-Ripping/reconstructing the note: The note to Arei was ripped up and thrown into the trash, then Eden, Rose and Whit put it together.

Ace has no real reason to destroy the note, he could have just left it as it was. Maybe throw it in the trash since “it’s what Eden would have done”, but destroying it runs the risk of people not being able to put it together to point at Eden/Arturo. Although, you could argue Ace was trying to frame Nico specifically, so the note wasn’t useful and he threw it away because it made sense in his mind.

Here’s where we get introduced to a pretty big problem of having Ace as a suspect; that thing Teruko said, that sometimes assuming people will always act logically is a bad idea. Ace is the prime example; a lot of shit in this case makes a lot more sense if you assume Ace did it because he’s not smart enough to notice the problems with it. Such as using the method to frame Nico when only a few people in the class know what the method is; he maybe wouldn’t have noticed that that could point towards him as well. Ace is erratic, it’s very difficult to pin down why he does half the shit he does.

Eden, at least, makes sense. By destroying the note, then rebuilding it herself, she throws off suspicion with the exact argument she used in the trial; if she’s the killer, why do that? Just leaving the note as it is runs the risk of someone finding it and presenting it, which removes that argument, meaning tearing it is imperative.

And she would want the class to find it, not just because it makes her look more innocent if she talks about a building friendship with Arei, but because the note is where we get the “7:30” time, which combined with the fish making people think the murder was at nighttime, appears to give Eden an alibi.

In conclusion, the note being ripped makes more sense with Eden as the culprit… but it doesn’t disqualify Ace because he’s an idiot. And speaking of that…

-Fish Paradox: As outlined in my Ep13 murder theory revision, the problem with the fish is that everyone who benefits from the fish being at the crime scene only benefits if they have an alibi for nighttime, but that coincides with the time the fish disappeared, as Nico fed them and counted all of them after having dinner, so they couldn’t have taken it. Meanwhile, people like Ace who could have taken the fish, wouldn’t have a reason to as they don’t benefit from the nighttime alibi.

Except, it’s fucking Ace. It’s genuinely possible he thought people would see fish and instantly jump on Nico for some reason. See the problems that arise when you can no longer assume the killer is acting rationally?

Anyways, inconclusive (we’ll talk Eden later).

-No blood on tape: This heavily depends on exactly how Ace could grabbed the tape. His hands sorta get covered in blood instantly, so it’s hard to imagine he’d be able to do that without staining the entire roll of tape with blood. He couldn’t have easily washed it, either, since he passes out shortly after, and the blood would have likely dried by the time he woke up. This is definitely a point towards Eden, but can the cast use this? I don’t think so, because it relies on what we saw during the episode, which is not easy to prove in a trial setting.

-Dialogue and trial behavior: This one’s difficult, and as you might expect, inconclusive.

I would argue Eden has a higher amount of outright suspicious lines (“Teruko, wait—“ haunts me), but she also has a higher amount of seemingly anti-suspicious lines that make her look very innocent (see: the entire speech at the end of Ep 14).

She also has a moment where she steers the trial in the right direction by denying that Arei could have committed assisted suicide, but it’s worth remembering that if the class thinks that’s what happened and they learn of Eden’s relationship with her, they might assume Arei and Eden worked together to get Eden out. In other words, by denying the notion of assisted suicide, Eden!Culprit avoids the class reaching the right conclusion through the wrong method. Of course, if she’s innocent, it’s just genuine.

Comparatively, Ace operates at a much more stable level of suspiciousness I can only call “Ace level.” He’s constantly throwing suspicion on Nico, who the killer seemingly tried to frame with the method; he kept David and Arei’s conversation hidden; and was one of the first to jump on the “David’s the culprit” bandwagon. In a vacuum, this is super suspicious; hell, Levi was the fandom’s prime suspect for less.

But… it’s Ace. His behavior isn’t too different from the first trial. So while it’s possible he’s doing all this because he’s the culprit, it’s also possible he’s just being Ace.

Impossible to tell, I fear.

-Eden’s Night 2 paranoia: You might recall Eden being very worried someone was following her in night 2, which could suggest she was doing something suspicious (eg setting up the ball of clothes, more on this later) and was scared she’d get found out.

The problem is that there’s a perfectly fine explanation for Spotless!Eden. This is the night after her confrontation with Arturo, and Teruko did enter the same room as her; she could have just been paranoid because of the former, and felt someone was following her because of the latter. Moot point.

(I don’t think anyone else was following Eden because Teruko would have presumably seen them. Then again, I have overestimated our protag’s perceptiveness in the past)

-Eden’s strength: Eden is the weakest of the cast, so it’s very possible that half the Arei murder method is just impossible for her. But… we can’t know for absolutely sure what “weakest of the cast” means, and it’s not evidence that can be used in a trial. Ignorable.

-Motive, character writing and themes: I’m lumping these in together because I’ll give the same answer to all of them: the dev can just add an explanation in the inevitable post-trial trauma dump. We don’t know absolutely everything there is to know about these characters, or the way the narrative is going, so it’s impossible to confidently argue based on this. Physical evidence will always take precedence over these things in my books.

And that kinda settles it for that. There’s minor arguments like “Eden won’t die before we explore the Fork CG” (well, Xander did, so) or “if the Scrum Debate is Ace vs Eden then Ace is probably safe” (we don’t know what the Scrum Debate will be), but I’ll skip them to get to the more pressing matters.

