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#first full arc and two or three episodes of the second arc my beloved
highendphasers · 2 years
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[whispering] nobody knows about the death note persian dub
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yurimother · 1 year
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'I'm in Love with the Villainess' Anime - Episode 1 Review
An astounding and hilarious first outing for the series with the power to revolutionize Yuri
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We are finally here, the long-awaited and much anticipated first episode of Platinum Vision’s I’m in Love with the Villainess anime aired on Tokyo MX and is streaming everywhere outside of Asia with a plethora of dubbing options, including English, on day one on Crunchyroll.
The first outing covers most of the events of the light novel’s first chapter, or the first three chapters of the manga, at a rapid but steady and not overwhelming pace. At this rate, the anime should be able to cover much of the series’ first arc, or the first two out of five books, in a single cour. Perhaps a bit less, depending on which of the story’s various adventures it elects to include. This is an exciting possibility, to be sure, as the story is a character-driven, socially mindful, and expertly written and, despite its fantasy setting, an exceptionally relevant tale of romance, socio-economic inequality, and of course, queerness.
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While the first arc of Villainess is a triumph, it would be a shame not to see at least some of the developments from the extra chapters that lead into the second story, like (spoilers for the end of volume 2) Rae and Claire’s wedding and their adopted twin daughters May and Aleah. If we are lucky, perhaps they will appear in the final episode or, dare to dream, a second season (end of spoilers).
Now, onto the show itself. For those who, for whatever reason, have not read Inori’s masterpiece, I’m in Love with the Villainess follows Rae Taylor. A salary worker who dies and is reincarnated as the protagonist of her favorite otome game, Revolution. However, Rae has no interest in any of the game world’s three eligible royal bachelors and has eyes only for the game villainess Claire François. Armed with exceptionally magical ability, Rae sets out determined to secure a happy ending for her beloved Claire against the coming revolution and perhaps win her heart in the process.
Now, the opening of I’m in Love with the Villainess is the series' weakest moment in all mediums, which, considering episode one’s outstanding quality, only highlights just how superb the Yuri masterpiece is as a whole. Even with its need to establish the setting, characters, and premise of the series, the premiere managed to be an excellent introduction and set the bar high with lots of laughs, entertainment, and service between our two leads.
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I watched the Japanese audio, and Yu Serizawa and Karin Nanami are fantastic in these roles, with Serizawa playing up Rae’s teasing adoration and borderline masochism at full blast, and Nanami explicitly giving voice to Claire’s arrogance and frustration. She even manages to deliver a perfect Ojou-style laugh to seal the character’s elite status and lean into the show’s use of otome tropes. And having the leads sing the excellent opening and ending themes is just icing on the cake.
Speaking of tropes, while Ironi’s original work is a genre-defying masterpiece that broke the Yuri mold, it is never afraid to play with the genre’s iconography and its otome game setting. Every other scene had another allusion, including to the book’s cover. As always, I am likely overeager to see connections, however intentional they may be, but the academy’s halls harken to otome staples, the bells and strings of the first scene's soundtrack conjured blistering memories of Strawberry Panic (perhaps a sacrilegious comparison to make but I digress), and even an areal shot of the campus was another check mark on my “Scenic Yuri” theory.
Now, as mentioned, I’m in Love with the Villainess has to establish the groundwork here, and narratively, these are the weakest moments, often direct exposition, with a few exceptions like Rae’s conversation with her roommate Mash about maintaining Claire’s attention. The narration is at least accompanied by relevant and creative, if perhaps limited, animation. But to their credit, these moments are succinct, existing only as long as they have to in order to provide the necessary information and get out of the way for what matters most: the characters.
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Rae and Claire are front and center from the very get-go, and there is little time wasted in showcasing Rae’s intense bottom energy or establishing Claire’s elitism and bewildered anger towards Rae’s excitement in the face of Claire’s carefully calculated cruelty. It is a montage of silly and fun competitions between the two that had me laughing and smiling all the way through, as the Yuri was present in full force, and gives glimpses at the mutual obsession the women have for each other that will soon blossom into a wonderful romance.
These early story beats have a light tone and focus on the bullying, teasing, and rivalry between Rae and Claire, a dynamic that previously and understandably made a subset of readers somewhat uncomfortable. However, assuming the anime unfolds in a similar manner to the manga and light novels, the narrative will explore meatier, heavier subject matter and a far deeper lesbian romance, all without losing its sense of fun and adventure. The next episode or two will be incredibly telling - as the source material is perhaps the most profound and forthright depictions of LGBTQ identity in Yuri, and that all starts with a pivotal conversation that, if it is included, will be coming up shortly.
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Overall, I am incredibly excited for this series. The first episode is everything I had hoped for out of an adaptation of one of my favorite works of all time, save the animation, which is average at best. While there is a lot more to see, and we will have to wait to know if I’m in Love with the Villainess lives up to its incredible potential and source material, I am extremely hopeful. We have one of the funniest, most thoughtful, and queerest works of Yuri transformed into a stunning anime project unlike anything that has come before and offers the chance at not just a new Yuri “gateway” but to continue the work of its source material in revolutionizing the genre.
Ratings: Story – 8 Characters – 10 Art – 5 LGBTQ – We shall see… Sexual Content – 3 Final – 8
I'm in Love with the Villainess is streaming on Crunchyroll with English sub/dub.
Review made possible by Avery Riehl and the rest of the YuriMother Patrons. Support YuriMother on Patreon for early access, exclusive article, and more: patreon.com/yurimother
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neuroticbookworm · 1 year
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Thai QL Favorites Tag Game
Tagged by @telomeke, thanks friend! ^^
Credit: this game was created by @thatgirl4815 as Thai BL Favorites Tag Game.
Favorite Thai QL: Bad Buddy, my beloved. I've watched very few QLs, and Bad Buddy is the one that I often go back to when I need a pick-me-up. It may not be perfect (Wai, my beloathed) but the show never fails to make me feel deeply whenever I revisit it.
Favorite Pairing: I share @lurkingshan's opinions on branded pairs, so I'm gonna answer with a pair that I think is well-matched in terms of on-screen talent, and therefore, my favorite: FirstKhao. GMMTV took two bad bitches and said "We're gonna pit them against each other and they're gonna love it" and boy, so do we.
Most underrated actor: I saw Sing Harit almost drown Gun Atthaphan in Not Me and I've been in love ever since. I have no reasonable metrics to know if he's actually underrated, other than the fact that he doesn't show up on my dash as much as I would like. I want to see more of him, and I can't wait to get to The Warp Effect, where he wears.. *checks notes* a puppy mask? Ummmmmmmm
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Favorite Character: Time to get controversial, baby!
(tagging my ToL gang @waitmyturtles, @lurkingshan, @manogirl. Keep the getaway car running, frens. We might need to make a quick exit)
*clears throat* Khai from Theory of Love.
Wait.
WAIT.
WAIT. HERE ME OUT.
I absolutely love the fact that Khai is so well-written that half the audience can't stand to watch him and the ones who make it through either viciously hate him or absolutely love him. I love that he was unabashedly awful in the first half, and I love that his redemption arc was gradual. Was he still a dipshit in some moments in the second half? Yes. Was it realistic and in-character? Also yes. I love a character who can fully acknowledge his mistakes and wholeheartedly apologize and strive to do better in the future. So, to sum up, *hugs him close to my chest like a stuffie* KHAI, MY UTTERLY BELOVED!
Favorite Side Character: Hoon from I Told Sunset About You. The fact that called Teh a crybaby when he was having a complete breakdown in Hoon's arms cemented his place in my heart.
Favorite scene in a QL: The AlanWen conversation scene at the outdoor diner in Moonlight Chicken, episode 5. Yes, I'm a masochist, thank you for asking. I'm also a staunch Alan apologist, and will defend my poor little meow meow to the ends of the Earth. (ha, me clever)
Favorite line in a QL: "Why is your wall so high?" -- Wen to Uncle Jim, Moonlight Chicken, episode 6.
Most Anticipated QL (& why): Only Friends -- doy.
Healthiest relationship in a QL: My Sunshine babies, Mork and Tawan from My Ride. They were so good to each other and they got to know each other as friends before moving into a romantic relationship, and the transition felt as natural as possible. The drama was minimal and there were no stupid misunderstandings for the sake of moving the plot along.
Most toxic relationship in a QL: VegasPete in KinnPorsche. I also co-sign @lurkingshan's pick, ToyBoss from My Ride. If anyone messes with my bookshelves the way Toy does at Boss' apartment, they will get thrown off the balcony.
Guilty pleasure series: I don't have one, fam. I'm very new to the QL town and the ones I feel guilty for watching were not pleasurable in any way.
Most underrated series: La Pluie, the love of my life. I've gushed all over my blog about this show, week after week. I don't think I can say anything more that hasn't already been said, so I'm just gonna link the La Pluie meta round up, and invite you to ponder truly how amazing a show must be to inspire these many incredible metas.
I am a full three weeks late to this game, so I'm pretty sure everyone has already done it. So if you made it this far, and still haven't participated, consider yourself tagged, my friend! Toodles!
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variousqueerthings · 8 months
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You are the stupidest idiot ever! But I'm not going to let you die // In amongst seven billion, there's someone like you. That's why I put up with the rest of them.
OKAY! Pyramid at the end of the World +Lie Of The Land!
these are the last two that I didn't write notes for and it's been a hot second so probably have forgotten Some Stuff. that being said, they're... interesting. at some point there needs to be an analysis done of bill's season and why it does and doesn't work (mainly that I wish it had come sooner and/or been longer). BUT ANYWAY!
I put these episodes together, although the tonal shift is quite big in between, but it is one story that follows on from extremis. it's kinda Bill's "wandering the earth for a year six months" so obvs I'm going to compare it to Martha a little. they even used a bit of s3 music in there!
sexism rank objectification (female character is ogled/harassed/turned into a sex joke by the doctor and/or a lead we’re supposed to root for and/or the camera): 10/10
sexism rank plot-point (lead female character is only there to serve plot, not to have her emotional interiority explored, or given agency to her emotional interiority): 6/10
interesting complex or pointlessly complex (does the complexity serve the narrative or does it just serve to be confusing as a stand-in for smart, this includes visually): 5/10
furthers character and/or lore and/or plot development (broader question that ties into the previous ones, at least two of these, ideally three should be fulfilled): 6/10
companion matters (the companion doesn’t always have to be there, but if the companion is there, can they function without the doctor– and overall per season how often is the companion the focus or POV of the story): 7/10
the doctor is more than just “godlike” (examines the doctor’s flaws and limitations, doesn’t solve a plot by having it revolve entirely around the doctor’s existence): 8/10
doesn’t look down on previous doctor who (by erasing or mocking its importance, by redoing and “bettering” previous beloved plotpoints or characters, etc.): 6/10
isn’t trying to insert hamfisted sexiness (m*ffat famously talked a lot about how dw should be sexier multiple times, he sucks at writing it): 10/10
internal world has consistency (characters have backgrounds, feel rooted in a place with other people, generally feel like they have Lives): 6/10
Politics (how conservative is the story): 6/10
FULL RATING: 70/100 (if I can count….)
I gave this one a solid 70 out of 100. I think that's fair enough -- they're not necessarily my favourite stories (in fact I do kvetch about them a fair bit I think), but I do think they manage something M*ffat often struggles with, which is building a Big story that is also comprehensive and involves the companion in material ways
OBJECTIFICATION: listen, I do not remember. I think these episodes are free from this though.
PLOT-POINT: Bill technically does get to have feelings about things and these feelings do partially drive the plot -- she gets the Doctor's sight back, her feelings about her mother save the day, and she's very driven to save the world throughout (and her lovely self is what drives the Doctor to say today's second quote in the title, a sentiment that says a lot about who the Doctor is in this incarnation and the relationship between the two of them)
it doooes highlight how some of these things still suffer from M*ffat's penchant of just. throwing things at the wall in lieu of building a cohesive, deep thematic arc. the strongest part in my opinion is Bill getting the Doctor's sight back/saving the Doctor's life. I get why she feels this close to the Doctor at this point, what sort of a person she is that would take on this sacrifice, and how it drives the story
(I have mixed feelings about the Doctor being blind in the first place, it was never given any space in the story beyond being a narrative hindrance, and at the end of this it's simply fixed and never spoken about again. what was the point of having the Doctor be blind for about three episodes? but the bit where Bill finds out and saves him is good for me)
Bill's mother... doesn't have a name. it's the oddest oversight and leads to the incredibly silly line "Bill's mum... you've just gone viral." she's meant to be one of the core drivers of Bill's background, but it falls to pieces without a name, she's just a fridged mother without any personality --- also see me nitpicking, but this is the second companion in a row with a dead mother that should be at the center of who they are, but is sort of conveniently just there when needed. it was worse with Clara, because her mother was fully dropped from the storyline after s7, but it's... noticeable. at least Amy's parents came back from the dead (although were then never mentioned again). you can feel M*ffat tryyying to figure out those family relationship plots and being a different kind of bad at it with every companion
I still think Bill's is the best of these, simply because there are some bits and pieces of continuously acknowledging her mother's emotional presence in her life, but oof. it's tough being a no name dead mother character
also one thing I want to bring up that knocked this a full point was the Doctor and Nardole manipulating Bill into thinking the Doctor was on the side of the invading aliens to the point that she was going to shoot him dead (in her own head, she doesn't know about regeneration), and then completely brush it off afterwards. I think it's one of the crueller bits of writing from M*ffat and hearkens back to especially how he would write Sherlock. it very much undermines the development of Twelve as well, who's ostensibly learning to become kinder throughout his arc, and the Main thing is... if I'm going to compare this to Martha in s3 somewhat...
a. Bill is totally alone in remembering the events of the last six months, apart from the Doctor and pooossibly the handful of soldiers who were deprogrammed, from what I understand. this is not at all explored
b. Bill spends these six months trying to stay sane, and okay, so the Doctor is? isn't? held prisoner by the monks on this big ship, Nardole says he needed x amount of time to find him, but reaaally none of that makes a whole lotta sense the more one tries to break it down, and the bottom line is... there is no real point to Bill being there, other than the Doctor wanting her there. yes, the remembering her mother does become important later on, but that's not initially the plan, the plan is to just ask the Master what to do from the sounds of it, and I'm mainly just very very confused about the whole opening section of this plot. it's not well-written in that classic M*ffat way that makes it seem polished on the surface, but is full of holes that get waved away... and it's all, from what I can tell, in service of this big reveal that the Doctor was actually never on the side of the monks, because that whole section is cool
it's not really about Bill at all, as is obvious when we move past it immediately into "and then the Doctor continues to be cool"
(the stuff with the Master then gives us more pathos, but the opening is... bad)
... I could write a whole lot more about it tbh, but I'm not going to, it was stupid on several levels, took away
COMPLEXITY: a lot of this is over-the-top M*ffat nonsense, especially in pyramids of mars, where we mostly eschew your everyday perspective in order to focus on generals and world leaders or whatever. we do though have a (in my opinion) fun little tense counterpoint with two scientists who due to a series of little errors almost destroy the world. I actually do have questions about that though, in terms of what the heck was extremis for as a plot, if the invasion plan was to create a series of coincidences (I guess they have some reality controlling powers considering as well how they shift historical perceptions, but it's not explored all that much -- I'd say they fit well in the rtd2 upcoming era about gods and myths, but I don't have that much interest in seeing them again tbh) and then emotionally manipulate someone into handing over the world (my point isn't that this plan doesn't make sense in a Doctor Who way, my point is that extremis makes no sense)
questions questions. also oooh there were ways of recentering this on Bill, because apparently if Bill dies then the monks might be defeated. so why in the world do they just let her run around like she does? I mean, there's some real fucked up fun potential in all of this, surely Bill should be waaay more at the core of this plot than she is, she's key to their survival on this planet, and having just reread the transcipt, the Master has a throwaway line that says if they're booted off the planet due to the link (Bill) dying, they just chalk it up to experience... but there could have been more than that. more than just "eh, they're not that bothered one way or another"
bored aliens with (comparatively) godlike powers toying with earth is a good story, but it's not, in my opinion, this story. in this story it makes them seem less consequential, their motives even more opaque than they already were, and Bill's journey through the story meaningless -- again, to compare to the Jones Family Experience, the fact that they're the only ones to remember the events of the year of hell is one huge part of the trauma. they're glad the earth was healed, but they will always have the memories. Bill, by contrast, isn't given the space to rage against everything happening here, she just sadly accepts it, and maybe that's who she is. maybe that's the six months spent in it all. but I don't think it's well enough explored from her perspective in the text to really say
I think I'm rambling a bit, but it's something about Bill as sacrificial lamb, and it's going to come up again, I know, I know the ending of this season, I just don't remember how it's written. we shall see! but from a character pov I want more -- well, I want less of the Big Important Quick Moving Plots That Leave You Spinning And Going "hold on did that make sense?" and more character-centric narrative in this, but ah well
it's not the worst of these, I'm just kind of digging into what's missing. Bill is still fantastic to me, even if her mum isn't allowed to have a name, and generally she does have more grounding and things to do than either Amy or Clara, but there's a niggling feeling the whole way through -- this is the last season, so Bill is defining that ending, she's got to carry a whole lot after 5 previous seasons of very messy storytelling, she's a very different character to pretty much every M*ffat female character, so it's like there's a hit or miss with the story that I really wish there wasn't, because it's the last flipping season and you would have thought some of these basic narrative things were things a showrunner for one of the most high profile tv shows in the world knew how to do, but it seems like he's only just learning the ropes now
and he still overly relies on montages
actually the real issue with this three-parter was the pacing. the pacing was atrocious
CHARACTERS/LORE/PLOT: we get a whole bunch of the Master in this one, which I think is great of course
it does contrast how I don't think Bill has changed all that much from extremis to now, because the Master is in... two scenes? and comes so far. although, to be fair, the Master technically has been in scenes since 1970 so there's a whole lotta foundations there
but yeah, the Master stuff to me is always satisfying
and of course Bill has now met the Master, which is exciting!
COMPANIONS MATTER: I do think Bill matters in this. she makes decisions absent of the Doctor that massively drive the plot, the main three of which are "gets the Doctor his sight back, thereby saving his life," "keeps her sanity/memories of reality completely on her own," (seriously that seems to be nigh-impossible and she never stumbles) and "puts herself in the brain-mincing machine and wins"
one in several billion indeed
“GODLIKE” DOCTOR: mmmmm not so much in the first one, and technically Bill saves the day in both of them. he's a bit of a dick though, is my main thing about the Doctor in all of this. I actually just think he's oddly underwritten/out of focus? which is rare in M*ffat, usually the companion suffers this
he comes most into focus again during the Master scenes and during the end-sequence, but yeah. it made me realise that the Doctor really should have been properly helpless and Bill should have saved him from the monks/driven the plot even more, because it felt like the Doctor was smushed in there a bit to be a bit Doctor-y but then was kind of pointless
now makes me think of this alt plot: Bill remembers the vault from when she came across it in the first episode, and sneaks in periodically to try and get into it/speak with whatever creature is clearly on the other side. make this less than six months, because that was nuts. she gets in, meets the Master and it's really a Bill and the Master episode, akin to s9ep2 with Clara, except this time the Master is claiming to have become good, honest (Bill makes some deductions about why the Doctor might be keeping her in there, idk, but also can't get her out anyway) and you're left to wonder whether the Master would sacrifice Bill to save the day/the Doctor... again, like Clara
and so she helps Bill save the Doctor and get to the lair, and Bill already knows about the dying, which of course, the Master trying to kill Clara was a massive point of division between the Master/the Doctor, and this feels like that .2 except the Master swears this was all to save the world, etcetc...
and Nardole dies early on or smthin
PREVIOUS DOCTOR WHO: I cannot remember, but I think not really anything + the callback to s3 makes you go "ah yeah, but s3 had a thematic throughline that led to Martha wandering the earth for a year and then leaving the Tardis, because it was all a fucking mess, while these episodes don't really take Bill in a new direction, from what I can tell + are just sort of plonked in the middle of the season"
“SEXINESS”: listen, considering the Master is in this and I'd even allow some silly lines from the Master (and we do get "that's Spanish for hot!" although that's technically related to them playing the game "hot or cold") we're remarkably free from all this nonsense
INTERNAL WORLD: I think the first episode is more of a mess than the second. the second is meant to be incompatible with reality upon close inspection, it's a flawed reality-bending tool using the brain of one woman, but the first one with the pyramid and president of earth making a reappearance, that was more suspect to me
POLITICS: I liked the casting of the main scientist in the first episode, she was cool and fun to watch -- I kind of wish she'd been in the second one too, to give it more throughline. after all she was also at the eye of the storm, I was sort of missing her. but yeah, I enjoyed some diverse casting practice in the first place
the whole "we've got prison camps now" bit was a bit surface-level nothing. I don't think it was even meant to be anything other than "see the monks are baaad" dystopian type stuff 1-0-1 but I think one can do more with that than this episode did
generally, again, I dislike whenever Doctor Who makes things too disconnected from ordinary people and gives the focus to "the important people" (and it's not just M*ffat who does this, but he did introduce the president of the world stupidity). it's not a show I watch for idk presidents and generals and armies (unless it's a story about that in some deliberate way -- not as set dressing!) and it takes away any thematic weight -- in the end the monks are gone again and... nobody was harmed? weren't people potentially killed? didn't they literally build camps and have people in them? what happened to that scientist who almost destroyed the world?
ungrounded, on the whole, but not offensive, except for the fuckn "let's manipulate Bill" part of it
FULL RATING: 70/100 (if I can count….)
I don't know if I'm nitpicking with these two, mostly because they just didn't speak to me much on an emotional level. they're perfectly serviceable on the whole, avoiding some of the more egregious mistakes of M*ffat-era, but they're a bit hollow to me
I very much enjoyed the Master parts (shocker), and Bill's competency, but it does on the whole feel like a lot of set dressing that was missing a bit of spark
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scribbly-dee · 3 years
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Inspired by this post
I adore corruption arcs, so I graded how well the non-archivist characters would have damned humanity if they had been the archivist.
Sasha James 11/10, would be an ideal archivist, this plus her height is probably why the stranger monster targeted her before she could peak
I have a soft spot for any au that knows Sasha has never seen a brain cell in her life and that any unhinged!Sasha au is really just a regular Sasha au. Picture it with me. Sasha and Jon have parallel archivist tracks, until Sasha (my beloved show off) decides: you know what would make me more efficient at snooping? Becoming a Human Google. And things accelerate. The Web doesn't even need to bother with subtly magic lighters, it slaps all 14 marks on her at once by pulling up next to Sasha in a windowless van with "free secrets 👍" written on the side.
After the Unknowing, Sasha takes over the institute from Elias instead of Martin and Peter. With Tim dead, Jon in a coma, Martin lonely-snatched, Melanie compulsively homicidal, Daisy in the coffin, and Basira on autopilot, she quickly bonds with Rosie, the ultimate nosiness enabler. Sasha is a fully marked archivist for a good long while, but doesn't start the apocalypse right away because she's eager to read ALL the ominous notes Elias left, so the watcher's crown statement is in her to-be-read pile. When the apocalypse starts (Rosie: "Hey, Sasha, I just read something extra fucked up that Elias wrote, wanna see?" Sasha: "God yes."), she books it to become the pupil with Rosie as her anchor. Mayhapse an anchor-archivist polycule with Archivist Jon and Martin? Mayhapse Jon is just a normal eye avatar here and deeply invested in all of Sasha's eyepocalypse statements, so it's Sasha and her plus-three? Mayhapse it's a race across the eyepocalypse wasteland between Archivist Sasha and Archivist Jon to usurp Jonah and become the pupil?
Tim Stoker 2/10 dude's here for a good time, not a long time
The only way I see this working is if Elias disguises not-stranger clues as circus related so Tim is motivated to investigate. Otherwise, his archival assistants are way more curious than him and disobey his direct orders to 🍹chill🏝. Jon, Sasha, and Martin inadvertently bring marks home to him like cats bring home dead birds. He asserts his agency when he decides the best course of action? Actually? Just blow up the archives. This unfortunately puts him in a false sense of security, and Elias makes him read the watcher's crown statement by cat fishing him on grindr and sending the ritual as a dm mid conversation.
Daisy Tonner - 9/10 archivist, would have started doomsday before she was at the archivist job long enough to use her PTO
Daisy already had a lot of experience hunting down fear-entity-related people in sectioned cases, which means she possibly canonically already has all the marks from just hunting avatars who use their powers in self defense. The reason she lost one point is because she's too much of a jock to read, only nerds are culpable to watcher crown statements, so this would be the only delay but oh what a delay it will be.
Melanie King - 7/10 archivist, points awarded for achieving her breakthroughs by smashing her head against a wall until she literally breaks through, points deducted for doing so in full clown makeup.
If Jon got a handful of marks by just asking anoying questions in the same room as an avatar, imagine how much faster Melanie would get marks by bringing her trademark Chaotic Brat personality on fear entity investigations. The apocalypse would have started in like two seasons: one season to hire her off the streets and establish shakey, complex relationships with her new assistants (Jon and Sasha put in the time with the institute but were passed over on this promotion for some random YouTuber (plus they're tighter with Tim and Martin, so proletarian solidarity against the boss)).
Then a second season to stab every mark and get stabbed in return. Melanie would blitz through all 14 marks because what precious little impulse control she starts with is slowly replaced with slaughter juice. One fun moral ambiguity to explore could be if Melanie tries to use her new, dangerous Eye/Slaughter powers to revive her reputation and platform in the supernatural community now that she can, ya know, identify supernatural things for the first time ever. Does she acknowledge her entire career up to her hospital episode apparently only investigated fake sightings? A better question to ask is whether Basira, Tim, and Jon ever let her live down how Ghost Hunt UK's professional dignity was contingent on the legitimacy of her sCiEnTiFiC gHoSt eQuIpMeNt in those episodes, so the temperature spikes set to dramatic music were well and truly just temperature spikes and dramatic music. Sasha found a clip of that music playing as Melanie narrates "it's a message... from the other side..." and made it as her text tone.
Also, it would be hilarious if Melanie tried to kill Jonah on sight in the panopticon, once again botched assassination attempt number 1,963,538, and then Jon quietly snuck in to finish the job on his first try just like in canon.
Jon: "What, like it's hard?"
Basira Hussain 3/10 archivist, her eye alignment manifests as office gossip, like a normal person
Basira has the most formidable super power of all: the power to nope tf out of any conversation or plan she wants. She therefore would probably take 10x longer to start the apocalypse than any other archivist because her fatal flaw is refusal to directly engage with a lot of personally difficult things (like the slaughter bullet surgery she organized, Daisy In General, etc). The marks will be slow going if she resists putting her safety on the line or invests time in making good plans (which is smart, but unhelpful for dooming humanity). She would for sure still get marked and end the world because once she's convinced of a plan (aka Elias convinces her of a plan), she's ruthlessly efficient. So I'd stay out of her way that last year or two, she marks the entities right back at them.
Martin Blackwood 2/10 archivist, considering a prerequisite for creepy eye avatar staring is the ability to make eye contact.
S1 Archivist Martin would probably dote too much on the employees under him to be hugely susceptible to Elias' isolation-dependant manipulation. Any progress Martin inadvertently achieves toward the watcher's crown goal would have to be contingent on it helping his loved ones, which is perfect fuel for a "corrupted by good intentions" arc. This would be key because Martin has superb bullshit and manipulation detection, making the marks are tricky but not impossible to orchistrate considering Jon can't stay put in a safe corner for 10 minutes and Martin's mother would refuse to stay with him where she's safe from avatar threats.
Imagine the petty drama when Jon and Sasha learn he got the promotion they wanted because he lied on his CV.
Other than that, Martin would be even worse about pit stops on the apocalypse road trip than Jon because his Kill Bill mode would have no off switch. Does Archivist!Martin and his anchor Jon ever reach the panopticon? Eventually, but not until after they lose points for significantly reducing the apocalypse fear quantity. Would Annabelle survive to deliver her cryptic MaCHiNAtIoNs and achieve the Web's goal? Hard No, additional point reduction for neutralizing the multiverse invasion. Points potentially earned back if Martin's Web connection is strong enough to come up with the multiverse invasion plan on his own, though.
Georgie Barker 4/10, as a fearless coward, all the fear she feeds to the entities would be khaki flavored. They'd get their apocalypse, but they probably wouldn't enjoy the meal.
