#explode and they’re going to LOSE IT!!!!’ like guys I have great news actually you don’t need the force to meditate

[mutalune]

one of the funniest things about star wars fic is that you can very clearly tell when an author has no clue what meditation actually is

[twilightknight17]

"Guys, holy fuck" - Part 2

Hit the image limit on the other post so I broke it up so I could scream more. XD

So where were we?

Right, right, Shadow Toshiro.

Once the shadow goes down the first time, he goes one-winged angel and turns into a god damn horror monster version of Eri that is GIANT. And that, my dudes, was a fight. That thing had so much health. It was great. :D

Now for some info:

Okay, that makes sense.

Yep, all that, we’ve seen and understood already. Still good.

But why, though? What makes her different? Why can she switch forms? Why is she still basically a separate entity from him? Did you just not want to lose your new character? I almost feel like I’d rather have had a P4 boss fight that ended with Toshiro getting his persona, and have Erina just be his cognitive Eri, based on his memories. Because this is… confusing. Nothing has worked like this in the past, unless I seriously overlooked something.

Yeah, I know, Aki and Mai and Ideal Maki were a thing, but Maki was a Wild Card and also had the DEVA system bolstering her cognition. No one else’s persona has been able to turn into a person and just chill with everyone after their awakening. Erina is basically her own fully-formed person. Like… I don’t know. It’s weird. I’m having trouble wrapping my head around it.

All right, yeah, let’s go with that for now.

There’s like, a slight implication here that Toshiro’s shadow wasn’t actually his shadow, but just something pretending to be his shadow? Especially since he never like, reconciled with it. After the giant Eri, it just disappeared. But I only pinged that after the fact, because while we’re just standing here trying to figure out what the hell is going on with Erina, god shows up to yell at us.

“Be not afraid” and all.

I kid you not, I was internally screaming, “YALDABAOTH? IS HE POSSESSED BY THE REMNANTS OF YALDABAOTH TRYING TO SEIZE POWER AGAIN?” But no, doesn't have Yald's stupid feet. This is:

Who the fuck is you, and why does it look like your head exploded off your neck? Are you sure you’re not Yald?

Anyway, this bitch keeps calling us “children” and “lambs” and “pathetic” while it explains who the fuck it is.

I don’t like it, and it doesn’t like our persona abilities. It calls them a “mask of madness, one which will assuredly drive man to ruin.” So it offers a deal: It can remove our powers, and along with them, our memories of this whole horrible adventure, and in exchange, it will put us safely back in the real world. It’s nice like that, even though we’re “infidels who had the audacity to defy a god.”

Hey. You. Got some bad news about all the other gods I’ve met. Wanna know what happened to them? :3

But we shouldn’t answer now! We’re high off a lucky win and our emotions are compromised. We should think it over and tell it our answer when we’re ready. And then Salmael fucks off into the sky. Are we sure that’s not a weird misspelling of Samael? Are you connected to Shido somehow?

Toshiro gets like a thousand points for being completely chill about a god falling out of the sky to tell us we suck. Zenkichi was a lot less calm about the whole thing. XDDD The Thieves, Toshiro, and Erina agree that they’re not giving up their powers, so we’re gonna have to kill god again. But how? How do we follow god into the sky? Whatever shall we do?

Oh, guys. Do you hear that noise?

CHOO CHOO, MOTHERFUCKERS.

Lavenza is here in the Velvet Room Train to pick us up and take us to the sky. No, she doesn’t know why it’s like that all of a sudden. We DO NOT CARE. THIS IS GREAT. Toshiro almost manages to offend her, but we’ve got things to do, so we just put another pin in that.

And that is where I had to stop. It asked me if I wanted to save and I was like “yes, I cannot handle any more Epic right now.” My GOD. I’m so excited Lavenza gets to be more involved, because that’s how I tend to characterize her. She wants to be more hands-on than her siblings or Igor. And she’s not afraid to snark at the others. It’s nice to have the whole team in the Velvet Room again. ^_^

Never change, Yusuke. :P

Actually, isn't this a good thing? If Akira's Velvet Room is now manifesting as a train, maybe that symbolizes him moving forward into the future? Scramble put him back in prison, but this game hasn't. Maybe this is the Velvet Room's final form for him?

Next time: Into the goddamn abyss to once again dethrone god, I guess????

Final note: I’m constantly amused by the one-off poses the sprites have. One single use of the sprite where Makoto’s hugging Morgana. One of Toshiro holding Erina/Yuki. And now apparently one of Makoto throttling Ryuji so he can’t interrupt Futaba and Toshiro. X’D Wow. Pls stop picking on Ryuji, Atlus.

[the-one-where-casey-watches-tv]

Heartstopper episode 2.03 "Promise"

Joe Locke and Kit Connor in Heartstopper. Image courtesy of IMDb.

This is the most I’ve looked forward to a new season of a show in a long time. I watched it all in a day and it filled my heart right up. To be a YA romance about two high school boys, it hits strikingly close to home. I was instantly enamored with season one, and my experience with it made me realize that I had actually never seen this part of myself on screen so completely before (I’ve been clinging to Olivia Wilde’s Thirteen on House for a decade). They’re high schoolers with high school problems, yet everything they go through feels significant without veering into melodrama. In fact, I think the reality of what they’re facing is so challenging, and all of these characters deserve so much credit for how they face them.

Especially Charlie. Charlie’s the unspoken protagonist of this story- when we watch this show we step into his shoes- and I think that sometimes leaves him overlooked. We empathize with all the characters on occasion- the show is really good at that- but Charlie was the one with the crush, the constant victim of unwanted attention; it’s easy to imagine ourselves in that position. But like no one’s favorite character is Harry Potter (except mine), I think Charlie can come across as two dimensional if we get too caught up in the self-insert nature of the story; like everything happens to him without him doing anything. But he’s a great dude, tbh.

And in this episode, he’s taking care of everybody else. The term is finally over- everyone in Nick’s year has just finished exams, and Charlie is ungrounded, just in time for a big party in the woods. Before leaving school, Tao declares his feelings for Elle with a new haircut and flowers, asking her on a date to the movies before the party. Elle accepts, and he takes her to see Moonrise Kingdom, a movie he hates but she loves. They both have nervous butterflies, but Elle is thrown off by the tension in the air and doesn’t like that Tao isn’t acting like himself.

They awkwardly agree to go to the party, where it’s revealed that Elle has invited her new friends, fellow prospective art students. Tao explodes, declaring that she’s forgotten all about him, and storms off (we’ll confirm later that Tao’s fear of abandonment stems from the death of his dad when he was 12; not everyone’s behavior is excused, but there is a reason that every character acts the way they act). Still reeling, Tao bumps into Charlie, who’s been separated from Nick in the chaos of the bonfire. Tao bursts into tears, declaring that he “tries too hard and talks too much and ruins everything”. Charlie wraps him in a fierce hug, and Tao sobs into his shoulder.

William Gao and Yasmin Finney in "Promise". Image courtesy of IMDb.

Nick, meanwhile, has been struggling with this night from the start. He’s plagued by the pressure he’s put on himself to come out, supplemented by Ben whispering in his ear all term that he’s treating Charlie the same way Ben used to. Nick’s taking his own promise to Charlie from season 1 very literally and feels increasingly guilty with each passing time he tries and fails to come out to someone in his life. Today, he’s promised again to come out to the rugby team, and Tori pulled a big sister move, threatening Nick if he didn’t look after Charlie tonight. The stakes are high, and he’s feeling them. He tells Charlie he just has a headache and can persevere.

But they quickly lose each other in the crowd, and while Charlie is comforting Tao, Nick is getting more and more distressed. While looking for Charlie he finds Tori instead, who skeptically points out that he’s not doing a very good job looking out for her brother. More broken promises… He finds his way into the center of the crowd, being jostled by a bunch of the rugby boys. Thoroughly disoriented, he’s endearingly still trying: “guys… there’s something… I need to tell you”. But suddenly Harry is next to him, throwing an arm around Nick and asking what they’re talking about.

Nick loses what’s left of his nerve at this point, but before he can find anything to say, Charlie appears and pulls Harry off of him: “Nick doesn’t want to talk to you, Harry, piss off!” Surprised, the other boys give them enough space for Charlie to ask Nick if he’s okay, and for Nick to say, “I feel really unwell”. Charlie declares that he’s taking him home and leads Nick out of the crowd. In the end, he’s not the one who needed looking after tonight. In the previous episode, Charlie apologized for not standing up for Nick when his brother started harassing him. In this episode, he proved that he actually learned from that moment and changed his behavior.

Joe Locke in Heartstopper. Image courtesy of IMDb.

I want to give Charlie so many points for the way he treats not only Nick, but never forgets about his friends while in the throes of his first real love. He gives Tao his full attention tonight, just like he will in Paris when he clips the Charlie + Tao lock onto the bridge, and just like he will at prom when he pulls Isaac into a group picture.

But with Nick especially, he is so genuinely supportive. Nick isn’t anything like Ben, and maybe it wouldn’t be fair for Charlie to express it, but there’s definitely something a little triggering for him about having another secret boyfriend. Nonetheless, Charlie not only takes Nick home and tucks him into bed with a cup of tea, but he makes the executive decision that they should stop trying to come out right now. He sees what it’s doing to Nick (and ignores what not doing it is doing to himself), and the relief in Nick is palpable.

But as selfless as it is, Charlie’s right: it is Nick’s coming out. He should be able to do it on his own terms. The tea is just that being gay is hard, and being in a relationship where one person is more out than the other is going to have painful moments for both people involved, and it isn’t either of their faults. And even though not everything is going according to plan, Nick is moving mountains himself. He really didn’t bat an eye before abandoning his entire friend group, not even caving for the more auxiliary members of the rugby team until they apologized and earned their way back into his life. Instead, he fully embraced Charlie’s friends, forming his own relationships with all of them.

And I’m really glad that the show doesn’t minimize the all-consuming fatigue involved with coming out. Nick doesn’t just want to do it for Charlie; he wants to be out, holding his boyfriend’s hand and kissing him whenever he wants. There are moments throughout the season where we see his own frustration with himself. But it just isn’t something that comes up naturally in conversation. It’s always awkward. It’s always at least a little bit scary. You have to bring the conversation to a stop and make an ‘announcement’, something that feels self-important and overdramatic, while doing nothing feels like keeping a cowardly secret. Struggling to come out doesn’t make Nick a bad person, and Heartstopper shows us exactly how and why.

Kit Connor in Heartstopper. Image courtesy of IMDb.

I love the way this show romanticizes all the right things, depicting both gay pride and gay struggle without one diminishing the other. Heartstopper is ultimately so full of love; this entire friend group is made up of really good people, and for everything that gives these kids a hard time, there’s something else propping them up. For every Ben Hope, there’s a Nick Nelson, for every overbearing brother there’s an overprotective sister, for every absent father there’s a perfect mother. It’s both guttingly relatable and rejuvenatingly hopeful, and while I personally will never get tired of a wholesome story, we still have far from enough queer content in this world that just makes you feel nice. If you love Heartstopper, please tell me everything you like about it and why :) <3

[makeste]

BnHA Chapter 316: We've Had One, Yes, But What About Second Explosion

Previously on BnHA: Deku was all “[powers up like whoa because it’s time to end the fight]”, and he saved Overhaul from getting not-shot, and then smashed up Nagant’s arm with the power of his new rechargeable super knees. Nagant was all “yoooo this kid is crazy strong whaaaat, it’s like he’s some kind of protagonist or something.” Deku was all “I AM A PROTAGONIST, ACTUALLY, DO YOU WANT TO JOIN FORCES AND FIGHT BAD GUYS WITH ME?” Nagant was all “ah shit why the hell no -- ” and then AFO was all “SURPRISE” and everyone was all “?!?!?!” and AFO was all “TIME TO EXPLODE NOW” and made Nagant explode because he’s an absolute fucking dick. And then Hawks showed up, because Horikoshi just wanted to stuff as many plot points as humanly possible into a single chapter I guess.

Today on BnHA: Hawks is all “good job giving motivational shounen redemption speeches Deku but I’ll take it from here” and screams very earnestly right in Nagant’s face until she finally wakes up. Nagant is all “oh hey it’s my successor, you seem surprisingly unfucked-up from your own HPSC tenure, how did you manage that?” Hawks is all “fandom is going to love hearing this one, but basically it’s because I’m very upbeat and also I had the world’s best role model Endeavor to look up to,” and I swear this man stirs the pot on purpose, but damn it I still love him so damn much. Overhaul is all “HELLO AGAIN, JUST A REMINDER THAT, THE BOSS!!” and Deku is all “MAYBE TAKE TWO SECONDS TO REFLECT ON HOW YOU TORTURED A LITTLE GIRL,” which, thank you, lol. Nagant is all “btw AFO’s hiding in a house in the woods”, and so Deku and the gang go to the house in the woods. Video recording!AFO is all “hi I’m AFO welcome to Jackass” and blows up the house. Sometimes I wonder if this manga is just a weird dream.

I am once again reading the Bean version because I think it was actually the best out of all three translations last week. and that is surprisingly including Viz’s. “faux” is not nearly as entertaining as “knockoff”, and also I have literally no idea why Caleb thought Deku was saying the Third’s lines lol

oh hey, Endeavor’s here too! not that you’d ever be able to tell from this first panel lmao

glad you received All Might’s call, mysterious unidentified glowing smudge

oh snap he says he’s weaker in the rain. is that why AFO told Nagant to attack then?? except that as we discussed the other day, I believe that AFO fully intended for Nagant to lose the fight, so him giving her info that would give her an advantage doesn’t really fit in with that. maybe he wanted Deku to be separated from Endeavor and the rest for maximum angst, though

btw Deku’s eyes are unsurprisingly back to the new normal here

alas, the angst continues. I say, pretending like I’m not totally eating it up each and every week and writing essay after essay about it lol

anyway so apparently Hawks can’t actually fly lmao. he was just yeeting himself with style

for some reason this is the funniest fucking thing I’ve ever seen omfg. wave to Hawks, kids! say “bye, Hawks!”

j/k of course Deku is catching them. -- except???

wow so he was just running on fumes there at the end. well, good to know there is actually a limit to his shenanigans, particularly regarding this new “knockoff” 100% OFA. it will definitely not alleviate any of the discourse, but it’s good for my own peace of mind because it’s solid confirmation that he still needs his pals in order to win this thing

anyway, but on to the rest of this conversation, which is basically Deku deducing what we all deduced last week -- AFO implanted some sort of trap into Nagant when he gave her Air Walk. though I’d still like to get the actual details from AFO and/or Horikoshi, because this was particularly wild even by quirk standards lol

omgggggg

she still has a face after all!! so it’s confirmed, Horikoshi has no idea what “blowing up” actually means. we might have guessed, based on what happened to Toga in the MVA arc, and also based on everything Katsuki does ever, but shhh

so now Hawks is all “NAGANT PLEASE WAKE UP, IF I SHOUT MY NAME AT YOU WILL THAT DO THE TRICK”

this is actually kind of touching though because even though we all know (or most of us acknowledge at any rate) that Hawks is a pretty caring person, it’s rare to see him actually panic over someone’s welfare like this

oh shit Horikoshi is really doubling down on it

I wonder how much Hawks knew about what really happened between Nagant and the HPSC. regardless, he probably sees her as a kindred spirit of sorts, and I’m more than happy for Deku to pass the redemption torch onto him now that he’s on the scene. like no offense Deku but they actually know each other and stuff lol

DAMMIT NAGANT CAN’T YOU SEE HOW LOUD HE IS YELLING

apparently being freed from his HPSC shackles has finally given Hawks the space to embrace his own inner shounen protagonist. is there anything more shounen than trying to motivationally scream someone awake when they’re lying in your arms inches from death?? 100% guaranteed to work

!!! IS THIS NAGANT’S POV OMG

SO SHE IS ALIVE. THANK GOD. Horikoshi doesn’t want to meet with my emotional distress lawyer today after all

love how she’s all “just gonna stir up the weekly Hawks Discourse pot here by implying that he probably committed a lot of Atrocities just like I did, so now people can get all hopped up about that, even though there’s no evidence he’s ever killed anyone aside from that one horrible ‘damned-if-you-do...’ situation with Twice.” no one asked for your provocative speculation young lady!! trust me Nagant, our rabbles don’t need the rousing lol

but nice save there with the “so how are your eyes so untainted” well you see it’s because even when he was following the HPSC’s orders he always went to great lengths never to go against his own moral compass. which just to be clear was incredibly difficult, and led to a ton of pain and suffering on his part, because the life of a spy is basically just one impossible situation after another. but in spite of that he never stopped trying to do his best to help people. I don’t really know where this tangent came from or is leading to, lol, but anyway p.s.a. I love Hawks a lot and he’s a good kid dammit

oh shit??!?

how is the League always able to swing all these fancy forest mansions. where do they find them. how many do they have

so Deku’s dropping them -- very roughly, not sure if he was reacting to finally getting AFO’s location, or if his energy really is giving out -- and now Nagant’s saying that AFO hired other villains as well. well of course he did. gotta keep chipping away at OFA’s ninth successor little by little

now Nagant is asking Hawks how he’s able to keep making “that” face. I assume she’s again talking about the fact that he somehow didn’t let the HPSC wear down his spirit

oh my god???

thanks for stuffing this chapter to the brim with good nutritional Hawks Feels, Horikoshi. what a good. he just keeps on trudging forward undeterred no matter what bullshit comes his way. what a steadfast little guy. I WILL PROTECT YOU FROM DISCOURSE MY SWEET SUNSHINE

lmaoooo

“SPOTTED THIS DUDE JUST CHILLING OUT THERE ON THE ROOF WITH NO ARMS, SEEMED PRETTY SUS” good job Endeavor

anyway so you don’t really need me to tell you that Overhaul is immediately starting in with the “BUT THE BOSS WHEN ARE YOU GOING TO TAKE ME TO THE BOSS YOU PROMISED YOU WOULD TAKE ME TO THE BOSS” stuff again. but I will go ahead and tell you anyway. so yeah. he’s doing that

OMG YOU GUYS LOOK AT DEKU’S “of all the fucking assholes to just randomly drop in on my life once again why did it have to be you” FACE THOUGH, OMG

fun fact, if you go back to chapters 124 through 160, there was an entire story arc where Overhaul imprisoned and tortured a little girl. yeah, I know!! suuuuuuuuper evil. anyways just an interesting little anecdote for you all that’s somewhat relevant to the current situation

OMG, YES. FUCK YES, DEKU

THEN WHAT ABOUT SPARING ONE FOR HER!!! YES!!! EXACTLY!!! JESUS FUCKING CHRIST, SOMEONE GETS IT

HERE’S THE PANEL OF DEKU SAYING THE EXACT SAME THING I’M SAYING LOL

(ETA: so apparently there’s some discourse about this because some people are interpreting this as Deku saying “you should apologize to Eri”, which would obviously be a terrible idea even if Overhaul actually wanted to do that, because Eri shouldn’t ever have to see him again. however I just want to point out that there is a HUGE difference between saying “it would be nice if you could direct that feeling of regret/being sorry towards Eri as well”, vs saying “you should also apologize to her.” all Deku is doing is rightfully pointing out that Overhaul has hurt way more people than just his boss, and if he really is remorseful, then he should extend those feelings of remorse to Eri and the rest as well. it’s not a directive to take any specific action, and I’m 1000% sure no one at U.A. would let Overhaul within 100 miles of Eri ever again.

tl;dr “try feeling remorse sometime” =/= “do you want me to fly you over to U.A. right now to surprise the little girl you traumatized”, lol.)

[slings an arm around Deku’s shoulders] you’re a good kid. I like you. I don’t know if I tell you that enough, but it’s true

meanwhile here is Overhaul’s “spare... a thought... for Eri...???????” face sigh

the struggle is real y’all

(ETA: and that’s... the last we ever saw of Overhaul, I guess? well all right then. I assume Deku will make good on his promise, so we know he’ll get that little bit of closure before going back to jail or whatever, and I confess I’m more than fine with leaving the rest of it open-ended, especially given his character’s history. I think this was pretty generous all things considered.)

lmao holy shit

All Might what did you do to those tiki torch guys?? did you thrash them. did you give ‘em those hands. did you deliver their own asses to them complete with a sticker reminding them Amazon Prime Day is on June 21. we missed out goddammit

so Endeavor, who wasn’t the one he was asking, is telling him that they captured (well let’s be real, Deku captured, give the credit where it’s due) Nagant and Overhaul. and so I guess they’re going to take Nagant to the ER now

fire is no one’s weakness

-- oh my GOD I scrolled down and audibly gasped

[is politely but firmly approached and asked to remove my arm from Deku’s shoulder by the physical manifestation of all this Dekuangst] “we’re sorry, he’s not allowed to have visitors right now” oh shit, my bad. [goes to stand behind a police barricade]

lmao what. did you run out of room on the previous page

what an exaggerated fade to black lmao

-- AHHHHHHHHHHHHHH

I actually can’t see what he’s reacting to so maybe I’m just seriously jumping the gun here lol, but THE HELL WITH IT. the next panel appears to be a cut to Haibori Forest, so I’m just gonna go ahead and declare that Deku ran off on his own all wounded to go have more Dekuangst, just like I manifested. now go call Katsuki goddammit

[scrolls three more inches down] oh

yeah so like I said, Deku is walking very slowly a few feet in front of Endeavor, who’s telling him to wait up. yep. we’ve all gotta be so careful to not just jump to conclusions. I know we’re excited but still

anyway, so! welcome back to Mt. Lady and Kamui Woods (ARE YOU GUYS DATING) and Edgeshot! have fun walking into this obvious trap lol

dammit Deku why are you so determined to tempt fate

[monkey puppet meme faces]

OH MY GOD THIS IS PURE GRADE-A CHEESY COMIC BOOK VILLAIN 101 SHIT AND I’M HERE FOR IT

that’s such a weird way of clapping who claps like that

unlike certain other people who shan’t be named, AFO doesn’t feel the need to inexplicably take his shirt off when recording sinister villain monologues. I think we’re all pretty grateful for that

high fives to everyone who called it!! yep yep

anyway so this whole scene has major booby-trap vibes, which I’m enjoying immensely even though I don’t think anything is really going to come of it lol. probably just another long-winded AFO Speech. but wouldn’t it be funny if like the ceiling started lowering down to try and squish Deku afterwards lol

(ETA: well the explosion was still pretty funny too ngl.)

ffff

[“Dekuangst is the trap” intensifies]

anyway so yeah. he’s just hitting up all of his usual villain talking points. we get it, you’re so smart and you see right through the thin veneers of society and people who don’t conform are left to fend for themselves and labeled as villains and history is written by the victors, and blah blah blah dude are you just jumping randomly from one soundbyte to another lol. literally what are you talking about. what does this have to do with you blowing up Nagant

-- holy shit??

[”Dekuangst is the trap” intensifies MORE?????]

LOL WHAT

BRO. WHAT IS WITH YOU. DON’T YOU KNOW HOW TO LAY ANY OTHER KIND OF FUCKING TRAP GOOD LORD

“YOU’RE NEXT” THE CALLBACK?? THE PARALLELS?? THOUGH WHEN ALL MIGHT POINTED HE MADE IT LOOK WAY COOLER. AFO’S POINTING JUST LOOKS LIKE SMOKEY THE BEAR

HAS ANYONE CHECKED IN ON KAMUI WOODS I HEAR HE IS WEAK TO FIRE?? THE ONLY ONE WHO IS, APPARENTLY

r.i.p. to this particular forest mansion. don’t worry they have a ton of backups

remember last week when I said maybe AFO thinks explosions are gauche. well never mind. he fucking loves explosions

anyway so that’s the end of BnHA, everyone. hope you enjoyed. it was a good ride while it lasted. see you all, good luck in your travels

[ray-ray-writings]

i really just love some sbi...maybe a drabble of the reader being awake for like 40+ hours and they’re streaming? so their chat is like spamming “go to beddd” and the reader is stubborn but eventually all of the sleepybois join her vc and are like “go to bed rn” so she does and they all express their concern afterwards and the reader confesses that they are feeling like they aren’t good enough and have to keep streaming and they all comfort her? reader is tommy’s age btw !

This is such a good idea lol... P.S. Enjoy this hurt/comfort because I have an SBI imagine coming out tonight and it’s all hurt and like very little comfort... It’s so sad guys... But enjoy this now lol. 

So like I imagine that you wake up at 7 am, do your things to get ready for school, and go to school. You’re in school till three and then you get home, grab a snack, and go to your room and begin your stream. You do a lot of things on your stream which causes your stream to go for nine hours. Thank god it was Friday and you didn’t have school the next morning. But you’re yawning so much that chat begins to beg you to end stream and get rest. You try to brush them off, but they threaten to get Philza and so you huff and say your goodbyes before ending your stream with the promise that you were going to go to sleep… Yeah you lied.