That being trial-worthy evidence. What can the most dysfunctional cast of any fangan ever (/affectionate) use to fully commit to a culprit?

-Fish Alibi: If Ace has the problem of “no reason to bring fish,” Eden has the problem that her alibi literally starts directly after dinner. If Nico ate dinner with her and Hu, she couldn’t have taken the fish.

Except, of course, Nico could have had dinner earlier, and this point is completely moot. We can’t know yet.

-BDA: This is very obviously not what the cast will use to come to the conclusion given the discussions we’ve had, but I’ll bring it up anyways. This was explained in the episode though, so…

-Playground floor: sorastar6’s idea; since the floor of the playground is made of the same stuff as the relax room, it’d become sticky after getting wet from the water in the jugs, and thus, the culprit could have some stuck to their shoe. Unfortunately for some of you, we can’t easily look at the cast’s feet all the time, so this would only work for the characters, not us. However, Hu does mention heels as an example of something that can scuff the floor, and Ace wears heels, so small point to him.

-Missing glove: I still have no idea where this thing went. My only guess would be that the killer removed it to more easily put tape on Arei’s wrists, but by the time they’d strung her up, they decided putting the glove back on would take too much time (? I have no concept of how hard it’s be to properly put a glove on a dead person’s hand), and they wanted to get out of there as fast as possible. If true, that would mean they still have the glove on them, as it wasn’t in the trash. Again, if I’m right about this, the cast can use this, we can’t.

-Random garbage:

Something here. Rose would remember everything about it, so it’s usable. Maybe Ace’s gloves were damaged and he had to use the needle and thread to fix them? Maybe one of those napkins is the cloth with turpentine Nico used and only Ace would have identified and used it (assuming it wouldn’t have dried and MonoTV wouldn’t have thrown it out for some reason)? What even is that pink paper thing? Who knows.

-Ball of clothes: Held together by something Teruko identified as starch, there’s been around three hundred theories involving this thing. The only one that’s actually incriminating (for the two possibilities being discussed) is thebadjoe’s idea of the starch being from the enriched formula of the relax room, which could implicate Eden as she was acting suspiciously around the dress-up room on night 2.

I’ve seen it argued that the clothes would be dirty in that case, but that can be solved with an extra layer of clothes under the clothes that actually get starched up, which would later be either discarded, washed, or simply put inside the ball itself.

(This might be the last murder diagram I make for this case. Holy shit I can’t believe that)

Which is all well and good, but this is still ultimately assuming both that the cast has some way of making sure Ace couldn’t have done this, which I’m not sure exists, and that the starch comes from the relax room in the first place.

Because something I learnt, like, last week, is that people put starch on clothes. Like that’s a thing they do. So it’s entirely possible there’s starch for clothes in the dress-up room and anyone could have done this. If that’s the case, this cannot be used to argue at all. I don’t love the idea, since we don’t know if there really is starch there or not, but it’s there.

-Grammar: The letter to Arei pretty famously misspells “responsibel” (responsible), has horrible punctuation, etc. It’s possible someone in the trial will realize, ask Ace and Eden to spell the word, and whoever gets it right is cleared. We can’t know, but it’s a possibility. This also has the benefit of being obscenely funny.

-Custom weapon: If the killer used their custom weapon, it may point to them as guilty, as only they have access to it. However, I fail to see how a riding crop (Ace) or a wrench (Eden) would help in the slightest.

There is, however, one more item that only one of these characters has access to. And while I am very unsure of this assumption, if you ask me right now what is the decisive piece of evidence that will close the case once and for all, I will tell you:

-The shoulder band thingy:

Ace: Too fucking bad. Mine now. I’m keeping it.

Yep. This one.

For starters, remember that thing I said about the tape? That Ace has precedent of stealing completely random shit for no reason, and so it’s plausible he grabbed the tape just because? This is the precedent.

More importantly though, it’s something only Ace has access to, so if it can be determined it was used in the crime scene, it’s curtains.

And there is actually one place I could see it being used. Followers of my method theories know that, through the fire and the flames, there’s been one deduction that’s remain constant: the rope was tied to the ball of clothes, which was thrown over the railings to get the rope as high as needed. The ball also hit the lights, displacing the bulb and causing it to flicker.

(He he I snuck the image into a fourth post >:D)

I’ve always sorta assumed DRDT takes place in a physics exercise where air drag is ignored, but it’s true that this might be harder than I’ve been presenting it as.

So, we get the use for the shoulder band; a slingshot. I’m unsure on how it would be constructed (swingset maybe? seesaw?), but the idea is that. Create a slingshot, throw the clothes, badabim badabum, Ace is the culprit.

I’m not the only one to think of this btw. Reddit user (yes we’re cross-platforming for this) Makatrull seems to have arrived at the same conclusion. Great minds think alike ig.

Of course, this comes with its own issues. Mainly, how do you connect the shoulder band to the crime scene? The only way I see that happening is if the cast determines this is literally the only way the lights get broken, which… yeah, I’m gonna have to let them do the math on that one.

It’s impossible to judge without existing in the DRDT world. Is the ceiling higher than I’d previously assumed? Then it’s possible to come to this conclusion. Is it lower, and possible that even Eden would have managed to just throw the ball over the railing? Certainly. So, for now, inconclusive. When I say it’s the most likely to be the decisive evidence, I mean by like, 0.1%, I really have no clue.

———

There’s probably more, but that’s all I can think of for now.

