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#fantastic dynamic tbh
tomfrogisblue · 9 months
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Morning Crew minus Fit really be negative braincells
Tubbo and Pac are both incredibly smart but any iq they have dissappears when they're together unsupervised
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benevolenterrancy · 19 days
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Swords pining for each other's cultivator is my new favorite type of pining. Love your NieYao content! <3
I don't suppose we could get Baxia or Hensheng throwing a tantrum while Jin Guangyao / Nie Mingjue are away, leaving their owners to deal with the embarrassing aftermath?
Also, do you have any recs you'd recommend with these two?
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this is the exact moment Nie Huaisang realised he was going to have to start meddling in his big brother's love life (con't: 1, 2, 3, 4, 5)
Hensheng, on the other hand, doesn't throw tantrums but WILL sulk...
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timewontwait · 11 months
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i am one of the few people who thinks sonic 06 plot was fine just the way it was
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"what we almost never did was argue on the same side"... babygirl that's because the two of you combined would hold too much power... for anyone but Lockwood, not because he's particularly powerful or whatnot but because he's stubborn in the exact opposite way that you and George are and far too flippant about it
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robbiefischer · 11 months
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"barbie has a great day every day but ken only has a great day if barbie looks at him"
which of your OCs is barbie and which is ken? discuss.
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daftmooncretin · 4 months
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I’m not sure if this is a hot take or not but oh my god in terms of character depth the show has completely eclipsed the original books. obviously lestat was always an insanely fleshed out character because anne rice was obsessed with him but tbh armand, daniel and louis have been given more depth in this 5 episode run then in what 14 books of the vampire chronicles? i mean armand was already a fascinating character to begin with and assad takes what he’s given from the source material and just creates a whole new being with his performance!! plus the additions to his backstory and relationship with louis add a lot i think. but daniel and louis in the source material? they had none of the original armand potential! louis was a white plantation owner.! plus he was incredibly whiney and i always found him flat and kind of two dimensional in the books. how the writers and jacob anderson managed to create the perfect horrific anomaly that is our louis from that…? fucking astounding to me. and daniel??? book daniel is a fine character, sure. but the layers the show added by letting daniel move on from his first encounter and grow into eric! daniel add so much to his charcter!! ITS THE WAY OLD AND YOUNG DANIEL CONTRAST EACHOTHER COMPLETELY AS INTERVIEWERS YET ARE STILL COMPLETE EMOTIONAL MIRRORS OF EACHOTHER. ITS THE WAY THE DYNAMIC BETWEEN THE VAMPIRES AND 70’s AND PRESENT DANIEL SEEM LIKE OPPOSITES AT FIRST BUT GRADUALLY WE SEE ITS BEEN THE SAME BETWEEN THEM THE WHOLE TIMS. DANIEL IS STILL TERRIFIED AND DANIEL IS STILL BRAVE DESPITE IT. HE’S STILL FUCKING SIMULTANEOUSLY PRISONER AND JUDGE. he’s the idealistic boy high off his mind and he’s the cynical dying old man and he’s both and he’s neither. (can you tell daniel molloy is the most fascinating and tragic character in this show) ITS SUCH A FUCKING FANTASTIC PARALLEL. anyway i love you amc iwtv. you are doing such a good fucking job. also thank you eric. i love you eric. your performance both haunts and captivates me eric.
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yandereunsolved · 22 days
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[devours every one of your self aware aus] Fantastic, I need about 30 more, especially the dc ones like omgggg 😫👏👏 I never knew I needed that au in my life until now, so thank you for my new strange addiction 🙏🙏
On self aware Jason I just want to spoil that broken lil mutt [affectionate]
I just want to reach in and pull him out, do some skincare, I can practically see him melting in my lap as I massage the product in watch some period dramas I’ve been putting off, listen to whatever he wants to vent about all the while curling that cute white streak in his hairrr 😭👌
Oh btw while I’ve been looking into your dc stuff [it’s fantastic btw, may your back never ache from carrying the weight of this creativity] i noticed that you write more for adult/older Damian, nothing wrong with that obv, but I’m so use to kid Damian 😅 I wanted to ask you which Damian do you like more? I can’t see Damian as anyone other than a kid tbh, plus I think he’s way funnier as a kid, like that friends sassy lil sibling that you can’t help but be fond of, yknow? Like, in my head he isn’t Damian Wayne, he’s Damian “that lil sht” Wayne 😅😅
Legit crying because of how sweet you are. 👏
Ah, life—if it wasn't so mean to me I'd literally have like 100's of fics on just the self-aware dc (and other fandoms) characters.
On the question of Damian Wayne—I enjoy the dynamics of younger Damian in comics, but I prefer writing older Damian.
Watching young Damian in media is just so fucking awesome and he's such a little shit and I love him. 😭💗
But naturally if I'm writing him in a romantic context he is going to be older. And I just prefer writing for his older version in general. It's make him a more nuanced and complex for when I write him. He has more to go on.
Like adult Damian still needing a comforting parental figure and finding reader??? Him becoming a yandere as he takes up the mantle of Batman? Mhm... mhm... MHM!
Adult Damian is so possessive over his darling and naturally it draws the attention of his family. Even being older the others still bully him and try to steal his darling.
Like it just opens up so many possibilities in my mind.