Instead of getting into bed, you down a few energy drinks and begin editing for a new video you wanted to upload. That takes a few hours and so by the time you’re done, you realize the sun has come up and you’ve been editing for many many hours and have been up for over 24 hours. Regardless of the fact you’re tired, you are like, “well I can’t go to sleep now! That would throw off my sleep schedule, and I wouldn’t be able to stream and that would disappoint a lot of people... plus I’m not tired!” And so you begin making more content that you plan on uploading. As well as doing some of your school work. After a while, you glance at the time and realize you have to start stream soon. So you quickly save everything that you’re working on, go to the bathroom, go to the kitchen, grab a few snacks and some more energy drinks before heading back to your bedroom and beginning to stream again. So for a while you’re playing your games and talking to chat and somehow, probably because a donation asked you how your night went, but you let it slip that you didn’t actually go to sleep the night before and chat explodes. They beg you to go to bed and get the rest that you need and so very much deserve, but you ignore them. “Guys, I’m fine! I’m not even *big yawn* that tired… okay I know that looks bad but seriously I’m *yawn*.... Chat please” But they don’t stop spamming, asking you to go to sleep, but you refuse. You think that if you don’t stream, you’ll lose everything you’ve worked so hard to build. Your fans would slowly realize how bad of a streamer you are and you would lose everything. While you’re lost in your thoughts, people have started to spam the Sleepy boys, explaining what was happening. Philza is the first to see the worried tweets and immediately contacts Wilbur, Techno, and Tommy asking if they know about what’s happening. They don’t and so they decide to ring you as a group, after all if they all ask you to go to bed, there is no way you’ll be able to say no to them. You get a text from Philza asking you to join a Discord call and your attention snaps to chat. “Alright, which one of you snitched on me to my dad? What?” You demand, imitating a Tiktok you once saw. https://www.youtube.com/watch?v=Sw2v42-nG4c . Your phone buzzes again and this time it’s Wilbur also asking you to join the call. “And my brother’s too?” Chat begs you to join the call and so you let out a sigh and do what you’re told. As soon as you join the call, Wilbur’s voice fills your ears, “What are you doing awake?” “It’s nice to see you too Will… Techno, Phil, Tommy…” you greet, ignoring the question. “Go to sleep. You haven’t slept in 36 hours.” Techno deadpans. “Coming from your Mr. Insomniac” you shoot back. “Sleep” Tommy demands causing you to roll your eyes. “No” you mock, “I’m *yawn* fine guys. Really thanks for the check in, but I’m *yawn* fine.” “Those two yawns say otherwise.” Nothing seems to be working so Phil pulls out the big guns. “I will call your parents if you do not end your stream this instant and go to bed.” And you know he isn’t joking and if he does that, you’re parents will ground you. So you let out a defeated sigh but mute and deafen yourself in discord, wishing chat, who is now celebrating, a goodnight before ending stream. You unmute and undeafen in discord to wish the others a goodnight. “Goodnight Y/N… One question before you go though… Why would you do that to yourself. You obviously knew you needed to sleep, why push yourself like that. You know your fans would understand” Phil asks softly. And you don’t know if it’s the gentleness of the question or the fact you hadn’t slept in 36 hours, but you burst into tears. The boys let you cry it out, all a bit worried but not wanting to pressure you into talking or wanting you to feel bad. Once your sobs calm down, you apologize, “Sorry. Sorry. I’m just overly tired and emotional… But… It’s just that I’m not good. I’m not good enough. And I know that. I really do. But somehow my fans don’t. So I have to keep it up and push myself because if I don’t they’ll realize. They will realize I’m a fraud and that I’m not good enough and they’ll leave me and then you guys will leave me too and I’ll just lose you and I can’t handle that… Sorry, you probably don’t care. You didn’t need me to dump that on you like that… sorry.” The boys are silent for a moment. Their hearts ache at the confession. How could you not think that you’re good enough? You’re such a good and dedicated streamer and it shows in the content that you produce. It’s actually Tommy that’s the first to talk. “That’s bullshit” “Tommy!” the other three scold. “It is! Y/N is such a good streamer, one of the best on the platform! And they’re still so young! You’re fans aren’t going to hate you because you take time for yourself. In fact they’ll probably be more irritated if you don’t take care of yourself. You’re a good streamer Y/N… A great one. Of course you’re good enough. And you’re never going to lose us… We love you. You’re one of us.” Everyone is shocked at Tommy’s mature words. But they agree 100%. “He’s right kiddo, you’re never going to lose us. And you are a good streamer, but in order to be that good streamer you have to take care of yourself.” Philza chimes in. “Phil is also right. Do you know how hard chat bullies me when I don’t take care of myself? Really hard. Our fans love us and they want what is best for us. Taking care of yourself is a must kid.” Techno jumps in. “What they said” Wilbur deadpans causing everyone to break into laughter. “What? It’s true! You all said everything I was going to say! Stop laughing at me!” He whines, causing you to laugh harder. “Thank you boys. I feel a lot better… I’m going to go to sleep now… For real this time. Thank you. I love you.” “We love you too” they all chime back. “Goodnight” “Goodnight” and then you disconnect from the call. Sitting in your chair for a moment, allowing you to collect yourself before standing from the chair and wandering over to your bed and collapsing, your eyes closing and body shutting down into sleep as soon as your head hits the pillow. You were really lucky to have such amazing friends… Goodnight reader. Goodnight.

[spine-buster]

peaceful easy feeling ft. b.boeser | one

A/N: Here’s the beginning of my new mini-series!  I hope you all enjoy it.  It will definitely be a bit of an emotional rollercoaster, so be prepared!  There will be five parts!

SUPPORT MY WRITING HERE: https://ko-fi.com/spine_buster

CONTENT WARNING: parents with disease/sickness (Parkinson’s); swearing; sex; alcohol use; lots of emotions.

                                                                   *     *     *     *     *

Brock Boeser felt like he was at some sort of Alcoholics Anonymous meeting, with everybody around the circle introducing themselves and their similar predicaments.  The group was in a big meeting room at the local community centre, and when he walked in, he saw a group of dads playing basketball in the gym.  He sort of wanted to join them instead of being here, in this room, with all these people that he didn’t know talking about what they were going to talk about, but he’d done this back in Minnesota, at his mother’s behest with his siblings, and he was going to do it here, too, in Vancouver, to make her happy and ease her mind and to make sure that he was easing his own mind.  

“Um, hello everyone.  My name is Brock Boeser.  I’m from Minnesota, but I’m living in Vancouver.  And um, I’m here with you all because my dad was diagnosed with Parkinson’s Disease.”

“Hello Brock,” everyone smiled at him, and he smiled and nodded back.

“So it was your dad that was diagnosed,” the leader, a kind, older woman named Esther who had greeted him at the door and stuck with him until everybody sat down, egged on a conversation.  He knew she was doing it because he was new; everybody in this room probably already knew each other.  A part of him actually wondered if anybody knew who he was.  “When?”

“Um, he—he was diagnosed with Parkinson’s in 2010,” Brock revealed, stuttering it out.  He knew he’d have to be open at these things – open so people could empathize with him, open so he could empathize with others – but it was still tough for him to do so.  “But he—it’s—it’s not just Parkinson’s.  Two years after he was diagnosed, he was in a car accident and suffered a traumatic brain injury.  In 2017, he was diagnosed with lung cancer.  He beat it but then in June it returned to his liver and chest.  In July, he had a heart attack and his heart stopped beating for 15 minutes.  I was with him and—I—it’s—it’s a lot, as you can imagine,” he tried not to start crying right then and there.  Imagine that – first meeting with a Parkinson’s Society of BC support group and he’d bawl like a baby.

“Goodness me, Brock,” Esther said.  “He has support at home?”

“Um, well, money isn’t an issue now, but when I was growing up my mom worked three jobs to make sure we were all taken care of,” he revealed.  “I’d pitch in too wherever I could, obviously.”

“But it’s been tough for a number of years.”

Brock paused.  It had been tough for a number of years.  It had been really tough for a number of years.  He nodded his head.  “Yes ma’am.  I try to take it day by day.”

Esther nodded as well.  “I don’t know if you pray, Brock, but I know a couple of members around the circle do, and, well – you’ll be kept in all our prayers.”

Brock saw a few people nod their head.  Another older woman, probably his mom’s age, clutching a rosary; a Sikh man dressed in a casual suit; a younger woman, probably in her thirties, with short blonde hair.  He appreciated the sentiment.  He knew that people took prayer very seriously – that people suffering took prayer very seriously.  It was, realistically, one of the kindest things somebody could ever say to you: “I’m praying for you.”  “Thank you very much,” he said, nodding his head once.

***

There was an arrangement of cookies at the end of the meeting.  Even after the 90 minutes of everybody talking about their experiences and emotions, they apparently liked to stick around afterwards as well just to mingle.  It didn’t all have to be doom and gloom, he thought.  It didn’t all have to be about Parkinson’s or about sick people or losing your loved ones all the time.  Maybe some people just wanted to talk about the news.  Maybe some people just wanted to talk about sports.  The weather.  Anything.  Anything to make a connection with someone beyond something so tragic.  

After stuffing an entire Fudge-O cookie into his mouth, he looked up to see a young woman staring at him, holding her trenchcoat in her arms.  She was smiling to let him know she was friendly.  He was embarrassed because he knew she just saw him stuff an entire Fudge-O into his mouth.  “Hi,” he said, his mouth still full of cookie, the sound of his voice reflecting that fact.

“You’re Brock Boeser, right?” she asked sweetly.  “You play for the Vancouver Canucks?”

“Yeah,” Brock couldn’t help but smile.  He swallowed the rest of the cookie even though he didn’t really finish chewing it.  “That’s me.  Are you a fan?”

“My step-brothers are more so than I am,” she said.  “But I’m a fan of the team, yeah.  I’m Grace Gillespie,” she extended her hand to shake his.  “God, they’re not gonna believe me when I say I met you.  They’re gonna freak.”

Brock couldn’t help but chuckle slightly.  “Do you—I mean, do you want a picture?  I don’t mind at all.  I’ll sign an autograph on a napkin if you want me to.”

“Well…it’s a bit awkward to ask you at a Parkinson’s Society of BC meeting, but we could go to the Starbucks down the street and I could buy you a coffee.”

Brock was slightly taken aback at her forwardness.  He shouldn’t have been.  Girls came up to him all the time.  All the time.  And they were most definitely not shy.  But he wasn’t exactly expecting it to happen here, of all places.  A bar, sure.  Out with Petey or any of the other guys, absolutely.  But not here.  “Yeah…yeah sure,” he stuttered out.

“Then we should go,” Grace smiled.  She turned to look behind her.  Brock saw Esther picking up a few Oreos.  “Thank you for leading another great session, Esther,” Grace said.  

“Oh you are most welcome Miss Gillespie.  How is Hamish these days?  You didn’t speak much today.”

“He’s been doing fine lately.  His caregivers have been working around the clock for him.  They just work wonders, don’t they?”

Esther nodded.  “They are angels on Earth.  Anyways – we’ll catch up next week,” she said, leaning slightly on her leg to look beyond Grace and to Brock.  “I hope to see you here again next week, Brock.”

“Thank you, Esther.  See you next week,” he said, realizing he made the commitment before he could even realize what he was saying.

***

“I take that was your first meeting?” Grace asked as she set down the two lattes on the table against the window where Brock was waiting.  

“Was it really obvious?” Brock asked.

Grace shrugged her shoulders.  She didn’t want to make him feel self-conscious.  “It was the stuttering that gave it away, at least to me.  I know I stuttered a lot the first few times I came to these meetings.  I wasn’t the most comfortable talking about my dad’s condition to a room full of virtual strangers.  But within just a few months I realized the people in that room are the kindest, most empathetic, most amazing people that I’ve ever interacted with.  So I became a lot more open.”

Brock was transfixed by every word that Grace was saying.  “So you’ve been coming here a long time,” he said.

Grace nodded.  “My dad got diagnosed with Parkinson’s when I was fourteen.  I didn’t start coming here until I was about eighteen, though.”

Brock knew he shouldn’t ask.  He knew he shouldn’t.  But his brain had ulterior motives, and his mouth – well, his mouth listened to his brain, because it apparently needed to know.  “Is your—is your dad like my dad?” he asked.  “Does he have, like, other problems complicating things?”

Grace shook her head.  “No,” she said softly.  “But the Parkinson’s is enough for him.  I mean he was diagnosed just short of ten years ago and he’s already on puréed foods.  It’s not—I mean, you know as well as I do that it doesn’t regularly develop that fast.  But that’s…I don’t know how you do it.”

Brock didn’t know either.  Some days he didn’t.  “I just take it day by day,” he said simply, just like he said in the meeting.  “If I think about it too much…that’s when it’s bad.”

“I hear ya,” Grace said, taking a sip of her coffee.  “But let’s…not talk about this for too long.  Do you like Vancouver?  Do you find it nice?”

Brock appreciated the change in topic.  “I love it here,” he nodded his head, smiling.  “The city’s great.  The fans are great.  My teammates – I mean they’re amazing.  What do you do?”

“I’m a dance teacher at Goh Ballet – little kids and teens, mostly.”

He wasn’t expecting that.  She was drop dead gorgeous, sure – Brock wasn’t blind – but he wasn’t expecting to hear she was a dancer.  “Do you, like, dance in the real ballet?”

Grace snorted slightly at his phrasing of ‘real ballet’.  “No.  I pursued it only up until a certain point.  I was good, but uh, I stopped when my dad got diagnosed.”

“Why?  Don’t they always tell people like us to have, like, an outlet or whatever?”

“They do.  But I loved my dad more than I loved dance.  And I would have rather spent the time that I was spending on dance with him instead.”

He understood where she was coming from, and he wasn’t there to judge her.  “And your brothers you mentioned, did they help too?”

“Oh no no no.  Sorry – I should have specified.  I’m an only child.  Like, the only child between my parents.  But they divorced when I was six and when my mom re-married I gained two step-brothers, Jasper and Theo.”

“How was the divorce?” Brock found himself asking.

“You ever see footage of a nuclear bomb exploding?” Grace giggled as she asked the question.  It caused Brock to laugh too even though the analogy she was making was dreadful.  “It was awful.  The type of divorce nobody deserves, you know?  I became a pawn, basically, and my parents would only speak to each other through lawyers.  Even stuff concerning me.  It was bad.”

“That sounds horrible.”

“It was.  But it’s the only life I know,” she said.  “He was lucky my mom ended up marrying another rich guy.  I mean, my mom only marries rich men,” she giggled slightly again.  “That’s how Jasper and Theo became my step-brothers.”

“So your family has money?” Brock clarified.  “What’s it from?  Dad a lawyer or something?”

“Not exactly,” Grace said.  “My dad and his brothers own a private equity firm that started like this,” she pinched her fingers together, “and went like…” she continued, spreading her fingers and moving her hands around her like a bomb explosion.  “Gillespie Brothers Investments.  I’m sure as a Vancouver Canuck you’ve heard of them.  I mean they wanted to buy the Canucks before the Aquilinis.”

Brock hadn’t heard of them, but he now knew he’d have to do some snooping when he got home. “I haven’t heard of them.  But I mean – sounds like they were successful.”

“Three billion dollars is pretty successful to me,” Grace quipped.

“B—Billion,” Brock sputtered out.  “With a B.”

“With a B,” Grace nodded.  Brock had no idea he was sitting across from the daughter of a billionaire.  She didn’t act like a billionaire.  Not like Brock knew what billionaires acted like.  He’d never met one before in his life.  Well, besides Francesco.  “But tell me more about what you like about Vancouver.  What about the nature?  I always kind of fine a good long walk along the Seawall or through Stanley Park really clears my mind from all…this.  What about you?”

Brock smiled.  “I find the white noise of downtown clears my mind.”

***

“You want my number,” Grace said as a statement rather than a question as she and Brock exited the Starbucks.  They were kicked out.  They’d been there for so long that they’d been kicked out because they were closing.  Their coffees had gotten cold.  They hadn’t ordered new ones.  And now they found themselves on the deserted sidewalk, jackets put on hastily, and Grace came up with that.

Brock looked down at her.  They’d been able to look into each other’s soul for the past few hours.  “Of course I want your number,” he said.  There was no reason to hide it.  No reason to deny it.  No reason to have to wait until next week to see her again as they sat around in a circle in a community centre talking about their parents.

He took out his phone.  She gave him her number.  He texted his name to hers so she’d have his.  When that dance was done, she looked up at him.  “I’m really glad I met you tonight,” she said, her voice sincere.

Brock nodded.  “I’m glad I met you too.  I—I really enjoyed this.  And I mean—I needed it.”

Grace smiled, nodding her head.  “I needed it too.”

“D’you—” Brock stopped, trying not to get too far ahead of himself.  “D’you need a ride home?”

“Oh no no, my driver is right there,” she motioned her head towards a black Mercedes waiting by the curb.

Brock hadn’t noticed the car until now.  “Chauffeur?”

“Billionaire dad,” she winked.  Brock understood.  She took a few steps back before smiling one more time.  “Call me,” she said, before flipping her hair over her shoulder and walking towards the Mercedes and getting into the backseat.  Brock watched as it drove off, making a right at the end of the street.

He would definitely be calling.

[pangtasias-atelier]

The Summoner’s New Drug

This was originally conceived as a joke between me and tumbyrumblings except I kinda wrote a lot and kept going lol. Though I feel like I wrote a whole lotta nothing despite this being 4k words abjsbjbbs 

Please know that any inaccuracies is cause I meant it that way lmao. Story involves the obvious three characters at ridiculously large sizes

"They're brownies," Corrin softly chimes in from his seat in the corner, his downcast eyes focusing on his warm chamomile tea instead.

"And what exactly is so special about these…" Grima trails off with a grimace. A plate of freshly baked brownies held in Kiran's hands, Grima eyes them warily as if concocted to destroy him.

"We have nothing like that in Phoenicis," Tibarn stands behind Kiran. He inquisitively glances down at the baked goods. A quick sniff relays enough information on his lack of knowledge on the dessert. "Chocolate huh. Those Begnion pigs loved that stuff,"

"Unsurprisingly, Corrin's the only one to really know about this kind of stuff," Kiran gives a small sigh before going on to inform them. "They're brownies. A nice little gooey, fudgy, chocolaty sweet. And they're special because I baked them myself! Doubly so since they're pot brownies,"

Upon the sudden adjective, Grima and Tibarn both turn towards Corrin. "I've never heard of that word before," He curves his tail closer to himself, not exactly appreciating the attention.

"They've got weed in them," Kiran clarifies. With a lack of a reaction, he divulges further. "You smoke it to feel good but you can also use it in food?" All three of them simply stare at him with morbid curiosity, none of them understanding the summoner. He lets out an exaggerated sigh before placing down the tray of goods. Grabbing a notebook he roughly sketches out the plant.

"Ah, you mean bud," Tibarn is the first one to respond. "I didn't think you'd know of such a thing. I used to enjoy it from time to time with Ulki and Janaff growing up,”

"That's the devil's grass," Corrin adds, now eyeing the brownies warily.

Kiran holds back a small snicker. "Oh come now; this is nothing so morbid like that. It's perfectly harmless and it makes you feel pretty nice,"

“You don’t have to tell me twice,” Familiar with it, only in a different form, Tibarn shrugs his shoulders without a care. Grabbing one of the brownies, he merely takes a simple sniff before heartily chomping into the delicacy. “Mmm, you’ve outdone yourself,” Tibarn takes another quick two bites to finish it, a content thumbs up thrown Kiran’s way. “Heh, don’t mind if I take another one, right?” His eyelids drooping, Tibarn doesn’t wait for a response; instead he grabs two at once, one in each hand. He lets out a small, breathy chuckle. He stares at his hands while he continues to munch, as if each digit contained limitless knowledge possessed by Ashunera.

"Who cares about a weed concoction? It is yet another pointless distraction meant to please you pathetic worms," Grima skulks about as ever. Unwilling to partake in merriment enjoyed by others, he keeps his arms crossed.

“I guess you’re right,” Kiran sighs. He turns his back towards Grima. “Alfonse did like these, so I should save some for him if you won’t eat any,” As he goes to walk towards the plate, Kiran already has a grin forming on his face while he waits for his plan to work.

“That pathetic princeling has no need or right of anything that is yours,” And work it does as Grima barrels past Kiran in a frantic rush to reach the brownies. Only wishing to deny someone else enjoyment, Grima angrily takes a bite of the brownie. Chocolate smears his lips. “Much less anything that is mine,,, ooh,” The sweet brownie dances on his tongue. A faint blush forming on his face, Grima’s shoulders lose their tension as they slack. “Perhaps I was mistaken. This weed thing is good,” Grima licks the chocolate smeared all over his teeth, desperate to not let a single gram go. “What was I even complaining about?” Grima’s eyes turn a bit red, the effect seemingly instantaneous.

“I think I’ll pass,” Corrin remains in his secure little corner; he continuously passes concerned glances at Tibarn and Grima.

“Oh come on. It’s not even bad for you,” Having already gotten two out of three, Kiran becomes pushy, pushing the drug onto Kiran. “They’ve only got a small amount” Standing over Corrin’s seated form, he towers over the petite dragon.

“I’m…” As Corrin mulls over on what to do, a voice suddenly pops into his head. ‘You know, my wife Nancy has a saying. Tell ‘em Nancy!’ Corrin’s mind is perfectly silent for a fraction of a second as it waits for another voice to join in. ‘Just say no!’ Corrin stares at the brownie in Kiran’s hand, his willpower marginally renewed from the voices of ghosts not from his world.

Seeing Corrin push back, Kiran pipes up more. “Everyone else is doing it. Just be cool about it,” Holding the brownie right in front of Corrin’s face, Kiran keeps a neutral expression. “Just try it,”

“Fine,” He brushes a bit of his hair to the side as he responds. Corrin trepidatiously accepts the brownie from Kiran, as if it were going to explode in his hand. His stomach churns and toils. He takes a few deep breaths to psyche himself up. Lifting the confection to his mouth, he takes a lil nibble of it. He nods his head in agreement, his body gently swaying to the side in clear enjoyment of it. “This is actually good,” He still takes small nibbles of it but each consecutive bite is always a bit larger than the last. A puff of air comes out his nose in a definite sign of contentment. By the time he finishes his first brownie, he grabs another one to peck at. He makes himself comfortable as he lies down on the couch. He stares at the plain empty ceiling. His mind relaxing, a myriad of shapes and colors that he never knew existed bounce around on the ceiling.

“You guys hungry?” Asking as innocuous as he can be, Kiran already knows the answer to his own question. “You boys wait right here, I’ll be right back with some snacks,” A chorus of hmms sound out as he saunters out the room. Kiran grabs the already prepared cart of food placed right beside the door. Waiting a few minutes, afraid to perhaps come off as too prepared and give something away, he comes right back inside after his self imposed time is up. “I figured you might be a bit peckish, so I got some snacks for you all,” Grima TIbarn and Corrin alike are all too faded to give much of a response besides another round of humms. Kiran doles out snacks to them, the three hungry men snacking away.

His plan on introducing the drug working exactly as planned, Kiran goes onto phase two. Not planning to crack down on them with unjust and pointless laws meant to harm minorities and benefit those in power, the second part of his plan is fundamentally the exact same as the first part; introduce more and more of the drug and let things take their natural course. As natural as the course can be with him being in charge of it all now.

All three perfectly chill and calm ever since having their first taste of weed in Askr, as befitting the effects of marijuana, they all feel another much more important side effect. Well, important to Kiran. The munchies. Addicted to it, all of them are constantly doped up on dope. They simply laze about throughout the entirety of their day, their days now filled with weed and food. Completely lacking awareness from being high all the time, they easily allow it. The pot brownie the gateway drug into other variants, Kiran introduces them to gummies, weed beverages, before even having most of their food contain it once their bodies build up enough of a resistance to it. Marijuana ice cream, weed milk, weed infused lobster, weed mac n cheese, weed gravy, anything and everything, upon hearing it contains weed, Grima Tibarn and Corrin clammer to try it. The more weed in their system, the fiercer the growing pit in their stomach demands food, the munchies taking a tighter grip on their bodies.

