People should make more doomed by narratives siblings relationship.
Like with lovers you can just sever it and not have it related to you ever again but with siblings how could you?
You grow up with them you raise them or they raised you you both know how unforgiving the world is to both of you? You would die for them but will hate them for doing the same and yet none of you would regret it and both of you know it. They could be the person you loath the most and miss the most cause you still remember how they sneaked a candy into your hands. You can sever the tie but you can never look away at what you've lost, at whom you've lost because fate doesn't allow you to be together, eating dinners in quiet peace, if only there's another life, another time, where i can make you another plate of pancakes i would im sorry im sorry im sorry —
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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me when i’m the audiences’ least favourite character and finally get my redemption arc only to be reduced to a stripper joke in the finale. and the woman i would give my life for disappears and i don’t spend any time looking for her, and only reference her once to make someone else happier about their life.
me when i’m a well loved character that audiences love because of my spontaneous acts of chaos and caring soul, only to be shoved aside and have my whole life ruined in the finale.
me when i’ve had so much taken away from me in my life that i had to resort to becoming the villain of my own story just to return to the people i love, only for my love interest which i fought so hard for to be left barely mentioned in the finale, and his absence doesn’t do anything to motivate my actions.
me when i spend years on self improvement before getting sucked back into my dark, self destructive ways and barely any of my so called family notices. and then my entire arc is left unnoticed and does absolutely nothing to my character development.
me when i spend my whole life trying to protect my family and have a clear set of priorities and passions, and then i throw that all away when i see a chance to get with my brother’s wife who’s physically 20 years older than i am.
me when i'm practically sacrificed because the girl i love is is the key to the end of the world, and all i do is turn into a hideous creature without any real sendoff or significant death scene.
me when i've been arguably the most significant character for the whole show just to get zero character development throughout the finale as i'm separated from the rest of the main cast.
me when i was introduced later in the show because of my vital importance to the plot, only to have my personality stripped from me so i can cheat on my fan favourite husband with his brother.
me when i'm a squid that swallows a girl and no one cares to explain why.
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the realest statement I have read all week.
this is a mood and a half.
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