#from god's perspective that's a great one

[natjennie]

did you really like "rant" by bo burnham when you were like 14 or were you normal?

[tinylilvalery]

obsessed w the fact that John picked this slutty little outfit out for him

[rawliverandgoronspice]

Beyond surface appeal, what makes Ganon a compelling antagonist

I think cruising my blog would provide a good number of possible answers, but I guess my tl:dr would be (otherwise I could probably make a full 24h conference about it at this point): because he does reveal (if one is willing to look) the brutality of a world in which gods uphold a natural order through a given kingdom that will not budge on its god-given right to rule, and him as both a rebellious disorder to that status quo which also ends up devoured by said status quo as just one natural part of a cycle of creation and destruction that ultimately always kind of stays the same.

Also, I find the setup of a man born to a tribe of outcast women, considered exceptional by birth while also having to figure himself out + the role he needs to play in that kind of structure and in a very difficult context, someone who both is being granted a lot of natural power while also still being sneered at and considered lesser and/or inherently evil by those blessed by the gods (while also carrying a lot of unexamined baggage of their own), is just so juicy and interesting and brimming with potential psychologically speaking (especially when applied to his motivations of: why does he want power, why does he always alter his own body, his uncanny resilience, etc). It does come with a lot of baggage, as "the evil man from the desert" is far from being a neutral concept coming from a neutral historical place --but examining what kind of world would come to such conclusions is also deeply revealing of said world.

And then, Wind Waker gives him even more of a window to reflect on his own rage while also never apologizing for the horrors he commited, mourning what he wanted and what he became while also being the only one calling the gods of Hyrule out for being terrifyingly cold entities --far more than he could ever hope to become.

Yeah, I think Nintendo has been sleeping on Ganondorf ever since (even if I defend his TP appearance). But he has a fascinating cross-game story(ies), and I find him to be a deeply tragic --if horrendously flawed-- figure, which is partially why TotK was so disappointing to me, because TotK saw nothing but the surface level + the fact that putting him in a game sells and makes people horny.

(you'll notice I didn't mention Demise, because I think that, while the whole cycle thing wasn't bad or not that interesting, fans really overly simplify this concept in a way that has contributed to make Ganondorf extremely flat, which I am not here for.)

[read-write-thrive]

platonic and romantic are not some sort of binary that relationships have to be divided into. they’re not even two ends of a linear spectrum. they’re fully just abstract concepts made up of culturally-dependant social behaviour and expectations that are continually forced upon people to reinforce religious, legal, and broader societal/cultural norms, often and repeatedly to the detriment of non-normative groups including, but not limited to, the queer community. and I am sick and tired of those norms being replicated in fucking fandom discourse, of all places

[enhanced-operatives-division]

Junicrane/Starstruck Ramble

I will not be brief, all under the cut

To clear some things right off the bat:

No corpse, no proof with Juniper. Obligatory this is set in a canon where he's alive and adjacent to the agency in some way.

Reggie & Juniper are just gay to me, but I don't mind any interpretation of their sexuality

The games are set in 1967/68 to me (based on a couple bits in game) which is before it was legal to be gay in America at least (1971), which is relevant to how I interpret canon as being somewhat grounded in reality, despite unrealistic elements.

This is just an insane amount of headcanons/elements of and AU all culminated into one post. I will talk about some headcanons like they're just facts because they are established in my head, and it saves me over explaining literally everything, however I will explain some parts a little bit for clarity.

Alright. Actual beginning of the ramble:

Juniper is a character to me who had gotten so lost in his job as an actor and a social presence that in the end his whole life revolved around that 'role'. Because of this, by the time he's put into the situation where he's around the Agency, he basically knows nothing about himself, though he doesn't realise at first. Furthermore, what little identity he had has changed in so many ways. He's no longer a beloved famous actor in the prominence of public light, he's legally dead and he tarnished his career just before he was supposed to die, with the bonus of that making him lose the majority of his estate. From that, he also has horrific facial scarring from the electrical burns from literally having his face fried. I believe a friend of mine made a post about this a while ago (I also think they were the first to think it up also), but, to me, Juniper has a permanent trimmer in his right arm (aka his dominant hand) from the electrical current and it is messing with his nervous system.