Their trim bodies gain an inkling of a pot belly, a trim sliver of pudge forming on the lowest part of their abdomen. That promptly thickens with a bit more time, said sliver of pudge blossoming into a full fledged gut, their arms gaining a bit of circumference all around as do their legs, their appendages getting a bit closer and compressed to their chunky middle. Over time, their usual outfits grow snug in places never before; shirts tighten around their swelling middles, pants constrict their jiggly thighs, and sleeves compress their flabby arms. Too faded to care, their addled brained minds preferring to fixate on satiating their cravings, they simply adorn their tight clothes even as those seem more akin to rags as their burgeoning bodies outgrow them near completely. They lack a single concern in the world with Kiran providing them all the weed and food they could want. Lazing and grazing about their only objective each day, all three’s activity spike down to near nonexistence. The only activity they get is shifting around a few times a day and the semi occasional walk to another location to space out and enjoy their environment, like the castle’s gardens or the lake. But even that minimal effort of movement begins to die down over time, their widening waistlines proving too taxing to bother themselves.

Moving past fat to obesity, Tibarn’s upper figure is the most prominent part of himself. A veritable gut rolls down his tree trunk thighs. The lowest roll of flab nearly reaches all the way down to his swollen calves. Each ponderous step Tibarn takes, the few that he has to, causes the great flabby beast to sway to and fro before undulating from the deep, heavy breaths he takes afterwards from the exertion. His defined pecs look like they never existed on his figure, two pendulous sagging breasts plunging to the side of his mountain of a gut. His arms are wider than the average heroe’s thighs, the doughy sagging arms constantly at an angle from the upper rolls of his torso. His once angular face lacks any sort of severity to it, Tibarn’s now cherubic face taken up by his puffed out cheeks and multiple squished together necks. His ass respectable in its own rights, the shapeless mounds for an ass sag down.

“About..” TIbarn takes a moment to catch his breath, his cheeks puffing out. “time,” Seated on a couch, Tibarn’s immensity takes up the entirety of it, his girthy love handles oozing out onto the armrests. Not a single space left on the seating, his gut rolls off of it and his thighs. The couch sags at the center from his crushing weight.

“Can’t keep you waiting for too long, big guy,” Kiran places a hand on Tibarn’s sprawling gut before rubbing slow circles on it, the immensity of his flab caving in from the slight pressure. “Brought you your favorites,” Handing him a tray consisting of meat, meat, and some more meat, Kiran places it on the titanic shelf of his chest. Kiran also hands him weed gushers. He pats Tibarn’s gut, the mass of fat wobbling in return. Tibarn promptly digs in as soon as his overly laden arms reach the plate of food.

Heading towards Corrin, the once constantly worried dragon is much more relaxed and chilled out. Used to some manners, he continues to sit at the now comparatively tiny table in the room. His body filled out everywhere, his plush rotund body bulges out with fat all over. One chair can no longer withstand his crushing weight, so now he sits on an entire three, the sides of his ass spilling off the sides of them. The inner rivets of his thighs curve inward from the fat piled onto them only for his great gut to smother the entirety of them under its weight. His flab digs into the table, his plush fat seeping above and below it despite it not being as massive as Tibarn’s. His breasts somehow retain a sense of form to them, his juicy, plump chest resting atop his gut.

“How’re you doing?” Kiran comes up from behind, placing a gentle hand on Kiran’s should as he walks around his obese form. “Hungry or anything?”

“I’m fine,” Corrin lets out a small sigh, his fat face giving a contented smile. His nose perks as the wafts of what Kiran is carrying reaches his nostrils. More weed arriving, Corrin’s gut involuntarily grumbles, a deep cavernous rumble shaking his entire body. “Actually,” Corrin pauses, embarrassed to admit his needs.

“I got you covered,” Kiran ruffles the top of Corrin’s hair. He places a plate atop his buxom chest. A spread of food, all of them contain fair amounts of weed. Knowing Corrin will wait a few seconds before stuffing himself, Corrin goes to check on Grima.

The fat fell dragon sitting on a mattress, the cushion offers no real purpose besides customary, Grima’s massive ass oozing off the edges of it. His titanic door crushing thighs remain plastered onto the mattress. The wide, gargantuan appendages spread over the entirety of the mattress. His gut nowhere near as exaggeratedly big as his lower half, the doughy mass of fat rests comfortably atop his thighs. His generous chest lurches forward down onto his heaping stomach, his line of neck rolls and chins resting above said chest. His fat addled arms are at a constant angle from the jutting fat from both his torso and his arms. “And why am,” Grima lets out a groan to catch his breath. “I last?”

Kiran wasting no time waiting, he steps to the side of Grima with a plate ready as well. “Cause I knew you could hold on a bit longer for me. And besides, I'm here right now aren't I?” Kiran places a plate full of nothing but sweets. Each confection is chock full of cannabutter, exactly to Grima’s liking.

Stepping back, he takes an appreciative look of all three’s bloated bodies. Not quite yet immobile, their bodies holding out a bit longer than expected, Kiran’s brain whits as he imagines their obese figures even bigger, said image only a matter of time.

The time coming very quickly, it doesn’t take much longer for the three of them to find themselves unable to get up. Unconcerned from before when moving was already taxing, they display the exact same lack of concern on the same day they can’t get up. And still, they continue to eat and grow. What is once the beginning somewhat resemblant of a body immobility eventually turns into shapeless immobile blobs. Clothes go completely forgone, the amount of fabric needed to cover a single mountain of a gut astronomical. Furniture gets swallowed under their lard, mattresses and couches alike unable to withstand and withhold copious amounts of flab. Space diminishes. With not one. not two, but three pathetically food addicted and weed addicted men, their ever flowing flab presses up against not only itself but against each other with only so much space in the room to go around. So much fat swaddling their entire forms, legs and arms become useless, the appendages becoming buried in a sea of flab. All too eager to keep on eating, the bulging walls are of absolutely no concern when their fat builds and pushes against all four corners of the room. Flab busting down a wall and seeping out in desperation of more room only earns a sigh of relief from them with more breathing room. The ever increasing rolls making up a chin eventually seem to meld together. A tire of fat forms around their fat faces. A handful of heaping rolls lining their stomach become two handfuls into even more, more and more fat piling on top of their corpulent frames. Where once a room was sufficient to house all three immobile piles of lard, soon it becomes a room plus a hallway. Then it turns into multiple rooms before half an entire wing is necessary. Eventually, they take up the entirety of said wing only to require even more space with their ever constantly fattening forms. Soon, the entirety of Askr castle becomes uninhabitable with the looming threat of the three blobs burying the castle under a cascading blanket of lard.

Askr castle now entirely devoid of any sign of people besides three blobs, the only sound one can hear is the churning of overtaxed machines as they perform their best to keep feeding their users. One machine per person is no longer sufficient, each of them requiring two to sate their black hole of a stomach. In what is presumably the throne room, a location Kiran can only guess from how big his heroes’ have gotten, what with any and all furniture destroyed and smothered by their fat, Grima’s big bloated body greedily guzzles away at his liquid food. His hands and legs are equally smothered under titanic fat rolls. His pale blubbery legs have absolutely no definition or shape to them, the oozing oceanic thighs splaying out on both sides around him. A sea of rolls making them up, each thigh alone rivals the size of an average room. So much fat stacked on top of fat, they even give Grima some height to his billowing, massively wide frame. Not that it means much when he’s over six times as wide as he is tall. His ass melding into his thighs, there is no distinction on where exactly they separate from his thighs. The back wall of the throne room bulges outward from the substantial weight pressing onto it. The side wall is already destroyed from his thighs. His stomach able to house, well a house, the big lake of fat comfortably slots itself in between and atop his thighs. His breasts divot down to the sides of his gut, each of them alone larger than an actual person. Tibarn visible in Kiran’s peripheral vision, at least one of the three immobile blobs visible even when far away from the castle, it takes Kiran a whole 50 meters to walk from the center of Grima’s body to Tibarn’s center.. Tibarn the unfortunate one to be stuck in the middle of the three, he took the role with gusto. Unwilling to let himself be outdone, his body gushes outward onto Grima’s and Corrin’s. So immensely fat, three tubes are stuck inside his mouth at all times, his fat cheeks cascading down onto his shoulders. A multitude of chins stacked on top of each other, the rings of fat sag all the way down to where his plunging chest is. Each breast so massively bloated with fat, his great big tits reach far down his stomach. A great feat considering Tibarn’s stomach alone could fill up a library twice over. So many rolls riddling his stomach, they all blend and mix in with his overtaxed thighs and ass, Tibarn’s body hard to tell where each part ends and another starts. His thighs mostly smothered by his absolutely mountainous stomach the appendage somehow manage to look comparatively small despite their overwhelmingly large size. Kiran walks another 55 meters to reach Corrin’s gut. Corrin the runt of the three, his body still puts a pack of elephants to shame. His body once holding out on keeping a semblance of a figure, now he is nothing but a bunch of fat laden rolls of a blob. His arms completely useless, the two rotund cylindrical columns of fat splay out to the sides of his engorged body. His back fat and neck rolls encroach his face, a bit of his hair obstructed by the growing mass of fat. On the right, most of his body takes up the entirety of a single wing where they first got addicted to weed. So massively big that he alone takes it up, Corrin’s gut and thighs are equally impressive. Able to cover far more than a dozen mattresses, his tonnage goes where it pleases, overtaking the few furniture not crushed under one of the three’s weight.

Returning from his own world, Kiran sighs with pleasure. Buying out an entire store, he holds a mere fraction of his pull. “I brought some more weed for you all,” He speaks into a small mic, the three unable to hear him from the gushing sounds of their guzzling without a speaker placed by their sinking faces of fat. The mere mention of the drug gets all of them going, the poor machines whirring even harder as they greedily suck on their slop of feeding tubes. “This is the life,” Kiran smiles to himself with a few stretches to prepare himself for the taxing climb of three mountains of fat.

Later in the day

“Kiran, don’t tell me you gave them even more of this weed thing to them?” Pacing back and forth in his new room in some other smaller, remote castle, Alfonse exasperatedly sighs as he slumps back in his chair.

“I went to check on them. See how bad the weed has been affecting them. Which is why people shouldn’t be taking drugs,”

Alfonse’s eyes shoot wide open from Kiran’s lecturing tone. “Y-you gave it to them! And you keep giving it to them! There is absolutely no lesson to be had here. No moral. No aesop. Nothing. Besides!” Alfonse points an accusatory finger at Kiran, staring up at them even as Alfonse goes to stand up. “There is no way such a drug normally exists. You had to have enchanted it,”

“And what about it?” Kiran noncommittal shrugs. He goes to sit in his chair, far too pleased with himself even as Alfonse berates him.

“Th-then!” Alfonse momentarily stops. His brain wracks itself as it tries to figure out what to say now, not expecting Kiran to purposefully admit being at fault. “Then stop acting like you’re innocent! You gave some to Kaden and Keaton and now this castle is soon to be overtaken by two blobs! They fill up the entire west wing now. Kaden’s chest is so huge that they could crush a wagon! And Keaton’s stomach could crush three of them! And if you’re admitting to being at fault then you need to fix this right this instant!” His entire chest heaves as he finishes his impassioned beratement. He finds himself standing right in front of the seated Kiran who only has a far too amused grin on his face.

“You’re wrong about that,”

“Huh? About what?” Alfonse’s eyes keep steady as they glare at the summoner.

“It’s not going to be two blobs,” Kiran stands up. He stares down at Alfonse, right in front of him. His steely eyes grin down at the confused prince, Alfonse’s body suddenly yelling at him to run only for his feet to remain plastered to the ground. Kiran whips Alfonse around, pressing him against himself. Producing a brownie out of nowhere he tauntingly holds it in front of Alfonse. “It’s going to be three,” He whispers in Alfonse’s ear. A single bead of sweat rolls down the side of his head as his arms and legs thrash about. His struggling slowly dies down the instant the brownie reaches the inside of his mouth, Kiran holding his hand against Alfonse’s lips. Feeling Alfonse’s body begin to slack, Kiran slowly lets him go.

“Ugh I…” With lidded eyes, Alfonse looks at his hands. “I feel so chill,” A little burst of giggling ensues as he drapes himself onto the couch. His flat stomach lets out a small little grumble. “I feel kind of hungry,” Grumbling to himself, he gently holds his stomach in hopes of soothing the pain.

“Here, I have some snacks for you,” An angelic smile now adorning his face, Kiran caresses Alfonse’s hair as he hands him some snacks. “I’ll go get you some more just in case too,” Walking off, Kiran goes to bring him the entirety of the kitchen’s stock.

Alfonse succumbing to the same fate as the others, Kiran has him working overtime in order to catch up. Stuffed to the brim with food all hours of the day, that is nothing compared to the copious amounts of weed he feeds him every half hour. So aggravatingly hungry, it takes only a few weeks for Alfonse to find himself immobilised by his crushing weight. Unaware of ever being angry from the use of weed, he can barely find himself begging for more of it before Kiran supplies it to him alongside another feast or two or three. His fat body is as plain as his once thin body; fat simply cakes itself onto it all over. No exact body part is a standout from the rest even as his body fills the entirety of his room only to take up a whole wing by itself, a sea of fat spreading all around with only Kiran able to tell that the body belongs to Askr’s prince. Making sure to give him a rough time, it all works out for Kiran as Alfonse soon grows to be fatter than Kaden and Keaton combined, the poor kitsune and wolfskin each taking up only a quarter of the smaller castle compared to Alfonse’s three fourths.

Kiran rests on top of Alfonse’s numerous chins, the cascading folds sufficiently enough for him to comfortably rest. He sighs contentedly as the whirs of three feeding machines fill his ears, Alfonse requiring two now. “Pretty soon you’ll need even more, fat ass,” Chuckling to himself Kiran grins from ear to ear. A good portion of Alfonse’s fat taking up his vision, Kaden’s and Keaton’s crushing weight take up another significant portion, the two of them needing one feeding machine. But it’s the sight in the far background that brings him the most joy. Off in the distance, the distinct sight of three blobs looms over the landscape. Askr castle entirely now no more, the great structure would be unable to contain a single one of them, much less three. A mountain itself an apt comparison to each of their bloated figures, Kiran simply grins himself as he thinks about his visit to them tomorrow, a great climb comparable to Mount Everest only done thrice in one day awaiting him. Though he considers it more than worth it, wondering just how big they can further grow, all of them happy to do so.

[deniigi]

So @petrichordiam and I are menaces and giggled over our ideal dinluke flower shop AU for like 4 hrs and then I wrote this.

Title: murderer next door

Summary: Din works as a florist and Luke works as a bookseller and they’re both assassins trying to keep the other off their turf.

-------------

Two times now, Luke had crashed past that flower shop, and two times now, the fucker inside had taken out his mark. Now all Luke had to say about the whole thing was that it was too bad that he was going to have to kill the guy.

Han told him not to turn back. The mark was dead; the mark was gone. They weren’t fast enough this time, but there would be others.

Luke just couldn’t let it go, though. He had rent to pay, and McFloristApron over there was smashing through all his targets and making that nigh impossible—regardless of how many marks there were in the area.

Luke waited until Han had closed up shop for the night and remained there in the dark with his arm slung over the back of the chair in the backroom, surrounded by books. He rolled his shot of whiskey in its tumbler. The sound against the old wood table offered no comfort.

He stood up and left the glass to get his laptop.

He wasn’t losing to some florist, Han, sorry. Only one family could take innocuous cover on this street, and it was them.

 ---

McFlorist’s name wasn’t listed on the florist’s staff page, but then again, none of the people on that page had names. In fact, the website’s whole vibe was all wedding-chic until you clicked on the ‘staff and contacts’ tab. Then, it may as well have been a line of mugshots.

Luke squinted along the row of increasingly involved headgear until he got to someone with a reasonably-sized neck with no tats. The ladies on either side of him appeared to have sapped all the ink out of McFloristApron. He wore a mask over the lower half of his face and gave a stoic thumbs up to the camera.

Under his picture was the number fifteen.

Damn.

Luke was only making eight per pop. Who the hell was this guy eating up all the feeder fish, huh? Them lower division folks had to eat too, you know.

Well.

‘Lower division’ in a sense of the word. Being two times undercover wasn’t super glamorous, Luke had to say. But when your dad fucked it up for the first family, sometimes you had to take what you could get.

Luke pointed at Fifteen on the screen.

“You and me, pal,” he said. “You and me.”

 --

 Step one was to get paid first.

Luke chased down three marks on the other side of town to pay the rent and the medical bills for now. His hand’s new sleeve felt like a dream. It didn’t overheat like the nylon black one did, and the hand was far less shiny now as a bonus. That had certainly reduced the number of people catching something move out of the corner of their eye.

Was it worth fifty grand?

No.

Was it worth the last nine that Luke had left to pay on it?

Yeah. It was definitely worth the nine.

 ------

 Step two was to go make it clear to Fifteen McFlorist that he and his folks needed to back down in the face of the established guard.

Luke put on his biggest sweater and the thickest glasses he could find. He stole Chewie’s messenger bag with all the pins on it. He slung it over his shoulder and rolled the hems of his jeans up just a smidge too much, then scurried over to the florist’s across the way.

Fifteen was off to the side of the register, fucking around with something in the refrigerator. Luke busily and noisily looked through the wall of foliage on the side of the shop nearest the window. He hummed. He hawed. He made anxious nerd-sounds until a voice asked, “Hi, can I help you?”

Luke glanced out of the corner of his eye and found that Fifteen was standing facing his way now. His mask was gray this time. His apron was orange. His boots were too heavy-looking for florist work.

“I’d love that,” Luke gushed breathlessly. “See, my mom just got engaged and I’m on the way to her house.”

Fifteen lifted his chin slightly.

“What’re her favorites?” he asked tonelessly.

Terrible customer service skills, dude.

“Roses,” Luke said.

“Ours are shit today,” Fifteen said. “How about dahlias?”

Luke didn’t know what those were but sure.

“That sounds great,” he said. “You have any in pink?”

 --------

 He watched Fifteen brutalize some pink, orange, and white flowers into a bouquet wrapped with a silver bow and was sure to smile every time the guy looked up.

“That’ll be $37.59.”

Sir, these are dead flowers. There is no need for that price.

“Can I put it on card?” Luke asked. “How long have you worked here, if you don’t mind me asking? I work just across the way is all.”

Fifteen’s dark gaze flicked up. His hair was covered by a gray beanie two shades darker than the mask.

“At the club?” he asked.

“The bookshop,” Luke corrected him with a shy, but widening smile.

Please be gay. Please be gay. Please be gay. Leia wasn’t going to want to cooperate. She thought it was beneath her to establish boundaries like this.

“Blue paint,” Fifteen said. “Yeah, that place. How long have you been there?”

“My brother-in-law’s place, actually,” Luke said. “I started there last year after I finished college.”

Or, you know, maybe even eight years ago when he’d finished college. No one had to know. Baby faces don’t kiss and tell after all.

“Huh. You must like it there,” Fifteen said.

“It’s fine,” Luke hummed. “You like it here?”

“The kid does.”

“Oh, you’re a father?” Luke asked. “How old?”

“He’s three,” Fifteen said. “Godson. His folks were in an accident; didn’t make it.”

“That’s terrible, I’m so sorry to hear that,” Luke said. “He’s lucky to have you.”

Fifteen handed him his card back. Luke’s hand didn’t close in time to catch it and it fell onto to the wooden counter.

“Sorry about that,” Luke said, reaching for it with the other hand. His knuckles bumped into Fifteen’s when he went for the card at the same time. They both paused and went for the card again with the same result. Luke laughed.

“Slippery, am I right?” he asked, flattening his fingers on top of the piece of plastic and snatching it away.

“Very,” Fifteen said. “I hope your mom likes them.”

“Me too,” Luke smiled. “I’ll see you around—What was your name?”

“You can call me Armando,” Fifteen said.

“Armando,” Luke sounded out. “It suits you.”

It was a falsie.

“And yours?”

“James.”

“It suits you.”

It didn’t.

“Bye now,” Luke said. “Thanks for your help.”

He let the door fall closed behind him with the tinkle of the bell.

 --------

 He informed Han that “Armando” had a toddler and received only a warning look and a scolding for all his effort. Han told him not to get jealous. If there was a kid in the balance, then Fifteen, for better or worse, was going to have to see each day after the next until there was no longer a kid in the balance.

Luke offered to call CPS and report “Armando” as an assassin.

“You do that and those folks across the street are gonna call the VA and tell them I’m an assassin,” Han said. “Lay low, Luke. Lay low.”

Never.

“Christ. At least until that thing’s yours then.”

Luke glared at his right hand.

“Gimme a double,” he told Han without looking away from it.

 ------------

 It was never easy to hunt in the daylight, but Luke wasn’t here to do easy things. He needed to get Mark No. 1 alone. The man took the train once a week to a gentleman’s club on his lunch break. Luke needed a change of clothes.

He had a rainbow windbreaker, white boots, and fishnets all ready to go.

He got on the same train as the mark and dropped his phone nearby. It clattered loudly and the case came off. Luke swore and squatted to drop it at the same time that two girls next to him decided to become good Samaritans. They crouched with him and one of them caught the phone first. They handed it back with a smile.

“I like your jacket,” she said.

Luke let his face struggle to find a smile at her kindness to him, a sweet little twink trying to find the pride parade that happened two weeks ago.

“Thanks,” he said. “I like your bracelet.”

He stood up. The girls were pleased with themselves. Luke glanced back to find Mark No. 1 turn his head abruptly away.

Come here, Markie.

Do you like what you see?

  Mark No. 1 didn’t make it out of his hotel room. A pity. Luke took the elevator down and huffed and puffed about a cheap date when he passed the front desk. He stopped abruptly and went back to ask the receptionist what the cross street was. She judged his go-go boots.

He told her she wasn’t his type. Her manager gave him the cross street.

Mark No. 2 had different parameters.

 ----------

 Mark No. 2’s parameters involved chasing him through a maze of boiler rooms and dumpsters. He was chump change towards a hand that Luke hadn’t wanted in the first place, but alas. The anger still roared.

Luke cornered him, still in go-go boots—no need to sacrifice style for speed—and watched those pale eyes look every which way as Mark No. 2 realized that there was no getting out of this.

“You got options, friend,” Luke said. “I can bring you in hot or I can bring you in—”

“—cold.”

His head snapped up and he lurched out of the way just as the crack of a bullet exploded in the alley. A car backfired around the corner in a sympathetic cough. Luke stared at the body then twisted around just in time for a thick glove to latch onto the back of his neck.

“Well, look who it is,” Fifteen drawled.

Luke glared out of the corner of his eye.

“Hands off, Armando,” he warned.

“I like your boots.”

“You’re gonna love ‘em when they’re on your dick,” Luke warned.

“Back off, Nayberry.”

Fucking hell, Han. This is why they should have set up boundaries weeks ago.

“I prefer ‘James,’” Luke said sweetly.

The glock levelled at his face didn’t care.

“You took my mark,” Fifteen said.

“Aw, poor baby,” Luke pouted. “Maybe you should’ve thought about that before you took mine.”

Fifteen’s orange apron was gone. He’d swapped it for an old leather jacket—something he could more easily wipe clean. He should’ve gone for patent leather. The brown really wasn’t working with his grey mask-beanie situation.

“Stay in your lane,” Fifteen warned.

“Only if you stay in yours,” Luke beamed.

Fifteen huffed.

“Bookstore,” he scoffed. “Who’d you give the flowers to?”

Luke tsked.

“Myself, jackass,” he said.

“Do you even have a mom?”

“What the fuck business is that of yours? You even got a kid?”

Fifteen’s stare was deadly—the cooling body before them notwithstanding.

“Take one step near him and we won’t be talkin’ so friendly, yeah?”

Mm. Yeah.

“You owe me four grand,” Luke informed Fifteen as the glock went down and Fifteen left him to go take a pulse.

The man’s back stiffened.

“Four?” he asked. “You took this job for four?”

Luke rolled his eyes.

“I got bills, Armando,” he drawled.

“How do you keep that shed open? Have you sold even one book?”

Rude. Luke was a great sales associate. If he actually cared to put his mind to it, he’d be worthy of a promotion to manager.

He pulled the rising legs of his shorts down and adjusted the weapon in his windbreaker. He couldn’t leave the alley the way he’d gone into it. Someone might have seen. He was going to have to take a side street. Hmmm, which one? Choices, choices.

“I’ll give you a Dad’s discount. Gimme two grand, and you can have him,” Luke negotiated as he thought.

“Two.”

Hey, no need for that tone. This was a great deal.

“What’re you gonna do with two?” Fifteen asked, already knelling down to heft the body over his shoulder as proof for payment.

“Buy some more tights,” Luke deadpanned. “Two, final offer.”

Fifteen stood up all the way and gave him a weird look. A long look. His beanie was pulled down low, but Luke got the impression that he was frowning at him.

“Take the four,” he said out of nowhere. “I’ll bring it tomorrow.”

Luke recoiled a step at first, then recoiled another when the reality of the situation hit him full in the chest.

“Forget it,” he snapped.

