#hank is cool dad

[v1nc4nt]

Dbh brainrot is real guys (pls don’t mind the messiness, I hadn’t even known what I’d wanted to draw before I even started, my bad 😔😔)

[glass-noodle]

I'm unsure if it's a good scenario or not but it's something I've been thinking of kamski fucking with the water in Connor's tank could be using a different chlorine or salt level or something and it causes him to get allergic stuffy runny gills and red nose lots of sneezing but Connor tries to hide the symptoms from Hank

fever

[jocelynships]

Well work was just a lot of bullshit tonight and I’m crying in my car rn bc I got left to close by myself despite the fact I have to be back in at noon 🥲🥲🥲

[carefulfears]

every now and then in the midst of the most deranged garbage you’ve ever watched when californication gets actually very very sad 🫠

[hamartia-grander]

Hank: *drives by a beautiful house*

Sixty, pointing it out: wow. I would kill to live there.

Hank: 

Sixty: I would commit murder to live there

Hank:

Sixty: ... I would be okay with serial killing to live there-

Hank: Sixty! The fuck is wrong with you?

Sixty: I’m honestly just surprised you let me get to serial killing

[sanakiras]

HEAVEN

PAIRING — jeon wonwoo x fem!reader

WORD COUNT — 3.4k

SYNOPSIS — wonwoo has a reputation for being distant, quiet and a bit mysterious. once you get to know him better, though, you come to find the sweet, shy boy underneath the surface.

TAGS — established relationship, explicit sexual content, sub-ish virgin!wonwoo, lowkey corruption kink, i have a sickening crush on this man can you tell, not proofread :)

♪ — the nbhd - heaven,, hank lotion - k-sEx

NOTE — gam3 bo1 wonwoo and ep 1 nana tour wonwoo footage has been making me act UP and i think he’s just so cute <3 screw the hard dom wonu agenda i like to see my men a lil WEAK ‼️😁

like most people, you felt rather intimidated when you met jeon wonwoo for the first time.

stoic, quiet, intelligent. the strong and silent type. that was the clear image you had of him. and to top it all off, he had the criminally good looks too. a relatively rare kind of man to come across, in your opinion.

though you began to see him in a different light after bonding with him over your shared love for video games. since then, you’ve discovered he can actually be quite talkative, cracking silly puns or laughing at the corniest dad jokes. he’s well-spoken and is actually very open about his feelings, which you found refreshing.

and while developing a friendship with him, you realized how much of a big softie he actually is, which paints quite the contrast compared to his cold and quiet persona he unintentionally seems to put up towards those outside his circle of close friends and family.

it reminds you of the day he asked you out — that sweet, shy smile on his face with rosy cheeks, all flustered and stuttering that you really don’t have to say yes if you don’t feel like it and he’ll push it all to the side like nothing happened if that’s what you’d prefer—

you very easily interrupted him by agreeing to go on a date with him. you’d never seen him smile wider.

wonwoo is cute when he smiles.

and despite his nervousness in the beginning, he still made efforts to be as talkative as he could and show you his interest in you, which you found very sweet. you had a great time with him, and you noticed rather quickly how comfortable you felt around him.

a couple dates later, he asked you if you wanted to be his girlfriend, and you certainly didn’t refuse him.

he’s also turned out to be a gentleman in his own way — subtly saying he could do certain things for you to make your life easier in that monotone voice of his, eyes following you around whenever he’s with you.

the first time he slept over at your place was rather recently after you two made it official. it wasn’t planned, since he was supposed to go back to his place after your date, but due to issues with public transport, you offered him to stay with you instead.

with his face and chest bare, he got into bed next to you. of course you’d imagined what he looked like underneath his big hoodies, but actually having him by your side like this was different.

and wonwoo was putting every bit of effort into playing it cool, even though he was freaking out to be sleeping next to his first girlfriend, forcing himself to look away from your tank top that left very little to the imagination.

yet ironically, it was all he could fantasize about before drifting to sleep.

normally, you’d only let a guy into your bed to do things other than sleeping once you’ve been dating for quite a while. it’s never been something you like to initiate quickly — but wonwoo’s been making you question it. severely.

because he looks so hot when he’s out on the field with his football team, when he’s working out, when he’s gaming on his pc, even when he just fucking smiles at you. the worst thing of it all might be that he doesn’t even seem the slightest bit aware of how attractive he is, nor what effect it has on you.

