#feel free to respond please lol

[sofancydancy]

I need opinions, please...Should the splatter remain? Or keep it clean? I am doing the entire Caravaggio image, but I'm not trying to post it all until the end... The main reason I wanted the splatter is because I wanted to play around with the idea that this could be Astarion after climbing from his grave. Any thoughts, please? lol

[batsplat]

thoughts on challengers ? 👀

haha okay sure. I was overthinking this when I first saw this ask but since then I've sent half an hour worth of voice notes to my number one person I send half hour's worth of voice notes to (listen she keeps encouraging me to) and I've ironed some of my thoughts out. also I should probably watch it again. some of this might be me misremembering shit. also it's not that serious. quick warning, this ended up being just. too long. it's basically just a long rant. under the cut it goes

so first of all, I really enjoyed watching this film. I liked the central premise a lot, I liked the chemistry between the characters, tashi was very hot, the score was fantastic, the cinematography was at least interesting, and a lot of the non-tennis bits are interesting

having gotten that out of the way. there's an interview where guadagnino says he doesn't watch tennis matches because he finds them boring, which to be clear is completely fair enough - but I do think it does slightly come across in how the tennis is filmed. there's definitely fun, neat stuff in there: the shot where it follows around the ball, the shot from underneath the court, all of that stuff. and I think there's obviously a lot of challenges with filming tennis when you have to make sure you can't, like, see the actors actually play tennis, and I don't know anything about film-making so I don't want to judge it too harshly. but there are a few established angles from which tennis looks good, and this film doesn't really use them all that much. it was interesting to what extent they went for side shots (basically from the tashi pov in the final match) rather than... well, picking a side, and at different points of that match actually giving the viewer a clearer sense of the visceral nature of what they're doing here. like, if you're going court level from behind the player, that's how you capture the weight of the shot on screen. which felt was a little bit... missing

okay... ffs this next section ended up kind of being tennis tactics 101, and then the other bit ended up being about how matches work. my basic point here is that I think this film did some interesting stuff with the tennis but, and this is part of my more longstanding frustrations about the untapped narrative potential of sports, I think you could've done a lot more and communicated a lot more through the actual tennis. not just for annoying people who want to go 'oh look that's an extreme western grip and explains why her forehand has so much spin but can also be fragile when absorbing pressure!!' but for the general viewing audience. I want to be very clear here: I do not really care about realism except when I'm being annoying in voice notes, I care about storytelling. if you understandably do not give a shit about all this tactics and match construction stuff, skip to the bit marked 3 for more of my thoughts related to the actual film

1

now you might go 'okay but this film isn't about capturing tennis and doing it justice - it's not even about tennis'. yeah, but tennis is the central metaphor! tennis is a relationship, right, but it's also a conversation. it's a way of communicating something to the audience, yes, in a way non-tennis fans can also pick up on. and a lot of the tennis looked pretty same-y. the points were very similar - the intensity was ramped up mainly by the characters just... whacking the ball harder, running side by side, and then sometimes they both move forwards. this isn't a realism issue, it's a storytelling issue. you can tell a story with a tennis point, you can construct these points in different ways to tell you different things

just to give you an example (I promise this is relevant): okay, the most common rally pattern in tennis is hitting cross court. so either you hit on the deuce court (from your pov, this is from the right side of your court to the left side of the other player's court, aka the forehand side for right handed players) or the ad court (the opposite, and thus the backhand side for right handed players). this is for a bunch of tactical reasons. the net is at its lowest in the middle so, y'know, you're less likely to hit it. perhaps most importantly, it's a question of angles and... okay look I don't want to bore the two people reading this with the details but just to very quickly explain, here:

say player a is hitting the ball along the red line to player b, the orange zone depicts the theoretical area in which the ball trajectory of player b's answering shot can go. like, if you want to get the other player to move 'out of the court', you can only do so by going back cross court... which is obviously where, in a cross court exchange, the other player is already standing. this is why a lot of the times, players don't 'recover' after their shots to the exact centre of the court, but instead make a judgement of where the centre is of the theoretical zone the opponent can hit. to put it in plain english: I hit a forehand cross, I don't move back to the exact middle of the court because I know where you can hit the ball back and I need to be in the middle of that - which skews to the right of centre. also, I just know it's more likely you're going to go cross again, because that's just how this works

you want to move the other player around, right, first of all to get the ball past them - but also to make it harder for them to attack you. you're trying to construct a point so that eventually they are the one who can't reach the ball/makes an error, not you. a lot of the times, continuing to go cross court is the smart option. it's less risky than going down the line, and also if your down the line shot isn't perfect, where it isn't a winner or at least a shot they'll struggle to attack, then you're setting up a situation where they have all the angle in the world to work with, where the centre of their theoretical hitting zone is nowhere near where you're actually standing and they can easily whack the ball past you

now, why the fuck does this matter when we're talking about the tennis threesome film? obviously, I don't expect the director to interrupt the film to explain angles to the audience. in tennis terms, 'go cross court' is tactics for babies, but it's still not something most viewers will be instinctively familiar with. but think about what it actually does if players keep exchanging shots cross court because they can't risk going down the line: they're engaging in a direct contest! they are measuring one shot against the other, my forehand against your forehand, my backhand against your backhand, and they are trying to assert dominance. sometimes, you have no choice to escape that exchange even when it's risky because their raw cross court shot is better than yours. sometimes, you're trapped in that exchange. how you can extract metaphors from that should be fairly obvious, and I don't think this should be visually too tough to get across - it's a power struggle between two people contained within a simple shot pattern. it adds variation to what the viewer is being shown (and, yes, it does make the points feel more realistic), but it's also a way of gradually ramping up intensity. my shot against your shot - who wins? who is willing to risk deviating from the norm? who sets themselves up for a trap - does patrick sucker art into attacking him down the line? can he then manage to counterpunch (to use attack as defence) by making it to art's shot in time and placing his response into the open court? who blinks first etc etc

look, this is only one way you can visually use tennis to add to the story. another common tactic is (if you're a right handed player) hitting forehands from the ad court, to 'run around the backhand'. that's an expression of dominance, it's a power play - you're trying to bully your opponent with your most powerful shot (which is the forehand for 99% of players, some might have better backhands but they won't have stronger ones), and you're deliberately recovering less to the centre. you're camping out on the ad side, and going 'yeah I don't actually think your down the line shot is good enough to hurt me, I actually feel very comfortable standing right here so I can more easily move far enough to the left to continue hitting forehands'. it's a tactic that is implicitly passing judgement on the opponent, and again, I refuse to believe you can't show this in a way that the audience understands roughly what's going on. have patrick bully art with his forehand into the weaker backhand or vice versa - they can use their faces to show how comfortable they are with their respective positions. y'know, make the actors act. have one of them find the backhand down the line, fire it into the bit of the court the opponent has completely left open. your characters are using tennis to assert dominance over each other, to manipulate, to deceive each other - you can do that with the actual tennis they're playing

you can also express character through tennis. I'm not saying different play styles function as a personality quiz, but inherently the way you play is going to reflect what you feel comfortable with doing on the tennis court. is your preferred point three shots long or twenty shots long? are you looking to dominate your opponent with your big weapons, or are you looking to trick them with your variety of shots and smarts in using them? or are you looking to just grind them into submission with sheer relentless consistency?

take the drop shot: a shot that 'drops' right after it clears the net as a result of how the player has put a different kind of spin onto it. ideally, it's so close to the net the opponent can't sprint forward quickly enough to reach the ball. how effective your drop shot is depends on several things. obviously, it's how good the shot and the placement and the spin you've put on it is. it also depends on where you're standing and where your opponent is standing, which means that particularly effective dropshots usually come after big, heavy attacking shots that have forced the opponent to move back and have allowed you to move into the court. and it also depends how good your disguise is: for as long as possible, it should look like the shot you're playing is going to be a bog standard forehand or backhand - until you readjust your grip at the last moment and slash the racquet downwards (vs the upwards motion you'd make with the bog standard forehand or backhand). this is a shot that depends on the element of surprise. it's about trying to fuck with your opponent, it's about choosing your moment. it's about playing with them! and you can get pretty memorable reactions from your opponent. if you wrong foot them well enough, they'll literally stumble when they realise what's happening and never even start running. maybe they'll comically flail their arms

I feel like when the men's world number seven throws his arms up in shock every time somebody hits a short ball, you can probably convey this kind of dynamic in a film

and think about what it says if somebody's using a shot like that. again, you're trying to fuck with the other player, and you are relying on your knowledge of the opponent to figure out when they might be susceptible to it. now, obviously, this is tough to do when you're playing someone for the first time and (unlike top level professional players) don't have a vast amount of data to work with and how often xyz shot works against them in xyz situation. this is generally why early in a match, it's a good idea to just like, test some stuff out to give yourself a sense of how they'd react, if it's a good idea to use it in a pressure situation (you also do a version of this in the warm up if you're smart, just check how they react to that high ball to the backhand! all about being curious y'know). but if you know someone, if this is an established rivalry, if this is someone you've played with since you're kids... well. then it's a different ball game entirely

patrick has the psychological edge in that match-up, right, and the whole point of that final match is that it shouldn't be that close but it's that close due to the mental dynamics between the pair of them. patrick constantly wrong-footing art and frustrating him is the easiest way in the world to visually demonstrate that dynamic. you're constantly trying to guess what your opponent is going to do, you're constantly trying to anticipate, yeah? you know what I said above about how you're 'recovering' to the centre of the theoretical zone and all that? well, sometimes you don't do that - you guess where the opponent is going to go. most often, you've got to do that when you know the opponent has a relatively easy shot and they can hurt you with it, so you have to play the probabilities and hope you get it right... it's basically like a penalty kick in football. it's a quick judgement you're making on the basis of past data, of what you think your opponent is thinking, of how big a risk you want to make - of when to time it, because if you move too early they can still change the trajectory of their shot and go the other way. maybe you even feint one way before darting the other. and your opponent might shoot one way or the other... but, sometimes they'll drop shot you while you're moving in one direction as you frantically try to change course. or, which is even more humiliating, they'll go straight down the middle - since you're no longer standing there

in narrative terms, what does it tell you if a character guesses rightly or wrongly? what would it say if art or patrick had that kind of intimate knowledge of each other - I know you usually do this, but I know you know that so I'm going to go the other way - round and round in circles, a mental contest between people who are so familiar with each other that it can become actively confusing to try and preempt their moves. tennis is a relationship and it's a conversation and the way we construct a point tells us a story about the history between you and me. it tells us a story if art, the six time slam winner and more accomplished player by far, is being read so perfectly by patrick that he's tripping over himself and getting in his own way and flailing. one of the most common commentating cliches is about the ball, or indeed the player, being attached to the end of a string. the extension of that metaphor is that one player is the puppet master and the other player is a puppet. easy visual metaphor bingo

you can literally express how the characters feel about each other by... where they're standing. if you're scared of your opponent's shot, then you're going to try and give yourself more time to react. if you are on the attack, then you need to move in, to take the ball earlier, to take time away from the opponent. to me, if you're showing fictional tennis, you really should be playing with time and how you can use cinematic techniques to play with that sense of time. now, you can do this on the broader level of the match, because your subjective sense of time is dependent on how well you're doing in a match. time never moves faster than when you're losing a six love set. but it's also obviously integral to actual points, because you are usually trying to maximise your own time and minimise your opponent's, trying to make sure you will always have enough time to get to the ball and making sure they won't (obviously often u kinda have to pick one of those because of how time works)

where you stand on the court is an integral part of that, for obvious reasons related to 'basic physics'. and, again, it's also psychological. take the return position, right, aka where you're standing when the opponent is serving. most people have a built-in preference for both the first and second serve, and a kind of basic 'return strategy' of what kind of shot they'd like to use and where to move. generally, you'll stand further back for the first serve because it's more powerful... but hey, maybe you have a slightly unorthodox return strategy where you're just trying to 'block' the first serve and use the weight of the opponent's shot against them, and then you step back for the second serve and have a massive whack at them. just as an example

and, again, this is another way in which you try to fuck with your opponent. there is nothing more annoying than seeing the twat on the other side of the net move in to the court by an insulting amount because they don't respect your shitty second serve and think they can take a swing at it from in front of the baseline. some players just do this in general - prime offenders on the women's side are garcia and ostapenko (and with all love to them, they do this more than is perhaps tactically prudent)