Seeing as we’re reaching the end, I’m gonna say that regardless of the outcome, this might be one of my favorite trials in all of both canon and fan-made Danganronpa. So much shit happened. I’ll save my full thoughts for a more dedicated post, but goddamn, I can’t wait to see the conclusion!

Hope you enjoyed! If you made it this far, you deserve a shoulder band thing. Do with it as you please. See you!

[esggs]

swipe that nose like a credit card – Higuruma Hiromi

[softdom! reader x sub!Hiromi, 650+ words, smut/fluff, cunnilingus, mentions of bj, body insecurities, soothing said insecurities, please I love people with big noses]

You move your hips from his face to your new seat, his chest. Hiromi, lips suddenly detached from your clit, looks up, sweating, panting, blushing, and confused.

“Are you too tired, handsome?” What? Hiromi’s brows curl with dismay. Has he not been pleasing you well enough?

His words come between breathless heaves (he’s spent a decent amount of time buried under your cunt by now). “Am I doing something wrong, ma’am? Tell me.” His hands try to pull your plump ass onto his wet chin again. But from the look on your face he quits immediately. “Please?”

“Have you forgotten?” Leaning down to him, you let him bury his face into your boobs, squeezing and sucking, how lucky he is. You can barely hear his muffled voice: “Please tell me, ma’am, I’ll please you as you wish.”

He needs punishing. His paradise of boobs cruelly leaves him as you lean back again, even though his hands remain cupping your tits. To be fair, it’s not as if anything more than cloudy lust fills his head right now, you can’t really blame him for not remembering. Your hands tighten in his hair till he’s moaning from the pain and humping up into the air. 

You run your wet tongue up the bridge of his strong nose. “Shouldn’t this be fucking into my pussy? How could you make such a mistake, pretty face?” 

He gulps and nods. “I’m sorry, ma’am. I’ll do better this time.”

“My sweet love,” you praise him as he softly nips the insides of your thighs, sinking two fingers into your cunt, the stretch slow and delicious. He pulls your hips to hover just above his trembling tongue, awaiting further kind words before he pushes heaven up into you.  “Love you, Hiromi. You’re perfect, aren’t you, baby boy?”

His fingers part inside your hole, leaving a space for his tongue to lick inside for a moment, collecting your nectar-slick, before drawing them to massage your clit with. You jolt at the sweet sting, his broad hands keeping you locked onto his face, the light stubble of his jaw grazing your delicate skin. Hiromi works up wave upon wave of sharp pleasure till you break. Till you fully take control. Till you grab him down by the hair and are riding your orgasm out on his nose.  

“Use me, ma’am.” He groans out, barely an inch from cumming himself watching your boobs bounce, your face twisted, lost in the way his broad nose grinds against your swollen clit again and again and again. 

You cry out when you reach your high, your cum dripping over his nose, lips and cheeks. If he tries to sneak a taste with his tongue, you don’t notice. You gently climb down from his face when you’re fully done.

“You know, babe, I was so insecure about my nose back in school.” Hiromi laughs tiredly. A warm towel in your hand, you clean him up, lots of kisses and praise peppered in between. His cock will be sucked off in a bit, if he so wishes, and his arms will be cuddling you to a deep sleep soon. “My friends made fun of me, say it’s too big, you know? That was just how it was like back then. To think you love it so much now…”

You trace the bridge of his carved aquiline nose. Some idiots made fun of this? “I’ll beat your friends up, okay? They don’t know shit about anything. It is big, I don’t know anything about ‘too big’. And thank God that it’s big, because it fits your face perfectly–”

“– and your pussy too.”

“I’m trying to be sweet, Hiromi. Your nose is great because it’s your nose. Nothing more or less than that. Everything on your face, regardless of what other idiots think, is beautiful because it’s you. Does that make sense?”

“Yeah,” he laughs again as you playfully bite his ear. “You love my nose, got it.”

masterlist

a/n: i was lazing in bed not wanting to get up and then i thought 'i can write higuruma getting bossed around' and i immediately got up.

[venus-is-thinking]

DRDT Chapter 2 Episode 14: Initial Thoughts

What an episode! I can't believe that we're probably starting to near the end of the Trial. But, considering we're almost there, we DEFINITELY have a lot to talk about. It's a longer episode, and there's a LOT to go over, so buckle in!

SPOILER WARNING FOR DRDT CH 2 PART 2!

T/W: Murder, hanging (with depictions)

The Reactions

Hu is literally so pretty.

I wasn't expecting her to get a whole mechanic defending Nico, but it makes sense. Letting other students cut in during the Class Trial is a great way to draw specific attention to a character point, and it's very clear that Hu's over-defense of Nico is going to be important moving forwards.

RIP to my "using the weight rack as the carousel" theory. The fan probably makes more sense. I just still have no idea how the 300-ish pound or whatever weight rack managed to get knocked over in the struggle.

I'm glad they directly pointed this out. Trying to kill everyone in the Class Trial was the EXACT thing Hu was so pressed about David doing. It's a weird double standard to be so forgiving of Nico when they tried to do the same thing.

Insane thing to say if Eden is the culprit and killed Arei because she didn't believe her. Then again, if my explanation for a lot of Eden Trial dialogue is "she's speaking out of regret for killing Arei now that she knows Arei was being legit," maybe she's just calling herself cruel as well.

This is honestly very valid.

Do you think "here" implies Nico trusts someone in the outside world? Based on their secret, it seems like they probably didn't have many friends. Could also be referring to animals? Or Mai Akasaki?

