Saw a post the other day asking how P03 is able to see; my best guess is something like this.
I actually inspected P03′s 3D model for this which I don’t usually do (and then I proceeded to draw it off-model anyway. Whoops) but even outside of its hypothetical camera-vision, there’s a few other things of note:
P03 seems to have a lot of large vents (or at least things that look like some sort of ventilation/cooling). Two major ones on the chest, three on the top of the head (with potentially another on the side of its head), and one on the underside of its base (though that one might be for the hologram projection it uses to float). My best guess is that it’s because his factory is built right by the water where there would be a TON of moisture in the air. For that reason, some of them have got to be exhausts to make sure all of the air circulating in his torso is dry. That or he just overheats extremely easily I guess, but I’m leaning towards the humidity explanation (or it could be a combination of the two).
Its “eyes” are somewhere on the front of its face; whether it sees through a camera or just through the eyes on the screen via video game magic is up for debate, but it turns to face the player when they stand up so its vision probably isn’t on the sides of its head or something.
Similarly, P03 has some sort of sensitivity to touch (he reacts to Leshy’s hands gripping his monitor before Leshy says anything). I don’t think any “touch sensors” would be externally visible though.
Presumably (based on the ending to Act 3) P03′s head isn’t just a monitor, there’s vital systems in there as well (otherwise tearing its head off wouldn’t do anything to disrupt its upload/its ability to function). My best guess is that his power supply is in his chest so it would be the equivalent of just... unplugging your computer while it’s trying to preform updates.
The wire it uses to connect to the modules to update cards in Act 3 seems to come from either its neck or its torso, but in act 2 it’s very visibly on the side of the head. Granted the act 2 sprites are all pretty different from the Scrybes’ 3D models so that’s not an outlier.
The range of motion in P03′s arm seems pretty similar to a human arm; he has a ball-and-socket joint on the shoulder and a hinge joint on his elbow plus separate segments for the “wrist” and “hand”. The only thing it probably can’t do is twist its forearm.
I don’t have any idea what either of the cranks do. The head crank moves when it changes its expression so it might have something to do with its display, but the arm crank is only shown doing anything on the G0lly Uberbot hologram. My best guess is that P03 used to have a lot more built-in functions but ended up removing them in order to operate faster so a lot of the buttons and switches on it are just vestigial leftovers. (The idea of the arm crank being able to function as a hand-crank motor in a pinch is really funny though. Spin it a few times when P03 is out of power and you can generate just enough battery for it to tell you to fuck off then go back into sleep mode again).
I have no idea how the levitation works either. It’s cool and that’s why it works. No need to get more complicated than that.
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Requestober 2022 Sketches: Vargas Edition
Btw, you’ll be wanting to keep an eye out for this playlist! It’s updating once a week every week until every day of Requestober has been posted, so for quite a while lol, but there’s a few already up!
Day 1, starting the month off with some cuteness! ♥ I originally had Scriabin a bit more inquisitive and curious behind Edgar, just kind of shyly ducking out of view, but I do like the full fluster that I ended up with ♪
I also imagined Jake in a jacket throughout the fic but I felt like it wouldn’t communicate well from behind haha. Everybody gets jackets! Hehe, Jake-et. Scriabin super flustered and blushed up, being touched by someone other than Edgar in a nice way ♥
Day 3 got multiple hug doodles, big shock there lol, I wasn’t sure what to do with such a broad prompt at first, so I just did all of the ideas I had lol. I do love when they hold each other soooo closely, hugging for dear life <3 Holding the back of the head is so sweet to me ahh. And then a silly one where presumably Scriabin got a bit heated and needed some cool-off holds. Maybe if you stopped jumping straight to fight every time-
Truly, what is a hug tho, does a cuddle count?