maybe you should really just tell him you want to jump him like a tree.

but you don’t want to rush him. for all you know, he doesn’t feel like doing that at all with you yet, and for some reason you just didn’t know when or how to ask him about it. later, you thought to yourself.

though you will say you’ve been pushing his buttons a little over the course of time. ever since that night, you’ve subtly been putting yourself on display for him. low-cut shirts and dresses so he can take a peek at your cleavage, accidentally exposing a bit of the fabric of your lingerie, sitting in his lap and rubbing up on him — unintentionally, of course.

it took every ounce of self-control in your body not to smirk when you felt him stiffen up underneath you.

the progress of your relationship has been nothing but positive, really. but you’re aching for him to just touch you at this point.

the day you hit your breaking point isn’t much later. you were trying on some newly bought dresses in front of him, one more revealing than the other — sundresses always work magic on men for whatever reason — and you turned around to find him pathetically trying to hide his hard-on while seated on your bed.

and you just couldn’t find it in you to wait any longer.

so that’s how you ended up sitting in his lap, hands on the back of his neck as you’re grinding against him. his glasses are sitting lop-sided on his nose, black locks messy from your fingers threading through them, lips swollen from your kisses.

the moment he feels your fingers tugging at his hoodie, he feels the need to clear up what he’s been meaning to tell you for a while now.

“i need to tell you something. i’ve—” he cuts himself off when he accidentally lets out a whimper, “i’ve never had sex with anyone.”

he’s still heavily breathing, looking at you in anticipation, and you just can’t escape the buzzing feeling you get from the idea of taking his virginity.

“do you want to?” you ask him, and how could he say no when you’re holding his face like this, looking at him like you’re willing to give him the ride of his life?

“yeah, yeah, i just—i usually don’t last very long,” he sheepishly admits, then internally asking himself why the fuck he would say that, “sorry, i’m nervous.”

but you think it’s endearing. “i don’t mind. we can always go for a second round, right?”

all he can do is nod his head in agreement. “i, i um—i’m not sure what to do next. i’m sorry, this is embarrassing.”

“it’s not, really. it’s not some big performance you need to put up, it’s something fun and exciting and intimate. you can go ahead and relax, and tell me if you like or don’t like what i’m doing.” you reassure him so patiently, which puts him at ease.

jesus — if anything, he’s already a whimpering, stuttering mess and you’re hardly even touching him.

so you move your hand down into his boxers, fingers wrapping around him to test the waters. he gasps in surprise once he feels you touching him, heat rushing to his cheeks.

“just let me take care of you, ‘kay? we can stop anytime.” you tell him, and he trusts you enough to let you go on.

you press another kiss to his lips before moving backwards, fingers taking a hold of the waistband of both his sweatpants and boxers.

the cold on his skin makes him shiver, but he’s hardly given the time to feel exposed in front of you when you’ve already got your hands on him, pleasantly surprised by his size.

“you’re so big, wonu.” you tell him in a sweet voice, feeling like you’re about to drool at the sight of him.

“didn’t think i was big.” he mumbles more to himself than to you, staring at the ceiling as he tries to steady his breathing.

you chuckle a little as you watch him. “you are. gonna have to work for it to make you fit into me.” the words make his eyes widen, images of you getting fucked by him flashing through his mind.

“fuck, really?”

“mhm. but you’ll do that for me, won’t you?”

wonwoo is absolutely crumbling underneath you here. the effect that your mere words have on him should be studied, because shit, he’s never felt this hot before. why is it so hot in here? is he sweating already? “yeah, i’ll—i’ll do anything you want me to.”

he’s such a sweetheart that it makes you want to ruin him.

for the sake of both his and your own pleasure, you decide not to tease any longer and touch his cock with your lips. he lets out a moan of surprise, the feeling being unfamiliar to him, but holy shit — this has got to be what heaven feels like.

his chest heaves as he tries to control his breathing once more, focusing on keeping his breathing by his stomach. your tongue darts out to lick his cock, and he whimpers, which makes you triumphantly smile a little.

you’re genuinely curious to see how long he can last, so you catch him by surprise by taking him into your mouth as far as possible, and his hand subconscously flies to the back of your head, and he doesn’t know whether he wants to push your head down or pull it back. he releases a choked moan, spurring you on to keep him lodged in your throat despite his efforts to pull you off him.