Maybe adult yan Damian thinks yan Bruce is dead so he takes up the mantle and also makes advances on Bruce's younger darling (who is basically near Damian's age). So Damian gets Bruce's darling who he has been pining over.
And then yan Bruce comes back so it's the daddy age gap yan verses the younger more arrogant yan.
Yummy.
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Could you do headcanons or a scenario with Daddy! Hannibal Lecter? Please and thank you! 😊
This is written so it could go for either Hannibal
Pairing: CG!Hannibal x Little!reader
Contains: GN!Reader, honorific (Daddy) used, CG/L dynamics, Littlespace, established relationship
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Hannibal is a fantastic caregiver, very hands on and prideful
Being his little one means you’re always on your best behavior.
He is a stickler for manners tbh like straight up will make you right lines because you forgot to say please.
He doesn’t get angry, just simply tells you it was a wrong thing to do and he thinks 20 lines written in neat cursive will make you remember better.
You’re also dressed in the most adorable little outfits, things with comfy and colorful prints.
Hannibal also loooves spoiling his little one with any and everything tbh.
You wanted ice cream? He will take you to get the biggest size.
Hannibal also will not respond to you unless you call him daddy (in private or only when you’re little not 24/7 unless it’s a established part of your dynamic)
But he adores it when you call him that, his heart melts and he just wants to hold you close and give you the world.
He also will absolutely play with you.
He loves to color with you surprisingly, he always seems like the kinda guy who can’t be silly but sometimes he can.
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cal-writes · 1 month
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I thought about Zoro, again. And how he stays calm when all other mugivaras are in disarray. How he has to be the last pilar standing, because if not him than noone. And how some people deam him emotionless and uncaring because of that, because he keeps his cool and talk logic in hard situations. (Like whan they had to leave Vivi behind, or all this mess in inies loby). And I thought how I want someone to see it, and hug him and let him be vulnerable for a bit.
I dunno if I mean it like a prompt, or just want to cry with someone over Zoro. Maybe both. Anyway I would love to hear your thoughts on the matter in any format :')
god yes i knooooow. going insane over him tbh. like i went into this in my previous meta post about him, esp in enis lobby/water seven arc where he is so clearly affected by everything going on but can't show it. (or feels like he cant)
this reminded me of a thing i havent seen many people talk about, which is that zoro is very often 100% spot on with his predictions, gets ignored, and eats shit for it.
like zoro isnt stupid (despite what some characters and parts of the fandom think) hes incredibly perceptive and his cold read on most people will be accurate. theres several moments where he will predice something happening, rationally explains it to the crew how the best course of action is one thing and then luffy being stubborn and the protagonis does what he wants
not to say that thats a bad thing! i think its awesome to show their dynamic
like back on zou when they find out sanji left to marry big moms daughter and everyone wants to go and get him back
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zoro is harsh in his wording bc he always is but the core of the matter is this: if they go mess with big mom, while they are already anatagonizing kaido, they'll end up having to deal with two emperors. he understands that sanji knew that which is why sanji left the way he did (partially).
and we all know how that ended
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not only that i think this fight is a fantastic display of zoro's core character trait. unlike the three captains in this fight, he doesnt have an ego about it. he's not posturing or peacocking, he knows immediately shits gonna go down (killer too probably but with the mask its harder to tell what killer is thinking) and he's the one person that keeps an overview of the battlefield that includes everyone. law eventually does once he gets over his control issues
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and of course thats not the end of it in wano
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"ill suffer twice as much after" and he doesnt care, beats king, nearly dies or maybe does die and nobody knows about that whole thing
then of course in more recent chapters (spoilers for egghead below)
we have his fight against lucci which i find striking in how the other characters perceive it
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like jimbei can be excused, he doesnt know zoro all that long but the crew acts like this is a point of pride to zoro, to finish the fight. when we've seen zoro run away from fights plenty of times. and to me what he doesnt get to say is exaclty what ends up happening
if lucci isnt taken out, he will tell the elders about the plans he was privy to in eggheads lab. which of course he does when zoro is dragged away
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if the vegapunk hadn't stepped in
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zoro would have fought the elder and most likely lost
same way he knew he'd not be able to win against kuma
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he's telling everyone to stay out of it because he wants to protect them. its not an ego thing for him. he knows the second he stepped up to that fight hes probably going to lose. he's going to do his best to win but he's not delusional
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and i find it noteworthy that we are continuing this plot line of the crew not understanding zoro or not trusting him and not to mention this
lucci telling zoro he's dead weight
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and a little bit later, sanji telling him the same thing
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like, thats not their usual banter. this doesnt make zoro angry to like be able to fight off lucci better or sth. the panel of him standing there just, flinching honestly haunts me. (i eat it up oda please do somehting with it)
esp curious paired with my above example where i think zoro understands sanji quite well where i dont think sanji does in return. (another reason why i cant see them romantically im sorry itd require so much legwork for me to make that work)
i think it can definitely be read as a setup of zoro feeling apart from the crew. i think part of that is just due to the nature of his position as first mate in everything but name. like in a literal sense he is their superior the same way luffy is all of theirs. and we know from the usopp argument that he takes that a lot more seriously than the others. so i dont think - at this point in canon - zoro would open up to anyone except maybe luffy but even then thats not really the kind of relationship they have - and i dont think any of them actually see whats going on or what zoro has been doing basically the entire time.
zoro hasn't been vulnerable since his fight with mihawk
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likealittleheartbeat · 11 months
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talk to me about the theme of emotional isolation for zuko and aang
It's the main reason I'm obsessed with the show tbh.
