#fall to earth and run

[blu-ish]

Familiar light✨

[aletterinthenameofsanity]

Me, to my new date: doctor who thinks it's a sci-fi story because the Doctor thinks it's a sci-fi story and because the companions think it's a sci-fi story, but it's really just a story about ghosts. a story about an ancient creature carrying the ghosts of everyone they have ever loved, meeting new people, and seeing them only as future ghosts. they are haunted by the future and the past and the present because they are the only constant in a world constantly in flux, and they are running as fast as they can to things before they burn and fade to dust but everything will always end, you understand, because this is the only thing the Doctor understands and yet they keep going. they love too much to stop. doctor who is not science-fiction, it's horror and optimism and spiritual more than anything else, it's religious unto itself, the TARDIS is a haunted house and a church and a graveyard and a hospital and the Doctor is the most haunted being in the universe but more than anything, this is a love story, because how can you love something without being haunted by it- hey, what are you doing?

My date, shoving breadsticks in their purse: I have to go-

[puppetmaster13u]

Prompt 299

Hear me out- Ghosts have wings. They have wings, which are affected by their cores, and can make them disappear from sight if they want or need to. You got that? Good. 

Ecto-contaminated people? Don’t have wings. Liminals and Halfas, who have developed cores? Do have wings, and they can’t hide said wings, because unlike ghosts? Their bodies are physical living flesh. 

Now Gotham? Ecto-contaminated, there’s no doubt about it. The amount of portals that have been opened there and death pits and death cults… yeah it’d be surprising if it wasn’t. But again, no one really notices, because at most? Most just get a bit of eyeshine. 

The Bats however? Oh man are they freaking out when they wake up with aches in their back and feathers starting to poke through their skin. Curse? Nope! Welcome to Liminality, enjoy the second puberty of wings, emotion-sharing, fangs, claws, and whatever else you might develop- also enjoy the whole eating fear thing. (Wait, the what-)

[shannonsketches]

anyway i just constantly think about how bulma's dad has had a very successful habit of housing and rehabilitating stray animals all her life and it makes a lot of sense that she would know how to fearlessly and carefully handle something dangerous that is puffing up and hissing at her when it feels cornered

[beanghostprincess]

Running too fast to go hug all of your family has consequences sometimes

[veloriium]

they go on silent late night runs together and hang out in space

[mrbluesummers]

Any time I post content relating to baby Knives and his corruption, there's inevitably people who make a comment about how the difference between Vash and Knives is that Knives didn't get a moment with Rem like Vash did, but Knives didn't need one. He knew she loved them already. That's why he never lashed out at her.

Knives is open and honest with Rem until the end. He doesn't pretend like he isn't hurt. When she addresses how he's "forcing [himself] to carry it all alone" he's completely honest with her:

Rem: Are… you… trying to bear this all by yourself? Tesla's story must have been a shock to you. I'm sorry, but I just feel like… you're forcing yourself to carry this alone, shutting everything away inside. Knives: Yeah. I am. It was a shock. It really was, but… we have to go on. That's what you said, right? There's so much we have to do… to make sure it never happens again.

While he doesn't straight up just say "hey I'm going to kill all humans", he is otherwise open with her that he's decided to carry the weight of protecting them from humans. Maybe if Rem was better equipped to handle a traumatized child, she would have been able to better address Knives' trauma, but the issue was never her or her love.

You can see it in the way he still cries and finds comfort in her embrace, and thanks her, and the montage of them living happily together. Knives never withdrew from Rem like Vash initially did. He was purely afraid of other humans and what they might do to his family, Rem included. All of his hate for her came after the Fall.

[marley-manson]

Well I succumbed and watched the Pilot and first ep of Due South last night.

Really struck me how central the theme of Fraser's estrangement from his father is in the Pilot. Fraser mentioning that the last time they spoke was Christmas, essentially saying that the only times they speak are presumably brief calls at holidays. Gerard responding with a platitude - "I guess the more you know someone, the less needs to be said" - but it becomes quite clear that Fraser feels he doesn't know Bob at all, and has to learn about him through his journals.

And yet they're cut from the same cloth: "I always thought your father was the last of a kind. I was wrong - you are." And this is tied to the mountie stereotype lol.

Bob and Fraser both repeat the lines, "You're going to shoot a mountie? They'll hunt you to the ends of the earth," and they're both wrong. No one wants to pursue Bob Fraser's death except Fraser, and no one's happy with Fraser for solving the case because it uncovered corruption. He gets exiled for it. Bob and Fraser are the only mounties who "always get their man," lol, and it's because of Bob's neglect in the course of duty that Fraser follows in his footsteps and becomes so similar to Bob. He idealizes his father and wanted to grow up to be just like him - we can see that admiration in the drawing of him he finds in Bob's things that he made when he was a child eg, or in the song Superman that plays while Fraser reads his journal in the diner. But he doesn't know him. And he pursues duty above all else because he has nothing else of his father.