“fuck—please don’t make me cum already, baby, please—” he begs, loving the feeling of your mouth on him like that — he just doesn’t want to hit his peak that fast.

unfortunately for him, you do.

with your mouth currently no longer on him, you gently jerk him off instead, his hips automatically bucking into your grip. "what if i want you to?"

“you’ve barely—barely touched me. ‘s embarrassing.” he chokes out. the heat is still rushing to his cheeks. his hands are shaking.

of course he’s nervous. you’re his first time, his first girlfriend, it’s all new to him. he’s clearly afraid you might be turned off by him being all flustered like this.

so you make it your mission to show him it’s very much the opposite.

discarding your dress, you’re left in your tank top and underwear, nipples poking through the thin, white fabric. you move to tilt his face up with your glossy, acrylic nail, gently holding his chin, your face mere inches away from his.

“do you have any idea how wet i am? just from seeing you like this?” you ask, pulling his one hand down so he can feel the dampness of your panties. “bet you could slip right in.”

a broken whimper slips out of his mouth when he feels it. he didn’t know you were this turned on.

you push his head and upper body back against the pillows, making him lie down fully, and you’re just so eager to suck the life out of him.

the feeling of your warm mouth and tongue around him makes him experience a sensation he didn’t think was possible. christ, this must be what heaven feels like.

“oh my god—you’re so fucking good.” he’s arching his back with his eyes tightly shut from the pleasure you’re giving him. it’s only when you take him as far in your throat as possible that the first guttural groan is ripped from the depths of his chest. it’s a low, sexy sound that makes you clench around nothing.

he’s burning hot under you, causing his glasses to fog up a little. he carelessly throws the pair onto his nightstand, the grip on the back of your head becoming harsher and less gentle than before, because he’s that fucking close now.

it’s cute seeing wonwoo not knowing what to do with himself. keeping your mouth on his cock, gripping the sheets, throwing his head back before he casts his eyes back down to watch you suck him off — it’s like he’s being overstimulated in the best way possible.

it’s enough for you to sense he’s close, which makes you take your mouth off him to jerk him off instead, all so you can watch him chase his release. “that’s it, wonu, give it to me.”

there’s a sudden shiver that runs from his back and core all the way down to his toes. he tenses up, unintentionally grabbing your wrist to stop your movements as he trembles and his body gives in to his orgasm.

once he’s coming down from his high, he looks at you like you’re the best thing that’s ever happened to him.

“that was… holy shit.” he laughs a little to himself, eliciting a chuckle from you.

“i’m that good, huh?”

“yeah.”

“wanna keep going?”

“mhm.”

“okay. take off your shirt.”

wonwoo blinks for a moment. he practically forgot he was still wearing one, so he sits up and gets rid of the black shirt, throwing it beside your bed, now completely bare before you.

if he’s being honest, you did ease his nerves by letting him have his first orgasm already. the strange sense of shame he previously felt has disappeared into the air, with only nervous excitement left.

he feels good.

especially when he watches you move to sit on your knees on the bed, removing the tank top and slipping out of your underwear.

his eyes are glued to your naked body, hardly able to look away — that is, until you sit down in his lap, your dripping heat touching his hardening dick, making him twitch under you.

“where do you keep your condoms?”

the question forces him out of his constant staring at your body. “uh—nightstand.” he mutters, taking the initiative to reach and get it himself.

thankfully, he manages to get it on himself quickly. you urge him to lie back down again while you position yourself above him, shamelessly staring at his strong chest and broad shoulders.

his mouth is agape when you sink down on him, and fuck, he’s in so deep.

the stretch burns, especially because you didn’t get yourself ready, but you’re so dripping wet to the point you don’t care — you need him in you.

wonwoo notices you struggle despite your arousal. “you don’t have to take me all the way if it hurts.”

you hum, a half-smirk creeping onto your face. “but it hurts so good. so i will.”

once he’s sheathed fully inside you, he’s subconsciously holding his breath. the anticipation for you to move is killing him. the sensitivity of his dick makes him whimper, his lashes fluttering as his teeth sink into his lower lip in a failed attempt to hold it together.

you decide to tease him a little by clenching down on him. his hands fly to your hips, gripping the skin harder than intended from the sudden feeling, his breathing becoming erratic again. “hah—don’t do that, please, i don’t wanna cum yet baby—please.”