He spun around and started to leave.

“Wh—hey. HEY. Where are you goin’?”

“I don’t need your fuckin’ pity,” Luke called ahead of him as he set to climbing the chainlink fence separating him from the adjacent dead-end alley.

“You what?”

“You heard me,” Luke said.

He jumped down. His left hand found his right wrist and squeezed as he walked.

 -------

 The phantom pains kept him up all night, and it was definitely that and not the humiliation that made him call in sick. Han told him to answer his therapist’s emails. Luke told him to go do something useful and hung up. He rolled onto his back on his bed and focused on letting his body relax, his jaw unclench, his joints go limp.

There was sunlight finally streaming through his apartment windows again. It had been months.

Spring was almost here. He just had to hold out a little longer.

 --------

 He came in to work the next day and found an envelope on his chair in the backroom. It was thick.

“McFlorist dropped it off,” he said between aggravated sounds at his spreadsheets.

“Is it tax season already?” Luke asked him as he tried to burn a whole in the center of the envelope with his mind.

“Sure fuckin’ is.”

He stepped forward and snatched up the envelope, then deposited it squarely in Han’s lap. He made an unattractive noise of confusion and alarm.

“For the taxes,” Luke called as he went out to grab his lanyard and name tag. “Gotta keep this place open for another six months at least.”

 ------------

 There were new books in. A new shipment to shelve. Two kids’ displays to set up. And Luke was actually good at this stuff, thanks; he started stacking.

He got peace until he nearly got to the end of the second display, and then what he had was a heart attack. Two liquid brown eyes surrounded by an ocean of ringlets stared up at him from between his knees. The child curled a hand in and out in hello.

Luke jerked himself up to locate the thing’s parents immediately, and promptly found himself in deadly eye-contact with Fifteen.

Armando.

“You were gone yesterday,” Fifteen said flatly.

Luke looked between him and the kid. He was pinned between two enemy parties. How to escape, how to escape.

“Are you sick?”

How to escape. How to escape. How to escape.

“Are you hurt?”

H—what?

“I’m fine, stalker,” Luke snapped with more heat than this present cover allowed. He caught himself and pulled it back. “I’m fine,” he repeated. “Thank you for asking. Is this…?”

Fifteen blinked once. The child blinked once as well. It was creepy.

“He’s mine,” Fifteen said. “And apparently the only thing that will get us through the next two hours is a book.”

Dude.

“Kids are kids,” Fifteen said. “You got any books?”

Luke stared at him, then checked the shelves to make sure he hadn’t teleported into another dimension.

You always had to check.

“We’re in a bookstore,” he said.

“He can’t read,” Fifteen said, pointing.

The kid grinned. His teeth were gapped in that toddler sort of way. He was kind of cute.

“You can’t read?” Luke asked him.

“Hi,” Baby said.

Oh no.

Luke loved him.

“How much?” he asked Fifteen.

“Touch him and you’ll be permanently comatose,” Fifteen said.

“Not if I died out of spite,” Luke said.

There was a long pause. Then Fifteen started laughing? Kind of hard?

“Oh my god, that was so unprofessional. I am so sorry,” Luke blurted out.

Fifteen collected himself and shook his head. His little one giggled and reached for Luke’s fingers.

“Boo,” he said.

Luke couldn’t feel the hand, but he could feel all the heart.

“Book?” he asked, crouching down. “Do you want a story?”

“Mmmm.”

“I have the perfect one,” Luke told him. “It’s about a caterpillar. Do you know what a caterpillar is?”

He got a slow, exaggerated head shake back and forth, back and forth. He stood up straight.

“I’m conducting a temporary kidnapping,” he informed Fifteen. “Do I have consent?”

Fifteen looked from him towards the front entrance and mulled over the merits of leaving his kid with his rival assassin. Then he shrugged.

“Consent granted,” he said. “Luke.”

Luke’s heart stopped.

“James,” he said.

“Your name tag says ‘Luke.’”

Well, fuck.

“Luke Nayberry. It suits you.”

Hhhhhhh. This was karma, wasn’t it.

“Thanks,” he gritted out. “And yourself, Armando?”

“Din.”

Woah, look out. Mr. One-Syllable-Cool-Man had entered the building.

“Din, what?” Luke asked as his arm registered tension. Din’s kid had latched onto his fingers and started pulling incessantly with a chubby hand gesturing in the direction of the wall of children’s books.

“Don’t you worry about it,” Din said.

“Fine, go trip then,” Luke said.

He swore that there was a smile under that mask.

 ----------

[wonder-womans-ex]

See It In Your Eyes

The sequel to ‘Cause Boy I was Made for You 

When Finn O'Hara was eleven years old, he got two things for Christmas: an Iron Man action figure and a telling off. There were probably other things, too, but in ten years (or eleven, or twelve, or even thirty for that matter) he wouldn't be able to remember them. 

But the action figure had been the one he'd eyed in the toy store window for the past seven months, and the telling off had been from his Aunt Isla. 

"There are two things you must never ask a lady," she had scolded. "Her age, and to see the mark on her wrist. Remember that, Finnegan." 

(For the record, he hadn't asked to see her wrist. He had asked her to pass him the stuffing, and he'd said "What's that?" when her sleeve got bunched up around her elbow.) (Not like she cared.)  

***

When Logan Tremblay was eleven years old, he nearly broke his jaw. One of the boys on his team tied his shoelaces together after practice and he fell and smashed his face on the locker room bench. 

After three and a half hours in the ER, he met his own eyes in the bathroom mirror, cheek swollen comically huge, and thought, don’t let it get to you, even though it already had. 

***

When Leo Knut was eleven years old, he got his first job. Sure, it was only a paper route, but to Leo, it was everything. Not only was he making money (real, actual money; his dad couldn’t tell him his Monopoly skills were just pure luck anymore) but he was the first in his family to learn anything interesting. One morning, halfway through his rounds, he flipped to the sports page. The words Local Team Manager Loses Job over Sexuality glared up at him. 

At lunchtime, when his parents asked about the news lately, he merely shrugged and took another bite of his taco. 

*** 

When Finn O’Hara was fifteen years old, he fell in love for the first time. Not with a person, no, but no one could deny that he was in love—by the fourth rewatch of Mamma Mia, his mother was resigned to promising him extra dessert if he would please, for the love of God, just sing anything else.

***

When Logan Tremblay was fifteen years old, he and his sister Noelle woke up at five in the morning on April Fool’s to rig their house. Noelle, admittedly, was behind most of it, but Logan came up with five spectacular (if he did say so himself) pranks: baking soda in the cereal and vinegar in the milk, which caused his father’s breakfast to fizz and explode the moment he poured it out; semi-permanent hair dye in his mother’s shampoo (her hair kept the blue tint for almost a month); all the hard-boiled eggs in the fridge swapped out for raw ones and vice versa; glue in his father’s shaving cream; and, just because he felt like it, all the toilet paper in the house hidden in the downstairs freezer. The day was a bright spot in a patch of darkness—it had been only a week before that he had found the tumblr post about anxiety symptoms and thought, maybe…

***

When Leo Knut was fifteen years old, he quit baseball—for good this time. His coach was confused as to why anyone would give up an 84 mph fastball and a glove that could catch any pop fly in favour of the ice, but Leo was sure. Hockey was his destiny. The pitcher’s mound had nothing to offer him, not anymore. 

***

When Finn O’Hara was eighteen years old, he met Logan Tremblay. His first thought—though he would not accept it until years later—was, He has very nice lips. I would like to kiss them. His second, mere moments later, was, Wait shit no fuck no dammit shit fuck.

***

When Logan Tremblay was eighteen years old, he began to wonder who his soulmate was. Maybe she would have coffee-brown eyes and a gap between her front teeth, the perfect height for him to rest his chin on top of her head. Maybe she would be taller, with wide hips and sharp elbows and long eyelashes. 

He tried to shake his fantasies of fiery red hair and gorgeous grins, because Logan was a hockey player and hockey players weren’t queer. 

*** 

Leo Knut is eighteen years old, and he is being pulled down a dimly lit hallway by Finn O’Hara. His wrist is warm beneath Finn’s grasp, his heart beating a little too fast for his liking. 

“Where are we going?” Logan asks from his place at the end of Finn’s other arm, but he gets no answer. 

Finally, they reach what Leo assumes is their destination: the…. Well, Leo isn’t sure where they are, actually. Some sort of storage room, he guesses, judging by the net in the corner. 

He still has no idea why they’re there. 

Logan is looking at Finn expectantly, a curious expression on his face. He looks like he knows what’s happening, and the thought bites at Leo’s heart. Great—he’s the only clueless one here. 

Finn takes a deep breath, and then another. “Hi,” he begins, and then stops. 

Not sure which of them he should look at, Leo focuses on a spot on the wall between Logan’s and Finn’s heads. He senses one of them watching him. He doesn’t check which it is. 

“So,” Finn tries again. “Ugh. I’m bad at this.”

“What exactly is ‘this’?” Logan’s brow, when Leo sneaks a glance at him, is furrowed, only a sliver of green eyes visible beneath his squint. 

There’s a thunk as Finn lets his head fall back against the wall. “This is me finally deciding to man up and tell you I’m in love with you.” 

Leo’s head turns to look at Logan so fast his neck hurts. He sees Logan blink once, and then twice. 

***

Finn meets Logan’s eyes. He can practically feel the electricity crackling between them. 

Because Logan knows.

He has to. 

He has to know that Finn’s heart nearly beats out of his chest every time Logan smiles. He has to know that sometimes he’ll be talking to someone, anyone—Cap, or Coach Weasley, or the press—and he’ll think about Harvard and he’ll forget how to breathe. Logan is half of Finn’s heart. 

But whether or not Logan knows it, the look on his face says he feels the same. Finn feels his lips start to curve into a smile. 

And then Leo says, “Why am I here, then?”

There are a hundred ways Finn could answer that question. One of them is ‘Why wouldn’t you be?’ and another is ‘I don’t know.’ He could be passionate. He could be tactful. He could be poetic or blunt or gentle or any of those things. 

What he goes with, in the end, is philosophical. 

“Who decides it’s wrong?” Finn says to the floor. “Any of it. The feeling. The wanting. The having, even. If it’s real, then how can it be wrong?”

He can’t see Logan’s face, nor Leo’s, but he imagines they must be confused. He goes on, not entirely sure he knows what he’s saying and not entirely sure he cares. “And maybe it’s destiny. And maybe it isn’t. Why does it matter? If it’s real and painful and there for the taking, why bother about whether it’s supposed to be?” 

Finally, he looks up. He senses that one of them is going to say something, and whichever it is, he cuts them off. 

“Maybe it’s not you. Fuck, maybe it isn’t either of you, and maybe I’m the only one who thinks it should be. But it has to mean something, doesn’t it? Because if it doesn’t… why bother at all?” 

And maybe, Finn thinks, I’m going to start crying.

***

Logan, mind still wheeling, is the only one who gets an inkling of what Leo is going to do before he does it. Finn certainly doesn’t, and he’s not quite sure Leo does either. 

He grabs Finn by the collar and pulls him up, their faces smashing together, red and gold curls tangling between their foreheads. Logan watches them slowly break apart, far enough away to lock eyes, yet still so close they’re breathing into each other’s mouths. His heart surges—with jealousy, yes, but also with something fiery and sweet. Something akin to excitement, or—dare he say—love. 

“Whoa,” he says out loud, not realizing it until Leo and Finn both glance over at him. His cheeks start to colour.

Then Leo places a hand on his shoulder and leans down to kiss him, too. This one is more gentle by far that the previous; a dance rather than a battle. It makes sense—Finn’s always been the brash one, the impulsive one, while Logan is tentative, sturdy—and it seems fitting that Leo is the one to remind them of that. 

Logan still doesn’t know what they’re doing there. 

Well, he knows what they’re doing, of course. They’re kissing. But he doesn’t know why Finn picked now to haul them halfway across Hogwarts arena and make it happen. Maybe if he really thought about it, something would come to him. 

But of course he’s not going to think about it, because Leo is still kissing him. 

When one of them finally pulls away—Logan isn’t sure who—Leo reaches one hand up and touches Logan’s lip. They stay there for a long moment, neither of them moving, before calloused fingers carefully skate across his waist. He turns towards Finn. 

They surge forward together, meeting in the middle. One of Finn’s hands fists in Logan’s hair, the other slipping under his shirt, as they kiss for the first time in nearly four years. 

He can taste salt. One of them is crying; it’s probably him.

When Logan starts to break away, desperate for air, Finn chases his mouth. Within a few seconds, though, he’s pulled back, too. It’s almost simultaneously that they remember there’s another person in the room. 

Leo’s lip is between his teeth as he worries at it. He doesn’t speak for a long moment; the silence, before it shatters, if practically tangible. “You two have history,” he says, like it’s a question he already knows the answer to. 

“We do,” Finn answers easily. There’s something fierce in his eyes. “But it’s the future that matters.”

Logan wishes Finn would stop sounding like Plato. Or Socrates. Or Aristotle. One of them, anyway. Finn is an American in his 20’s, not a 2000-something-year-old Greek. In any case, mystery is decidedly not Finn’s colour. 

Leo shakes his head. “That’s not what I meant.”

“What do you mean, then?” 

“I mean you guys are—you’re practically—” he breaks off. One of his hands moves towards Logan, only stopping when it hovers mere centimetres from his wrist. “May I?” 

“I—sure.” Logan’s heart skips a beat when their fingers brush. Leo gently turns his hand so Logan’s palm is up, and it’s not until Leo starts to push his sleeve away that Logan realizes what he’s doing. 

But by then it’s too late—those three paw prints he spends so much time agonizing over are on display, no longer private, no longer just for him. For a split second, he considers covering his wrist again and leaving. But he does no such thing. 

Because if he can’t trust Finn and Leo, he can’t trust anyone. 

Finn’s mouth opens slightly in surprise. “It’s—” he says, and there’s barely any hesitation before he’s pulled his sleeve up, too. 

It takes a moment before Finn’s soulmark registers in Logan’s mind. When he does, he starts to smile. 

They’re soulmates. 

***

Leo feels his jaw clench. He knows he should be happy for them—and he is, really. They’ll smile at each other, and they’ll kiss again, and they’ll go on with their lives as that one couple who are so in love it hurts to look at them. 

He turns away when tears start to pool in his eyes. He’ll go back to the locker room; they obviously want to be alone right now. “I’ll just… yeah.”

Just as soon as he takes his first step towards the door, Finn grabs his arm. “Wait,” he says, and Leo stops. 

“Logan and I are soulmates,” says Finn, all in one breath, “But there are three prints. Not two. And I know that it’s rare, but Re—but I’ve been told it’s possible. That it’s happened before.”

Leo thinks he knows, but he has to make sure. “Do you mean—do you think we’re—”

“I know you’re only eighteen,”  Finn continues. “And I know there’s no way of knowing for a while. But does it matter? Even… even if I’m wrong? I love you—I love both of you—soulmates or not.” 

Leo waits for one of the others to say something more. When neither does, he wonders why, and quickly comes to the conclusion that it’s because they’re waiting for him to say something. 

“Who told you?” he asks the moment it pops into his head. It’s not the best thing he could say, but it’s not the worst, either. 

“Told me what?” 

“You said someone told you it was possible to have two soulmates. Who was it?”

There’s a pause as Finn cracks one of his knuckles, deep in thought. “Loops,” he whispers, but not until Leo has decided he’s not going to say anything at all. “I was talking to Loops yesterday, and I told him I thought… anyway, he said I should tell you.”

“You told him we’re soulmates?” Logan’s eyes are wide and fearful. “He knows we’re…?”

“Not you guys, no. Well, Leo, maybe. I just said you were both on the team, that’s all.”

“But you would have had to say something about my age,” Leo concludes, the dots starting to connect in his head. “And I’m the only one who’s not nineteen yet.”

“Yeah.” 

Logan swallows, the almost comical gulp audible in the quiet room, and he crosses his arms over his chest. There’s something about the gesture, however, that tells Leo it’s an act of protection, not defiance. “He’s not going to… tell anyone, is he?”

“No. And if he doesn’t, I won’t.” 

“What?” Leo thinks he might be missing something. 

“He won’t tell anyone we’re… gay.” It’s the first time any of them have said it—that three-letter word that, in their profession, could ruin everything. “Because he has his own secrets. There’s a difference between being ashamed of something and wanting to keep it private.” 

Logan’s eyes widen slightly. “You mean… we’re not the only ones?” His voice is incredulous, choked with emotion, and Leo reaches out a hand to him. 

“I don’t think we ever were.” 

***

Finn feels as though he’s floating. No—this is better than floating. This is dreaming. At any moment, he’s going to wake up staring at the ceiling of his bedroom with Leo asleep just a wall away. A mile away. 

It’s like he’s watching, not experiencing, the way Logan’s fingers twine with Leo’s, love overflowing from the gaze they share. He’s imagining the kiss Logan leans forward to plant on his cheek. Leo’s arm wrapping itself around his shoulders is all in his head. 

But it isn’t. Without having to speak, the three of them make their way out of the storage room and back into the hall—blond and brunet hand in hand, blond holding redhead so close it seems he’ll never let go. Finn leans into the warm body to his side, and he feels Leo stagger slightly as Logan does, too. They seem as though they would be perfect on the cover of a book, or a movie poster—Three’s Company, his mind provides, and he files it away just in case he ever decides he wants to sell the rights to his life story. 

He’s a long way from that, though. After all, it’s been barely half an hour since they started to unravel this knot they’ve spent so long tangling themselves into, and right now all Finn needs to do is try his best to make sure they don’t get tied up again. 

The locker room is almost abandoned. Pascal’s packing up the last of his stuff, and he smiles when they enter. Logan, for one, stiffens slightly in fear, but it doesn’t seem like there’s any need to. Indeed, the only thing Pascal says as he does up the zipper of his bag is, “Be good to him,” and none of them knows who he’s talking to, so they all nod. 

Finn waits until they have the room to themselves to pull Logan close to him. “It’ll be okay,” he says. “I promise.”

“But if people find out—”

“Then we’ll have to deal with that—all of us will. But you don’t have to be afraid. The team’s family. And family means no one gets lost behind or forgotten.” 

Logan nods, chewing his lower lip. It’s obvious when the gravity of Finn’s words clicks in his head—the expression on his face twists into one of confusion. “Wait a second—why does that sound familiar?”

“Because it’s from Lilo and Stitch.” 

Swiveling his head towards Leo, Finn stage whispers, “Shhhhh!” This gets a smile out of Logan. 

“I knew I’d heard it before somewhere. Shame on you, Finn—plagiarizing the words of an innocent blue alien!” He stops, blinking. “There’s something I never thought I’d say.” 

Finn smiles. This is his life now. He thinks he’ll have a lot of fun getting used to it.

***

Skates swishing over the ice, Logan lets the world fall away. He stops thinking about everything—even Finn’s contagious laughter and Leo’s broad grin fade from his mind as he gets closer and closer to the goal. 

Almost there, almost there—

He shoots. The puck whizzes past Kasey’s elbow, only barely missing him. 

“Nice one, Tremblay!”

Moody is nodding in approval. Logan feels a rush of pride—it’s an easy, everyday drill, something he’s been able to do in his sleep since he was a kid, but praise is always a good thing. When he can’t have a cheering crowd, he might as well have a coach who admires his talents. 

“Merci!” he says, beaming, and then, on second thought, adds, “I’d be surprised if it wasn’t!” 

Out of the corner of his eye, he notices Finn and Leo bump shoulders. His heart swells—they love each other, and he loves that they love each other. Somehow, he finds it hard to believe it’s only been a day since the storage room and the kissing and—

“Tremblay!” Logan is shocked back out of his thoughts by Coach Weasley’s (albeit slightly amused) shout. “Stop daydreaming and take another shot!”

“Yes, Coach.” 

He’s sweating by the time he’s finally allowed to sit down again. He takes a swig of Gatorade, watching Finn try and sneak up behind him. 

“Boo!”

“Hi, Fish.”

“Dammit.” Two red eyebrows lift and fall again. “How’d you know I was here?”

“I saw you. You’re not inconspicuous.”

“You don’t just love me so much you could sense me from halfway across the world?”

Logan can’t help it—he glances around furtively, heart pounding, hoping desperately that no one heard Finn’s comment. “Well, that, too,” he adds, once he’s sure everyone else is sufficiently distracted. “But mostly that ginger head of yours just sticks out like a sore thumb. I call you mon rouge for a reason, you know.”

“Fuck you.”

"Peut-être plus tard.”

“In English, please?”

“...Maybe later.”

“But I want to know now.”

(If only he knew.)

Logan feels giddy as he realizes they really do have time for ‘maybe later.’ They have time, and they’ve earned it. After all, it’s been a day. It’s been eight years. 

It’s been forever. 

***

It’s almost a year later that Leo wakes up in an empty bed. He yawns, stretches, arches his back and hears his joints pop. For a moment, he wonders where his boys—even now, the thought that they really are his boys makes him unbelievably happy—are. 

Then he hears the voices from the kitchen. A smile spreads across his face at the exclamation of “Oh, shit!” and he swings his legs over the side of the bed, placing his feet on the floor and preparing for whatever disaster may greet him. 

(Honestly, who thought letting Finn and Logan cook was a good idea?)

And true enough, the moment walks into the kitchen he’s greeted by two things: the grinning faces of his boyfriends, and the smell of smoke. 

“What’s burning?”

“The bacon.” 

“Of course it is.” He reaches over, taking the pan from Finn, and scrutinizes it. “Salvageable,” he declares, “But please never try to make anything other than instant ramen again.”

Logan nods sheepishly. “Sorry,” he says. “We just wanted to make you something special. Y’know, for your birthday.” 

Right. 

His birthday. 

He’d actually forgotten about that. 

He’s not sure how—it’s all he’s been able to think about for almost a month now it’s here and he knows all three of them have the same thing on their minds. Sure, he’s excited, but right now, he’s leaning a little more towards terrified. Today’s the day. 

But he knows, when he lets a very real grin spread across his face, that they won’t pressure him. They know it’s his choice, and they’ll respect that. He has nothing to worry about except for the fact that the smoke detector is around six seconds away from going off. 

“Here,” he instructs Logan, putting the frying pan down on the stove. “Grab the fan from the bathroom—the little portable one—and bring it in here if you don’t want the fire department racing lights-and-fucking-sirens down our street.”

“Oui.” 

“Finn… just try not to set anything else on fire.” 

The hustle and (incredibly mild, all considering) panic only lasts for a few minutes. Finally, Leo presses a kiss to the top of Logan’s head, ruffling Finn’s hair, and opens the fridge. “Thanks for the breakfast, by the way.”

“Anytime.”

“...Or not.”

They all laugh at this, and when Leo grabs the milk and pours out three glasses, he watches them. He sees Finn pull out Logan’s chair with an exaggerated bow, glancing over and smiling when he and Leo lock eyes. 

It’s the classic movie dilemma. Will he, won’t he. Won’t he, will he. 

He waits until they’re all seated to bring it up. In the meantime, he rubs his wrist through the long-sleeved shirt he wore to bed yesterday for this very reason. It meant he was warm last night, but at least he gets a choice this morning. 

“So.”

Finn and Logan both look up. “Yeah, Peanut?” one of them asks—probably Finn, but Leo’s mind is too far away to give it much thought. 

“Are we going to talk about it?”

This time, it’s definitely Logan who responds, shrugging and poking at his bacon before saying, “Do you want to?”

“I think so.”

Here Finn cuts in. “I only have one thing to say, and that’s that whatever’s on your wrist? It doesn’t change anything. You’re mine—you’re ours—no matter what. We don’t have to be soulmates to be in love.” 

“I know that. I just… I used to feel like I was missing something, you know? It’s been ages since I did, but at the beginning I felt like this was your relationship, and I was just an extra part of it.” 

“I… I didn’t know you felt that way.” Logan’s eyes are earnest, emotional. Leo thinks he might see tears there. “I’m sorry.” 

“Don’t be. No, really—I felt that way, sure, but I don’t anymore. I know you guys love me. That’s what matters. I’m just tired of having the ability to tell myself I don’t belong, and this… this is what confirms it either way. 

“I want to know. I really do. But I can’t help being afraid of the answer.” 

Finn opens his mouth to speak, but Logan beats him to it. “It’s your choice. Whatever you decide to do, we’re here for you. You can do it today, you can do it tomorrow, you can do it in a year, you can do it never. Je t’aime, mon amour. Toujours.”

Time seems to slow down in the instant it takes Leo to reach into the deepest recesses of himself to gather all the courage he can find, take a deep breath, and pull up his left sleeve. His hands are hidden under the table, so neither Logan nor Finn knows what’s happened until Leo’s face spreads into the widest smile he’s ever worn and a choked, happy sob escapes his lips. 