Can we overstate Aang's isolation within the show. He's not only a survivor--a sole survivor--of a genocide, he's also knocked out of time and history. These are the facts of his physical isolation. But his emotional isolation is such a different beast. It began before any deaths did. He is set apart by the monks and by the whole world as a savior. Shortly after his status as the avatar is made known, his peers exclude him, his power too great. His humanity is denied because he's too divine. Only Gyatso seems to still regard him for who he is rather than his gifts. Of course, that's why the council decides Aang needs to be further separated from worldly relations like that, and vote to send him off. For Aang, it's the last straw. He can't bear further exile from others. To regain some sense of control, he tries to run away from the heavy burden and those who have put it on him. At least this time, he's the one choosing his loneliness. It has become so clear that no one can understand his feelings about the Avatar State.
This is the emotional state he enters the series with, icon rather than human. He starts off concealing his revered identity in an attempt to indulge in simple pleasures, penguin sledding, coy fish riding, etc. But the shame is secretly right there at the surface. He's lovable but mercurial. Friendly and animated with everyone when he first meets them but in a way that's fleeting. The knowledge that he will have to leave the village, in an episodic fashion, having helped the members of the town, even having sacrificed himself for their well-being, is an understood fact of the plot and his life. At most he sheds some of his grief by putting it into words with Katara's encouragement. But despite the whole world fighting through their own grief from the fire nation and Katara's sole-survival of her own culture's genocide, they each have people in their families and cultures who, however bitterly, hold them and hold the broken memories together with one another. No one is as physically isolated as Aang, but, more importantly for his character development, no one is as isolated by their significance to the world.
No one, except Zuko. Zuko, the banished prince. Isn't that what Aang as the Avatar is in many ways: a spiritual prince, an heir by birth to power and legacy, who has been banished from his inheritance. Only, Aang's inheritance would be peace. Zuko's would be the Fire Nation, but because of his humanity, Zuko, like Aang, is without a nation. This is one reason Zuko and Aang are such incredible narrative foils. Aang is rejected from humanity's compassion because of his divine status while Zuko is rejected from divine rule because of his human compassion and failures to demonstrate perfection. (If you're interested in this dynamic in media, Fruits Basket has fantastic explorations of these themes with Kyo vs. Yuki and Tohru vs. Akito.)
How early did Zuko start to notice the disappointment he brought to his father and grandfather? As early as we can see, Zuko seems alone. The episode with that phrase in the title reflects back on his childhood, which, noticeably, lacks the friends Azula manages to keep. He mimics and mocks her cruelty, as well, in an attempt to impress his mother. His insecurity seems already set, a sense that no one can understand. While Aang recognizes that everyone thinks he's too good to belong, Zuko lives in an environment in which he's not good enough to belong.
The reactions to their rejections correspond, too. Zuko's reaction of antagonistic pursuit of anyone and everyone--like Aang's reaction to run away (literally and sometimes emotionally with a smile or joke)--helps keep others in a framework of enemies so he can control his exile rather than the other way around. Yet these behaviors put them in dynamic relation to one another--Zuko is drawn to the endless pursuit of the strangely kind Aang, whose instinct is to behold others while remaining untouchable, while Aang becomes clearly intrigued by the person who refuses to treat him like an untouchable hero, the person who refuses to give up on the possibility that the Avatar can be flawed and fail, no matter how many times he slips away proving his divine destiny.
It's obvious that Zuko is supposed to hate Aang, as the Avatar. "The Headband" illustrates how education in the Fire Nation portrays him if the fact that Zuko's only possibility for regaining his title under his father is bringing the Avatar back isn't enough evidence for you. But Aang ought to hate Zuko just as much, if not more. Instead, they are drawn toward one another with an remarkable intensity, established within the first half of the first season, "The Storm" x "Blue Spirit" combo punch! In fact, the blue spirit episode really reveals what they can mean to each other. Not only in Aang's question at the end that invites Zuko back into the past with him, but in the way that Zuko is made to be the divine entity for a brief period while Aang is helpless in the fort. Then, that question at the end: "Do you think we could have been friends?" Isn't that the opposite of the isolation they feel. In the woods, without a nation or an allegiance, Aang, remembering the people and time that he was forced to leave asks Zuko, who has just betrayed the people who banished him, in another version of life where they were both simple people rather heirs of vast power, if they could have formed a kind of union that would have dissolved the loneliness that consumes both of them. But it's momentary and they have to return to the world that defines them as the Avatar and the Banished Fire Prince.
This becomes one of the cores of the show, as echoed in the finale, where Zuko and Aang consummate their friendship, but by then, through traveling the winding road toward one another and aiming to take on a part of what the other person represents, they have found a balance that refused the binaries of divinity and fallibility that had previously separated and defined their lives, binaries that exiled them from connecting with others, binaries that built towers to isolate them from the world. The victims and survivors of genocide, the subjects of colonial violence, nor the sufferers of abuse need be pure to claim their pain, nor must the people who want and work towards justice be saints to do that work. Harder for many audience members to absorb, despite their love for Zuko who's arc is meant to emphasize the point, there is a spark of divinity in everyone, from the most unloved to the most violent and tyrannical. This second fact must exist alongside the first, or else the premise won't hold. How you choose to act and engage with that spark of divinity is a human choice we each make on our own, but that does not deny it's existence. The divine ideals must be allowed to fall apart into comedy and tragedy, while the mundane, the profane, and the cruels horrors of life must be allowed to be seen as something that hold the possibility to become beautiful and part of a grander design. The Avatar must be allowed to be Aang and Zuko must be allowed to be the Firelord so that we can have Avatar Aang (the last title of the series) and Firelord Zuko (the most celebrated character arc of the series). They need one another to assuage the fear, isolation, and dread that black-and-white perfectionist thinking boxes us into.