(for the other end of the spectrum, see another place from which you can theoretically return a serve from if you're out of your fucking mind) (this particular player's return strategy has been like a top five discourse point over the last few years but we do not have time to get into all that)

but you can also vary it up in a match, and you probably should if you're being smart. so for instance (and there's a specific match in 2022 I'm thinking of here), if you know your opponent has an awful second serve and a lovely little habit of double faulting when under pressure, maybe as the returner you just... well, look, the ball from the first serve has rolled right to your feet, so obviously you need to politely pass it to the ballperson, and maybe it just takes a little bit longer so that you know the server is looking right at you when you meander in front of the baseline to wait for their second serve. and then they double fault and that's the break of serve right there. you're not always standing that close to return second serves, but you're standing there when you know it'll make them most nervous. again, I am not saying the tennis threesome film needs to explain the difference between jelena ostapenko's and daniil medvedev's return strategies, but these ARE the kinds of things you CAN organically integrate, and give you very blunt and easy to understand messages about the characters and their dynamic

and like... different people have different play styles, yeah? let them express a little character! tashi is relentless, maybe she's constantly attempting to take everything with her forehand to attack and attack, or maybe she trusts herself to attack from any place with any shot. maybe she's so lively and confident and uncompromising that she uses down the line shots more than anyone else, or maybe there's surprising subtlety there in how the intensity and rage fades away for a moment as she flutters a slice across the net. what is it about her game that so captivates the two boys, its aggression or its complexity? is her game already more complete and well-defined and self-aware than it has any right to be from a high school student? or is it raw and untamed and a little wild and so full of potential?

art has a one-handed backhand and uniqlo gear in a very obvious federer allusion, but does he share any more with federer than that? is he particularly prone to rushing the net, especially after the serve? does he want to end points quickly? does he have good hands, is he trying to wrong-foot his opponent - or is he the one constantly getting wrong-footed as the others dance around him? is he constantly trying to assert his dominance, to end points quickly, and initially you think it's a sign of his power and confidence... but then you realise that it's insecurity - he's worried what will happen if they go on too long, if he gives too many chances to other players to outsmart him, if he's uncomfortable playing defence because it makes him feel reactive and weak. maybe in the second set he has to knuckle down and accept the rallies will be long and gruelling - which is a central aspect of tennis, it's about patience and managing risk. maybe he's so tense and nervous that he's just an error machine in the first set, but then he decides to just slow the pace and live with patrick in those forehand to forehand exchanges, let his natural weight of shot do the talking for him and force patrick to change things up

and patrick, with the unorthodox technique and the sleeveless shirts and the money and how he never really grew up - what does that tell us about his tennis? is it rough and energetic, big swings at the ball, layering on more and more spin to propel it high over the net? does he throw a massive forehand at art's backhand, making him hit it at a high point that is naturally uncomfortable for the one handed backhand? wouldn't it be interesting if you had patrick have a strong point to his game that naturally matches up to art's weak point, the chink in the six time grand slam champion's armour? what about the physicality, does he lunge further and harder and throw himself into balls just that little bit more? is he stronger than art, or is he faster, or is he neither? is he driven by instinct and gets in his own way less than art does, or is he tactically more astute and gets the better of art that way?

obviously you can't do all of those things in a film and you shouldn't because it's distracting. but what I'm trying to demonstrate here is that there is a whole range of potential storytelling you can tap into here. now, nobody's actually doing this, and my thing with challengers is that in many ways it came closer to the kind of narratives I would like to see. but then it still falls short just a touch, which is where the frustration comes in

a rivalry has got a history that is woken up again every time you step on court to face your old foe - you remember how they play, you already know what you want to do to beat them this time. you are trying to unsettle them. you know how they want to play and you want to deny them that opportunity. inevitably, any defined play style tells us something about the player and their personality and their approach to the game. the film is quite scarce on details about its lead characters and using the tennis more deftly would've been a great way to give us a stronger sense of who they are in a very economical, concise way. what does it mean for tashi's game that she can no longer run? yes, obviously it means she can't compete any longer, but the injury does different things symbolically depending on how big a part movement was of her game. often, tennis injuries directly affect your strengths. take a player who puts a lot of heavy spin on the ball by snapping their wrist - they are putting more strain on said wrist and may end up injuring it (a particularly terrible part of the body to injure for a tennis player). there's something extra cruel about that because it also affects how they'll recover, if they'll ever be able to trust that body part again. these are career-threatening injuries not just for physical but for psychological reasons. same thing if you're a great server with a shoulder injury... or if you're a great mover with a leg injury

also, and okay this probably did come across as nitpicking and it's not really an issue if it worked for people who aren't familiar with tennis... but omg the last point was so confusing. did check and this wasn't just a me problem, though I'd be curious if it worked for people less familiar with the game. when they came closer and closer to the net and hit back and forth, I thought what was happening was that they'd like, given up competing and were just hitting back and forth as a symbol of defiance or something. that they'd basically decided to stop playing the match and just play with each other. because like, you just can't do that in a match, the point would immediately be over especially if they're just standing there - they're too close! you'd immediately get the ball past! so I only realised when the film was over that it was supposed to be a really intense point... but I think that's the kind of thing where most people watching will probably be fine with it, so again. y'know. whatever. I do think you could have staged that point a little more cleverly to get to the same conclusion in a more natural way, but also. whatever. it's fine

(obviously there are also some other broader suspension of disbelief issues that I'm far less bothered about. the technique was like, not great, but also probably about as good as you'll get from actors, though again I would've liked a little more thought put into what they're doing beyond 'art's got a one handed backhand and patrick's got a quirky serve!' I thought the patrick serve thing was really neat and fun and theoretically you could hit a serve like that, though quite frankly in the men's game you'd probably be fucked because you need more racquet acceleration than that - but that does fit in with his character and the stubbornness and all that so it's fine. the art serve quirk... well, most players deliberately construct serving rituals like bouncing the ball several times or ball placement or whatever because it's the one shot in tennis that's completely 'on your own racquet' but is also really tough, so you're trying to trick your brain into always doing the same thing. I find it a little tough to believe art wouldn't have been aware of what he was doing, but again, not a massive issue. beyond my concerns about the lack of variation in the points they were showing, it did also trip me up whenever they were obviously stranded in no-man's land - you need to be either on/behind the baseline or right at the net and there's certain areas of the court where if you spend too long in them you are very much fucked. the whole concept of 'recovering' after a shot is like, as important part of tennis movement as getting there in the first place, and there's whole footwork patterns you use while you're hitting the shot and immediately afterwards to get yourself in position again. at times they'd just be standing in place in the fuck end of where on earth are you standing until the next shot comes and. listen. it really Does Not Matter beyond how it's fun to be annoying about this stuff but it did make me a bit twitchy)

2

so. match constructions and narrative arcs. I think if a literal match of tennis is the framing device of your film, you should think about the natural narrative tension that exists within a literal match of tennis. again, a match is a conversation, it has its ebbs and flows and peaks and troughs and all that other stuff. you are more tense at *4-5 30:30 than you are at 1-1* 15:0. you are feeling better about your life choices at 6-4 *5-3 than you are at 7-6(8) 0-6 *1-3. you change over the course of a match, as you test yourself physically and mentally and acquire a situationally specific data bank about yourself and the other player, as you notice and learn certain things about what's going on in your own game and your opponent's game. maybe you have a moment where you go 'yup the backhand's a catastrophe today, time to slice everything and hope for the best' or you go 'lol that's the third consecutive djokosmash they've hit, maybe I'll throw the ball high up again next time they get to the net'

also obviously all these things vary over the course of a match - and they do so more than they have any right to! there's no logical reason why 6-1 1-6 6-1 scorelines should happen, but they do! because game breaks and changeovers and set breaks and all of it can represent massive shifts in momentum. you play a *5-0 game differently than a *0-1 game, and suddenly those beautiful forehands you were ripping for half an hour are all flying out of the stadium and, shit, time to change tactics to defend more except now you're really screwed because you're playing your opponent's game. the most important thing to remember about tennis is that it fucking sucks. matches are psychological torture. I want to feel that part when watching the tennis threesome film

the basic mechanism of narrative tension in a match is the serve vs return dynamic. if you serve, you need to protect your serve, because those are the games you are supposed to be winning. if you return, you need to attack the opponent's serve, because those games represent opportunity. you want your service games to be short and fast and you want your return games to be long and tough and miserable for your opponent. and after every game, it ticks back again - you are literally passing the ball to the other side of the court. your turn, have fun!

there are a million different ways you can construct tension on a micro level within a match. you have breakpoints/matchpoints, obviously, which to some extent the film did feature. you have games that just get stuck on deuce, with neither player able to win the requisite two points in a row to release them, so it's like... basically groundhog day in sports as you keep trotting from one side of the court to the other, both players frustrated, one unable to escape the danger and the other unable to seize the opportunity. battle of the wills. games can completely realistically last more than twenty points. obviously you've got tiebreaks, which again the film did feature (though icl I had no clue what the score was supposed to be, again it doesn't matter but). you have the old cliche of 'it's not a break of serve unless you've backed it up' (aka by holding your own serve) and how common it is to be broken straight back for various nasty psychological reasons

I wish they'd played with this a little more, just showed a little more of why the players were reacting emotionally in the way that they were at certain stages of the match - rather than just basically reacting to the flashback we've just seen. like, there's plenty of reasons why a player might get particularly angry at a certain point of a match in a way that just feels a bit more organic. if tennis is the medium through which to explore this three-way relationship, then showcase that push and pull factor, those changes in momentum. the film suggests patrick has always had the upper hand - I'd make more clear this is the classic 'pigeon' dynamic where basically the head to head between two players is more skewed than it has any right to be given how 'good' those two respective players actually are. usually that means there's something funky going on with the play styles or it's something mental or it's an interaction between the two. patrick really cares about art, right, and then he's always able to beat him because he gets him and knows how to mess with him. art has the more raw ability(?) but it takes a bit longer for him to actually realise how good he is, in part because he always lost to patrick

the way they should've done this imo have a place where art does actually choke a sizeable lead, a kind of unexpected switch of momentum. like have this be the first set where art comes in hot and is y'know the obviously better player and all that, but then patrick just increasingly manages to unsettle him. make it a proper bad one, say *5-2 to 5-7. throw in a long deuce game. and then art is confronted with all his old demons again, his inadequacy, all that stuff. and then you've got the momentum switch after the set break when art manages to pull himself together. the thing is, they do actually show a fair bit of the match, but it's not always that interesting because it lacks a little bit of specificity, a little bit of detail... just make a few adjustments that accentuate the central dynamic. you don't have to go with this exactly but go with SOMETHING, 6-2 2-6 is such a nothingburger score lol like what does that tell us... 7-5 1-6 is what it's all about

(dumb nitpick corner: unlikely a time violation would get called between first and second serves, and if you do so then you'd better hand out a time violation if the receiver starts faffing about between points right after, rather than quietly talking to them off-mic. but hey, the establishment is corrupt, they obviously wanted art to win. also, there's a mistake on the scoreboard at the *5-6 game where they accidentally make it look like art is serving for the match at that stage, which would completely change the dynamic of that game and the previous game and the implications if art had let it go to a tiebreak - aka he would have choked. just slightly confused me when the umpire called out 'thirty love' after patrick won the point lol)

3

so maybe this all does come across like I hate the film, which I really did not. I enjoyed it a lot, and honestly it's not like there's much to choose from in terms of 'sports media that seriously engages with the narrative potential of the actual sport'. there were plenty of storytelling details I really vibed with, especially the dynamic between the central three characters and the push and pull between them and how they work as a trio. all three sides of the triangle were good fun. the way the two blokes were so in sync at times, that kind of easy intimacy and familiarity - again, I think you could have expressed that more through actual tennis but that did absolutely work for me

the actual 'playing a challenger before uso' thing was also fun, though I was wondering what his ranking was like because it must have still been kinda in the pits. like, you can't show up to a challenger as a top ten player. not that it actually matters matters but just. whatever. I do think the premise is neat

(though, that challenger audience was not keyed in enough! like omg if you're showing up to some random challenger to watch a top player on the injury comeback try to rack up some wins and the final is against the guy he played doubles with to win a junior slam, everyone watching would be SO aware of it. those spectators aren't just randomly being drawn into the drama, they know what's up!! you just know the challengers tv stream is racking up crazy figures. idk this is obviously more of a subtle thing, but I feel like it was supposed to give off the vibe of the non-tashi viewers being surprised by why they were being such weirdos all of a sudden but nah they would be ON IT with their patrick zweig backstory. including the fact he used to date tashi lol, like yeah they'd Get It)

I loved a lot of tashi's characterisation, how fucking obsessed she was with tennis and how everything was About Tennis for her... like yeah very real!! of course it eats her up!! I had a bit of a debate about this but I personally really liked the college tennis thing because it felt like a complete curve ball given her characterisation. it's good though, this idea that she wants to fool herself into believing she's more than hitting a ball but she's actually not... because of course she isn't.... none of these people are.... I like that element of self-delusion, even though it still... hm, I'm not entirely sure the film COMPLETELY sold me on that level of self-delusion because it was so obvious she didn't care about anything except for tennis... like it never quite felt entirely clear what she thought she was getting from that experience. but yeah, the central premise of it all... like the fact she just can't say goodbye to that world, that she can't really escape it, that she has to pursue something related to it to feel alive, even by proxy, the suspicion that all she needs art for is to have that kind of second hand thrill... really good!!