He can see in both their eyes the instant they realize—Finn first, Logan following mere instants later—and he rubs a thumb over the golden print. Somehow, he knows that one’s his. 

He’s already seen this mark a hundred thousand times, but it feels so much more real there on his skin, blue and golden and green and—

“Yeah.” They know what he means. He wants to shout it out loud, sing it boldly as he walks down the street, because they’re his soulmates, and the only thing that matters more than that is that they’re in love. 

thanks to @peggyrose19 for betaing and @lumosinlove for the incredible characters <3

[why-this-kolaveri-machi]

please. i can’t do this alone.

Titans 3.01

thoughts! thoughts! thoughts! some red hot thoughts!

SPOILERS ahead.

1. one episode in, and this season already looks set to give me everything i want. its abandonment of plot and storytelling conventions as it goes from one point to the next at breakneck speed; its cheerful bastardisation of iconic storylines from the comics; the ‘as-you-know-bob’ clunky exposition on one end and extremely restrained, subtle explorations of complex character dynamics on the other; endless shots of neon bleeding into black and blue corridors, shadows and silhouettes; my delight in seeing it celebrate and deconstruct the dark nolan-y batman aesthetic at the same time; my bafflement that it’s so fucking goddamn obsessed with the batfam when it’s supposed to be about the TITANS; kory just... saving every overburdened, clunky scene that she’s in by her sparkling charisma. just... *chef’s kiss*. muah. my show is back, in all its glory.

MY SHOW IS BACK, Y’ALL!

1.5. i mean... this show is so artful and weird and not afraid to go absolutely bonkers in exploring its characters’ psyche, but can just about barely stage a passable comic book fight when every tom dick and harry and their new streaming services can deliver ones that are far more exciting. i love this show with every atom of my body.

(there’s something to be said about rooting for the underdog as well. a pleasure in finding something to love about what other people dismiss. but! enough navel gazing! i have fictional characters’ navels to look at! metaphorically! and maybe literally!)

2. i expected jason’s death to come about pretty early in the season as soon as i heard rumours that red hood was showing up, but for it to happen in the first five minutes of the first episode... that’s a record. 

(well. “happen.” still don’t know what exactly went down there.)

2.25. GOD. jason is such a tortured and tragic character in this show, used and passed around by people with alleged good intentions, never really fitting in anywhere. he’s veritably bleeding vulnerability and the need to belong, the need to be known, and yet the tragedy is that his death proves that nobody in his life knew anything about him at all; that they only saw the flimsy walls he put up to protect his soft core, and thought that that was all there was. that they say they loved him, but blame him for his own death. 

dick is flabbergasted that jason can read, though we know from last season, from what jason revealed to rose, that he has a love for plays and music. barbara is quick to dismiss his actions as ‘impulsive’. bruce has no idea that his supposed son was building his own little chemistry lab right under his nose, and beyond that, no idea that jason needed structure, stability and validation beyond being left alone in a huge house with a treasure trove of dangerous weapons. kory thought his decision to fight the joker was from not learning and growing when the guy tried to kill himself last season and nobody apart from dick even tried to talk to him about it! did you consider that he might still be suicidal? especially after the titans admitted to having “given up” on him because he was just “too hard”?

2.5. the one thing that’s been consistent across all three seasons (so far) of the show is the unreliable narrator trope. there’s a reason why the characters’ dismissals of jason’s actions as impulsive is so repetitive; why jason’s death is a mystery dick feels compelled to solve. it’s a flailing attempt to know his brother much too late--but with red hood, maybe he gets a second chance, just like he got one with the titans. this is what jason’s arc has been building up to. this is ‘death in the family’ but more fucked up in some ways. it didn’t linger on the death because the death wasn’t the point. the joker isn’t the point. everything that came before it is.

this way it will also make perfect sense that the red hood’s main enemy becomes the titans rather than batman.

2.75. goodness knows what’s going on with jason’s little chemistry project. at first i thought he was immunising himself to joker gas or something, but maybe it’s what passes for lazarus pit juice in this universe? 

anyway, it’s pretty impressive that jason learnt all of that from a college chemistry textbook. STOP BRINGING UP THAT HE READ SOMETHING, DICK--

2.8. i’m glad that dick doesn’t immediately sink into self-loathing and guilt and tries to investigate jason’s death while also acknowledging how he failed him. it’s like he actually learned something from the last two years! 

anyway. more about dick later. 

3. oh how i love titans!bruce. a lot of characters had a lot of Opinions on his reaction to jason’s death in this episode, but again, i ask you to consider that they’re unreliable narrators, and this universe’s bruce is a product of how it shaped him. bruce wayne has become a phantom to himself--an artifice borne out of vigorous discipline and crushing self-denial. 

bruce has been batman for a very long time, and without a robin for much longer. (dick must be... in his early thirties? so he was robin for about, say, 10-12 years according to the timeline of the show. that still makes bruce pretty old when he took on his first robin.) things have... calcified (possibly parts of his brain). the personal cost and the collateral from the mission he’s taken up for most of his life is too much to countenance; it has to be a war, and war requires sacrifice. 

on some level bruce knows that’s a lie. he’s so goddamned alone. what’s he going to do? sit down and cry? who’s going to listen to him now? oh, is he going to just stop being batman? who’s going to stop gotham from consuming herself then? he’ll just have to forge ahead, do better next time, maybe he’ll be firmer with them, or kinder with them, or notice more things, or train them harder, or spend more time--

3.25. don’t get me wrong: titans!bruce is an asshole and a half. his roster of potential robins was honestly bone-chilling. the fact that there’s a twisted root of compassion makes it more disturbing. 

3.5. alfred’s dead! it must’ve been pretty recent, because i could’ve sworn that dick tried to call alfred in the very first episode of season 1, or at least considered calling him... 

what a devastating double-blow for bruce then, losing his father-figure and his, uh.... son-figure so close together.

4. i don’t know about barbara yet. i mean, i like her, but she had so much clunky expository dialogue to deliver this episode, and for an episode that was named after her, she only showed up halfway through it. but i like the weight of history behind her interactions with both bruce and dick and her compassion to bruce before he cruelly crossed a line. i also like the implication that she and dick have been in touch recently, and that she didn’t immediately try to guilt-trip dick about some perceived abandonment. it’d be too repetitive.

4.5. there’s also a sense that she ran interference for dick a lot whenever there was something Too Big and Emotional for him to confront directly, and i like and appreciate that character beat.

5. dick, my man! it really does feel like a substantial length of time has passed between the end of s2 and the beginning of s3... kory’s got a new costume, they’ve become celebrities in SF, working missions together, and dick’s actually smiling! genuinely enjoying his work and having fun with it for possibly the first time in the entire series! it’s really a far cry from the fractured, dysfunctional mess that they were at the end of the last season.

i just hope this doesn’t mean that they’ve magically reached a resolution off-screen to all of their fucked-upness from last season, and that the repercussions--for gar in particular--are actually addressed on screen. 

5.25. i mentioned this briefly above, but it really is so refreshing that dick doesn’t wallow in guilt and self-loathing after jason’s death; he acknowledges his and the titans’ failure, is able to admit to barbara honestly that he’s not doing great, and is actively trying to reach out to bruce to make sure he’s ok, is trying to investigate what made jason seek out the joker on his own, and is probably the only person not immediately buying that it was jason’s recklessness that got him killed. i love that dick is finally beginning to trust his instincts or just employ them at all after years of guilt and paranoia and self-loathing. we love some positive character growth!

5.5. another thing i love? the bruce-dick interactions on this show. every scene they’re in together is so fraught with tension, both of them holding themselves back, their emotions on a whipcord-tight leash. dick wants to reach out to bruce, is even somewhat familiar with this brand of denial in the wake of grief, but wants barbara to make the first move because he genuinely does not know how to get bruce to open up. his instincts are right, and wonderful, and genuine, but his expression has been smothered by years of trauma, emotional and physical self-discipline, and what i suspect is poorly treated mental illness. 

it takes a lot for him to finally explode at bruce at the end of the episode--in a way he hasn’t done even when his only opinion of bruce was ‘fuck him’--and it’s all the more startling for how subdued he’s been through the episode, how much he’s been holding back his emotions for bruce’s sake. love it.

5.75. it sort of hurts my heart to see the flying graysons poster in jason’s room. there are a few implications:

a) jason settled into dick’s old room despite living in a giant mansion with dozens of other rooms he could’ve used

b) he didn’t take down dick’s poster--not when he moved in and was idolising him, not when he moved out of the titans and was sort of hating him. i wonder if the reminder of what dick was before robin--that he was forged out of unspeakable tragedy--gave jason the connection to dick that he so desperately wanted in real life

c) dick moved right back into the room and slept on the bed that was now jason’s. grief can be so quiet and piecemeal sometimes.

6. i spy the beginnings of actual arcs for both gar and kory! i just hope that with the move to gotham their stories don’t fall to the wayside...

6.5. i’ve known tim drake for less than ten minutes but if anything were to happen to him i’d kill everybody 

7. this review has gone on for too long and i am tiRED. however, before i leave: i miss some of the dedication-to-aesthetic that titans season 1 used to have. remember how the first few episodes didn’t really feel like a superhero show but something out of gothic horror? there was something gorgeous and raw about that, about open landscapes and the road and creepy buildings looming up at the end of it. moving to titans tower in s2 really ruined a lot of that for me, given its ripped-from-architectural-digest aesthetic, all smooth and clean and artificial. 

i hope that we really explore gotham’s hellscape in interesting and innovative ways instead of camping out in the batcave all the time and indulging in the show’s unending love for long corridors, neon backlights and silhouettes.

8.....

9.  wait, fuck, HOW CAN I FORGET ABOUT HOT PSYCHIATRIST GUY (TM)??? NONE of you prepared me for his return! NONE OF YOU! i gasped! i got up and did a happy dance! 

listen, titans writers, if you’ve had a peek at my titans s3 wishlist, please go ahead and give the other items on the list a go too, thankyouverymuch.

[inthedayswhenlandswerefew]

72 Hours In Montreal [Part I]

A/N: Many moons ago, the incomparably lovely @im-an-adult-ish​ pitched a Montreal concert fic idea (jokingly, I think), and quite a few of my followers fell in love with it. They were even kind enough to vote on which Queen member should be the love interest, and there was a clear winner: John! 

I couldn’t get the idea out of my head, and at last, here is the first of three chapters of this new mini-fic. I’m going to tag some of my past readers, but I WILL NOT TAG YOU AGAIN unless you ask me to. Thank you for reading, and I hope you enjoy. 💜

Series Summary: John Deacon is a rock star at a crossroads. Y/N is a world-weary employee at a Yankee Candle shop. They’ll only ever have three short days in Montreal together...or will they??

Chapter Warnings: Language, sexual content (not graphic). 

Word Count: 6.8k.

Other Chapters (And All My Writing) Available: HERE

Taglist: @queen-turtle-boiii​ @bramblesforbreakfast​ @culturefiendtrashqueen​ @imnotvibingveryguccimrstark​ @escabell​ @im-an-adult-ish​ @queenlover05​ @someforeigntragedy​ @imtheinvisiblequeen​ @seven-seas-of-ham-on-rhyee​ @deacyblues​ @tensecondvacation​ @brianssixpence​ @some-major-ishues​ @haileymorelikestupid​ @youngpastafanmug​ @simonedk​ @rhapsodyrecs​ ​​​ @joemazzmatazz​​ @seven-seas-of-ham-on-rhyee​​ @namelesslosers​​ @inthegardensofourminds​​ @sleepretreat​​ @hardyshoe​​​ @sevenseasofcats​​ @jennyggggrrr​​ @madeinheavxn​​ @whatgoeson-itslate​​​ @herewegoagainniall​​ @anotheronewritesthedust1​​ @pomjompish​​ @allauraleigh​​  @bluutac​​ @johndeaconshands​​ 

The obnoxious British men are still laughing. The one with the mustache, suspenders, and illogically tight red leather pants is standing on the tiptoes of his equally red Adidas shoes to paw candles off the top shelf so he can sniff them. The blond one has no less than eight jars balanced precariously in his wiry arms. Journey’s Don’t Stop Believing is billowing through the shop speakers.

“Oh my god, he’s gonna break something,” you moan in a whisper, covering your eyes but peeking through your fingers. Your apron is suddenly too tight around your waist; your cheeks are roaring with blood as you envision the inevitable confrontation: Sir, unfortunately you ruined some of our giant tacky overpriced candles and so now you have to pay for them. So sorry. Paper or plastic? We take Mastercard.

“Who?” Kevin asks. He’s holding a broom in one pudgy, pinkish hand and a dustpan in the other. He has surrendered.

“That one. Suspenders and moustache guy. Red shoes guy. Dorothy without Toto.”

Kevin cracks a smile. “That is frighteningly accurate. He is rather whimsical, isn’t he? Maybe he’ll click his heels and disappear back to London or wherever.”

“We aren’t in Kansas anymore,” you mutter in commiseration. Actually, to be perfectly literal, you’ve never been to Kansas in your life.

“Wait, I think I might have met that guy before somewhere.” Kevin squints with great concentration. “He looks oddly familiar…”

“Hm.” You check your eyeliner wings in your reflection in the cash register screen. From what you can tell, they’re every bit as tragically asymmetrical as you remembered. Spectacular.

“Staring won’t make it better,” Kevin notes, very unhelpfully.

“I know,” you reply, miserable, toying with your bangs so you can hide behind them.

“How does that even happen? The right one is practically a 90-degree angle. The left one looks like you drew it on with a Sharpie.”

You groan. “I’ll try to scrub them off during my break.”

“If you’re not too busy helping me sweep glass off the floor, sure,” Kevin says. “I told you, I took an electrical engineering class as an elective once. I could totally take a look at your bathroom.”

“I thought you said you failed that class.”

“No, I said I got a D in that class. Ds aren’t failing.”

“Well now you’ve convinced me.” You scrutinize your reflection again, frowning. You rent a rather dilapidated one-bedroom apartment above a bakery just a few blocks from the Yankee Candle shop. The apartment always smells like powdered sugar and baking bread, which you like. What you don’t like is everything else about it: the peeling paint, the low water pressure, the windows that you can’t wrestle open, the occasional mice, the shoddy electrical wiring. On any given day, there’s an approximately 27% chance that the bathroom light won’t turn on when you flip the switch. This morning you had been on the losing side of those odds, and with the only mirror in the apartment being the one mounted over the sink—and the overcast November skies outside offering painfully little natural light—you had haphazardly guesstimated your way through your makeup routine before dashing off to work. Your guesstimation skills, apparently, are not all that great.

“If he’s The Wizard of Oz...” Kevin points his broom handle from the snickering moustached man to the gangly, poodle-haired one who has been trying to decide between two candles—Christmas Cookie and Cinnamon Stick—for twelve uninterrupted minutes. He’s wearing a parka spotted with patches: a NASA emblem, a soaring rocket, a smiling green extraterrestrial face, Saturn and its rings. “That guy’s gotta be Star Wars.”

“Or Alien,” you suggest, clutching your chest and pretending to die melodramatically.

Kevin laughs. “2001: A Space Odyssey.”

“Close Encounters of The Third Kind.”

“What about that one?” Kevin nods to the guy who has large blue eyes and bleach-blond, fried tufts of hair sticking out in every direction and a grin that is simultaneously childish and foxlike. Under Pressure comes on the shop speakers, and the British men all start cheering and high-fiving each other, leaving their candles momentarily tucked under their arms or quivering precariously on the edges of wooden display tables. You are entirely mystified. “God, he’s gorgeous.”

“Bye Bye Birdie,” you decide. “Beautiful. Charming. Beloved by all. Perhaps a little dangerous. I can picture teenage girls sobbing themselves to sleep as he gallantly marches off to war.”

“You think he’s gay?” Kevin asks hopefully.

“I don’t think he’s dressed well enough for that.” The blond man is wearing a shapeless, polka-dotted sweater that has ‘NIVEA’ spelled across the front, for reasons that are difficult to fathom.

Kevin sighs, crestfallen. He suffered a nasty breakup with his boyfriend Patrick two weeks ago, and is enthusiastically on the hunt for a rebound to distract him. “You’re probably right. Okay, last but not least.” Kevin aims his broom handle at the fourth and final British stranger. “What shall we call him?”

You consider the man who has wandered away from the others. He’s wearing Levi’s, a black bomber jacket, aviator sunglasses, a mop of unwrangled auburn hair, thoughtful lines that break around the corners of his hidden eyes. He is browsing unhurriedly, perhaps even distractedly, through the fruit-scented candles. He picks up a jar of Macintosh Apple, sniffs a few times, then sets it back down precisely where he found it. He even spins the jar so it’s label-side-facing-outwards again. You warm to him immediately.  

“One of the James Bond movies?” Kevin offers. “He seems…enigmatic somehow. Esoteric. Yet still clearly leading man material.”

“Casablanca,” you say, not tearing your gaze from the stranger. “I can imagine him waving off some old flame on a foggy, night-draped airport runway, breaking hearts with sparse words of wisdom. Can’t you?”

“Oh, that’s exactly right!” Kevin sighs again, dreamily, yearningly. And whether he’s yearning for his ex-boyfriend Patrick or Bye Bye Birdie a.k.a. NIVEA-sweater man or passion or sex or love or maybe just the ineffable high that accompanies the beginnings of things, you couldn’t say.

You peer at your reflection in the cash register screen once again, feeling more self-conscious than ever. “Maybe if I—”

“Freddie!” Star Wars cries, and you whirl just in time to see The Wizard of Oz, whizzing around and giggling and preoccupied with teasing NIVEA-sweater man, stumble into the six-foot-tall tower of Christmas Tree-scented candles and send countless jars crashing to the tile floor.

“I knew it!” you unleash in a rush of misery and exasperation, the biting threat of tears in your eyes and the back of your throat. And of course, it isn’t just about the mess on the floor, it isn’t just about having to tell your manager and hoping to God he doesn’t fire you. It’s about your derelict apartment, it’s about your fucked up eyeliner, it’s about everything that’s happened in the past eighteen months; it’s about the never-ending feelings of helplessness and inertia and predestined ruin, it’s about not being able to get fifteen meters down the street before life throws up another red light, another jagged sinkhole gaping like ravenous jaws. And none of that is these ridiculous British men’s fault; yet still, in that moment the fury you feel towards them is overwhelming.

“Jesus christ,” Kevin mumbles, stepping out from behind the counter to survey the damage, his hands still clutching the broom and dustbin.

“You couldn’t just mosey around and ask which candles are on sale and maybe sniff one or two like a normal person?!” you explode. “You had to come in here acting like goddamn animals and destroy like a third of our inventory?!”

“I’m so sorry,” The Wizard of Oz sputters, looking at you and Kevin with wide, profusely apologetic dark eyes. Star Wars and NIVEA-sweater man are helping him to his feet, albeit with very spirited chidings. Kevin is grudgingly asking if he’s alright. Casablanca is already trying to sort through which candles are broken and putting those that survived aside. And when he casts furtive glances from behind his aviator sunglasses, they’re directed not at Kevin or The Wizard of Oz but at you.

“Freddie, bloody hell,” NIVEA-sweater man laments.

“I’ll pay for them all,” The Wizard of Oz tells you. “I’m so, so, so terribly sorry, you’re absolutely right to be cross with me, and I’ll pay for everything. Here, let me get my wallet…” He digs around in the pockets of his preposterously tight red leather pants.

“Uh…sir…” Kevin begins uncertainly, not wanting to break the bad news.

“It’s going to be hundreds of dollars,” you inform The Wizard of Oz. “Maybe over a thousand. You’re really going to pay that? Or are you just going to wait until we start sweeping up and then sprint out the front door the first chance you get?”

“Hey,” Kevin warns you quietly. He wants you to keep this job probably even more than you do. You are, by his own admission, far and away his favorite coworker.

“No, no, darling, please, let her scold me, I deserve it.” The Wizard of Oz at last locates his wallet. He sashays to the counter, brushing nuggets of glittering glass off his clothes, and counts out two thousand Canadian dollars in hundreds. “Will that do? You can keep the change as compensation for the inconvenience. And we’ll help clean up as well, has anyone got an extra broom?”

As you stare down at the money, shocked into speechlessness, three hulking men dressed in black come barreling into the shop.

“Lord in heaven, Freddie, what happened?!” one asks. He has a thick beard and an Irish accent and closely resembles a grizzly bear.

“I made a complete ass out of myself and am now trying to win the affections of this marvelous creature,” The Wizard of Oz replies, flourishing a hand towards you. “Is it working, dear?”

“Kind of,” you admit, still stunned.

“Oh my god.” The broom tumbles out of Kevin’s grasp and clatters on the floor. He points at The Wizard of Oz. “I know where I’ve seen you before. You…you…you’re Freddie Mercury, right?”

In reply, The Wizard of Oz only flashes an enormous, toothy, dazzling grin.

“Oh my god,” Kevin says again, a starry, awed smile rippling across his round face.

“Please don’t make his ego any bigger,” Star Wars pleads.

“And you’re Brian May!” Kevin replies. “And you’re…” He turns to NIVEA-sweater man, snapping his fingers, trying to remember. “Robbie…no, Ronnie…uh…Ricky…?”

“Roger Taylor.” But it comes out like ‘Rogah Taylah.’ NIVEA-sweater man extends a hand for Kevin to shake, not the least bit offended. “It’s a pleasure. Sorry about the candles.”

“No problem, sir!” Kevin squeaks as he takes Roger’s hand, beaming. The men in black—the band’s security, you’ve gathered—have descended upon the crime scene, confiscated Kevin’s broom and dustbin, and are rapidly clearing glass and chunks of candlewax from the floor and discarding the mess in a trash bin that usually collects only chewed gum and unwanted receipts.

“So I guess I probably shouldn’t have yelled at you,” you tell Freddie Mercury guiltily, all the venom in your voice evaporated. You’re no Queen superfan, true, but everyone knows the words to Bohemian Rhapsody and We Will Rock You and We Are The Champions. And Another One Bites The Dust. And Killer Queen. And Crazy Little Thing Called Love. And Somebody To Love. Your thoughts are suddenly a racing, indecipherable blur. Your knees are boneless. You’ve never met a celebrity before. Well, not unless you count professional hockey players, which you definitely don’t.

“No, you absolutely should have,” Freddie retorts. “I was dreadfully discourteous. I’m positively mortified about it. I should be punished severely. Have you got anything behind the counter to whip me with? A riding crop, perhaps?”

You laugh, shaking your head. “Not that I know of. I’m sorry I called you an animal.”

“I’m sorry about the candles. There, now we’re even. Wait, not quite yet.” He calls over to Kevin: “Darling, how would you and your friend like front row seats at our show tonight?”

The squeal that bursts out of Kevin is not human.

“I’ll take that as a yes,” Freddie Mercury says, very pleased.

“This is really too generous of you,” you protest, although your heart isn’t in it; Kevin might legitimately strangle you if you screw this up, and you’re finding that you want to see Queen in concert too. It’s something to interrupt the powerless, unrelenting monotony; it’s like something that might happen in a movie or a dream.

“Nonsense!” Freddie announces cheerfully. Star Wars and NIVEA-sweater man—or, rather, Brian and Roger—are chatting with the security guys and nodding along as the bearlike Irishman reviews the day’s itinerary.

You peer over at Casablanca. Now that the floor is mostly clear, he’s migrating towards you and Freddie. You glance apprehensively down at your reflection. “Goddammit,” you mutter, manipulating your bangs again, wishing you could disappear. “I meet a rock star for the first time ever and I look like this.”

“It’s not that bad,” Kevin says, obviously lying.

“I like it,” Freddie tells you, propping his elbows on the counter and resting his chin on his knuckles. “It’s very goth raccoon chic.”

“My bathroom light wouldn’t turn on this morning and I was late for work and I guesstimated and that was clearly a poor decision.” Poor decisions are my expertise, you think instinctively, and feel a tug of something you don’t quite have the words for. Shame, grief, disappointment, a raw sting like a flame beneath your palm, a dread like a child who’s lost their mother’s hand.  

“I’ve offered to take a look at the wiring!” Kevin exclaims. “I told you, a D is passing!”

“Kev, babe,” you reply. “I really, truly appreciate your enthusiasm, but you’ll probably just make it worse. And then my landlord will hate me and keep my security deposit and write me awful references and I’ll have to live in an endless string of ancient, hideous apartments until I die.”

“It’s an electrical problem?” Casablanca asks, pushing his aviator sunglasses up into his unruly hair. His unveiled eyes are a blueish grey—they remind you of one of the candles, maybe Beach Walk or Bahama Breeze—and very direct. He stares at you and you stare back, and at some point you realize that everyone is waiting for you to answer.