Similar to Basira, Georgie has the super power to Fuck This Shit I'm Out. She would overall be a subpar humanity damning archivist; a major archivist success factor of Jon's is that he has enough affective empathy to be afraid with every statement giver he reads, so when Jon archives a statement, he unintentionally contributes to the fear soup seasoning. Combined with how Georgie doesn't want anything to do with entity drama, so any corruption specific to the watcher's crown would stagnate. Even her casual exposition conversations would go like
Georgie: "I've connected no dots."
Melanie: "you've connected a lot of dots??"
Georgie: "I've connected shit all dots."
The reason she gets one more point than Basira is because Georgie's fatal flaw is the passive observer quality the Eye tried to stoke in Jon. Her level of engagement oscillates between two extremes, impulsive over commitment and judging from a distance. This would probably lead her to geting involved just long enough for her involvement to become irreversible, at which point she would try to cut that shit out of her life after it's trapped her. She'd linger, barricading herself on the margins of this problem as the marks that are targeted at her slowly tally up until boom. Apocalypse is on and she only half understands what's happening.
Georgie would wander around an apocalypse hellscape confused, but vibes and physical health fully intact. Anchor!Melanie would have quite the emotional journey starting with Georgie on that pedestal Melanie placed her, and ending with a slaughter avatar stabbing the person who convinced her to work on her slaughter inclination.
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criminalmindzjunkie · 4 years
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The Reward of Suffering
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Summary: A retelling of the events of season 12 episode 13. 
Gif credit to the wonderful and talented @imagining-in-the-margins​
A/N: After several months of contemplation, I have finally decided to post part one of my first ever fic on Tumblr! This fic will follow the event of Spencer’s prison arc, so needless to say there will be SPOILERS. This first part is super long, but I felt that it needed to be in order to set up the plot. I hope you all enjoy reading! If you would like to be tagged on future updates, let me know!
Pairing: Spencer Reid/Fem! Reader
Warnings: no smut (yet), mentions of past frug use, cursing, typical CM case talk
Word count: 12.1k
           “Reid is in jail.”
           I felt the color immediately drain from my face and an intense feeling of dread began to wash through my body. I sat up in my chair, back ramrod straight. I briefly looked towards the faces of my teammates, Luke and JJ to my left and Penelope to my right. Their faces were all contorted, displaying varying degrees of shock and confusion. It was hard for any of us to process what we were hearing. The idea of Spencer Reid, the same Spencer who wore a mask to the office on Halloween and put on elaborate magic shows for everyone’s children, doing anything that would warrant being put behind bars was preposterous.
           Surely, this is all just a big misunderstanding.
           “Jail?” Penelope squeaked out. My eyes flitted to her, taking note of the way her eyebrows were drawn together in disbelief. She was thinking the same thing I’m sure we all were; that there was no way Spencer Reid had engaged in any illegal activity. Spencer was a well-educated, highly regarded FBI agent, for Christ sake. He knew the laws of the land better than any of us.
           “In Mexico.”
My attention focused solely on Emily. In the few weeks since I had come to know her, I had begun to look at her not only as a sort of fearless leader, but also as a kind of fiercely loyal friend that I was incredibly lucky to have. Emily somehow managed to find the perfect balance between being accommodating and stern. She was the kind of boss you could have a drink and cut up with after a long day, but she also carried herself in a way that demanded the utmost respect in the workplace. Emily Prentiss’s bravery was unmatched, and I admired her for that.
It shook me to my core when her eyes met mine and I saw the pure, unbridled fear in them. If Emily was scared, then this must be leagues worse than we could have ever imagined.
“What the hell is he doing down there?” JJ asked, crossing her arms and shuffling from one foot to the other.
“I don’t know. I didn’t talk to him. The call came in to Cruz from their lead investigator.”
Luke was the next to chime in. “What’s he being held for?”
“Drug possession,” Rossi said, before taking on, “with intent to distribute.”
For the second time that day, it felt like the wind had been knocked out of me. Images of Spencer sitting across from me in a dimly lit coffee shop, tripping over his words as he confided in me, spilling his deepest and darkest secrets in a voice barely above a whisper. His voice had grown stronger as he neared the end of his story and he had dug deep in his satchel, producing a small golden coin. We both had tears in our eyes as we looked at the writing engraved into the coin; unity, service recovery. Spencer Reid was ten years sober, and the pride on his face was as clear as day.
There was no way he would throw all of that away.
“What type of drugs?”
“Cocaine and heroin,” Rossi said, his voice shaky.
Rossi and Spencer had always had a good relationship. Spencer had admired his work long before he met him, having read and reread every book he had ever published. It had delighted Spencer that he and Rossi had managed to develop rapport so quickly. Rossi was the only one talented enough at the game of chess to even think of giving Spencer a run for his money, though many of us had tried. In one of many hushed conversations shared on the jet, he had once told me that he had begun to think of Rossi as somewhat of a father figure; he didn’t quite fill the role in the same way Gideon had, but Spencer was thankful just the same. One look at Rossi’s troubled expression was enough to tell me that the feelings were definitely mutual.
“Oh my God. This can’t be happening.” JJ was positively crestfallen, clutching a hand against her own chest in an attempt to ground herself. Her other hand came up to her face as she absentmindedly pushed her hair away.
“We need Lewis and Walker here, ASAP,” Emily directed her order and Penelope, who was quick to comply.
Everyone sprang into action, but I found myself unable to move, weighed down by the deeply unsettling circumstance. It felt as if I was no longer in my own body, like I was watching everything unfold from an outsider’s perspective. Maybe I am, I thought. Maybe this is all just some horrible nightmare. Any second now, my alarm will go off and this will all be over.
I waited and waited for my alarm to sound, but that never happened. Instead, Emily crouched down in front of me, grasping my arm firmly in her right hand.
“I know how devastated you must be. Trust me, I do,” she sympathized, her deep brown eyes boring into my own. “But Reid’s going to need you now more than ever. You’re his best friend and you know him better than anyone. Did he ever mention to you that he was going to Mexico?”
I shook my head numbly, my motions feeling alien and stilted.
“Never. He told me the same thing he told you; that he was going to Houston for a few days to meet with his mother’s doctor,” I whispered. I feared that if I raised my voice any higher, tears would begin to fall. Maintaining my composure was becoming harder with every passing second, and I wasn’t exactly privy to breaking down in front of my boss. “I guess I don’t know him as well as I thought.”
Emily sighed, letting go of my arm before straightening up.
“Apparently, none of us did. But I know damn well that this has to be a mistake. We’ll get him out of this.”
           The apprehension in her voice told me that even she wasn’t sure we could pull this one off.
--
           “This has got to be Scratch,” Tara stated, her voice wafting through the speakers of Luke’s laptop. Emily, Rossi, Luke and I were currently in the jet, on our way to the jail where Spencer was being held. All of us were huddled close together around the computer, listening on with eager ears. “He was laying low, and now we know why.”
           “Crossing the border as a fugitive is a huge risk,” Luke pointed out.
           “The reward is even greater. He’s been punishing the team, and now his target is Reid.” Emily’s voice was full of frustration and contempt.
           “Peter Lewis dropped off the map after attacking Tara’s family,” Stephen chimed in. Not even his deep baritone voice could do anything to calm my frazzled nerves. “Maybe he’s been hiding in Mexico this whole time.”
           “We also have to consider that it isn’t related to him,” I murmured. Several pairs of eyes locked on me, shocked. I had been uncharacteristically quiet since this whole ordeal began, limiting my responses to one word replies and hums of acknowledgement. On a normal day, I’d be throwing in my two cents any time I saw fit. Today, I was struggling just to keep breathing.
           ��Who else would it be?” Rossi asked.
           “Drug cartels. Could’ve threatened Reid and used him as a mule.” Saying his name was painful, because it reminded me that we weren’t just talking about a victim with whom we had no personal ties; we were talking about our colleague and beloved friend.
           “Agreed,” Rossi nodded. “This could simply be a case of bad luck. Reid was in the wrong place at the wrong time.
           “Spencer’s mom is okay.” JJ’s announcement was like music to my ears. I let out an audible sigh of relief. “The home nurse he hired said all is stable.”
           “How long did he tell the nurse he’d be gone?”
           “Three days.”
           “That sounds reasonable. After the Palm Springs case, Reid said he had to get back to Houston to talk to his mom’s doctor,” Emily interjected. I nodded along in agreement. He’d told me the same thing when I talked to him the night before last.
The fatigue in his voice had alerted me to the fact that things hadn’t been going so well with his mother. Her condition had been rapidly deteriorating in the recent months, prompting Spencer to make the tough decision to remove her from the assisted living facility she was at and into his own apartment. His main argument had been that no one could possibly take better care of his mother that him; that he was familiar with her condition and how best to respond when she had an episode. When I had asked him how he was handling it all, he was quick to reassure me that it was not anything he couldn’t handle.
Spencer’s loyalty ran deep; so deep that I knew he would do anything in his power to take care of Diana, but I’d never imagined that it would land him in fucking jail.
“Well, Houston is only a five-hour drive from the border,” Tara mused. “The question is, why did he go down there?”
“And why does he have narcotics?” Rossi was the first to speak on what was at the forefront of everyone’s mind.
“Yeah, exactly. He wouldn’t… He wouldn’t do that. Those drugs were planted on him,” Penelope insisted.
“Absolutely, but there’s something bigger in play. That’s why he crossed the border and kept it a secret. There’s something he didn’t want to share with any of you.”
I cringed at Stephen’s choice of wording. Spencer and I were as close as two people could be, and there was nothing I withheld from him. He knew everything about me, every dark and embarrassing thought that had ever crossed my mind; yet, he accepted me just the same. I had always assumed that it went both ways, that he was just as honest and forthcoming with me as I was with him. It hurt to know that there were things he kept from me, secrets that he felt he couldn’t trust me with.
But most of all, it absolutely gutted me to think that he was dealing with something so horrible that it landed him in jail, and he that he had to do it all alone.
“Okay, so what would make him risk everything?” Emily pondered aloud.
“His mom.” My answer was instantaneous.
A ping sounded from the other end of the video call, and we all leaning in, our interest piqued.
“Cruz just sent me the arresting report,” Penelope announced, clicking away at her computer before continuing. “It says here that Reid was involved in a high-speed chase.”
“What?” I choked out, my voice coming out several pitches higher than usual. “Spencer hardly ever drives.” I could feel my stomach begin to churn, bile threatening to force its way up my esophagus. This isn’t right, I wanted to scream. Our Spencer would never get himself involved in something that would put himself or others at risk.
“None of this sounds like him,” Penelope whispered, her thoughts mimicking my own. “It says he was wearing jeans and a baseball cap and that he was really confused. According to the arresting officer, he was really high on something.”
Unity, service, respect; ten years sober. All down the fucking drain.
I shot up from my seat, bolting down the walkway and into the bathroom. I immediately fell to my knees, barely managing to push my hair out of the way before retching into the toilet bowl. I continued like this for several minutes, only pausing momentarily when I felt large, soothing hands running up and down my back. Soft murmurings of reassurance alerted me to the fact that it was Luke who was sitting with me. I let out a strained ‘thank you’ before another wave of nausea hit me, rendering me speechless. Luke held my hair back, never once leaving my side.
When I had thrown up the entirety of my breakfast and all I could do was dry heave, I slumped back against the wall, relishing in how cool it felt against my flushed skin. A stretch of silence passed before he decided to break it.
“That was an extreme reaction,” Luke pointed out, still sitting in the floor with his legs crisscrossed. I noticed how closely he was watching me, his eyes focused on reading my expressions. He was profiling me, that much was obvious. It was an unspoken rule between us all that we would never profile one another, but any fight I had left in me had long since dissipated.
“He worked so hard to get clean, Luke. I wasn’t around when it happened, but he told me about it. He was so proud of himself,” I whispered. My throat was now raw and my voice came out more than a little bit hoarse.
Luke’s eyebrows came together, confusion clear on his face.
“Get clean? What are you talking about?”
I let out a shuddery breath. It felt wrong to divulge information on Spencer’s personal life; like I was betraying his trust. Given the circumstance, I supposed he wouldn’t mind, but it still felt treacherous and left a bad taste in my mouth. Sorry, Spence.
“Ten years ago, Reid was kidnapped by an unsub with DID. He kept him in a remote cabin for several days, alternating between beating him senseless and shooting him full of so much hydromorphone that he couldn’t remember his own name. At one point, he even,” I trailed off, hot tears spilling out of my eyes and running down my cheeks. Luke took my hand in his in an act of reassurance, his way of telling me not to rush. Luke hadn’t been with us for long, and our interactions thus far hadn’t gone much farther than conversations about work. Seeing the way he was offering himself up to me as a confidant and shoulder to cry on made me feel guilty for ever having written him off.
Thank God for Luke Alvez.
After a long pause, I managed to continue. “Spencer ended up having a seizure and he died for several minutes. The unsub’s more benevolent personality, Tobias, was able to resuscitate him. Eventually Spencer was able to take him down, but the trauma mixed with the exposure to such a highly addictive drug led to him developing a dependence on it.”
Luke swore and ran a hand through his hair.
“I never would’ve guessed it. The kid carries himself so well.”
A small, fond smile tugged at the corner of my lips.
“He’s amazing, really. He detoxed all by himself and started going to NA meetings. This past October marked ten years. We celebrated by going to one of those really fancy museums he likes and he insisted on taking the guided tour so that he could see how many errors the guide would make,” I let out a light laugh at the memory. “Every time they’d get something wrong, he’d lean down whisper the correct information so that only I could hear it. I don’t think I’d ever seen him that happy,” I reminisced, allowing myself to forget about the current situation for the tiniest of moments. I wondered if I’d ever get to experience a day like that with Spencer ever again.
“You two are close, I take it?”
I nodded. Luke had fit in with the group so seamlessly that I had forgotten that he had only been with us for a short time. He didn’t really know the dynamics of everything yet.
“He’s my best friend.”
Luke hummed, and I could feel his eyes looking at me inquisitively.
“And that boyfriend of yours, he doesn’t mind?” Okay, maybe Luke was a little bit more perceptive than he let on.
Gavin and I had begun dating at the end of my first year with the BAU. He and I had meet in the most cliché of ways; bumping into each other in the cereal aisle at the grocery store. Gavin was more than a little bit handsome, but what had reeled me in had been the way he taken one look at the box of cereal in my cart and immediately scrunched his nose up in disgust.
“Plain Cheerios? Are you some sort of masochist, or something?” he had asked, a playful lilt to his voice. Normally, if a strange man had approached me in public, I would’ve been quick to express my disinterest. If my job had taught me anything, it was that a woman being approached by a strange man was a recipe for trouble. But something about him seemed wholly unthreatening, and I couldn’t help but laugh at his forwardness, raising an eyebrow at him.
“As if your choice is any better. Lucky Charms? What are you, six?”
“Don’t even go there. Lucky Charms are magically delicious, thank you very much,” he sniffed, feigning superiority. “And if we’re touching on the subject of age, the only person I know that eats plain Cheerios is my eighty-six-year-old grandmother. You look a bit young to be worrying about heart health, and I refuse to believe that you actually enjoy the taste, so what gives?”
“First of all, I find it concerning that you are so familiar with cereal slogans,” I breezed, leaning against my shopping cart. “Second, I am curious; do you make it a habit to harass people about their cereal preferences?”
“Only if they’re cute.”
And that had been that. Several dates later he had asked me to be his girlfriend over a dinner he had attempted to make himself. I said yes and he kissed me, nearly knocking over his plate of burnt chicken parmesan in the process.
“We, uh, have an understanding. He knows that Spencer and I are just good friends.”
Gavin and I did have an understanding, but it wasn’t a very solid one. In fact, I was sure that he damn near despised Spencer’s very existence. He had done a good job at hiding it for a while, but after coming home one night from an impromptu movie night with Spencer, he had revealed to me that he had a jealous streak a mile long. I reassured him that there was absolutely nothing that he needed to worry about, but I could tell he didn’t believe a word of it. Gavin had out flat demanded that I cut all ties with Spencer, and I had laughed in his face.
“I’m not the kind of girl that likes to be told what to do. Either you learn to live with him being a part of my life, or you can find someone else to boss around, because I can tell you right now, that won’t fly with me.”
My threat had proven to be effective, and he had apologized, and that had been the end of that. He still wasn’t fond of the idea that Spencer and I were such close friends, but he hadn’t tried to proposition me with any more ridiculous ultimatums.
“That’s good to hear,” Luke hummed, squeezing my hand before rising to his feet. I could tell that he didn’t necessarily buy into what I was saying, but I was thankful that he didn’t press it any further. “What do you say we go back out there. We’ve got to be getting close by now.”
I nodded and he helped me to my feet. I bent down to the faucet, swishing some water in my mouth before spitting it out.
When Luke and I returned to our seats, I was immediately aware of the way Rossi and Emily were eyeing me; like I was a delicate thing that needed to be handled with kid gloves.
I absolutely hated it.
“Sorry about that. It won’t happen again,” I said, before turning my attention back to the video call and saying, “so, what did we miss?”
--
The police station was surprisingly small. The hallways were narrow and the light bulbs above me gave off an almost green tint, casting an eerie glow on the place. The sounds of disgruntled detainees calling out drifted through the hallways, sounding akin to the moaning of a ghost. My eyes darted around constantly as we walked, the uneasy feeling in my stomach growing with every step we took towards the heart of the precinct.
“Thank you for calling us.” Emily’s words were directed at the police officer, Chief Castenada, who was leading us down the hall. He was a short man with graying hair and a seemingly permanent frown etched into his face. It didn’t take a genius to deduce that he wasn’t happy that four federal agents were in his jail.
“A U.S. fed in our custody isn’t something we see every day,” the man said, his tone entirely unfriendly. I grimaced.
“Have you gotten any of his tox screen panels back yet?” I prodded, quickening the pace of my strides until I was walking alongside him. He looked down at me like I was a pesky gnat that he wanted to bat away.
“No.”
Color me unsurprised.
“You’ll need to expedite that. We have cause to believe that Doctor Reid was drugged.”
“He was definitely high and driving like a bat out of Hell. Not to mention he had $20,000 worth of heroin in his possession,” he sneered, ceasing to walk and staring down at me with distaste. “Both of which put my officers at risk. You’re in our jurisdiction. Don’t forget that. The rules are different here.”
I opened my mouth, ready to fire back with some smart-assery of my own, but a hand at my elbow stopped me. I turned and saw that it was Luke, who nodded his head to the left of us. I looked in the direction he was referring to, and I felt my heart shatter into a million pieces.
Just up ahead was a holding cell with several poorly constructed benches in the center of it. On the very first row of seats sat Spencer, who had seemingly retreated in to himself. He was hunched over, his arms wrapped pitifully around himself, much like you’d imagine a child might do to keep warm. Spencer’s clothes were tattered and dirty and a bandage adorned his right hand. His usually beautiful chestnut curls were flying around his head in a mess of tangles and dirt. Despite the fact that Spencer towered over most of us, I couldn’t help but notice how incredibly small he looked.
Even as awful as he looked in his current state, a direct contradiction of the way he usually presented himself, I’d never been happier to lay my eyes on someone in my life.
My feet carried me forward before my brain had time to catch up. I closed the distance between me and the cell, pausing and taking a good, long look at him before allowing myself to speak. He hadn’t noticed me standing there yet. His gaze was instead trained on something at the other end of the room, his eyes red rimmed and glassy and his face completely slack.
“Spence?” I called out, the nickname falling from my lips like a prayer. In a way I suppose it was; a prayer that he was alright, that the horrible things Penelope had told us about were nothing but a horrible lie. At first, I was worried that he hadn’t heard me or that he was too out of his mind to even register the sound of my voice. Just when I opened my mouth to speak again, he turned his head in way that I would have described as comically slow if the situation hadn’t been so serious. The spacey look in his eyes told me that my prayers wouldn’t be answered.
Spencer’s eyes locked with mine, but his face remained completely blank, devoid of all expression. I stood there for a moment, dumbfounded, until it hit me like a ton of bricks; he had no clue who I was.
I wanted to be mad. I wanted to scream at him, to ask him how could he forget me, of all people. My anger was irrational and unfair, but I couldn’t help it. While I understood that it was no fault of his own, that the drugs coursing through his veins were to blame, it didn’t make it hurt any less.
I swallowed down the emotions that threatened to spill out, pushing them down into the depths of my being. I couldn’t let my emotional attachment hinder my judgment. I needed to be as vigilant as ever, no, more vigilant. The fate of my favorite person in the whole world depended on it.
“It’s me, Y/N,” I explained, keeping my voice as steady as I could manage. “It’s good to see you, Spencer. You’re a sight for sore eyes.”
He watched me for a moment before standing and making his way to where I was leaning against the bars.
“Y/N,” Spencer murmured when he reached me, as if testing my name out to see how it rolled off of his tongue. His stare was still vacant, but having him in front of me after worrying about his wellbeing for the last five hours was more than enough for now. I’d take him however I could have him. “Thank you for coming.”
“Of course, we came,” I murmured, my eyes raking over every inch of his body for any signs of distress. Other than the bandage on his hand, he seemed to be in one piece.
Rossi was quick to join me, coming to a stop at my left.
“We’re going to get you out of here, kid,” he reassured, his tone more serious than I’d ever heard it.
           “We need to work out some details with the locals, okay?” Emily said, waiting for a response but getting none.
           “Who was your contact down here?” Luke asked.
           Spencer was quicker to respond this time.
           “Rosa,” he mumbled as he grabbed his shirt sleeve and pulled it up. On his inner arm, the name Rosa Medina was written in what was undoubtably his own handwriting. Spencer was notorious around the office for having the worst handwriting. I like to blame it on the fact that he was a doctor, which always elicited a laugh from him. “I think she’s a doctor.”
           Luke pulled his phone out from his pocket, snapping a picture of the name.
           “Where did you meet her?”
           Spencer shook his head and a frown pulled down at the corner of his lips.
           “I… I don’t remember.”
           “If you saw her, would you remember her?”
           Spencer nodded in affirmation.
           “You’re missing time, aren’t you?” I asked, causing him to look at me once more. His brows furrowed together and he was nodding again, slightly surer of himself this time.
           “It’s peeking out. It’s coming in flashes.”
           “And you’ve been drugged?”
           I didn’t know it was possible for his face to fall any more, but the look of shame that manifested itself when he registered my words was absolutely heartbreaking.
           “Yeah, but I didn’t take it myself,” he insisted, a spark of life burning bright in the depths of his eyes. Somewhere in there, under the haze of narcotics, was the same Spencer that had fought tooth and nail for his sobriety all those years ago. My heart broke for him.
           “Of course, you didn’t, Spence. We know that,” I said, almost reaching out to touch him before thinking better of it. “We’re thinking it might be Scratch.”
           Just like before, when I had first spoken to him, absolutely no sign of recognition showed itself on his face.
           “Scratch,” he muttered detachedly, much the same as before.
           Luke’s phone rang then and he excused himself for a moment before stepping away. I looked to Rossi and Emily, who seemed to also be at a loss for words. The silence that filled the room was excruciating, and I once again started to feel like the walls were closing in on me. I wanted nothing more than to scream, to cry out in frustration. The whole situation was unfair in a way that I didn’t think was possible. I was a big believer in karma; put good in and get good out, or something like that. But now, standing outside of a holding cell that looked more like a dungeon than anything, I was ready to throw away that belief entirely.
Of all the people that I know, Spencer was the least deserving of something like this.
           Just when I began to consider ducking outside for a breath of fresh air, Luke returned.
           “Hey, the team sent this. Is this the doctor you met?” he asked, pointing to a picture of a woman he had pulled up on his phone. The woman was of Mexican descent, with short, choppy gray hair. She appeared to be middle aged, from what I could guess.
           Spencer stared at the picture before nodding.
           “Her alias is Rosa Medina and her real name is Nadi Ramos. Garcia tracked her to a motel just outside of town. Does that sound familiar?”
           Spencer’s brows furrowed and his shoulders slumped in defeat.
           “No.”
           “Okay, we’ll need to take Castenada and his officers with us,” Emily announced, before turning and heading towards the door.
           “Do you want company here?” Rossi asked.
           Spencer seemed to take a moment to process before answering with an almost imperceptible nod. He turned his head and focused his gaze on me.
           “Can… Can you stay?”
           Rossi turned to face me too, raising an eyebrow as if to say ‘are you okay with this?’ I gave him what I hoped was a convincing smile. Honestly, I wasn’t entirely sure that I could handle this; the this that I am referring to being a nearly catatonic Spencer Reid. I was used to the Spencer who regaled me with interesting tidbits of information whenever there was a lull in conversation. The Spencer that stood before me now was a shell of his former self, and that terrified me.
           “I’ll be fine here. Let me know if you guys find anything,” I told Rossi. He nodded once to me before enveloping me in a tight hug.
           “Resta forte mia piccolo colomba,” Rossi murmured in my ear. I hadn’t a clue what the phrase meant, but the words draped over me like a warm blanket. Suddenly the weight of the current situation didn’t seem so heavy, and I felt immensely thankful that a man like David Rossi was in my life.
           Rossi pressed his lips to the top of my head before releasing me. He gave one last, despairing look to Spencer before hurrying off after Luke and Emily. It could’ve been the light playing tricks on me, or maybe the exhaustion, but when Rossi turned away from us, I swear I saw tears welling in his eyes.
           And then there were two.
           I took glance at my watch for the first time all day, cringing when I saw the time to be 8:17PM. Quantico was an hour ahead, meaning Gavin was probably losing his shit wondering where I was. I sighed, fishing my phone out of my back pocket and turning it on.
           “Spence, I’m going to make a phone call really quick,” I murmured. He offered no reply, just as I had come to expect. He was watching me, standing stock still in the same place he had been the entire time. I moved to stand in the doorway, hopefully far enough away that he couldn’t hear me anymore.
           As soon as my phone booted up, a plethora of notifications came through. Seventeen missed calls and twenty-four unread text messages, to be exact. I decided to forgo reading the messages, instead pressing the return call button and tapping my foot anxiously against the floor. Gavin didn’t keep me waiting long, picking up on the very first ring.
           “About time you answer your goddamn phone,” he hissed out. “Do you know how worried I’ve been? I even called your office phone and no one would answer that, either. What the fuck is going on? Where are you?”
           “I’m… In Mexico.”
           A long pause followed and I held my breath, waiting for the onslaught to begin.
           “You left the country without even bothering to tell me?” Gavin asked, his voice raising in volume. I could picture him now; probably sitting on our sofa, fists balled together and jaw clenched. “Would you like to enlighten me as to why you’re in Mexico?”
           I closed my eyes, frustration bubbling deep inside me. Today was arguably the shittiest day of my entire life, and I certainly didn’t need Gavin harping on about how I hadn’t been in touch. Honestly, informing him of my whereabouts had been the furthest thing from my mind.
           “It’s Spencer,” I began, trying to think of the proper way to word it all. “He got into some… trouble. We think he’s being framed by Scratch.”
           “Isn’t that the guy that just went after Tara’s family?”
           “Yeah, it is. He’s been laying low for the past few months, and I guess he was just building up to all of this. It’s really bad, Gav,” I whispered the last bit, hoping that Spencer couldn’t hear me. If he did, he made no move that indicated it. “He’s high out of his mind and can’t remember anything.”
           “How long will you guys be there?” Gavin asked, completely ignoring the fact that I mentioned Spencer at all. I bit down on my bottom lip to keep from saying something I might regret. I understand that he doesn’t like the guy, but he could show some common decency and at least pretend.
           “I’m not entirely sure. Rossi, Emily, and Luke just headed out to go check on a lead. I don’t know how long that’ll take.”
           “Wait, so, where are you?”
           “I’m at the jail with Spencer, why?” I inquired, running my hand through my hair and absentmindedly combing out the knots that had formed. I was sure that I looked a right mess, but I couldn’t be too bothered to care.
           “Let me get this straight. They left you alone with a guy who is wasted on God knows what, not knowing how he’ll react to it?” A bitter laugh flowed through the phone speaker. “Sounds like you don’t exactly work with the smartest bunch. What if he tries to attack you or something?”
           I let his words hang in the air for a moment, unable to formulate a reply that wasn’t something like you’re being an absolute fucking dick bag right now. No, I was a grown woman and I was going to communicate like one, despite the fact that his ignorant reply was making me shake with rage.
           “The first thing I’m going to address is the fact that this is not some guy. We’re talking about my best friend and teammate, and his name is Spencer. Use it,” I said through gritted teeth. “The second thing is that he’s not some wild animal. He’s not going to try to come through the bars and pounce on me. What he’s going through right now is traumatic, and he doesn’t need to be left alone right now. Show some compassion.”