All in all, he's not doing great, but he's too proud to admit that he's not doing great, because if anything, what's left of his ego is all he has as a defense since he's deep in unfamiliar water.

Before ending up around the agency (I have multiple interpretations of this, so I'm just going to bring it up generally), he'd never actually seen Reggie, and his only impression of him is a single voicemail, which was his only reference he had to later impersonate him. Juniper probably has very little feelings other than the ones he projects onto him because of Phoenix and that, at the very least, he's physically attracted to Reggie to some degree (that's like the beginning of how everything else would tumble into place in this sort of interpretation at least).

And on Crane's side? His feelings towards Juniper are probably very intense and muddled. On the one hand, he adores musical theatre, and that's his now ex-favourite actor. The thought of just casually being around him blows the bit of fanboy in him away at first because THAT'S the GUY, plus the inklings of a celebrity crush which still poke at him. And then there's the rational side of him, which knows Juniper has committed absolute atrocities on the side of Zoraxis, and hates him for that. Then there's how much Juniper comes off as an asshole at first because he refuses to cooperate with anything the Agency tried to put in place. He finds Juniper endlessly frustrating, and yet he's stuck working with him since, afterall, he's the one who knows the Agency's history with Juniper the best. I imagine him acting a lot like how he does IEYTD 1 around Juniper.

At this point, I'm just describing the pitch for a romcom.

I think the start of their relationship with one another largely started with Juniper trying to wind Crane up. It was a way of getting his attention, and I don't think Juniper knows why he's so dead set on that at first, because I don't think he realises he has a crush on 'this grump' at first. (I think that's actually the fun part about these two, because it's almost like a role reversal of the celebrity crush dynamic. This ex-big name actor has a TERRIBLE crush on an average joe and it is KILLING HIM.) But of course the Agency keeps them together because Juniper is at least conversing with Crane, so it's a start.

Through one way or another, they actually get talking casually, at least mildly at first. It takes Juniper a long time to fully deconstruct the wall he's built, and the thing is, Crane isn't the one trying to deconstruct it, at least at first, because yeah, Juniper realises if he wants Reggie to actually like him in any way, he can't keep winding him up. So they talk. Small talk at first, something rhythmic and almost easy to keep to a script. And over time that turns into actual conversations. Genuine ones in which Reggie rips out the occasional one of his jokes which Juniper is endlessly endeared about. The way he smiles just before he makes them, like he wants to chuckle at what he's about to say before he says it. That's probably when Juniper realised that he does have some vague crush on him, and that it wasn't going away.

This is what kickstarts John I can't-buy-you-things-to-impress-you-so-acts-of-service-it-is Juniper to do little things for him. It mostly starts off as him trying to make Reggie his tea how he likes it. However, the nerve damage in his arm makes that hard, as the weight of the kettle and trying to pour is hard all of a sudden. And he refuses to accept that, so he tries for a very long while. Long enough that Crane would go to investigate what was going on. And when he does see Juniper leaning over a cup with the kettle as he uneasily tries to pour it, and when Crane asks Juniper responds so matter-of-fact that his intention is nothing but genuine. And it catches Reggie off guard because Juniper hadn't done anything like that up to that point, and his very apparent vulnerability is so clearly on show.

It shifts something between them.

From that point on, conversations are longer, more familiar. Both of their attitudes soften, and Reggie makes more jokes. Juniper learns how to better use his left hand while strengthening his right back to a point where it could be used again. Slowly, they're both spending time with one another not because they have to, but just because they can. Little bits at first, not too far outside what they already were doing, but those little bits turned into long bits to a point where the other person's company was genuinely desirable.

As time passes, Juniper probably realises that he doesn't genuinely know much about himself or what hobbies he's into, because he never really had the time when he got big, and his home life in his youth wasn't bad, but it wasn't picturesque. I think Reggie would pick up on it, and absolutely try to introduce him to some things he's into. Some things stick, other things don't (corn husking very much stays Reggie's passion, and John will go with him sometimes because it's him, but it's not something he strongly cares for). Crane introduces him to a lot of music, and it's something that becomes a staple between them, with tracks they listen to more than others (tragically, I know relatively little about 60s music so I couldn't really say what). Occasionally they dance, never anything intense, think slow dancing, but the closeness is nice.

