the vees are so funny because you know val would say some aphobic shit like "what do you MEAN someone can form meaningful bonds that transcend sex and even romance but especially sex. what do you MEAN not everyones lives revolve around fucking and sucking or atleast like loving if your into that shit" (romance nuetral arospec allosexual)
meanwhile his on again off again boytoy fuckpartner vox has never truly been sexually attracted to anyone in his life (high libido sex positive ace demi-aro with a propensity for alterous attraction *cough one-sided radiostatic cough*)
and the both of them are in a commited platonic/business relationship with velvette who has absolutely no sexual or romantic interest in either of them (idk if shes a lesbian or aspec or bi and they're just not her type in that way; but its all the same result)
and yet none of them view their partnership as anything below or lesser than compared to the romantic and sexual relationships they do have. if not outright being more important than those (QPR-cule)
and ofcourse vox and vel will be standing right alongside valentino as he says this, nodding along without a hint of sarcasm or self awareness because they also genuinely think they believe the same thing.
and if you try to point this out to any of them (and somehow convince them that what they have going on is queer platonic and aspec in nature) they'll just be like "yeah but we're The Vees, we're overlords, we can just do whatever the Fuck (or lack there of) we want" and you know what they're right
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Ah yes its 'Follow the Lights' time where we get to watch everyone in the chain get shocked half to death because they had the audacity to simply exist.
Lu-tober day 14
Prompt: Electrocution
From my Goretober prompt list
*TW* A bit of lighting and Wars being shocked. Its not very graphic, but figured I'd throw this on there anyway
Experimenting with art styles? More like I didn't have time for todays prompt but still wanted it to be colored so I decided to just go a messy version of my texturing style and hoped it looked good without lines. Honestly its not terrible, could use a bit of clean up but otherwise pretty okay.
IS IT RAMBLE TIME YES IT IS
'Follow the Lights' is a fic written by CluelessMoose on Ao3. 'Don't Go Into the Light' is the follow up alternate POV fic, and they are both fantastic. Expect more angsty art based on this fic.
The idea behind both of them is a Chain meets Wild fic, except everyone gets scattered across hyrule between a bunch of different shrines. Super angsty, and is definitely on the more extreme side, but is also fantastic. Come here to get your helping of hypothermia, heatstroke, blood, gore, unreliable narration and a lot else. Its essentially just kicking the chain while they're down and I love it. Especially Wild, he gets kicked a lot.
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I'm so sorry if you get tired of answering asks about Pompey and Crassus BUT your response to the anon asking if Crassus let Pompey get away with things really got me thinking! Specifically about the way that Plutarch (I think?) says that Crassus didn't hold ill-will against Pompey for "stealing" his triumph. And how it feels like Crassus just kind of decided to shrug it off and instead asked Pompey for help for the consulship elections. Crassus seems so ruthless and direct while on the field, and I have so many questions about how he and Pompey worked together in Spoletium which will never be answered 😭 But then when it comes to politics I really can't see the pattern!
oh, I love talking about Crassus (and Pompey too, by extension), literally I can't stop. you can ask several people. I'll be talking about one thing, and all of a sudden: Crassus has entered the conversation. it's terrible, I can't stop. mostly, it takes me a thousand years to articulate my thoughts in any kind of way that makes sense.
I actually think that there are two times that Crassus subtextually calls Pompey a bitch, and the triumph incident is one of them!
specifically in that Crassus's comment about it:
Crassus, for all his self-approval, did not venture to ask for the major triumph, and it was thought ignoble and mean in him to celebrate even the minor triumph on foot, called the ovation, for a servile war.
Crassus is also not the first person to hold this sentiment.
Crassus' Ovation in 71 B.C., B.A. Marshall
I think it's important to remember that for Rome as a whole, the Third Servile War was terrifying because of the scale of the threat it posed to how an imperial wheelhouse running on a slave economy functions, but also because it's really fucking embarrassing for Rome's identity.
Crassus is also not the first person who commands the leading role against Spartacus. Spartacus goes through two other commanders before Rome asks Crassus to enter the scene. Crassus specifically is a private citizen when he is asked to step into this role: up until now, Rome's own praetors and consuls have failed to rise to the occasion.