“why? you close?” you ask him with an innocent face, knowing damn well what you’re doing to him.

“yeah. need you so bad.” he answers truthfully, his ego and pride nowhere to be found anymore. whether he sounds pathetic or not, he doesn’t give a shit. all he knows is that you’re sitting on top of him and he needs you to make him feel what he’s been desperate to feel for so damn long.

so you tilt your head. “‘s okay, wonu. i’ll give it to you.”

he can hardly even make out a response before you lift your hips and proceed to sink back down on him, your hands on his chest. a filthy moan rolls past his lips — you think it’s the best sound you’ve ever heard in your damn life.

then you begin to roll your hips, and he sucks through his teeth from the feeling, a mix of overstimulation and pleasure rushing through him. once you let out your first dragged-out moan, his fingers twitch for a moment, digging deeper into your skin.

“have you thought about this? fucking me?”

despite the position he’s in right now, he still feels his face heat up when you ask him dirty things like that, even more so when he answers them.

“yeah, i did.”

“when? tell me. i wanna hear it.” you tell him, and when you’re so gorgeously riding him like this, how could he not oblige?

wonwoo swallows, stuttering as he focuses on recalling the memories while admiring you and the feeling you’re letting him experience. “when i saw you wearing that short skirt on our second date, and—and that time you came to watch me at the football game. couple of my teammates were drooling over you. so was i.”

his words turn you on, because you doubted whether you were sensing actual jealousy from him that night, and this confirms it.

“were you?” you ask, running your nails down his stomach. “what’d you do about it?”

he bites his lip. “i’ll sound like a pervert if i answer that.”

teasing him again, you push yourself down on him almost harshly, relishing in the way he gasps under you. wonwoo is wonderfully responsive in bed, and you’re having a fucking field trip with it.

“yeah? try me.”

“i touched myself after getting home, and i... thought about you. in that skirt.”

“i’ll wear it for you next time.” you smile, watching him close his eyes in pleasure when you leave your marks on his chest, putting a few hickeys on his neck and collarbone on purpose. “i touched myself thinking of you, too.”

that makes him twitch inside you, which is exactly what you wanted.

his hands dip to the curve of your ass, following your movement. “really?”

“mhm. i thought you looked so sexy in your football attire. you were wearing that tight compression shirt that you always wear when you go to the gym too — drove me nuts, wonu.” you confess, which seems to work as a brief shot of adrenaline for him.

he moves to sit up, bringing your bodies closer together by looping his arms around your waist, the slight change in position making you moan.

the drag of his cock inside you is slowly making you go insane. your face is hot and you’re dripping wet for him, sucking him in to the point you feel like you need to claw at the walls.

“god, feels so good.” he mutters, his mouth finding your breasts before he begins to suck on the skin like a man starved.

once he notices you’re both getting closer, but you’re getting tired from your position on top, he takes a breath and flips you over, now hovering above you.

burying his face in the crook of your neck, he holds onto your body and fucks you. his thrusts are harder than he intends them to, the control over his body lost in his relentless drive to make you both feel good.

he’s panting hard, doing everything in his power to make you cum first this time while indulging in his own pleasure as well. “am i doing good for my first time? does it feel good?”

god, you can only half-catch the words with the way he’s fucking you. it’s almost funny — such a sweetheart he is, asking you if he’s doing well while simultaneously fucking you into oblivion.

“you’re so good, wonu. so good—‘m so close.” you cry out, manicured nails digging into his back, making him groan.

“wanna feel you cum around me so bad.” the words almost sound like a plea, like he’s begging you for it.

then he kisses your neck, and he hits the perfect spot inside you over and over, and it’s enough to make you clench so hard around him that he can’t hold it any longer. your orgasm makes your legs shake, and he fucks you right through it, making you wonder why the hell it took the universe so long to let him into your life.

he moans and whines and shakes when he hits his climax, twitching inside you, filling up the condom. with heavy breaths, he lets his body rest on top of you, his head by your collarbone, a comfortable silence emerging as your heartbeats slow and breathing steadies.

surprisingly, it’s him who speaks up first.