           “Yeah, okay, I’m sorry,” Gavin muttered. It was the most unapologetic apology I’d ever heard in my life, prompting me to roll my eyes. I don’t understand how I can love someone and want to throttle them simultaneously. “I’m just worried about you, is all. How are you holding up?”
           “I’m as good as can be expected,” I sighed, bringing my free hand up to rub at my eyes. “I’m just tired of watching this guy terrorize all of my friends. First, he takes Hotch from us, then he nearly kills Tara’s brother, and now this. I’m beginning to think we’ll never catch a break.”
           “I know you’re tired, baby. Just try to hang on a little bit longer. As much as I question some of their decisions, your team is good at what they do. You guys will catch him. I have faith in you.”
           There it is. That’s the Gavin that I fell in love with.
           “Thank you,” I murmured. “It’s been a long day and I needed to hear that.” I cast a glance back at Spencer, who was now staring down at his bandaged hand, an indiscernible expression on his face. He looked so lost, standing all alone in the grimy holding cell. The lights cast shadows on his face, making his already angular face look gaunt. The Spencer I knew was the human embodiment of light; filling up every room he was in with his delightfully idiosyncratic presence. The Spencer in the cell was so shrouded in darkness that the room seemed to be swallowing him whole, taking his brilliance and crushing it into smithereens.
“Gav, I think I need to get back in there.”
           “Yeah, alright. Just keep me in the loop this time, please. I don’t like not knowing where my girlfriend is.”
           “I’ll make sure to check in whenever I can,” I promised, before tacking on a, “love you.”
           “Love you, too.”
           I pocketed my phone with hands that shook, no longer from rage but from apprehension. I liked to think that I was good at my job. I had done well at the academy; not well enough to have graduated at the top of my class, but I did manage to be in the top ten. After lucking into the job of a lifetime, I had fully committed myself to learning to be the best profiler I could possibly be. Two years of piecing together the innerworkings of criminal minds had taught me more than I ever could have imagined about the human psyche. I had talked many a deranged psychopath down from the ledge, and I had saved more than a few lives along the way. Unfortunately, not all cases can end favorably. Those are the ones that taught me the most.
           For all that I learned, nothing could’ve prepared me to deal with the shell of a man that stood before me.
           I was standing in front of him now, fiddling nervously with my hands. When Spencer had originally told me about his battle with addiction, I had taken it upon myself to do some research of my own. I wanted to be able to identify the signs, God forbid he ever relapse. While conducting my research, I had read somewhere that the best way to support someone during a come down is by remaining positive and creating a calm, safe environment.
           I was currently the antithesis of calm, but for Spencer’s sake, I was going to do my best.
           I took a step forward and offered him a small smile.
           “I’ve never seen you in jeans and boots before,” I said. I was proud of myself when the words came out sounding relatively casual. “It’s a good look on you, but I have to admit I prefer the academic look. I suppose it’s the sapiosexual in me.”
           He gave no response, but the tinniest tug at the corner of his mouth told me that he found my comment amusing.
           I let my eyes drag over him again and I fixated on the bandage on his right hand, frowning.
           “Do you remember what happened to your hand?”
           Spencer raised his hand up, absentmindedly flipping it over and inspecting it.
           “I don’t know,” he murmured. Spencer’s usually high pitched voice came out gravely, no doubt a byproduct of dehydration related to the drugs. My eyes skimmed across the holding cell and I frowned when I saw no water fountain in sight.
           “M’ gonna go get you some water, okay?” I turned away and pivoted on my heel, taking one step before a hand wrapped around my upper arm. I spun around so fast I nearly caught whiplash.
           Spencer’s eyes were wide and full of panic, conveying more emotion than he’d had since we’d arrived. His eyebrows were drawn together as well, contorting his face into a pitiful expression.
           “Don’t go,” he rasped, his hand still firmly grasping my arm. “Please.”
           The hopelessness in his voice was like a dagger through my heart. I nodded fervently and placed my hand over his, prompting him to loosen his grip. He did, and I took his hand in both of mine. I rubbed my thumbs over his skin, haphazardly tracing patterns in an attempt to calm him.
           “Yeah, okay. I’m not going anywhere, I promise,” I soothed, bringing his hand up to my mouth and placing a chaste kiss to the skin. “I’ve got you, Spence. It’s all going to be okay.”
           The look of panic slowly washed away the longer we stood there. He held onto my hands like I was a lifeline, the only thing tethering him to the ground. While I longed for nothing more than to really embrace him, to pull all of him into my arms and hold on for dear life, the bars that separated us inhibited me from doing so. So instead I just relished in the feel of his hand intertwined with my own.
           It would have to be enough for now.
--
           Nadi Ramos was dead.
           I didn’t have to ask Emily to know that the situation had gone from bad to absolutely fucking terrible. We knew Scratch was a horrendous individual; that much had been proved by his preferred modus operandi. We also knew that he had become fixated on taking down each of us one by one. He’d tried twice with Hotch, even going as far as to target his son, resulting in the two of them joining WITSEC for their own safety. The next blow had come when he had set his sights on Tara, or, more specifically, her brother. We’d gotten lucky with that one, having located and freed her brother just in the nick of time. After the incident with Tara’s brother, we all expected the next attack to come in quick succession. When several months passed with no sign of Scratch, we all became terribly on edge. No one was saying it, but we all were waiting to see which one of us would be next, crossing our fingers and hoping it wouldn’t be us.
           I knew that none of us were exempt from Scratch’s wrath, but for some reason, I’d never imagined him targeting Spencer.
           And target him he fucking did.
           “We know you didn’t do this,” Emily spoke for the group, knowing good and well that we were all on the same page.
           “How did it happen?” Spencer’s back was to us. His shoulders were slumped and his face downturned.
           “She was stabbed multiple times. It looked personal,” Luke answered, his voice low and careful. It was obvious to us all that he was being extra careful with his wording, making sure to broach the subject carefully. We all knew, beyond the shadow of a doubt, that Spencer was innocent; but that didn’t mean that Spencer did.
           Chief Castenada trudged into the holding cell, the portrait of all things cranky and unpleasant. His presence acted as a proverbial storm cloud on an already shitty day.
           “We got the results of your blood work. There’s cocaine and heroin in your system.”
           “What else?” Emily asked, causing Castenada to give her a confused look.
           “He was in possession of cocaine and heroin when he was arrested. I found what I needed.”
           I felt myself bristle and before I knew it, my mouth was open and I was spouting out pure venom.
           “Thanks so much for doing the bare minimum, but we’re going to need a full tox screen panel. We’re looking for scopolamine.”
           Emily’s eyes cut over to me and if I hadn’t been fighting on Spencer’s behalf, I would’ve withered under the weight of the shut the fuck up look she gave me. Instead, I continued on, silently praying I’d still have a job after today.
           “It’ll take longer, but we need it,” I explained in what I hoped was a slightly more accommodating tone. Castenada gave a curt nod in reply before exiting the room, grumbling something in Spanish that had Luke and Emily shooting daggers at his retreating figure.
           “Do I want to know?”
           Luke shook his head, shooting a small smile in my direction.
           “Let’s just say he’s not your biggest fan, and we’ll leave it at that,” he offered, before straightening out his expression and turning back to Spencer. “You were given a speed ball. The opiates block the dopamine in your brain. That’s why things go from clear to hazy. The combination of the drugs causes a dissociative state and explains the memory loss. Are you coming down now?”
           “I think so,” Spencer said. His cadence wasn’t as slow as it had been earlier, which was a relief.
           “Do you think you could do a cognitive interview?” Emily’s voice was hopeful, and if Spencer was one thing, it was a people pleaser. It was obvious that he was overwhelmed; I had taken note of the fact that he was displaying one of his nervous ticks. Spencer was touching the pad of his thumb on the tips of his other fingers in rapid succession. Despite his obvious discomfort, he nodded his head in agreeance.
           “I’ll try.”
           Rossi took the lull in conversation as an opportunity to hold up the plastic bag in his hand. I narrowed my eyes at it inquisitively. There were five vials of a murky, dark brown liquid in the bag.
           “There were five of these in your bag at the motel. Do you recognize them?”
           Spencer’s eyes zeroed in on the bag and its contents, his brows furrowing. It wasn’t long until a look of partial recognition flashed across his face. It was so faint that if he hadn’t been in a room of profilers, it would’ve gone unnoticed.
           “What is it?” I asked from my place at his side. He’d been somewhat clingy since the incident that had transpired while everyone was at the motel, gravitating towards me as soon as we all had been granted entrance to the holding cell. I knew that he needed familiarity right now; he was in a very vulnerable state and he needed something that made him feel safe and secure.
           Butterflies erupted in my stomach when I had realized what he was doing, that I was that thing that made him feel safe and secure.
Spencer opened his mouth once before closing it, as if trying to put his thoughts into words was difficult. He did this a few more times before settling on,
“Whatever’s in those vials, I was giving it to my mom,” he said, his eyes darting around the room as he spoke. “That’s the only thing I’m sure of.”
           “I’ll have them run it through the lab,” Rossi said, before leaving and heading towards the direction in which Castenada had retreated.
           Emily and Luke were quick to hop into a rushed conversation, leaving only Spencer and I still in the cell. I looked up at him, at the way his forehead creased as he bit his lip in quiet contemplation.
           “Are you sure you’re ready for a cognitive? I know the effects may be wearing off, but you’re gonna be cloudy for a while. If you don’t want to do it now, all you have to do is say the word,” I murmured, keeping my voice low so that only he could hear it. “I can tell that you’re a bit overwhelmed, and that’s okay.”
           Spencer’s response came in the form of a shrug of his shoulders.
           “I want to try, because I know it’s important. I just don’t know that it will be of much help,” he replied, casting his eyes down to me.
           “Yes, it is important, but don’t put too much pressure on yourself. We’ll figure this out even if you can’t remember it all right now.”
           Spencer nodded once before running his tongue across his chapped bottom lip.
           “I don’t remember what happened, but I know I didn’t kill her,” he whispered, barely audible. Even though his words were quiet, I could hear the desperation in them; almost as if he was begging me to believe them, begging himself to believe them.
           I made the irrational decision then to throw professionalism aside and wrap both of my arms around his torso, my grip tight and assured. Spencer’s aversion to touch was common knowledge amongst us all, but for some reason that never seemed to apply to me, and I could see in his eyes that the way we were all treating him like he was fragile was wounding him more than he would ever admit. I hoped to remedy that with my embrace, and the speed in which he reciprocated was so fast that I was certain he was thankful. He wrapped his injured hand around my waist, the other finding purchase in my hair. I felt his chest move as he let out a shuddering breath.
           “I know you didn’t, Spence. Everyone on the team knows you didn’t,” I reassured him, my words muffled as my face was pressed against his chest. “And we’re not going to stop until everyone else knows it, too.”
           I was well aware that our embrace had garnered the attention of our teammates, but Spencer’s hold on me hadn’t faltered in the slightest, so I didn’t let mine either. Instead, I gripped the fabric of his flannel shirt tighter in my hands.
--
           When Emily exited the room in which they had conducted the cognitive interview, the look on her face was grim. I visibly cringed at the sight as I felt the sliver of hope that I had left die a miserable death.
           We are so beyond fucked.
           “How’s he doing?” Rossi asked, obviously taking note of the distress on Emily’s face.
           “He’s made some breakthroughs, but I’m not sure how helpful they’ll be,” she sighed, running a hand through her jet-black hair. When none of us spoke, Emily’s eyes flitted around, finally noticing that our expressions were a direct reflection of her own. “What is it?”
           “They just charged Reid with the murder of Nadi Ramos.”
           Hearing it said aloud wasn’t any easier the second time.
--
           While the rest of us had taken it upon ourselves to lean against the cement walls, Luke had begun pacing down the short hallway. After about ten minutes of unbearable silence, he decided he’d had enough.
           “We can’t get him out of here, can we?” he finally spoke, his voice a mix of anger and desperation.
           “I don’t know how.”
           “He didn’t kill her,” I reiterated, speaking more to myself than the three of them.
           “If all I had to go on was the evidence, I would swear he did,” Rossi sighed. I knew he was right; Spencer’s personal belongings were all over the hotel room, which was about as incriminating as you could get. “But knowing Reid, hearing the cognitive…”
           “Yes, he said there was another person in that motel room, but,” Emily pressed play on the audio recording, and her voice proceeded to flow through the speakers.
           “Who has the knife? Who is stabbing Rosa?”
           “I don’t know. It’s in my hand.”
           Emily pressed the power button and the screen went black.
           “Right now, this is just more evidence against him.”
           “So, what do we do now? Do we just sit and twiddle our thumbs until the consulate agrees to the extradition?” I asked. “There’s got to be more we can do. We can’t let them take him to jail, he won’t survive in there.”
           “I called in some help from IRT. Clara Seger and Matt Simmons will be arriving at any moment,” Emily said, checking her phone after hearing it ping. “In fact, that would be them. They’re here.”
           I breathed a sigh of relief as we all fell into step beside Emily. Having people from other areas of expertise that are willing to help is a good thing. Maybe they’ll be able to see something that we didn’t.
--
           “We come bearing good news,” I announced, leading the group as we all entered the holding cell. Spencer was quick to turn around and the corners of his lips pulled upwards as he set his sights on all of us. “Back up is here.”
           “Hey Spencer,” Matt greeted, offering up a small smile before crossing his arms across his chest.
           “Hey,” Spencer replied, moving to stand up from his spot on the bench. He was still a little wobbly on his feet, but he was doing much better than he was when we had arrived. “Thank you for coming.”
           “Yeah, of course. Jack and me are finishing up a case in Costa Rica, so we hopped on a commercial plane to get here,” Clara explained.
           “We’re trying to stop you transfer to El Diablo.”
           Spencer’s eyes darted over to me and he swallowed hard before speaking.
           “Do you think it’s possible?” Hearing the hope in his voice tugged at my heart strings. The way that he could manage to stay optimistic at time like this was a true testament to his character.
           “Yes,” Clara began. “Lab reports on the vials came back and some of what was in there hasn’t been approved by the FDA, but there aren’t any illegal substances.”
           “That’s great news,” I sighed, letting out the breath that I didn’t know I had been holding.
           “Is there anything else you remember about your time here?”
           “I remember what happened to the vials at home. My mom threw most of them out.”
           “So, that’s why you were here. To get more,” Clara said in an attempt to clarify.
           “It must be,” Spencer murmured, shuffling anxiously from one foot to the other.
           “Well, you’re off the hook for that. There’s no contraband involved,” Matt announced. Okay, this is good. One less thing to worry about.
           “Yeah, but we’re still looking at the planted drug and the murder charges, which could keep you here for a long time.”
           “Can we do anything to delay the transfer?” I wondered aloud. Clara took into account what I said and sighed, before turning towards Spencer once again.
           “You said that you met Nadi, who calls herself Rosa, in Houston. Why didn’t she just give you the vials in the U.S.?”
           “I don’t know,” Spencer said, running his uninjured hand through his hair. “I don’t know, but she helped us and I trusted her. I was right to. I still believe that.”
           “Well, she convinced you to cross the border multiple times. She had you risk your life,” Matt argued.
           “Because she must have something to lose, too,” I mumbled, eliciting a series of fervent nods from Clara. “Family, maybe?”
           “We need to know more about her,” Clara said.
           And then, something glorious happened. It was like a switch had flipped inside of Spencer’s head, and all of the sudden the lights were back on. I could tell that he had been struck with an idea, and it was a wonderous sight to behold.
           “What was in those vials?” Spencer asked, only solidifying my observation.
           Matt produced a paper with the lab results and began reading off the results.
           “There are so nootropic compounds like Ampalex, uh, but also some more natural stuff; coral calcium, jimson weed, coconut oil, a variety of vitamins. B12, D3-”
           “Where are we right now?” Spencer interjected.
           “Matamoros, Northern Mexico.”
           “Jimson weed, otherwise known as the Devil’s Snare, originated in Mexico but its natural growing region is further north or south of the border,” Spencer said, his words flowing out rapidly. I felt my heart soar and I didn’t even try to suppress the smile that fought its way to my face.
           “Boy Genius is back,” I announced, and for just a moment, the mood in the room lightened for the first time all day.
           “So, if it isn’t from here, then were did she get it?” Clara asked.
           “Let me get Garcia on,” Emily murmured, dialing the number and tapping her foot as it rang. On the third ring, Penelope’s bright and cheerful voice filled the room, a sunbeam shining through on a cloudy day.
           “Please tell me you’re calling to tell me some good news.”
           “Garcia, I have some questions for you.”
           “Hey, Penelope,” Matt greeted, earning a pleasantly surprised gasp from the woman on the other end.
           “Oh my God, it’s the dulcet tones of Matt Simmons,” Penelope gushed. “Are you there to save the day?”
           “I’m trying. Clara’s here, too.” A relieved sigh floated through the speakers.
           “Knowing we have you guys as backup is providing me some much-needed hope, and I work better this way.”
           “Hey, lady,” Clara greeted. “We’re trying to catch up on a few things. Where is Nadi Ramos from?” Before Clara even managed to finish her sentence, the sound of Garcia’s acrylic nails tapping away at her keyboard could be heard.
           “Mm she lives with her family just north of Matamoros.”
           “That must be where she got the jimson weed,” Emily pointed out.
           “What’s weird in she crosses the border, like, a lot.”
           “Why?”
           “Well, she works in Houston at that clinic, but she also helps at a low-income healthcare center. I can’t find a visa on her, which is double weird. And, in finishing the weird trifecta, there’s a social security number on her W2 form.”
           “Social security? She’s an American citizen?” I asked. Matt confirmed my suspicions with a nod of his head.
           “Yeah, she had dual citizenship. She was born in Houston, and her family had to move back to Mexico. She lives with them and she works in the U.S.”
           “This changes everything. We need to talk to the consulate,” Emily stated.
           Just as things were beginning to look up, Chief Castenada decided to grace us with his presence once more; and this time, he had an entourage.
           “It’s time for his transfer,” Castenada announced, looking pointedly in my direction.
           “We’ve had a break in the case,” Emily argued, shaking her head at him. “The victim was also American, and that calls for extradition.”
           Castenada merely shrugged before walking past us all.
           “I’ve got orders, sorry,” he muttered, making Gavin’s apology from earlier in the day sound heartfelt in comparison. Castenada wasted no time in beginning to place handcuffs on Spencer, locking them in place with a definitive click. Spencer and I shared a look of panic before both of us looked towards Emily in a silent plea.
           One of the men roughly grabbed Spencer by the arm and led him from the room. I watched in horror as they led him away, my heart threatening to beat out of my chest. I barely registered the fact that Emily was now on the phone. I just stood there, staring blankly at the entrance to the cell.
           “With the victim having dual citizenship, we now have concurrent jurisdiction. It was my understanding that the official order to extradite SSA Spencer Reid would be evaluated,” Emily damn near snarled into the phone. She paused for a moment, listening to the voice on the other line, before a look of relief washed over her face. “I understand, thank you.” She promptly hung up the phone before turning to face Luke. “They’re taking it to their brass. Go get him.”
           Luke took off in a rush, not needing to be told twice.
           I only wished I could be there to see the look on Castenada’s face.
--
           “We’re working on all channels here. Matt Cruz is on with the consulate right now. We could get an immediate extradition, but it’s just the beginning,” Emily explained, her voice stern.
           Spencer regarded her with a weary expression. The drug induced haze had finally lifted, leaving him painfully aware of how dire the situation was.
           “I really screwed up and I’m so sorry,” he choked out, resulting in a crack forming in Emily’s hard exterior. I couldn’t blame her; it wasn’t easy to stay mad at Spencer Reid. Spencer’s eyes were like kryptonite to most; big and brown and full of emotion. I’m sure if you searched ‘puppy dog eyes’ in the dictionary, a picture of Spencer Reid would be found in example.
           “It was for the right reason.”
           “I can’t remember what happened, but I know I didn’t kill anyone.” It was obvious in the way that he kept repeating the words that he was desperate for us to believe him. No amount of calm reassurance from us could quell the voice in his head that was surely telling him that we thought him guilty.
           “We do, too.”
           Clara was first to enter the cell, immediately followed by Matt.
           “Hey, they approved the extradition,” Clara announced, smiling brightly at the three of us.
           “Effective immediately,” Matt added on.
           We all exchanged relieved smiles before Matt and Clara led Spencer from the cell. Emily and I were quick to follow, right on Matt’s heels when we were stopped by Castenada.
           “I must point out that I feel like justice isn’t exactly being served with this move.”
           I pursed my lips together. In the short time we had been in Mexico, my feelings towards the man had grown from distaste to almost a full-blown hatred. That being said, I couldn’t help but understand where he was coming from. If Spencer hadn’t been a federal agent, he wouldn’t be granted the privilege of the extradition. Nor would he be allowed to fly home with us. I hated to admit it, but Castenada made a valid point.
           “I understand, but I can assure you that this has gone to the highest ranks and there will be a full investigation,” Emily reassured him.
           “Thank you for working with us,” I offered in an attempt to smooth over the rift I had created earlier. Now that my judgement wasn’t so clouded by my need to defend Spencer, I could see the error of my ways. I hadn’t been the most professional.
           Castenada nodded once in my direction before turning his attention back to Emily.
           “For our reports, I would like to have the recording of that cognitive interview.”
           I felt my blood run cold. That interview would just add to the list of things that could be used against Spencer in court. He had openly admitted to holding the murder weapon in his own hands, an admission that would surely earn him twenty to life.
           We cannot give him that recording.
           Emily seemed to be on the same page as I was.
           “I didn’t record it.”
           Castenada’s face contorted into an ugly frown.
           “But that was our agreement,” he squawked angrily.
           “I determined he was still under the influence. Anything he said wouldn’t have clarified matters.”
           Castenada’s gaze never faltered, eyeing Emily in an attempt to discern if she was giving him the run around. Luckily, Castenada was unable to find a hint of dishonesty on Emily’s face, and he nodded in resignation.
        ��  Years of profiling will teach you how to control your micro expressions.
           “You’re committed agents. And I’ve worked with the IRT before. I trust you know what you’re doing.”
           “We do. I promise,” I stated, my voice giving off more confidence than I felt. Yes, I thought to myself, there’s no doubt that we’re good at what we do.
           But so is Scratch.
--
           All was quiet on the jet, the steady thrum of the engine being the only sound that could be heard. Rossi had been the only one able to fall asleep, something that I would be sure to tease him about later. Next to Rossi sat Emily, who had busied herself with flipping through Spencer’s arresting report. Clara and Matt sat across from them, engulfed in their own hushed conversation.
           Spencer had opted to sit on the couch, but he didn’t allow himself to sprawl out like he normally would have done. He was visibly exhausted, wiping at his eyes frequently in an attempt to keep the fatigue at bay. It was almost like he was punishing himself; like he didn’t feel he deserved the solace that sleep would bring.
           “You should go talk to him. See if you can’t get him to lay down,” Luke whispered encouragingly from his seat beside mine.
           “I have no idea what to say to him,” I confessed. I tore my gaze away from Spencer and turned my attention to Luke. “There’s nothing I can say that will make this any better.”
           “You’re not wrong about that, but maybe just letting him know you’re here for him will help. Just go and sit with him, I’m sure he could use a friend right now.”
           Luke was right. I let out a dramatic sigh before shooting Luke a pointed look.
           “Since when did you get so insightful?”
           A grin stretched its way across his face.
           “Always have been, sweetness. It’s part of my charm. I’m more than just a pretty face, you know.”
           “And on that note, I’ll be going,” I announced, standing up from my seat and walking the short distance to the couch. Luke’s chuckles sounded off behind me and I couldn’t help but smile; note to self, make more of an effort to get to know Luke Alvez.
I approached slowly, hoping not to startle him as he seemed to be lost in his own world. He didn’t notice me until I came to a stop in front of the couch. Spencer’s head shot up suddenly, the worry on his face melting away to form a small smile.
“Hi,” I greeted, returning his smile tenfold. “You looked like you could use some company. Do you mind if I sit?”
Spencer gave me a soft smile and scooted over, patting at the space next to him. I lowered myself onto the couch, angling my body so it was facing him.
“You’re tired,” I observed, leaning back into the soft cushions. Spencer shrugged in reply, opening his mouth to argue, only for a yawn to slip out. I let out a light laugh. “Don’t even try to argue. There’s no telling how long you’ve been up. Why don’t you try and get some sleep?”
Spencer’s eyes reluctantly met mine and I felt almost paralyzed when I saw the sheer vulnerability in them.
“Researchers from the University of Cardiff conducted a two-part study looking at whether people’s daily frustration or fulfilment of their psychological needs, such as feeling autonomous or competent, affects their dreams. The results from the first study showed that people who were frustrated with their daily situation tended to have recurring dreams in which they were falling, failing or being attacked,” he rasped out, his words jumbling together as they fell from his mouth in rapid succession. “The lead author on the study concluded that negative dream emotions may directly result from distressing dream events, and might represent the psyche’s attempt to process and make sense of particularly psychologically challenging waking experiences.”
“And you’re worried your dreams will reflect what happened today.”
Spencer bit the inside of his cheek before nodding in affirmation.
“I can’t promise you that you won’t dream about those things,” I began, my voice coming out soft. “But I can tell you that sleep deprivation can cause lots of very unfortunate symptoms like impaired memory, reduced physical strength, and inability to concentrate. Do you know how I know those things?”
A light flush dusted over the tops of his cheeks.
“Probably because I’ve made it a habit to bore you with my information dumps.”
I shook my head adamantly, reaching a hand up and ruffling up his hair. He batted my hand away, ducking his head to try and hide the smile tugging at his lips.
“Never a bore, Spence. But yes, I know those things because of you and that remarkable brain of yours. And we’re going to need that remarkable brain in tip top shape if we want to get you out of this mess, understood?”
“Yeah, I guess so,” he relented.
I patted a hand on my lap, an invitation for him to use me as a pillow. He seemed hesitant, eyes flitting from my face before going back down to my lap.
“Don’t act shy around me, Pretty Boy. I know better than anyone that you’re a secret cuddle bug,” I teased, earning a snort from the man next to me.
“Am not,” he harrumphed, before deciding to take me up on my offer. He laid his head down on my lap before stretching his legs out across the expanse of the couch. My heart lurched pitifully when he nuzzled his head into my leg before letting out a loud sigh.
“Thank you,” Spencer whispered, voice thick with emotion. His eyelashes fluttered against his cheeks, casting tiny shadows on his face. I smiled at the sight and began carding my hands through his hair.
“No need to thank me,” I murmured, raking my nails against his scalp and eliciting a pleased hum from him. “Don’t you worry about a thing, okay? We’re going to get you out of this. I know we will. And don’t worry about your mom, either; I’m going to check on your mom every day, I promise.”
Spencer’s breathing stuttered at the mention of Diana, and I worried I had crossed a line. He stayed silent for a moment, before moving his hand up and squeezing my knee.
“You’re entirely too good to me.”
“Yeah, well, you’d do the same for me. That’s what friends are for.”
No more words were exchanged, and within five minutes Spencer’s breathing evened out and he was asleep.
--
Several hours later, we were all filing out of the elevator and into the bullpen. I shivered slightly as the cool air hit my bare arms, but I tried not to show my discomfort. I’d shrugged off my sweater and offered it to Spencer the moment we stepped off the jet, draping it across his cuffed hands in an attempt to conceal them. Spencer had thanked me with a pitiful smile and I returned the sentiment, blinking several times to try and stifle the tears pooling in my eyes.
JJ was the first to greet him, with Stephen, Tara and Penelope following closely behind. I watched on for a moment before my attention was pulled elsewhere. Stephen’s phone had rung, prompting him to slip away from the group and retreat further down the hall. I furrowed my brow at this, taking advantage of my colleagues’ distraction as I wandered towards Stephen. I strained to hear his whispered words, but just as soon as I neared, he ended the call.
“What was that about?” I asked quietly. The look on his face told me that the news couldn’t be good, and I didn’t want to ruin the reunion going on just down the hall. They all deserved a few moments of relief.
Stephen let out a long sigh and ran his hand through his hair before speaking.
“I, uh, just got a call. Reid isn’t eligible for the bureau’s legal assistance.”
Stephen’s words sent a jolt of white-hot dread through me. “How is that even possible?”            “Spencer went without being briefed, and he wasn’t in Mexico on government business. They refuse to represent him.”
I let my wary eyes drift down the hall, towards the group of wonderful misfits that I had grown to think of as family;
Penelope, whose optimism never wavered, even in the face of the absolute worst that the world had to offer.