Through all of it, Juniper is battling the worst crush of his life, and he can't stand it, because I think he struggles to read people since he doesn't have anything like a script or a director to refer back to, so he has no idea if Reggie likes him back or if he's just desperate for that to be true. I think because of that any sort of confession between them would be incredibly raw, not only because of the time they live in making it hard for them to be truthful about how they love, but because it's a complete show of Juniper who's worked to be this better person. I don't exactly know how that would go, mainly because I don't have one set version of their dynamic, this post is just a generalisation of main consistent points.

Reggie does like him back, because he's gotten used to Juniper being just this guy, not a figure in the public eye, not a Zoraxis lackey, and not any sort of Agency operative (despite being under their care to some degree). He's someone he genuinely cares for, because they've given one another the time of day to learn one another, and I think because Reggie was a field agent, he was a lot better at reading Juniper than Juniper was at reading him. Eventually Juniper's company becomes something he could see around him for the rest of his life, and I think he accepts that he likes Juniper a lot more gracefully.

I think any affection directed at Juniper would at first be met with him feeling a little muddled. Reggie was a very physically affectionate person when he could be, and sure the initial flirting with one another came with the occasional little touches, but everything now was so deeply intentional. I also don't think Juniper would almost ever get over the novelty of being able to kiss him, or many other gestures, because it made the fact that they were together so very real, and it was great. I do think it comes easier to Reggie, and it's a big way of showing how much he cares, so it's important for Juniper to try and show it back because he knows how much it means to the other.

I like the idea of them eventually living with one another, too. I think Juniper would have always had a quiet little daydream of sorts where he does just live a domestic quiet life, and he can with Reggie (well, as close as they can get between the Agency and Zoraxis always being at odds), and he loves that, and he loves him, and it's immense.

I think they cook for one another a lot, it helps Juniper work on his dexterity in a controlled environment, which means a lot because it's a huge point of insecurity (that and his scars). He does improve, and Crane is proud of that and shows it and it's great. I also think they'd probably cook together too, because they can deal with being in the kitchen together and they work well with one another. It's probably a good way for them to unwind because over time they can do it in relative silence.

As I said before, I also think music is a staple in their household, and that Reggie listens to things on vinyl almost all of the time because he likes the background noise. Sometimes Juniper will catch him chuntering along to the music which he finds endlessly endearing. I wouldn't put it past his dramatic ass to also join in to fluster Reggie, but I also don't think Reggie would mind that terribly because Juniper has listened to the music enough to know the lyrics, and that's huge to him.

I don't think they are without rough patches, no relationship is, but I think the good part about them is that they're willing to talk about it (... eventually). They're used to long conversations, and while they're often less fun conversations, they're needed and they know that, and it works out.

Alright. I think I'm done for now. I haven't mentioned everything, but this definitely got the worst of it out of my system. If you ever want to hear any specific thoughts my ask box is open but other than that, behold my general dynamic for these two which has been festering in my head for years. I think they're great

[buwheal]

For me, I'm one of the ones who knows some of the things that shouldn't be done (don't mention his appearance, don't make references to stardom, washed up celebrities, religious imagery, puppets, loss, fortune, loss of fortune) and I still slip up.

My running theory is that I'm not used to seeing an askbox that isn't just a race to see who can get the largest emotional reaction (and the cool dramatic art that comes with it). There isn't a lot of experience to draw off of that isn't going to extremes.

Ahhgh,, yeah, i think thats whats happening for /everyone/,, me included... I kinda have to hold back on doing those all the time even though theyre so fun... womp.. You CAN mention some of those things, though!! Puppets/his appearance obv not, losing everything..also /maybe/ not.. but i think depending on what is said/how its said the others may work n be interesting. (except for a whole lot of religious imagery,,* ill add stuff in my tags i dont want this part to be long lol) I think also its just a different way of using the askbox compared to regular which also throws everyone off.