“Oh, uh, yeah, I guess so. Sometimes nothing happens when I flip the switch. That’s the extent of my handyman knowledge, unfortunately.”

Casablanca nods. “I could take a look, if you like.”

Not Beach Walk. Not Bahama Breeze. Warm Luxe Cashmere, maybe. “Now that really is too generous. I couldn’t possibly put a rock star to work on my terrible apartment.”

“John’s got a degree in electrical engineering, that’s right in his wheelhouse,” Brian counters.

“Yes,” Roger says, grinning, teasing in a way that has absolutely no malice in it. “He’s more of an engineer than a rock star anyway, isn’t he?”

“Seriously?” Casablanca—John, you mentally correct yourself—doesn’t seem much like an electrical engineer. But Roger’s right: he doesn’t really seem like a rock star, either. What John seems like is steady and abiding and perceptive, attentive, unflinching. He studies you like some people study paintings, like you once studied paintings; not in a passing-by-in-a-crowded-hallway type way but in a patient way, a methodical way, with the quiet that comes from knowing that vision in the frame is older than you will ever be and will still be hanging on that wall when you’re bones in a box somewhere.

Freddie lights a cigarette and puffs on it decadently. Smoking definitely isn’t allowed inside the Yankee Candle shop, but you aren’t about to snap at Freddie Mercury for the second time today. “Oh, let him tinker around in your flat, darling. It’ll make his day.”

“Is it far?” John asks you.

“No, really, Casa…uh, I mean, John, I appreciate the offer more than I could possibly express but I—”

“It’s just a few blocks north,” Kevin says, and tosses you a wily smile.

“How convenient!” Freddie trills. “When does your shift end, dear?”

“Not until 5:30.”

“She can take a long lunch break.” Another smile from Kevin. “Honestly, there’s not much to do around here now that the Great Candle Massacre of 1981 has been remediated.”

“Splendid!” Freddie says, radiant.

You shake your head, very slowly. “This is the weirdest day of my life.”

“Then you clearly haven’t lived enough,” Freddie quips.

“Fred!” Roger presses. “Are we going to the bookstore down the street or not? That was the whole deal, we suffer through your candles, you suffer through our books.”

“You didn’t seem to be suffering,” Brian says.

“Of course I’m suffering. That cashier over there almost murdered me,” Roger slings back.  

Freddie sighs and rolls his large, dark, expressive eyes. “Yes, darling, of course, don’t give yourself an aneurism. We’ll go to the bookstore, John can rendezvous with us later.” Now he turns to you. “We’ll send a car to your flat at 7 to pick you and Kevin up for the show tonight. Don’t let John leave without knowing your address. Wear something deliciously opulent. Lots of sparkle. Maybe furs.”

“I make eight dollars an hour,” you tell him.  

“Or you could just wear nothing.”

“Sparkle and furs it is.”

Freddie chuckles and turns to the men in black. “Chubby, my dear?”

The towering bearlike Irishman replies: “Yeah, I’ll go with John. Don’t wreck anything else while I’m gone. Don’t get yourselves deported before the show. EMI will have your heads on spikes.”

Freddie pretends to be scandalized. “Causing destruction? We would never.” He saunters towards the shop door, jingling the bells as he swings it open, and waves like royalty. “See you tonight, darlings!”

“Bye!” Kevin shouts after him. And then, after Freddie, Roger, Brian, and the two non-bearlike men in black have departed: “Oh my god I just met Freddie Mercury and he’s amazing and he knows I exist and he spoke to me and tonight he’s sending a car to take me to a concert and I’m going to have front row seats and what if he invites me to have a drink afterwards oh my god.”

John, evidently unaffected, prompts you: “So your place is just a few blocks away?”

“Yeah. Just let me get my coat…”

The man in black—Chubby, as Freddie had introduced him—fetches your coat off the rack by the door and holds it up so you can slip inside it. No one has ever done that for you before.

“…Thanks…?” You button your coat, feeling a little like royalty yourself at the moment.

John pulls open the door, the tiny metal bells jangling, and gestures out into the streets of downtown Montreal. He’s wearing his aviator sunglasses again; the November wind gusts through his hair. You catch threadbare ghosts of cigarette smoke and cologne that the breeze lifts from his skin like pages of a book. And he smiles, just barely. “After you.”

You walk north together along the path of the sidewalk with your hands in your pockets, your breath fog in the cold, weaving through the bustling crowds of tourists and holiday shoppers, Chubby trailing not far behind and displaying his talent for keeping watch while not letting on that he is. To even your own horror, you can’t seem to shut up.

“John, this is so kind of you, this is completely unnecessary, you really shouldn’t feel like you owe me anything because Freddie already paid for the candles twice over and I was totally unprofessional for yelling at customers, even annoying customers, and Kevin and I are already getting a free concert tonight and so—”

“Okay,” John says firmly. “You have to talk about something else now.”

“I can’t talk about anything else. All I can think about is how ridiculous this is.”

“Have you lived in Montreal long?” he asks, very casually, as if you’re strangers in line next to each other at Starbucks.

“My whole life.” Minus a little over three years, but you don’t need to get into that. “My parents live over in Verdun, right on the St. Lawrence River.

“Sounds scenic.”

“It certainly is.” You’re trying not to look at John, because every time you do it’s hard to stop. You look at the cars rolling by instead. “This is super embarrassing, and I don’t mean to offend you, but what exactly do you do in Queen?”

He’s not offended; he thinks it’s hilarious. “I’m the bassist.”

“Oh, that makes sense.”

“Does it?”

“Yeah, bassists are quiet and reliable or whatever. Bassists don’t terrorize Yankee Candle employees.”

“You’re not a Queen fan?”

“I’m a casual and appreciative listener, but I wouldn’t call myself a fan. I couldn’t pick any of you out of a lineup, clearly. Roger is the drummer, right?”

“Is it that obvious?”

“Drummers are feral, almost universally. Which means Brian must be lead guitar.”

“And what do you think of lead guitarists?”

“Word on the street is that they are brilliant yet micromanaging egomaniacs, but I don’t want to bash your friend or anything.”

John chuckles, like there’s some joke you aren’t in on yet. “No, please, bash away. So you prefer bassists.”

And finally you do look at him, and you regret it immediately; because now you’re caught in the thoughtful crinkles around his eyes and the barely-there stubble of his cheeks and the playful curve of his lips and how the wind ruffles his auburn hair the same way it steals leaves off of slumbering trees. You almost walk right past the bakery. “Oh, wait, we’re here.”

You lead John and Chubby upstairs to your chronically irritating apartment. John removes his sunglasses, inspects your bathroom light switch, then asks if you have a specific kind of screwdriver. You bring him the toolkit that has lived beneath the kitchen sink since before you moved in and he roots around, finds what he’s searching for, and unfastens the light switch plate from the wall.

“Please don’t electrocute yourself,” you fret, as Chubby meanders around in the living room and tries not to intrude. “If you die your groupies will never forgive me.”

“Who says I’ve got groupies?” John replies, amused.

“I just assumed all rock stars do.” Your eyes flick down to his hands as he fidgets with the wiring; and you notice randomly—or, maybe, not all that randomly—that he’s not wearing a ring. You’re still ruminating over that when he returns the light switch plate to the wall, secures each of the four screws with a few deft twists of his wrist, and performs a test flip. The light turns on immediately.

“Mission accomplished,” John says mildly.

“What?! No, no way, no freaking way.” You flip the switch again. The light turns off and on obediently. You try it at least five more times. Perfection. “…How?!”

“Just a few loose wires. No great hardship.” He tucks the screwdriver back into the toolkit.  

You gape at him. “That took you…like…two minutes.”

“Aren’t you glad my band wandered into your candle shop and almost demolished the place today?” He rests his hands on his waist; his sturdy, skillful, ringless hands. “Anything else I can fix for you?”

“Definitely not.”

“You sure?”

“Yeah.”

He stares at you. You stare back.

“Stop looking at my fucked up eyeliner.”

John laughs. It’s a delightfully clear, disarming sound. “That’s not what I was doing.”  

“I should fix my makeup and go back to work now. And you should probably go help your friends burn down the bookstore or blow up a Starbucks or do whatever else is on your agenda for today.”

“Soundcheck and dinner, actually,” John says. He slides the toolkit back beneath your kitchen sink, meets Chubby by the front door, and pauses there to give you one last lingering, laden gaze. “I’ll see you tonight.”

“In my best furs,” you purr in your most convincing Freddie Mercury impression.

“Or nothing at all,” John suggests levelly. And then he’s gone.

~~~~~~~~~~

It turns out better than you thought it would. Your tan, knee-high suede boots are celebratory without being too uncomfortable. Kevin brings you a faux fur jacket that he stole from Patrick during the breakup. You find a glittery black dress in the back of your closet that you once loved, then couldn’t stand to look at, then forgot existed entirely; but tonight it’s like you’re seeing it with brand new eyes. It fits even better than you remember. In the mirror, you look like a stranger and a hauntingly familiar acquaintance and yourself all at once.

Chubby arrives in a black limousine at precisely 7pm, parks along the curb next to the bakery, and honks the horn twice. You and Kevin dash down the narrow steps and climb into the backseat, finding complimentary cigarettes and bottled water and chilled champagne. As the limo rolls though Montreal under changing traffic lights, Kevin prattles on about the band, their history, their albums, their tours…and John in particular. He tries to tempt you. You resist valiantly…for the first fifteen minutes, anyway.

Finally, you sigh in capitulation. “Okay. Fine. I get it. What do you know about him?”

“I know he’s divorced,” Kevin says, wiggling his eyebrows. “I saw it on the cover of a tabloid a while back. Very contentious, spicy stuff. He’s got like eight kids.”

“He does not have eight kids!”

“Okay, maybe not eight. But he has a lot,” Kevin insists.

You rearrange your hair with deliberate flippantness. “What do I care if he’s divorced?”

Kevin grins. “You know why you care.”

“Stop,” you plead.

“Look, all I’m saying is that he definitely likes you. And you like him. And I haven’t seen you like anybody, ever, in the…wait, let me count…the nine whole months that I’ve known you. When was the last time you even had a boyfriend? When was the last time you got laid? Oh my god, it hasn’t been nine months, has it?! That’s way too long to go without sex. No wonder you’re so serious all the time. It all makes sense now. You poor thing. You’re in dick withdrawal.”

“Assuming that’s my problem—which it isn’t, by the way—if I wanted to get laid there are far easier ways to accomplish that.”

“Sure,” Kevin says. “But you don’t want just any dick. You want British bassist dick. John Deacon dick. Casablanca dick.”

“This friendship is terminated.”

Kevin cackles, pouring himself a glass of champagne that bubbles over the top and spills onto the limo floor. “I’m really glad you’re here with me. I’m glad we can do this together.”

You fill a champagne flute with bottled water and clink your glass against his, smiling. The limo is turning into the parking lot of the Montreal Forum. “Me too.”

~~~~~~~~~~

The backstage room that Chubby escorts you and Kevin to after the show is full of chatter and heavy smoke and roadies and fans and musicians and journalists, trays of hors d'oeuvres, wine and Stella Artois and vodka and tequila and rum, the electric promise of things that will go unmentioned in the morning. There are stacks of stereo speakers in the corner rumbling out Another One Bites The Dust. You and Kevin camp out on a green velvet couch—making small talk with each other to avoid making it with anyone else—until the band arrives.

John is still wearing his concert outfit: blue pants, blue shirt, a black leather jacket that gives him an edge like a knife. He passes out a few polite nods; but Freddie and Roger are undeniably the suns in this room, and the guests their planets. Freddie is soon surrounded by a constellation of followers and whisks Kevin away with him. John, meanwhile, comes straight to where you’re sitting on the couch and stands in front of you with his messy hair and his veil of cologne and his mystery-candle-blue eyes.

“Can I get you anything?” he asks in that calm, measured way that you’ve learned he has. “Rum and Coke? Moscow Mule? Hurricane? I’ve been on a mojito kick recently.”

“I don’t drink.” And you wait for the inevitable awkwardness that usually follows that sentence, when he says why? or seriously? or maybe just oh in wilted disappointment.

Instead, what John says is this: “No problem. Rum minus the Coke?”

You smile up at him. You can’t help yourself. “That would be perfect.”

There are innumerable drinks already poured on a table, dark carbonated liquid trembling in red plastic cups as the bass from the stereo speakers quakes through the crowded, droning, smoke-hazed room. John moves from cup to cup, taking tentative sips before shaking his head and putting them back down on the table. After each attempt, he casts you a rueful smirk before continuing on to the next cup. At last, he finds two unadulterated Cokes and brings them to the couch: one for you, and one for him. He sits beside you with one of his legs crossed over the other, a lit cigarette in his right hand, a red plastic cup of Coke in his left, and his eyes on you in a way that isn’t hungry or arrogant or restless but merely, benignly contemplative. You find yourself thinking of paintings in museums again, you even start to feel a little like one; and you wonder what colors he sees in you, what types of brushstrokes, what signatures scribbled in the corners of the canvas, what shadows painstakingly penciled in to mimic the angles of the sun.

You tell John about growing up in Montreal, about autumn strolls along the St. Lawrence River, about snowfalls and Mont-Royal and Chinatown and the Notre-Dame Basilica, about the exhilarating turmoil of the Summer Olympics in 1976. You tell him about how Kevin is in his last year at Concordia University and works part-time at the Yankee Candle shop for money to invest in his hair gel and travel fund. You tell him so many things he doesn’t notice all the parts you leave out. In return, John tells you about himself; not about John Deacon the bassist of Queen, but about the understated man who likes cars and electronics and the Beatles and tea in the evenings beside a roaring fireplace. And when his arm comes to rest on the back of the green velvet couch, and then across your shoulders, and then around your waist, it doesn’t feel strange at all. You lean into him as you exchange stories and clandestine giggles until you’re nearly in his lap, and that doesn’t feel strange either. And you haven’t had a drop of alcohol—you haven’t in almost a full year, in fact—but you feel a little drunk tonight, because your cheeks are hot and the room is blurry and the world is brimming with a pure, rose-gold, uncomplicated happiness.

The other band members periodically stop by to say hello, clutching their drinks and making stilted pleasantries as you and John smile drowsily up at them, looking nothing like the soberest people in the room. Chubby and the rest of the men in black are simultaneously omnipresent and scarce, which you are beginning to think is a requirement inked into their job description. Kevin, having been fully absorbed into Freddie’s entourage, is beaming and flushed and extremely, blissfully tipsy. And they all watch you and John not with scandalized sideways glances but with warm approval swimming in their gleaming eyes.

“I don’t think I’ve properly thanked you yet,” you tell John when you are alone again. “For improving my dreadful apartment. So thank you. You really didn’t have to do that. I hate that I marred your time in Montreal with unpaid labor.”

He shrugs it off. “I like fixing things. It’s what I’m best at.”

“Besides being an internationally acclaimed rock star, you mean.”

“I’m honestly not so sure I’m cut out for the rock star life.”

“You are, though. I saw you. I watched you all night.”

John just stares at you, and then he leans in even closer, inhaling deeply. You can feel the heat of his breath on your collarbone, your shoulder, your neck; goosebumps spring up across your skin like stars at twilight. “What the hell is that? Perfume? Lotion? Shampoo?”

“It’s probably sugar and baking bread, because I live on top of a bakery.”

“Does Yankee Candle make anything that smells like you?”

You laugh, shaking your head. “They definitely do not.”

“They should,” John murmurs. And with the rough whirlpools of his fingertips he turns your face to his so he can kiss you.

It should be kind of humiliating, right? Making out with some guy you just met on a green couch in front of thirty strangers, your hands getting tangled in each other’s hair, your lips meeting again and again, taunting darts of the tongue and quick painless bites and stifled moans and grasping tugs at clothes that you’re starting to wish weren’t there at all. It should feel embarrassing, you should feel overexposed, here in this land of unfamiliar expectations and accents and faces. But no one seems to be watching too closely. This must be so tame in the world of rock stars, it occurs to you; almost wholesome. And you can’t remember a time you’ve ever felt more at peace.

“There’s a pool table in the next room,” someone says, startling you, and you break away from John to discover Roger perched on the arm of the couch, grinning coyly as he sips his emerald glass bottle of Stella Artois. “I mean…you know. If you’re into that. John’s got all sorts of moves, we played for days at a time at Ridge Farm. You could challenge him to a round or two. Place bets. But be warned…he’s a total pool shark.”

“Is he?” you ask mischievously, clasping the lapel of John’s leather jacket. Even if you freed him, he shows no indication of retreating. He’s raking his knuckles back and forth along the length of your thigh that your little black dress leaves exposed, never venturing above the hem.  

Roger winks. “Just thought you might want to know.” Then he hops off the couch and disappears into the crowd again.

John is trying to keep his eyes locked on yours, and no lower. He’s trying to not be even vanishingly forceful. He’s trying not to sway you. But you know exactly what he wants. “Do you…?”

“Show me how to play pool,” you whisper. And you lead him through the shuffling bodies and boisterous, increasingly intoxicated laughter and cumulus clouds of cigarette smoke to the door on the other side of the room.

Beyond the threshold you find a pool table and not much else. It’s terribly unceremonious; it’s absolutely perfect. You can hear Blondie’s Call Me playing back in the packed room where the rest of the band is still reveling, the bass crawling through the walls to radiate in your eardrums, your bones. You lock the door and reach out to flick off the harsh florescent lights, but John stops you. You don’t have to ask him why. He wants to be able to see you. He asks if this is okay—again, wordlessly, with the forthright blue of his eyes—and you nod. And then he kisses you as you drag him in, breathing in his cologne and nicotine, tasting the virgin Coke on his lips that he drank just for you.

John tears off his leather jacket. You toss the faux fur that Kevin lent you to the floor. You climb up onto the pool table, and John follows you. You yank off his shirt, link your suede boots around him as he positions himself between your naked, down-soft thighs. And then John stops.

“Look, I have to be honest,” he says. His hands tremble as they cradle the small of your back, just barely. “I’m newly divorced, and I’m really out of practice, I mean really out of practice, and this is not at all my usual way of doing things, and if I’m total rubbish or only last like thirty seconds or something I just want to apologize in advance and swear that I’ll do absolutely everything I can to make this worth it for you. Because I like you. I really, really like you.”

“I’m a little rusty too,” you confess with a small, sheepish smile. But he doesn’t need to know exactly how rusty you are, or in how many ways, all those layers of blood-hued ruin that spin webs from the skin down to the marrow.

John seems relieved. “Then maybe we’re even.”

You’re not even, you’re nowhere close; but it’s comforting that he thinks you could be.