I was talking about this with the unfortunate recipient of my voice notes, and she's more familiar than I am with american college tennis than I am for the fairly obvious reason that only one of us has attended an american college. she said she'd discussed this with some of her friends and that that kind of injury did feel a touch unrealistic in the context of college tennis, partly because you're less likely to be playing with the kind of schedule that professional tennis requires of you. now, this doesn't really bother me, but I almost wish they'd leaned into the tragedy of it more - that it was unlikely and she didn't even get it while playing professional tennis! she was engaging in this grand act of self-delusion that there was more to her than tennis, which, let's face it, just really isn't a thing when you're a very good junior player, and she got injured before she ever even got close to 'making it'. it's tragic because it should never have happened. whatever injury art picked up (can't remember if they mentioned) would be statistically more likely to actually fuck you over, given their respective ages and time on tour and all that. you don't typically randomly get career ending injuries when you're running for a ball, not if you've trained properly - both in the sense that you're moving 'correctly' on the court and you've developed the muscles to protect yourself (which admittedly she was looking a touch light on). perfectly fine as a narrative choice, lean into it more

the churro college conversation between patrick and art was good, but that's another thing I would've integrated more into the tennis. like, the thing about him actually going for what he wanted and all that? you can do that through tennis! I also kinda wanted more of a sense of what tashi brought to the coaching dynamic, just something very simple and straightforward even the non-tennis viewing audience can understand. again, you've got this fairly obvious federer expy set up going on with art, and the glimpses we got of his game ... I mean mainly the one handed backhand, it does lean towards him being a player that's naturally oriented towards aggression. I would've maybe gone for the whole.... y'know. him not really being able to embrace that, him always holding himself back a little bit, not willing to fully give himself over and throw himself into the game. that tashi kinda has to get him to go for it, to go after the ball, to step into the court and use that technically excellent flat forehand stroke and trust himself to find those angles and rush the net and play the game, rather than letting the game play him. linking that into his loss of motivation post injury, where he feels like he's achieved what he wants to, where maybe he kinda retreats into himself. which is partly a motivation issue but also about trusting yourself post injury... not really being able to go after it in the same way any more, struggling to commit to that kind of aggressive mindset when your heart just isn't it any more. or something! just a thought!!

that's the thing right - sure, tennis might be a relationship, but the tennis will always be a character in its own right in whatever twisted threesome thing they've got going on. at the end of the day, the real toxic relationship is with the tennis! it's sad tashi can't leave it behind, it's tragic she's organising her whole life around something that'll always be lost to her. but it won't ever let her go, even though it hurt her, even though it caused her physical pain as well as emotional. it's the truest love in the whole film, tashi and the game itself, and all other love is subservient to that. it's also the most interesting relationship that needed to be... well, a little more foregrounded. she's always chasing that high, that moment of perfect communication and understanding and all that - and it's an entire lifetime of work, chasing the briefest of moments and now even that is gone. something she won't ever be able to recapture. she can't live her dream and she can't move on, so she is forever trapped, in stasis, frustrated and tormented by desires she can't act upon, the worst kind of repression imaginable. and it's not just about playing tennis in general - it's about playing matches. the height of competition, the moment in the point and in the match in which losing or winning feels like an equal possibility, where anything could happen but only one player will eventually emerge victorious... she's chasing the high of uncertainty, of suspense - the equivalent to showing up to the bedroom of two blokes and knowing anything could happen, not knowing yet what choice she will make, who will win, who will lose. if you really want to get abstract about this, she's essentially functioning as, y'know, the tennis gods with these two boys, where she is the one to make the choice of who wins and who loses. she is the one creating the uncertainty, the suspense. and she's doing it all for the love of the game, because that's all she ever truly loved

or that's what I think they should've gone for idk. I also have a few kinda dumb thoughts like 'ugh I needed more of a sense of what patrick's career looked like, are we talking never made it to the main draw of a 250 or slam quarterfinalist because both are plausible'. but anyway I think narratives in sports are neat and I wish more people did stuff like challengers did, even if I think I was just looking for something a little different from what that film was doing. you do kinda need somebody who's really into sports to do some of this stuff I feel, but. well. sports rivalries really is a bit of a tragically under-explored storytelling set up. they're good narratives. somebody write them

[ssreeder]

I JUST FINISHED BINGE READING ALL THE ENTIRE LIAB SERIES AND I JUST CAN'T SHUT UP ABOUT HOW MUCH I LOVE ITTT

I've never read a fic this long in english, it really helps me with the lenguaje, i just love how you write your characters, especially Sokka 😭

Im really looking forward to a haircut conversation and just can't wait to have the whole character reuniooon!! Especially Zukka + Katara + Hakoda after the whole kissing in front of the whole tribe thing...

Anyways i just got tumblr cause i wanted to scream abt how much i adore your work (and lowkey pressure you into updating) 💕💕

HIIIIIII!!!!!!!!!!

EEEEEEEE!!! I’m so glad you enjoyed LIAB! & im giddy you came all the way to tumblr to tell me!! I love it!!

Oh yes the haircut convo between Sokka & Zuko is going to be interesting considering the implications and we don’t even know any of Zukos thoughts behind it ;) it’ll be fun!!

The water tribes arrival will be bringing along some drama considering they know, but the others don’t know, but the boys are being secretive … oh yeah & there’s Chang haha. (& Ara……..) Hehehehe there’s some emotional moments coming up that’s for sure. (& some surprises both good & not so good lol)

WELCOME TO TUMBLR!!! <3

[cold-neon-ocean]

.

[hahahax30]

I think gabrily sold the house of London to not maje Alex go there againafter what he lived there

This makes a lot of sense ngl. I like to think they moved either to Idris or closer to Gideon and Sophie (who are also mourning the loss of a child).

[snapbackslide]

🪽Here’s a little reminder that it’s perfectly fine to not have it all figured out. Life’s a mix of ups and downs, and sometimes, it’s the unexpected twists that lead to the best memories. Embrace the uncertainty—it might just surprise you!🪽

who keeps sending these 😄

[chronomally]

Looking through my class's discussion board for ideas on how to improve the performance of my long-term project. Someone was like "I set my program up so that rather than just giving up if it can't get the right answer, it picks a random answer from the ones available." Anyway I did that and now I have an A for this check in 🙈

[rosewheresheshouldntbe]

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[rathockey]

we need to talk more. and also you’re very swag.

me? swag?

you're too kind <333

send me your anonymous (or not) opinion of me :3c

[milkloafy]

I COULD BE YOUR CRUSH — WRIOTHESLEY

⋆｡˚ ❀ summary: you gush about your crush to neuvillette over some tea, and your crush unexpectedly joins the tea party and overhears you talking about him. ⋆｡˚ ❀ contents: fluff, fem!reader (use of princess as a petname), sassy neuvi, mentions of ayato ⋆｡˚ ❀ wc: 1.2k+ ⋆｡˚ ❀ a/n: alexa play crush by tessa violet,, LOL i was thinking so hard about the song title then i was like okay yeah these lyrics work ;-; titles are so hard.. anywayyy PLS ENJOY SOME WRIO FLUFF FOR THE SOUL !!

“You just don’t understand, Neuvillette,” you sighed dramatically, stabbing your fork into the delicate cake in front of you. “He’s totally swoon-worthy.”

Neuvillette took a sip of his tea before carefully placing the cup back on its saucer. For a while, he continued to stay silent, as if considering his words.

Once he finally opened his mouth, the only question that came out was a calm, “How so?”

It didn’t take long for a million reasons to pop into your head.

“Well…have you seen his arms?” you gushed. “Is that not enough of a reason in itself?”

Neuvillette scoffed, a smile of amusement playing on his lips.

“That’s not all, of course,” you clarified, grabbing a throw pillow from the sofa next to you and hugging it close to your chest. “He’s also caring and kind and treats everyone with respect, no matter who they are.” 

Neuvillette’s gaze flickered briefly to the door behind you, but you paid it no mind.

“Not to mention how he looks when he gets all serious. Neuvillette, have you ever seen him talk about a prisoner he had to punish? It’s so…” You hid your face behind the pillow, cheeks flaming at the thought.

Before you had a chance to collect yourself, you heard someone clear their throat behind you. You immediately stilled in your seat, slowly bringing the pillow back down to your lap.

“Sorry I’m late. Who are we talking about?”

Neuvillette smiled, ignoring your frantic look directed right at him. “Wriothesley, welcome. You are not too late. Please, take a seat.”

Wriothesley slipped onto the sofa, taking a seat next to you. Neuvillette poured him a cup of tea that he graciously accepted. Looking over at you, Wriothesley brought the drink up to his face and asked, “Care to tell me who you were speaking of before I arrived? It sounded like you were singing their praises.”

You fiddled with the the hem of your silk pajamas— Neuvillette failed to inform you beforehand that a certain someone would be joining the tea party, so you appeared in your regular sleep clothes. You racked your brain trying to come up with a response. 

“Oh, you know… Kamisato Ayato,” you managed, vaguely remembering how you saw his name and face on the cover of The Steambird recently. “The head of the Kamisato clan is such a…dashing and strong leader. I think.” 

“I didn’t realize you were close to Kamisato,” commented Wriothesley, sitting with one leg loosely draped over the other as he leaned back against the sofa.

“Oh,” you shook your head, “no. No, I’ve never even met him.”

Wriothesley raised a singular eyebrow in question. “Your words earlier seemed so strong for something directed at a man you have never met.” 

You shrugged, trying to appear nonchalant even though your heart threatened to beat our of your chest. “You know how enamored a crush can make someone.” 

“I do,” Wriothesley agreed, his gaze locked onto yours so intensely that you almost had to blink.

“I’m sure you do,” remarked Neuvillette, still sipping his tea.

You and Wriothesley both looked over at him.

Neuvillette blinked. “Did you forget I was here? This is my office, is it not?” When no one responded, he sighed. “Well, I finished the last of my tea and I have some work to wrap up. Feel free to stay as long as you need.”

Neuvillette made his way back to his desk and Wriothesley refocused his attention towards you. 

“So. Kamisato Ayato,” he brought the clan leader up once more.

You choked out a laugh of exasperation. “Are we still on this? Just let me have my silly little crush on someone across the world who doesn’t even know I exist.”

Tapping his fingers against the teacup, Wriothesley huffed. You realized he looked almost annoyed and frustrated.

Just as you were about to ask him what was wrong, Wriothesley opened his mouth and said, “Would it be overbearing of me to say I wish you had said a different name when I asked who you were gushing over?”

A strange mixture of curiosity and hope filled your chest.

Curiosity as to who he thought you were talking about. Hope that maybe he thought it might’ve been him. 

“You could never be overbearing,” you assured, grabbing a small biscuit from the table and softening it up in your warm tea. “Would it be nosy of me to ask who you wished I was gushing over?”

Wriothesley grinned. “You are certainly nosy. But it’s one of the things I like about you.”

You laughed, wiping a crumb off your lip with a napkin. “Does that mean you won’t tell me?”

“Perhaps another day.”

In the distance, you heard Neuvillette clear his throat loudly. You looked over and saw him glaring straight at Wriothesley. They stayed like that for a while, having a silent conversation with their eyes. Whatever it was, it seemed intense. You were quite glad that glare wasn’t directed at you.

“I believe Wriothesley would like to share that information with you now,” Neuvillette announced after Wriothesley looked away with a sigh.

“Does he?”

“I do,” Wriothesley confirmed, the slightest bit begrudgingly. “Me.”

You waited for him to say more, but he didn’t elaborate. 

You blinked. “What about you?” 

“Are you going to make me say it?” Wriothesley let out a strangled laugh, grabbing a biscuit to munch on himself. “When I overheard you and Neuvillette talking about your crush, I was hoping it was about me.”

You blinked. “Why about you?” 