Big psychic damage to Hu though, considering we know she thrives on other people relying on her. She wants Nico to be someone who relies on her sooo bad, but they just... don't.

Like, girl. They literally JUST said that they don't trust anyone. That includes you.

She's clearly projecting in some way, though, which is definitely an oof. I wonder if Hu wishes she had someone who was undeniably on her side in the past...?

(To be clear: I think Hu is a very well written and interesting character. She fits the fucked up vibes of Despair Time, but coming from a more surprising angle of "that really nice and caring person can also be fucked up." She's just clearly in the wrong here, so I get to clown on her as I clown on everyone else.)

Ace is honestly so valid for this. Like, yeah he's kind of a bully and he sucks sometimes, but. Like. He did almost get murdered and people are, like, mad at him for it? Huh???

If Ace does end up being the Chapter 2 killer because he snapped, I honestly think he's so valid for that.

It is my personal agenda to record every instance of J being notably anti-murder. I don't know where it's going but if it does go somewhere I want my credit because it is Apparent.

(The entire fanbase nods in agreement.)

I know some people definitely still think/thought that Hu and/or Nico was responsible for the crime, so we've all DEFINITELY been squinting at that alibi. I fully believe it's true, but that doesn't change the fact that I wouldn't put it past Hu to make a fake alibi to protect Nico. Idk if Nico would go along with it, though.

I got so jumpscared by the Closing Argument-style CG.

I'm so glad we did get a definitive answer on how this thing worked. I was so afraid that we were just gonna solve the Arei murder method and the exact solution of Ace's would be a "left to audience interpretation" kind of thing.

I'm not exactly sure where the blood on Ace's fingertips comes from? Maybe he cut his hand on the wire when he was trying to struggle after he woke up or something.

This makes so much more sense than anything I saw theorized though, lol. The fan falling from drop hanging totally checks out as a way that the murder mechanism could fail.

I have NO fucking clue why Nico opted for this as the murder mechanism, though. I get wanting to use Hu's wire to frame her, but why didn't you just cut Ace's throat with the wire in the first place???

where did their cape go :(

Potentially suspicious line from Ace? I don't know what he's referring to as "go through all this." Like, maybe just reliving the murder attempt, I guess...? Could also be going through the Class Trial, though, if Ace killed as a result of Nico trying to kill him.

*Levi's secret quote looms*

Things that make me think Nico is either a victim or a survivor. Like, are you really gonna say this and then go try to kill someone else? ...Or Ace again, I guess??

Fun fact: this was actually what guided me to my initial killer picks, before I discussed with anyone else or read any theories! I thought the killer was trying to frame Nico, so it had to be Eden or Ace. The tape and everything else was just what locked it in for me. It's fun to see Teruko follow more or less the same path that I did when I was trying to solve the mystery :)

TAPE TIME :D

The use of the Bound Wrists truth bullet actually really confused me at first bc I didn't realize we were just talking about the tape. I was like, were Arei's wrists bound because Ace's were and it was intended to be another similarity???

Maybe Eden's just being nice, but I find it really suspicious that her instinct after all this time is "didn't MonoTV take it" and not "oh I guess Ace is probably the murderer."

Teruko has now outlined two different ways that it makes sense if the killer was in the gym that night. If I were Eden, and I were innocent, I would be realizing that there's a very small suspect pool left, and I know that I'm not the killer, giving me additional information. Instead, she's questioning the validity of the tape argument, which isn't useful for narrowing down the killer-- it's useful for keeping the suspect pool wider and not leaving herself as one of three (but basically two) options.

I kinda get why people are upset with Rose here, but it's also kind of an oof because they're only mad because Rose is really smart. Like, no one's out here like "oh my god Ace you didn't recognize the tape??" Y'know, because they think he's stupid. Rose has a really good memory, which raises the standards really high, which sets Rose up for failure.

In Rose's defense, she also never saw the tape in Nico's gym murder OR on the carousel for Arei's murder. She only saw the pieces in the trash can, which seemed to be inside out. Against Rose's defense, it would probably have been for the best if she'd gone in to look at the crime scene.

Am I tripping, or is "fish misunderstanding" a weird way for David to phrase this? The misunderstanding with Teruko was assuming that the murder happened last night, which was in fact because of the fish-- but the thing Teruko should have noticed, which makes it Teruko's mistake specifically, was the body swinging.

I'm probably reading into things too hard, but it's so hard with David. What do you know!!!

Damn, Teruko is SPEEDRUNNING this character arc. Considering we basically know she's locked in for all 6 chapters, I'm really surprised to see her making this much progress this fast.

I'm guessing that this means that Teruko is probably due for a major setback sometime sooner or later. But, interestingly, this makes me feel like Teruko realizing that working alone doesn't work isn't her character arc's end destination; it's the willingness to open herself up to caring about others even in the face of the consequences of losing someone you love. Teruko is closing herself off from everyone because she knows she's going to lose them. Maybe her end destination is allowing herself to love people, even if she might lose them someday.

This was fruity as hell btw. I'm starting to think Rose may be our replacement support if Charles does die in Chapter 3.

It's so funny that this is basically Teruko claiming in-universe protag privilege. Go off, queen.

I also said something along the lines of "Hu are we really doing this again." Totally forgot that the BDA is still relevant, lol.

