one of my favorite limited life moments is when the bread bridge was first being built and Scar and Joel were arguing and Scar took his shirt off, and Cleo said "Scar PUT YOUR CLOTHES BACK ON", and then as everyone else was talking she said "Grian I understand everything now"
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i genuinely don't care how good a piece of ai generated art or writing looks on the surface. i don't care if it emulates brush strokes and metaphor in a way indistinguishable from those created by a person.
it is not the product of thoughtful creation. it offers no insights into the creator's life or viewpoint. it has no connection to a moment in time or a place or an attitude. it has no perspective. it has no value.
it's empty, it's hollow, and it exists only to generate clicks (and by extension, ad revenue.)
it's just another revolting symptom of the disease that is late stage capitalism, and it fucking sucks.
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I'm not blaming the op of the original post, or trying to imply anything about them as a person. and I don't want to single out this post in particular, because the issue is an broadly reaching trend rather than any one individual happening to write a post in five minutes one time.
but I really Really wish we'd stop and think if it's a good idea to say "girls turning into boys makes them inherently less interesting" on the transgender website
picking a privileged group to be the butt of a joke because it's lighthearted when nobody's actually getting hurt by doing so Only Works when everyone within that group is actually privileged. making jokes about how men are lesser than doesn't Actually affect the people who are actually within power, but Does chip away at the confidence and comfort of marginalized men who are In these communities to be exposed to it.
and the issue isn't about any one joke or poorly worded discussion in particular, but it's difficult to articulate why it can feel so alienating and unsafe to have things like this be so common within my communities without sounding ridiculous or risk being made fun of for not being able to take a joke. because the framing of implied privilege makes it easy to twist those feelings alienation into the entitlement that's assumed with men taking issue with being the butt Of a joke.
I simply think "this type of person is inherently lesser than" should be reexamined and thrown out as a talking point, even in a lighthearted context. because there will always be vulnerable people within those groups who already Hear that they are lesser than for existing
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Danny is just a kid ya know? Like he is just a little guy. A baby really. 14? Tiny child! Look at him, he needs to be protected. Someone has to help this poor little dude. I mean he forgets to use his own powers to avoid attacks all the time.
Anyway cut to Batfam not knowing all of Dannys power set cause the lil dingus keeps forgetting he can do that stuff in the heat of battle.
Danny uses his invisibility all the time… to avoid being followed. But in a fight? Oopsies hes too busy thinking of funny one liners to realise he could do that.
Intangibility? Give the guy a break. I mean who calls themselves condiment king. Even he was stunned.
He so rarely actually uses his biggest advantage powers that the League doubt he actually has them. He, like any naive child, trusts them and reported fully on his power set. Instead of just asking him to demonstrate his powers they instead start watching him and try to find evidence of his powers.
At least they know duplication was true since they watched him make a copy of himself to go to the bathroom and not miss any of his fav tv show.
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never forget lizzie trying to rizz joel up in last life ("yknow, I've always had a thing for bad boys... red names...") and scar just popping over the hill all "well this is awkward"
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my knight-monk agenda strikes again, but this was less of a 'I read something that made me experience several emotions and a strike of inspiration at once,' and more of a 'wouldn't it be fucked up if the bejeweled skeleton saints came to life and and started. eating people. or something. in revenge. medieval catholic horror, or an older horror of not being buried right. zombies, even. a complete bastardization of holy visuals. zombies.'
it's a far away idea, but I still wanted to play around with font layouts. like, if I DID make it into a full comic: these would be visual vibes, perhaps.
it's also a little bit about the kind of intimacy that these kinds of spaces provide, or in the case of this monk: the heavy trauma of war and the death of your brother, the escape to a secluded monastery, spiritual brotherhood to make up for your dead brother, but your role as a physician keeps pulling you back to this violence you want to escape. physician, heal thyself, only you have a holy calling to serve those in need, so instead: physician, open up your wounds again. saint jude, patron saint of lost causes, give us a fucking hand here, man. amen.
Homosexuality in the Renaissance: Behavior, Identity, and Artistic Expression, James M. Saslow
and this one is about earlier history than the medieval period that this comic is set in, but the monk character is sort of an exploration of earlier themes. a little bit. I like overlapping eras with each other, I've done it before and I'll do it again. this character is an exploration of some other stuff too, but mostly this book was interesting to read
From Monastery to Hospital: Christian Monasticism and the Transformation of Health Care in Late Antiquity, Andrew T Crislip
bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost
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the last time I made a post about a character type I really like it went well, so here's another one: I love a character who is a piece of shit loser.
Let me explain: a very specific kind of piece of shit loser. This is a character who is almost never (at least not at first) a major protagonist or a major villain. They might be a mercenary or thief or black-hat hacker or in some other sort of antisocial "bad guy" line of work. They are some sort of henchman, or at least have strong henchman energy: dangerous and/or talented in specific skills perhaps, but also, importantly, undeniably a loser. Their personality sucks. They're uncharismatic and unpleasant. The heroes interact with them only when they must-- and this character deliberately cranks up the cynicism around especially sunny or optimistic heroes. They know the world is a cold, hard place, and the only thing they trust is cold, hard cash (if they're even getting paid for this shit). Things like "hope" and "friendship" are for suckers.
Until... somehow, some incident or confrontation or compounding sequence of events puts a crack in their armor. It's a crack where the light can get in-- and also, alarmingly (to others and to them), shine out. It turns out this piece of shit loser had a little spark of goodness buried deep inside all along, and no matter how much they dig in their heels and insist they don't care, their conscience is steadily pulling them over to the "good" side, and it's winning. And the heroes know it, too: this character might still be a piece of shit loser, but now they're their piece of shit loser, and there's no going back.
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