Neuvillette made a strange noise as a book fell off his desk. He cleared his throat. “Pardon me.”

You barely had time to wonder if he was okay before Wriothesley finally responded.

“You really don’t make things easy for me, isn’t that right, princess?” Wriothesley said with a helpless smile. “I hoped you were saying such sweet things about me, since I would say equally sweet things about you.”

With your stomach turning at both the pet name and his admission, you managed to say, “And if I were to tell you it really was about you?”

“That would make me a very happy man,” he said, unable to contain his delight. “Who wouldn’t be happy to hear the most beautiful and caring person they know is interested in them as well?”

You heard Neuvillette tap his foot impatiently in the background, but you ignored him. You and Wriothesley were having a moment here. 

“So, you’re saying you like me, too?” you asked, not wanting there to be any chance of a misunderstanding. The two of you made it this far, you couldn’t let it fall apart now.

“I like you very much,” said Wriothesley with a nod. “And I have something to take care of at the Fortress this week, but when we both have time next week, perhaps we can celebrate with a dinner. Without Neuvillette there.”

“Please, without me there,” Neuvillette chimed in, his arms folded as he sat in his chair.

You laughed, standing up and brushing the imaginary dust off your pajamas. “All right, I can take a hint, Neuvillette. I’ll help you clean up before I go. And Wriothesley…” 

“Hmm?”

You met his gaze and the corners of his eyes crinkled. You fought off a giggle as you returned Wriothesley’s smile, an overwhelming feeling of happiness filling you. “It’s a date.”

[ponderingmoonlight]

How JJK Men React to Seeing You in Their Clothes

Pairings: Gojo x fem!reader; Megumi x fem!reader; Yuta x fem!reader; Nanami x fem!reader

Word Count: 2,5k

Warnings: fluff over fluff, I'm pretty sure I already wrote something like this but I can't find it anymore lol, all scenarios talk about the clothes of the said jjk men being big on you so please don't read if this isn't what you vibe with (but feel free to let me know if you want a version in which their clothes actually fit reader quite well!)

Gojo Satoru

The apartment is unusually quiet as you move through the living room, your bare feet padding lightly across the cool floor. Gojo had left early this morning to deal with some “business,” leaving you alone with nothing but a mess of his belongings scattered around. You’re not one to complain though - cleaning up after him has become second nature after spending so much time together.

As you tidy up his place, you come across one of his oversized hoodies. It’s sprawled across the back of a chair, still slightly wrinkled from when he wore it the night before. The faint scent of his cologne lingers in the fabric, and for reasons you can’t quite explain, you find yourself reaching for it.

It’s soft, much softer than you expected. You hold it for a moment, staring at it thoughtfully before a mischievous grin tugs at your lips. You slip the hoodie over your head, the fabric swallowing you whole. The sleeves are comically long, almost covering your hands completely, and the hemline reaches down to your thighs. It’s so big that it feels like you’re wearing a blanket, and despite yourself, you giggle at the sight of your reflection in the hallway mirror.

You sit down on the couch, pulling your legs up under the hoodie, and let yourself relax into the comfort of wearing something that smells like him. His signature cologne that follows him around wherever he goes, that makes your heart skip a beat every time you smell it. To be honest, you really miss him. These past weeks were so busy that you didn’t really get the chance to see him more than 2 hours before passing out sleeping. What you’d do for a whole afternoon, just you and him…

Not long after, you hear the oh so accustomed sound of the door unlocking, followed by the familiar voice of Satoru calling out, “I’m home!”

You stiffen for a moment, wondering how he’ll react, but you can’t hide now. Fuck, you never wore his clothes before. After all, they belong to him and you have no right to grab his stuff as you please.

Before you can say anything to defend yourself, Gojo steps into the living room, his bright blue eyes immediately locking onto you.

There’s a beat of silence. Then, a slow, amused grin spreads across his face.

“Well, well, what do we have here?” he teases, leaning against the doorway with his arms crossed.

His sunglasses are perched on his head, revealing his crystalline eyes that seem to glow with delight.

“Did you raid my closet while I was gone?”

You roll your eyes, trying to play it cool despite the sudden warmth creeping up your neck.

“Your place was cold. Figured I’d borrow something.”

Gojo doesn’t respond right away. Instead, he walks over to you, crouching in front of the couch as he eyes you up and down. His grin widens as he takes in the way the hoodie completely engulfs you, making you look even smaller than usual.

“Looks good on you,” he murmurs, his voice lower now, laced with something playful but undeniably affectionate.

He reaches out, tugging on one of the oversized sleeves gently.

“In fact, I think it suits you better than it does me.”

You scoff, though your heart skips a beat at the way he’s looking at you, like you’re the most fascinating thing in the world.

“You think everything looks good on me.”

“That’s because it does.”

His grin is infuriatingly confident, but there’s a softness in his gaze that makes your breath catch.

“But you, wearing my clothes? I think that might be my favorite look.”

He leans closer, his nose brushing against your temple before pressing a soft kiss there.

“You can keep it if you want,” he whispers, his breath warm against your skin.

“I don’t think I’m getting it back anyway.”

Megumi Fushiguro

It’s early morning, the sun just beginning to rise over the horizon, casting a soft glow over Megumi’s small apartment. He’s still asleep, his dark hair a mess of unruly strands as he breathes softly beside you. You’ve been staying with him for the weekend, a rare break from the chaos of jujutsu sorcery.

As you quietly slip out of bed, careful not to wake him, you feel the cool air hit your skin. Without thinking, you look around the room for something to cover yourself with. Your eyes land on one of Megumi’s plain black shirts, tossed haphazardly over the back of a chair. It’s oversized, much bigger than anything you’d typically wear, but you shrug and grab it anyway.

Slipping it over your head, the fabric is soft and familiar, carrying the faint scent of him. It hangs loosely on your frame, the sleeves too long and the hem falling halfway down your thighs. You glance at yourself in the mirror, a small smile tugging at your lips. There’s something comforting about wearing his clothes, like having a part of him with you even when he’s asleep.

As you turn back toward the bed, you freeze. Megumi’s awake. His dark eyes are half-lidded, still clouded with sleep as he watches you from the bed. You can’t quite read his expression -it’s a mixture of surprise, confusion, and something else you can’t place.

“You’re up early,” he mutters, his voice still thick with sleep.

You shrug, feeling a little self-conscious under his gaze.

“Couldn’t sleep. I didn’t think you’d mind if I borrowed your shirt.”

Megumi blinks, his gaze drifting over you slowly. He doesn’t say anything right away, but you can see the way his eyes linger on the way the shirt swallows you, how it looks like you’re drowning in fabric. After a long moment, he finally speaks, his voice quieter than before.

“It looks good on you,” he finally speaks out, a little awkwardly, as if he’s not quite sure how to compliment you.

“Better than it does on me.”

You can’t help but laugh at how flustered he seems, even though he’s trying to play it cool.

“Really? I think it’s a little big.”

Megumi shakes his head, sitting up in bed and running a hand through his messy hair.

“No. It’s perfect.”

He pauses for a moment before adding, almost shyly,

“You should wear my stuff more often.”

His words catch you off guard, and you raise an eyebrow at him, surprised. Even though you know all too well that Megumi Fushiguro has a soft spot for you, you never really thought about stealing or borrowing his stuff. After all, he is the guy who slaps the back of Yuji’s head each and every day over stealing his sandwich or equipment. And now…he’s telling you straightforward that he wants you to wear his shirts?

“You want me to?”

He looks away, his usual stoic mask slipping just a bit as a faint blush creeps up his cheeks.

“I mean... yeah. It suits you.”

Your heart skips a beat at his admission. Megumi isn’t one for big, flowery declarations, but this, this small, almost hesitant compliment, is enough to make your chest warm. You walk over to him, climbing back into bed and curling up beside him like you always do after waking up.

“Well, if you insist,” you mutter teasingly, leaning your head on his shoulder.

“I might just steal more of your clothes.”

Megumi huffs, but there’s a softness in his eyes as he wraps an arm around your waist, pulling you closer.

“Go ahead,” he mumbles, tugging at the hem of his loose shirt.

“I don’t mind.”

Yuta Okkotsu

You’ve been staying at Yuta’s apartment for the past few days, crashing at his place while you’re both on a break from missions. It’s been nice: quiet, peaceful, just the two of you enjoying each other’s company without the usual chaos of jujutsu high looming over you.

It’s late in the evening now, and you’ve just gotten out of the shower, feeling refreshed after a long day. As you towel off your hair, you realize you forgot to grab something to wear. Your suitcase is still in the living room, and you don’t really feel like walking out there in just a towel.

Your groan in frustration over your usual absent-mindlessness, eyes landing on one of Yuta’s old sweatshirts, folded neatly on the chair by his desk. It’s a little worn, clearly well-loved, and the idea of wearing something of his brings a smile to your face. Yuta definitely wouldn’t mind you wearing one of his shirts, right? And even if he did…you’d love to see that little blush creep up his face.

Without thinking twice, you pull the sweatshirt over your head. It’s oversized, the sleeves long enough to cover your hands, and the fabric is soft and cozy against your skin.

You’re adjusting the sleeves when the door creaks open slightly. You look up just as Yuta steps into the room, his eyes widening in surprise when he sees you.

“Oh, hey-” he starts, but then he freezes, his gaze locking onto the sweatshirt you’re wearing.

His face flushes almost instantly, a deep red creeping up his cheeks as he stares at you.

“Uh… is that…?”, Yuta stammers, clearly flustered.

You glance down at the sweatshirt and smile sheepishly.

“Yeah, I hope you don’t mind. I forgot to grab my clothes, and this looked comfortable.”

Yuta blinks, his face still bright red, but he quickly shakes his head.

“No! I mean, I don’t mind at all! It’s just… you look… um…”

He trails off, his eyes flicking away as if he’s too embarrassed to finish the sentence.

You giggle softly, stepping closer to him, to tease the hell out of him even more. That poor innocent boy who doesn’t even dare looking your direction when you stumble in the bathroom in the morning with noting but a shirt and panties on.

Even though you’ve been together for over a year by now.

“I look… what?”

Yuta clears his throat, still avoiding your gaze.

“You look… really cute,” he mutters, barely audible.

“In my sweatshirt, I mean.”

Your heart swells at his words, and you can’t help but smile as you reach out and take his hand, giving it a gentle squeeze.

“Thanks, Yuta.”

He finally meets your gaze, his face still red but his expression softening as he squeezes your hand back.

“You can wear my clothes anytime you want,” he says quietly, a shy smile tugging at his lips.

You grin, stepping closer and wrapping your arms around his waist.

“I might just take you up on that.”

Yuta chuckles, his arms wrapping around you in return as he pulls you close.

 “I wouldn’t mind,” he murmurs, pressing a soft kiss to the top of your head.

“Not at all.”

Nanami Kento

It’s late, and Nanami is still out on a mission. You’ve been waiting for him to come home, but the clock is ticking past midnight, and exhaustion is beginning to catch up with you. After all, you’ve had a long and exhausting day at work yourself.

You’re curled up on the couch, half-asleep, when the chill of the evening air prompts you to grab something warmer to wear.

Your own clothes are in the bedroom, and you don’t feel like moving that far. Instead, your eyes land on one of Nanami’s neatly folded dress shirts, sitting on the back of a chair. It’s probably not the warmest option, but the idea of wearing something of his feels comforting, like having a part of him with you while you wait for him to return.

You slip the shirt on, the crisp fabric soft against your skin. It’s too big, of course, the sleeves hanging past your wrists and the hem falling almost to your knees, but it’s cozy in its own way. You curl up on the couch again, pulling the sleeves over your hands and breathing in the faint scent of him that still lingers on the fabric.

You don’t realize you’ve dozed off until the sound of the front door opening stirs you awake. You sit up groggily, blinking as Nanami steps inside, looking tired but unharmed. He pauses when he sees you, his eyes widening slightly as he takes in the sight of you wearing his shirt.

For a moment, neither of you say anything. Then, a small, almost imperceptible smile tugs at the corner of Nanami’s lips.

“You’re wearing my shirt,” he observes, his voice calm but with a hint of amusement.

You rub your eyes sleepily, nodding.

“It was cold, and I didn’t feel like getting up.”

Nanami walks over to you, his expression soft as he takes in the sight of you.

 “It suits you,” he murmurs, his voice low and warm.

“I didn’t expect to come home to this.”

You shrug, feeling a little self-conscious under his gaze.

“If you don’t like it, I can-”

“I like it,” he cuts in, his tone firm but gentle.

He reaches out, brushing a strand of hair behind your ear before his hand lingers at your cheek.