And then you have Ray, who seems to exist as the opposite of Bob. If there's one thing Ray is, it's there. He is there for Fraser to hunt down suspects, to invite him to a loud family dinner, to save him from an explosion, he tracks him down to apologize for being dismissive, to invite him to dinner, and he flies to the Yukon when he can't reach him by phone. In the diner scene in particular he's directly positioned as a contrast to Bob's absence both in life and death. Fraser is alone trying to understand his father through his journals (looking for something "he missed" ie his dad), and Ray joins him, ending the thematically significant song montage, and eases his solitude. Fraser says he doesn't have family, and Ray shares his own with him.

And after the pilot case, there's nothing drawing them together except friendship. They're not a mismatched pair of cops assigned together who have to learn to get along, they work together unofficially because they can't help but spend every waking moment together.

Bob represents absence and Ray represents presence, distant admiration vs actually knowing someone.

And I'll probably have more to say on that as like, poles Fraser is caught between, if/as I rewatch more of the show. Ray's position is a little muddy especially because pre VS he buys into Fraser's image to an extent, as pointedly examined in Heaven and Earth. But again, more on that another time.

[apricusapollo]

i have this thing where if i love an actor, i try to squish the personalities and the stories of their different characters into one specific character so. any idea how i can make legolas a pirate.

[cheswirls]

early op/dc au fic plot points

in honor of finding my notes finally after five months have passed since writing them and after i just wrote out a huge block of what happens during part one of the fic relying entirely on memory and wit alone, here are some freebie things-that-will-definitely-happen (and just random Things to throw in between) to think over while i'm trying to get back into writing this fic

also tagging @kiteou who created jason/sabo and 100% inspired this verse (please look at their ship art it's all so impeccably goooood)

sabo wears make-up to cover his scar when he goes crime fighting and chooses to hunt criminals in a distant district of gotham to avoid being recognized since he doesn't wear a mask

though he doesn't weak a mask, he does adorn a large tophat with a wide brim and uses the shade to conceal his face from view; when he runs into jason and snarls about a hero not posibly wearing a fucking full-face helmet mask, jason argues back about protecting his identity and accuses sabo of being a hypocrite since his hat also hides his face

jason quotes old literature sabo has never heard of when he's trying to make the most of a situation (so rarely) and sabo scribbles illegible-chicken-scratch words in tattered notebooks when he needs to vent about Life in general (it's maybe his goal at some point to create an autobiography of life in gotham and how much It Sucks, Bad™)

sabo using a metal pipe as his choice weapon reminds jason of damian (he's in his bo staff days) in kind of a fond but wary way - this does not last; at some point the pipe scraping against concrete or brick sets jason off, triggering something in his subconsciousness bad enough to make him lose focus in a fight, and it gets to the point where he tells sabo they can't fight together anymore if he's gonna continue to use the pipe as a weapon

ace and sabo are 19 in the beginning because it takes place in fall, and jason is newly 20 - because of this, sabo is 5'9 and ace 6'0 but sabo wears platform and heeled (the heel is inside so it's not visible) boots when he plays vigilante so he's taller than jason by a couple inches; at some point when ace meets jason he implicates sabo's true height and sabo shouts at him (shut the fuck up, ace!) before ace can finish; even later on, sabo ends up at jason's apartment and when his shoes come off, he stands shorter than jason, much to jason's surprise; sabo admits gruffly that being over six foot makes a person more intimidating, which is his goal at night when facing off with criminals, but also insists that he's still growing (which he is, and eventually he doesn't need the boots to stand at 6'2 properly); even though ace is (barely) taller than sabo (just like he's barely older than sabo), he's still shorter than jason, which rubs him the wrong way (and sets off the comment about sabo's alleged height)

while ace is just trying to survive in gotham, owing nothing to the city that's chewed them both up in childhood and spit them back out again in adolescence, sabo chooses vigilantism in a bid to 'just do what's right, or at least try to'