This time Edgar being impulsive and wanting a hug! I drew these a bit apart but I thought they fit together well, always one acting responsible over the other, they trade it back and forth ♪
And then what finally ended up being Day 3 <3 It’s toootally not a hug you guys, it’s just the two of them holding each other up, nothing deeper than that, just ignore the ♥ hehe
Day 4, what a rambunctious scamp! He looks so pleased with himself with that fake cigarette haha
I took the lines pretty much directly from my traditional sketch, no digital re-sketching, but you can see in the final version I forgot Edgar’s antennae haha
Day 8, the first of the minicomics >:3c I really couldn’t help myself, like I said in the tags, I’d been waiting for two years to get the idea out of my head and onto paper and it turned out pretty much exactly like I wanted it to ahh ♪ Moth Edgar with big fluffy wings and antenna! Too cute!
And of course Scriabin looking as dorky as possible lol ♥ That’s what you get for being an impulsive Act Now Think Later kind of guy! I think the original line I wrote that heck-while ago was “It was funnier in theory” but I think this phrasing is cuter :D
Day 10 went around a few times before I settled on the final version, I originally had Scriabin directly touching Edgar’s scars but I decided that was a little too bold for ‘’’’’’strangers‘’’’’’ to come right out of the gate on. He’s not going to listen to you if you stomp all over his boundaries right at the start! You have to ease your way in first lol
More of Day 10′s meandering ideas, almost got the dialogue I wanted
Rude
And finally settled on a single image! It’s dialogue-heavy but I think it works well ♪ I had a few extra notes, like where to put the lines of dialogue, Scriabin’s hand on Edgar’s face, that Edgar accidentally ended up being tiny in comparison lol, all good stuff
“You should give worshipping me a try”
You didn’t think I forgot about the hug that become Day 11 did you! This was part of the initial Day 3 set but it got repurposed, say thank you anon. I really love when Edgar manhandles Scriabin around a bit, mean as it can be sometimes, and the idea of him being strong enough to pick him up but maybe not vice versa, ah, it gets me! A hug he truly can’t get away from, unless he wants to fall over. At least he’ll take Edgar with him lol
Day 12 took a bit to get started as well, I wanted something where Scriabin is actually being a faily guardian but I only came up with him being a little blindsided to begin with
Of course he’d have to wear it, even paper flowers go in Scriabin’s hair ♥
More cutes while brainstorming, napping together ♥ (psst, @fandomfriend, here’s what I was hinting at ;)
But I did finally get there in the end! Panels out of order of course lol, but was even able to get the caption and some of the tags together haha ♪ I like the final version too, but I honestly think Scriabin’s expression in the 2nd panel is great ♥
Day 13 got a few different costume drafts! In fact, I very nearly went with the first one, partially because it was a costume I had when I was little haha. Todd the plane and Shmee the aviator! Very cute. I also considered both of them dressed up as wildlife explorers which was also very cute, but in the end I’m happy I went with the King and Prince theme :D
Day 14′s spooky spider theme ooh ✨ I do wish I’d had a bit more time to work on it, but I’m still pleased with how it turned out, sketch included! Scriabin being spooky in the background is always fun, and he’s got even more lenses to flash from than usual haha
A few days after I did the initial sketches, I returned to the web idea because I kept thinking about how sparkly Ilwrath webs are and I wanted some sparkly webs myself! I thought it would suit Scriabin as well, him “catching” small shards of glass, sparkly stones, pieces of mirror, little trinkets - things that represent him :)
And then a silly follow-up to being tossed into the web lol. Are you gonna argue with a 6′ spider? Didn’t think so
Day 15 was one that I didn’t have the sketch to work with while drawing so I had to use it as an on-hand reference instead haha. I do think both versions turned out nice! Especially Scriabin’s hand on Edgar’s hip haha ♪ The head angles changed a bit from sketch to final and I can’t decide which I like more honestly - Edgar demure and Scriabin leaning further in here is just so sweet
I did end up doodling Scriabin setting everything on fire and bringing out his wings, just a little bit haha ♥
I just kept poking around at ideas for Day 15! I remember having a very strong image of the two of them moving through an indistinct background until Scriabin settled them at Eat Or Die (lol) while reading, and that also being very defined in my mind’s eye but I’d never tried to draw it up to this point. I might return to it on a future reread
And then as well I got to thinking about the Scriabin of the stories they make up together, and how he’d always been separate from Edgar until they met, how different that would make him, how his glasses would always be grey :0 Melancholy