“i’m gonna need a while for my legs to start working again.” he chuckles breathily, covering his face a little when he notices you poking fun at him.

“aw, baby, did i drain you that much?”

“i genuinely can’t even feel my limbs.”

you laugh at him, pressing a kiss to his cheek, and he smiles so sweetly — as if he didn’t just fuck the living daylights out of you. “wanna go again?”

he blushes a bit, tilting his head as if he has to think about it, before sheepishly giving you his answer.

“... yeah.”

thanks for reading! let me know if u liked it x

® SANAKIRAS — do not repost, remake or copy my work in any way whatsoever. translations are not allowed.

[linkspooky]

Dr. Venture vs. Enji Todoroki: How to Write Bad Dads

This is a post comparing two shows about two abusive dads who are the main characters instead of their children. My Hero Academia is a Shonen jump manga that takes inspiration from American comics and shonen manga. Whereas The Venture Bros is an adult swim cartoon that started out as a parody of Johnny Quest, and grew into a seven season long character study of former child star Rusty Venture.

The idea for this post came from the fact that I've noticed a common hot take from MHA fans that Endeavor's redemption arc is bad because it's wrong to make an abuser the main character.

I've always disagreed, and used The Venture Bros as an example of a show where making an abuser the main character works. Rusty is actually a well-liked character in the venture bros fandom. So my question is if these characters are both abusers why is one of them generally accepted and the other one so controversial?

Before we begin I want to say this is a story with fictional characters. Don't bring real life into the equation. We are doing literary criticism here and only talking about the events that happen in the story.

Anyway, My Hero Academia and The Venture Bros seem like the weirdest shows to compare but they are actually pretty similar. They are both comic book shows that are commentating on the comics they're inspired from.

What My Hero Academia is to Spiderman and Dragonball Z, Venture Bros is to Tom Swift Novels, the Hardy Boys, and old Hanna-Barbera Cartoons. They also make the decision to focus on the characters as people rather than heroes. They are telling the stories of real people that exist in a world overflowing with both heroes and villains.

1. Meet the Venture Brothers

If you've heard of the Venture Bros then you've probably heard of the premise that it's an adult parody of Johnny Quest. Johnny Quest for those of you who have a life and therefore haven't seen every old Hanna-Barbera Cartoon like I have is a show where eleven year old Johnny Quest travels around the world with his super scientist father Dr. Benton C. Quest and their bodyguard Race Bannon, going on adventures in Jungle Ruins or fighting villains.

In the Venture Bros the main character Dr. Thaddeus Venture is an emotionally abusive and neglectful father who constantly exposes his sons to danger in his trips around the world. Their bodyguard Brock Samson is a ultra violent and is basically a thirteen year old's idea of what a cool manly man is. The titular Venture Bros, Hank and Dean Venture are sheltered children who are constantly being chased around by men in costumes trying to kill them.

So the basic premise of the show lies in it's dark deconstruction of shows like Hardy Boys, Johnny Quest, these Tom Swift-esque stories where young boys go on adventures by showing the real dangers that children would be exposed to in that kind of life.

Between Johnny Quest, the Hardy Boys, and Tom Swift, what is up with these pie-eyed youths chasing pirates and international diamond thieves and stuff like that? They would get their throats cut the minute that stumbled upon a hideout. And that would be the gag. - ART AND MAKING OF THE VENTURE BROS.

The show does explore Hank and Dean's trauma, but despite the title of the show they are not the main characters. The protagonist is Doctor Thaddeus Venture who himself is other victim of the Boy Adventuring Lifestyle.

Dr. Venture: "Who was, for 43 years, the only son of Dr. Jonas Venture? Who, from the ages of 3 to 17 accompanied him on hundreds of adventures the chilling memories of which rouse him from sleep in a cold sweat to this day?"

Thaddeus used to travel around the world with his father the super scientist Dr. Jonas Venture who was a far more successful super scientist and hero. He's the former star of the "Rusty Venture Show" a cartoon based off of his travels with his father.

Jonas who continually neglected and gaslit him throughout his childhood to the point of not allowing him to go to therapy. He gaslit him so hard there's a scene where he literally pretends to be Rusty's therapist to tell his son to stop complaining.