I personally find the way Veronika phrased this to be very telling from an author's POV. Veronika doesn't say "she must not have committed the murder," she says "she must not have witnessed the murder." It would be totally reasonable for any of the students to forget that the rule is written in a way where a killer could fail to see the moment of murder, but DRDTdev wanted to draw attention to the rule's exact phrasing again, which is a deviation from the phrasing in the canon games.

To be clear here, I stand by this even if Eden isn't the killer and the BDA group really is Eden/Whit/Teruko. I still think it could be a reminder for a future chapter when it comes up. But, I don't think it makes sense to change the phrasing of a base rule unless there's a specific reason you want it to be different. Whether now or later, this feels like a reminder that it IS possible for the blackened to trigger the BDA.

I don't necessarily "believe David," per se, but I do think it's interesting that we're drawing attention to this. I don't really think it matters, especially because I doubt the characters remember, but I'd place my bets on Eden being the last one because of that, "Teruko, wait!" thing.

It doesn't matter because, if David or anyone else saw the body, no one can confirm which two of Teruko, Whit and Eden set off the BDA, but it's an interesting note.

It's so funny how no one, fanbase or in-universe, can tell if David is lying though. Like, he COULD have seen it, but he also easily could just be making shit up to try to throw the Trial again.

will I EVER understand what the fuck this man is cooking

Why. I thought you wanted to end the killing game to finish what Xander started. I don't know what's happening :( /pos

My guess for now is just that he's still trying to kill Teruko, in keeping with Xander's plans?? Idk how making her more distrustful makes her more likely to die, though.

I do find it very interesting that Eden's approach/reaction has been to be very quiet and freaked out whereas Ace's approach/reaction is to freak out VERY loudly. Ace's is fitting because what does he do other than freak out loudly, but I might have expected Eden to do... idk, something else? It makes enough sense though, considering either the group is right to suspect her, or she's still coping with losing Arei a little bit ago.

...*squints REALLY fucking hard*

The music and voice acting in this section is REALLY fucking good. It's sad/charming/soft enough that it feels like it could be genuine, but there's still a little something that makes you have to question whether or not it's real. You WANT to believe Eden, but it's so hard to do so fully.

Y'all think Eden's crying is reminding Teruko of whatever Arei's crying reminded her of?

i'm out of images :(

I really like Teruko assuming that Eden is innocent first. She's too distrusting and also reasonable (it is life or death after all) to just hard clear Eden based on nothing, but she's offering a bit of a reprieve to Eden. Eden's friendship means that she isn't going to get immediately targeted in her most down moment, and that's it. It's a small way to show Eden she does care.

On another note, the fact that Eden got to hug Teruko and that Teruko said the "let go of me" NOW is honestly one of the main reasons I trust Eden more. I felt like that was obviously going to happen, but I was expecting the post-Trial. Putting it here is wild.

Theory Update/Analysis

Oh boy, it's accusing time! It makes sense that we're going to start with Ace. At this point, I can honestly see it going either way. Major props to DRDTdev either way, but ESPECIALLY if Eden really is the culprit. I was so confident in it, but they're really making me question my assumptions.

I think that both Ace and Eden have good reasons to be the blackened or not to be, and good reasons to die here or to not. I'm going to do my best to make a list of reasons for both characters and give a bit of my thoughts on them. They're roughly ranked in most to least important order imo, but I didn't think too hard about it.

EDEN

Reasons Eden Would Be The Blackened:

THE TAPE: It would be easier for her to take the tape than Ace, as attention was on Ace in the gym. The tape's disappearance from the background also happens to coincide with Ace knocking her over and her standing back up.

THE NOTE: Eden already knows all the info she would need to know to write that note. She could have put the note back together to give herself a defense, to try to disprove herself as the culprit with her handwriting, because Rose was going to do it anyways, and/or to frame Arturo if she didn't know he had an alibi. I think any of these reasons, or a combination of these reasons, are enough to make it possible, and while Ace could've overheard, it's definitely less easy for him.

NOT BELIEVING AREI: Both Arei and Charles have, in this trial, been shown to question whether or not Eden believed Arei wanted to be Eden's friend. If Eden simply did, this plot point goes nowhere.

A GOOD PERSON: Eden has been called a good person, but other than that freaky CG, nothing has really come of it. Is the plot relevance of Eden being a good person really going to resolve by saying "Eden is a good person, she'd never kill her friend!"? If a good person isn't gold, Eden still feels like a missing piece of that puzzle.

INCENTIVE TO FRAME NICO: This one's a bit more of a reach, but I don't really understand the point of framing Nico if you're Ace. Of course Ace is going to insist Nico is the murderer no matter what. If you're Eden, you have a direct audience to setting it up similarly: Ace. If you can get Ace to go all in on Nico, that's one less person who was in the Gym who suspects you. Eden and Teruko feel less likely to say "oh well it looks like Nico's murder so it MUST be Nico."

HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter death's important content shortly before their deaths. Eden has been one of the most prominent characters this chapter, which could be a bad sign.

Reasons Eden Wouldn't Be the Blackened

HER EMOTIONAL REACTIONS: I think I stand with everyone else when I say that the thing giving me pause with Eden!Culprit is how devastated she truly seems to be. I do still think it could be a combo of guilt and panic over the prospect of dying, but it's hard to justify everything.

HER FRIENDSHIP WITH AREI: Sort of a spinoff of the last one, but Arei was at least offering to Eden to be friends and to protect her. If Eden did believe that, to any extent at all, it's hard to imagine her killing Arei in cold blood.

