#emotional dump sorry

[theerastour]

x

[joycrispy]

One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.

I have a few different things to say about that. Let's unpack them.

As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.

Also: in the naked romanticism with which he views his stars.

We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'

...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'

Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.

Hm.

I'm also reminded of the M25.

The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.

That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.

Cumulatively gigantic, that is. Individually? Negligible.

But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.

It's some clever machinery. And he knows it, too:

The Unnamed Angel and Crowley are both proud of their ideas.

(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)

In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.

Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"

11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'

(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)

Hastur and Ligur don't get it, of course. That's also consistent.

Nobody ever knows what the hell he's talking about.

It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:

He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.

(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?

...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)

Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.

Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).

Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."

To me, at least, that suggests a level of attachment that seems to be rare for Crowley.

...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?

...Anyway.

There's also the matter of the crank handle.

This thing:

This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.

The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.

He made stars with it.

[both gifs by @fuckyeahgoodomens]

If you Google 'crank handle,' you'll get variations on this:

Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.

Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.

Stopping time. For instance.

(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)

I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.

(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)

Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?

He made stars. They didn't manage to take that from him.

Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.

Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.

...And yet.

It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.

In light of everything else I've said here, I think that's interesting.

Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?

Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?

What do we name the point to which Crowley loves Aziraphale?

...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.

[spicyboelives]

I didnt like how these came out, because I feel like I could have really nailed it if I just kept sketching. Haven't seen as much Tony Stark stuff floating around my social feeds, but Ive been thinking about the golden age of the MCU, whatever its called phase 1 or summin.

[sciderman]

Your post about balls and their inherent attractiveness made me wonder who you are attracted to? If you don’t mind me asking of course! I don’t mean to pry.

I’m just curious because you’re such a multifaceted person and gender and sexuality are so multifaceted. You mentioned that like, you don’t think you’re this icon of gender that everyone thinks you are but I don’t think you’re as far off as you think you are. You’ve never (at least that I have seen) claimed to have it all figured out. You sort of just walk into the room and go, “This is what I’m doing right now! Is it what I’ll be doing tomorrow? I don’t know!” It’s very David Bowie. So I thought maybe in terms of your sexuality you’ll likely be in a similar state of, “I know what I don’t like, but I’m still discovering what I do like because every day is a new adventure!”

hmm!! hmm... i think it's tough to pinpoint, because i've not had a lot of crushes in my time with people i know on a personal level - and, i haven't really been in a lot of relationships, and when i have it's usually been people pursuing me and me just, giving up the fight (sighs) - but when i do have a crush it's usually an emotional bond that makes them so attractive to me. it's not that they're not physically attractive too, of course they are, but it's kind of the emotional side that makes every little bit of them homina homina, you know. not to be gay about it.

i think even celebrity crushes i have are more about their inexplicable vibes more than their physical features. vibes have to be immaculate. i need to think "yeah. i wanna hang out with them. i think they could make me laugh."

though of course there's people out there who are objectively gorgeous, and i'm not immune to that. i know when someone's gorgeous. i - well, i don't know. i'm just (waves hands around) bisexual. i'm very bisexual. i find a lot of people attractive. from all parts of the gender and aesthetic spectrum. i don't think i could point at one thing and say "oh so that's what does it for me" - i think maybe just... enthusiasm and good vibes. friendly and approachable. not intimidating. kissable (whatever that means).

i'm easily scared away by people who seem intense. because i'm very skittish. so... people that are approachable and make me feel comfortable and safe, yeah. god. feeling safe with someone. yeah. that gets me hot under the collar. when i'm with someone i can feel free and comfortable with, and they kind of get it - and they know how to not scare me away, that's great. i've had a lot of interest in me from a lot of people that just kind of didn't get me, or think i'm something else, and all i want to do is get out of that situation. i can't do it, i can't do it. it - it kind of makes relationships difficult for me. because it's almost a given that if someone is thinking of me in a sexual context they're misinterpreting me. it - it kind of stinks. like, i should be responsive, maybe, but it never feels comfortable, for me. i wish it felt right. it very rarely does. so - so i've turned down so, so many people. and i beat myself up about being "scared" or whatever, but - i don't think it's true. if it feels right it feels right. if it doesn't feel right - you can't - you can't force yourself to think that it is. and every time i've bitten the bullet, it - it doesn't work. because it wasn't right. sometimes i think there's something wrong with me. but - i... i don't know. i've had this realisation that nearly all of the intimate relationships i've ever had, i've been a bit of a cornered animal. and i hate that realisation. it kind of stinks to realise that. kicks the dirt. god, i need more positive experiences.