[irhabiya]

i think my favorite thing that i got out of my medical anthropology elective is how culturally defined health and illness are... very interesting to think about

[reflectionsofgalaxies]

gonna do the stupid thing for my stupid mental health

[mourn-and-watch]

people love to come at kaidan and ash for comparing shepard to a husk on the mission on mars in me3 and yeah there's no point of denying that they put it in a very tone-deaf way but. what they witness here is genuinely terrifying from their point of view.

shepard is a person they care about. they're their commander, in some cases a friend or a lover, someone they look up to. and they died. and they were brought back by the terrorist organization that's known for its inhuman experiments. and now it uses reaper technology and makes husks out of its own people. from kaidan and ash's perspectives this is literally "came back wrong" scenario. they look at this cerberus soldier with innatural pale face full of reaper implants and then at shepard and can't help but wonder if there's a ticking bomb somewhere inside them. if one day they'll wake up and say there's no point to fight the reapers and look at their crew with shallow blue eyes.

like. they don't intend to dehumanize shepard. they're fucking terrified of the possibility that shepard has already been dehumanized by the people who recovered their dead body to rebuild it and ressurect them in secret for the goals of an indoctrinated man

[arolesbianism]

Yet another beautiful day to have the Maxwel tag blocked (can't see half of the posts in the Wendy tags)

[todayisafridaynight]

Daigo has so many genuine connections, all these people who would stand by him regardless of if Tojo still exists. It just sort of feels like it plays to the way Masato is just chronically blind to the love around him and the strength of Ichiban's whole thing and surrounds himself purely with transactional relationships. It's the way Mine viewed the world before he met Daigo, but Masato is purposefully cultivating this environment around himself. Masato HAD those bonds where Mine didn't, but Masato's "those who use and those who are used" still feels like a worse distillation of Mine's philosophy, or at least that the two rhyme even if they aren't the same. Daigo originally defying Mine's worldview led to a longing to understand it and be a part of it; Daigo defying Masato's would probably just lead to more seething lol. Tojo going away, not only is just 'oops daigo already planned on that' robbing Masato of the satisfaction, idk it just further highlights that without being wrapped up in the status of Chair that these people are still with Daigo. Aoki bought his connections through lies and money and destroyed the only ones he sincerely had by following "use or be use" to its end, but Daigo could just fuck off anywhere he wanted and still have not just friendship but as Masato might see it absolute loyalty (esp in a Mine lives scenario; Aoki's lil pet bastard Kume's devotion is absolutely a speck vs **Mine** ). Both Aoki and Daigo can lose their positions of power, but its only Masato who feels like he's lost everything. sdfklfsjld idk goodbye anyway the brainrot is strong please keep going I'm here for every second

OK BUT LIKE. ALL OF THIS. ABOVE MY FIREPLACE AND FRAMED

the note bout mine and masato's worldviews IS SUCH an interesting point too: in essence they both believed the same thing (genuine bonds are a myth and people only use each other), it was just that mine held onto the small hope that he'd be wrong one day. by the time daigo does prove him wrong, he's almost automatically willing to accept it. his problem is that he became so attached to daigo that when the possibility of him being taken away became real, he went off the deep end

in masato's case. Lord he's a field day to explore psychologically maybe in another post, but he did have those bonds mine wanted so earnestly for more than half his life, exactly. ever since arakawa saved him- hell, even after sawashiro realized the life he inflicted upon him, masato was showered with nothing but love from the arakawa family. it's a wonder that despite that fact, masato still insisted he was neglected and alone. settling for relationships he knew were fake and for the most part temporary, he wanted to protect himself- he didn't want to be attached and become hurt and vulnerable again

it really is a cruel twist for masato and daigo and how they end up: despite daigo actually having grown up alone, that didn't stop him from having a warm and inviting attitude towards people and giving him a sizable amount of people who'd follow him to the ends of the earth. inversely, masato had become greedy and wanted more adoration, even if it was superficial or surface level.

[july-19th-club]

choir of lies GOOD

[castielmacleod]

I do think angel grace is like holy lorazepam btw. I think an angel gives you a hug and envelops you in their grace and you just feel a nearly instant sense of calm.

[corvigae]

Whenever I remember that I didn't set out with the explicit plan to make Page a bardlock initially it just throws me bc it's just. So intrinsic to her character now that I could never imagine her as anything else. Like yeah I planned on making her a bard and that was always a big part of her character, but I really just picked warlock as a multiclass for utility's sake at first. But now being a warlock is so much of a big part of her backstory and her story going forward that if you were to remove that part of her you'd remove a significant portion of her character.

[falinscloaca]

my consciousness tells me i should apologize towards that person i got pissy at due to dungeon meshi shipping stuff.

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.