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HOLY FUCKING SHIT HAZBIN WAS SO FUCKING GOOD IM GOING INSANE AAAAAAAAAAAAAAAAAKENFKCMKWJRKFNSMSMDMSMDN-
Okay. Okay deep breaths. Time for some cool and collected comentary. Okay.
Putting it under the cut so ppl can avoid spoilers :)
HUSK USED TO BE AN OVERLORD!?!?!?!?!? HELLO!?!?!?!?!? FUCKIN PLOTTWIST OF THE CENTURY WHAT THE FUCK!?!?!?!?!?
Huskerdust my beloved
SIR PENTIOUS MY BELOVED
Vox was great. I love him he's so fucking cool-
If Vox wasn't already a Tumblr sexyman he's definitely gonna be one now. He's so fucking Onceler coded it's insane.
Velvette was amazing too. It's so funny that she's British lmao I was not expecting that
Velvette is also very Anne Boelyne(like from SIX not from Real Life) coded it's wild. Her part in that song with Carmila was giving so much Don't Lose Your Head
I swear I'll stop comparing them to other characters I SWEAR
Okay but me and my brother are working on a Hazbin Hotel swap AU where we swap the main cast with the overlords and in that AU we swapped Husk and Vox. The Husk used to be an overlord reveal is gonna make that AU soooooo much easier lmao
ADAM IS REALLY GOOD I promised I would stop comparing to other characters but he was giving SO MUCH Hades from Disney's Hercules like its insane
I think we should let Alex Brightman sing rocj and roll more often that song was such a fucking BANGER
SPEAKING OF THE SONGS- oh my god I love the soundtrack so fucking much-
Stayed Gone was a lil less hype then I was expecting but thats okay cuz it was still a banger and I loved the visuals
That song battle between Carmilla and Velvette????? Oh my god??????
Carmilla and Vaggie's song was also amazing but I think I know why they didn't have Stephanie Beatriz sing her own song in Elena of Avalor y'know, girl cannot hold a character voice while singing
LOSER WAS SO FUCKING GOOD- I love Huskerdust so much. I love Keith David so much. Blake Roman is such a phenomenal Angel Dust.
SPEAKING OF all the voice actors are amazing. Blake Roman, Brightman as Pentious and Joel Perez were the ones I was the most worried abt but I loved all their preformances so much it was fucking fantastic
Valentino can go die in a fucking hole <3
The other Vees are cool and fun to watch but I hope Valentino fucking dies
Okay to be fair he's also fun to watch when he's not in the same room as Angel Dust but tHAT DOESNT SUPERSEID MY HATRED FUCK 👏 THAT 👏 GUY 👏👏👏👏
Speaking of the Vees tho I do love their dynamic
My favorite episode was probably Radio Killed the Video Star bcuz of mY BOYS PENTIOUS AND VOX!!!!!!!!
And the most painful episode to watch was- no surprise- Masquerade
That episode was a fucking rollercoaster Jesus fucking Christ...
Those scenes with Angel and Valentino where so fucking visceral... like. Who the fuck wrote that. Who are you. Are you okay. Do you need help-
Tho I'm not sure abt how they're handling the ah- more serious bits of Angel's character. It is WAYYYYYY to early to tell and I think Loser wasn't like. Trying to downplay the situation. But the writers better have been careful moving foreward bcuz I can def see a world where Angel's arc goes very wrong very fast-
Also while we're criticizing: wasn't a fan of the pacing. Especially in episode two. Like I can look past it, but the way they breeze past some plot points kinda bugged me
Otherwise it was sooooooo fucking good man oh my god
THE HUMOR WAS SO MUCH BETTER THAN PPL MAKE IT OUT TO BEEEEEE PPL NEED TO STOP SHITTING ON THE COMEDY IN THESE SHOWS MAN-
The gag where Niffty just fucking stopped thinking every time the camera turned on was so fucking good
Niffty in general was really fuckin funny
Alastor was a lot less prominent of a character then I thought he would be but tbh I think that's for the best. He's like Discord from My Little Pony, fun in small doses but if you don't set perameters for how often he appears and when he's willing to help it kinda breaks the show
Chaggie is adorable and I love them <3
I think this show does a really good job balancing the focus on the whole cast! These first 4 episodes seem to be pretty Charlie, Angel and kind of Vaggie heavy but everybody still gets their fair share of attention!
THE ANIMATIOJ OH MY GOD- IT WAS FUCKING PHENOMENAL IM LOSING MY M I N D
Im going feral IM GOING FERAL THIS EXCEEDED MY EXPECTATIONS AKFNVKKENFEKFNDN
I love comedy. I love musicals. I love drama. I love silly characters. I LOVE ANIMATION!!!!!!!