Rusty: "So I don't know. Sometimes I wish I could just be a normal kid and go out and play with kids my own age and stuff. The only people I get to hang out with are grown ups. The only time I get to leave the compound is to go someplace creepy, like the Bermuda triangle, and then I get kidnapped, by grown ups. And I'm not even sure I want to be a super scientist when I grow up anyway, but I feel all this pressure because of my fa-It feels weird telling you this stuff." Jonas: "Remember Rusty, in here I'm your doctor not your father. Now let's get back to it shall we. You were telling me how you're ungrateful for all the opportunities your father's given you and you blame me for all your problems."

Rusty is both a washed up child star, and a faiilure to his father's legacy. He never formed an identity outside of being the star of the Rusty Venture show or the son of Jonas Venture. He drags his kids all around the world on crazy super science adventures because that's what he knows.

The central premise of the Venture Bros is that Rusty is basically stuck and cannot meaningfully grow up into an adult and his own person, despite the fact he is now a single father trying to raise two sons. The central theme is about three generations of one family, and what it says about the complicated nature of family itself,

As Rusty is both the victim and the perpetrator of the abuse it makes sense he is the main character the story centers around because he's the central link between Jonas and the Twins.

The themes can be summarized in one line said towards the end of the show:

BEN "Just a watch. Tells the time in two time zones. That fourth hand there? Little date window? Those are called complications. Complications make a watch special. More complications the more value. Read the engraving Jonas put on the back there. Elige Tua. It's Latin for Choose your family. Blood doesn't make a family, love does. Choose your family and remember that complications make it special."

In other words it's a seven season long show on how family is complicated.

2. Keeping up with the Todorokis

My Hero Academia is about a lot of things, but the central premise is that in a society where he quirk you were born with can determine a lot about your life, one boy without a quirk sets out to prove that anyone can be a hero.

If Complciations make it special is the central theme of Venture Bros, then the central theme of My Hero Academia is two sentences. "All People are not created equal" and "Anyone can become someone's hero" both said at different points in the story. The story itself is about Deku's attempts to overcome the first statement, that he was not born equal but he deserves to be a hero as much as anyone else because he represents the true spirit of heroes. That heroes don't just show up to beat the big bad, a hero saves people.

The story isn't just about Deku though. We're not even going to talk about Deku in this post, but rather the Tritagonist Todoroki Shoto.

Todrooki is introduced as a foil to Deku someone who is born with an extremely powerful quirk, but who's been groomed from childhood to be a hero.

Shoto's father Enji Todoroki is All Might's ultimate rival. In the world of MHA hers are highly commercialized and ranked by popularity and achievements and Enji has been number two his entire life. He decided to conceive of an heir that could surpass All Might instead.

He purchased a wife with an ice quirk for an arranged marriage to selectively breed for a child with a fire and ice quirk. When Shoto was born he raised Shoto up as a hero, forcing him through grueling training sessions from a young age, and beating his wife when she tried to intervene for Shoto's sake.

That's a lot and I didn't even cover all of it. After this reveal of Shoto's backstory, Enji seems like he's only going to be a one note abuser to give Shoto a tragic backstory to angst over.

However, later on in the show Enji ifinally becomes the number one hero only to realize how empty his lifelong dream has been. He feels remorse for the family he destroyed in pursuit of that dream and starts wanting to make ammends. After this , Enji basically becomes the second most important character of the "Todoroki Family" arc. . A lot of focus is put on Enji's attempts at atonement to the point where some accuse him of stealing the spotlight from his victims.

These two families have a lot in common. They are basically families who are not allowed to have normal lives because the patriarch of the family is a costumed hero. The hero is also someone who is generally well-respected and is considered extremely successful in their chosen career, but are terrible to their family members. They are a hero to the world and a villain to their own family.

If there is a central premise to the Todoroki Family outside of MHA's analysis of what exactly makes a hero, it's this:

Todoroki Shoto: "As a hero this endeavor guy is pretty darn amazing. But it's just like Nasu said. I'm not ready to forgive you... for abusing mom. So, heroics aside. What sort of dad are you going to be? That's what I want to find out?"

The challenge is if Endeavor can choose his family over being a hero.