“I like it very much.”

You smile, leaning into his touch as you look up at him.

“I might have to borrow your clothes more often, then.”

Nanami chuckles softly, his thumb brushing against your cheek before he leans down to press a soft kiss to your forehead.

“You’re welcome to them,” he breathes out.

“Though I have to admit, you make my clothes look much better than I do.”

You laugh softly, your heart warming at his rare display of affection.

“I doubt that.”

Nanami shakes his head, his eyes soft and filled with affection as he looks at you.

“It’s true. But regardless, you’re welcome to them anytime” he insists.

With that, he sits down beside you on the couch, pulling you into his side as he wraps an arm around your shoulders. You snuggle into him, the warmth of his body and the comfort of his shirt making you feel safe and content.

“Thank you, Kento,” you whisper, closing your eyes as exhaustion starts to pull you back into sleep.

Nanami presses a soft kiss to the top of your head, his voice low and soothing as he murmurs,

“Anytime, love.”

Tags:

@arehzhera @ploylulla @tzubaki @beatrexworld @kenstarsworld

@hellkaiserinphoenix  @lauv4chuuya @sindela @kayleegomez @sunshine7queen

@magalimachete @gatitam @idontknow1123 @creative1writings @sanicsmut 

@mynahx3 @sad-darksoul @chilichopsticks @hellkaiserinphoenix @chuyasthighs0

@ynackerman9499 @keepghostly  @froufrousnowman @tomiokathedepresso @gojosrealwife 

@coffeeluvr96 @mahi-tamashi @weebotaku21 @chaoticwinnercupcake @lees-chaotic-brain 

@risuola  @sugurulefttesticle @wordskeeper @baku2345 @polarbvnny

@ruixrei @bam-bam-bam-bame-blog @lavenderdrxp @localhehecat @alicerhr

@sugu-love @belovedvamp @wifenanami @chilichopsticks @dlwlrmas-world

@oikawarz @darkstarlight82 @satoreo @kentocalls @cheesemachine44

@ryva @kenjakusconcubine @baku2345 @komelrebi-san @deezy12299

@okay-it-is-ivy @paridoliaaa @cupcaketeddybehr @ryumurin

[ellecdc]

A Man With a Plan.8

prologue // p1 // p2 // p3 // p4 // p5 // p6 // p7 // p8

Remus Lupin x whimsical!reader - Hogwarts Era (no Voldemort) - Soulmate AU

CW: Remus losing his ever loving mind, temporary(?) truce w/ Slytherins, truth is revealed, Peter is very nervous when the discussion turns to plotting murder [3.2k words]

✧A/N - please read ✧ this fic is still and will remain on hiatus until it's completion. I will not respond to asks about when the next update will be (feel free to gush and discuss, just please don't ask for updates). this fic, for whatever reason, is a sore spot for me & if I didn't have people who loved it so much, I'd have trashed it by now, so please take this into consideration. secondly, the taglist is closed and I will no longer be tagging anyone on future updates - kudos to all of the creators who take the time to offer tag lists because it is not easy and I will never be doing it for another fic again lol

Remus had been trying (and failing) to pay attention to the lesson, but apparently watching the odd bird fly past the window was far more entertaining than listening to Professor Binns’ sluggish lesson about the Goblin rebellions.

Yesterday’s conversation with you was still replaying at the forefront of his mind; most of Remus’ thoughts were already about you, mind you, but this had become an incessant point of worry for him. He found that he was particularly bothered by how bothered you appeared to be.

Remus was the first to admit his friends weren’t always the…easiest to be around. They were loud, abrasive, brash, somewhat aggressive, and always up to something.

He should have been more patient with you and your friends; as much as Moony called you his; you were your own first. 

You always had to come first.

Moony huffed in response to that but seemed to relent when Remus insisted the utmost importance was your happiness and safety.

Even the werewolf couldn’t argue with that.

He could tell you were still bothered today; he could feel it, in the rise of your heart rate intermittently throughout the morning, or the white hot heat that would settle in his (your) chest before evening out just as quickly. He had learned by now that you were quite attuned with your own feelings, and seemed to control them very well. Remus found himself quite jealous of that trait. It was clear how deeply you were attuned to emotions, both yours and others, and the way that tended to influence your behaviours.

You seemed to be content right now, and Remus found himself wondering where on the castle grounds you might be right now.

Gods, he was such a freak.

Want. Mine? Where mine?  

He fought the urge to groan at Moony as he returned his gaze to the front of the class.

It appeared that Remus wasn't the only one with a lack of interest in Binns’ wearisome lesson as most of his classmates were beyond even pretending to pay attention; a few even drooling on their textbooks and letting out the odd snore.

It didn’t appear to bother Binns much who continued drilling on about the role goblin metal played in the rebellions.

Remus wondered if the professor had ever put himself to sleep during one of his lectures. He let out a small snort at that.

Before he could be concerned about whether anyone heard him or not, Remus felt an abrupt tension wash through him. No, not him. You. 

You were beyond tense, a tight kind of worry worming its way through your core. 

Not good. Not good. Not good. 

Though Remus didn’t find himself in a position to argue with Moony, he didn’t find the commentary particularly helpful. But for the first time since the soulbond came into effect, Moony quieted completely - almost as if he was allowing Remus to fully lock in on you. 

Shock - horror? You’d been startled… a painful surprise. Why couldn’t Remus think of the bloody word for the way you were feeling?

It quickly moved to heartbreak; it was as if Remus could feel himself sinking to the ground along with your heart.

Where the hell were you right now?

The heavy, sinking pain settled in Remus’ stomach whilst the sounds of Professor Binns and the surrounding student’s snores fell away into a quiet hum; Remus simply ceased to exist in the physical world as his consciousness went looking for you. 

Disappointment and guilt is what you seemed to settle on; a decisive determination forming in your mind. 

Then your heart spiked.

Worry?

Pain? 

Panic???

Remus had little time to acknowledge his realisation before an ice cold terror overtook you.

He could feel the violent rattle of your heart in your chest as your lungs started to burn; it was as if he could hear you screaming. 

And Moony went feral. 

NOW. NOW. NOWNOWNOWNOWNOWNOWNOW NOW. 

Remus hardly even realised that he had shot up until the chair fell to the ground with a loud thunk, likely startling the many napping students out of their slumber but he found that he just didn’t care about the disturbance he made as he took off in a full sprint out of the History classroom. 

He took the stairs two at a time in what felt like an arbitrary direction; he couldn’t tell you even if he tried where his feet were taking him, all his mind was concerned with was getting to you.

Remus had no idea where you were, but he'd find you.

If he didn’t know something was terribly wrong before, he certainly knew it now when your panic turned into a frantic desperation; cold, so cold was the terror that seeped down into your very soul. He was certain your magic was calling out to him, even as your core began to weaken. 

I’m coming, dove. I’m coming. Remus chanted as Moony howled in agreement. 

Remus’ own lungs burned nearly as badly as his legs did but he didn’t slow down, even when he shoved past a group of first years as he tore through the courtyard. He’d be sorry later; right now he had somewhere to get to, someone to get to.

Remus was just beginning to regret not taking up James’ offers to go for runs with him in the mornings when he felt a sharp relieved feeling - it was not relief, but a relieved moment - before shock and horror took over.

Your heart rate was a riot and you were distressed but Remus was sure he could feel you breathing and it was enough, it had to be enough until he got to you. 

He had to get to you. 

“Remus!” James shouted in a manner that told Remus it hadn’t been the first time he did so. 

Remus simply turned to look at him over his shoulder without slowing down.

“Mate! What the hell?!”

“Something is wrong.” Remus shouted.

“Yeah, you’ve bloody lost the plot it seems - I’d say that’s very wrong!” James replied breathlessly. 

Remus was going to tell him to sod off when relief came in the sight of you, though the relief was tentative when he noticed you soaking and hunched in on yourself in the sand. 

“Y/N!” He shouted then; you didn’t react, which only resulted in him panicking more.

“Y/N!” He shouted again as he made it to you; sinking to his knees in the wet sand as his chest burned. “Dovey, hey. Hey, look at me. Are you okay? Baby please, look at me.”

He finally brought a hand to your chin and tilted your head up to him; your skin was horridly cold and eyes were wild as your own chest heaved like you, too, had just run all this way.

“What happened, dove? Are- are you okay? What happened?” He was practically begging at this point but he couldn’t bring himself to care, even as James made his way over to stand behind you. 

“What’s going on?” James asked quietly; Remus could only shake his head at him.

“You’re soaked. Did you fall in?” He tried asking you; you simply looked towards the water in response. 

James quickly shed his jumper and handed it to Remus who wrapped it around you before he shed his own cardigan to wrap that around you as well. 

“Please baby, talk to me?” Remus begged. Your lip trembled and you pointed your gaze to your lap. 

He felt completely helpless; he had this deep desire - no, need - to help you, to protect you. He wanted to know what happened so he could fix this; he wanted to fix this.

But this wasn’t about what Remus wanted, it was about what you needed… what you deserved. 

“Prongs?” Remus said quietly as he simply settled into the wet sand beside you, pulling you into his lap and cocooning you with his body to provide you with some of his warmth. “Can you go get Junior? Please?”

James quickly looked between the two of you before nodding and running back towards the castle. 

·。·。·。·。·。·。·。·。·。·。·。·。·。·。·

Remus had been unable to encourage any more from you than a few shuddering breaths and a squeeze of your hand that he was holding hostage in his.

He wasn’t sure he’d ever be able to let you go again.

Unfortunately, this appeared to be one more of his many plans destined for failure.

“Treasure!?” Barty called as he and James ran over. “Hey! Tres, you okay?” He breathed as he knelt in front of you and Remus, much like Remus had when he found you mere moments ago. 

“Talk to me.” Barty whispered as he pushed your damp hair away from your face.

You let out a short breath that had you deflating significantly, as if you’d been sitting with every string in your body pulled taut until Barty had shown up. 

It hurt, for a moment, knowing you weren’t Remus’ person - or rather, that he wasn’t yours - but he bit back the emotion flooding in his mouth because it still wasn’t about what Remus wanted, it was about what you needed.

And right now, you needed Barty.

Your chin dimpled as your bottom lip began to wobble and Remus watched as your eyes filled with tears. 

“What happened?” Barty begged through a whisper, and that seemed to be the last of your resolve.

Remus was forced to relinquish his hold on you as you dissolved into tears and fell bodily into Barty’s embrace; he seemed to be expecting it though and caught you readily in a way Remus wondered if he’d ever be capable of.

Unable to explain your hurt to Barty, you simply sobbed and clung to him as he looked at Remus in horrified bemusement.

Remus could only shrug his shoulders and shake his head remorsefully. 

“Okay, you’re alright Treasure. We’ll figure this out, yeah? We’ve always figured it out; you and me, okay?” 

Remus immediately felt like he was encroaching on something entirely too private and stood; bitterness, grief, and worry twisting up an emotional cocktail that he knew would taste horrid on the way down.

“Lupin.” Barty called out, forcing Remus to pause as he made his way towards James. “Thank you, for fetching me.”

Remus simply nodded before turning back for the castle. 

“I’ll-” Barty called again before pausing, waiting for Remus to turn around once more. “I’ll let you know how we make out.”

Remus nodded and let out a breath. “Thank you.”

The two boys shared a knowing look before Remus turned, joining James as they headed back towards the castle - no doubt facing a detention or two for causing a scene and abandoning class - in silence. 

Remus learnt little else about what happened at the lake until dinner when Regulus approached them with the small amount of information Barty had managed to get from you.

“She said she fell in?” James asked quizzically then.

Regulus tilted his head side to side in a so-so. “It was less that she said it and more that she agreed with Barty that that’s what happened. Why?”

James shook his head as if jostling around the thoughts in his brain would make it make more sense. “She’s been going to that dock for months to feed the mermaids, I-”

“She wasn’t feeding them.” Remus interjected quickly. “She was bringing them gifts.”

Remus looked up from his novel to see his friends and Regulus staring at him incredulously.

“Right…” James continued after a beat. “So, she’s been going to that dock for months to bring gifts to the mermaids, and she’s never once had an issue. Why now?” 

Regulus heaved a sigh as he shrugged his shoulders defeatedly. “We’ve not been able to get much more out of her; she just keeps saying she needs to ‘fix things’.”

“What things?” James asked then, causing the younger Black brother to sneer at him. 

“I just said we haven’t been able to get more out of her, Potter. Merlin; tu t’entoures d’idiots, frère.” 