Day 16 was much the same as 15 in that I didn’t digitize directly from the sketch, thus the lack of brush here haha, there’s only so far grooming manually can get you! Definitely struggled with keeping his silhouette clean, he gets lost in all that fluff hehe
@brusk-ghost asked to set aside the 18th so I actually made these a bit early, around Day 12, but it finally got the spotlight for Day 18! The posing changed around a good bit, as well as Edgar’s attire. I’m glad I went with the waistcoat, the négligée I had in mind would’ve probably been just a bit too much lol
I actually drew the bonus first, had to segway into real vampirism through silliness first lol
Day 21′s crossover yaaay <3 I love Camilo! He’s probably my second favourite character right after Bruno so I was happy to draw him again, and I always love Todd meeting up with people who are nice to him :D
I wasn’t sure of his hand posing at first so I doodled a couple extra Todds hiding behind Shmee but in the end I’m happy with what I went with :)
Day 22′s original draft was a lot sillier, even than the silly thing that become the final version lol. You’re making Edgar concerned, Scriabin! Edgar’s not the only one who needs to get out more haha
Day 22 was I’m pretty sure the first time I’ve actually drawn Shmee “alive”?? I’ve doodled him emoting before but like, intentionally looking like a blank-faced teddy bear, if that makes sense. It didn’t feel out of the ordinary or anything which is maybe even more odd haha, it was fun to doodle him being cartoony
And then there’s this lol. Like I mentioned in the tags, I was really struggling with Scriabin’s reaction expression, so I tried a few different ones before I remembered about the Spamton face, which you can even see my notes for there in the upper right corner haha. Scriabin makes the best faces! It was fun to draw him a bunch of times, even with the little frustration of not knowing which one I wanted haha
This one was, as noted, probably a bit too much lol
And then finally, mostly what I wanted and ended up using in the end haha ♪ Muppet mouth <3
Day 23 was a simple only-one-doodle-needed kind of day, thankfully haha ♪ I knew going into it that I could use my little error message box so I threw it in for funsies :D
Day 24 was originally pretty different! It had Edgar’s aim a lot closer to where it should’ve been, but it didn’t involve anything other than his hands and I wanted all of him to be included, so I had to scrap it, which also meant most of Scriabin’s mask :( I also didn’t get to draw Edgar straight-on, but I wanted to give him a whole bunch of accessories for vampire hunting! Belt of stakes, a gun with silver bullets and a leather chest holster, all decked out! I’m pleased enough to have drawn them all here haha
I think the final version is the happiest medium tho ♪ Little bit of the mask, some blood (including the bite Scriabin left on him in Day 18! Now bandaged ♪), and Scriabin’s really fun hand pose holding Edgar’s neck ♥ I do really have to give it to the anon for putting the butterfly imagery in my head about it, fancy look ✨
For day 27 I wanted to do some brainstorming first since I don’t usually draw zombies. It ended up being a bit more sad/scary than I wanted, but I was still trying for at least a little silliness; Scriabin is using bullying humour to try and cope but he’s scared too </3
The final version ended up much funnier I think, and more dynamic! :D I was absolutely thinking about the beginning of Lilo and Stitch, when Nani intentionally falls onto Lilo lol, it’s the Older Sibling instinct, and the Younger to complain about it haha
The first doodle for Jealous Edgar, could be about anything! Drew Scriabin’s glasses as grey so it’s probably After, but what if it was in reaction the Player from the Dating Sim? He just comes home and grumpily hugs him haha ♪ Scriabin pulling a “You’re so obvious” himself hehe
And then the alt ended up becoming the final version! I’m not sure how well it came across in the final version, but I intended for Edgar’s pose to look like he was holding Scriabin behind him, like sweeping his hand to keep him from being very visible to the player while Scriabin peeks out to wave goodbye. It was really fun to draw his Jealous™ eyes traditionally haha, the scratchy texture feels like it really brings out the “Back Off” vibes ♪
I had a few more ideas for UI, to do with the little ❌s at the bottom of Edgar’s text box; the three states of the boxes are empty, ♥, and ❌; both ♥s and ❌s are indelible, meaning if you insult one of them enough, you lock out the opportunity of filling that box with a ♥, ever. In this run, Edgar has no ♥s and three (or here, five) ❌s, meaning the player was real mean to him
And finally Day 31 ♥ I only ended up doodling these like, twenty minutes before drawing them digitally so I didn’t get a chance to scan them in beforehand, which I think is a real shame! I mean, look how cute Edgar is! Slightly more awake eyes hehe, and I wasn’t sure where to put Scriabin’s “you know” at first
Speaking of traditional cutes, look at how floofy Scriabin ended up being! Adorable 💕
So that’s all of the Vargas Requestobers from 2022! Busy busy busy year!