JJ, a devoted mother with a heart of gold and a fierceness that inspired me every single day.
Tara, one of the most intelligent and caring women I had ever had the privilege to know.
Rossi, a father figure to all with enough wisdom to create a legacy that would inspire generations of profilers to be.
Emily, a fearless leader whom I trusted with my life and would follow into battle without question.
Luke, a newcomer who took special care to comfort me when I was at my worst.
Spencer, a man too remarkable to even try to describe with words. A man that anyone of us would defend until our very last breath.
That undeniable truth gave birth to the tiny sliver of hope growing inside of me. Spencer Reid was innocent, and we are all hellbent on proving it.
I nodded once in affirmation, more to myself than to Stephen, before allowing myself to meet his gaze.
“We’re on our own.”
And if anyone could pull this off, it was this team. My team.
There is a point when facing the unknown stops being a longed-for adventure and becomes a terrifying reality.
           -Storm Constantine
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sailorbadger · 4 years
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The Fandom’s Least Favorite Character - an analysis on Kate
Kate is probably the most hated character in the Robin Hood fandom. Not even probably, she is the one who consistently gets the most hate. So, what has she done? Did she commit several murders? Did she kill off a beloved character? Did she do something so problematic that she deserves to burn in hell? Did she do war crimes? No, her biggest sin is existing among unfair circumstances.
The title of this post is kind of a lie. This analysis is not really about Kate as a character, but about how she is written, how the narrative presents her and how this all affects the fandom’s treatment of her. I started writing this because I am sick of seeing so much unnecessary hate for Kate. This is just me commenting on larger trends I have witnessed and a decade’s worth of frustrations finally being written out. If you do recognize yourself from some of my descriptions, I hope that this post will give you something to think about, but just know that this is not meant for any one person in particular.
I’m not going to try to convince anyone to think of Kate as their favorite character. I’m not even trying to make anyone like her. I’m just trying to see why she is so hated within the fandom. So, let’s start off with how it all began. Grab some snacks, you’re going to need them; this is a long one.
 Introduction: Is it all Merlin’s fault?
To understand the context in which Kate was introduced to the show, let’s first look at where we left off at the end of season 2. I’ll start with the in-universe changes first. The biggest change obviously is that Gisborne murdered Marian. This altered the whole course of the show. Marian was such a central part of not only the show but also the Robin Hood legends, that at that point it was obvious that things were going to change. Will and Djaq left the show as well. Them leaving is not as dramatic of a change for the show’s narrative since they were not as central as Marian, but they did make up one third of the gang. This meant that there was a need for new characters to be introduced in season 3.
In our world, things changed between seasons 2 and 3 as well. There was a larger gap in production than before (with seasons 1 and 2 coming out in consecutive years and there being a gap year between seasons 2 and 3), and some of the people working on the show left or were replaced. Robin Hood’s spot on the BBC schedule was taken over by Merlin for 2008 so I guess we could blame that show for everything that went wrong in season 3. (I’m obviously joking here but conspiracy theories are welcome.)
The most important change in my opinion – and I think this is even more important to how season 3 turned out than anything that happened in-universe in season 2 – is the fact that Dominic Minghella was no longer writing or producing the show. It’s surprising to me that the fandom as a whole doesn’t ever really talk about this, when in many other fandoms creators or showrunners leaving the show are usually a big deal and mark the end of an era. I myself only found out about Minghella’s departure from the show before season 3 this year, but it seems to explain a lot on why season 3 felt so different from seasons 1 and 2.
With all that out of the way, the stage is set, and it is time to look at how exactly Kate came into the show.
 Six boots, two feet
Season 3 starts off with my least favorite episode of the whole show (see my episode ranking for more details). It tries its best to address the events of the season 2 finale, but in a way that will let it quickly get to the season 3 storylines. Unfortunately, the things that happened at the end of the previous season were so important that they would have needed several episodes to cover the full impact of the events.
Kate herself is introduced in episode 2. She is immediately given a reason to hate the villains and join the fight when her brother dies. She doesn’t join the outlaws right away, but when she does, she essentially has to take over three roles at once. I do not think it’s a coincidence that I think episode 4 is Kate’s best episode and that she’s at her best before she actually joins the gang. That is the point in the show when she is allowed to be her own character rather than someone who is trying to fill a void.
Like I said, Kate has three roles to take over; she gets Djaq’s spot in the gang as “the girl one”, Will’s role as “the peasant with personal connections to the people’s suffering” (and interestingly, since Kate’s family is around, her connection could have been even stronger than Will’s) and Marian’s as “the love interest”. Since the season 2 finale got rid of both of the only female characters in the show, it was inevitable that they would eventually be replaced if the show wanted to include any romantic storylines (it was, after all, 2009, so queer representation was out of the question). With three pairs of boots to fill, and only two feet, it should not come as a surprise to anyone that Kate can’t possibly do it all alone. The show does introduce Tuck and Isabella as well to help fill the gaps, but I think Kate gets labeled as “the replacement” far more often than the other two.
 A triangle without a base is just an angle
Kate had all the potential for a good plotline. Her brother died, making her hungry for revenge, yet this part of her is only sprinkled in every now and then instead of being a part of her character arc. Instead, she is made a part of not one, not two, but three love triangles.
I’ll start with the Much/Kate/Allan one. Spoiler alert: it doesn’t actually exist. All sides of this “triangle” are… weird. The writers try to frame it as a legitimate love triangle, when only one person in it seems to have any real feelings for another character. Much is shown to be interested in Kate, but we as the audience are never given a reason for why he likes her or even how he fell for her. I guess we’ll just have to take his “I fall in love very easily” (from 2x4) quite literally. Kate does not seem to have any romantic feelings for Much, and she seems oblivious to his feelings as well.
To be honest, I don’t think Kate ever really saw Allan as an option either. At best I could admit that maybe she had a slight attraction to him, but I never got the impression that it was something she would seriously pursue. I don’t think Allan was seriously interested in Kate either. His flirting with her is quite similar to his joke-y flirting with Marian and Djaq. My friend and I talked at length about this, but Allan doesn’t seem like the type of person to flirt for real. This could be a whole analysis on its own, so I won’t go too deep into it here. But I don’t think Allan considers Kate a legitimate romantic option.
So, this “love triangle” only exists in Much’s head and in the narrative the writers try to force on the audience. The Kate/Allan side of it is practically dropped the minute Kate/Robin becomes a thing.
Then there is the Much/Kate/Robin/Isabella triangle that is not a triangle either. I already covered Much/Kate for the most part, so I won’t go into it. Since the Robin/Isabella relationship is not that central to Kate’s character, I won’t bore you and myself by going through it that deeply. The buildup for that relationship is practically nonexistent, and so is the end of it. The whole Robin/Isabella relationship feels forced, because the writers didn’t know how to properly replace Marian while coming up with something new.
Kate’s crush on Robin seems to develop out of nowhere as well. It looks like a pattern when it comes to romances this season. Robin himself doesn’t appear to have any romantic interest towards Kate until he and Isabella “break up”. After that point, their relationship progresses way too fast. It doesn’t help that they seem to have no chemistry between them, and Robin treats Kate like a child and then five seconds later proceeds to make out with her.
Honestly, if Kate had to have a romance with a character on the show (and with it being 2009 obviously they could not fulfil my dreams of Kate being bi but that’s beside the point), it should have been with Archer. The two of them had more chemistry in the 30 seconds they worked together in 3x12 than Robin and Kate had the entire season. It would have also made me far less uncomfortable, since the characters would have been closer in age. Which brings me to my next point.
 “There is only one thing worse than a rapist – a child”
How old is Kate supposed to be? Seriously, this show can’t seem to make its mind about her. In general, I do not trust anyone’s age on this show unless it’s been stated somewhere. I know some people try to base the characters’ ages on the actors’ real ages, but to that I say, “fuck that”. Archer is the best example of the fact that this show did not even try to cast people who are the right age, or even look the part. (Seriously, he does not look even close to being 20.)
That being said, Kate is written like she is both 15 and 25 at the same time. I don’t know if the writers had a specific age in mind when they were writing her, but there is a huge difference between those ages. I think it’s the most reasonable thing to assume that she’s in her late teens, maybe at most in her very early twenties. She is still living with her family (I know that most women at the time married in their 20s but it’s not like this show is concerned with historical accuracy) and her behavior is a little immature at times. With all that said, I hope it doesn’t come as a surprise to anyone that I find it incredibly uncomfortable that all the men that are presented as possible love interests to her are fully grown men.
It is the most obvious in Robin and Kate’s scenes. Like I said earlier, Robin treats Kate like a child and speaks to her in a condescending way, only to then make out with her in the same scene. I must wonder why the writers didn’t just age up Kate. I think it would have been more interesting to make her someone who is already married, and instead of losing her brother, it would be her husband that dies. Of course, I would prefer it if Kate didn’t have to be a part of any of these love triangles to begin with but aging her up would have made the dynamics far less uncomfortable. (I do have to also point out the fact that Meg is also written like she is a teen girl. The show then tries to pair her off with Gisborne, who is even older than the men Kate is being forced into love triangles with. So… yikes.)
 Let’s take a break, drink some water
Let’s take a moment to recap what we’ve learned here. First of all, Kate entered the show in unfair circumstances and with only two feet to fill three pairs of boots. She was only ever allowed to be a part romance plots, and she didn’t get a proper character arc of her own. In general, the women in this season were not written well (not that seasons 1 and 2 were the height of feminist television either), and they were reduced to being love interests or tools to further the male character’s plotlines. Without Dominic Minghella involved and with a full year between seasons 2 and 3, the show lost some of its charm. Unfortunately, this meant that Kate was not the best written character. But I do not think she deserves all the hate the fandom has given her over the years.
 Interlude: Doctor Death
Before I get too much into how the fandom has reacted to Kate over the years, I feel like I should explain my own history with this show and the fandom surrounding it.
I started watching the show when it was first airing here on TV. It was some time during season 2, and once I had seen my very first episode, I watched all the following ones as well. With the finale, there was a problem. I had seen 2x12 and knew that the final episode of the season would air the next week. I was so excited for it, but then my mother decided that we would all go out and have dinner. I kept looking at the clock all day, hoping I would make it home in time. I got home just to see the credits rolling. I’m still a little bitter about it.
After this, I was desperate to see how the season ended. I’ll remind you that this was before it was common for shows to be put online officially. Streaming wasn’t really a thing yet. I did the only thing I knew what to do; I went to YouTube. The thing is, I did not know that what I had been watching was the second season of the show. So, you can imagine my confusion, when I find the very grainy version of 1x13 on YouTube and start watching it. Eventually I figured out my mistake and watched 2x13. At some point I watched season 1 as well, but I honestly don’t have that many memories of when I first watched this show. My clearest memory is being betrayed by my own mother when she forced me to go out for dinner.
Since I do not remember what year this all happened in, I did some googling and if I’m correct, season 2 aired here for the first time in the summer of 2009, with reruns in the summer of 2010. Because I have no other memories for context, I can’t say whether or not season 3 was even out in the UK at the time. Anyway, I did not watch season 3 for a few years. I also didn’t engage with the fandom until 2012, when I joined Tumblr. (A side note: while trying to find out when season 2 aired, I found the episode titles and descriptions. Apparently 2x4’s Finnish title was Doctor Death. There were some real gems on that list but this one was my favorite.)
Over the years, I had read bits and pieces about season 3 on the internet. I was still upset about the end of season 2, and the things I read did not make me want to watch season 3. Sometime in 2012-2013 I finally gave in and watched season 3. I was mostly disappointed by the season as a whole, and as for Kate specifically, I found her annoying. In the fandom, I went along with the Kate-hate that was popular in the fandom at the time.
I did a full rewatch of the show with my friend in 2016–2017. During that time, I didn’t hate Kate as much as I did before. Maybe it was that I had a fresh perspective, maybe it was that I had matured in those few years. Who knows? I was mostly disappointed by the bad writing. Even back then, I wished that Kate had been given a proper chance.
The next proper rewatch of the whole series I did was this past winter. I watched the show in a non-chronological order with someone who had never seen it before. This time, I was angry at the writers and found myself half-ironically becoming a Kate-stan. I also began to really pay attention to how the fandom has talked about her over the years and was unnerved by the hate has she gotten.
So, here we are. Time to take a look at how the fandom has treated Kate. Most of this will be based on my own experiences and memories, so if someone else has a different point of view to offer (especially from the early days of the fandom while the show was still ongoing), feel free to comment! I just wanted to give you my own history with the fandom to show that I have indeed been around for most of the fandom’s history.
 The hate-train for Kate-town leaves from platform 4
It seems that from the very beginning, Kate was disliked. I remember reading negative comments about her way back in the early 2010s (I would try to look for examples, but I just spent 30 minutes trying to find out when season 2 first aired here and it’s currently 1am so I am not spending any more time googling right now). There are fics that make fun of her and how badly she was written, and most of the jokes and dislike about season 3 seem to always come back to her. This attitude has been present in the fandom in other contexts as well. Over the years, the hate towards Kate has come and gone along with the popularity of the fandom.
Every once in a while, someone has tried to either write Kate better or even see her as a character that was let down by the writers. Mostly this has not led to any significant change in the fandom’s attitudes. I feel like whenever some of the older fans outgrow their Kate-hate by either just maturing and realizing it’s pointless or just not wanting to waste their time making fun of her, new fans come in and start the whole thing all over again.
I am grateful, however, that the general consensus in the fandom seems to be (at least in the year 2021) that the actress is not to blame for Kate’s faults. It still does make me uncomfortable that people go so far as to cross out her face on pictured etc. just to show how much they hate the character. This hate that Kate gets feels very misogynistic at times and is at least partially the result of the show’s misogynistic writing, but the actress deserves no negativity for playing Kate.
 What about Isabella?
One thing that is very interesting to note is that while both Kate and Isabella were newcomers in season 3 and were both replacements for Marian in the sense that they were love interests for Robin, only Kate has received a significant amount of hate over the years. So why does the fandom not hate Isabella?
I think that a big reason for why Isabella is tolerated – not necessarily liked, I haven’t seen too many people genuinely enjoying her character – better than Kate is the way the narrative treats them. Kate is essentially forced down our throats. The show is so desperate for us to like her that they end up making her unlikeable. Isabella, on the other hand, is eventually made into a villain, and thus we’re not meant to sympathize with her in the end anyway. (I could write a whole rant about how Isabella’s treatment in the narrative is bad but let’s not do it here.) Isabella also has the advantage of being Gisborne’s sister, so her backstory ties better into already existing characters. I think it’s reasonable to say that Gisborne being a fan-favorite in certain parts of the fandom doesn’t hurt Isabella’s case either.
Isabella is also only involved with Robin, while the show keeps pairing Kate off (unsuccessfully) with almost half the cast. I think she was written in a way that reminds people of Mary Sues, and considering how fandoms tend to not like characters like that, it’s no surprise that Kate got all the hate she did.
 Murder and being annoying – they’re the same thing, right?
So why exactly does the fandom hate Kate so much? Obviously, the writing is a big reason. Season 3 is not written well, which means that Kate is not written well either. She doesn’t really get a storyline of her own, and instead her main purpose is to be someone else’s love interest. I would also add that Kate doesn’t really get hate for her personality. Most of the hate that she gets in terms of character traits revolves around her being annoying, but that’s not really a personality trait. So I think the issue is not her personality, but her role.
The next reason won’t surprise anyone who has spent as much time in fandoms as I have: Fandoms do not like female characters. Well, I should probably rephrase that. Fandoms tend to hate female characters more easily than male characters. I’m not going to analyze too deeply on why this is, as I’m sure someone has already done research on this with references to actual feminist theory. There is a lot of internalized misogyny in fandoms, and female characters get hate for even the slightest wrongdoing, while male characters who commit far worse crimes often have a strong fanbase that will defend them despite these flaws, especially if said male character is played by a conventionally attractive man.
Kate is also blamed for things such as breaking Much’s heart, even though she was never really aware of Much’s feelings in the first place, so it was definitely not intentional. She’s blamed for every small wrongdoing in a way other characters in the show are not. I’ve seen people criticize Kate for small things that she has not even done on purpose. Some of these people then also go on to ignore the fact that Gisborne has committed several murders, taken part in the oppression of the poor and done many many more atrocious things, and paint him as a more sympathetic character than Kate. I understand if you do not like Kate, but it feels misogynistic that the female characters are held to different standards than the male characters. I can already hear some of the Gisborne-fans saying “but I acknowledge his actions and think what he did was wrong! I just find him to be a misunderstood and/or interesting character”. To those people I will just say: Why are you not applying this same logic for Kate? Why are you making outright hateful comments about her? If you don’t like her, why not just ignore her? If you are a Gisborne-fan and have never made these comments about Kate, this obviously doesn’t apply to you. And even if you aren’t a Gisborne-fan, but you do recognize this way of thinking in yourself in regard to some other character, I encourage you to think about it critically. I just used Gisborne as an example since I know he’s perhaps the most popular male character in the fandom (at least if Ao3’s numbers are anything to go by). I’ve also seen a similar attitude from a lot of Allan-fans, though in their case the hypocrisy is often not as obvious, but I’ll return to Allan in a moment.
Many female characters end up getting hate because they get in the way of a popular (often m/m) ship. In this regard, Kate is kind of an outlier since she doesn’t exactly do that, since there isn’t really a ship to get in the way of. Sure, she’s eventually paired off with Robin, but Marian is already dead by the time she shows up, and if people were truly bothered by someone other than Marian trying to get Robin’s attention, they would also hate Isabella with the same intensity. I do think there is one “ship” Kate does come in the middle of, and here’s where we get back to Allan.
Now, the ship Kate does get in the middle of is not in fact canonical. I am of course talking about the popular Allan/OC trope. If you go on Ao3 or Fanfiction.net, you won’t have a hard time finding fics where Allan is paired with an OC. This is understandable, seeing that the show only has four main female characters to begin with, one of whom is already in a love triangle with other people, one of whom canonically ends up with someone else, one of whom is actively hated by the fandom and one of whom just does not interact with Allan.
I want to make it clear that I think it’s fine if people want to come up with their own OCs for the purpose of shipping them with existing characters, it’s just not my thing, especially when those OCs are any level of self-inserts. (I personally don’t feel the need to ship Allan romantically with anyone. I just tend to not like OCs in any fandom.) Since Kate is presented as a potential love-interest for Allan, I think many fans who would rather see Allan with their own character or even themselves view Kate as an obstacle or a threat.
As you may see, this fandom, like many others, unfortunately treats the women in the show differently from the men. Male characters like Gisborne are viewed as redeemable so long as they are attractive, but Kate is irredeemable for… breaking Much’s heart and/or getting in the way of Robin/Marian or Allan/OC? This is something that really bothers me. I don’t mind the fact that people don’t like Kate, it’s the extensive hate she gets that makes me uncomfortable.
 Conclusion: Where do we go from here?
Like I said in the beginning, I am not asking anyone to say Kate is their favorite character or to even like her. I just wanted to provide some things for people to think about regarding how they treat female characters. I think it’s about time the fandom took a proper look at itself and critically thought about how it speaks about female characters. It’s 2021, let’s not hate on female characters just for being a little annoying or getting in the way of shipping.
I haven’t seen the fandom analyze that much why season 3 is the way it is. I would love to see some meta about how Dominic Minghella’s departure and other behind the scenes factors contributed to the story and aesthetics of season 3. I would also love to see some actual analysis on the season 3 characters that isn’t focused on tearing them down. If the fandom never made another post about how terrible Kate is without providing any actual reasons, I would be happy. I can sort of understand this immature hatred coming from 15-year-olds, but I’m disappointed to say that I have seen fully grown adults tearing down Kate in this quite misogynistic way. I know that many people do not intend for their dislike of Kate to come across as misogynistic, but it does not erase the fact that that is how many of those hateful comments appear.
I think Kate had a lot of potential. Season 3 had a lot of potential. It is quite a move to kill Marian in the middle of a Robin Hood story, so they had the chance to take the story to all kinds of places. Unfortunately, the season 3 we ended up with was not of the same quality as the previous seasons. Instead of just hating on the characters or story in general, I think we should focus on really analyzing the season, and even coming up with our own ways of improving it. Many people have already done this (though unfortunately many of these attempts also include thinly veiled hatred towards Kate. It’s your story, why are you not treating her any better than the actual writers of the show?), but there’s always room for more takes.
At this point I will shamelessly advertise my own “Kate should have been the new Nightwatchman” theory and my Nightwatchman-fic. I wrote the latter in a way that would let it be a part of canon if necessary. I think that by refocusing the story and shifting the way we read the text, we can find new aspects of season 3, and perhaps even enjoy it more. That is what happened to me during my latest rewatch, and all it took was watching it in a non-chronological order and talking about it with someone who had never seen the show.  
I’m not trying to gatekeep the fandom and say that only thought-provoking analysis or fix-it fanfiction is allowed. I just feel like people should be more conscious of the message they are sending out when they write hateful comments about Kate, censor her name or even cross out her face from pictures. Is it actually funny? Are you contributing something to the conversation? Is it actual criticism or just hate for the sake of hate? You don’t have to start writing posts in the defense of Kate, but you can just start ignoring her. It’s not that difficult. It’s fine to make jokes, but let’s start thinking about what our jokes say about us.
I once more want to emphasize that this is not a callout post I wrote with any one person in mind. So, if you felt offended when I was talking about Gisborne-fans, Allan/OC-shippers or Kate-haters in general, I can assure you that this post was not about you personally. This is not about any individual person. I’m just commenting on trends in the fandom I have noticed over the years. I don’t think any of you have committed any sins or that you need to be cancelled. I just hope that if you did feel guilty reading this, you’ll realize that maybe this post was something you definitely needed to read. As a woman, I would love it if this fandom worked on getting rid of its internalized misogyny.
I’m not claiming to be right on all of this, in fact I have a lot of bad opinions as well. I hope this post has provided people with things to think about. Feel free to use this as a starting point for your own meta or analysis. I’ll end my rant here, and leave you with this thought:
Kate had a lot of potential to be a good character. She did not let us down. The writers did.
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popculturebuffet · 4 years
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Ducktales Della Arc Reviews: The Spear of Selene or THE INCREDIBLE STORKULES, GOD OF HOMEROTIC SUBTEXT OUT OF MYTH!
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Hello all you happy people and welcome back to my coverage of the Della arc! It’s our last 2017 episode before the Finale, and it’s a huge one as we delve into a fan faviorite that introduces a pair of fan faviorites, a drum of tzatkiki sauce worth of gay,  an asshole so odious getting sent to the bowls of hades and laughed at for all enternity after being cast out by eveyrone he knows really was getting off light, and at last some plot progression on this arc. At the time it aired mind you at this point Dellas been a beloved cast member for three years, and we’ve known what happened to her for longer than that. 
At the time though.. it’d been 8 MONTHS since the Great Dime Chase. Let that sink in. The Della reveal was the biggest hook of an already exceptional pilot: It not only promised to flesh out a character who’d had all of one story in the comics at this point in present day, but solve the mystery of why she was gone. Not only that but Scrooge and Donald’s feud clearly stemmed from this exact moment. And the first full episode in the arc confirmed it: Della had taken whatever “The Spear of Selene” was and apologized to Scrooge for it. So why had she taken it, why did Donald blame scrooge, why did Scrooge not blame himself, at least outwardly, where was she, what was the spear of selene...
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As I pointed out last time airing order didn’t help and due to airing the arc episodes really close together, gave the impression the arc would not only move fast but take up more of the season than it did. In practice both arcs take up a fourth of the season not including the finale, which would take both up to about a third. The expectation on how much of the season would be taken up by the arc.. was on Disney for airing things badly. I will give credit where it’s do as they moved this episode up in the order to try and make up for it (and give themselves a huge mid season opener).. but then for some reason shoved the last episode before last crash, ie. the only one they coudln’t move, way back to right before that episode. “ Here’s an actual photo of the person who made this decision
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As I said they did get better next season with only a few swaps and only for good reason. So props. 
HOWEVER.... this episode still has some  flaws with pacing and revealing info, with or without Disney drunk driving the schedule. The wait between episodes in this plot is an episode LONGER in production order... and dosen’t move the plot forward by much. I will get to that when the time comes.. and that DESPITE this treatment of the fans.. this episode is still one of the seasons best. How are both things true? Join me under the cut to find out. 
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Thunderstormy to be precise and the Sunchaser is natrually encountering loads of turbulence with Launchpad barely holding int here while Donald’s buffeted around the back. Why Donald’s with them... 
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But it’’s one of his only five starring episodes in the season, out of 9 appearances total the rest of which are cameos.  Yeah now seems as good as time as any to talk about Season 1′s Donald Duck problem. 
See Donald was promoted as a major part of the series, rightly so since he was reduced to a guest star for the 87 series due to a combination of Disney not wanting to overexpose the characters, people possibly not being able to understand his voice and thus making plots hard to understand, and Tony Anselmo being new to the roll at the time. So the reboot went all out promoting the fact Donald would be in it, front and center and gave him TWO character shorts to the rest of the casts one. Disney really went out of their way to show he’d be in there so as a certified Donald Fanatic, I was sure he’d actually be in the show a lot and on the adventures a lot. The crew were not blameless as both promotional arts featured him. Launchpad and Beakly conversely were asbent, so the impression given by all of this was that Donald would be central to the series and in a lot of episodes, given equal focus to scrooge and the kids. 
This.. didn’t happen as you all know. Instead as stated he’s up front and center for 5 episodes, and makes cameos in others, but generally is hardly around. Now there is KINDA an excuse to this as he doesn’t want to adventure, be in the mansion or any of that.. but it’s a REALLY weak one. He still at least could’ve made more cameos, the fact he was working on the boat all that time isn’t made clear till last crash, and his two spotlight episodes both have him dragged along on the adventure anyway, so it’s not like his not wanting to be there meant he woudln’t be forced to join in anyway. There were ways to include him, still have him in a supporting role instead of leaving him back at the mansion.. and even the second episode proved there was still comedy to be mliked from that.. and pathos don’t forget the pathos. So yeah this was easily the biggest mistake of the season and one season 2 largely corrected: He got four dedicated plots, and was around a decent amount in the first half of the season and while he DID get shot up to the moon... it was for valid reasons. They wanted to focus on Della and the kids, give her room to breathe as a brand new major addition to the show, and thus him being around and the elephant in the room of his and scrooge’s feud that was never dealt with on screen, would’ve distracted from that. And even with that they still gave him a focus episode that somehow added more depth and MASSIVELY advanced the main plot, and a sizeable roll in the finale. Season 3 likewise had things better: while he shows up as much as in season 1, the episode count is lower by one, and he’s a major part of the plot in every one BUT Last Christmas, with four of those having the spotlight on him in some way. They eventually did figure out how to use him far more ballanced. So yeah credit where it’s do it got MUCH better, but he still felt like a recurring character in his own series, that was still bad, and I still needed to give out about it. 
But Webby and Dewey have a mission even if Dewey dosen’t quite get what’s going on so they flip a switch to turn on a warning light of some kind forcing Launchpad to make an emergency landing on a gorgeous tropical island. To Huey’s amazement, as the place was apparenlty only a myth, though naturally the guidebook did have it’s aproximate location listed... Ithaquack, home of the gods. Naturally Scrooge and Donald want to leave as soon as possible for reasons we’ll get into but Launchpad , for once is being a responsible pilot “Better safe than.. something right? Scrooge is of course irate that Launchpad picked NOW of all times to be safe, and the Kids.. don’t listen because Huey sees a beautiful realm of myth, Louie sees a beach vacation and Dewey and Webby.. have work to do. Webby eventually fills Dewey in on why their here, having wrongly assumed he got why they were going to a mythical greek island. As Dewey delightfully puts it later “Don’t assume I know anything. “ So she pieces it together for him: Selene was the greek goddess of the moon... Della took the SPEAR of Selene. Ergo this island is the best place to find the Spear and failing that, Selene herself to get more info on it and Della. 
So we have our two plots. Scrooge and Donald dealing with their pasts and the gods, and Dewey and Webby diving into his mom’s past. And unlike the last review where a genuinely unsettling story about an abuse victim forced to manipulate her girlfriend not going into a murder vault was paired with Louie having to deal with a Sasquatch while Huey catches a case of Dewey’s stupidity somehow, these two plots are perfectly paired: Their both perfectly thematically connected, both dealing with the past, Della’s absence and Scrooge and the Twins past encounters with the gods.. but both being self contained outside of that, entirely unconnected but stilll necessary to be in the same episode. THIS is how you do two plots. But since they don’t really synch up again till the end, let’s cover each one at a time shall we?