“Yeah, yeah.” Sirius moaned in exasperation. “Thank you, Reg.”

“Thank you.” Remus seconded, earning him a nod of understanding from the younger Black.

Remus returned to his novel, though he found himself unable to make sense of any of the words. James was right; something just didn’t make sense.

Just yesterday you had laughed at Remus for his concern for you on the dock 

… Remus quickly stood and gently helped you stand and pulled you closer to the middle of the dock, away from the edge you’d been inhabiting.

You giggled at him; the first real spontaneous emotion he thinks he had ever heard from you, and it caused Remus’ heart rate to speed up double time.

“You needn’t worry, Remus.” You expressed solemnly. “I’m very careful.”  …

And James seemed to know that to be true as well.

What weren’t you telling them? And what did you need to fix?

It wasn’t until later that evening that Remus came to realise what it was that you weren’t telling them. 

“Remus! Is she okay!?” He heard Amelia call breathlessly as she approached him in the library.

Remus was momentarily confused; he hadn’t spoken to Amelia in what felt like weeks, and he couldn’t imagine who she was possibly referring to.

“Pardon?” He asked dumbly.

“Y/N.” Amelia answered quickly; a deep divot present between her brows. “I just heard what happened; I swear I had no idea what they were doing, Rem. I would have never allowed it!”

Remus quickly slammed his History tome closed and stood over her menacingly. 

“Allowed what?” He sneered at her. “Who are ‘they’ and what exactly did ‘they’ do to her?”

Amelia seemed to baulk at the sudden severity of Remus, but she soldiered on. “I.. it was Silas, Shirley, and Coraline. They- I guess they figured, well-”

“Spit it out, Amelia.” Remus hissed at her.

“They think they were like, defending me, or something… by picking on her. I guess they tried to tell her to back off from you, and Silas said he shoved her in the Lake.”

Bad. Bad, bad, bad. Kill.

And while Remus knew, generally speaking, that he couldn’t kill a bunch of Hufflepuffs, he didn’t exactly disagree with the enraged and murderous Wolf howling inside of him.

“Is she okay?” Amelia asked again, quieter this time.

Remus felt bad when he noticed her cowering slightly beneath him; he felt bad about all of it.

Leading her on, playing with her feelings when he knew she liked him as more than a friend, and for ever getting you tangled up in this mess of his. 

He planned to never let it happen again.

“I’m not sure, Amelia.” He admitted then, realising somewhat belatedly that he had been simply waiting on you to come to him instead of actively working to help you fix this. “But she will be; I’ll make sure of it.”

Amelia offered him a sad smile at that. “Okay…thank you, Remus.”

“I’m sorry, Amelia.” He blurted then, watching as her sad smile turned soft.

“Thank you, Remus. Tell Y/N I’m sorry, too, okay?” 

And Remus watched Amelia walk away as he formulated a plan. 

James was easy to find, seeing as he was currently hanging on to every word coming out of Lily Evan’s mouth as she practised her presentation for the upcoming Herbology assignment.

“Hey, Rem.” Lily greeted with a smile as she shuffled through her cue cards, causing James to turn comically in his place on the couch where he’d been sitting with his elbows on his knees and his chin on fists.

“‘Lo Moons!” 

“Prongs, I’m sorry, but are you terribly busy right now?” Remus immediately felt bad for asking when James grimaced and turned to look at Lily. “It’s Y/N.” He clarified.

James immediately turned back towards him. “Is she okay?” 

Remus shrugged his shoulders. “But I know what happened.”

James’ face turned solemn as he turned to give Lily an apologetic smile.

She quickly smiled tenderly at him and waved him off. “Go, Potter. Make sure she’s okay for me, yeah?” 

James beamed at her before jumping up and planting a smacking kiss on the red-head’s cheek. “You were doing brilliantly, Lils! I’ll help you practise more later!”

“That seemed cosy.” Remus murmured as they stepped into the hallway and shut the door behind them. 

“It certainly felt cosy.” James agreed readily.

With the map that James had on his person, finding Sirius was an easy feat - what was not an easy feat was opening the broom closet door to find him and a Ravenclaw in various states of undress with their tongues down each other’s throats.

“Sorry, sweets.” Sirius winked at the other student as he pulled up his fly. “Duty calls.”

They found Pete in Chess Club and pulled him away from the game he was currently “winning, you absolute sods!” by the collar of his uniform shirt. 

And with the full moon a little bit more than 24 hours away, even Moony couldn’t deny the advantage they’d have with a little more help…

“It says he’s in the library.” Peter explained as he trailed behind the group with the map.

“Where’s my- where’s Y/N?” Remus quickly corrected himself.

Peter hummed as he searched the map whilst Sirius and James shared a knowing look behind Remus’ back. “Says she’s in Ravenclaw.”

Good, that was good.

You were fine. Safe.

And Remus knew that just had to be true, because Barty wouldn’t have agreed to leave your side otherwise. 

Back where Remus had begun this search, they did indeed find Barty hunched over a large looking tome at a table as Regulus, Dorcas, and Evan conversed quietly beside him. 

“Unless you’re here to learn the art of the Mermish language, bugger off.” Barty muttered without raising his head as Evan and Dorcas eyed the Marauders warily. 

“Relax, Meadows.” Sirius taunted. “We’re not here to prank you lot.”

“Forgive me if I don’t particularly believe you.” She muttered in response, narrowing her eyes at the boy. 

“To what do we owe this displeasure?” Evan drawled as he twirled his want in his hand.

“Play nice, Rosier.” Regulus muttered; obviously not particularly grateful for the Gryffindors’ company but clearly understanding there was  a reason for it.

“What, did you just say you were learning Mermish?” James asked Barty then; never one to manage to stay on task. 

Barty did look up at that only to look at James in bemusement. “Yes?”

“Why?” James continued, causing Barty to scoff.

“To thank them for saving Treasure, obviously. Do keep up, Potter.”

A disbelieving breath escaped Remus’ lips as he scrutinised your oldest friend. “That’s…actually really nice of you, Junior.” He admitted quietly, causing Barty’s bemused gaze to flit to him.

“Well yeah…I’m a real sweetie pie.” Barty muttered as if that had been really quite obvious and didn’t know why they were all talking about it, suddenly. 

“Listen, I found out what happened to Y/N.” Remus announced then; every Slytherin quickly standing at attention for Remus to explain. 

“They shoved her in?” Regulus confirmed slowly, earning him a nod in agreement from Remus.

“Well boys,” Barty started as he stood with a flourish, pausing at Dorcas’ pointed ‘ahem’ to amend “and Meadows, fuck’s sake”, “looks like we’ve got some Hufflepuff’s to kill!” He cheered gleefully, moving towards the library doors as if expecting everyone to follow him.

“We’re…we’re not going to actually kill them, right guys?” Peter asked nervously as the Slytherin’s rose from their respective seats, and the Gryffindor’s trailed after them.

“Right!?”

Tag list [NOW CLOSED] part 1:

@hanniejji , @y0urm0m12 , @c0nsc10usworld , @aphrcdites , @starsval , @anuncalledbridge , @klazina-couch-potato , @cancelledkaley , @ttulipwritezz , @boo8008 , @imobsessedwitholiviarodrigo , @frostooo , @myriadmoons , @aremuslupinsimp , @simars3 , @stargurl99 , @dreamingofts18 , @agent-tempest , @xxrougefangxx , @serenadingtigers , @adhxmoony , @hufflepufffangirlqueen , @thebiggestnaturaldisaster , @urmomw4ntsme , @b4tm4nn , @jamieolivia27 , @stqrgirlies-blog , @loving-and-dreaming , @cultish-corner , @all-in-the-fandoms , @sadslasher13 , @enamoredwithbella

[yan-lorkai]

ooh could you do something similar to your octa-trio with darling interested in marine bio but instead it’s darling interested in zoology with savanaclaw?

.⁠｡⁠*⁠♡ A/N: This is feeding into my obsession of learning random things so well, I've been binge reading everything about hyenas and lions these past few days lol. I hope you like it, darling!

.⁠｡⁠*⁠♡ "Leona, is it true that lions have a roar that can echo for eight kilometers? And that lions can't purr? And that female lions are the main hunters?" Question after question. Leona feels a growing headache, but also an urge to laugh. They're all such basic and silly questions, yet he's happy to know that you want to know more about lions, more about him.

.⁠｡⁠*⁠♡ His tail is wagging and his ears are twitching but if you point this out, he'll stop answering you and is going to pretend that nothing happened. For each question answered, you have to do something for him; usually Leona asks that you join him for a nap in his room or that you talk about your day, as he likes your voice and finds it relaxing to hear.

.⁠｡⁠*⁠♡ A lion's pride is his mate. So Leona holds you close so you can't escape from him to go around Savanaclaw asking other beastmen about their features and habits.

.⁠｡⁠*⁠♡ "Ruggie, it's true that hyenas can purr? Can you purr for me, please?" You ask, softly, shiny eyes looking into his as you wait for something, anything. A sparkle of pink rush to his cheek as he laughed a little. "Oh! And it's true that the 'laugh' is actually a vocalization used to communicate excitement, fear, or submission? And that up to 80 hyenas can live in the same pride?"

.⁠｡⁠*⁠♡ Oh goodness, you are feeding a little into his ego wanting to know all sort of things about hyenas now. He can't give the answer you want for free though, you have to give him a little incentive, maybe a few kisses, maybe food or you can try helping him on his errands and scratch his ears for him, either way, give your best shot as he is rooting for you. If he feels satisfied enough you will have your answers, otherwise, you can try again tomorrow.

.⁠｡⁠*⁠♡ He like this, having you cling to his arm, asking him things, it's cute. As a hyena, he's used to be throw around, to sacrifice and give freely to feed the kids in the slums and work harder than most. He feels a little greedy and he doesn't hide it.

.⁠｡⁠*⁠♡ "Jack, I have a few questions... How do wolves choose their leader? Is it true that wolves have an incredibly powerful bite force, capable of exerting up to 1,500 pounds per square inch?" You squint at him, right now, in his human form, Jack didn't seem capable of such things, even more with a mandible like that. His ears twitched a little, he was probably trying to think about how to respond to you, already knowing how you went to his upperclassmen with the same kind of questions. "By the way, wolves have a wide range of vocalizations to communicate, right? And they are also great at adapting to another habitat?"

.⁠｡⁠*⁠♡ Jack stares at you like a little dog, his tail wagging while a blush comes over to his face. He answers your questions to the best of his abilities, taking his time, so you spend more of your free time by his side. Your interest in wolves, in him more specifically, ignites a flame of interest inside him, maybe he really do have a chance with you and he'll do anything to get you to fall in love with him. For now, Jack indulges in your curiosity, he let you get close to him before trapping in his maws.

[doitforbangchan]

Little Tease - Bangchan

This is a request by the lovely @softkisshyunjin who wanted Chan rizzing up stay and then getting teased my reader <3 I hope it's everything you hoped for my dear

This is soooo delulu, please do NOT do what reader does here :)

Masterlist

Not proofread :)

Idol!Chan x Fan!reader (afab)

Warnings: Smut, protected p in v, kissing, fingering, masterbation, spitting in mouth, dom! chan, sub! reader, condescending! Chan, he is kind of a cocky jerk here lol

WC: 3k

MDNI 18+

He was an absolute menace. Chan knew exactly what he was doing, sending those messages out for Stay on bubble. You could imagine him kicking his feet like a schoolgirl while sending them out. You guessed it was his favorite pastime, considering every message got more and more teasing. Asking Stay to come over and he would send the address if they were to ask. And that he would even come to us. Yeah right. 

You figured why not try to tease him back? It wasn’t like he would even respond so what was the harm? You decided to send one yourself. 

‘Big talk for someone with no balls, Christopher. We all know you won’t show up.’ that had you cackling, wanting to send more, maybe make it a little flirty. 

‘Its a real shame too, I just know how you would throw me around if you were here.’ 

‘Oh well, guess I’ll have to take care of myself.’ 

That one made you feel a little bold. Before you stop your impulsive thoughts you sent him a picture of you in your bra and panties, and attached your address. Now it was you who was giggling like a schoolgirl. Even if he would never see them you still found it entertaining. It was the only chance you would ever get to tease him back, so who cares? 

It had been 4 days since the messages you sent back on bubble. Honestly you had forgotten it even happened, putting into the back of your mind since you knew nothing would come from it. You had assumed, anyway. 