THE FISH: The biggest question when it comes to evidence as to how Eden could be the killer. If Nico fed the fish and they were all still there last night, and Eden had an alibi until after the Relax Room closed, how would she have gotten the fish to add to the crime scene?

THE BDA: Easy to ignore imo considering we've already called it into question within the series proper, but still worth talking about. For Eden to be the culprit, either someone else saw the body first and isn't claiming to have (or it's David), or we're burning the "Eden didn't witness the crime and thus could still trigger the BDA" card here.

GENDER BALANCE: Possibly an irrelevant point, but it is true that we've had 2 women and 1 man die so far. If a man was the killer, it'd keep it even. Unlikely to be relevant as any disparity could be easily balanced out in Chapter 3 with (presumably) 3 death slots.

Points About Eden That Could Go Either Way

THE FORK CG: I firmly believe that this could be setting up for Eden being a more important character throughout the series or to die after a moment of intrigue, possibly letting us explore/imply more in her post-death bonus episode.

RELATIONSHIP WITH HU: Hu has lost David as a sane ally. Nico is telling her that they don't want her speaking for them and that they don't trust her. Would DRDTdev prefer to fully isolate Hu moving into Chapter 3 by getting rid of Eden, or to leave Hu with one friend who still believes in her.

CHARLES HAVING EDEN'S SECRET: By telling us Eden's secret ahead of time by Charles revealing it to Teruko, extra focus was given to Eden's secret. Was this just the easiest way to get everyone's secrets revealed based on character dynamics, or was it meant to imply that Eden's secret is extra important? Is that because she's the killer? Is it a #ArEden sweep???

ACE

(why are they both orange)

Reasons Ace Would Be The Blackened:

NO EVIDENCE-BASED ISSUES: This is the biggest and strongest point across the whole board imo. There is no tangible, evidence-based reason why Ace COULDN'T have done the crime. Out of all 13 currently surviving students, he's the only one who that's true for. That obviously makes him a viable suspect.

WOULD ABSOLUTELY FUCKING DO IT: Ace has been Freaking The Fuck Out this chapter. I could VERY easily see him deciding to kill here. I don't think anyone is trying to argue that Ace is too emotionally attached to the cast to try to kill all of them, because he clearly isn't.

WHERE DO WE GO FROM HERE?: I'm not really sure where Ace's character is going to go from here. I'd be interested in seeing more from him, but, like, where is his character arching to if not a killer? Ace is so disliked and intense that it's hard to imagine him really, fully pivoting and caring about others, but if he can't do that, is he destined to be a killer eventually?

HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter's death important content shortly before their deaths. Ace has been one of the most prominent characters this chapter, which could be a bad sign.

Reasons Ace Wouldn't Be the Blackened

OBVIOUSNESS & POINT OF CHARACTER: Of course Ace would be willing to kill Arei or whoever and the rest of the students. This is kind of the inverse of my "would absolutely fucking do it" point-- I don't know exactly how much surprise it would carry if Ace were to be the culprit. And, more than that, I feel like the point of Ace is that he is a victim here, but he's so unlikable that no one wants to acknowledge that or believe in him. I think it'd be an interesting comparison, if everyone really wants Ace to be the killer, but he just isn't. To everyone's dismay, Ace is still here. Now what?

SECRET LARGELY UNRESOLVED: Ace's secret hasn't really had any plot relevance yet. It seems like most people's do. I'm like lowkey expecting them to bring back the starvation motive from SDR2 in Chapter 4 and have SOMETHING happen with Ace there. Either way, while it could be reserved for his bonus episode (a la Min and Xander), I'd expect that his secret would have more main-story impact before he dies.

EXISTENCE OF SCRUM DEBATE: We're suspecting Ace first, but we still haven't done the scrum debate for this trial. Unless the scrum debate is "do we just vote for Ace without ever really pursuing Eden" and the answer is "yes," I don't see how we get out of this suspecting Ace period with a scrum debate without at least entertaining the idea of Ace's innocence.

STRONG CONNECTIONS TO OTHER CAST MEMBERS: Ace is very relevant to the Levi, Nico and Hu plotlines right now. Are they really going to just... get rid of him, when that's what both Nico and Hu would want?

ABILITY TO FIGURE OUT THE CONTRAPTION: Ace would not only have to recognize the way in which Nico was trying to kill him (which, to be fair is easier if he did wake up partway through), he would also have to conceptualize and figure out how to make the playground contraption successfully. I think Eden's clockmaking skills and... generally higher intelligence imo would be better suited to that.

COWARDICE: Ace is so fucking scared of everything. Would he want to put himself into harm's way by becoming the killer and having a do or die moment in the Trial? But, is he more scared of dying as a victim in the killing game, after seeing how close Nico came to killing him?

Points About Ace That Could Go Either Way

TAYLOR LORE DROP: Ace's friend, named Taylor per a Q&A with the dev, got vagued about in this Trial. Is that something to be pursued in a later Ace free time (following the one with Levi), or is that something that's going to be explained further in Ace's bonus episode (which could VERY easily be about friendship, considering it's Mai fucking Akasaki as the other person in the convo).

ACE'S BREAKDOWN @ LEVI: When Ace said he didn't fall for Levi caring about him at all, was that him affirming himself that it was the correct decision to try to kill, even if it'd put Levi's life at stake, who he previously kinda liked? Or was he lying to himself, and, at least previously, he wouldn't have wanted to kill Levi, no matter how harsh he seemed on the surface?