It's like the South Park movie but longer and better animated and IVE BEEN WAITING FOUR FUCKING YEARS-
Just. So excited overall. Can't wait to see where it goes. May make more posts abt my thoughts in tbe future.
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lonepower · 6 months
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ok you know what i need more bodysharing/brain roommates. malevolent got me feeling some kind of way and I need MORE. tvtropes has like 15 different categories that are all sort-of-but-not-really under the umbrella of what I'm looking for, and sorting through all of that is a little too unwieldy, so I'm turning to you guys. 
key factors of the specific flavor of "multiple consciousnesses stuck in the same meat suit" that I'm looking for are:
any variation of, a human (or this universe's equivalent [so like, an elf where elves are commonplace would count]) has another, nonhuman consciousness attached to them and only them in such a way that the two can communicate, and subsequently
they Banter Constantly
^that^ is probably the most important qualifier here tbh
second most important qualifier is that they are not separated at the end (this obv. doesn't apply if the thing is still ongoing). it's okay if the passenger gets a new body (cf. subnautica) or is freed from their binding (cf. baldur's gate), as long as the partnership isn't broken.
Related: they don't actually have to SHARE a body (so enchanted objects, an AI implant, a Mysterious Disembodied Voice, an imaginary friend, etc., also count). they just have to be tethered to each other such that the passenger cannot move around or function on their own without a host. (I think this is part of why it's hard to narrow down on tvtropes: it's more about the dynamic than about the specific mechanism of "possession".)
Third most important qualifier is that only the current host can hear/communicate with the passenger, even if other people around them are aware of the passenger's existence.
two humans stuck in the same body is okay as long as the other criteria are met, but I would prefer it if the host is human(/equivalent) and the passenger is not (or vice versa if the passenger/possessor is the one with control of the body, as with things like the yeerks, most demonic possession, etc).
it doesn't have to be romantic. they don't even have to like each other. conversely, it absolutely can be romantic too.
They DO have to be the POV character/s for a significant majority (like, at least 60-75%) of the work, because the internal back-and-forth is the entire point.
Bonus points if: they do actually share a body; they are either never physically separated either, or are rejoined at the end (voluntarily or otherwise); passenger has lots of setting-relevant knowledge/an alien or fantastical perspective, while host shows passenger what it's like to be Alive™; despite constantly butting heads, host and passenger work patently better as a team; super extra bonus points for all of the above 
My favorite examples of what I am looking for:
Malevolent podcast (super extra bonus points x10000000000000000)
Venom movies (this is probably the codifier for most people here tbh) (super extra bonus points)
Subnautica: Below Zero (AL-AN gets their own body but stays with Robin, and it hits all of the others)
Forspoken (super extra bonus points)
the "a bagel. two bagels." vine
(I know there's a couple others that I'm just blanking on. If I remember them, I'll add them.)
other things that have moments or flavors of this, but aren't focused on it/don't quite hit all of them:
the Bartimaeus trilogy had it at the end a little, but, well. it didn't last very long. (i STILL haven't recovered from that ending and i was, what? 15 or something? g o d)
the emperor in bg3 kiiiinda counts since they're magically bound to the player/party and can't exist outside their prison, but they do have their own body and are not nearly as chatty as I'm  looking for. also, while only the holders of the prism can hear them, All of the holders of the prism can hear them and I'd really prefer one-on-one.
I think Death Note would also count? I read it in like 6th grade and never finished it so my memory is patchy At Best, but since nobody else can interact with Ryuk, he's bound to whoever holds the notebook, and he's the supplier of the holder's powers, it's close enough that I would accept something similar.
Slay the Princess has the bickering in spades and fulfills the "do not separate" criterion depending on your ending, although the jury's out on whether the voices are Actually their own entities or just symptoms of you losing it. Also, nobody in it is human. The bickering is definitely good enough to make up for it though. (The fact that it's Jonny Sims clearly having a grand old time might have something to do with it...)
with the caveat that I have not watched any of it, i think jadzia (and?) dax from ds9 miiight count, but they're part of an ensemble cast and thus fail the "pov characters for a majority of the work" and "we get to hear their constant internal banter" criteria.
things I tried that fit at least some criteria, but didn't like for various reasons:
the good demon by jimmy cajoleas. promising concept, but 1) the protagonist smokes, which is an instant and unnegotiable dealbreaker (seriously, who makes their protagonist do that in The Year Of Our Lord Anything Later Than 1950?? and to a child? DEATH. ONE MILLION YEARS DUNGEON.), and 2) I looked it up and they separate at the end anyways, so there's even LESS of a point. 
the venom comics. honestly I just... really dislike superhero comics, there's always way too many of them to keep track of + I'm very shallow and they're usually unbearably ugly to me (and also having started with the movies I just found comics!eddie really unpleasant tbh) 
parasyte manga. perfect concept, great dynamic, but its particular brand of body horror was... not great for me and I had to put it down. (horror in and of itself isn't a dealbreaker, though, so if you've got something similar that doesn't involve lots of hands bent at nauseating angles, I'll gladly take it.)