It was a Friday night around 10:30  and you were just getting back home from a very disappointing first date. You had been set up through a mutual friend so you decided to give it a shot. Unfortunately he turned out to be like every other guy you had been out with recently; pompous and self absorbed. The guy only talked about how great he thought he was, and how any woman would be out of her mind not to fall at his feet. He gave you the ick right away, but you figured you would get free food out of it so whatever. 

You had just closed the door after letting yourself inside,  flipping on the light and barely able to get off your shoes when a knock on your door alarmed you. ‘Who would be at my door so late?’ With your heel in hand like a weapon you slowly creaked the door open just a smidge, keeping the chain locked. 

It was hard to see who it was, the man standing there had a black beanie and a face mask covering their mouth. 

“Are you Y/n?” They asked, voice sounding eerily familiar. 

“Depends who's asking?” You replied, with a touch of snark.

The stranger laughed quietly, again it sounded very familiar to you but you couldn’t place it. 

“Oh just someone who apparently has no balls.” 

Oh my fucking god no way. 

“C-chris?” Fuck why did you stutter 

“The one and only.” He pulled down his mask enough for you to see the bottom half of his face. 

“What are you doing here?” You were so shocked at seeing the idol, your bias no less, at your doorstep, but you still unlatched the chain on your door. 

Chris leaned against the door frame when you opened it wider, giving your body a quick look over, seeing you in your skimpy dress, then coming back to your eyes. “You told me too, even sent me your address.” He smirked at you when the realization dawned on your face. “Can I come in?” 

You hastily stepped aside to let him in. As if you would ever deny him. Chris stepped in and closed the door behind him, then secured the top lock. He glanced around the living room of your apartment, before his eyes found your nervous body standing before him and ringing your hands. 

You could barely breathe, having him so close, in your home no less, was the craziest thing to ever happen to you. So far. 

“Umm w-would you like a drink or something?” The nerves were still racking through you. 

“Sure. Thank you.” 

You nodded and scurried your way to your kitchen, pulling out a few options. Did he like wine? Or maybe he was a sparkling cider kind of guy? You were about to turn and ask him his preference when you felt a presence behind you, a breath on your neck. Not just any presence, it was Chris. 

“You know,” he began, “ that was quite a naughty thing to do. Sending those pics to a man you don’t know and attaching your address.” His fingers lightly brushed your hair away from the side of your neck and you felt him lean on closer. He could feel your breath catch in your throat at his actions. “And telling me I have no balls, if you weren’t so damn pretty I might have let that slide. Unfortunately I am not a strong enough man to resist a pretty little minx who needs to be put in her place.” His voice was getting raspier as he spoke. 

‘He called me pretty!’ The way you focused on that statement was unhealthy, the simple words filling you with a desire for this man you had never felt. Then the other half of his words caught up with you. 

“Put me in my place?” 

“Mmhmm.” Chris hummed and put his hands on your waist, quickly spinning you around to face him as he pushed you up against the counter in your kitchen. You let out a squeak at the sudden force. “Seeing you in those frilly little panties did something to me. I’ve never felt this ravenous for a fan before.  There is something special about you y/n. Will you let me show you?” He held a deep gaze on your eyes, asking for your consent. 

It was an easy answer, “Yes Chris of course.” 

As soon as you answered he put his lips directly on yours, a clash of teeth and spit. It felt like he was trying to consume you with the way he kissed you, tongue wasting no time before shoving itself into your mouth. You wrapped your arms around his neck, needing to be closer. This felt like a fever dream, but you weren't one to look a gift horse in the mouth so you would let him take all he wanted from you. 

Chris tightened his grip on your hips and lifted you to sit on the counter that was behind you. His hands were warm as they ran up your thighs, slipping under your dress. You let out a quiet whimper when he made contact. He was so close yet not close enough. 

“Don’t be shy, now. You weren’t shy when you sent me those pics huh? What happened to that girl?” He pulled back enough to smirk at you, giving a bite to your lip as he went. You couldn’t find your words, too enthralled by him to form a sentence. At your silence he tutted in mock disappointment and let his mouth fall to your neck, mouthing at the skin there and laughing when you moaned. “Tell me sweet thing, why did you tease me like that?” 

“I-i didn’t think you would see it.” you squealed when he nipped at your neck. “ You w-were being the tease, Chris.” 

“You’re right, baby, I was being mean wasn't I?” He let his fingers find the side seams on your panties, hooking his thumbs under the fabric. “I was riling up my poor stays, they don’t deserve that, do they?” He was cooing at you, almost making fun of you.

 Had this been any other man you wouldn’t have taken his menial words and demeanor. But this wasn’t any other guy, this was Bangchan. This was the man you’ve thirsted after for years.Someone you thought would never even know you existed. And for some reason you didn’t mind the way he talked to you. If anything it felt good. Felt like you were letting go of your inhibitions and letting this man, who obviously you don’t know- but it almost felt like you did know him. You had been following his group and him for so long. 

“No, t-they didn’t deserve i-it.” You could not stop stuttering, nor could you catch your breath. 

“Should I atone for that, sweetheart?” His thumbs were slowly pulling down your underwear, so slowly you almost didn’t register it at all. “Should I make up for it right now, with you? With my precious stay?” 

Once your panties were slipped down enough that they dropped off onto the floor, he paused his movements as if waiting for an answer. It took you a moment to gather yourself enough to answer. 

“Yes, please use me to make it up. Please, Channie.” 

That seemed to set him off, his fingers going to your core and finding your clit with ease. You let out a whimper at the contact, hips raising to get even closer. You could feel his mouth back on your neck, sucking the skin and surely leaving hickeys. Reminders that this is real. 

Chris hummed into you as he let the digits find your opening and flick up and down, sloshing through your wetness. You couldn’t find it in you to be embarrassed though. “Do you want my fingers, sweetheart?” He still had that condescending tone, knowing damn well you wanted them. He just wanted to hear you say it. There had always been speculation that Chan was a dominant guy in bed, at least now you could confirm that for yourself. 

“Mmhmm please.” you nodded rapidly. 

He wasted no time in pushing his two fingers into your heat, the thickness of them stretching your walls. You let out a throaty moan, the intrusion feeling delicious. So good it almost made you forget this was all happening on your kitchen counter. Almost. 

“Chris.” you panted, trying to get his attention by tapping on the shoulders you were gripping. 

“Hm?” he mumbled while pistoning his fingers inside you, adding another one as he made the sound. 

You were nervous to ask, but figured it was worth a try. “Can- can we maybe take this to my bedroom?” 

He hummed as if thinking about it, then without a word, he scooped you up into his arms. You pointed in the direction of your room and the man headed that way without a struggle. He didn’t even seem to be straining while holding you, his strength coming in clutch. 

Chris went through the door you pointed to and unceremoniously dropped you on your bed. The sight of you; panting and glassy eyed, dress riding up your hips to expose your cunt to him, made him harder than he cared to admit- the tightness in his pants becoming too much to ignore. 

You really were an exquisite beauty. He knew the second he laid eyes on your form in that picture you sent that he would somehow have to find his way here to you. He would never admit it but the thought had been plaguing him for days. Fuck, the man flew across the world for this. Luckily it hadn’t been in vain, as you seemed to want him as much as he wants you. 

Chris’s gaze felt scrutinizing, as if every twitch you emitted was being memorized by him. Little did you know it was exactly what he was doing. He wasn’t one to fuck around with fans (he left that for Hyunjin and Jeongin) but he was enjoying himself and wanted to commit this to his memory. 

“Tell me, sweetheart,” He drawled out as his hand went to the tent that was present in his pants, “Am I your bias? Have you thought about me like this before?” You couldn’t meet his stare, giving yourself away to him without having to say anything. “Hmm I am huh? I would have thought with the way you act online maybe you would have preferred maybe Lee Know to be here making a mess of you. Or even Seungmin.” You rapidly shook your head in protest to his words. “No? So you don’t want me to leave you here and call one of my boys to come help you instead?” 

He was being patronizing but you still answered earnestly “No please! Only want you!” You don’t know what you would do if he left right now, you were so needy for him you had started to cry. 

“You only want me?” He pointed to himself, grinning when you nodded. “Prove it. Show me what you do to yourself when you think of me.” 

His stare was menacing, almost challenging. He wanted to see if you would follow his orders. You looked like a deer caught in the headlights, scared and frozen. Chris wondered if maybe he was taking it too far with you, but was mistaken when you laid flat on your bed and your fingers nervously trailed down your exposed thighs and to your wet entrance. 

You both let out a whimper when your fingers entered your hole, the slick sounds resonating in the room. If this is what he wanted you weren't going to deny him. Chris stood over you while you played with yourself, his own palm rubbing himself through his underwear, he had pulled his sweats down enough to rub over the opposing fabric. 

He lost it when you whined his name, unable to contain his urges any longer. He shoved his boxers down his legs and let them along with his sweats fall to the floor, before he pounced on you. You gasped as Chris caged you under him and ripped your fingers out of yourself. “Chris?!” 

“You really are a fucking tease arent you?” He went to line himself up before his senses came back to him. “You got a condom, pretty girl?” 

“In th-the bedside t-table.” You pointed to the table beside you. 

Chris reached into the drawer and pulled out an unopened box of condoms, giving you a raised eyebrow. “It’s been a while.” You shrugged sheepishly. 

He chuckled and pulled one out of the box, ripping it open with his teeth and rolling along his hardened length. “Think you can take all this, baby girl?” there was that cocky attitude you were growing to love. 

“Please. Want it Channie.” 

That was the go ahead he needed, lining up to your entrance and pushing into your heat slowly. 

“Fuuuck.” He groaned out while you cried against him. He was breathing heavy, you were so tight he was suffocating within you.It didn’t help that he was the biggest you had ever taken. If you hadn’t been so wet the stretch of him would have been painful for you. But instead it was delectable, a welcome burn. 

When you bucked your hips up into him he took that as his hint to move, and he began a punishing pace. His own hips meet yours as you thrust into the air. You could feel his balls slapping against your ass, you’re arousal coating them and adding to the filthy sounds resonating in your room. It all sounded so wet. 

When you opened your mouth to let out a high pitched moan Chan took the opportunity to grip onto your cheeks, keeping your mouth open for him as he spat directly on your tongue. “Be the good girl I know you can be and swallow it. Swallow my essence, sweetheart.” You did so with no hesitation, opening your lips to show him. “Nnggg so fucking good for me, for your bias.” 

His words alone could make you cum, already feeling yourself on the edge from all the playing he did with you. You clenched on him at the praise he gave you, causing him to groan again and drop his face into your chest, suckling your skin harshly. He wanted you to remember him after he is gone. 

Or maybe he would keep you. 

It sure was tempting to keep a sweet girl with such a sweet pussy. He could even share you with the other boys, he is sure they would love a taste of you once he tells them about you.

“Channie…. ‘M close.” 

Chris nipped your skin once before bringing his fingers down to where you were connected, finding your clit and massaging roughly. “Come on, little tease. Give it to me. Make me proud and cum.” 

At his instruction you fell over the edge, cumming with a deafening cry of his name. Chris wasn’t far behind you, the clenching on his cock sending him to orgasm. You writhed under him as you felt the warmth of his cum filling you up,albeit inside the condom he wore.

Chris pumped himself within you once, twice and a final third time as he rode out his high. After your quaking was over he slowly pulled out of you, both too sensitive for anything else. The idol pressed a final kiss to your mouth before removing himself from you completely. He wandered over to the trash can you had in the corner of your room and disposed of the rubber. 

You laid there on your bed completely fucked out, mind in a haze as you watched him pull his boxers back on. He turned to you with a boyish grin. 

“So tell me you little tease, who has no balls now?” 

Comments and reblogs are very much appreciated!

©doitforbangchan

[vbecker10]

Language (Part 5)

Part 1 / Part 2 / Part 3 / Part 4 / Part 6

Pairing: Loki x female reader (Y/N)

Summary: Captain Rogers thinks you curse far too much at work so he came up with a way for each word to cost you fifty cents no matter where you are in the Tower. You are desperate for it to stop and go to Loki to see if he has a spell or trick that can help you outsmart J.A.R.V.I.S.

Warnings: swearing lol... obviously?

You groan and open your eyes to the sound of your phone alarm. The sun has just started to rise, but you need to go home and get ready for work.

"Please turn that off," Loki mumbles against your back.

"I'm sorry," you whisper and let go of his hand, freeing yourself from his embrace. You turn off your alarm and sit up, yawning.

"It's too early," he says, still half asleep. Eyes closed, his hand finds your waist and he gently pulls you back towards his body.

"I have to go home," you tell him but make you no attempt to pull away again.

"No," he says simply, his arm holding you in place.