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For the WIP title asks:
Rising Tide (which is also a song by Sunny Day Real Estate)!
Tell me, do Kyogre and Groudon meet at the shore to enjoy a nice playdate while Maxie and Archie fight over land/water property lines like the suburban dads they are?
this ask is sending me, oh my lord. thank you--i laughed pretty hard at this :D
and this song is within the time frame of songs i'm referencing in the fic, so that's just perfect! thank you!
"color your skin with gold, and the violence remains
cover your eyes with rose, but the stain remains
will you repair your life
with all the holes you fill?
smother your will and drain you of your passion..."
oh yeah, that's going on the playlist.
as for our beloved suburban dads, i can't say too much without spoiling the last quarter or so of the fic--though i guess i have been pretty transparent about maxie actually succeeding in catching groudon. that's a thing that happens. gonna be mum about the circumstances and implications and fallout of that, though. i'm sure it turns out fine.
as for the wip itself, it's the first chapter of eye of the storm. the title refers to the circumstances that drive may to leave home in the first place--things get to be too much for her.
for a little context about my may, she's 22 at the start of the fic, and had moved out of her parents' house at 18, back when they still lived in johto. she opted to move back in with them temporarily when they moved to hoenn (instead of staying in johto by herself), and it's a choice she starts regretting very quickly. snippet under the cut. i feel like i should add a trigger warning for this as well--it's a bad situation if you've ever been in it before but pretty vague if you don't know what you're looking at. tw for implied emotional abuse, i suppose.
This was bad.
May sat on the carpeted top stair and gripped her empty mug so tightly her knuckles turned white. A faint “godsdammit” floated around the corner that led into the living room and up to her ears. Whatever her mother was fussing with down there had her, to be incredibly mild, extremely pissed off.
This was bad, but it had probably been worse at some point before. Not that May could put a finger on when, exactly; the last four years of solitude had papered over the memory of her mother’s moods with a series of perfectly pleasant lunches and borderline enjoyable outings to the movies. The tone of voice May was catching now, in snippets from the ground floor, was a knife widening the old wound of the six years before that, during their time in Olivine, after their last big move. The first time this had happened, May had been thirteen and stupidly hopeful.
She didn’t have age as an excuse this time.
Did she really need another cup of coffee? She could turn around, tail between her legs, and head back to her room. This one locked, though that might cause her more problems in the long run. She’d already endured the years of formless suspicion about why she kept her door closed all the time, and even that particularly bad summer where the door had been removed entirely. She didn’t need, didn’t want a repeat of that. Something told her the offense her mother would suffer over a locked door would be far greater than over a closed one. Teenagers were just like that, after all. From an adult it would be an insult.
Moving back in had been a massive fucking mistake.