Crassus' Ovation in 71 B.C., B.A. Marshall
Marcus Crassus and the Late Roman Republic, Allen Mason Ward
this is a deeply humiliating moment for the Roman reputation and identity. Pompey taking credit for Crassus' victory is an expected power grab, but it's also kind of cringe that he did it. Crassus was doing Roman's Duty To The State (or, if you like a spicier take on it, may have pulled strings for it. after all, you can't consider a man rich unless he can fund his own army. and the army Crassus brought with him for this was is own)
and so taking credit for that is like. man. this was NOT a "glorious war" that was fought. (Lucullus cites this as a blemish on Pompey's character during his vulture speech, it's very fun!)
so while Crassus may have realized that writing back to Rome and requesting back up was a mistake because whoever showed up would have the world's easiest time taking credit and accepted that it would happen, I do think that he took alternative measures to even the playing field in a 'okay sure, have your triumph, but don't think you're going to have it all,' kind of way because he also does this
Marcus Crassus and the Late Roman Republic, Allen Mason Ward
Pliny, Natural History 15.125
Gell. NA 5.6.23
Cic. Pis. 58
which does not strike me as the behavior of someone who is letting Pompey just run away with it without any kind of pushback.
and now to throw out literally everything I just said about the Triumph Incident, B.A. Marshall (whose article I've cited several times already in this) has an incredibly compelling case to make that there wasn't really as much conflict between the two over this as ancient narratives might indicate (which. seems to be a recurring theme with them)
Crassus' Ovation in 71 B.C., B.A. Marshall
I will stick to my narrative speculation that some of their respective peers probably thought it was at least embarrassing behavior on Pompey's part, because Lucullus has a lot of vitriol to direct at Pompey, and he does cite this incident as something negative to Pompey's overall character) someone who steals credit and glory from other people). so. hm. I think the assumed personal and periodically biting rivalry (in addition to the usual political rivalry) between the two is extremely fun, but so is. this. thoughts! much to think about.
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Question for you, on the subject of SPOP ships: would you have been okay with Glitradora (essentially the poly trio) being a thing, had Nate Stevenson decided he wanted to go that direction? I'm just curious as someone who loved how the Catradora arc was done in the show.
(And for the record, I understand your indifference towards both Korrasami and CaitVi--the latter will need some more seasons in the oven to really flourish, while the former is severely hampered by the constant executive interference Nickelodeon pulled on LOK during its original run.)
if glitradora were made canon i would have eaten my own face (/pos) my god the CONCEPT,,, the DRAMA,,, the DYNAMICS,,,,, that would have been my roman empire actually
also agree w everything you say here indifference is a great word for it. caitvi i actually see the potential in them i don't dislike the pairing it just rlly isn't compelling to me. i actually felt a little,,, weird about it? it felt like it came out of nowhere to me?? which i know isn't true but something about it just strikes me as Rushed idk (vi is still one of my favorite characters though)
as for korrasami i lowkey feel bad hating on it bc i KNOW how much the network screwed over the writers about it, but like,,, man i don't even see the potential in this one ahgakjsdas. i will admit though a big part of this is just the general writing of tlok i felt wasn't great so the character dynamics seem sorta weak to me. i AM glad for what they did for representation in kids' cartoons though and i'm glad ppl are having a good time shipping them. the fanart is gorgeous also
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👁🗨 !!
Send a 👁🗨 to peer into my muse’s mindscape!
Headless torsoes and oddly bent limbs lined up side by side, colour coded in familiar shades. The heads nowhere to be found. The notes were meticulous, written in a clinical tone only broken by the usage of terms such as ‘Breast Shielder’ and ‘Swordriller’. Links in superscript only produced really long shopping lists (which in itself also had more links).
The pieces were distorted and moved into position. Limbs broken at various joints connected to other joints of a different colour.
Attach, detach, reattach. Break down. Build up. A different way every time. Again and again, always changing, never satisfied.
A myriad of conformations all in a seemingly futile attempt to form the body of a specific ideal - the megazord.
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