Cyberpunk 77 has the two-humans flavor of this and hits almost all of the other criteria, but i viscerally hated literally everything about j*hnny s*lverhand with every fiber of my being and the rest of the game was so mediocre already that i just gave up
....I know it's a highly specific/potentially niche dynamic, but if anyone has any recs, PUHLEEASE hmu!!! I'm looking for original work rather than fanfiction, but apart from that, format doesn't matter at all (although if it's some like super difficult indie game or something, I probably won't get very far lol). the MAIN points are 1) bickering and 2) host-and-passenger, so if you have something that hits those but not the others, feel free to share it anyway!
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batbabydamian · 5 months
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so, Batman #147… rambling about the difference in how Zdarsky portrays the two current Robins
this is a fantastic run for Tim, and very much written like a return to form of what plenty consider the best dynamic duo, but even more so "the best Robin". once Damian's introduced in this run, Zdarsky really makes sure you still know that lol
1. "We don't need anyone else" VS "I need my family"
#147 clearly exemplifies the contrast, so i'll go through it first. Damian, having fallen for Zurr's lie and accepted him as the real Bruce, goes so far as to say in the very first page "We don't need anyone else." it's cold colors, machinery, and hollow declarations of "father and son" for these two.
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towards the ending, Tim has deduced where the real Bruce is hiding and brings him food expecting Bruce's knack for self-neglect. it's all warmth, sunshine, and mutual understanding - also a cute back and forth of "Batman and Robin" between them. on top of this, where Damian isolates Batman & Robin from family, Tim is the one to remind Bruce about "helping each other." Bruce heartily agrees with "I need my family" for a weighty end.
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along with this parallel, from #138 Tim makes it clear that even in opposition, he's only ever trying to help Bruce. Damian was still on the wrong side with Zurr-induced-Bruce here at the time too 😭
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2. Tim's independence as both a hero and partner
Tim is written as the ideal Robin to Bruce's Batman, and has made Robin its own independent hero on equal footing rather than a sidekick - it's made in statements by both Tim and Bruce, and through the entire narrative. he takes initiative and tries to foresee what would ultimately help Bruce. beyond being great partners, there's many bits showing their emotional connection ("i'm scared of being lost, but i'm more scared of losing you, Bruce" hit me like a bag of bricks). tbh this almost could be a Batman and Robin run lol
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added the first panel from #126 of Tim declaring he's his own hero outside of Bruce, proven plenty especially in his backups in #131-134!! the other panels are a few highlights from #128, #130, and #135 of the partnership between Tim and Bruce
granted it's Zurr, but Damian is mostly seen following orders and given pensive looking panels when there's something concerning. While Tim continued to represent Batman's ideals during his own solo quest to find Bruce, Damian doesn't question or take action against "Bruce's" sudden shift in ethics
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Batman #134 Backup - Tim showing support toward Toyman VS Batman #146 - Zurr and Damian confront Harley as she pleads about her change of heart
another kiinda parallel in #147 is Bruce acknowledging Tim's hard work to become Robin compared to Damian who's out here going Batman and Robin/Father and Son. i don't think it's an intended parallel but just the state of continuing to show Tim in a better light - Tim put in the effort "to become the second-best Robin" while Damian is Robin because..."son." supposedly less effort on his part too, because LOA.
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second pic is from Batman/Catwoman The Gotham War: Scorched Earth, felt fitting to add since Tim mentions needing to "know everything" in both. and the humble brag. which ofc Tim believes Dick is the best!! but also. jic we didn't know Tim is the best current Robin sdfgh
3. Damian's blind loyalty as "Bruce's son"
there's a weight to the Robin title when regarding Tim, whereas Damian's "Robin" role is excess and counterintuitive. he's delegated to desperate sidekick to Bruce, as well as becoming an obstacle to the family. being Robin only seems significant to Damian in how it ties himself to his father, and his single Robin quality is a loyalty that's been written to an extreme fault. the only positive angle i could see this in is Zdarsky aiming to put Damian in a sympathetic light in how far Damian was willing to fall to stay by his father's side, hence, fooled by that nightmare story/confession. the problem with this is that we have not seen a single emotional connection between the two in this run, so why should we care about that relationship.
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also, Damian constantly bringing up his position as Bruce's son just makes him look entitled? since Bruce rightfully expressed his claim of having the others as his sons too (with the unfortunate exclusion of his daughter)! so it's like a "lol you're not that special" vibe when looking at it from the outside?? ykw concerning #138, Damian saying "You're the one trying to destroy my father" also could have been in contrast to Tim saying "We'll help our dad" at the end.
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Zdarsky seems to believe the only meaningful part of Damian being Robin is he's the son of Bruce, and not a single nod to any noble aspect Damian's achieved beyond that. we're constantly reminded of Tim's greatest hits as Robin, from taking on the mantle to pull Bruce out of darkness (#135, #138), mastermind a whole takedown (Gotham War: Scorched Earth), and always being on the same wavelength with Bruce etc. the entire run sings Tim's praise, and it's deserved!! my problem is how it's in stark contrast to Damian's portrayal of being the other Robin who's only special because he believes he's the greatest son and wants to be at Bruce's side.
so all this to say, if your fav is Tim YOU'RE EATING WELL!! personally as a chronic enjoyer of things, this has been an entertaining run! as a chronic enjoyer of Damian, it's definitely not for many of his fans at this point in time.
i did like this part!! his grin!!
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talas-first-lady · 11 days
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Additional Wynonna Earp Vengeance thoughts
This is going to be all the spoilers. You have been warned.