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post-hamlet thoughts
tl;dr my college did hamlet and i was in it and it was cool
first of all, in case i hadn't made this clear already, this was entirely student-produced. i mean, we got some money from the theater department, but people-wise, it was all students.
i've told the rest of the cast this time and time again, but they're so good. insanely dedicated and humbling in their talent.
our hamlet, horatio, ophelia, and laertes were all freshman, and they were all stellar.
ophelia and laertes broke my heart every night in the second half with their anger and their sadness.
horatio always brings top energy to scenes and had lots of funny moments (espec counting his doubling as the second gravedigger) but also made me feel things (we staged act 4 scene 6 as him alone on stage reading hamlet's letter to the audience and he killed it every time).
and our hamlet was just incredible; a pleasure to act against as guildenstern and a pleasure to watch / listen to in their more emotional scenes.
and everyone else was great too! our polonius was always funny but also had genuine moments of connection with his kids; our cladius brought some great depth to the role (his take on the monologue in act 3 scene 3 was great) while still being despicable, especially in his manipulation of laertes; our gertrude brought our director's take on her to life impeccably; and, of course, i had a wonderful and hilarious partner in our rosencrantz :)
not to mention our quartet of players (who also filled out the other miscellaneous roles) who had a ton of great moments. shout-outs in particular to the guy who doubled as the first gravedigger and sang his sung lines as a sea shanty (honestly, i think he could have been a great guildenstern or rosencrantz in another universe).
the crew, of course, was also amazing. there were like 150 cues? my friend (the writer i mentioned in this post) did a fantastic job with the lights. the people behind the staging and makeup did just as well. and the costumes were so fun! everyone looked great; we had a consistent black-white-red-brown color palette that tied it all together. special shout-out to the player king wearing a white shirt with a black cape while cladius wore a zipped-up leather jacket and a white cape.
oh, and me and ros? we got fedoras :)
i may share a photo later. maybe.
we did our show in the college black box theater (inside the fine arts building), which i do not currently have the brain cells to try and explain the layout of. it's a kind of weird space, but i think we made the most of it. for the majority of the show i was off stage left, meaning i was hanging out at the top of the stairs which serve as the main entrance and exit to the theater (sitting/standing where i couldn't be seen by the audience obv). you can't really see the stage at all from there but you sure can hear the actors, and by the time of the show that was (mostly) enough for me.
as far as how the actual shows went?
friday was our most engaged audience. their laughter was greatly appreciated in the early scenes ...slightly less so when everyone was dying in the final scene. i mean, i get it, people start dropping like flies and actually foaming at the mouth and spitting out (fake) blood; it's a lot. i applaud hamlet and horatio for staying in character through it. everyone did a great job that night; it was probably better than all our dress rehearsals as a whole.
saturday, at least from my pov, had kind of weird vibes at the start? i don't know how much of it was people getting to bed late the previous night, how much of it was overconfidence, and how much of it was people getting in their own heads, but it was our lowest energy show. the audience wasn't as audibly engaged either, but they did give us a big applause. i felt more good than bad about it by the end, for sure.
especially in retrospect, because, despite us having a smaller crowd at today's matinee, everyone was back on the ball. the ending in particular i think was the best we've ever done it. it was probably my best performance as well.
to be clear, i wouldn't rate any of our three shows below an 8 out of 10, for what that's worth. everyone gave so much to their performances; the funny bits were funny even when the audience didn't seem to think so, and i was always getting caught up in my feelings in the second act. you can't ask for much more than that.
now, here's a compilation of things from the production in no real order:
i already posted about this, but having the blood stains on stage where people die from the beginning of every show? *chef's kiss*
i'll also restate the thing i mentioned in the tags of that post: characters who were murderers had symbolic blood makeup after they killed someone. cladius had a bloody ear from the start of the show, the meaning of which becomes clear once you see the player king get poison poured in his ears; hamlet got blood on their face during intermission that's meant to be polonius's blood; and, arguably most significantly, gertrude had bloody handprints around her neck when she entered at the end of act 4, which, in addition to her hair and arms being dripping wet, is meant to suggest that the story she tells about ophelia's death is, in fact, a cover for something less accidental.