Well, that's all I got! Please let me know if you can come up with any more points for any of the 6 categories, because I'm very very curious to hear them! I'm thinking I might try to do an expansion on this in a separate post before next episode if I have time, exploring the ins and outs of each point with more textual evidence to back it up. I'd love to discuss any reader-suggested points too, if y'all have some in mind!

For now, I'm still personally leaning towards Eden as the culprit over Ace, but I wouldn't be surprised to see it be either of them. Well, other than the fact that my reaction to the killer being revealed is going to be :O no matter what.

[nalyra-dreaming]

Watching season 2, Armand is so fascinating yet confusing to me. I have only read 1.5 books at this point so I don’t know much about him at all from a lore standpoint. But, the show seem to made him more nuanced than he was at least in the first book, with his backstory and hearing things form his pov and all that.

What I find fascinating is his bad side; his cruelty and violence, because it doesn’t seem unmotivated as in, like, he SOLELY take delight in - it’s almost like he actually feels ENTITLED to it? Like, he genuinely seem to NOT understand how cruel he is sometimes? Or that he is going too far. Take it out on people that I make no sense too. Or hurt people that he claim to love, and then believe it won’t change anything, and when it does it confuses him?

Very interesting, a lot of the reason for it seems to simply be out of just pure jealousy - and nothing more.

It’s…strange?…And tragic.

I surprised when I started to feel bad for him because I can actually understand how his thought process may go.

Also, his what it seems to me twisted way he sees love. Confusing love with dominance and control; and when he witnesses actual love being given to someone, he doesn’t know handle it and either want to destroy or make it fit the only mould that he knows.

;(

Armand... is Armand. :) (And yes, they gave him a LOT of nuance!)

I'm not sure how else to say it. He does not think like other people. Part of it is the way he was broken, for centuries, by the cult. Part of it is definitely the way he thinks, imho. Anne wrote him with synesthesia, too.

He feels deeply, but fails to foresee the emotional impact on others when he does not feel for people and hurts them (Claudia, for example, and the emotional impact him killing her would have on his relationship with Louis). He cannot really anticipate the repercussions, and therefore is then taken aback and hurt by said repercussions. (Which is why he ends up "readjusting continuously", in the show, too, he constantly tries to protect his own feelings, and reach his own emotional goal, but thereby hurts others... which then backfires.)

And yes, he feels entitled to what he does - and he does what he thinks best, regularly, even in the later books, which is imho part of the centuries of forced ruling as a coven leader. What he thinks is best does not always match with what others think is best though - which is, ironically, something he shares with Marius, who also often does what he thinks best, no matter the opinion of others.

[lynzishell]

The Sims is love. List 5 facts about a favorite sim couple of yours, and why you love them so much. Then pass this on to 5 others, whose sim couple(s) you also love. 💘💕 :D

Thank you thank you @sirianasims as well as @mdshh and @elderwisp for sending me this ask!! (I'm hoarding the other two in case I get time to do more, but also tagging you here in case I don't aksdljflkd) ❤️❤️

I chose Phoenix and Dawn because I miss them dearly right now, but also...

💙TODAY IS THEIR ONE-YEAR ANNIVERSARY!!! I mean, in the story they got together in August like seven years ago, but this scene was posted one year ago today! I can't believe it! 🥹

💙My favorite thing about these two is how incredibly supportive they are of each other. My favorite example of this is in this scene where Phoenix takes Dawn to the bench where he used to talk to his mom. He said it was the best way he could think of to introduce them, and Dawn didn’t even hesitate, just jumped in and started talking as if his mom was really there, and I know it meant so much to him. The other would be this scene where Dawn expresses that she wants to leave her job and stay home with Aspen. Phoenix wasn’t fond of this idea. It puts a lot of pressure on him financially, and honestly, he would’ve loved to be the one to stay home with her. He probably could’ve plead his case to do so, but instead of pushing back he said, “how do we make this work?” and they figured it out.

💙They encourage each other to remain individuals. It’s difficult in this stage of life, between careers and marriage and parenting, to maintain a sense of self. One thing they always encourage each other to do is to pursue their own interests. In this scene we see Phoenix pushing Dawn to go have a self-care day to destress and indulge her interest in yoga and meditation. It’s been more difficult for Phoenix lately since his career is becoming more demanding, but he does still make time to run every morning before everyone wakes up.

💙They’re dreamers. One of the things they love most is talking about their plans and dreams for the future. Dawn has always been a very future-focused person. It’s a coping mechanism that keeps her distracted from her past, but it also allows her to maintain her optimistic nature, and it’s rubbed off on Phoenix.

💙They rarely fight. In most situations, they’re excellent at communicating and working through things. It’s rare they can’t find a middle ground. However, we recently saw a situation where Dawn let unresolved issues from her past lead her to break Phoenix’s trust, and that led to their biggest fight ever. When we last left them, they were doing okay, but I think it would be unrealistic to say that everything is suddenly fine now. There is some work to be done for Dawn to face her past and earn that trust back. More on that when we return to them in Part 5.  