John kisses you again. His hands find the zipper on the back of your dress, and then the tiny metal clasp of your bra, and then the black lace of your panties…and then everything else as well.

~~~~~~~~~~

Afterwards, you return together to the green velvet couch in the next room, not with bashful swiftness but with your hands entwined, your eyes satiated and calm, your clothes unapologetically rumpled. The partying is winding down. The song pouring through the stereo speakers is In The Air Tonight by Phil Collins. And now you and John don’t talk very much at all; you just sit there with fresh cups of Coke, your head resting against his chest, his left arm draped around you, watching the rest of the universe spin on like a carousel as your feet stay rooted to the earth.

“So you’re the smart one,” you say eventually. “You must be, with an electrical engineering degree.”

“You’d be surprised. We’re rather erudite, as far as rock stars go.” He smiles drowsily down at you. “Freddie’s got a degree in graphic art and design. Roger has one in biology. Brian has the better part of a PhD in astrophysics. He might even go back to finish it one day. He probably will, just to be able to lord it over us.”

“Wow,” you reply, distantly, suddenly feeling very small.

“What did you study?” he asks you.

In truth, you never finished college; but you aren’t going to tell John that. “Something useless.”

John is intrigued, and perhaps a little concerned as well. His brow furrows with grooves like lines of fortune in an open palm.

“I wanted to be a painter,” you explain, smirking at the absurdity. “But the world doesn’t need painters anymore. They have pictures and videos that are just as clear as real life. They don’t need my fantasies or interpretations. They have reality.”

“I think we still need painters,” John disagrees, his calloused fingertips tracing lazy circles around your bare shoulder.

“Really?”

“Yeah. For when reality requires improving.”

You let a few moments of silence tick by. And then you put on your faux fur jacket, finish the last of your Coke, stand and find your balance on the low heels of your boots with exhausted, shaky calves.

John jolts upright, somewhat alarmed. “Hey, you don’t have to—”

“This was great, John. This was the best night I’ve had in a long time. So thank you for that. But I have to go home now.”

“Okay.” He studies you, processing. “Okay, okay. I’ll have Chubby drive you.”

“That’s really not necessary, I can get a cab…”

But John has already waved Chubby over, and the massive man appears serendipitously with an impossible degree of stealth. Kevin finds you, staggering, babbling breathlessly about all of his adventures, showing you where Freddie and Roger and Brian signed his chest with a black Sharpie, repeating the same stories on an identical loop every few minutes. As you leave, you offer John a brief parting wave; and he returns it, like a reflection in a mirror, but he’s wearing a pensive frown and eyes dark with thought. Then again, maybe you are too.

Chubby leads you and Kevin outside to the waiting limousine. You slip into the backseat, ply Kevin with bottled water, open the sunroof so moonlight and cold, reviving November air can flood in like a river.

Kevin is coming down now from the high of the champagne and the concert and the carousing with Freddie Mercury. He blinks, soaking you in, really seeing you for the first time in hours. “Wow, you had a good night with Casablanca. You had a really good night.”

“Yeah,” you reply softly, resting your head against the window and watching the stars and streetlights pass by above like seasons. “And it will never happen again.”

[spaceygoobert]

Penny for some thoughts about the clusterfuck that is Solar Opposites s2 (Contains spoilers)

Now that I am no longer drunk out of my mind and watched s2 four more times just to be sure I didn’t miss anything while I was crossfaded. it’s time to talk about it

Ep1 was great. It had more lore for shlorpians with a different perspective and i find it interesting that Korvo didn’t even know there were rich shlorpians. They also lived on floating platforms in the sky, like rich people lived in the clouds and working shlorpians lived on the ground, literally separating the two types of classes

The rich shlorpians said they wanted the pupa so they could get back to being rich, which means they don’t know that they will die, either way, they been jebaited

Did not expect shlorpians to be religious... kinda. but i’m not complaining.

The jokes hit hard and everything was kinda fast. The funniest thing about the season was a wacky plots 

I like how different Terry and Korvo are when dealing with negative emotions 

Terry becomes passive aggressive when dealing with negative emotions. specifically with anger. 

When Korvo basically changes everything about Terry in the Lake House episode, the only thing he doesn’t change is how Terry deals with negative emotions. Imagine not being understood and then becoming a goth because no one understands you, not even your partner, who is essentially the same person as you now. And it’s great.

I love violent goth Terry.

kinda shows how repressed he is to the point of “breaking”

Korvo becomes petty when dealing with negatives emotions too, but instead of anger, it’s sadness or when he’s hurt emotionally

S2ep2 reminds me of s1ep3, they both have something to do with parties and Korvo not being included and because he’s petty af he makes a complicated plan. the plot for the episode was just as mind-fucking as s1.

When Korvo’s sad/hurt, instead of talking about it, he makes a whole ass bill to ban Terry from having to hang out with his human friends because he spends too much time with them and not enough time with him. It isn’t until the shit hits the fan that he finally fesses up, which I find to be perfect. AND it ends with a uwu kiss. 

I find it odd and genius that Terry isn’t how you expect him to be. He looks like he wears his heart on his sleeves, yet he’s the one who shows less emotion than Korvo. Plus he doesn’t know how to express bad emotions and does the whole pretending that everything is fine thing

Could be due to being a laid-back person. By being laid-back, it means not worrying or at least showing it (which btw, if you express emotions, it means you care) 

Maybe someone hurt him enough for him to be passive aggressive OR it could be Shlorp, who the fuck knows

it begs the question, if he represses the bad feelings, what else does he repress?

Korvo LOOKS like he wouldn’t be the type to express emotions, yet he’s the one who is able to show sadness and anger— or a better way to explain, he doesn’t hold back on his emotions. He’s more open of the two adult aliens

AND THEY COME FROM THE SAME PLACE.

When Korvo insults Terry, he gets angry

When Terry insults Korvo, he gets sad and cries.

Korvo and Terry do things to cancel each other out. It’s cute.

Like when Korvo bans dinner parties and Terry still goes to them using sci-fi stuff to do it.

or when korvo goes to live with the other aliens and Terry trashes the house to get rid of his presence. Then mentions that Korvo’s dead

They bond over making fun of humans.

I’d expect this from Korvo, but Terry also makes fun of them too, despite wanting to be liked by them. Dunno, maybe Korvo rubbed off on him.

Korvo and Terry strive to get people to like them.

Korvo with the new aliens

Terry with humans

The way they do it is different. Terry acts like himself with humans, Korvo tries to act like himself but he lies to fit in

The wall, my god, the wall was amazing. The episode that focuses on the wall doesn’t take place inside the wall.

I never thought i’d feel for The Duke, though i expected he and Cherie would have some kind of relationship going on

The music, my god so good

Also the trope with the hero who unknowingly saves the villain.

Forest City, (Wood City?) I don’t remember what they called it

The plot for that was so ridiculous; they lose their car in the forest so they use a device to build a city so they could rent a car to find their car, but they end up getting lost in the city.

The fact that Terry took somewhat studied “pathfinding to prepare for life on dangerous aliens world”

I died when Korvo said he wanted to be a gangster, then he never actually becomes one and keeps getting chased by wolves. In the end, he was just a guy in a business suit

Jesse becomes a bad bitch like I knew she would

I can’t believe all four of the characters lost sight of their goal within a few days probably.

Also yumyulack jr

and the ref to wolf of wall street. Wait, is that why wolves were chasing Korvo because he was attempting to be a gangster? WHAT IS THE RELATION, besides being in a fucking forest?

Prostitute Terry and his tiddies

Korvo and Terry actually like being in each other's company

Red Goobler

My eyes were burned out of my skull, you know what i’m talkin about, the “sleeping through the alarm” scene, which got me second guessing myself that maybe it might be an alarm but it turns out they’re fucking. and there’s a wet condom on the ceiling.

the possibility of Korvo being pregnant? For s3? Impossible but still, it would be funny, then it turns out he’s not pregnant, it’s another red goobler, but he can’t tell if it’s from stress or the fucking

Terry is trying his best

I hope they don’t make terry into an idiot. Like in s1, he was dumb but not an idiot.

also terry admitting he’s too insecure to form his own opinions and Korvo liking the fact that he doesn’t have a firm belief

I am happy for that basic rat chick

Also if Korvo’s a bottom, and assuming Terry is one too, they don’t fuck because they’re both busy being bottoms?

After one night of implied sex, Korvo wanted to marry the red goobler. was the implied sex that good?

The apple pencil pro was just weird

Now that the solar opposites are dead, but not really, what now?

Can we talk about how they all went to fulfill each other’s goals more than their own. It’s sweet.

Lets not talk about Terry wanting to eat out Ms. Frankie, but Korvo does it instead, and he keeps going at it

Korvo likes eating out confirmed?

There was a lot of sexual stuff in this show. I dig it.

Also Terry being the first to die in the last episode, I dunno if I could see him killing his family. I mean I know he would but everyone else had some kind of contraption, except Korvo, who used magic instead, which is funny because he’s the most scientific one there, unless he uses science in it then it would make sense.

Mini Korvos look cute but I know they’re all little shits

i kinda wanna know more about Yumyulack’s past as a bounty hunter, like what did they do as a curriculum, was there even a course on bounty hunting? did Yumyulack only say that to sound cool? who knows! I hope s3 has Korvo and Jesse plots because I see them to be the most alike.

Dunno why, but all the solar’s head exploding was aesthetically pleasing and when they all get rebirthed again with their heads popping out of the tree, reminds me of the tree from pocahontas

This season had a bunch of sci-fi stuff and I love it. I hope there’s more sci-fi stuff in the future.

Also Korvo and Terry are both fucking idiots and I live for it.

[themurphyzone]

This post is a combination of the 90s PatB alongside the reboot’s Ep 13. Spoilers below. 

So...I was certainly not expecting a flashback in this ep. Great usage of the ‘everyone asks how, but no one ever asks why’ question by Pinky. 

No matter the adaptation, Brain is always presented as a mouse with a pathological need for control because he sorely lacked it as a young mouse. When he loses that control, whether in this episode with being locked in a car and taken on a road trip against his will, or in other episodes with different situations, he’ll lose control of himself, the very thing he’s trying to avoid. 

Anyways, the flashback presented in this episode can reasonably fit with the origin episodes in the 90s PatB, so I’m gonna try and present these in an order that can fit together, so let’s start off with Leggo My Ego, shall we? 

Anyway, Brain starts life as an innocent field mouse. Ain’t he the cutest little thing you’d ever see? 

Um...hey guys, maybe we could let the cute mouse baby blow a feather around and be happy? 

Nope...oof. Time to begin a life of trauma. 

He’s a babey.... He needs hugs! How do you people not have sympathy for him??????

So basically, the 90s cartoon presents several origins and some of them are more contradictory than others. I believe Leggo My Ego and The Visit are the only episodes that mention Brain was originally a wild mouse captured by humans, but it’s generally the most widely accepted origin for him.

In Leggo My Ego, Freud notes that Brain’s desire for world domination appears to be a subconscious desire to return to the simple life he once led. 

So..let’s bring in Snowball now. 

In this post, I’m trying to be chronological here. In this flashback, Brain describes how he and Snowball were once very close and how he could always make Snowball laugh. 

Brain and Snowball grew up together, and Brain genuinely cared about Snowball, even into adulthood when the two became enemies. 

They went through the gene splicer together after an experiment gone wrong. The gene splicer exploded and supposedly messed with Snowball’s mind. 

Snowball did something that caused him to get kicked out of ACME Lab. The rift became permanent, though what was the exact cause or if clashing ambitions fueled it is unknown. 

This event left a permanent mark on Brain, and Pinky himself had never heard about Snowball until he tried to steal one of Brain’s schemes. 

But anyway, the exact timeline of the splicing and the break in friendship is unknown. So...I think this flashback in the reboot’s Ep 13: Roadent Trip might fill one of the blanks in on an event that might’ve occurred during Brain’s time with Snowball, before he met Pinky. 

Alright, so for this post’s sake, I’m going to present the new flashback as if it took place shortly after Brain’s splicing with Snowball. I’m also going to disregard the 90s PatB episode Project BRAIN, because there’s stronger canon evidence that Brain was born in the wild and that he grew up with Snowball. However, I do enjoy keeping that Brain named Pinky. 

Anyways, that’s enough for the introduction. Grab your tissues if you haven’t already. 

Pinky: “You’re always trying to work out how to take over the world, but you’ve never told me why you want to take over the world, Brain.” 

*moment of silence*

Pinky: “Brain?” 

Brain: “If I answer this, you’ll let me expire in peace?” 

Honestly, a GIF would do Brain’s reaction justice, because he doesn’t outright dismiss Pinky’s question. He’s more hesitant because he realizes this moment is going to lead to a heart to heart talk, something he’d rather not engage in. And you know what? I can’t recall any instance of Brain admitting to Pinky about why he wanted to take over the world, just how or that he was going to do it with this particular plan. 

I think this correlates well with Leggo My Ego above; that Brain doesn’t reflect on the ultimate driving force behind his actions, just that he wants it and he’s going to somehow get it. If he does have a moment of clarity, he always dismisses it and goes right back to the drawing board. 

And most importantly, that he just wants love and respect. Does he create his own misery? Yes. But at the same time, he’s sadly a product of the combination of human curiosity and ignorance. 

So...I deeply apologize for this tangent real quick before I move onto the rest of this post. 

*takes deep breath* 

LOOK AT THIS BABY HE’S SUCH A CUTIE I WANNA HUG HIM SO BAD HE DOESN’T DESERVE THIS CRAP YOU WILL LOOK AT HIM AND YOU WILL LOVE HIM 

Okay, so like I said before, due to his head shape and how he seems to display early cognitive abilities here, I honestly think the best timeframe for this would be sometime in the 90s, just after his and Snowball’s splicing. Again, Brain was ultimately a child in Snowball, but since he’s the one narrating, we’re led to assume he set his sights on the world right away. 

Actually, it seems more likely that while Brain’s capacity for knowledge was enhanced, he still had to make the effort to learn. What he knows as an adult didn’t come all at once. So here, he has cognition, but he’s still fairly optimistic because the weight of the world truly hasn’t set in yet. 

Alright, so my explanation is that Snowball was elsewhere in the lab, and that they’re simply separated for the day. Brain was lifted out of an experiment with other mice, and placed directly into a solo study. 

The scientists place a huge slice of cheese on a stun plate, with the intention that Brain will be shocked if he tries to go for the cheese. Of course, who would be able to resist having this much food placed in front of them? I certainly wouldn’t. 

But the moment he tries to go for the cheese, he gets shocked. But since he’s very much learning, he doesn’t understand why he gets shocked if he steps on the plate. 

It’s this pose that makes me believe he’s spliced at this point. Brain adopts that thinking pose well into adulthood. However, he doesn’t really have a plan. He just thinks he’ll succeed if he goes for it enough times, much like the world. 

Also, compare his tail shape between this photo and the one above it. Rather fitting for it to be a lightning bolt, is it not? Mice tails do get kinked in real life if handled improperly, which is very much the case here too. 

Scientist 1: “The idea is that once we remove the electronic stimulus, he still won’t go for the cheese.” 

Scientist 2: “Learned helplessness.”  

And sadly...their hypothesis is proven correct. 

And the thing is, Brain does recognize that the shock is turned off. He does learn that he shouldn’t touch the plate. So he tries once more...

And stops. 

Even with the cheese’s proximity, it’s still unattainable. The only thing that holds Brain back is himself. He wants the cheese, but he’ll get hurt if he tries to go for it. So...despite there being no obvious danger, Brain doesn’t go for it again. 

Learned Helplessness Wikipedia Page Link

This could potentially be the moment where Brain finally loses his innocence. He has to control everything because the moment he doesn’t...he’ll get shocked. 

Notice how everything Brain’s ever wanted at any stage is always in close proximity to himself? In Leggo My Ego, he was extremely close to his parents and the tin can upon capture. In Snowball, he clearly desired companionship, but he and Snowball were never in the same cage. In this flashback, the cheese is ripe for the taking with the shock turned off, and he doesn’t try again. 

Brain is able to learn. And he learns that the world is cruel, that he’s only an interesting specimen for science with no autonomy of his own. He learns that he has to be in control to stop hurting so much.  

“From that day hence, I vowed I would be the one in control. Of myself, of my surroundings, of the world. Yet again, here I am, totally helpless.” 

Okay, I swear this wasn’t intentional and I didn’t notice this until I made this post, but look at how similar the final pose in the flashback and Brain’s pose in this shot are. 

That in some ways, Brain is still that child with simple desires. Maybe he phrases them differently, but that’s what it ultimately boils down to.  

And from Brain’s emotionally charged delivery of the above line, this experience was so traumatic that he kept it hidden for two decades. 

And while the cheese is supposed to represent how he can’t obtain the world despite living in it, I think there’s another thing that went unstated. It also happens to represent: 

Pinky is the cheese. Brain won’t step on a stun plate if he tries to touch Pinky. Rather, Pinky will welcome any affectionate gesture with open arms. 

But Brain believes he’ll be hurt if he tries. The humans set the precedent. Desire affection, desire love, you’ll get hurt, they taught him. 

The only thing holding Brain back is himself. 

And it’s absolutely tragic.

Be like Pinky. Give Brain a hug.   

If you’ll excuse me, Imma go cry. 

[makeste]

BnHA Chapter 287: Family Reunion

Previously on BnHA: The Tomura For One VS Deku And Pals clusterfuck reached new levels of clustfuckery as AFO possessed Tomura’s body and stabbed Kacchan and Endeavor. Shouto was all “good thing I leveled up offscreen so as to be able to fly around whilst carrying 400lbs worth of people”, and did just that and it was like, damn, son. Meanwhile Deku’s rage went Mach 100, and he kicked Tomura’s ass for almost two whole seconds, but in the process he apparently forgot that IF TOMURA TOUCHES HIM THAT IS VERY BAD, and so he stupidly let Tomura touch him and Tomura was all “GAME, SET.” Fortunately for Deku, his quirk plays by its own rules, and so the chapter ended with us cutting to the METAPHYSICAL OFA/AFO PARANORMAL DREAMSCAPE OF MYSTICAL BULLSHIT, where AFO!Vestige was all “lol Tomura y u mad”, and Nana!Vestige was all “SUP DEKU, YOU’RE JUST IN TIME, LOOKS LIKE IT’S ASSKICKING O’CLOCK.” I’m paraphrasing a bit, but that’s more or less the gist of it.

Today on BnHA: AFO is all “well if it isn’t Tomura’s grandmother who I murdered that one time”, and Deku is all “?”, and AFO is all “fucking vestiges, man, wild”, and Deku is all “??”, and AFO is all “ANYWAYS GETTIM TOMURA”, and OFA is all “NOT SO FAST”, and Deku is all “???”, and really, same. AFO then goes off on some wild tangent about how Deku is unworthy because he couldn’t protect everyone and needed help from OFA and got mad about his friends being stabbed, which is such a cold take it gave me hypothermia, but it ends up not mattering since Deku and Tomura both wake up seconds later with OFA still in the possession of its rightful owner, HOW ABOUT THAT. The chapter ends with the LoV approaching on Gigantomachia’s back with Dabi practically salivating at the mouth, and Toga trying to reignite an old fandom blood feud. Toga why would you do this to me. Toga.

YESSSSSSSSSSSSS

[CROWD LOSING THEIR MINDS] FINALLY THE NANA HAS COME BACK TO BNHA!! IF YA SMELLLLL WHAT THE NANA IS COOKIN!!!!! [RINGSIDE BELL CHIMING WILDLY] [LOUD AIRHORN NOISES]

“chapter 287: mistake” omg. yeah I’ll say you made a mistake, AFO. I HOPE YOU ENJOY THESE FLEETING LAST MOMENTS OF YOUR SHITTY EVIL LIFE

(ETA: so in all seriousness this must be referring to AFO’s belief that All Might/OFA made a mistake in choosing Deku, right? “I can’t believe you went and chose this shounen manga protagonist as your champion, what were you thinking.” I’ll just put this out there: however many comic books AFO read as a child, it clearly was not enough.)

wow Deku how slow are you

yes you’re inside OFA you dimbulb, did you think your clothes suddenly vanished out of the blue and the ghost of Nana just randomly appeared in the real world by some freak coincidence?? can you believe this kid. breaks his arms a measly 10-15 times in a row and all of a sudden he can’t think straight, get it together Deku

but also brb having a moment at the fact that his thoughts immediately run back to Kacchan, even with all of this nonsense going on and Nana about to lay the beatdown on AFO’s potato-lookin’ ass. forget that noise, all he wants to know is whether or not Kacchan is all right. fuckin’ geez. AM I OVERREACTING HERE A BIT. probably

(ETA: ALSO!! the way he just trails off!! “Kacchan is...” and then he can’t bring himself to complete the thought. oh my god my heart.)

HOLY SHIT

okay,

damn but this man sure knows how to ruffle my feathers. as eminently detestable as ever!!

could it be any clearer here that AFO is not on Tomura’s side?? for a moment I thought he had actually grabbed him by the back of the head in order to get him to look. but nope, he’s just resting his pointing hand on top of his head instead while he’s all “HEY TOMURA LOL IT’S THE GHOST OF YOUR DEAD PATHETIC GRANDMA”

for those keeping track at home, this would be the first time that Deku has heard this information -- that Tomura is Nana’s grandson -- and possibly the first time Vestige!Nana has heard it as well. Nana died when Kotarou was still a child, so for all we know the Vestige!Nana didn’t even know she had a grandson, lol. TODAY ON “MAKESTE RANTS AT LENGTH ABOUT THINGS THAT WILL PROBABLY BE ADDRESSED WITHIN THE NEXT THREE PANELS”, anyway moving on

lmao for the record I fucking LOLed at this giant question mark immediately bubbling up over Deku’s head

no idea what AFO is about to ramble on about now, haven’t read that far yet. but let the record show that Deku’s immediate reaction to hearing “BTW NANA IS YOUR ARCHNEMESIS’S GRANDMA LULZ” is everything I could have hoped for

(ETA: fandom nailed the shit out of this one with the confused Mr. Krabs meme lmao.)

okay so now AFO is monologuing at length about how he would sometimes have “riveting dreams” about the previous owners of all the quirks he stole. but once he gave the quirks away they stopped bothering him?? holy moly let me just take all the notes

okay so he’s saying that Vestiges are created whenever someone has their quirk stolen by AFO. but if they then disappear when he gives the quirks away, does that also mean that whoever receives the quirks also gets the original owner’s Vestige bundled in every time?? that would be wild okay hold up let me read the rest of this

so he’s saying that the Vestiges are actually the “consciousnesses” of the original quirk owners, which have become embedded in their dna or something. SOUNDS INCREDIBLY DUBIOUS TO ME LOL but on the other hand this is a world where children can be born with airplane heads, so my disbelief can hardly afford to pick and choose what it’s gonna be suspended at! anyways though, how does he know he’s the only one who was able to converse with them? did you conduct detailed six-month follow-up interviews with everyone you gave quirks to or what

and if it really is the case that this ability was formerly exclusive to him, isn’t that more evidence than ever that OFA and AFO are actually THE EXACT SAME QUIRK oh whoops am I getting ahead of myself again, sorry

MEANWHILE TOMURA IS ALL, “GRANDMA?”

“WHY AM I HERE, WELL LET ME TELL YOU A STORY, GRANDSON. YOU SEE THAT MAN GROWING OUT OF YOUR RIBCAGE THERE? WELL IT’S JUST THE FUNNIEST THING, ACTUALLY”

WAIT SO IS HE SAYING THEY’RE SOULS OR NOT??

this makes it sound like they won’t ever get to rest, which sure sounds like a soul thing to me. well whatever, soul, consciousness, I guess it’s just semantics at the end of the day

anyways though, so this asshole is finally done talking (I’m sure that won’t last), so now we can finally have the heartwarming reunion we’ve all been waiting for

sigh

-- actually, no, not “sigh”!! you know what!! because Tomura says “whatever the reason”, but that’s only because he doesn’t actually have a fucking clue about the reason. like, I don’t know if the knowledge that AFO killed Nana would be enough to give him pause, but if he knew the whole story and knew that AFO was behind not only Nana’s death, but the rest of his family’s deaths as well... now that would be a whole different thing

anyway. but at least it’s becoming clearer now why AFO spent all that time raising Tomura up as his heir and brainwashing him even though he seems to have been planning this body takeover the whole time. it’s all because he loves making people miserable! yaaaaay

btw HAS NANA HAD THE EXACT SAME MOLE ON HER CHIN AS TOMURA THIS ENTIRE TIME WTF. am I just the least observant person who ever lived lmao

lol wtf

ground: [randomly starts exploding]

Deku: “ONE FOR ALL IS BEING ERODED!!!” LOL IS THAT WHAT’S HAPPENING HERE, OKAY THEN. I’ll take your word for it

y’all I cannot fucking get over this “AFO growing out of Tomura’s hip socket like a fucked-up ventriloquist dummy” shit though

you do realize that absolutely no one can take you seriously right now, right?? it’s important to me that you know this

WHAT’S THIS NOW

seems like SOMEONE has had it up to here with a certain SOMEONE ELSE’S bullshit lmaooo bye Felicia

I SAID GOOD DAY!!

you guys why is he not dying!!

-- OH DAMN

love how Deku is just lying there like “YOU KNOW THOSE DAYS WHERE YOU’RE LIKE, THIS MIGHT AS WELL HAPPEN.” poor Deku

(ETA: where in god’s name is OFA Prime standing. why are my thoughts fully consumed by this lmao.)

are Nana and OFA Prime even doing anything?? why are they sticking their arms out like that. wait hold up is this all a big metaphor for the back-and-forth going on between Tomura trying to steal OFA and OFA being all “actually no you can’t, please enter your password and click on all the boxes with bicycles in them to prove you’re a human first”?

OH SNAP OFA PRIME SAID NO THANKS

“SORRY BRO WE’VE ALREADY MADE OURSELVES AT HOME HERE”

I have only just noticed that metaphysical!Deku has the same scars as actual!Deku. and yet his arms are not currently broken! that doesn’t really seem consistent to me but whatever!! maybe he saved right before the boss battle, that would be smart of him

anyway, that’s great and all that OFA Prime is here helping out, but I really wanted to see Nana fight AFO in a one on one though so I’m a bit disappointed. also why is it only the two of them?? where are Banjou and the others. of all the times to be sleeping on the job

FOR FUCK’S SAKE, THIS MAN

WOULD YOU STOP. WOULD YOU JUST QUIT IT ALREADY

oh shit hold up

doesn’t this confirm that the reason he wanted to transfer his power to Tomura is because he believed it would make him strong enough to finally take OFA because of Quirk Singularity? jesus christ. and here he was so sure of himself. but it turns out he doesn’t actually know shit! you can’t just fucking take OFA like that ya dingdong that’s not how it works

(ETA: SO, A THOUGHT -- is there any sort of subtle hinting here in the way that he words this? “if your strength is combined with mine”, as opposed to “if my strength is combined with yours”? no idea if the admittedly-so-small-as-to-be-almost-inconsequential distinction between those two sentences exists in the original Japanese or not, but I find it very interesting that the English wording implies that he’s the one adding Tomura’s strength to his own, rather than vice versa.)

now he’s insulting Deku!!

excuse me sir WHO ASKED YOU anyway. and never mind that being consumed by an, AND I QUOTE, “unquenchable” rage is your protege’s whole THING, and that he also needed your help to avoid being burned to a crisp a short while ago. where do you get off I swear

(ETA: also just want to point out that in the panel before this one he says that he’s been “watching through Tomura”, which pretty much confirms that his consciousness or whatever is alive inside of him all the time. Tomura is definitely not getting rid of this guy any time soon.)

WOW

first he calls Kacchan useless, then he calls Deku a simpleton, and don’t even get me started with Nana. just, you guys. this man is just... a very, very rude man

NOW OFA IS ALL “THAT’S EXACTLY WHAT MAKES HIM SUCH A GOOD PROTAGNIST YOU BUTTMUNCH” AND OMG PREACH

“DESPITE HIS COMMON SENSE” sdfkllk my man he already has one brother roasting him, take it easy guy

AHH WHAT

IS THIS BACK IN THE REAL WORLD

YEP

hahaha nice try Tomura

so Deku’s all “I didn’t lose my power! BUT” and I assume the “but” is the part where his arms are still broken and shit, and meanwhile Tomura’s body is almost healed up now finally

they’re both wiped out and now AFO is again petitioning Tomura to let him take over goddammit