"No?" you giggle at his unwillingness to let go of you. "I need to shower and get changed. I'm still wearing my clothes from yesterday."

"I have a fully functioning shower," Loki mumbles and you can hear the sarcasm in his voice despite him being so close to falling asleep. His legs intertwine with your legs and his hand holds yours as you both easily settle into the comfortable position he held you in all night. The God of Mischief adds, "And I am perfectly capable of conjuring clothing for you."

"I don't have a toothbrush or anything," you tell him, enjoying the feeling of Loki trying to keep you from leaving.

"Y/N, I can summon anything you need," he reminds you gently.

"I guess that's a good point," you say, having already made up your mind that you aren't going home before work.

"Please stay," he whispers close to your ear.

You smile and squeeze his hand, "Okay."

"Go back to sleep," Loki says softly and you nod, closing your eyes.

You take a sip of your coffee as you sit on Loki's couch, your eyes follow him as he paces and talks excitedly. You can't help but smile at how confident he looks compared to last night.

"That might actually work," you say when Loki finished explaining his plan.

He chuckles and sits next to you, "Of course it will work. Why do you seem so surprised?"

"If I say it's because your other ideas didn't go so well, are you going to turn me into a frog?" you joke as he drinks his coffee

"You are utterly obsessed with the idea of being turned into a frog," he rolls his eyes but his smile remains.

"No, I'm concerned that it's a very real possibility," you explain. "I've never been friends with anyone who could do that."

"Ah, I see you are assuming we are friends now," he says a bit sarcastically.

"We're not?" you ask him, unsure what you and Loki are to each other after last night.

"Do you want to be friends?" he wonders, setting his mug on the coffee table.

"What are my other options? " you shrug, hoping he will give you some hint as to what answer he is looking for.

Before he can respond, there is a loud knock on his door. He sighs deeply and rubs his temples then looks at you, "That will be Thor." He notices the confused look on your face and smiles, "There are only two people who have ever bothered me when I am in my apartment and one of them is already in here."

You giggle nervously, "That's fair. Guess the plan starts now?"

He smirks and nods, "Are you ready? I promise I won't turn you into a frog."

Steve and Natasha sit at the far end of the table reviewing the agenda for the morning briefing. Tony, Bruce and Clint stand near the window placing bets on how much money you will be fined today for your swearing. The discussions are suddenly silenced when Thor slams open the door to the conference room. Everyone quickly turns to face him in surprise.

"Woah! Calm down point break, no need to break down the door. There are plenty of donuts for everyone," Tony gestures to the box on the table.

"I don't think that's the issue," Bruce says when Thor takes a step to the side to reveal that Loki and you are behind him. You look down at the ground and fidget with your fingers while Loki glares at his brother.

"What's going on?" Steve asks, standing with his hands resting on the table.

"Thor is overreacting to a simple deal I have made with Y/N," Loki says calmly and you nod.

"She made a deal with you?" Tony asks. "What, was the devil busy?"

"That almost hurt Stark," Loki smirks.

"What did you do to her?" Clint asks, obviously very concerned for your wellbeing.

"Y/N came to me last night after the Captain enforced his new policy regarding her swearing," he explains.

"Seriously Y/N, you thought Loki would help you?" Clint asks you.

You nod.

"I did help her," Loki answers for you. "There is no need for this concern you all share. Y/N is fine."

"Why doesn't she tell us she's fine herself?" Natasha crosses her arms over her chest.

Loki looks at you then back at the team as they gather closer around you both, "She cannot."

"Why not?" Natasha uncrosses her arms slowly and looks at you with growing concern.

Thor answers before Loki can, "He took her voice."

"What?!" Clint, Tony and Steve all shout at once.

Loki smiles, "Don't worry, I'm keeping it somewhere safe." He holds out his hand and a small glass vial appears, a light gray cloud swirls around inside of it. The God of Mischief places it on the conference table in front of you as you rub your throat slowly.

"Absolutely not! Give Y/N her voice back, Ursula," Tony orders.

"How dare you. I am not some common sea witch," Loki glares at him, clearly offended.

"You understood that reference?" Steve asks.

"I read," Loki rolls his eyes. "Besides, I cannot do that. We made a deal, Y/N and I made a perfectly reasonable trade."

"What could you possibly trade for your voice?" Clint asks you but you can only shrug in response.

"That is between Y/N and myself," Loki answers for you.

"I can't believe this is happening," Bruce takes off his glasses and rubs the bridge of his nose.

Loki sighs, "There is no need to worry. If Y/N asks, I will be more than happy to reverse the deal."

"How is she supposed to ask? You took her damn voice," Natasha points out.

"She can write," Loki says as if the answer was obvious.

You smile at everyone and give them two thumbs up as enthusiastically as you can.

"You must certainly are not fine," Steve insists. "I can't believe you would do this to get around J.A.R.V.I.S."

"This has gone on long enough," Thor says as he takes a few steps forward and picks up the glass vial.

"Be careful with that brother," Loki warns him and takes a step forward. You shake your head and bite your lip nervously. "This is not like the magic of Stark's fairy tale. If you break that, Y/N's voice will not be released to her, it will simply cease to exist."

"You have got to be kidding me," Tony says, rubbing his temples.

"Give it back to me," Loki says sternly, holding his hand out towards Thor.

"Don't mess with that big guy," Bruce says, his eyes on the vial in Thor's hand.

You watch anxiously when Thor pulls away from his younger brother. "Remove the spell from Y/N," the God of Thunder demands.

"To do that I will need the vial," Loki counters and takes another step forward, closing the distance between them. Loki reaches for it but Thor pulls his hand away, holding it just out of reach.

If you weren't so concerned about the safety of the vial, you might be able to appreciate how much they simply look like bickering brothers and not two Gods arguing over your voice.

Tony steps in, "Thor, give it back to the sea witch."

Loki glares at Tony, "I do not have the patience for you today tin man."

He looks back at Thor and without a word, he flicks his wrist, sending his seidr towards his brother. The green cloud surrounds his hand in an attempt to pull the vial free but Thor clenches his hand and pulls violently against Loki's magic.

"Stop!" Natasha yells.

Your eyes go wide and you cover your mouth with both hands as the vial slips free from Thor's grasp. Loki's seidr doesn't react fast enough and the small glass vial falls to the floor at the older Asgardian's feet, shattering into pieces.

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[rafeandonlyrafe]

feeling generous

words: 1.3k

warnings: 18+ only!, smut, dubcon!!, blackmail!!, blowjob, cum eating???, voyeurism, public sex, car crash but like its in a parking lot lol, pogue!/broke!reader

“shit, shit, shit.” you groan, quickly putting the car into drive and moving a few feet, cringing when you hear the crunch of metal coming undone. you throw the car into park and hop out to see your worst fears actualized.

“are you fucking blind?” the shout makes you jump. you didn't even realize that the owner of the car was sat in the driver's seat.

“im-im so so sorry.” you shake your head quickly, surveying the damage. you caught their back bumper with your own, the red paint from their car flaking onto your silver one. “i-i didn't see how close-”

“no shit you didn't see! jesus fucking christ, do you know how expensive this car is?” he shouts, standing to his full height and slamming the car door closed. you don't know how much the car is, but judging by the look of it and the man driving it, certainly not cheap. “this is a custom paint job too.” 

he places his hands on his hips, eyes shifting between glaring at the ruined back end of his car and you.

“insurance and id. now.” he huffs out. “before i call the cops.”

your eyes widen. you have the minimum required insurance, and even that payment is killing you, there's no way you'll be able to afford it if you get an increase for a crash.

“can i pay you out of pocket?” you offer, clearing your throat, trying to keep a level head.

“no way you're able to afford it.” his eyes turn towards your car. it's old, a junker, but gets you around fine enough. and best part, it was free, a hand me down after your grandma bought a newer car.

“i-i probably cant, but i can't afford the insurance increase either and i- we can work something out. please.” you don't care how pathetic it is, you'll get down on your knees in the parking lot if you have to. you're not beyond begging and pleading.

he looks you up and down before grunting, heading back towards his car. your feet spring into action, grabbing onto his wrist, not wanting him to reach for his phone.

“no, please, sir-”

“rafe.” he says, hand twisting so now he's the one holding your wrist. “my name is rafe.”

“oh.” you blink up at him before responding. “my name is y/n”

“you shouldn't have told me.” rafe holds his hand up. “in case i change my mind. you're lucky im feeling generous today.”

“oh my god, thank you so much!” you feel tears well up in your eyes.

“don't thank me yet, darling.” his gaze turns dark as he looks down at you, only now realizing how tall he is, how he towers over you.

“what do you mean?” you question.

rafe takes your hand gripped tightly in his fist, turning it and bringing it down to place it on his crotch. your eyes widen when he moves your fingers back and forth over his shorts, stroking along your length.

“i- what are you doing?” you try to pull your hand away, but he's holding on too tightly.

“it's either this or we can get insurance involved.” rafe looks at you, the shiny lip gloss smeared over your mouth. you may be a broke pogue, but your mouth should be good enough to please him, to ease some of the tension from getting his car hit.

“im not a prostitute.” you say, certainly not meaning this when offering to work something out.

“yet you're gonna get on your knees and suck me off. or i call the cops.”

“right here?” you look around the parking lot. it's pretty empty, but it's the middle of the day, the sun shining down on you, making the illicit act obvious to anyone who looks between where your two cars are parked.

“yeah.” he shrugs, pressing your hand harder into his crotch. he's obviously hard, seemingly almost painfully so.

you look back to the damage, the cherry red color that you're sure isn't stock, and then sink down to your knees. rafe smirks down at you as he drops his hand away from your wrist, light purple bruises already forming.

you gulp and resolve yourself to what you're about to do, tugging at his zipper before undoing the button on his shorts. you open up the flaps, eyes widening when you take in his length through his underwear.

rafe chuckles before pushing the elastic down to pull his cock out, exposing it to the warm summer air.

“suck.” he simply commands.

you open your mouth, taking an experimental lick at his tip, surprised that the taste isn't completely repulsive. you lick again before wrapping your lips around the head of his cock.

“come on.” he spurs you on. “do it good or ill cum in your mouth and still make you pay.”

the threat has you moving quickly, sinking down onto his cock, closing your eyes so you don't have to see rafe looking down at you. he may be attractive, but you're still getting forced to do this. 

“ahh, that's good.” he groans as you set a quick pace, bobbing your head up and down. you pray no one pulls into this part of the parking lot or looks your way. you'd be absolutely mortified to be seen on your knees for a man in the middle of the day, not even going into his car to suck him off.

rafes hands grip your hair, pulling them into two makeshift pigtails.

he lets you stay in control for a while longer before he gets sick of you sucking him off however you please. he shoves his hips forward, causing you to gag when his cock buries deep in your throat.

rafe doesn't give you time to recover, thrusting while holding your head still by the hair, tears now streaming down your eyes as he pushes in then out, in then out.

“fuck, you're actually good.” rafe chuckles. just his luck the dumb bitch who hit his car gives good head, your throat tightening as you swallow around him with every thrust.

you feel the combination of drool and tears drip down your chin, hoping rafe cums soon so this can end.

you place your hands on his thighs as your knees dig into the pavement. your jeans are going to be completely ruined by the time rafe is done with you, but at least you'll have money to buy a new pair.

you feel rafes cock swell in your mouth, your eyes widening to look up at him, the sun behind his head, illuminating him in a perfect halo, but he's no angel.

rafe pulls his cock out before he can cum. you stick your tongue out, knowing exactly what to expect as rafe strokes himself quickly, moaning as if he doesn't care about being seen as his cock shoots out ropes of white cum onto your face and awaiting tongue.

he taps the tip against your tongue, smearing it through the mess of white. “kiss it.”

it's humiliating, but not any more than what just happened. you pucker your lips and press a kiss to the tip of his cock, seeing that it's already beginning to soften.

rafe tucks his cock back in as you pant on the ground, hands coming to your thighs as you try to gain composure.

“hey.” rafes voice has you looking back up, your eyes widening when you see he's got his phone now, taking a picture of your disheveled state, face still covered in his cum.

“what was that for?” you shout.

“part of your repayment in case you ever try to go back on our agreement.” you understand what rafe means. in case you try to tell anyone he forced you into it.

rafe smiles when the look of acceptance sinks into your features as you resign to your fate. he bends down, looking you in the eye before his tongue presses against your jaw, dragging up your cheek, tracing the trail of your tears, not caring that he also tastes his own cum on his tongue. 

“see you around.” he smirks, swallowing your tears dramatically as he gets into his car, speeding away before you even get your knees off the ground.

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