as mentioned above, our director's take on gertrude in general was, from my understanding, pretty different from the standard. to quote from his character spines, "you fundamentally want to prepare your son hamlet to be king; you are playing essentially a game of chess to do so." it was really compelling to see in action. the way she performed act 4 scene 7? chilling.
speaking of those character spines, the first line of horatio's is literally just, "You are in love with Hamlet." and boy howdy did that come through
prime example of that (other than just, all of his and hamlet's interactions, which were wonderful): when horatio finished reading the letter from hamlet, he sniffed it, in a very sweet and very not-platonic way
it was an unintentional running gag throughout the whole process that other cast members would forget between ros and me which character we were playing - to the point that every performance, when hamlet first greeted us, even though i would get to them first, they addressed me first, and it's written that they say my name first, they would call me rosencrantz and our ros guildenstern.
...someone should write a play about that.
i might have posted about this already, but in ros and i's first scene with hamlet, when the two of them start talking about child actors, hamlet made us sit in the thrones, and we would make moves to leave of varying boldness that they, of course, never let us follow through on. this then got basically repeated in act 3 scene 2 except that horatio got to join in on the fun of relentlessly mocking us
(the thing where hamlet handed me their copy of william shakespeare's complete works while they dud the "what is a man" mimi monologue got dropped at some point in the dress rehearsals, unfortunately. they did flip through it with the players though)
during the play within a play, polonius would keep falling asleep and ros and i would keep waking him up
(we also got to do some fun silent banter back in act 2 scene 2 while hamlet and the players were doing their thing)
then the bit after that with the recorders, aka guildenstern's defining moment, was just so fun. hamlet and horatio basically sandwiched ros and me between the two of them, and hamlet and i played off each other very well (at least imo), and though i couldn't see what horatio and ros were doing behind me i know that it got some good laughs. and i could tell every night that the scene landed despite the shakespearean language barrier, so i can't help but be satisfied.
my other best moment was when the king told me to go get polonius's body from the stairs and i got to slump and make a "do i have to?" face before my (final) exit. i managed to actually get some chuckles from that tonight, from the crowd that, again, laughed the least in general, and i can't put into words how euphoric i was to have that be my last moment playing guildenstern.
from the rest of the second half of the show, which i am not in, i will highlight a) the gravedigger eventually realizing after shoveling for minutes on end that he's been shoveling literally nothing (love me a good little fourth wall break) and b) when hamlet and laertes come to physical blows over ophelia, horatio, on his line, steps between them, draws laertes's sword, and takes a stance pointing it at laertes to hold him off, all in basically one glorious motion.
oh, and the ending, of course.
as i alluded to way earlier, we had fake blood and alka-seltzer tablets that the people who died in act 5 scene 2 used to great effect (particularly the people who died via poison)
speaking of that scene, the sword fight was very neat! well-choreographed and well-enacted. real foils btw
and the way hamlet and horatio performed the ending? more than anything, the way hamlet said "give me the cup; let go!" - that shit hurt, in the best way, every night. (and though hamlet died in the king's throne (with the king's crown on), horatio held / clung to them the whole damn time)
for a lighter final note: our polonius doubled as fortinbras and came on at the ending in this huge, heavy, vampire-ass cloak, accompanied by our director as the messenger from england who announces my and ros's death :)
thankfully, we did record our last dress rehearsal, so we do have a version of it that we'll get to watch back in the future. i won't be able to share it with any of y'all (we will apparently be in BIG trouble if we post it anywhere online) but it'll be nice to have for me.
funny thing that happened while i was typing this long-ass post out: i kept using present tense and then realizing i had to change it to past tense. and by "funny" here, i mean, uh... oof.
we never got a perfect run-through where no lines were skipped over, but, i mean, it's fucking hamlet. we did this shit in like a month and a half (with a week lost to spring break); it's more than impressive that the show turned out how it did. it was a group labor of love, and one of the best things i've ever gotten to be a part of.
and i miss it already.
...at least there's movie night on tuesday :)
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