You can se the parallels in Venture Bros, as Rusty's main struggle is to try to be a father to his twin sons and help them grow up while at the same time struggling in this dangerous worlds of super science. Rusty is a super scientist constantly getting chased around by guys in costumes, but he's also a normal father trying to raise two sons into adulthood with basically no idea what he's doing because he doesn't have a frame of reference for how fathers are supposed to act or what a normal childhood would even look like.

The comic book super scientist, and the comic book hero are expected to act like real fathers to their sons.

However, as I said above in Rusty's case it's pretty uncontroversial that he is the main character of his story, whereas Enji starts fights within the fandom very time he appears onscreen.

Why is this exactly?

It's not because it's offensive to have an abuser be the main character, but rather how these characters are written and how well they fit into their stories. As I said Rusty is naturally the main character of his story because he's the central link in the chain of abuse, but should Enji be the main character of the Todorokis? Does he fit as well as Rusty?

3. Who's your Daddy?

So as stated above Enji and Rusty simultaneously exist in worlds where heroes exist and yet they are also normal people who are expected to provide for their families and raise their kids. They both exist in what is basically the marvel universe, though in the case of Venture Bros it's the Marvel Universe fused with old Hanna-Barbera cartoons.

Because of this world some of the things both Enji and Rusty do are things that have no real life parallels. For example Rusty once created a machine using the soul of a dead orphan as a power supply. You can't do that in real life so I'm not going to use that as an example.

Both of these stories are drawing on real life parallels of parental abuse I'm going to be talking about those to tell what kind of neglectful parent each is.

Rusty raised Hank and Dean Venture as a single parent with the assistance of their body guard Brock Samson. They live on the Venture Compound and only leave when Rusty needs to take a trip around the world. Obviously, there's not many real life examples of parents taking their kids into egypt to fight mummies.

However, Rusty's main flaw as a parent is how much he shelters his children not allowing them to make their own choices. They are homeschooled until they are eighteen and almost never allowed to leave their home unsupervised. Rusty could be compared to a helicopter parent that feels the need to micromanage every aspect of their child's lives, sheltering them so much they're unprepared for the real world.

Rusty is a weird combination of controlling and neglectful, because while he doesn't let either of his childre go to public school aor interact with kids their own age, he constantly exposes them to danger. He is often disinterested in his kid's lives and puts most of the burden of protecting them and raising them on his bodyguard Brock, while he chases after whatever super-science project is occupying him at the moment. He's neglectful to dangerous extents too considering they're always getting cahsed around by crazy men in costumes.

Also, he lets them die a lot.

Hank and Dean have died several times over, only to be replaced by clones that Rusty grew in a lab with all the same memories. Once again there's no real life parallel to this, but it's interesting in the context of the show itself.

How do these children survive being chased by villains and constantly kidnapped? The answer is, they don't.

They die, and then Rusty just clones a new pair of boys. That in itself should make Rusty irredeemable but the show presents it in a more ambiguous light.

Dean: "You're telling me I'm a clone, that I'm not even Dean, that I'm some stupid science experiment." Ben: "No, no, no. You're Dean. There's no other Dean, you're it, flesh and blood. Look I was conceived in the back seat of a packard, you were conceived in a tank. So what?" Dean: "So I have no mommy? No nothing!?" Ben: "Dean, you have it all wrong. You have a mommy, and your dad is your dad. They made you by getting drunk and forgetting to wear a condem like everybody else, and your dad loved you so much that when you got a boo-boo, he kissed it and made it all better and made it go away." Dean: "You brought me back to life." Ben: "Yeah okay, well you and your brother had some pretty big boo boos. Have a kid one day, Dean. Hold it's lifeless body in your arms, and then tell me how wrong it is. Jonas, me, and yes your dad, saw it as nothing more than a fucking band-aid for a really big boo boo."

In the story itself it brings up the argument that if any parent was holding their dying child in their arms they'd want to bring them back somehow. That in the logic of the show it's the same as using magic to revive someone from the dead. At the same time it's not because Rusty's let his sons die multiple times and never changed his lifestyle because he can just keep replacing them with clones.

Super-science aside, it is kind of a metaphor for Rusty's parenting as a whole that his sons have been cloned and replaced so many times they're perpetually sixteen and never allowed to grow up. Rusty's so neglectful he's never taken an interest in raising them and this is the result, they literally do not grow up.

It's also probably relevant to mention that Rusty himself is a clone and died and was replaced multiple times much like his sons, and the technology for cloning Hank and Dean was invented by his father Jonas.