“you won’t lose your mind” yep, he sure won’t! scout’s honor!! pinky swear!!

meanwhile Deku is getting fucking desperate flkjl;k my baby. and Machia is going to show up any second now too, probably. what else can fucking go wrong at this point

oh shit I shouldn’t have asked

get ready to rrrrrrrrrrrrrrrrruuuumble, probably

OH MY GOD

WELL AT LEAST SOMEONE HERE IS HAVING A GOOD TIME. jesus

so as soon as he heard Endeavor was there he got all, “TIME FOR THE BIG REVEAL”, is that right? WELL JOKE’S ON YOU TOUYA, YOUR DAD DOESN’T SEEM ALL THAT CONSCIOUS AT THE MOMENT, SO THAT’S GOING TO DRAIN A LOT OF THE TENSION FROM THE SCENE WHEN YOU GO ALL REVERSE DARTH VADER ON HIM AND HE’S ALL “ZZZZZZZZ”

meanwhile Toga is having unsettlingly quiet angst

jesus christ Toga this is all we need right now

“WAS JIN-KUN NOT A PERSON” sdkfjlk Horikoshi I swear. please have mercy on this fandom. this is the debate that refuses to die!!

but seriously ffs, the issue isn’t that Jin deserved to die, it’s that the countless people whom Jin would have either directly or indirectly killed didn’t deserve to die either. people don’t only become people when you attach names and faces to them! we all loved Jin because we’d gotten to know him, but that doesn’t mean his life was inherently worth more than the lives of all the people he would have killed. sometimes there’s just no good answer

like, it’s just crazy to me that because the heroes are all “we want to protect everyone!” but then aren’t always able to do so because that’s literally impossible, whereas the villains are all “we don’t care about anyone other than the select few people that we actually like!”, the villains somehow wind up getting the better PR. it just so happens that it’s infinitely easier to be loyal to the interests of a few people as opposed to ALL THE PEOPLE. like, no shit, it’s easier to stick to your moral code when you barely have a moral code. and so the villains can kill thousands and no one bats an eye, but if a hero fails to save even one person they’re hypocritical moral failures. like what the hell

BUT ANYWAY, sorry to go off on a tangent there lol, it’s not really a big deal. I’m just preemptively trying to stave off more discourse about it lol but who am I even kidding

anyways lol, but of course they won’t kill you unless they have no choice, Toga. but when it comes to catch-22 situations, it’s a bit much to infer that the heroes don’t consider the villains people just because they opt for the choice that spares more innocent lives. I sure as hell don’t want my babies out here killing people, but to say that they can’t no matter what or else they’re no different from the villains is just...

anyway so the chapter has now just ENDED, just like that!! on a shot of Ochako’s face!

I SENSE ANOTHER THROWDOWN COMING. and it had better not be a total letdown like the last one! NANA BARELY DID ANYTHING HORIKOSHI, WHAT THE FUCK. I started out with such high hopes lol

but I will settle for Toga VS Ochako, and Deku VS Tomura: The Sequel: Shouto’s Revenge! SPEAKING OF HEROES WHO HAVE NO QUALMS ABOUT MURDERING PEOPLE lmao

[reginaofdoctorwho]

ok so i started this as a draft days ago and barely remember where i was going with this idea but i tried to fill it out a little more. basically it’s just that anytime Curt says he misses being a spy he misses being a spy with Owen or the spy he was with Owen. so probably everything is what everyone knows already

Curt ties being a spy with Owen. completely, intrinsically, whatever, okay?? in Spy Again Curt says “Owen would want me to do this”, and lists

hop in a jet and fly again

grow a spine again

do my best not to cry again

wear a suit and tie again

drink martinis and drive again

get by again

feel like a real important guy again

as what he’s going to do as a spy. let’s check off what happens before Owen’s reveal (i’m trying to include some)

hop in a jet and fly again

grow a spine again

do my best not to cry again (i’m trying to be nice here he’s probably doing his best despite what happens)

wear a suit and tie again (literally part of the mission)

drink martinis and drive again (he’s sobering up)

get by again (barely my dude)

feel like a real important guy again

which, decent, but our dude is also having gay flashbacks, messing up a very simple and clear mission, and mistakes flirting for fighting (to quote my friend “Amelie” “he’s,,, so bad at pretending to be straight”) this all being with him having been one of the greatest spies, to the point of recognition years after he retired.

and post Owen’s reveal

hop in a jet and fly again (we’re going to count whatever that in

grow a spine again

do my best not to cry again

wear a suit and tie again (i mean he doesn’t need it??)

drink martinis and drive again (ok i don’t know maybe?? he does shots before and THEN chases Owen and then he’s drinking whiskey when he meets with Tatiana)

get by again

feel like a real important guy again (look at him at the end

more below the cut because this is already long and it’s going to be even longer

Okay, to be more in depth, (this’ll sound like a lot of my other posts) at the beginning Curt Mega is truly a great spy. yes, he was captured by Oleg, but the entire interaction with him Curt is still in control. he mocks Oleg, breaks his fingers, hits the bat back at him, all while holding a conversation (and flirting) with Owen. he’s confident the entire time, he’s willing to go against plans and is overconfident to a fault. While Cynthia is somewhat rude and pays more attention to Owen in the beginning (”finally someone who knows what the hell they’re doing!”) but i think she’d treat him the same as Curt if he ever did decide to work for her. it’s partially a “bring in new talent” and partially a “keep the old talent from being overconfident” thing. i don’t think it’s an actual mark on what pre-fall Curt was like as an agent. but either way, their record was six minutes to get out of a building presumably set to explode (or implode. fuck if i know) and they were still both confident and eager to lower the time even more. and they would have accomplished it, if not for Owen falling. what i’m saying is pre-canon Curt was a very effective agent, was good at his job, and was likely almost never out of his depth.

in Spy Again, he’s talking about becoming a spy again, but he links this to Owen, believing that being a spy again would enable him to work past Owen’s death (”but maybe this time’ll be different, it might be what I need”). he’s haunted by the “memories” not “memory”, which could be taken as any time he and Owen worked together, not just when he died. he wants to be a spy, but even stating that and the things he misses about being a spy (above lists) starts to remind him of Owen (”and i know just where i’m goin’, me and my partner Owen!”). he sees himself post-fall, with his beard, alcoholism, and trying and failing to improve (”i do what i can, try to make a plan, to be a better man, but nothing seems to stick”) and again relates it to Owen (”Owen please, if you could see what’s become of me, what would you think?”). Curt decides Owen would want him to be a spy again (”i once was a spy. i think you’d want me to spy again”) and repeats it to make it stick (”Owen would want me to do this”), and that is what truly starts him off again. or so it would seem.

in his first mission back, Curt can’t start again. he has to talk himself into doing his job again (”looks like that someone has to be me. you came here to do this, so do the job, stop acting like a little pussy”), and then mostly rides along on what Tatiana does anyway (”i second that motion!) a far cry from the beginning Curt who did his job eagerly. and we are again reminded that Curt was a great spy when Sergio recognizes Curt on sight and says “is that Agent Curt Mega? ... i can’t believe this, the most famous spy in the world busting my arms deal. hey, would you mind signing something...” followed by DMA immediately being able to disarm Curt with ease, showing the contrast. Curt does recognize the baked goods are the way to hurt Sergio, but also loses the bomb to Tatiana

Curt is, at this point, still waiting [in a way] for a partner. it is not implied in the beginning that he and Owen worked together every mission, rather the opposite in fact (“MI6 didn’t tell me you were on this mission”), but he still seems to almost expect a partner, and goes off what Tatiana says even though they’re not working together, and they both train their weapons on the baked goods.

Cynthia points out that he’s been on an early retirement for four years, which Curt is very quick to correct as a grieving period. his hands shake during Cynthia’s drill, he fumbles the gun, and he has none of the grace or style of the beginning. when Cynthia mentions Owen and Curt’s alcoholism (”i remember when i got the call that Owen died and you lived, i screamed into Susan’s neck for fifteen seconds, then i locked it up and moved on. you on the other hand, you drank yourself to rock bottom...”) Curt doesn’t even look at her. when she poisons him, he’s still able to repeat back (in essence) what she said, showing that the spy of the past is still there, deep down.

Eyes on the Prize II is the (i think) first time we see Gay Flashback-Owen. he is notably not slipping and dying, as would likely be going through Curt’s head if he were haunted by that specific memory alone (going back to the “haunted by any memory of Owen”) thing i mentioned, but is instead also saying “keep your eyes on the prize” with the ensemble, again lining up Owen with Curt’s idea of being a spy.

during the casino scene Curt is clumsy with his acting, and is trying to get information from Tatiana (it’s all very awkward. “make it a white russian, hold the vodka, please, thank you so much” “excellent choice. one vodka martini bone dry, and one glass of cream”), but as soon as another person joins it (Dick Big), the relationship between them turns from enemies trying to get information from the other to an uneasy team (”i’m hardly alone, the woman and i were just about to-”), with Curt even giving a russian toast, and although Tatiana definitely notices when Curt is given a gun by the dealer, she politely declines to mention it, and when Curt offers her his arm while Dick is off finding a waiter, she smiles. and while it could be argued that it is just them working undercover, this did feel more genuine than when they are alone and back in their assumed positions (”besides, without that horrible face fungus, what will i have to yank?” “we are talking about fighting, right?”) Tatiana also recognizes that Curt is alone in more ways than one, both without backup and without anyone he can trust fully. in the short time they’ve been together, they already are close enough to friends that Tati apologizes for bringing him to DMA

despite the two of them being on opposite sides during this encounter, they are already beginning to act as partners/friends, and Curt takes her betrayal more personally than he should have

i’d also like to take this moment to point out that DMA almost instinctively stabs the Nazi henchman for saying “seems his noggin’s a bit dense!” of Curt

during Torture Tango, it seems like he’s having a natural reaction to getting tortured. Curt is nervous, he’s afraid, he’s ready to die (”you sick bastard, why don’t you just kill me already?”/”i can’t deny that i’m gonna die”). but this is NOT how the torture scene at the beginning went, even before he knew Owen was there. at the beginning scene Curt is arrogant, throwing Oleg’s words back at him, breaking his fingers, keeping a cool tone and staying in control the whole time. this time he barely talks to the DMA, he doesn’t fight back, he just accepts it. also, he sings “i once was a spy but i won’t be a spy again” and “thought i could say goodbye, but i can’t lie i wanna be a spy again” despite the fact that he is a spy again. he says he wants to be a spy again, but he already is a spy again, what he’s missing is Owen. he was once a spy with a partner he loved and could trust completely, and the partner felt the same way about him. that is what i believe enabled him to be such a good spy, he had someone who knew everything about him, being gay included, and he was able to act more confidently as a result. what he misses is less of the “go get the girl and go save the world” and more seeing his partner even for short periods and having the confidence that comes from being known. also, curt is on the verge of death and is still thinking of Owen (”doesn’t even matter if i killed my best friend”)

back to Tatiana, who’s having her own crisis. “is Mega my enemy do i let him die? i’ve got to think about my family ‘cause no one’s looking out for me...” she, at this point, has not interacted with Curt beyond the arms deal, the casino, and betraying him to von Nazi and DMA. despite this she still sees him as a possible ally, and ultimately does decide to betray von Nazi and DMA for him (to his understandable confusion). when she unties him, he only calms down when she holds her arm out to him, but he becomes so distracted by it and Gay Flashback-Owen that he doesn’t notice DMA is waking up until he’s already been shot.  i’d also like to point out that Gay Flashback-Owen is doing the same arm out pose Tatiana is doing while holding Curt’s arm

end of act 1. can i get a wahoo?

when Curt is with Barb, he acknowledges that he’s fucked things up, but still catches himself on saying he is a [great] spy again ”i was, i am, supposed to be the best”

i think during the gala he is trying to be the Curt from the past while ignoring why he was that way. he insists on going rogue, he confidently (and foolishly) announces that he is a spy, the prince will be assassinated, and that the Russians and Americans know, despite the fact that it doesn’t seem like a good idea if thought about at all. With blowing up the facility at the beginning there was some merit to it. they had been seen, they stole the plans and possibly wished to muddle why they were there, the facility might have had more plans they didn’t know about and they were already on a time limit. they also had a limit on the tech items they had (no rocket shoes :’( ).

when Tatiana rescues him again and takes him to his mother’s safe house, who mentions a “constant parade of drinking buddies, for poker or wrestling or whatever you boys do in the rumpus room” and while we could make an argument about Curt trying to move on after the fall, i think this youtube comment on the video is a fucking treasure and i will forever remember it.

i’d also like to point out now that Tatiana is truly the only character that i believe could “replace” Owen for Curt. he needs someone in his life who can know even the parts he hides from those closest to him, someone on equal footing with him, someone who doesn’t idolize him, and someone who works well with him. he can’t tell his mother, because she wants grandchildren, she wants a daughter-in-law, she wants to plan a wedding. it can’t be Cynthia, she’s his boss, it’s set during the Lavender Scare when he could lose his job for being gay. it can’t be Barb, who has an intense crush on him, and even when she does act in a platonic way, she is willing to risk her job based on the fact that it’s him (in an almost awestruck way). Tatiana is unimpressed with Curt when they first meet, they become friends quickly, work together to stop von Nazi and DMA, they are both spies at the top of the field, and she accepts him (”you’re cool with me?” “till the end!” “cool :)���). also, i think it’s interesting that Tatiana believes she is saving someone (her family) by leaving them behind, while Curt believed he killed someone (Owen his lover) by leaving them behind. just kinda parallels i think

before Doing This, Curt says he is is afraid that “[he’ll] never be the spy [he] once was” and that he believes he shouldn’t need anyone else. when Tatiana says he’ll get everyone who cares about him killed with his line of thinking he says the line “i already have.” explains about Owen, and adds “and that was back when I was the old Curt”.

during One More Shot, Curt acknowledges that he tried to get past missing Owen by trying not to need anyone else, which was wrong (“i used to think i could do this by myself i was fine, i didn't need any help“). this is him starting to take his friendship with Tati and being able to use it to see that while he cannot work alone, he doesn’t need one specific person to make him the man he is.

this of course promptly goes out the window when DMA is revealed to be Owen

however, Curt still calls Tatiana “partner” before going after Owen.

when he does go after Owen (One Step Ahead), he still thinks of Owen as the man from 1957 (”what happened to the man i knew?”). when Owen begins to explain, Curt tries to remind him of what they did “together. two of the greatest spies to ever live”. once again associating him and Owen together with being a spy

also, once Owen is dead (idk if i hope for real or not) again, Curt does make a change for the better. he’s able to be fairly confident around Cynthia, he tries to be enthusiastic about Barb’s tech/data analysis merge, he is able to talk about his “ex lover returned from the grave” with Tatiana. i do find it interesting though that he does not tell her about the other facilities, again taking it upon himself to fix it, and only telling her “give me a ring if you’re ever stateside”.

in a final moment, Curt is able to move on from Owen, and acknowledge “i once was a spy, i’ll always be a spy” with or without Owen.

[jcmorrigan]

Blakeworther,,,but college

OKAY. I SAW THIS LAST NIGHT AND WAS THINKING ALL THROUGH LAST NIGHT AND THIS MORNING BECAUSE THIS HAD TO BE GOOD

Blakeworther: ORIGINS (hopefully actually canon-compliant?)

-Vincent didn’t want a roommate. But RMU has a policy that unless a first-year has an extreme medical condition that requires them to room alone, they have to double up due to high attendance rates vs. limited dorm space. So unfortunately, Vincent needs to stay in the same room as this “Victor Blake” person he’s never met before and probably won’t like.

-He opens the door to their room on the first day. Victor is already there, decorating his half of the room. And you think Victor is a flirt nowadays? This is a Victor straight out of high school, with lingering teenage hormones. He takes one look at Vincent, gives him a coy smile, and just goes “Hello, beautiful.” And winks.

-Vincent goes “Don’t talk to me” and starts setting up his side of the room.

-Well, that’s rude. Victor tries to engage in conversation a couple more times, but Vincent makes it clear he is NOT HAVING IT, so Victor eventually gives up and pouts. (Vincent really is pretty. But more importantly than that, Victor kind of wanted his roommate to be his friend. That seems like a requirement for the college experience.)

-Oh, well. If they can put up with each other for one (1) year, they can request new roommates for their second year.

-Vincent sets off for his 8 a.m. on the first day. Psychology 101. He gets going at about 7 because he NEEDS to make a statement by getting there first. Back in high school, he was valedictorian, and he must continue to show people how classy, smart, and punctual he is.

-He arrives at the classroom. Seemingly empty. He strides through the door -

-The next thing he knows, he’s on the floor. Someone has screamed. He thinks it’s him. He’s disheveled, his books scattered. What just happened?

-After assessing the situation and going over the split-second incident that is retroactively gelling in his memory, he realizes that he walked through that door, and somebody who was waiting on the other side of the wall, just around the corner and out of sight, leapt out and JUMPSCARED him the moment he walked in.

-He looks up at the perpetrator who stands above him, giggling his ass off. This asshole is wearing a bright pink shirt and he’s admittedly kinda cute but also this was unforgivable.

-Victor: “What the HELL was that for?” Pink Shirt Man: “I knew someone would come along who thought they were first, and I wanted to make it clear this is my territory. I was here for fifteen minutes before you.” Vincent: “Why the HELL were you waiting here for fifteen minutes - “

-He makes a point of gathering up his books VERY ANGRILY and stomping to the furthest corner of the classroom to sit as far away from Pink Shirt as possible. Then glares at him venomously.

-So. A word on Albert. He grew up an only child with very few friends. He’s got a roommate too, but the guy’s an introvert in dark glasses who barely talks, spends like all his time watching anime, and is visibly just scared of Albert. So that friendship is out the window.

-(Yes. It’s Winston. He has not had an easy life.)

-This leaves Albert, who has no idea how to appropriately interact with people but has way too much pent-up energy, trying to figure out how to get people’s attention so he can make friends. But when I say he has no idea, I mean he has NO idea.

-So he sits down in the front row where his stuff was previously and just turns and STARES AT VINCENT until the rest of the class files in. Vincent keeps his eyes turned anywhere but at this Pink Shirt Creep because who stares at somebody over their shoulder for ten solid minutes?

-Albert chalks this up as a victory. Sure, this dude hates him, but that’s more attention than he was getting before!

-For the rest of the class, Vincent is hoping they can just move on and have a normal day in which he knocks every question fired his way out of the park. But that’s not what happens. What happens is this PINK SHIRT ASSHOLE in the front row keeps answering questions without being called on, and not even seriously. With the most MORBID sense of humor.

-Prof: “What are the three ways to study the brain?” Albert: “Smash open the test subject’s skull, rip it out, and have fun.”

-Vincent KNEW the answer was “lesion, stimulation, recording” and he’s so mad.

-He leaves this class grumpy.

-He’s on an alternating schedule, so block A of classes one day, block B the next. His next classes for A day go well and he gets to show off a fair bit of his intellect. But then the last class of block B and it’s art.

-Guess who’s there? Not Victor, unfortunately!

-Vincent walks in the door and THE PINK SHIRT ASSHOLE is there and Albert just waves at him “Hello” and Vincent is in hell.

-Same thing. Albert spends the whole class being obnoxious and annoying, but in a way that gets the other students to laugh. And Vincent just stews.

-Over the next few days, Vincent spends a lot of study time in his room rather than in the library because it’s quieter. Victor respects that Vincent will complain if there’s too much noise and so wears headphones when he’s working because he likes music in the background.

-One day, he accidentally rips the headphone jack out of the laptop and the song he was listening to blares over the dorm. He fixes the volume, already going, “Well, sor-ry for the accident - “

-Vincent: “Actually, I like that song. Have you listened to the album or do you just like it as a standalone?”

-Victor: “I...I saw them in concert, actually.”

-They have the first real conversation they’ve ever had since they moved in together because they ended up liking the same song. And they’re happy to be talking about it. This is good! Maybe they can be friends after all!

-First exam in Psych 101. Vincent feels pretty confident. This is a test he didn’t really put too much effort into studying for because he’s confident he memorized everything from high school. Well...as it turns out, he didn’t. But he fudges it as best he can, sure he’s at least doing better than the simpletons of the class. He’s the only one who takes this seriously, after all.

-Exam results come back, and the prof reveals that he’s graded on a curve. One student and one alone got a 95% on the exam; the rest failed horrendously.

-Vincent is about to rest on his laurels when the prof says “And that person is Albert Krueger.”

-Who the hell is -

-PINK SHIRT ASSHOLE stands up and bows playfully.

-Vincent now has a name for his nemesis. ALBERT KRUEGER. He’ll remember that and not be happy about it.

-So he’s chatting with Victor a lot more now as they hang out. Victor has a problem one day because one of his econ courses has a particularly picky prof who’s failed every single one of his essays to date, and he’s afraid he’s going to actually fail his favorite subject.

-Vincent takes a look at that prof’s notes. To his eyes, it’s easy to see what arbitrary hoops the prof wants Victor to jump through. It’s also easy to see that Victor actually is doing what’s asked of him and grasping the material; the prof just demands these extra trappings, probably as a power trip.

-Vincent knows exactly how to write the next paper to make it fit requirements. And so he says, “If you don’t have a problem with plagiarism, I can get the next one to pass.”

-Victor: “Well, don’t make it too perfect, or they’ll catch on.”

-Vincent writes Victor a solid B- of a paper. And it’s graded with the expected B-. Victor is SO thankful and calls Vincent a genius.

-About time someone around here did. Since it strokes his ego, Vincent offers to do any paper Victor wants for him, free of charge.

-Meanwhile! In art class, they’ve been assigned a midterm visual art project. Vincent can already tell that his piece is...good but not great. You know who’s making a fantastic landscape painting that everyone else in the studio ahhs at every day he works on it? AAAAAALBERT KRUEGER.

-Vincent is trying so hard not to explode.

-Vincent and Victor decide to eat lunch together because they like each other now. They head on down to the cafeteria, load up their plates with food, go to get the last two puddings on the shelf -

-Somebody takes the last two puddings.

-GUESS WHO?

-Albert: “I believe it is they who snooze who must lose.” He didn’t even want two puddings. But while people can get temporarily impressed with his prowess, annoying people is the only way he can REALLY get lasting attention. Most people go “Albert’s painting is so cool!” and leave. Vincent, though? Vincent keeps on making a SCENE out of it and Albert likes that. So he made sure neither Vincent nor Vincent’s friend could have any pudding.

-Vincent and Victor sit down, pudding-less. Victor: “Who was that guy?”

-Vincent explains the whole thing. He rambles for almost the whole lunch period about how much he HATES Albert. Culminating in how he knows that Albert’s art project is going to get highest marks and make Vincent’s look so much worse by its very existence.

-Victor: “You know...I have a plan, but it’s not entirely legal. If you want to get back at him, though...” Vincent: “I’m listening.”

-They break into the locked art studio after hours and RIP ALBERT’S PAINTING INTO SHREDS. That’s, like, twenty hours of work just gone. They leave no evidence.

-The following day, Albert approaches the two of them at lunch: “I know it was you. You can’t lie to me about this. From now on, we are at war. You, Vincent, are my mortal enemy. And you, Vincent’s accomplice, I know were talked into this by him, but you’re on the thinnest of ice.”

-Vincent’s fine with this. Victor thinks it’s funny and doesn’t own up to having come up with the idea.

-Anyway, Vincent and Victor start hanging out more, so when there’s a school dance, they decide to go together. Just as bros, not as PARTNERS what are you even - no. Platonic. Heheheheh

-And they have a good time dancing! Vincent doesn’t normally like this sort of thing, but Victor’s into it, so they’re cutting a rug.

-A small throng of students is gathered in the middle of the floor, watching some spectacle. Victor wants to see what’s going on. So he brings Vincent over.

-Everyone’s watching a particular student just absolutely breakdance with the greatest of skill. And GUESS WHO?

-Vincent enters RAGE MODE

-Victor: “Oh, no, here we go.” (Secretly thinking to himself that Albert did have some sexy moves indeed.)

-Vincent storms in and CHALLENGES ALBERT TO A DANCE-OFF. Albert accepts. Victor calls himself a third competitor so as not to be left out, and Vincent rules that either he or Victor winning will be a victory for Vincent.

-Well, Albert gains more applause by a LANDSLIDE. Vincent and Victor are good dancers, but Albert is FANTASTIC. Vincent complains the rest of the night and Victor’s just “Look, I know he was gorgeous and he got all the attention but please pay attention to me”

-Things continue like this until the next semester, when classes are shuffled and FINALLY Vincent is free of Albert.

-You know who walks in to find Albert just staring creepily at him from the front row of his first class? VICTOR.

-It’s Biology. Right away, the class gets a partner assignment, and the prof sticks Albert and Victor together.

-Might as well make the best of this.

-So they get to just awkwardly chatting. Victor tries to keep himself level-headed. Albert still doesn’t know it was Victor’s idea to destroy his painting. So they’re just playing it cool.

-And...it’s actually kind of fun to talk to one another?

-Albert lets slip that he likes bio a bit better than psych, but everyone’s expecting him to take up the position at Krueger Health Corp. Victor’s just like “So fuck ‘em. Switch majors.”

-Albert then blurts “Have you ever wanted to dismember someone who wronged you?”

-Victor: “Yes. All the time.”

-So for the first time, somebody is giving Albert attention that is NOT rivalry and is NOT just marveling at his talents and antics. This is new. He’s not sure how to handle it.

-For the rest of the semester, Victor is technically on Team Vincent, but he still waves at Albert when they pass on the grounds.

-Vincent and Victor go off campus to a house party with alcohol! Albert doesn’t actually show up to steal the spotlight this time. And...that kinda pisses Vincent off. Where IS he? He usually shows up to these things -

-Victor tells him to pleeeaaaase stop obsessing about Albert, please. (But Victor also kinda wishes he was there and isn’t sure why.)

-Later in the night, some beefy upperclassman starts a fight and threatens Vincent. Vincent and Victor are both buzzed and riled up. Victor jumps in and decks the guy to protect Vincent. The guy decks him right back and HARDER. So Vincent tackles the dude because now HE’S protecting Victor.

-They both end up in the hospital with broken bones. Roommates, again. And when they look at each other across their hospital room, they realize something has changed. That they now know they would defend each other to the death, and each has to repay the loyalty of the other. They’re in this for the long haul, and most certainly not going to request new roommates.

-They get their classwork shipped into the hospital and have some nice calm chats with each other, away from the buzz of student life.

-Albert, however, suddenly has his archnemesis and his lab partner both MISSING and it’s driving him insane. Where are they where are they where are they

-When they get released from the hospital and finally go back to campus, Albert has to refrain from RUNNING UP TO THEM AND HUGGING THEM BOTH. HIS LIFE HAD NO MEANING

-Instead he says “Pity. I’d’ve hoped that you’d die and be out of my hair.”

-Vincent and Victor can’t really admit how much he was the missing piece of their lives either.

-It’s gonna be a few interesting years at RMU.