“What if My Mom was a Bad Person?” 
The plot is pretty straight forward but expertly done: Dewey and Webby first check your standard Zelda dungeon which apparently has a cursed weapon at the end. We also get an utterly adorable and sweet shot of Webby comforting Dewey after he’s clearly shook from it. Awwww. Turns out it’s the SWORD of Selene. and quickly turns into a game of put the Cursed Sword back before we all die. 
Next up is a monster who nearly kills both protecting it’s spear.. the spear of POSIDEN. (Look at meeeeee). And since they aren’t going to be on a boat that isn’t a house boat anytime soon, they don’t need that and the monster cheerfully redirects them, with Dewey apologizing for calling it ugly. 
So all pretty standard stuff for the show and really good stuff.. but it’s the building tension underneath that truly makes the episode and leads to one hell of a climax for this plot. All the while Dewey is DESPERATE for some explination for his mom’s disapperance that isn’t her betraying Scrooge, maybe returning the spear because it was cursed or getting eaten by a monster. Just ANYTHING but the mounting and horrifying suspicion.. that his mom was a bad person who destroyed her family and betrayed her uncle and laughed all the while. Webby.. does not help, backing that side of things and constantly voicing hte idea Della betrayed Scrooge, so obsessed with solving the mystery of her life.. but so unfamilliar with people she dosen’t see the very real toll this is taking on her best friend. To her she’s just making a logical counterpoint.. to him it’s just another idea in his head about the way his mom could’ve betrayed everyone she cared about. 
So that climax is where it explodes. Our heroes find a scale model of ithaquack (Complete with Tiny Maniticore! It’s so cute Webby just wants to slay it)  and an opening.. with an ominous message about incurring the wrath of the god seemingly conforming the worst. So Webby prepares to find out the whole story.. only for Dewey to stop her. No one’s finding this out, whatever it is, no matter how far they’ve come. And given this is the biggest mystery of her life and she simply dosen’t understand WHY Dewey dosen’t want to know.. both sides are ready to fight for this. And Webby DOES try to back him down, pointing out he really can’t beat her in a fight. But Dewey’s already grown leaps and bounds form the pilot and is working smarter not harder. Beat Webby, who spent a good chunk of her life being honed into the most badass child on the parent, one who can take on several of scrooge’s worst foes one on one? Not on his life. But hold her off long enough for the gate to close? He can do that. 
So the result? One of the best fights of the series... and given the sheer amount of great ones we’ve gottten since this one it still says something it holds up THIS well. It’s an even, furiously paced fight, with Dewey using every advantage he has including tossing said manticore to keep up, but not slowing down one bit. It’s heartbreaking to see the two come to this but it’s an delight to watch. Webby DOES win eventually, though time’s running out to get in and she finally asks WHY. And  while the stakes have been crystal clear for both this whole time.. we get them laid out in the most painful way for both. 
Webby: We're so close to the truth! Why won't you let us find it?! Dewey: Because...*his voice cracks* what if my mom was a bad person?
It hits VERY hard. For Webby this has been a puzzle something to solve the greatest achivment of her life, her chance to make her mark... and her best friend just wanted to abandon it. But in one swift response, he disarms all of that.. and makes her see how insnstivie she’s been: He may not know his mom.. but he can’t bear the thought she was a bad person. That she left or WORSE, because she didn’t care about him, or scrooge or ANYONE. Knowing nothing is better than knowing she was a monster. 
Webby realizes what she’s been doing to her friend and is horrified and offers to back out. The answers.. aren’t worth destroying her brother. But her willingness to back down.. finally gets Dewey to see the light. His fear was valid.. but at the end of the day,  it’d never go away. it’d just keep eating him for the rest of his life, every time she was mentioned or he found something else out he’d just wonder if it was a lie and wonder wht he COULD’VE learned this day. And if Webby’s willing to sacrifice THIS MUCH to give him peace of mind... then he can sacrifice that peace of mind for the truth, for her, and for himself. So he pulls them inside. 
Inside they find Selene who suprises them.. and is then confused. Their not della. Also I guarantee mentally she’s thiking “Thank me I didn’t do it naked this time. “. After some confusion as to who this is, Webby explains that IS Selene, and Dewey begs for answers about the spear... only to find out she dosen’t have one. Nope. The sword seen before and a SPHERE, yes.. but no Spear. So the poor boy breaks down, back to square one. It’s hard not to see why... all this effort, all of this sacrifice.. and he’s no closer than when they first set down. 
Selene does help though... giving him an idea of who his mom WAS: one of her closest friends (And let’s face it  Della named the ship after Selene and Selene casually uses Della’s shower. If they didn’t go out at least once, I am an outer god. And I very much am not and they very much banged hard. Goodnight. ) , a good person who brought fun to everyone, and loved her family more than anything. Wether she betrayed Scrooge or not, she wasn’t a bad person. And her own orb shows it showing Della in her prime, brightly smiling next ot her family. Selene encourages the boy not to give up, that his mom always loved a mystery.. and he can solve this one and gently hugs the sobbing child.. with Dewey quickly pulling webby in. It’s genuinely touching and a satisfying ISH ending. 
The ish... is because while this is a VERY good plot, i’ll gush more about it at the end, it does have one supreme flaw: the mystery dosen’t progress. And with the huge gaps between this episode and hte next one, in BOTH airing orders... it’s unforgivable to not have EITHER plot give us any hints about what happened. I don’t ask for much, but they could’ve found a clue in the sphere Dewey got, or saw a memory of her that brought up the next place they look, just something a little. While it’s still a very fine story, the main plot suffers a bit by having one of the ONLY three episodes delving into the della mystery before it’s fully revealed in sunchaaser have almost no progress. Della was probably a good person, which comes from her ex who clearly still loves her so that’s not really reliable, and the spear isn’t literal. While the lack of progress works for the story in the episode itself.. it comes at the cost of any actual plot progression. We end up exactly where we started and have to wait SOME TIME before we get to the next spot on the tour. Well we did, you guys will find out Monday or Tuesday depending on if the finale goes up in the morning or Disney holds it till the actual airing. Please don’t you bastards. Point is it’s  VERY good plot, but it’s hampred by not really progressing the arc. 
The arc progression for this storyline is painfully slow, and tha’ts not on disney. In either order there’s a MASSIVE gap of 15+ episodes between what we learned in the great dime chase and what we learn in castle mcduck. It’s sloppy writing and I expect better from this team, especially since the Lena plot the same season is far tighter paced: each one builds a bit, both on Lena as a character (Why she’s doing this etc), her development as a person, her relationship with webby growing and Magica and her growing more and more spiteful with one another. They could’ve had at least ONE MORE subplot to build this up, especially since we really dind’t need the sasquatch episode but just.. didn’t for whatever reason and it’s still frustrating.  But as always credit where it’s due.. the next two seasons were better about it. 
Season 2 while not perfect, and we’ll get to it’s plots someday.. and I do say plots as not alternating between the two plots for season 1 was a mistake if a well meaning one as not to drive up the price for Kev but for future refrence if any of you want me to cover an arc for something I WILL have to cover all of it or any adjacent to it that flow into it. Point is they move faster and both Glomgold and Louie’s are pretty lowkey and low stakes so while enjoyable, their not moving incredibly fast dosen’t hurt the show. And the Moon plot has the best pacing of the three and possibly of the series plots period: We get filled in on Della fairly quick, getting answers on her WAY faster, get introduced to the moon and it’s people right away, get a whole episode on them, and the most importantly in sharp contrast? She returns HOME halfway into the season. 
I will probably go into this again when I get to nothing will stop della duck but Season 1′s pacing and general wisdowm made me think she wouldn’t get home anytime soon and she’d return in the finale. Instead? We get a whole half a season fleshing her out further, seeing her connect with her kids, all that good stuff, WITH an episode advancing the moon arc, without that arc feeling unimportant, but still having the slow pacing. 
Season 3 meanwhile while again not without bugs, the last few episodes before the finale having no real build up to it really wasnt a good idea and I question why these two episodes were the ones leading into it, has two seemingly barely related plots.. that EFFORTLESLY merge into one, with one hell of a huge twist in impossibin that ratchets up the stakes. I don’t know how it’ll payoff.. but we’ll see. 
So they did get better, i’m still hard on it because it happened.. but I will never stop stressing how this crew usually corrected a mistake. If they fucked up, they LEARNED FROM IT, course corrected, and made it better and they listened to US. IN the good way, not letting fans run the series but listening to valid concerns and adapting to them. And given how fucking rare that is and how hard it must’ve been with the tight schedule, I.. I really appricate it and i’m going to miss it. And I can’t think of a segue so enjoy this picture of a turtle hitting a trapper in the face with a bat instead. 
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“Someone Always Gets Hurt”
So let’s take it back a few hours. Hit it boys!
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Donald tries getting the boys back on the ship, clearly fearing something coming for him.. and we soon meet that something. Yes it’s the hero of legend, the stork out of myth, the star of a LOT of Donald Duck Slash FanFiction only half of which he wrote, STORKULES!
In case I didn’t make it clear when I reviewed New Gods on the Block! I love this guy. He reminds me a LOT of the marvel version: Boisterious , horny (if in a far more pg version), Gay (Pansexual for the marvel version), flawed but still immensley likeable. Stork is a bit diffrent, a bit more naive, a bit peppier and entirely blind to the fact his father is a terrible person. But my love of the marvel herc means Stork was an easy sell for me and Chris Dimatopolis’ performance is second to none, only topped in this series by his later work as Darkwing where he got a bit more range than “Joyous ham who wants to bang”. Also I’m 100% convenced he’s made this memetic expression to donald at some point... 
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If someone hasn’t redrawn that with Storkules yet, we have failed as an internet. And if someone has please show me. 
His crush on Donald is also endearing even if I don’t ship the two. And if your curious as to why it’s simple: Storkules is attracted to a version of Donald that no longer exists. Storkules craves a Donald whose a brave daring hero who loves adventure. And while still a brave hero when the situation calls for it as this episode will bare out.. he just.. dosen’t have the passion for adventure he did as a kid. While a LOT of that is loosing his sister for a decade, even once he makes peace with that and later gets her back... he just wants a normal life. His greatest wish was for one. He apparenlty “wishes for this every day”. He dosen’t hate adventuering anymore and by season 3 has come to terms with the fact he’ll never get everyone else to stop.. but I also think it’s always been obvious he clearly wants to one day. To have a normal life, settle down, find a girl, and if she wants to get married. Get old , fat and happy. I honestly think that’s the direction the finale’s heading in judging from the previews. I don’t think he’ll ever stop entirely, his family life’s too insane for that.. but he just dosen’t want to keep going forever and Stork, being an immortal hero does. They want diffrent things entirely and that just won’t work. Though that’s also JUST me and if you ship them or have a way around that, feel free. This is just my opinon. 
Anyways Donald’s not happy, the kids are confused  and Scrooge. has problesm bigger than simply not knowing how to say i’m not into you.... aka Zeus, king of the gods and of all assholes. He was originally supposed to be a swan due to a certian myth.. but they realized since that myth is both really fucked up and really not for children to not do that because why the fuck would you. Point is Zeus in myth is an asshole, a rapist, a cheating husband, and a vengeful, petty dick and that’s with barely any knowledge of Greek Myth on my part. He’s played by Micheal Chiklis whose famous for The Comissh and the Shield.. but whose famous to me for playing the ever loving Blue Eyed thing in the Tim Story Fantastic Four movies.. and honeslty, at least till marvel takes a crack at it soon, is the best screen version of the character. Look the film is flawed and I don’t remember a lot of it.. but his stuff in it just NAILS the character perfectly, at least the first one, and while the look is.. eh, he was the perfect casting. He just wasn’t in the right movie. So he’s naturally awesome here as history’s greatest douchebag. 
As for why Zeus is pissed at him unlike say Donald (The whole Spear of Selene fiasco) or Magica (Who while even worse than Zeus still lost her brother because of his callousness), or others he’s wronged.. Scrooge did absolutely nothing wrong here. During a beach party Storkules intiates, he reveals he used to be king of the beach and loved and worshipped by the people of ithaquack, which last time the adult ducks visited was a lovely hideaway for heroes. Scrooge naturally did a bunch of heroic and cool stuff, and upstaged him, and then bested him in various games and what not. Zeus claims they ran off because of this and because they didn’t want to party with a god bested by a mortal.. but scrooge reveals pottery showing it’s because Zeus threw a temper tantrum aka “a year long lightning storm”. So yeah for once all Scrooge did was just upstage someone who was already objectively horrible and who brought all of htis on himself. Scrooge even points it out perfectly “They didn’t leave because they liked me, they left because they didn’t like YOU. “ 
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Pissing off the god who already didn’t like you for stupid reason goes about how you’d expect and when Storkules tries to cool things down by suggesting a game, Zeus turns it into a contest. His son against Scrooge’s nephews. Because he uh dosen’t want to lower himself. Yeah that’s it, totally not that Scrooge would kick his ass and then fucking kick his ass. Yeah that’s the ticket. 
So our boys don Toga’s, and gear up for the first challenge: grabbing the bag of winds. In case you thought Spongebob just made that up. Zeus of course opens it so Donald can’t just leave, but Huey simply thinks his way out and wins , Zeus demands best 2/3 and we soon get a montage of various events from chariot racing to sculpture where we get our title picture, lest you thought I was kidding abotu Storkules obession with donald. I mean there’s subtextually having a character have a crush on another and then ther’es making a naked muscular statue of him. I.. I don’t even have a joke here. He made a naked muscular statue of Donald. The only way they could be less obvious without just coming outright and saying it was if hte statue was of hima nd storkules making out. And i’m 100% sure Frank, Matt and Dana, yes Dana Terrace was involved in this one i’m as unsurpised as you are, only didn’t do that because Disney said no. 
Zeus declares one final round because he’s tired of this..e ven though he CLEARLY won the last one while Donald once again tries to just leave and Storkules finally calls him on it wondering why he’s given up adventuring and wondering what della would say if she could see him like this, having just given up and not caring anymore about any of ths stuff.  “Well she can’t! Someone always gets hurt....”
And that one very sharp and painful line both outlines Donald’s arc here, and for the season, and makes it VERY clear why he retired and why I felt like he was already on his way and the spear of selene was simply the final straw. He gave up.. because he was just tired of it. Tired of being the one who got hurt.. and devistated when it wasn’t him that time. When he lost his sister for what he felt was NOTHING. Sure hte stars would be great but they’d done everything and gone everywhere..w asn’t.. wasn’t that enough/ Couldn’t they just be done? Couldn’t he just stop. The spear gave him an excuse to do what he always wanted, but it also caused him to harden up and view EVERYTHING about his old days of adventuring as bad when like most things i’ts not that simple., There were good times, sunshine, giant sized gay men obessing over you.. okay maybe the last part isn’t a plus in his book, but point is there was good and his arc is seeing that and realizing he can’t just cling to his pain. He has to let go so he can move on heathliy. 
As for said final challenge Zeus tasks the boys and Storkules with stealing the golden fleece from a little girl. While this is part of a whole scheme... he undereistmaed his son’s valour and Storkules is naturally sent spinning over having to steal from a child and is sent into a crisis. Louie however has no such qualms, as he is a children.. and he’s also louie.. but as he tries to the child starts singing. As Scrooge puts it “nothing good happens when creepy children start singing. “ Very true, it’s usually a sign freddy kruger’s about to show up or your  about to be taken by a miltiary orginzation obssed with The Doctor. 
The boys plug their ears.. and Zeus’ plan becomes horrifically clear. Turns out he had no real interest in an actual contest this time, and has the child take control of Storkules to murder them. And gives the doucheist shrug imaginable when his OWN SON IS BEGGING HIM NOT TO MAKE HIM MURDER SOME CHILDREN. 
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Scrooge naturally gets involved. Meanwhile Donald is trying to escape the lightning cage Zeus is using to make sure no one leaves... when he hears the boys cries of terror. He may hate this kind of thing.. but there’s one thing and only one thing that can make him snap back into who he used to be like it was yesterday. And that’s harming his boys. So Donald snaps into action and it’s a glory to see as Scrooge snaps back with him “Just like old times”. The two once again get a little closer to reconclisation by wrestling a golden pansexual to prevent him from brainwashdely murdering two children. God I love this show and this job. 
Huey however is more of the aim for the head sort and Louie simply uses his natural talent to talk the siren into working with him, with him as her agent. As he puts it Zeus just wants to use her.. he wants to use her too.. but to make them BOTH rich. She agrees, Louie wins, and Donald finally accepts storkules is his friend. Scrooge TRIES to use this to mend fences with Zeus.. but Zeus being a petulant dick wants another game and Scrooge simply throws a game of billiards or something like it to get this over with. 
So we get our wrapup. Dewey and Webby return, and Storkules and Donald say their goodbyes. Donald finally admits he’s his friend.. and in that one act finally admits he can’t just bury his past because parts of it are painful. And as Storkules puts it he may be done with adventure.. btu adventure’s not done with him. He’s got more of his old self in who he is now than he thought. Dewey also accidently wins and our family finds launchpad took the plane apart. There.. there’s no real ending. I can only assume Selene said knock this shit off when she found out or beakly later came in guns blazing. I don’t know. 
Final Thoughts: This episode is excellent. It has it’s fault: there’s no plot progression, and the ending is just stupid and is the only one of the series that feels like nothing was resolved. That being said.. the rest of the episode makes up for it. It’s filled with great gags as usual.. but the real meat is the character work. Dewey’s worries about his mom, and Donald’s attempt to literally leave his past behind, it’s really amazing stuff that elevates the episode past it’s flaws and into one fo the series best. Wheras revisting Other Bin reminded me it had a bad subplot that drug it down.. revisiting this one showed me just HOW near perfect it is with only a few things holding it back. Even with the dispaoitnment factor.. this one’s still excellent, with Ben, Kate and Tony all at the top of their games. Great stuff. 
Next Time on this Arc: Dewey has to face the future when the truth comes out. And Scrooge.. bitches with his dad for half the episode. Sure beats his dad sadly btu sweetly passing on to be with his wife huh?!
Next time on this blog: Amphibia time! Speaking of facing the consequences of lying to your family, Hop Pop’s FINALLY forced to face hiding the Box from Anne, and we also get an ivy episode. Super fuckin shooters. 
If you liked this review, consdier joining my patreon, link’s in the blog and next stretchgoal is a darkwing duck episode a month. Until the next rainbow it’s been a pleasure. 
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bluemoose86 · 3 years
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My Thoughts on Honerva’s Arc (S8 of Voltron: Legendary Defender)
SPOILER WARNING for Voltron: Legendary Defender, obviously. Also obligatory disclaimer: the following is solely my opinion and should be treated as such. I know there were several production problems that led to the show becoming what it is, but I am not informed on those issues and won’t be speculating on how they specifically influenced the show.
I’M GONNA SAY IT: Honerva’s arc could have been soooo interesting if the lead-in had been better instead of tacking it onto the end of the whole “beating the Galra Empire” mega-arc. Honestly, the end of season seven felt like the natural end of the series, and if they had changed a few things it could easily have been an open yet resolved ending. The main plot-line has been wrapped up because all the major Galra Empire villains from the show (apart from Honerva obviously) have been defeated, but there’s still a lot of work to do in order to completely free the universe. The show could have ended with the Paladins getting ready to re-launch and looking towards the future, which also opens up the possibility for spin-offs or even a sequel series. IMO, everything from season 8 (and the weird Altean Robeast attack at the very end of S7) would have been much better if it had been its own series. There could have been more focus on Honerva’s downfall, how she plotted to use the Altean colony just as her son did, all the details that felt rushed at the end. And they could have developed their sub-plots more, especially the Allurance (Allura x Lance) romance if that was the direction they wanted to take. Plus we could have seen a lot more of the side characters that never got a chance to shine! Shay, Romelle (my beloved), Axca and her place at the Garrison, the MFE pilots, etc etc. 
Anyways, back to my original point: Honerva’s arc had so much potential. Seeing her transform from this shadowy, almost faceless entity who only exists to support Zarkon to a spotlight antagonist in her own right is really interesting. Reclaiming her Altean heritage while simultaneously corrupting it? Being so desperate to regain everything she lost 10,000 years ago that she would do anything and everything to get it back? Seeing how her mindset has come full circle–a woman who loves her family more than anything–yet how it has changed and warped over the millennia? That’s some good shit right there. Honerva in the show might believe she has returned to her original state from 10,000 years ago, but if you compare them, you’ll notice how even though there are glimmers of the same person, they are exponentially different. It could have been such an interesting and nuanced take on her character and really expanded on the earlier themes of “good vs. evil” that we see early on in the show. 
Another interesting part of Honerva’s character is her interactions with the Alteans on Lotor’s colony. It’s clear that she only uses them as means to an end, since she uses them as a battery for her Robeasts and kills Luca as soon as she starts talking to Romelle (and I think she kills others as well). However, if this arc had been developed over a longer period of time (say a series?? or even a 26 episode season honestly), that relationship could have been much more complex. In S8E2, “Shadows,” the entire episode is devoted to flashbacks of Honerva’s life, ranging from Lotor’s childhood to the three years Voltron disappeared. In one of those flashbacks, Honerva appears at the Altean colony that Lotor created, announcing that she is his mother, that the Alteans are great and the Galra are horrible, and that Lotor and the fake sister colony have all been murdered by Voltron and now she must help them avenge their savior’s death. The Alteans agree and Honerva takes one of them, Merla, to Oriande. As the two overlook the magical palace thing that Lotor, Allura, and Honerva visited in order to gain their magic powers, the following exchange happens:
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The second image is could allude to a couple things, but one of the possibilities is that it’s referring to her own mindset–how she will do anything to bring Lotor back. She understands how Merla feels because she feels the same way. However small, and however brief, there’s a connection between them. And not just to Honerva and Merla, but to Honerva and all the Alteans because they (presumably) have the same feelings as Merla. It would have been interesting to explore how Honerva views the colonists. Does she relate to them on some level because they share a deep love for her son? She exalts Lotor the same way the colonists do, even referring to him as a god during the last Kral Zera in the show (and possibly ever). Or does she resent them? Does she harbor hatred for them because they loved and adored him when she could not? Because they spent all that time with him before she even had the chance?
Not to mention the fact that the colonists are Altean, the same as she is. In fact, there was a massive missed opportunity to explore Honerva’s views of her own culture. A major part of her arc is regaining her identity as an Altean and pride in her culture. She de-camoflauges herself, though only in private at first, she learns Altean alchemy, all the good things. And yet ... she destroys everything. She proclaims that Alteans are the best of all the races, that the Galrans are lower than scum and that Galran blood poisoned her son. Yet she goes on to manipulate and use her own people, killing them without hesitation in order to further her own plans. She destroys Oriande–or at least the statues–a place greatly revered by Alteans that she searched for her entire life. If she reveres her heritage as much as she believes, how can she turn around and destroy it the way she does, with seemingly no remorse? Add to that the fact that Lotor’s (supposed) aim for most of his adult life was preserving Altean culture. Imagine if the show had gone through with resurrecting Lotor, as it was hinted at. Assuming Lotor came back sane/with his full faculties and wasn’t being controlled by Honerva at all (which would be a long shot I know but hear me out), how would he feel knowing what his mother did? Maybe he wouldn’t care about the “using Alteans as batteries thing” since he basically did the same thing, but how would he feel about her defiling Oriande, even if she only destroyed part of it? Would it wake him up to the horrors of his ways–this person whom he despises doing the same things that he did? Probably not. But it’s interesting to think about.
I actually had more to say but the train has left the station on this topic, so I’ll just end it there. TL;DR: Honerva had so much potential and she, like pretty much every character in season 8, was robbed of her chance to shine. To everyone who made it to the end, thank you and I hope you enjoyed!
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twdmusicboxmystery · 4 years
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Hints of Beth and the CRM War in 5x09
So, after I re-watched 6x08 and 6x09, which I posted last week, I also decided to re-watch 5x09. I did so for various reasons, including a comment I received on an old theory. But mostly, I’d been wanting to rewatch this episode for a while. I had a hunch that there might be hints toward the CRM war in it that we couldn’t possibly have known about or recognized back in S5. I was not disappointed.
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Tyreese, Lizzie & Mica:
So, in this new comment I got, this commenter said she thought Ty was likening the twin boys to Lizzie and Mica. And I’m sure this has been discussed in some iteration, but I sat and thought about it in a way I hadn’t before. I know I’ve discussed that it seems, from the photos, that there seemed to be a “good” and “evil” twin, and obviously that has ties to Lizzie and Mica. But just think about it this way. Ty was obviously present for the Lizzie/Mica tragedy. Then, he’s killed by one of these twins as a walker.
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A random line from 5x04, 4 Walls and a Roof, came to my mind. After Abe and co get on the short bus to go to D.C., Ty is digging graves (for the Termites they killed) and Rick goes to help him. Rick asks him something about what happened on his way to Terminus or something like that (can’t remember the exact question) and Ty answers that what happened “killed me.” Rick, looking a little annoyed, says, “No, it didn’t.” And that’s it.
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 But it occurred to me that Ty’s line is a foreshadow. He was speaking about Lizzie and Mica, saying that their deaths killed him (emotionally) but it was a foreshadow that another set of siblings would actually kill him a few episodes later. I don’t have a whole lot more to say about this particular thing, though I’m going to talk more about Ty in a minute.  
The thing is, I really don’t think we understand the point of Lizzie and Mica, yet. We’ve had lots of theories, talked about how they impacted Carol, the ways in which they could be Beth proxies. But I don’t think we understand their significance in the grand scheme of things, and I’ve never quite known what to do with them symbolically. But given that they’re in Ty’s hallucination WITH BETH tells me we will probably figure it out when she returns.
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Hints of the CRM in 5x09:
Several years back (like during S6) I tried so hard to figure out what the radio messages in 5x09 pointed to, and couldn’t really come to any solid conclusion about them. Of course, back then we knew absolutely nothing of the helicopter people, so how could I?
We’ve definitely seen some of the things they talk about come to pass, both before and after this episode. They mention prisons (prison fell before this) and setting people on fire (Carol did that both in S9 and also to Karen and David in S4) and of course they mention machetes (Red Machete). All important symbols.
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But these messages also tell a story. Look at what they say:
“At least 68 citizens of the Republic have been killed in four deadly attacks along the main coastal district. The group has continued their campaign of random violence, moving across the countryside unfettered, with the Republic’s military forces in disarray.”
Okay, so I’m assuming the “republic” is the CRM. This suggests a different group performing guerilla warfare against them. Think about all the symbols these lines encompass. We have a group of rebels attacking the CRM, the COASTAL district, and of course the CRM itself. So it’s talking about some rebel group that will be fighting against the CRM.
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I think that’s super significant, especially because of the TWB template. Remember that we saw a group of rebels, perhaps led by Will, though it’s a little unclear as yet, who is Beth’s proxy in that template. And they’re outside the CRM and, presumably, because they saw the slaughter at the college, going to fight against it. So I’m seeing this as a huge hint for Beth’s return.
The other thing to bring into the mix here is the Wolves. Because all of this in 5x09 definitely foreshadowed the wolves, and it’s where we first saw their “WOLVES NOT FAR” signs. And where did we see TONS of Beth symbolism: around the wolves.
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Second message: “…then terrorizing the village by night, carrying out revenge attacks which include hacking innocents with machetes, and in some cases setting them on fire.”
Okay, so I get that this isn’t flattering for Beth or her group if she’s with the rebels, but it is really hard to know what they’re talking about here, since we don’t get the full sentence. The point is, these are acts of war, and even if this is talking about the rebel group doing this (and I think it probably is, given that wolves did all of these things a few episodes later in 6x02) it’s no worse than what we’ve already seen the CRM do.
But I can also see that if Beth is with or leading this group, this is a very Grady-like issue to be dealing with. Are we killing these people for the greater good, because the war needs to be won? You can see how Grady could easily have been a setup for what she’d be dealing with later on. And maybe she’s the “new sheriff” because she has to police her own people and not let them get too blood thirsty. Or maybe I’m reading into this WAY too much and the point is simply that there will be a violent war. ;D
There’s only one more message that comes out of the radio. So we had the first one, talking about the CRM war and a rebel group attacking the CRM. Then talk of wartime violence.
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The third message is Beth singing her song. That’s super on-the-nose, if you ask me. No more clear way to say that Beth will be part of the conflict the radio voice was just talking about. See why that made me happy?