First of all, things that brought me a lot of joy:
The first scene up until things went bad. Nedley. Mercedes. Being buddies. Everything Mercedes was wearing including her monogrammed fanny pack of fishing lures.
Mercedes being like “the face. Kill me if you must but do not harm the face.” And hey, props to Mina for listening?
Bunny Loblaw cameo. The woman just gets better every time.
Any and all Wayhaught physical activity.
The entire Wynonna and Doc intro in Tombstone. That was just pure 100% Wynonna perfection.
“No we will NOT be redoing those stairs. They are very important to me for reasons.” - Nicole Haught
Every comment from Wynonna about how drunken brawling is actually precisely what Mercedes would have wanted at her wake (although I think Mercedes would have wanted more male strippers tbh).
I am typing this as I walk my dogs and we just passed a gold penis-shaped piece of confetti on the sidewalk outside a bar. Mercedes Gardner: never truly gone.
There was some quality Earp sister time that I did enjoy although it was slightly off (see Waverly discussion).
I am very much not up on current music so I didn’t get 100% of the references but Doc talking to Waverly about Megan Thee Stallion is what I came for.
Wistful comment about friend from Arizona. Thank you, Doc. Sorry your new bf was a tool.
The conversation between Wynonna and Nedley at the cemetery was perfect and should have happened years ago.
The fact that no one for a moment doubted that the three people Wynonna loves most are Waverly, Alice… and Nicole. I will be a Wynnaught shipper till the day I die.
Wynonna going to hell was pretty badass.
Nedley hitting hellhounds with his truck.
No pyramid schemes!
Now for the complaints.
At no point did they convince me that Mina was actually worse than all the demons they’ve faced before. Really? Sure, she doesn’t follow Revenant rules, but they’ve dealt with Bulshar. She does not remotely compare.
I also didn’t really buy the backstory stuff: Wynonna trying to impress a bunch of mean girls by summoning a demon for them? Taking them to the homestead at all? None of that felt true to her. I also don’t know why the group home girls were just suddenly back in Purgatory. (Also Dawson’s Freaks is the STUPIDEST.)
I think maybe Mina would have worked with a full season of build-up, but this was just not enough time.
I’m really pissed off about Mercedes surviving everything just to be murdered as a plot device. I love her, ok? She deserves better.
I am less pissed about Doc because I think they handled it decently - one last epic shootout, burying him in the spot where he wanted to raise Alice, the symmetry with burying Dolls (on the same hill, I think?), letting him come to terms with aging and dying. But it was so unnecessary. And so rushed: we never got to see anyone’s reaction but Wynonna’s (and Jeremy’s wildly out of character non-reaction). He was such an important character and we never got to say goodbye properly.
Not enough Jeremy.
Nicole’s attitude towards Wynonna up until that big don’t tell Waverly moment just made me so sad. I love their dynamic. I don’t know what happened.
In general, it felt like Nicole majorly backslid.
Biggest problem, though: Waverly. And I’m going to be upfront here and say that I was never as enamored with Waverly as a lot of people are. But I did like her and this didn’t feel like Waverly.
I think it’s fantastic that Dom has come out and become more comfortable in their skin and that they didn’t force them back in the girly Waverly box for this.
But I think they changed too much. Physically, the hair, the nose ring, the tattoos, the wardrobe choices (the wifebeater? The bolo tie?). But there was also her behavior. Jumping into a bar fight aggressively after relatively minor provocation was a lot. There was nothing of the light, bubbly Waverly left aside from a craft room. It just felt like part of her died. Like something happened over those 5 years that traumatized her worse than the stuff we actually witnessed. And Nicole being so unconcerned about it.
Anyway, that’s most of it?
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turtleblogatlast · 6 months
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hey!!! this is less of an ask and more of a fic rec tbh 😭 but have you read 'I May be Invisible, but I Still Look Good" by Dandy over on Ao3???? It's after the movie AND Leo-centric and like he gets cursed so his spirit is ripped out of his body. It's like 125k words of wonderful storytelling
OH- but for an actual question, do you have and fic recs?? or any AU's you think people should go check out?
I tried answering this before and it erased my reply orz
ANYWAY YES I HAVE read this and I absolutely love it with every fiber of my being.❤️ 100% one of my top fics to read in this fandom that I even go back to for a reread more than once. The characters are perfectly done and the set up for the story is believable with a fantastic payoff, highly highly highly recommend to anyone who hasn’t read it yet.❤️
As for recs, I’ve always been terrible at giving recs since my memory is very bad especially for ones I haven’t read in a while.😭 Off the top of my head I can recommend (note these are practically entirely Leo-centric since he’s my special guy you understand (the others aren’t forgotten at all though!!!) - and most of these are very very well known so you’ve likely already read them…):
[Note many of these are unfinished and may remain that way - please no one harass the writers for more, let them write at their own pace if they choose to write at all]
- The Neon Void by sugarpastels is absolutely incredible, the dramatic irony of it all as we follow Leo in the state he’s in and see just how broken all the Hamatos are by his “death” is just 👌👌👌 The fact that this places with one of my favorite tropes aka “Leo being in the Prison Dimension longer than canon” is just so good. Genuinely a thoroughly gripping tale that I highly recommend. It’s not complete yet (a lot of this list isn’t) but what is there is so amazing please read (though you most likely have read it already haha)
- little kid with a big death wish and firefight by remrose are another two you’ve likely seen but by god are they worth the read. Firefight isn’t done yet but it and death wish are so amazingly well written and really go into how trauma affects people differently and how ties with family can be tested in traumatic situations. Hard subjects definitely but very maturely done. (Also I misread firefight as firelight for way too long before I realized it-)
- Power Up and Times Five by pickedcarrotsandradish are both unfinished but I can’t care because what we were given is so good that I’m fine with them as they are. Both deal with Leo’s insecurities and bad feelings about himself and, very importantly, the fics go into how these insecurities establish a base for Leo’s very real flaws and how those flaws push him to act the way he does. Very interesting and compelling stuff here!! Power Up especially does really cool things for the boys’ mystic power ups, especially Leo’s, and I loved reading about the ins and outs of what they could do.