i definitely feel more comfortable with afab people - i've - well, i've never had a positive encounter with anyone amab. not a one. i know that i shouldn't hold it against them, but it does something about my degree of comfort, yep. and i just think afab parts are prettier. (i'm right. they are.)

but i think, you know, while everybody has their clothes on, i don't really have preferences when it comes to femme vs masc, really. like when it comes to actors and things it's a 50/50 split on what actors or actresses i find attractive. in my day-to-day i'm probably more attracted to femme-presenting people, but that's generally because they put a little bit more effort into it, and their clothes and make-up are so, so pretty. i love when people display their emotions or their energy through their wardrobe. when people express themselves with all their colours or whatever. when you get a sense of who they are, and what they're about, just by looking at them. people who light up a room. i love those people. you generally find that more with femme-presenting people, and i love those girls. stay loud and proud, my girlies...

in my mind, in my subconscious, whenever i have dreams (that aren't a sordid threeway - i have a lot of those - usually with one gorgeous girl and a large, ominous faceless man) - dreams about who i'm going to wind up with, they're almost always femme-presenting. usually my age. sometimes older. shrugs. don't know what it means. just that's where my brain is at. i don't think it has to be true, but - guess it's where my brain is at.

my dad still insists that i'll end up with a man. i almost want to not, just to spite him. whenever i mention i'm attracted to a male actor he says "oh. so you are straight." he thinks i'm just confused. he says to me, "you're confused and that's okay." so i think that might be just about the full extent of acceptance i'll get from him. shrugs. i'm confused, i guess. i don't know. i think this particular thing i don't think i should or will have an answer. i don't think i'm confused. i don't feel like i need to sort it out. my options are open. i'm not scared about whatever will come. whatever is meant to happen will happen. that's - just, i guess, that's how i see it. whatever is meant to happen will happen. and it's not a problem that it hasn't happened yet. because i guess it wasn't meant to.

i think my gender stuff was always a priority - it always came first. i had my gender awakening LOOOONG before my sexual awakening (my sexual awakening like. only happened like. two years ago. honest to god.) i remember it being a bit of a problem - when i was forging my gender path back in high school, and a lot of people thought it meant something. meant that i was a cute boy who was up for dating girls. when actually i was the kind of boy who was not into girls yet. i was too busy being into comic books. i think even now, sex just - isn't my priority. it's just - it's more important for me to find people that see me for me. see me for what i am, and the sex can come later.

it's just - it's stupid, really. i find a million of you guys online who kind of get it. you're freaky weird gender like me but - in real life - i have no idea how to explain myself. i have no idea how to market myself. i can't use dating websites because i think people on both sides are going to be disappointed. and absolutely everyone who's romantically interested in me in person doesn't know how to approach me as what i am. they approach me wrong, and it scares me away on impact because - because whatever they think i am, i'm not. i'm not a butch lesbian, i'm not a transguy, i'm not a girl, i'm not a boy, i'm not... i don't know, i'm not easily marketable. i can't find my demographic. i've only found my demographic here, in my weird little spider-man corner of the internet. with likeminded freaky gendered spider-man nerds, i guess. i think maybe my dating life would be easier if i could just be one thing. but... (waves hands around) i can't do it. i can't force myself into a box for the sake of being more easily marketable. i just can't do it.

[hiraeth-blr]

Fu*k, how do I see this now of all time? :')

[haikyuustuffs]

Those who have seen the movie....