Tyreese…Again:
I’m gonna make a sweeping claim, here. I think the themes around Ty’s death are pretty much the point of the entire series. Yes, I know that’s a tall order. Let me explain. It does tie heavily into Beth’s return, but it encompasses other things as well, and I think it’s a huge part of the current Negan/Maggie/forgiveness story line.
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So, when I first went to watch 5x09, I pulled up S5 on Amazon and it shows all the episodes, the first one, of course, being 5x01. And the little picture it had for that episode was Ty in the cabin with baby Judith. I sat and thought about that and that there’s the picture of a cabin in 5x09 that gets blood on it and it occurred to me that those two things are probably related.
So I watched 5x01 after watching 5x09. I’ll admit I didn’t see tons of smoking guns that haven’t already been discussed at length in 5x01. The biggest thing is simply that it was a setup for Ty’s death themes in 5x09, and I definitely need to revisit my cabin theories. ;D
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So, if we look at the people Ty hallucinated, there’s the Gov, Lizzie, Mica, Beth, Bob, and Martin, right? These are all obviously people and events Ty feels guilty about. Bob’s death, because he lied about Martin and that sent the Termites after them. He feels guilty about being duped by the Gov and not realizing what a bad guy he was. Lizzie and Mica for obvious reasons. And Beth.
I honestly don’t think Tyreese did anything to feel guilty about with Beth. Not in the same way we think Sasha might have (Sasha/Tyreese Theory). But based on what the Martin hallucination says, I think he’s just really broken up about it and wondering if he could have done anything to change it. Just my opinion, though.
So, if you listen carefully to who is saying what in the hallucination, we have two different representations of good and evil. There’s 1) Bob vs. Martin and 2) Beth/Lizzie/Mica vs. the Gov. In each case, they’re like good and evil angels sitting on Ty’s shoulder and they’re arguing.
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So, for example, Martin says the thing about Ty lying about his death and how, maybe somehow, if Bob hadn’t died, it would have changed things with Beth. Domino shit. And then Bob says [paraphrasing] “No, that’s bullshit. I got bit at the food bank. It went the way it had to. The way it was always going to.”
And we have the same thing going on with the Gov. He’ll basically tell Tyreese what an idiot he is, and then one of the three (Beth/Lizzie/Mica) will say, “No. It’s all right. It’s better now.”
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So, you can see that Ty is really at war with himself internally.
It’s important to note that one big thing that’s mentioned is that he forgave Carol for Karen’s death. The Gov actually says that Ty is weak and ridiculous because he sat across the table from a woman that murdered someone he loved, and he actually forgave her. The Gov really razzed him about that.
And this is one of the things I mean about over-arching themes. Carol killed Karen and David in S4, which we all know was one great big foreshadow of arcs to come, and Ty forgave her.
I really think this was probably meant to be a foreshadow of Negan. Negan’s story, killing Glenn, was a way bigger deal and way more front and center, mostly because no one really knew Karen except for an episode or two and Glenn was such a beloved character.
Now, we have this redemption arc for Negan and Maggie is going to have to decide if she’ll forgive him, moving forward. We could apply this to plenty of other story lines where Rick took the violent route or forgiveness wasn’t had, and it leads to trouble and death. So, I think this is pretty huge for the overall show.
And I really think it points to Negan doing something to save TF in some way. Because they forgive him and he’s allowed to live, that will save lives. We’ve talked about this with Daryl showing Dwight mercy as well.
My Biggest Beth Takeaway:
As the episode progresses, before Rick and Michonne come to get him, Tyreese does finally stand up to the Governor. He says that the Gov was a bad guy, and that wasn’t his (Ty’s) fault. He says what he talked about with Noah: that he never turned off the radio. He always faced it, and did what he could to help. He said he forgave Carol specifically because “it’s not over.” Which I take to mean that he has hope for the world’s future, and forgiveness is the only way forward. Being angry and holding a grudge only brings death.
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And then he said the thing that jumped out at me most: 
“People like me CAN live.”
Okay, so what does he mean by ‘people like me?’ Because obviously Ty didn’t live, so this doesn’t apply to him directly. Or if it does, he means that he’ll die, but people like him CAN live under some circumstances.
To figure this out, we have to go back to his cabin in 5x01. During that entire scene in No Sanctuary, Martin was giving him crap about being a “good” guy. Ty answers, “you don’t know what I’ve done.” And Martin looks at baby Judith and says, “no, you’re a good guy. You save babies. That’s a little like saving an anchor when you’re without a boat in the middle of the ocean.” (Total boat/water reference.)
So, when Ty says “people like me,” he means those who choose to be good. Who choose to be hopeful and moral, rather than violent. There’s a long-running theme in the show that Chris Hardwick mentions a lot, that people who function as the moral compass of the group often die. And that’s true.
But here, Ty says, “people like me” (meaning the moral compasses) CAN live.
And Beth is in the room with him when he says that.
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She’s looking at the clock radio that simultaneously reads 5:10 (music box) and also 8:22 (Resurrection).
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The skeptic might argue that all these other people are in the room too, and how can we be sure he means her? Well, putting all the mountains of TD evidence aside, they do have a point. After all, all the “good” characters Ty hallucinates (Bob, Beth, Mica) are moral compasses and fit the criteria. There are plenty of others not represented here (Hershel, Dale, Glenn, Denise, even Abraham to an extent) but these are the ones Ty felt particularly guilty about.
But I would argue that we only heard one person’s voice come through the radio: Beth’s.
So once again, look at this from a bird’s eye view. Talk of the CRM and a coming war. Then Beth’s voice comes through that same radio, suggesting she’ll be part of it. And later on, “people like me CAN live.”
See what I mean? As I told my fellow theorists, this episode really had all we needed to predict Beth’s return. We just couldn’t have understood the meanings back then.
And honestly, this may be the explanation for the Lizzie/Mica thing I mentioned above. It’s a representation of the evil killing the good, which is super traumatizing and messes everyone up because as humans, we’re hard-wired to believe good will win out.
So, we had Lizzie/Mica, Noah’s brothers, and then the good vs evil hallucinations I already talked about. And we might even have a representation of this at Grady because of evil officer Bob.
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We had good Bob who died in 5x04, and then Evil Officer Bob, who directly led to them only having two prisoners, which directly led to Beth getting shot. And I remember when it aired, the show brought a lot of attention to it by doing clickbait articles about why there were “two Bobs.”
So, it’s something they wanted us to notice. And then we see Bob in Ty’s hallucination here. I gotta think that Sasha and Ty’s sibling relationship plays into this in some way as well.
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Okay, I’ll shut up, now. But re-watching this gave me tons of hope. We can’t say for sure that we’ll see her in the bonus episodes (though obviously I hope we will) but I’m more sure than ever that she’ll be part of the CRM war. And we’re kind of on the cusp of that. We just have to sit back and wait. ;D
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ryqoshay · 3 years
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Tri-Arame: Sleepover Night
Primary Pairing Trio: YuuAyuSetsu Words: ~3k Rating: G Time Frame: During their 2nd year in high school Story Arc: Stand Alone
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Author’s Note: My µ’s muse is rebelling against the drama I’m trying to write for my PTX set. So here’s some more fluff.
Summary: Setsuna took a rain check on watching the anime series that inspired her Koppe Pan order back in Ne, Wanna Bite? Now it’s time to cash in.
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“Uhm, Okaasan?” Nana asked trying to keep the nervousness out of her voice.
Why had she waited until the last possible minute to ask permission? What if she was denied? She’d have to cancel the plans to which she had looked forward all week.
“Yes, Nana?” Mrs. Nakagawa replied, looking up from her paperwork.
“Would it be alright if I stayed at a friend’s place tonight?”
“Oh? Someone from the student council?”
“No, a friend associated with the student council who is assisting with a project.” Nana explained. “There is a lot of preparation work that still needs to be done and I wasn’t the only one busy with tests this week.”
It wasn’t a complete lie. Ayumu had indeed helped her with student council work several times. So had Yuu, for that matter, as well as several other members of the idol club. Usually, their aid was reasoned away by them simply wishing to assist a friend, as well as allow her to more easily participate in club activities. This often led to her wondering if they knew how much their help was truly appreciated.
As for the mentioned project… Well, the club did have a Live coming up. And a member of the student council was participating. Granted that member was her, but…
“I see.” Mrs. Nakagawa nodded. “Very well then.”
Excitement bubbled up within Nana, but she quashed most of it, offering only a polite smile. “Thank you, Okaasan.”
Her mother offered a similar smile in return. “Have fun tonight.”
“I will.” Nana said before turning and heading to her room to pack.
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Setsuna was giddy with excitement as she undid her braids on the train. Her first sleepover with friends!
It wasn’t her first time visiting a friend’s home, but she hadn’t even done that in years. She had lost track of her childhood friends over the years, due in no small part to increasing expectations from her parents as she advanced in grades. The ban on her favored pastimes had been the final blow as she had to sneak around to continue to indulge, and that was best done alone.
Then she joined the student council and managed to become its president. Suddenly she had an excuse to stay out later or even just be out on weekends. She hated having to lie to her parents and did strive to be as truthful as possible, though she knew full well that a lie by omission was still a lie. But that had become her only way to become a school idol, to join the new club, to shop for manga and doujin and to hang out with friends.
And to spend time with those two.
Ayumu and Yuu had quickly become her closest friends after she joined the idol club. They had graciously given her an outlet through which to focus much of her enthusiasm for her hobbies. And this weekend they had agreed to marathon one of her favorite anime series with her. For the second time, Setsuna would be able have an actual conversation with friends about a beloved story, instead of just a one-sided explanation; the first being earlier that week as the three hung out together and purchased the latest book of Heavenly Life.
And she couldn’t wait.
Honestly, the train couldn’t arrive at the station quickly enough. And Setsuna knew she would have to resist the urge to run to the apartment complex where Ayumu and Yuu lived. For the sooner she arrived, the sooner they could start watching. And the sooner they finished the series, the sooner they could start talking about it.
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“Ah, Nakagawa-san.” Mrs. Uehara said upon opening the door. “Welcome. My daughters said you would be coming.”
“Daughters?” Setsuna couldn’t help repeating. Did Ayumu have a sister?
Mrs. Uehara chuckled. “I’m sorry.” She said shaking her head. “It’s a bit of a habit of mine. But Yuu is over here so often that she’s pretty much family at this point.”
A tiny flash of envy shot through Setsuna. How nice to be so close to someone. And not just them, but their family as well. Perhaps someday she could be that close to someone, or someones…? as well.
“Ah, pardon me.” Ayumu’s mother said after a slightly awkward moment. “Come in. Come in.” She opened the door fully and ushered Setsuna inside, introducing herself along the way. “Forgive my asking, but do you prefer to go by Nakagawa-san or Yuki-san?”
“Oh, uhm, actually,” She calls Yuu-san by her name, so maybe “Setsuna is fine.”
Mrs. Uehara smiled. “Setsuna it is then. I’ll go tell my daughters you’re here.” She laughed lightly again at her joke before taking a couple steps toward the hall. “Ayumu! Yuu! Setsuna is here!”
Before Setsuna could even finish removing her shoes, a twintailed girl was scampering around the corner.
“Setsuna-chan!” Yuu greeting joyously.
“I’m glad you could make it, Setsuna-chan.” Ayumu added, following at a more modest pace.
“I’ll have dinner ready soon.” Mrs. Uehara said, moving toward the kitchen. “I’ll send your father to fetch you once he’s home from work, Ayumu.”
“Thank you, Mama.” Ayumu replied.
“Thanks, Ayumama!” Yuu added, earning a blush from Ayumu and a chuckle from Mrs. Uehara. “C’mon, let’s go.” Yuu then said, grabbing both Ayumu and Setsuna’s hands before leading them down the hall.
Yuu opened a door, pulled the other two inside and…
Pink.
That was the first thought that came to Setsuna’s mind upon entering Ayumu’s room. The walls were pink. The clock and lamp on the headboard were pink. Pink curtains framed the balcony door, pink cloth decorated the shelves on the wall and a pink blanket covered something under said shelves. And what wasn’t pink was still some other light, fluffy pastel color. It was all… very Ayumu. Yes, that was the best description Setsuna could think up based on what she knew about her friend.
But beyond the cute colors, it was also very comfy, soft and warm. And welcoming. Setsuna immediately felt at home in the room.
Then her eye caught something. Or rather, a lot of somethings.
“They’re so cute…” She said, finding herself drawn to a display of plush animals.
“I know, right?” Yuu was the one to respond. “Ayumu wanted to pack them away because she thought they were too childish.”
“Y-Yuu-chan…” Ayumu protested.
“I should show you my collection sometime.” Setsuna said, resisting the urge to grab several animals and hug them, as she did not yet have such permission. “I have Kirara, Kyubey, Tamago Onsen, Dera Michimazzi, Kuroneko-sama, Sakamoto, Taroumaru, Ryo-Ohki…
Yuu started to chuckle. “Aren’t those all anime animals?”
“Yes.” Setsuna affirmed with a nod.
“I thought your parents forbid anime? I mean that’s why we’re having the marathon here, right?”
“Oh, uhm… my parents… don’t know they’re all from anime…” Setsuna admitted. “I haven’t told them, and they don’t seem to have looked into things online or anything. Posters, figures, and the like would be too obvious, so they’re the only merchandise I can display openly; I can pass them off as just being cute plushies.”
“Ah, I see.”
“And they’re not all from anime. I have Toothless as well.”
Yuu grinned. “A good choice.” She declared.
“Anyway, these are really cute too, Ayumu-san.” Setsuna turned her attention to the redhead.
“Thank you.” Ayumu replied. “You can touch them if you want, Setsuna-chan.” She added with an amused tone in her voice.
Was my desire that obvious? Setsuna wondered to herself. How embarrassing…
Setsuna swallowed down a blush and offered a smile instead. “Thank you.” She said, reaching for a pink rabbit to inspect. A pink bear had also caught her eye, but the rabbit seemed so Ayumu-like that she couldn’t help picking it over the others. It really was very cute, and she could easily tell why Ayumu liked it.
I wonder if there is one like Yuu-san here… Setsuna thought to herself as she continued to investigate the display.
“So, should we get a couple episodes in before dinner?” Yuu suggested.
“Yes.” Setsuna agreed enthusiastically, her attention reverting back to the original reason she was visiting.
“What site is the show on?” The twintailed girl asked as she sat down on a green pillow and opening what Setsuna assumed to be Ayumu’s laptop. “My parents have several accounts, so if its on one of them, I can sign in to it.”
“Actually, the series is old enough to be on the free sites.” Setsuna explained, choosing the blue pillow, and leaving the pink one for Ayumu.
“Oh, alright, uhm… here.” Yuu slid the computer over.
Setsuna started typing in the address, though as she did, she noticed both Yuu and Ayumu moving their pillows to either side of her. “Hm?” She hummed quizzically as they sat down.
“Since this is one of Setsuna-chan’s favorite series, she should have the best view of the screen.” Yuu answered before she could actually give voice to her question.
“But I’ve already seen it…” Setsuna rebutted.
“Setsuna-chan is also our guest and should have the best seat.” Ayumu added.
“Oh, uhm… alright.” Setsuna conceded. “Will we all fit?” She noted the tiny table did not have room on any one side for three people.
“It’s fine if we do this.” Yuu scooted in until her shoulder touched Setsuna’s.
So close… Eh? As Setsuna’s focus was on Yuu, Ayumu slid in from the other side, though not quite close enough to touch like Yuu. Setsuna wondered how red her face was as she quickly typed the title of the anime and found the first episode.
Setsuna was very much not used to watching anime like this. For so long she had watched alone, hiding from her parents and anyone she worried might not keep her secret. But this was simultaneously comforting and distracting.
Distractingly comfortable… Was that even a thing? While most of Setsuna wanted to pay attention to the anime on screen as the opening title began, there was no denying the part that wanted to focus on the surprisingly soothing warmth radiating from her two friends. She had only sat this way with her parents as a child, and the frequency had decreased dramatically as she grew older and her parents became busier with work.
As Setsuna felt her heartrate start to return to normal and the heat dissipate from her cheeks, she started to settle into the idea that this was a nice arrangement. She could get used to watching anime like this. She could probably even get used to Ayumu leaning in closer.
Yuu giggled, bringing Setsuna’s attention back to reality.
Ah yes, the protagonist’s introduction. Definitely a humorous moment, but there were funnier scenes yet to come, even in the first episode. What would Yuu think of those? Well, they did intend to talk about everything afterward, so perhaps she should just enjoy the show for now.
Setsuna relaxed and turned the entirety of her focus on the anime.
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Setsuna startled at the sound of knocking on the door. She turned her head to see said door open and a man she assumed to be Ayumu’s father poked his head into the room.
“Ayumu?” Mr. Uehara spoke. “Your mother sent me to say that dinner is ready.”
“Thank you, Papa.” Ayumu responded, starting to get up.
The man’s gaze shifted. “Hey, Yuu.” He greeted with a smile. “And… Setsuna, was it?”
“Yes.” Setsuna replied, getting up as well before bowing. “It is a pleasure to meet you. Thank you for having me tonight.”
“The pleasure is ours.” Mr. Uehara’s smile grew. “Ayumu and Yuu have told us a lot about you. It is nice to finally meet you.”
Ayumu-san and Yuu-san talked about me? Setsuna hoped it had been at least more good than bad, though judging by both Ayumu’s parents’ actions towards her thus far, that had been the case. And that realization caused warmth to spread through Setsuna’s chest.
Setsuna couldn’t help smiling as well as she followed the other three out to the Uehara dining room.
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The notification chime sounded on Setsuna’s phone as she got out of the bathtub. She padded one hand dry on her towel and unlocked the screen to find a message from Rina. The first-year was inviting the school idol club second-years to join a game she was playing. Well, except Ai, though Setsuna assumed she was already playing. She tapped the link so the app could download as she dried off, deciding the game might make for a fun activity to pass the time while Yuu and Ayumu took their turns bathing.
A few minutes later, Setsuna padded down the hall back to Ayumu’s room, already fully engrossed in the game’s tutorial.
“Yuu-san, Ayumu-san, this game… oh…” Setsuna cut off as the other two girls looked up from their own devices.
“It’s fun, isn’t it?” Yuu grinned as she set down her phone and stood before heading toward the door.
Ayumu had also put down her phone and traded it for a hair drier. “Come have a seat, Setsuna-chan.” She motioned to the pillow she was in the process of vacating before kneeling behind it. “I’ll dry your hair for you.”
“Oh, I can do that myself.” Setsuna declined. “Thank you for the offer though, Ayumu-san.”
“Are you sure?” Ayumu seemed confused and… disappointed? “I’d be happy to do it for you, Setsuna-chan.
“Ayumu just wants an excuse to play with your hair, Setsuna-chan.” Yuu chuckled.
Setsuna startled. She hadn’t realized Yuu was still in the room, apparently having stopped to watch. In response to the teasing, Ayumu’s cheeks flushed and Setsuna imagined her own were close to matching.
Although, why was she declining anyway? Memories of the braided bun lesson from earlier that week were still fresh in Setsuna’s mind had certainly caused her to want to accept, and yet she hadn’t. But accepting wasn’t forcing those desires on Ayumu or inconveniencing her or the like. Ayumu had made the offer.
“A-Alright…” Setsuna said after an awkward moment before taking a seat in front of Ayumu.
“Back in a few.” Yuu tossed over her shoulder as she left to head to the bath.
Ayumu flipped on the hairdryer and began running her fingers through Setsuna’s hair to spread out the strands for easier drying.
For her part, Setsuna was just about to relax into the session, when her phone pinged. She checked the screen to find Rina had sent an in-game gift. She accepted excitedly and began to play again.
“Uhm… Setsuna-chan.” Ayumu said after a moment. “I don’t mind if you play, but can you stop moving around while you do?”
“Oh… uhm… Sorry, Ayumu-san…” Setsuna replied, chastising herself for being rude while her host provided a wonderful service. Still, it would also be rude not to use Rina’s gift to the fullest, so she resumed her game, but made sure to remain still for Ayumu.
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Setsuna stared up at the ceiling, laying on her back on one of Ayumu’s guest futons. As sleepy as she felt, she was still buzzing a bit with lingering excitement from the events of the night. The three of them had successfully powered through the entire season with a few breaks for snacks and stretching before spending the next couple hours talking about the story. It was well past midnight, but it was the weekend so they could sleep in late in the morning before having a late breakfast, or early lunch, before Setsuna would head home to study.
Or perhaps… maybe she could study here? She had brought her books, even though she didn’t really expect to use them. And she really liked the welcoming atmosphere of Ayumu’s room, though really her apartment and family as a whole, if she was being honest. However, she didn’t want to impose by overstaying her welcome, and she certainly wasn’t going to just invite herself to stay. Still, it was a nice idea. Perhaps someday…
“Yuu-chan?” Setsuna heard Ayumu murmur, distracting her from her thoughts.
She heard the mattress shift and turned her head to see Yuu’s silhouette sliding under the duvet. She couldn’t quite understand Yuu’s response, but both girls in the bed fell silent after.
Strange. While it didn’t surprise Setsuna that a dating couple would share a bed, she couldn’t help wondering why Ayumu would bother setting out a guest futon for Yuu. Or question Yuu joining her.
Perhaps they were hiding the fact that they were dating and setting out the futon was a visual prop to convince Ayumu’s parents? No, that didn’t seem right. Neither Ayumu nor Yuu seemed the type to hide much, if anything, from their parents. Unlike Setsuna herself… Also, if Yuu’s parents were anything like Ayumu’s, Setsuna believed they wouldn’t have much of an issue with their daughters dating. The Ueharas already considered Yuu part of their family after all.
Were they, perhaps, not actually dating? That would explain Ayumu’s protest. And knowing Yuu’s casual approach to personal space, it wouldn’t surprise Setsuna in the least if she just did as she pleased. And Ayumu would let her. Still, that didn’t seem quite right either. Setsuna was fairly certain they were a couple. Their close bond was obvious to anyone who spent more than five minutes with them.
In any case, whether they were dating or not really wasn’t any of Setsuna’s business. So perhaps pondering the possibilities was inappropriate.
What was far more worth her mental energy was focusing on memories of how much fun she had this evening. For the first time, she had been able to not only watch anime together with friends, but also talk about it with them. All in person. Not over the internet. She had shared a meal with her friends’ family and gotten to know them a little. Setsuna couldn’t remember the last time she had gone to bed feeling so welcomed, accepted and… loved? Was that the right word?
Surely, she didn’t mean to imply that she went to bed at home feeling unloved. She knew her parents loved her, even if their way of showing that love was apparently very different than Ayumu’s parents. But even having only been in the Uehara home for not even half a day, she felt loved here. They were all so kind and Setsuna hoped she could come back and experience it all again.
Setsuna closed her eyes, allowing her mind to begin yet another replay of the day. Sleep would come eventually, but right now she was content just being this happy.
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Author’s Notes Continued in Followup Post
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dlamp-dictator · 4 years
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Allen X Rambles about Chapter 7
“I hope Episode 7 is focused on only 2 or three characters with little distraction... Amiya maybe finding out that Ch’en is slowly becoming Infected and helping her come to terms with that. Ch’en revealing her past to Amiya and the two connecting over losing so many close to them due to Oripathy. The two standing up to the political corruption of Lungmen, shoulder to shoulder, as women that refuse to see another life lost due to the indifference of a city’s politics.”
-Allen X, October 2nd, 2020, Rambling about Chapter 6
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Man... I’m starting to believe it when they say Arknight’s story mode is longer than the Harry Potter series. Things are getting crazy in Chapter 7 and crazy-long to in terms of length. This chapter really had me on the edge of my seat as I read through it and as I played through because 7-16 and 7-18 were a bitch to get through that require some of the most precise timing I’ve seen in this game yet. That aside, I enjoyed a lot what I read and experienced.
And I wanted to talk about it a bit.
But first, as always, a synopsis.
Coming off the heels of Frostnova’s death and the realization of Wei Yenwu’s purging of the Lungmen slums, tensions are high and trust has been fractured between Rhodes Island and Lungmen. However, in the midst of Ch’en hot temper and Amiya’s cool head, Reunion is plans to send the Russian Ursusian   city of Chernobog on a collision course with Hong Kong Lungmen, giving Ursus a cause to make war against Lungmen and its great region of Tawain China Yen. However, through some rather amazing political maneuvering and passionate words by Wei Yenwu’s wife Fumizuki, Rhodes Island agrees to mobilize in order to save Lungmen, the Infected, and the beloved daughter of Lungmen, Ch’en. But beyond Chernobog lies Patriot, Reunions greatest commander next to Talulah herself, who’s rage toward his daughter’s death is only matched by his disciplined mind and even more disciplined soldiers. It’s a fight to the center of the Chernobog to save as many lives as possible, even at the cost of this great general’s life.
An Addendum to 7-18
So between my venting about 7-18 when I talked about some fun Arknight’s lore a handful of people wanted to give me some advice on how to conquer that stage. Admittedly that venting was said out of anger and was much more acidic in tone than my usual essays and opinion pieces. I have since beaten that stage and I can give some of my thoughts on this advice. Some of it was helpful... some of it.
“AmIyA cAn TaNk PaTrIoT’s SpEaR tOsS!”
This is technically true and I was technically wrong. When Amiya’s S3 is active she gained increased Max HP and can in fact survive with a sliver of health. However, Amiya’s S3 takes quite a long time to charge even with her talent, and unless someone is actively blocking Patriot her can honestly spam his spear through for how long it takes Amiya to get prepped for her S3. This is more of an issue of Amiya’s balancing than with the game, but I’ll talk about that later.
“jUsT sTaLl PaTrIoT tO kEeP hIm FrOm UsInG tHe SpEaR tOsS!”
This would be pretty viable advice if Patriot didn’t one-shot my units. Yes, defenders like Cuora, Nian, Hoshigumi, and even tankier vanguards like Zima and Siege can tank at least one hit from Patriot without dying, meaning a squad of healers can just focus-fire on them while they do chip damage to Patriot and stall him out. However, Patriot’s phase 2 has him do constant damage to nearby units with his aura ability, so if he can get lucky enough, he take someone down to a sliver and let his poison damage finish off your staller before they get a chance to be healed. That strategy needs luck and some damn smart unit placement. Neither of which I honestly have.
“uSe SpEcTeR aNd DeBuFfErS!”
Again, this is also a pretty good strategy. Specter’s S2 makes her immortal for a limited time and pairing that with healers like Breeze and Celycon who reduce stun damage isn’t a bad idea. Characters that ignore or lower defense like Pramanix, Shamare, and Meteor are also good. This doesn’t work for me however since I only have Pram and the other debuffers are way too underleveled and not on my priority at the moment, and E2-ing units this late in the game just to take out one boss feels like madness.
“f12 CaN dOdGe ThE sPeAr ToSs!”
F12, W, Jessica, and FEater have a dodge chance. Their dodges are not guarantees. Yes, Patriot will target the ranged operator furthest from him and there are range tiles pretty close to his spawn point for that purpose. However, some of those operators have some pretty damn expensive DP costs and waste that on a chance to survive isn’t worth.And feeding Patriot ranged units that take over 30 seconds to redeploy is a waste of DP in general. And those either dodge chances aren’t viable. Them surviving isn’t a strategy, it’s a fluke, and you can’t depend on flukes in auto-deployment.
“Allen, you’re being kind of an asshole to what’s actually sound advice.”
Yes, I am. 
I don’t care. 
7-18 does things to a person, man. That stage breaks people. I lost sanity IRL just doing that stage or 20 times with a guide... dear lord this stage.
Anyway, moving on.
Story Notes
My, this story sure was thick, wasn’t it? It’s been while since I’ve been on a ride that wild. And this time around I don’t have any small issues to bring up. All the characters felt in character without breaking my suspension of disbelief. There weren’t multiple character arcs going on at once. And I even tolerated Kal’tsit berating the Doctor for reasons beyond his understand since she wasn’t discussing too many things that were above my head as the player.
No... I only have big issues. 
But before that, I wanted to hit on some actual important notes that were very good and smartly written.
Rosmontis and Child Soldiers
This was probably the biggest takeaway for me. I know the Arknights community likes to poke a lot of fun about the child soldier thing and how Kal’tsit is harboring slave children, but... man, it makes so much since now.
