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#feel posting again
hinamie · 16 days
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to moving forward
#my art#jujutsu kaisen#jjk#jjk fanart#jujutsu kaisen fanart#jjk art#yuji itadori#gojo satoru#fushiguro megumi#nobara kugisaki#itadori yuuji#megumi fushiguro#jjk spoilers#satoru gojo#jjk manga spoilers#hina.comic#before any1 says anything i KNOw his birthday is in december ik ik ik this is just 2 show some post-battle bonding after the trauma#its winter in canon n megumi's birthday has passed and he spent it being piloted like a mech so they need to celebrate Now!!#also this was technically a request lmao anon wanted megumi birthday angst hehehehhe i hope u like it <3 bc it KILLED ME DEAD#im going to collapse remember when i said this wasnt harder than the hydrangeas im having second thoughts#page 8 made me want to bash my head in#could have stuck with one flashback image could have left them monochrome could have done literally anything 2 ease the workload#but noooo the chronic overachiever in me would not allow it#rule of threes i had to include all of them and they Had to be in colour it wouldn't have hit the same if i had kept it monochrome#i needed it to look how childhood memories look i needed it to look oversaturated and hazy and fond but unmistakably Gone#it may have killed me but im so proud of this rn like from an art style perspective these megumis and yuujis r top tier by my standards#personal favourites r the first and last panel of crying megumi like not 2 pat myself on th back but expression?????? hello??????#enjoy your cake megumi you've earned it <333 sorry fr hurting ur feelings it will happen again#oh my god i can sleep tonight bless <333 and i met my 3 day deadline NICE im so good at what i do
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gibbearish · 11 months
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love when ppl defend the aggressive monetization of the internet with "what, do you just expect it to be free and them not make a profit???" like. yeah that would be really nice actually i would love that:)! thanks for asking
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lemongogo · 6 days
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dont forget what happened to icarus
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brainrotcharacters · 1 month
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the easy grip on the knife. the leg over the seat. the hand over the other seat. the sassy "come get it" move. you know the bitch is smiling behind that mask even as he said the line.
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the-winter-witcher · 11 months
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rystiel · 3 months
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i keep seeing people say the doctor shouldn’t have feelings for rogue because he’s married to river…? river song… who has also married multiple people… one of the most polyamorous characters in the show…?
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lotus-pear · 2 months
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learning to love
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chroniccoolness · 9 months
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genuinely a lot of you need to sit the fuck down and think about whether you actually support transfeminine people or you're just chasers. cause a lot of this site's support seems to be "uwu fuck me big strong dommy mommy" "I want a sexy trans goth gf so bad" etc etc and it's so gross. like i dont think attraction the inherent problem here or anything but when every single post asking "do you actually support trans women/transfeminine ppl?" has some chucklefuck in the notes going "haha yeah, I support her ON TOP OF ME!" it gets really obvious that you do not actually know how to support them without sexualizing them. and that's. really incredibly not okay.
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punkitt-is-here · 1 year
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you gotta believe her
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kitamars · 22 days
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doodles as i relive my spideyman phase from eighth grade
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communistkenobi · 4 months
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I believe it was the work of legal scholar Florence Ashley where I first encountered this term (it might have also been Serano), but I’m becoming more and more committed to saying “degender” as opposed to “misgender.” like I think the term ‘misgender’ fails to properly identify the mechanism behind the process it describes: misgendering is not an act of attributing the wrong gender characteristics to a trans person, it is an act of dehumanisation. I think the term ‘misgender’ especially gives people much easier rhetorical cover to argue that trans women are hurt by misandry by being ‘mislabeled as men,’ or that they are in fact ‘actually men’ and benefit from male privilege, because the (incorrect) assumption underlying this is that when trans women are ‘misgendered’ they are being treated like men - to follow this line of thinking to its natural conclusion, this denies the existence of transmisogyny altogether, because any ‘misgendering’ of trans women is done only with the intent, conscious or otherwise, to inscribe the social position (and the privileges this position affords) of men onto them, as opposed to stripping them of their womanhood (and thus, their humanity).
The term degendering, however, I think more accurately describes this dehumanising process. Pulling from the work of both Judith Butler and Maria Lugones, gender mediates access to personhood - Lugones says in the Coloniality of Gender that in the colonial imaginary, animals have no gender, they only have (a) sex, and so who gets ‘sexed’ and who gets ‘gendered’ is a matter of who counts as human. She describes this gendering process as fundamentally colonial and emerging as a colonial technology of power - who is gendered is who gets to be considered human, and so the construction of binary sex is a way of ‘speciating’ or rendering non-human the Indigenous and African people of colonized America, justifying and systematising the brutal use of their land and/or their labour until their death by equating them to animals. Sylvia Wynter likewise describes in 1492: A New World View that a popular term used by Spanish colonizers to describe the indigenous people was “heads of Indian men and women,” as in heads of cattle. By the same token, white men are granted the high status of human, worthy of governance, wealth, and knowledge production, and white women are afforded the subordinate though still very high responsibility of reproducing these men by raising and educating children. Appeals to a person’s sex as something more real, more obvious, or ‘poorly concealed’ by their gender is to deny them their gender outright, and therefore is a mechanism to render them non-human. Likewise, for Butler, gender produces the human subject - to be outside gender is to be considered “unthinkable” as a human being, a being in “unliveable” space.
Therefore the process of trans women going from women -> “male” is not “being gendered as a man,” it is being positioned as non-human. when people deny the gender of trans women, most especially trans women of colour, they invariably do this through reference to their genitals, to their ‘sex,’ as something inescapable, incapable of being concealed - again, this is not a process of rendering them as men, it is the exact opposite: it is a process of rendering them as non-human. there is not a misidentification process happening, they are not being “misgendered as men,” there is a de-identification of them as human beings. Hence, they are not misgendered, they are degendered, stripped of gender, stripped of their humanity
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nipuni · 14 days
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14 and not 14 😌
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shellem15 · 1 month
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Can I just say, I really appreciate how Critical Role plays the Devil trope straight. There's been this phenomena in a lot of modern media (I'm not going to mention specifics but I'm sure a few examples pop up in people's minds) where Hell and the Devil aren't scary or malevolent forces. Hell is portrayed as being basically the same as our world just "edgier", and the Devil is a pretty decent guy actually. Heaven are secretly the real bad guys!
But Critical Role doesn't do that. In Exandria, Asmodeus *feels* like the Devil. He's malevolent and manipulative and terrifyingly powerful and he hates you, personally. We never see that type of portrayal anymore! And it's amazing! And he still manages to be sympathetic and tragic without losing his edge!
And the "Good Gods" are portrayed as flawed without being secretly evil or something! Like, actual nuance? In my Heaven/Hell dichotomy? What!?
It's just such a breath of fresh air after so many "The Devil was right, actually" stories. So props to Matt and Brennan and the cast.
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verflares · 2 months
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who's afraid of the big bad wolf?
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zzoupz · 1 year
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fuck you I've changed and grown as a person. social media old man yaoi
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fictionadventurer · 8 months
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How did Treasure Planet manage to come up with the greatest aesthetic in all human history? Victorian elegance plus space-age flair, with just enough dirt and grime and wear and tear to make it feel real? A combination of traditional and computer animation that perfectly embodies the movie's blend of old and futuristic? How does it get any better than that?
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