[appleflavoredkitkats]

i will make a proper analysis post for this one day but i genuinely think the "fundy's mind" stream is fundy's magnum opus. it does so much in one short stream. it perfectly portrays the fundamentals of fundy's character while also leaving so much to be interpreted and decoded.

like of course half of the metaphors and mysteries put into that episode hinted his involvement w las nevadas. but, and i think this point stands better considering how his story was executed and concluded, i think the stream was such a perfect encapsulation of the cyclical nature of fundy's abandonment and self-worth issues. it is "fundy's mind" after all.

we see glimpses of wilbur, literal monologues of how he feels brushed aside. i think back then, our interpretations of the books were a little too literal— which was not wrong to assume at the time. fundy was having prophetic dreams, of course it was normal to think he could have been a time traveler or something of that sort.

but, in the present day, i feel like if you look into the texts of these books in a more metaphorical sense, it makes a lot more sense. there's definitely a theme about "waking up" in a metaphorical sense, but the dreams flip this phrase on its head in some sort of way, as if dream!fundy was trying to get fundy to look away from the books.

i posit that dream!fundy demands fundy to wake up because it actually shields fundy from the painful truth deeply embedded in his psyche. meanwhile, sleeping actually causes fundy to dig into this truth more as it causes him to stay into this dream world. so when fundy chooses to sleep, he's not shielding himself away— rather, it represents the metaphorical "waking up", beholding truths that he typically shies away from.

but then what is this "truth"?

well, when dream!fundy gives up scaring fundy off, he confesses to an evil someone who will destroy fundy and everything he ever loved. of course, this pertains to quackity, but here's the thing. if dream!fundy wanted to protect fundy, then he would have obviously warned him about quackity without hesitance.

i'd argue that quackity being some big baddie is half the "truth" dream!fundy is trying to warn him about. then what is the other half that's missing? i think it has something to do with the "you're not real" statements.

those seem like a scare tactic at first. if not, it does not feel like it's meant to be the "painful truth" dream!fundy is trying to shield from fundy because he says it multiple times before the actual "truth" is revealed. but i think the reveal actually becomes more impactful if you read it as "there will be an evil person out there, always, that will make you not real."

and i guess to explain— there's, like i said, a cyclical nature to fundy's issues. he follows someone, dedicating himself to the country until it all inevitably becomes futile in the end. it happens with all iterations of l'manberg and las nevadas. i've always stated that fundy is the embodiment of the nations he's apart of, and he dies alongside it whenever it comes down to it.

so when the book mentions, "you are not real", "this place isn't real", and "but he [those who left him, specifically quackity] is", i feel like it's not just talking about quackity and las nevadas. rather, if we think about it, this is literally the formula in which fundy's arcs literally follow. he becomes nothing alongside the dissolvement of a nation, because those he trusted and followed were real threats.

and what i think this dream hints in particular is that, las nevadas would be the last straw. after this, his existence becomes virtually nothing. he is rendered nothing.

which is literally what happens in the end.

fundy's storyline has always been about being sidelined, always forgotten or used as a punchline for a joke. in this case, i feel that the dream isn't just warning him about this, but rather it's literally his destiny to be forgotten. that is the painful truth dream!fundy doesn't want fundt to know. that's why he sounded so defeated by fundy's stubbornness and curiosity by the third book— he does not want fundy to know that it's literally in his fate that he ends up becoming nothing.

and, well, it's true. the last we see of fundy is when he jumped into the l'manberg crater after cutting himself off from wilbur. it's even stated that fundy didn't die to end it all, but rather to "get away from wilbur". at the same time, we see fundy donate schlatt's sword, one of his prized possessions, to the museum.

he literally cuts off one of the most integral, most defining, aspects of his character— his devotion to nationhood and those who embodied it. and after that, we never see him again. when fundy chose to choose things for himself, to separate himself from l'manberg, physically and ideologically, he's gone.

it's as if he's not real.

we never really know if fundy left for the best or the worst, really. but in the narrative of the dsmp, separating himself from l'manberg literally makes him null. that's the truth his dreams were trying to shield himself from.

[bookishjules]

things about rebecca lewis i myself choose to believe:

she went to new jersey for college because she wanted to be away from home but not so far that she couldn't hop a train and check in on her mom and brother

yes, that means when she came home to "do laundry" it was never because she had dirty clothes. new jersey is far enough from brooklyn that such a trip for laundry does not make sense in measure of time or money.

she studied art history in college because it was more financially reliable than going for art or fashion design

she knew simon wanted to study music, and she wasn't going to risk their mom not having something to fall back, given her propensity for not being able to handle difficult situations in a stable manner

after college, she moved back to brooklyn less because she wanted to and more because of the reasons she only went as far as nj for college, despite jobs at art galleries and museums being harder to get in nyc than they are elsewhere.. which is how she ends up working at the restaurant that caters simon's engagement party

as for her own romantic endeavors.. i don't believe she gets married until her early 30s. unlike shadowhunters, she has no reason to marry or have kids earlier, and with her touch of hyper-independance and the lag in her career, it takes a bit longer for her to settle down

as for who she settles down with.. it really could be anyone. i just know she'll make an incredible partner to whoever she ends up with

she is also, for that matter, an incredible aunt to simon and isabelle's kiddos

as a kid herself, she didn't have a clary, whose family she could escape to. she had friends, but no one close enough to find a real father figure in any of theirs after her own had passed. not that she'd really wanted a replacement. but i think simon gained a lot from having luke to lean on in his teenage years, and becky never had that opportunity

nor, for that matter, did she have someone to be a mother figure when her own mother wasn't doing the best job. simon had rebecca, but rebecca only had herself.

none of this felt like a burden to rebecca at the time ofc. she likes helping people. she likes being there for her brother, likes having him rely on her. but the result of it all tugs at her well into adulthood

finally and least relevantly: her favorite taylor swift album is red.