Can we all talk about how they animated the last point?!

[antaripirate]

I JUST FOUND OUT MY MASTERS DEGREE SCHOLARSHIP APPLICATION WAS SUCCESSFUL AND MY ENTIRE MASTERS DEGREE IS GOING TO BE FULLY FUNDED PLUS ALL CONFERENCES AND LAB COSTS

I WAS SO CONVINCED I WOULDN’T GET IT BECAUSE ONLY ONE PERSON IS AWARDED IT BUT I GOT IT AND I CANNOT EXPLAIN HOW HAPPY I AM

I ACTUALLY CAN’T FUCKING BELIEVE IT

[fionnacampbel]

thinking abt how marceline had to watch her father figure pine after and attempt to kidnap her ex gf for YEARS.... and yet she still forgives him and loves him the same as when they first met

[demeterdefence]

something that really irks me abt this chapter (besides everything lmao) is how hades is suddenly expressing his feelings with poseidon and having this random heart to heart when canonically hades shows nothing but disdain and annoyance towards his family

for all that he goes on and on about how lonely he is and how much he resents being "stuck" in the underworld, hades shows nothing but contempt towards his family at every possible moment. the only semi-positive interactions hades has with poseidon specifically are 1) when he tells persephone that the two brothers could commiserate on being consumed by kronos / how overwhelming it was to be released into a bright world, 2) when he ties poseidon's tie right before persephone's trial (and that has a big asterisk next to it because the whole time he's snipping at apollo and zeus) and 3) after zeus sends out the press release against demeter and persephone, and hades and poseidon are both aggrieved at zeus acting alone (and again, big asterisk next to that because the majority of hades' interactions are annoyance / rage at persephone being "maligned")

like over and over, hades goes out of his way to AVOID his family, so for him to suddenly be sitting in his car sharing his feelings with poseidon? he barely has a RELATIONSHIP with poseidon. his brother's have gone out of their way to show hades love over and over, and hades has never reciprocated. it feels like a cheap way to reinforce some kind of "family bonding" theme, since we see demeter and persephone having their heart to heart; canonically speaking, the only people hades has ever "confided" in are hera, persephone, and hecate - and arguably speaking, two of those are people hades' trauma dumps on. like what is the point.

[nmoroder]

You know i used to have these surges of art coming through my hands at night. They're back, these surges. And i love Klogg can you tell

1st pic almost quotes Bible cuz you know, TenNapel himself said the Neverhood story is biblical in nature so yeah it comes naturally

2nd is Hoborg's humanized design through years (he hasn't really changed between '21 and today)

3d pic says "there are things i will never forgive myself for" and it echoes the headcanon that Hoborg had great guilt for what Klogg had become bcuz of the crown and was actually terrified of seeing and touching him

4th pic is abt this story i composed a couple of years ago, in short it's the segment where Klaymen and Klogg had to fight Some Guys and Klay obtained a blaster a while ago. yeah and Klogg had a blast using a spear which promptly broke after a dozen of hits

6th pic references the latest askblog post (and psst is the short summary of where they're gonna be heading next)

[verdiesque]

Man fuck my international friends fr

[random0lover]

I hate men and their need to act like any emotional reactions you have while you’re on your period is just you being “hormonal” and “not yourself”

(Rant in tags)

[bestial4ngel]

Izzy, Ed, and Stede’s dynamic in season one is just Barry, Vanessa, and Ken from the bee movie send post

[thereareeyesinsidethetrees]

last post for the night i swear

the real tragic part about the whole science fair incident is that perpetual motion is impossible to achieve

ford’s machine would have never worked, regardless of whether or not stan had interacted with it

(warning i accidentally wrote an approximately 30-tag dive into ford’s character in the tags don’t click see more if you don’t want to read that)

anyway!! good night everyone ❤️‍🩹

[foli-vora]

a stray marcus pike gif on my blog can only mean one thing...

WHAT'S COMING????

[llitchilitchi]