These kids aren’t just kids, they’re all infected people with some rather scary abilities. Popukar has a history of mental instability coupled with monstrous strength. Ifrit has powers she can just barely keep under control and could set Rhodes Island ablaze at any point. Frostleaf and GreyThroat are deeply traumatized from their past. The Ursus Self Government are full of kids with hatred, resentment, and fear of both the world and themselves. The list goes on, but the fact is that these kids all either have abilities that would be a danger to themselves and others if they aren’t trained, or have emotional hang-ups that might very well have them lash out at innocent people if not put on a leash. Wouldn’t it be better to at least give them some training and let them hack and blast away at the actual bad guys? Wouldn’t it be better to at least make them a weapon for some kind of greater good? And would anyone else really treat these broken, powerful children as anything but weapons and warriors anyway?
I know this is about chapter 7, but I remember in Children of Ursus Rosa asked Zima why she fought, and Zima casually answered that she just liked fighting. It’d be far better to have someone with that mindset working for an organization like Rhodes Island than ending up in Ursus’s fold and blindly hacking at something she shouldn’t. 
And I think it’s important to remind everyone that Amiya is the head of Rhodes Island and not Kal’tsit. She’s a big part of the organization, but it’s the bunny in charge. And the bunny that is herself close to a living nuke and is also has empathetic superpowers understands this probably better than anyone else, which is why she okays it. 
Patriot and Reunion
As much as I despise, and I do mean despise, how cagey this series can be with it’s portrayal of Reunion’s morality I can understand why a lot of its members can see the group as being just. Patriot is a warrior of such renown and praise, and Talulah has so much charisma and power that I can see the group overlooking characters like Mephisto and W when the other two do so much for their members and general people. The Guerillas under Patriot behave like soldiers. They don’t rampage, loot, pillage, or harm everyone in sight, only those that halt, stagnant, and harm the infect. Talulah has a charisma about her and attracts people, and seems to come from some sort of royal/noble line to match. And while Faust wasn’t mentioned much in this chapter, he was a soldier that started at the bottom, worked his way to the top, and made sure to play by rules that kept his moral high ground. Mephisto seems to be the only outliner here for some baffling reason.
But... there are some major issues with this story. I hint at them every time I talk about Arknights’ story, but I’ll go into depth here. And I’ll present these two issues I have in the form of a two question:
Who is the Doctor?
I don’t mean this the sense of the story, but what is his function as a character? Is he a self-insert for the player, or his own character to be explored and examined?
And either answer, to me, is wrong. 
The Doctor Isn’t a Self-Insert
It’s straight up impossible for the Doctor to be a self-insert character. Most self-inserts are blank enough to let us place our own personality onto them and the situations their in the choices they make are meant to be more or less choices we’d make or at least a general audience could make barring some specifics. Their personalities tend to be blank or at least bland to let us, the players, live through them and project our personalities onto them.
The Doctor isn’t this. 
There are too many moment where our choices are clearly pointing to one conclusion and most choices, though varied, give a clear idea that the Doctor is someone that care about the operators’ wellbeing deeply and hates seeing them used, abused, or manipulated. They are strategist and commander, but they have enough humanity to not see people as tools. They are passionate when they see other operators and especially Amiya in harms way and tries to come up with strategies to minimize lost and causalities. Awhile we, the player, feel the same in this regard the Doctor has dialogue that feels more conversational and toward specific directions than what a player would likely want and gives us some bits and piece about what they’re actually like. 
The Doctor hates Kal’tsit and wants little to do with her, only tolerating her presence as much as she is with the Doctor. The Doctor is a bit of a bleeding heart that doesn’t fully grasp that they are constantly in a warzone despite their strategic competency. The Doctor has an extremely weird diet and eating style, devouring live animals and ingesting foods that would probably need to be probably mixed and brewed before consumption. The Doctor still sees Amiya as a child despite her mature nature. 
The list goes on, but there’s enough there for me to say the Doctor is more like Hakuno Kishinami of the Fate/Extra series, a character that seems like a self-insert but has a number of traits and character tics that keep them from fulfill that role. However Fate/Extra, for all I have against it, makes Hakuno work by giving them their own internal thoughts outside of the player’s actions that explain their dialogue choices and actions outside of the player’s control. The Doctor doesn’t, so them being a self-insert feels really weak and irritating when the dots stop connecting.
But despite this...
The Doctor Isn’t Their Own Character
Too much of what the Doctor does is passive. For a clear as their personality is, at least to me, they don’t have much agency in the plot. Not enough for me to call them their own character at least. They commander the battlefield, but they don’t have a place on it. They don’t have much reason to interact with characters like Patriot and Talulah unless its on the metaphorical and literal chessboard we’re playing on. 
Every time the Doctor says something that advances the plot in some way I feel like it could be said by another character and work better. Amiya trying talk down Patriot and explain that Frostnova fought bravely did not need the Doctor’s interjections, especially when Patriot shoots them down in the same manner. In chapter 6, being trap with Frostnova would had worked much better with Amiya since that chapter was giving them parallels anyway. The only thing that really works is the Doctor trying to call out Kal’tsit for her treatment of Rosmontis as a soldier despite her age, as that’s only something that someone who didn’t have the full context could do. 
But... Jessica, Frostleaf, Frostnova, Melantha and several other Operators are young teenagers and even children. Specter and Lappland are clearly just as mentally damaged and still going into battles. The Doctor knows the kinds of people that fight for Rhodes Island, so isn’t this just another young fighter like Popukar and Suzuran? Hell, in chapter 6 we canonically had Beagle and Fang in a stage where they had to fight and tank Faust, why is the Doctor so surprised that someone like Rosmontis exist and works for Rhodes Island?
See? 
See how trying to give this character separation from being a self-insert and actively slot them in the active story does more harm than good? 
I think games like Girls Frontline and Honkai Impact 3rd do this better, where the player character is clearly more behind the scenes and is only a passing influence, if any.
But that leads me to my next question, which is...
Who is Amiya?
Amiya falls into the trope of being a cute anime girl with a mysterious past and dangerous powers. More accurately, she has a mysterious past and powers to the player, but everyone in Amiya’s inner circle seems to have a clue about it. I don’t mind this being a mystery, but... when our main character’s plot revolves around things the player doesn’t know, it’s curious at best, and infuriating at worse. 
Folks, I’m not someone that looks to theory-crafting. I’m not someone that reads every scrap of dialogue in this game to find out more about its lore. The lore, to me, is just fun and interesting. I honestly do not have the time and energy to spend on making theories and predictions that could be wrong and a waste of mental energy. However, with all this stuff about the King of Fiends just feels like a waste of time, or at least a last minute addition to something I could had been added properly in Chapter 8.
A lot of it feels like you had to know about the Darknight Memoir side story to really get a feel for what’s going on. The Sarkaz civil war, Theresa, W’s role back when Rhodes Island was Babel, a lot of things that don’t come up in the main storyline. Especially with that bombshell about the Doctor maybe killing Theresa. 
I don’t like it when a story expects me to have read the spinoff to understand the mainline story. This is why I don’t like the Dragon Age series and I’m really getting annoyed with Arknights right now.
This bombshell of the King of Fiends also kind of sours a bit of Amiya’s character as this young child who rose through the ranks of Rhodes Island as a charismatic leader being able to steel optimism with the reality of war to forge ahead as a proper leader through her abilities as both a commander and an empath. Instead it’s beginning to come across that her skills as a leader comes from something more supernatural, or at least something more forced than "small child is a good leader and can lead an army,” which is surprisingly more believable and nuanced given how seriously the series takes Amiya’s character. 
That said, I recognize this criticism is more my wish of what was rather than an issue of what is. I completely understand that essentially wishing for my own fanfic and limited fan theories to come true isn’t a sound criticism, but it's a criticism I have regardless.
But moving on, there’s one more issue that bugs me.
W’s Importance
I’ll keep this brief since I already discussed my bigger issues of the story and this is an admittedly small portion of the story:
W wasn’t utilized much in this story despite being a main feature of it in the promotional material. She has a pretty lengthy intro, disappears from the story for most of it, then reappears at the last bits of chapter 7 to make mean looks at Kal’tsit and the Doctor before being literally shoved offscreen again. I’ve already discussed my issues with the Doctor’s agency so I won’t bother here.
W’s banner should had been during Darknight Memoir, it just makes more sense given she was the feature character of it and her high physical damage would had been a goodsend among all the arts-resistant Sarkaz units of that series of chokepoint-heavy maps, similar to Weedy’s inclusion her is helpful as a lot of these maps could use a good pusher, especially 7-16.
Speaking of, Weedy, the other operator on this limited banner, has no presence in the story at all. Need I remind you in the last limited banner Aak and Hung at least had cameo-esque appearances in the Ancient Forge event. Weedy’s inclusion feels like an afterthought because they didn’t want the limited 6-Star to have a good chance to be pulled for the whales.
Anyway, I believe those are all the big issues I had with this story, so...
In the Future
As I always tend to say, I don’t like the idea of trying to fix something that has already been made and has already passed. It’s too late to change the past, but I see nothing wrong with asking for things to happen in the future as a way of giving feedback. 
To that end, I still have hope that Chapter 8 will have a focus on Amiya and Ch’en tackling Talulah together. From my understanding of some spoilers this is more or less what is going to happen. I also hope that we’ll have a more detailed idea on this whole King of Fiends thing is about. As much as I personally don’t care for it, it’s already be discussed in the story so I at least hope we get the full idea on what’s going on with that plotline. 
I also hope the Doctor either plays less a role or becomes their own character outright away from any player influence. Us speaking through a character that already has a personality feels weird to me and I’d rather not have it at all.
Anyway, that’s it for me folks. Next time... maybe I’ll talk about anime or something, who knows.
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YGO Questionnaire Part 2 Electric Boogaloo
So, my gf/bf @howaboutalittlehelpneos tagged me to do this again a... good long while ago, and I had wanted to wait until I'd finished my GX rewatch before trying this again. But ouch oof I accidentally also got through all of 5Ds again before getting to this lol
But the 5Ds rewatch definitely reshaped a lot of my thoughts, so... cracks knuckles. This won't be spoiler free, fair warning~
Favorite Series: ugh the formatting killed my original essay on this but okay GX and 5Ds are pretty tied in my book, now-- I love them equally, but in different ways! GX fulfills my love for subversive coming-of-age stories with a heartwarming, humorous, and also soulcrushing touch, and I love how each season brings a new story and new characters-- it's like reading installments of a novel series, and I think the formatting works wonders for it as a whole. It has some absolutely phenomenal character writing, too-- even the characters I dislike are ones I can appreciate for what they introduce to the story! And honestly, not enough people give the first two seasons of GX the credit it deserves: they're half the charm, really. How are you going to feel the full impact of the heartbreaking content in seasons 3 and 4 if you aren't properly attached to the characters?
But on 5Ds's side of things... it fulfills my love for stories with time loops, found family, human nature, and of course, love and death and how they intertwine. I love how the leading characters are just a bunch of broken kids from broken circumstances who all find a home with each other, and of course, how it highlights class disparity and how fucked up the prison/"justice" systems are. Yea, sure, maybe it underwent executive meddling and all, but I genuinely love it for what it is and I wish more people appreciated it... my only problem with 5Ds is the untwist with Z-ONE and then the ending s m h I adore it overall and I could go off for a long while on it. Overall, these are my two instinctive recommendations for anyone getting into Yugioh!
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(look at these boys they're so important) Favorite Protagonist: Oh, believe me, absolutely nothing has changed here-- Yusei Fudo is and always will be my favorite protagonist, and my rewatch only solidified that.
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I just... love him so much? He's seen so much hell in his life and carries so much guilt on his shoulders, but he still has room in his heart to believe in others and to believe that anyone can defy fate and find hope even at rock bottom. I love that he's initially introduced as this quiet, brooding figure when he really just turns out to be a huge softie who wears his heart on his sleeve half the time and wants to bring about change for Satellite and its people. Plus I just really love that his greatest flaw is something that would ordinarily be a positive trait-- he's Overly self-sacrificial, to the point where he's basically setting himself on fire to keep others warm, and that's not really framed as something Heroic
Just... he makes me so happy. I have two Yusei charms that I ordinarily keep on my keys (one was a gift from Zenzen) and they're a constant source of serotonin for me. He's Peak comfort character for me. Best protag in my book Favorite Rival: Same deal here-- still Manjoume!
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look at him he's so important
While he spends a lot of the anime getting the good old damsel in distress treatment (getting suckered into a cult, getting knocked into a coma, becoming a zombie, getting fucking Killed, etc), I still think his character arc is really well-written overall and I only appreciated it even more when I watched GX again. I love the fact that he's got a soft heart he buries beneath the edgy facade, and that he's simultaneously really sharp and also kind of dense lol. He's just a fun character and watching how he evolves from episode one to episode one hundred eighty is such a satisfying journey.
Plus, props to him for being such a versatile duelist-- 50 wins in a row is HARD as is, let alone with a deck full of cards he just found laying around in the Arctic. Three ace monsters, three different archetypes... he's a really good duelist and I'm proud of him for it
Oh, but honestly, I don't really dislike any of the rivals-- I'm neutral towards Revolver and Reiji, but the remaining four (Kaiba, Manjoume, Jack, and Shark) compel me. yes I accidentally wound up liking Jack Atlas shhh Favorite BFF: Honestly, I really like most of the characters who fit this archetype-- Joey, Crow, Gongenzaka, Soulburner... I still lean a little bit more towards Joey, but I really appreciate all four of them. I'm gonna say Joey again, just because I find his evolution as a character the most compelling, but I appreciate the other three a lot. Soulburner has the best design though Favorite GFF: Oh absolutely still Aki, but I honestly... really love most female Yugioh characters? I'm assuming this is lead girls only, but like. I'm dumb and gay and I love Girls so this is naturally the most difficult one for me to answer lol
Aki just resonates with me the most because she's the prime example of how trauma doesn't always manifest in palatable ways-- when we first meet her, she's angry and lashes out at anyone and anything just because she wants the world to suffer in the same ways she's suffered, and then... we get to watch her grow from that, once she's free from Divine and able to heal the way she needs to heal. I know the second half of 5Ds didn't give her character the attention it deserved, but I'm still proud of her for winding up on the path she did-- seeing her channel her power and energy into wanting to heal and help others was just so good and was one of the few things I really Loved about the 5Ds ending.
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oh, but like. Asuka Tenjoin and Aoi Zaizen are very close seconds for me!!! Aki just has a vice grip on my heart Favorite Villain: Okay, it's still technically Vector-- I think he's the most entertaining, well-written, and effective villain out of all of the ones we've seen so far, but... I also want to add Takuma Saiou and then all of Yliaster as honorable mentions?
As someone fond of tarot myself, I was naturally pretty intrigued by Saiou the first time I watched GX, but my attachment to him only grew the second time around where I actually got the chance to understand his character better. Plus, like... the visuals with him are fucking astounding and he's always so interesting to watch.
As for Yliaster, I just... really love how the big bad of 5Ds turned out to just essentially be a broken man desperate to save anyone and anything and three robotic reconstructions of the friends he'd lost. I still think the untwist with Z-ONE was stupid and I much prefer the idea of him and Yusei being the same person, but I'm still compelled by the other three-- well. Paradox less so, because we don't get a lot of Paradox lore, but. Aporia and Antinomy for sure.
ugh Yugioh has some damn good villains
Favorite Card: now that I actually play the TCG game...
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Stardust is always going to be my favorite of all cards because it checks every box for me (my favorite YGO character's ace monster, space theme, what more could I want), but Aromaseraphy Rosemary has really become one of my aces in my best TCG deck! I'm still mastering irl plays, but I'm happy with my progress and I love my plant gang...
Favorite Episode: alright, here's where there's actually been a Lot of change, so...
Season 0: Episode 16: "Turnabout by a Hair's Breadth - The White-Robed Crisis" -- The more I think about this one, the more I love it; there's a... lot of corruption in the medical industry, and I've seen a lot of it firsthand, so just. Seeing a corrupt doctor get what he deserved at the end was cathartic, in a way? Plus, a Jounouchi-centric episode is always a good time.
Duel Monsters: Episodes 96-97: "Darkness vs. Darkness/One Turn Kill" -- this hasn't changed, I still love seeing Marik and Bakura bitch at each other for two whole episodes LMAO
GX: Episode 152: "Activate Super-Fusion! Rainbow Neos" -- This one hasn't changed and it likely never will-- I take so much pride in seeing Judai push forward, past the fear and guilt he's carrying, all to save Johan... it's cathartic and I never get sick of watching it.
5Ds: sweats. still all of Crash Town, but also episodes 137-147-- the Ark Cradle is one of my favorite parts of 5Ds and one of my favorite YGO arcs period, and even though each duel is a fucking gut punch, I love the emotional intensity and weight in each episode... It hurts but in a mostly good way
Zexal: Episode 143: "The Aloof Duelist 'Nasch': The Destined Final Duel" -- this one hasn't changed! Still hurts, still love it, I still weep over Ryouga Shark Kamishiro on a daily basis
Arc-V: Episodes 81-82: "Our Respective Battlefields/The Ultimate Falcon VS The Black-Feathered Thunder" -- Okay, honestly, this was hard because I... genuinely. really don't like Arc-V very much at all lol (it's just not my cup of tea, but more power to those who do like it!), but I thought this duel was a lot of fun! Shun is my absolute favorite from Arc-V and I really like the friendship he struck up with Crow a lot, so here we are
VRAINS (so far): Episode 25-26: "Virus Deck Operation/Three Draws Leading to Hope" -- honestly I am so biased because I just really love Blue Angel and I loved seeing her get a well-deserved victory like this lol. I'm not done with VRAINS, so this is probably gonna change, but anytime Blue Angel or Soulburner are on screen, I'm happy
Favorite Decks to Use: Aromages will always have my heart, but I adore Cyber Angels too! I'm building my Trickstar deck, my Synchron/Stardust deck (just waiting on Dawn of Majesty...), and my Magician Girls deck, too! Fusion, Ritual, Synchro, XYZ, Pendulum, or Link?: Synchros my beloved... but also Ritual Years in fandom: I've been here for just a little over one year now! and I wuv it... I'm never looking back Who am I tagging: no one I'm too shy
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writingstruggles · 4 years
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Ben Solo/Kylo Ren: a character analysis
OK, first things first: THIS ISN’T A STAN OR ANTI POST. This is a character study, and if you can’t handle this character getting impartial concrit, just don’t read. If, however, you don’t agree with some of the points I’m going to make and want to have a healthy discussion about it, then I’m all ears. I don’t think my opinion is the only valid one, so feel free to try and change my mind.
And second things second: I tried so hard to love the sequel trilogy, but when it became clear after TROS that the studio had no plan other than making money, it became very difficult. I’m aware that the main problem for all the characters is the lack of general planing in this whole mess of trilogy, so keep this always in mind while reading this post: the first problem of this character was that the studio didn’t even know what to do with him.
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1. Does Ben Solo becoming Kylo Ren make sense?
I checked the comics to get his background better. He had a happy childhood traveling a lot with Han and Leia, but when she discovered about the First Order, she sent him to train with Luke while Han and Chewie ran undercover missions for her. This is important: up to this point, he had a good relationship with his family, even if he was already being pulled by the dark side of the Force. It was during his adolescence that he started to be really seduced by Snoke, hearing the voice he thought belonged to Darth Vader. After the Luke incident, he did explode the cabin and thought he had killed his uncle, but he was not the one who killed all the other students and destroyed the temple: that was Snoke’s thing. He did kill some of his fellow Jedi apprentices later on, though. So, his turning points were Luke’s treason and Snoke’s coordinated abduction. And I would like to point out: the Sith training involves torture and brainwashing, so the first wrong impression I would like to correct about this character is that he was not simply a dick and revolted teen who ran away to join a cult.
BUT, there are some huge problems here. The first one is that when you watch the movies, you don’t learn anything about that aside from Luke’s part. In the way he’s presented in TFA, he’s Leia and Han’s son who betrayed his family, destroyed his uncles’ dream and joined the dark side for no reason. OF COURSE half of the audience wouldn’t like him. That wouldn’t be a problem if they just wanted him to be a villain like Darth Vader was, but it’s very clear that there was a plan (at least for one director) to make him a supposedly redeemable character. And how can we sympathize with his character like that? Even after we get to know what Luke almost did, the next question is simple: ok, so why he didn’t go back to Han and Leia?
And here is the second huge problem: we learned that after Ben leaves Yavin IV, Luke vanished, and Han and Leia broke up and went back to smuggling/leading a rebellion. And I can’t stress this enough, this doesn’t make any sense. The sequel trilogy killed Luke, Han, and Leia’s characters. These three characters that we have known for years would never, ever, had abandoned Ben Solo. Leia F*cking Organa and Han shot-first Solo would have brought their son back or die trying. Luke Skywalker is not a coward, he wouldn’t go into hiding and abandoned his only sister to clean up his mess during another war, let alone close himself to the Force, knowing full well he wouldn’t be able to feel if she was in danger. Just remember Han risking his life to save Luke in Hoth; or Leia leaving the rebellion to rescue Han from Jabba; or Luke straight-up disobeying ghost Obi-Wan and ghost Yoda to save Han and Leia, even if that costed the war. They were older and different, for sure, but we are talking about the quintessential things, the things that make these beloved characters themselves.  
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(THIS ^^. This right here is the spirit of Star Wars)
So no, in the way it was done in the movies, Ben Solo becoming Kylo Ren doesn’t make sense to the audience, and that’s a huge problem. A friend of mine suggested once that instead of being a rip-off of ANH, TFA should have been a movie about the beginning of the First Order (because after we defeat the Empire on episode VI, episode VII starting with ANOTHER all-powerful evil government already dominating the galaxy and exploding planets just throws away all the previous movies’ efforts) and about how Ben Solo becomes Kylo Ren. Just imagine if Rey, Finn and Poe had interacted with Ben Solo before he becomes evil: the stakes would have been so much higher, and it could have been well done. It would have made this character more human and likable.
2. Kylo Ren’s motivations: what does he want?
If the OT was about hope, I think we can agree that the ST’s themes are legacy and belonging. Having their protagonists, Rey and Ben/Kylo representing two apposite sides of those things was one of the best ideas for the new saga.  Rey looks for belonging in the past she doesn’t know, while Kylo wants to abandon Ben Solo’s past and find his place in his future as Kylo Ren.
In that sense, his character arc was somehow solid. In TFA, it’s clear he’s still struggling with the dark side and feels the temptation of the light: he loses control easily, and he’s not doing anything unless Snoke orders him to. Ok, but why? Why is he clinging to Darth Vader’s ideals and staying in the sith path? Basically because he thinks it’s too late, and he has no other options. Which brings us back to the problem with Han and Leia: his parents didn’t go after him, they chose to go back to their old lives – of course he would think there’s no going back for him now. “But he is an adult man and could make his own decisions.” It’s a fair point, but again: sith training corrupts you and even if he had escaped, the only thing that would happen would be Snoke finding him again. It’s kinda like leaving an addiction: you supposedly can do it by yourself, but it is so much easier if you have help. Not a simple promise or offer, but actual, constant, and present help. I can not stress this enough, but I insist that one of the main problems with the sequel trilogy was not explaining in a satisfactory way HOW and WHY he turned to the dark side and stayed there.
3. Han Solo
Okay, I will admit: maybe my opinion on this specific topic is biased, because Han Solo is my favorite SW character. You may call me out as a fangirl if you don’t agree, but my point is: making Kylo Ren kill Han Solo was a bad idea. They basically killed the character for half of the audience, with zero chance of redemption.
It’s because it’s fratricide. Unless your father is Satan, the Emperor, or someone as equally villainous, fratricide is just that bad. It’s not easy to redeem a character who commits murder, but one that kills his own father? Who happens to be one of the good guys? And one of the most iconic and beloved characters in the franchise? There were other options to give Kylo Ren a tipping point, a conflicted moment that didn’t involve killing Han Solo. But they did, and he killed him. And now he’s no longer a villain we can sympathize with: now we think he’s a monster.
4. His interactions with Rey in TLJ
(I’m not wearing shipper goggles for this. I don’t even own shipper goggles when we are talking about Star Wars.)
Kylo Ren is conflicted after killing Han Solo, (and I will make a small pause here to reinforce how good Adam Driver’s acting was. He’s the only responsible for all the likable parts of Kylo Ren, especially in this movie). Kylo is once again unstable and Snoke is displeased with him, and for a moment we think he finally turned completely to the dark side, until he pauses before shooting Leia’s ship.
The force bond was the most interesting part of the movie. I don’t agree that he used it to manipulate Rey: if anything, he was completely harsh and blunt and kind of a dick to her, but he didn’t lie. He told her things how he saw it, with so much conviction that she started to see his side of the story. And since she was probably the first person in years that actually listened to him, his decision of murdering Snoke and inviting her to join the dark side makes very much sense.
We are talking about motivations and his are simple: let the past die, forge a new path. When he kills Snoke and no longer has a master, he only has one option: to become the master. That’s why he takes over the FO, and wants Rey to be his apprentice. Does the character suffer from sith-tunnel-vision? Definitely. But it makes sense. His decision-making is not overly complicated: he feels alone, and he wants a purpose: he decides that the solution for both is Rey joining him in the dark side. When she refuses, he still has one purpose: the FO.
This is, however, the point where he turns his back to the light completely: on Crait, he orders the FO to explode the Rebel Base and kill everyone, knowing full well his mother was in there. He orders them to exploded the Falcon out of the sky, once again knowing that Chewie and Rey are on board. When facing Luke, he repeats that he will kill Rey and the rebels. His transition from conflicted sith apprentice to the new villain of the franchise was actually well done.
And exactly because of that, the next topic pisses me off so much.
5. The continuity problem between episodes VIII and IX
Introducing Palpatine here was bad for so many reasons: backtracking Rey’s arc, making us think about Palps’ sex life, insisting on beating a literal dead horse when there were new things to explore, etc etc. And it was also bad for Kylo Ren’ arc. As I said before, the way they finished episode VIII, everything pointed to Kylo becoming the final evil Rey would have to face, and that would have been awesome. We didn’t need Palps, or ANOTHER all-powerful evil army ready to conquer the galaxy with exploding-planets-tech (seriously, is Alderaan a joke to you, Disn*y?).
  But, in the third movie, they went back and decided they didn’t want Kylo Ren to be the ultimate villain anymore. They wanted him to be redeemed. And that’s not bad per se, but an actual redemption arc needs to be planned, and I think we can all agree, there was no planning in the sequels. And again, FRATRICIDE. So they introduced an old, more powerful evil to make Kylo Ren less evil and less of a threat in comparison. And evil so definitive, and with such a bullshit connection to Rey, that it makes Kylo reconsider his previous promises of killing the last jedi and going back to the plan of making her turn.
And so, his character spends the movie going after Rey, to tell her the bullshit truth about her parents, to convince her to join him. At least his arc is still somehow solid, because once he’s decided on his path, he doesn’t lose control like in the previous movies, and his body language is more firm and lethal. Which, honestly, thanks Adam Driver, he knew the character way better than the director at this point.
He finally comes back to the light when Leia dies. Although it was rushed, I agree that, at that point, it was literally the only thing that could have made him turn. Rey reminding him that he wouldn’t be alone if he hadn’t chosen the dark side helped, too. It was clear that the moment with Han Solo was supposed to be with Leia, but I’m really glad Harrison Ford agreed to come back to fill in the role for his old friend.
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6. Ben Solo
Okay, there’s so much to unpack here. When Ben Solo finally comes out to play, it’s very good. We can finally see some things that explain Kylo Ren better – it’s so obvious how awkward he was in his own body trying to be an evil sith lord when he is clearly a natural disaster. He still suffers from tunnel vision, but at least now it’s Skywalker-do-or-die tunnel vision. It’s like a weight was lifted from his shoulders, and the way his actions scream Han Solo makes me, once again, wish the first movie had been about him, and not the whole “find a map/ Star Killer base was ANOTHER ridiculous idea / I know R2’s alignment is chaotic bastard but COME ON”.
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Star Wars has a notorious story with pulling Force powers out of nowhere, and I’m not going to pretend to be an expert in SW lore, so I won’t complain about the dyad thing (and the weird stuff with the light sabers). I honestly liked the concept. There’s a lot I have to say about the final battle against Palpatine, but I think it would fit better in a future character study about Rey (God, that’s going to be another long ass post). I just want to add that after Luke insisted on her taking both light sabers to Exegol, and after all the crazy stuff Ben did to get to her, they should have, you know, actually fought side by side against 85% dead Palpatine? Aren’t these two idiots supposed to be stronger than that?? I’m not complaining about Rey bringing him down “alone” since she is the protagonist yada yada, I just wished that Ben had done something, instead of being thrown into a hole.