- Race Against Life, Death, and the EPF by Cass_Phoenix is just so engaging to read??? Like I love the entire set up for it - it’s feels so fresh and like you’re in Leo’s desperate situation yourself. I was so excited whenever a new chapter came out because the atmosphere was so well done.
- A Mixed Bag by GreatlyBlessed is SHOCKINGLY not Leo-centric for once haha. It’s not completed, but again, like the others above it is so good that I recommend it anyway. This story is actually a crossover between four sets of TMNT (‘87, ‘03, ‘12, and Rise) and the dynamics set up in it are SO fun I love it. Team 2 is my fave because you have literally all my faves on that team how could I not?? I also highly appreciate that everyone gets a chance to shine and that there’s no bashing at all, they’re all just very much in character and it’s refreshing to read ❤️❤️❤️
There’s a LOAD more that I could recommend I’m sure but I don’t remember them off the top of my head at the moment.😭 If I remember I’ll come back and add them in!
(Forgot about AU’s- honestly there’s some that I see and catch up on when I see them but there’s just so many that it’s a bit difficult to keep track of sometimes! I’d have to go around and fully look through many before having a solid answer haha! The ones I do see are always so well done though, I may come back and add them here if I remember 😅)
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carlyraejepsans · 8 months
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Hey, if you don’t mind the question. What’s your opinion on Undertale Yellow?
8/10 game. pretty good at being a game, not so much at being an undertale story. the gameplay itself was fun, the area/puzzle designs too, the soundtrack was untouchable it literally gave me the same rush i felt hearing sburb initiation for the first time. minor NPCs designs were fun but the primary cast was too monotonous, tbh. (all the main characters have tall gangly very detailed designs save for like, axis). its attempts at landing Undertale's humor were quite often successful, but it held back on exaggeration and caricaturing its original characters which took away that oomph from the canon game. the character writing was... lacking. which is a pity.
i love fucked up women so i was really disappointed that every single one of ceroba's actions/ideas/influences on the story were nothing but an extension of her dead husband. when you take chujin away she's just... A Good Wife and Mother. or starlo's past love interest ig. i mean both dalv and martlet's backstory were tied to her family and we never see them interact at all. but they do have an established dynamic.... with the dead husband. again. UGH. she's just really wasted as a character (she and chujin should've BOTH been scientists and she should've continued the project AGAINST his wishes after he died. she's the main cast character, she should be the driving force in the narrative, not him—even if chujin sets the plot in montion by inventing the serum first).
I'm not a huge asgore fan—not that i dislike him, he's just not a character i care about all that much—so congrats to this game for making me say "he would NOT fucking say that". the "fuck the royals" subplot thing was really unnecessary. actually, that was a bit of a recurring thing in the game. suddenly introducing these Huge Social Dilemmas like labor exploitation, anti-monarchic sentiments, misogyny (bro who on earth "needs to take a wife" this is Undertale) everyone realizing that clover is a child, over exaggerating the violence at stake... while also attempting to maintain Undertale's careless, bouncy treatment of the situation. that's... not how things work. undertale is able to maintain its light tone BECAUSE it doesn't let you take those topics seriously, they're not meant to be. the fairytale-like king, the battles, the child protagonist, they're all set dressings for the REAL story and REAL power imbalance it wants to highlight: that between player and game characters. everything is in function of that. you take that layer of separation and make everyone aware that theyre violently attacking and killing a literal child... that's not. a good thing dude. if it's not gonna impact the tone of the story, why acknowledge it in the first place? it's just unnecessary
anyway flowey neutral run was really, really fun. his dialogue writing all throughout the game was very solid and i had a blast having him around. however, they shouldn't have tried to anticipate his character development. this game is a prequel, you can't do that without undermining his arc in the canon events. pacifist should've had him doubling down on his frustration from the neutral ending. i do all this work for you keeping you alive and you make the same mistake i did sacrifice yourself for them??? are you BRAINDEAD???? what I'm saying is he basically should've thrown the biggest tantrum of his LIFE. oh and in the NM run he should've been terrified when he lost control of the SAVE file. this is the first time it's ever happened to him and now he's gonna die for good. he wouldn't have gloated like he did.
if you want to hear more criticism along the lines of what i said then this post by the fantastic @andreabandrea covers a lot of what i also felt during the game. i know this might sound like a lot of negativity, but the fact remains that UTY was an absolutely phenomenal work of fan creativity the likes of which we have never seen before in the fandom. considering the quality and polish, i thought it only fair to approach it as the piece of art it is and give it my genuine thoughts on the matter.
overall, still a really fun way to spend the afternoon with a pal. so. thumbs up
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