^ going with this, ace and sabo both have awakened meta-genes that grant them fire powers; ace got his first and is proficient in using his powers - in contrast, sabo develops his after his accident that leaves a portion of his upper body scarred, and refuses to train or even try and control/subdue his powers at all due to his intense fear of fire; this causes daily strife because ace should be able to coach sabo through developing (or at the very least, getting under control) his powers so they don't cause accidents all the time, being the more experienced and honed of the two, but because he's never willing to overstep and always afraid of reigniting sabo's trauma, he never pushes sabo toward what should be the reasonable solution

aaaaaaaa smth smth jason being more experienced in relationships but none of them ever going well, versus sabo who's never been in love and doesn't know how to act, doesn't know how to be vulnerable in front of another person (who's not ace, but even then) or what's considered normal for their relationship status, and eventually having to tell all of this to jason to dispel some worries threatening to make him sick; jason tries his best to insist that sabo doesn't need to act a specific or certain way and that they were going to figure this out together and find what worked for them; in the beginning their "romantic" relationship is super dysfunctional and not much different from their status before when they were just friends, but it slowly becomes more functional when they start to clue in to what they and each other want out of this

i CANNOT find my notes which makes me sick (< actually i did!!! not long after i wrote this which makes me SO mad in hindsight) but in this verse jason runs around with roy harper and artemis crock, who are roughly the same age as him and sabo but have the dynamic they do in earth-16 when they're (sibling) in-laws, meaning, they get along like a tight pair and often will team up to lovingly tease jason whenever the opportunity present itself; when they're introduced to sabo, the initial reaction is them recounting ('oh so this is the boy you're always mentioning') various things jason has said about him and then low-key embarrassing the both of them with their teasing, so it takes a bit for sabo to warm up to them

after sabo is burned by a lighter and his make-up runs, jason believes his old face scars to be part of the fresh injury and rushes sabo to leslie's clinic to get seen; sabo is bandaged up and none of the staff ask questions about the vigilantism that would (tie him w illegal activity) but in the beginning when someone asks sabo a basic question in regards to the injury, sabo clams up; jason has to snap at him that (leslie) was a doctor and not the fucking cops, so would sabo please put an ounce of trust in someone for once and let them take care of him; sabo relents and lets himself be treated

when he arrives home with his eye covered, ace is shocked because sabo never lets anyone but ace bandage him up; ace asks what (the fuck) happened and sabo clams up, flinches back when ace tries to reach for the wrap, and snaps at him to leave it because an actual medical professional treated him for once; ace says smth like 'but you always let me patch you up' and sabo appeases him by saying he can redress the wound later when it needed changing, but right now, he wants it left alone; later ace gets to see the damage and immediately realizes sabo got burned which terrifies him, putting sabo's shying away from him earlier into a new light, and ace takes on a new perspective when he helps sabo tend to the injury in order to frighten sabo as little as possible

sabo lives with ace and rouge until zero year, when their apartment floods and rouge gets sick and eventually dies in the hospital without proper medical care; without rouge, neither of them go back to the house in coventry and instead spend most of the remainder of zero year in a church - despite spending a good portion of their upbringing from that point on around clergymen, sabo refuses to believe in a god that would let him and ace to suffer through life to the extent that they had, and when ace curses 'god damn' or 'oh god' sabo isn't even willing to humor it, always blunting insisting 'there is no god' that ace in turn always counters with 'it's an expression, sabo, it doesn't have to mean anything'

aaaaaaaand since i've been sitting on this intro for a good six months now here's a small actual written pv :)

(if tumblr blurs the ss just click on it and it'll clear up)

[starryemeralds]

do you ever think about how aziraphale fell in love with crowley because of his love for the earth; and crowley falls in love with the earth because of his love for aziraphale?

i think about it often actually.

[idgiejr]

Can we talk about the lure and drama of the 90s?

I am loving Under the Bridge for so many reasons, but I also feel the same tug I felt while watching The X-Files. The drama of not having cell phones or immediate access to people via social media or technology.

[florida3exclamationpoints]

.

[orcelito]

ok i am actually so very angry and there's literally nothing i can do to fix it. life keeps going on. she might even be happy. and fuck dude, i'll make sure im happy too, i was a fully developed person before she was in my life and i'll continue to be one without her. but God Damn, the fact that she can just do something so blatantly awful and unfair to me and then run off without any actual repercussions is just so fucking rankling to me.

like perhaps she feels guilty. she said she did when it was all going down. but it was just something she "needed to do". so obviously she didn't feel guilty enough or she wouldnt have done it like that lmaoooo

i really did deserve to have a good solid yell at her. but unfortunately, by the time i did see her in person i just wanted her out of my fucking life. so. no yelling was done, unfortunately.

[evanox]

[theoppositeofprofound]

Thinking about cyberpunk/steampunk/retrofuturist Tolkien elves again. I think that they deserve blimps! I think that they deserve to invent trains, have Balrog flashbacks, and banish trains to the Underground. I think that they get real into the potential of AI for a little bit (Aulë admits he’s been trying to crack it for ages but when have they let the failure of the gods stop them). Until then, creepy 18th century automatons! Clockwork animatronics! Imagine them equipped with solar powered biplanes. Not even regular planes, biplanes are enough to wreck havoc. Imagine the windmills. Imagine the hydroelectric projects in Alqualondë. Imagine tragicomic space exploration attempts to get to the other side of their (still flat) patch of earth.