(Palps did that out of spite because of his grandfather? I bet he did.)
I won’t say I didn’t cry hearing the voices of the past jedi talking to Rey, because I definitely did. If anything, it was great to see so many beloved actors getting a chance to honor such iconic characters. But are you freaking shitting on us? Where were ANY of those assholes when Luke, Leia and Ben needed them, like, ten years ago?? “Well, force ghosts should not be used as ex machinas, and they don’t see the future” Tell that to episodes IV, V and VI. Anakin, Obi Wan and Yoda can show up for Vader weird funeral/party with ewoks but they can’t send a jedi signal for the Skywalkers to warn them about Sith bullshit about to happen? “They were probably ahead in the world the comes next and they didn’t have a way to come back, they just talked to Rey because Exegol is a Force nexus and-” And so is Ach-To. And so is Yavin IV. And so is Dagoba (Yes, Snoke sent Ben there for training). Look, I have no problems with Force Ghosts, I love them bastards. I’m just so freaking mad with the lack of coherence in this trilogy. If they did not talk to the Skywalkers – and I’m sure at least Luke and Ben asked Obi Wan/Anakin to show themselves A LOT – they should not have talked to Rey. It was a crowd please moment, for sure, but it was another gigantic middle finger to Ben Solo (before he becomes Kylo Ren).
And then Rey died, and Ben brings her back. I know how many funny jokes are going around in the fandom about how resurrecting Qui-Gon or Padme would have saved the galaxy so much trouble, but again, I’m okay with that. It was previously established that since they were a dyad, they had this living Force between them (although it was rushed in the final like everything else). And it does make sense Ben doing that: he had just come back to the light, and his parents were both dead. Han and Leia were gone because of him, the last time he saw Chewie was as his captor, and before that, he got shot by him, etc, you get the idea. He had nothing else, only this: the chance to make it right by a person that genuinely cared for him. Exchanging his life for Rey’s was nothing: he knew that his family would be waiting for him in the world that comes after.
So, did I like the Bendemption? It. Was. Not. A. Redemption. It was the right choice, and it made things right between him and Rey, because she forgave him for everything. But that’s it. He did not face the consequence of any of his previous actions. “But he died for her!” And we just established that it was not a difficult choice, considering that he had literally no reasons to stay alive if Rey was dead. If you want to see an actual redemption arc, go watch Avatar the Legend of Aang.
And finally, the kiss and the death. Okay, I know I’m digging my own grave by addressing that, but my mama raised no coward. Here it goes: it was fan service, pure and simple. It’s there to make part of the fanbase happy. Good for you, reylos, but to us, not shippers, it came out of nowhere. And I’m not questioning if they had feelings for each other or not: I’m talking about pacing and characterization. I’m not 100% convinced that Rey, as a character, as she was presented to us so far, would have done that. It felt out of place, and it broke the immersion of the scene. I was emotionally invested on what was going on, I was happy to see Ben smiling at her and everything, but then suddenly they were sucking faces and the “FAN SERVICE” alarm was so loud in my mind that I immediately lost interest. If they wanted that in the movie so much, there was probably a better way to do that.
It makes sense that Ben had to die to bring Rey back: one life for another and everything. I still think that, story-wise, it would have been better if none of them had died a ridiculous death, and Ben had faced the consequences of his actions as Kylo Ren, but okay, moving on.  The main problem here is what happens after he dies: nothing. Absolute-effing-nothing. He dies, he disappears – which, again, I won’t question because Leia was involved and Skywalkers do whatever they want with the Force and I’m no expert – but that’s it. Rey, the same Rey that had just jumped his bones fifteen seconds earlier, doesn’t even mourn him. She doesn’t cry, she doesn’t do anything for him in the end, she just goes to Tattooine because it makes sense to the Skywalker saga to end where it started. She sees more of those Force Ghosts who never appear when they freaking should and that’s it.
Why is it bad? Well, first, like it or not, Ben Solo/Kylo Ren was one of the main characters and he deserved an actual final. Finn and Poe too, but those are long posts for another day. And second, it makes the fan-service in that kiss scene more evident. You can’t have the girl kiss him and in the next scene act like it didn’t matter at all. “Ok, then it was a thank-you kiss and there were no real feelings of loved involved”. But that makes it worse, it would be even more completely out of character for Rey – who avoids physical contact with people on the regular – to just kiss someone as a thank-you. Do you see how the math does not compute? If she had feelings for him, and therefore kissed him, she should have mourned him. If anything, she should at least miss her other part of the dyad thing. And if she didn’t mourn him because she didn’t have actual feelings, then she should not have kissed him. A little consistency, it’s all I’m asking.
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7. Conclusions (aka tl;dr)
He was a somehow consistent character, but the lack of plot for the sequels was a huge problem. If the trilogy had been about Ben Solo becomes Kylo Ren – Kylo Ren kills Snoke and becomes the real villain – Rey faces Kylo Ren and she either saves him or kills him, it would have been so much better than the mess the studio did.
His story in the comics is so much more complex than what it is shown in the movies, but what they did to Han, Leia and Luke was a crime.
It was clear that one director had a vision to give him a redemption, and the other to make him the ultimate villain.
Adam Driver did what he could to make this character solid and somehow likable, let’s thank him for that.
There was no reason to bring Palps back,
Rey’s actions in the final are contradictory,
He should have stayed alive to face the consequences of his actions,
and the studio is charged guilt for getting our hopes up just to crush them with their lack of interest in doing something descent for the fans.
But again, that’s just my analysis of this character. Feel free to disagree with me, I would love to see what other people think about Ben Solo/Kylo Ren.
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zerochanges · 4 years
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2020 Favorite Anime
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I am sure I don’t have to exactly spell it out that 2020 was a different year, we all know the spiel now. It was in particular a bad year for me for a lot of personal reasons on top of the whole world wide pandemic thing killing millions and shutting down business and and all our hobbies--so I really was straight up not having a good time. It’s because of that I honestly didn’t really keep up with a lot of my hobbies this year so when it comes to choosing my favorite anime and games of 2020, I don’t have as much as I usually would. 
So this year I decided to just say screw it, there are no rules. I usually try to impose some on myself every year for my lists: rules like no sequels, no long running shows, no shows that technically started last year, only new content from this year and not older stuff I watched/played this year but came out from a prior one. This time, there are no holds barred. I am just going to list my top whatever the hell I feel like listing. So starting with anime and in my usual alphabetical order; here we go.
The 8th Son? Are You Kidding Me?
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Maybe a guilty pleasure? Maybe I just enjoy some trashier shows? It’s hard to say. There is nothing that great about 8th Son, it’s very bland and doesn’t stick out amongst the million other isekai (another world) power fantasy series that are all the rage now and yet there is a strange draw to it. Perhaps it’s because almost all the isekai elements in the series feel more forced than anything else, like they are just tacked on to appeal to modern audiences. 
8th Son honestly feels more like a good old fashion fantasy series from the 90’s that just had to add isekai elements in it to appeal to kids today. I really enjoyed it for that aspect. The power fantasy isn’t too out of control (although the protagonist is quite strong), and there is no real end goal or attempt to return to your previous life. The protagonist Wendelin is more or less just cool with how things are now. Instead it focuses on his growth as a mage and how he tries to navigate the political intrigue of this feudal world being one of the youngest born in a noble family with no clear line of succession to take over yet being the most talented and magically gifted child of said family. 
Ascendance of a Bookworm
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Proving that not all isekai series have to be a power fantasy, Ascendance of a Bookworm plays out more like an educational take on medieval times, think something among the lines of Spice and Wolf, if you will. One day Motosu Urano wakes up in the body of the small child Myne in a fantasy world much like medieval Europe but with a few other elements like magic and sorcery. While at first that may sound like a high flying adventure it really isn’t. The series is more about following the average life of a peasant in this world and how far out of reach literature is to them, given the lack of printing press and the like. Urano now Myne tries her best to create books for the common people and spread literature, a herculean task considering the insane douchebaggery of the higher caste in this world. But armed with modern day knowledge of the 21st century Myne is able to create modern conveniences and wow most people around her.
Black Clover
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So I am going to include long running shows now this year, get over it. Black Clover has been a favorite of mine in recent years. Out of the modern Jump battle series I find myself more and more drawn into Clover (and also my one true love, the ever underappreciated World Trigger) than the other more popular ones that seem to rule all the anime conversations today. Since I was following the series dubbed as it aired on Toonami this year brought me the end of the first part of the series; finally seeing the epic conclusion of Clover Kingdom’s long standing battle with the Eye of the Midnight Sun and revealing some pretty great and shocking twists behind the war of elves and humans along the way. 
This finale was fantastic and honestly while I am glad to see the series continue on and grow from there, and look forward to seeing more of this new second part of Clover that focuses on a war with the Spade Kingdom, I absolutely would not have complained if the whole thing ended right here with this story arc. It wraps up so beautifully and is a compilation of three great years of episodes. 
BOFURI: I Don’t Want to Get Hurt so I’ll Max Out My Defense
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Bofuri is not a series I thought I would enjoy as much as I did but it really won me over. Essentially just a ‘cute girls do cute things’ kind of show but with a twist of it being in an MMO game, there is something about it that made it so comfy and easy to watch. There’s always something enjoyable about watching the protagonist Maple, an absolutely clueless newbie at video games continue to be the bane of existence to the developers and admins of the game as she constantly breaks it and becomes insanely overpowered on a regular basis all from her own cluelessness. 
As the title suggests she is the only person in the world to get scared of taking damage in a video game and puts all her stats into defense and literally nothing else entirely. After so much grinding the girl is such a tank she can just walk through enemies to kill them. It’s fun little things like this that make the show always worth a chuckle as her legendary player status continues to rise while in reality she just has no clue how to play RPGs whatsoever. 
Boruto: Naruto Next Generations
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If you think Black Clover had a great run of episodes this year in 2020 just wait until you see what Boruto had to offer. While not a perfect year, the series did take off for about 2 months thanks to a pandemic hiatus, once it came back it was stronger than ever. We came out of the gates running and kicked off the return of Boruto with a fantastic 20+ episode long story arc centered on introducing the main group of villains in the series, the Kara. The world of Boruto became much bigger and much darker, and the series in the last year has started to bring in a lot more manga content and moving at a brisker and faster pace, changing the status quo up quite a lot. Watching the New Team 7 grow so much and rise to these challenges was rewarding and I am so excited for the vessel story arc teased at the latest Jump Festa this December. 
Ultimately though their first encounter, crushing defeat, and subsequent rematch with Deepa; a new anime only member of Kara meant to introduce the organization to anime viewers was an insane show de force of animation and one of the best battles in 2020 anime, dare I say. These kids are growing into great warriors and the stakes have been raised so much.
Cardfight!! Vanguard Gaiden IF
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The 2018 reboot of the Vanguard series saw not only the card game get refreshed but the television anime as well. Dubbed the V Series by fans thanks to all the new card serial numbers starting with a V post reboot, these last two years have been fun and full of fan service for long time viewers of the anime. Gaiden IF is the final season of this reboot before the fourth entry of the franchise Overdress begins in 2021, and was a very strange and experimental one at that. Gaiden IF holding true to its name was a gaiden, or spinoff of the series that wasn’t necessary in the same canon as the regular show and more fascinating had zero card fights during the entire show--instead being one huge parody of card game animes in general and the beloved cast of characters the series has built over its ten year run. 
It’s quite hilarious and a great round of fun, especially since there isn’t a main character in sight. Gaiden IF is carried entirely by a cast of side characters and former villains now taking over the role of protagonist. I’ve never seen a show go for an entire season with such minor characters playing such a huge role and that is one of the best aspects of it. Every week watching Ibuki Kouji, one of the most feared and powerful villains in the series being tormented and kicked around as a would-be hero now honestly carries the entire show. 
But really, this was one of the first anime to air post pandemic hiatus and it was so refreshing to have Vanguard back. Every week it reminded me how much I loved the franchise and anime in general, it was such a delight to finally have something enjoyable back in my life after such a grueling pandemic hiatus of nothing. 
Dragon Quest: Dai no Daibouken (2020)
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Never in my wildest dreams did I ever think there would be a modern adaptation of Dai no Daibouken, or The Adventures of Dai as it is being called in English now. This was one of my all time favorite Jump manga growing up and I always thought the original unfinished 1991 anime was the best we were ever going to get as far as animation goes, so to see this beautiful new series with its fantastic storyboarding and animation, great use of CG mixed in with hand drawn, and what seems like an outright declaration from the series itself that it will adapt the series in its entirety this time, it’s all too much. 
This new Dai adaptation is like a dream anime that was made just for me. Every Saturday morning I giddily log on to watch the new episode just like being a kid again with Saturday morning cartoons. If you are sleeping on this show, don’t! You won’t regret watching it, Dai was one of the all time great Shonen Jump properties of the 90’s and is ready to show kids today what that era has to offer!
Gundam Build Divers Re:rise Season 2
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Rerise was hands down one of my favorite shows last year when the first cour aired, and this year is no different either, dare I say once again this was probably my favorite show of the whole year. It’s hard to really go into what made this second cour so good without flat out spoiling all the best parts, and all the character development, and all the amazing battles, but suffice to say, this may be one of the best Gundam shows of the entire decade, Build series or not. Hell I ain’t afraid to say this kicked G-Tekketsu (Iron Blooded Orphans) ass this way to Sunday, I don’t care that this is a toy commercial for a much younger audience. Basically, watch Rerise, it’s going to be a great time. 
If My Favorite Pop Idol Made It to the Budokan, I Would Die
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This was another series that I expected very little from but ended up really enjoying each week. The basic premise is pretty simple, a super fan obsessed with an idol (singer) goes to insane lengths to support her and thinks her love will never be reciprocated but maybe it just might be. It’s kinda strange and an unusual romance series that isn’t really all that big on romance. In fact it seems to be much bigger on being informative about idol fan culture and nerd culture in general and poking fun at that while never being too mean spirited. 
I think that’s the charm of this one. These are by all extent weird kinda creepy people that are obsessed over young girl singers but it never demonizes its cast for that nor does it ever go too far in the power fantasy of them ‘getting the girl’. It’s about the struggle of fan life and the tightknit and utterly bizarre groups of friends you can make in a fandom--and also maybe some love might happen along the way.
Jujutsu Kaisen
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Another big modern shonen jump battle manga got its chance to be animated this year, and this time courtesy of studio Mappa who are the real stars of this party. Everything about Jujutsu Kaisen feels like Mappa throwing down the gauntlet and trying to one-up the highly praised and beloved Demon Slayer: Kimetsu no Yaiba from last year that wowed everyone with UFOtable’s signature beautiful animation. It’s very fascinating to see the insane levels of gorgeous jaw dropping action set pieces between these two series, both raising the bar to ridiculous levels in their own ways. On top of the animation front though are some very easily lovable characters, a much darker feeling supernatural story than one may expect, and probably Crunchyroll’s best dub produced in 2020. 
Keep Your Hands Off Eizouken!
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Keep Your Hands Off Eizouken is another series from beloved auteur Masaaki Yuasa. Bringing with it his signature style and wonderful animation, his hardworking compatriots at studio Science Saro deliver something truly special, an anime about why anime is great and just how the heck it is made to begin with. I think one of my favorite aspects of Yuasa’s work is just how sincere almost his entire output is, and how you can really feel a certain kind of emotion and vision behind each work that is unique to it. For Eizouken it is definitely the joy of creation and what it means to pursue something creative. Easily one of the best watches of 2020 for both its visuals, sound design, characters with great chemistry that have to deliver very heavy and technical dialogue but do so in a really natural and enjoyable way--and hey the shows within the show that the girls make are also usually pretty interesting and good too.
MAJOR 2nd Season 2
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I think my favorite aspect of this new middle school arc of MAJOR 2nd was seeing just how much Daigo has changed over the years since we last saw him in elementary school in the first season. No longer in little league and now trying to save his school’s baseball club, Daigo has grown into a strong leader and really feels natural with everyone he talks to. It’s a huge departure from the bullied and reclusive selfish kid he was in the first season. Seeing the kid grow up into somebody reliable and caring like this almost brings a tear to my eye. 
It’s an old cliché but saving the falling apart club in your school is a classic underdog story and the fact that Daigo built his own team from the ground up really sells it. The team is largely made up of girls too which brings a really great girl power aspect to it as well. With just 3 boys and the rest of the positions being filled with females, the haphazard team Daigo put together not only has to show that nobodies can make it but that girls are just as good as the boys.
Rent-a-Girlfriend
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I love trashy romcom harem anime, I will be the first to admit it. I am not even their target audience, in fact I am probably the exact opposite of their target audience yet I can’t get enough of this kind of garbage, and Rent-a-Girlfriend brings in the garbagest of garbage it can! The name says it all right there, our hero is literally so pathetic he has to pay girls money to go on dates with him. And he just continues to ruin everything around him with his constant lying and all around patheticness. He is like a blackhole of suck that will drag down any and all that go near him. What more can you even want?! 
I am half facetious here of course, but to an extent what I said about Kazuya isn’t wrong. He’s the biggest loser around, and I love him. It’s fun to watch him squirm, and it’s nice to learn more about him and see he has a good side deep down too. In a lot of ways he’s probably one of the more relatable leads in these kinds of shows as he’s just as pathetic as all the rest of us who watch these kinds of shows are. But besides Kazuya there are plenty of nice leading ladies too and probably most surprisingly a fairly well fleshed out circle of friends that he hangs out with. Usually these kinds of shows will sideline the male friends of the leads and only focus on time between the lead and the girls, so it’s refreshing to see so much time spent with other boys in the show too. 
Also as an addendum to anyone who watches the series dubbed, Aleks Le‘s performance as the lead role is maybe some of the best casting in modern anime dubbing I have ever heard. He kills it in this show. It’s a performance that carries the entire show. 
Shadowverse
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You might say, I saved the best for last, but honestly this was a coincidence. Shadowverse is a by-the-numbers card game anime. It starts very slow and very bland, and offers nothing new to the genre instead sticking entirely to the classic tropes and clichés of sports anime and Yu-Gi-Oh clones alike. That is for the first 12 episodes or so. It begins to evolve and gets a little more interesting from there, then something happens. Something I cannot explain. Something that makes no sense. Something that the production committee probably should not have allowed to occur. The show just goes absolutely, positively, certifiably, fucking insane. 
Out of nowhere, the plot suddenly turns into a straight Neon Genesis Evangelion knock-off, complete with plugsuits, random nonsense mysticism from exotic religions, and soul crushing nightmarishly harsh treatment of the child protagonists. Suddenly time freezes for everyone but the main characters, and the totally original not Kabbalah, Tree of Woe, begins to end the world. Now armed with their new psychic powers (that they just have now out of nowhere!) the kids have to fight brain washed former enemies and loved ones alike that seek to destroy the world via assimilation into the darkness. 
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Suddenly we have moments like the above where Luca, the coldhearted and cool Shadowverse player who only ever began fighting in tournaments to earn money for his younger sick sister’s treatment has to face off against a possessed evil version of his sister who bemoans all the isolation he put her through, never being there with her, always away trying to earn money. She berates and destroys the young man’s heart for his well intentions. Luca with no other options has to put her down for the good of the world. 
You know, for the 12 year old kids in the audience that signed up for a show about a cellphone app.
I haven't even gotten to the best part yet, the show isn’t over! There’s still 12 episodes left in the series and do you wanna know the best part?! The heroes already failed! The world blew up and everyone got sucked into a blackhole and died! That’s not a joke. The bad guys won. And there’s still another season worth of episodes to go! I am not kidding, this is how the show ended the year 2020! This is legendary, no fucks given status if I ever saw it. The best way to end 2020 if ever there was one:
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Every week I anxiously log on to watch Shadowverse after it jumped the shark just to see what insanity happens next. This is Tommy Wiseau The Room energy levels of pure insane dribble. Shadowverse might be the biggest disaster of a card game anime of all time, and I simply cannot get enough of it now.  
BONUS THOUGHTS For 2020
Random Anime Collecting: This year saw Discotek release three Case Closed/Detective Conan movies on blu-ray. Detective Conan is a series near and dear to my heart, and one I spent a lot of my college days obsessed over. This is a franchise I really went to great lengths to collect after Funimation reprinted many of the long time out of print volumes of the series back in 2013, and I bought them all back then. Buying new Detective Conan movies in 2020 felt super surreal, and also wonderful. I really hope I can keep buying more in 2021.
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Hidive for these hard times: I didn’t include anything really from Sentai, I am not sure why, maybe none of what I watched this year would count as a favorite of mine, maybe I was just lazy and didn’t want to add to my list anymore. Honestly though I watched a lot of series this year on Hidive. I think my favorite has been the new dub of Pet Girl of Sakurasou. 
A Lost Classic: Nobody is talking about God Mazinger finally getting released in English from Discotek and that kind of bums me out. The series was one I obsessed over when younger, especially because it was rare to find even raw footage of it lead alone subtitled. It was never subtitled in fact, so Discotek’s release is the first time it has ever been in English. 
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The Witcher review
When I first read critics’ reviews of this show, they seemed to fall into two camps: non-fantasy fans who dismissed it as nonsense, and fantasy fans who said it got good but took a while to get there. Knowing I was a fantasy fan, I figured I might be in the latter camp, and started watching it. Casually at first, one episode a day, taking a break for Christmas…and then about halfway through I was hooked and marathoned the rest of the series. I genuinely liked this series…but it has problems, and I can see why it lost a lot of non-fantasy fans from the outset. Let’s get the bad out of the way first so I can gush about the good.
Barriers of Entry
Most TV viewers are not fantasy readers. Those of us who are may regret that, but it’s not a genre that everyone gets into, and it has its own storytelling quirks that can be off-putting to newcomers. This is why, for all that it failed in later seasons, Game of Thrones did well for general viewers in its early seasons. The small bit of fantasy hinted at isn’t all that different from the zombie films people are used to, and the rest feels mostly like period piece drama. Magic only gets introduced gradually, with an explanation of what it is and how it works as it’s introduced. Also, there’s a map.
The Witcher doesn’t have any of that scaffolding. It is full high fantasy, magic-heavy, thick in world-building from the very instant it opens. It explains very little about anything; by the end of season 1 I don’t know what Cirilla’s powers are, how Witchers are made, or what the Conjunction of the Spheres is that gets repeatedly mentioned. Now, as a fantasy reader I’m used to this; ideas and supernatural mysteries get introduced and not explained until later because the characters in-universe understand the and don’t need an explanation. All I need to know is that Cirilla has some dangerous power that Nilfgaard wants, that Witchers are made and not born, and that the Conjunction is an important thing that happened in the past that may be relevant in the future. Presumably all will be made clear in time.
But I really would’ve liked a map. Up until the penultimate episode we’ve no idea of what this place looks like, how everything is connected to each other. It makes the stakes of Nilfgaard’s invasion harder to fathom. How big are they as a kingdom? How at risk are the Northern Kingdoms? How many Northern Kingdoms are there? A few map shots in the first episode as Calanthe prepares for war, a few more as the series progresses, all of that would have helped situate the story and have it feel more grounded spatially.
As for temporally…
Timeline Shenanigans
I have no problem with this series choosing to have three different timelines for its three different characters that don’t meet up in the “present” until the final episode. Certainly there have been excellent series that have done this in the past (N.K. Jemisin’s Fifth Season comes to mind). But time stamps would’ve been really nice. Let the first episode play out as it does, but when we jump back to Ciri for the last time, have a heading that says “30 years later,” confirming to the audience what they suspect from some throwaway lines about Calanthe, that this is taking place much earlier than Ciri’s scenes. Do the same when Yennefer is introduced, keep updating how far along we are with Geralt’s story, not just to clarify the timeline but to also build suspense as the viewers realize that the plotlines are catching up to each other.
However that wouldn’t fix all the problems inherent to the time-jumping. Between episodes 5 and 6 we find out, for example, that Yennefer and Geralt have met several times already and are pretty heavily involved with each other. It works well enough because the actors are very good, but it’s a bit “oh, really?” when you find that out.
Likewise, I have no idea how long Jaskier has been around having an obvious crush on annoying Geralt; is it months? Years? I think it’s years, because that’s the same time frame for Geralt and Yennefer’s hookups, but maybe it wasn’t that long? And how long did Yennefer’s education take? When did her immortality kick in? How much time passed between Geralt and Yennefer breaking up and Geralt deciding to seek out Ciri? Was it right before? Years later? How old is Jaskier supposed to be at this point? Was Yennefer’s joke about crow lines an indication he’s approaching middle age? Time stamps!
This show is really lucky it had as good a cast as it did to carry it through these narrative issues.
Special Effects
The elves, hedgehog people, and fauns all look…bad. Like, almost Halloween costume bad. Don’t know what else to say. The other effects were really good, so they stuck out.
But now let’s talk about how this series rocked:
Have I mentioned this cast is fantastic?
So my interest in Henry Cavill may have been less than high-minded, but he is in fact absolutely fantastic in this. The show also walks that fine line with “jerk with a heart of gold” characters where it explains their dickishness without excusing it. We understand that with the life he’s led and the discrimination he’s faced why Geralt is cold and aloof, but we also see how being that way destroys his relationships with people he cares for, especially in episode 6. And Cavill manages to convey perfectly how, at the moment he sees Ciri, Geralt realizes that his whole life has been leading up to him taking on this role as protector and guardian. He needs someone to need him, even if that terrifies him.
And then there’s Anya Chalotra as Yennefer who you might call a deuteragonist since she doesn’t show up until the second episode and isn’t the title character, but honestly the show is as much about her as it is about Geralt. You start with her as an abused child with a spinal deformity who thinks she’s unimportant and worthless. You have her trying to conform herself to the purposes others give her, literally changing her body to meet their expectations, failing, flailing about trying to find a purpose, and then in the final episode landing on the grim realization that she is the only one who can protect all the Northern Kingdoms. It’s an excellent arc, even with the timeskips sometimes making it not as smooth a one as it might have been. Again we have Anya Chalotra to thank for making it work in spite of the narrative missteps.
Even Freya Allen, though she doesn’t get much to do plotwise, does a great job portraying the internality of Ciri’s journey this season, as she slowly realizes her beloved grandmother may have, in fact, been terrible – but that this doesn’t justify what was done to them.
Relationships you can root for
Two broken and emotionally distant people learning to break down their barriers and be vulnerable to each other? Sign me up, nothing is hotter. I really like Geralt and Yennefer, and I honestly hope they find common purpose together next season and realize that, wish or no wish, they’re good for each other and should try to work it out.
But Jaskier and Geralt’s relationship is honestly great, too. While I don’t think they’re sexually interested in each other and therefore this counts more as a “bromance,” I also hate the term “bromance” and prefer to just say that their unacknowledged but obvious affection for each other is charming. I’m guessing Jaskier will come back later? Maybe he was just in the short stories they use here, but that would be a shame.
The soundtrack “slaps” – that’s the term young people are using, right?
While “Toss a Coin to Your Witcher” is attaining meme status and so many Youtube listens that it threatens to break into Billboard’s charts, let’s not forget how all the music in this series is so good. Like, literally, even if you can’t get into the show at all because of its other problems, check out this score, it’s amazing. It is incredibly frustrating that it’s not up on Spotify yet, though a few tracks are available on Youtube.
Its total embrace of being a fantasy series
And here we come back round to the beginning of my review. While Game of Thrones did well in its early seasons by easing its audience into its fantasy setting, as seasons went on it seemed progressively more and more embarrassed that it had to be a fantasy story. The Stark children’s warg powers are forgotten, prophecies are removed, the House of the Undying is reduced to like one room, bye-bye krakens and any kind of water magic, Euron’s just a pirate now, and who is this Lady Stoneheart you speak of? They even dispensed with the big final threat of the White Walkers as quickly and unceremoniously as possible, just so they could get back to the politics.
The Witcher, on the other hand, is a fantasy series from its first frame to its last and loves it. There’s monsters and magic everywhere, Destiny sets everything up to follow fairy tale rules, and humans share the world with multiple other sentient species. It does not apologize for this, and it has a very lived-in feel to it that many magic-heavy universes fail to achieve. You believe that this is a world where the supernatural is natural, where people have seen and lived alongside magic their whole lives. We see how magic is integrated into combat, healing, and politics, and it’s all believable in spite of how unbelievable it is. It makes it refreshingly fun and escapist without feeling completely divorced from reality.
So overall, I recommend the series while really wishing they’d structured it more clearly and accessibly. And had better makeup effects because ugh.
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