However, after season 3 the cloning lab gets destroyed, and the body guard Brock leaves the family. With the safety net removed Rusty actually starts taking a more active role in both of his child's lives. This is basically a mirror to Endeavor's moment of realization after getting number one hero that his entire family has grown up without him and they all resent him.

Season four onwards Hank and Dean develop into their own people outside of Rusty. He responds to them in different ways but he's actually parenting them this time instead of shoving them away like annoyances. Hank becomes rebellious and fights back against Rusty for a long time after Brock leaves because he no longer has a role model and Rusty's response is to always get strict and punish him.

Whereas when Dean rebels not only does Rusty tolerate it, he also spends a lot more time in Dean's life trying to push him into the direction of being a super-scientist like him, supporting his efforts to go to college, while basically ignoring Hank. It's a running gag in the show that Dean is obviously Rusty's favorite, but even when playing favorites Rusty by this point in the show has reasons for why he's making those parenting choices.

Rusty: "Dean believes in this crap! He should have been Rusty Venture, Boy adventurer. Hank got this life thrown at him. And he fights against it. Just like I did."

Rusty playing favorites comes from an attempt to overcorrect for both children. He rejects Hank because he believes Hank doesn't want to be a boy adventure and therefore pushing Hank away from his family and the Venture lifestyle is what he needs. Whereas, he believes that Dean embraces the super scientist lifestyle and he tries to mentor Dean into another scientist like himself therefore he gives Dean most of his attention because he thinks Dean needs that guidance from him.

Of course, Rusty is totally wrong about his sons. If anything Hank is the one who wants to be an adventurer whereas Dean just wants a normal life away from his crazy family but parents often misunderstand their children. He's not actively malicious, he's just misguided in what he thinks is best for each of his sons. He's not really even playing favorites in this case he's choosing to parent his sons differently based on what he thinks is best for each of them, it's just in this case father doesn't know best.

Rusty isn't a stagnant character, but also there's no big redemption arc for him the way there is Endeavor. Rusty never narrates about how he needs to atone for his past mistakes. The result is Rusty is a far more amoral character than Endeavor because he's not trying to atone but the narrative also isn't trying to spin Rusty in any way. It's just showing you Rusty as he is, and with all the bad things he does he's still capable of loving his sons.

The question isn't really "Is Rusty redeemable?" but "When is Rusty gonna grow up?"

Then there's Endeavor (everyone starts booing) who is simultaneously a much better, and far worse person than Rusty.

Enji is honestly more comparable to Jonas, an incredibly successful hero who built a career and an empire in heroics and fame and then tried to force his son into that same lifestyle.He's the exploration of that same idea a supposedly great man with skeletons in his closet. Enji technically has saved thousands of people (such as Hawks one of the other main characters). A person who is so good at playing the role of a hero no one would ever expect there are skeletons in his closet.

"Rusty's father was more successful than you could ever imagine. Jonas Venture Sr. was a manipulative narcissist admired by the world for his scientific accomplishements and his hyper-masculine James Bond meets Doc Savage public persona. He's a geniuine villain who was able to take everything he wanted from the world by seamlessly fitting into the role of everyone's hero." [Source]

Jonas is like showing everything nasty about using someone like James Bond as a male power fantasy. He treats women like objects, he thinks he's aboe good and evil, he's effortlessly charming and suave and uses that to get what he wants out of people. Enji similiarly is everything that is wrong with the ideals of hero society. A society that glorifies flashy, strong quirks that are the best for taking down villains. The only person who even seems to care that he's number two is Enji himself, beause Enji is otherwise rich and succesful, a pillar of the hero community, and allowed to get away with a lot because of his position and influence.

Enji is at least a better hero than Rusty, because Rusty is an incompetent mad scientist who does stuff like mutate college interns into four armed freaks and build death rays.

However, as a parent strip away his status as a hero and Enji is little more than a show parent, pushing his children into a life they don't want in an attempt to live vicariously through them. Once again, resembling Jonas more than he really does Rusty. As Jonas forced Rusty to be a boy adventurer, and then made a cartoon out of it to make money like any show parent.

It's also the idea that generation put that kids into films and it was a very horrible selfish thing to do, they were doing trying to live out their own lives through their kids. That didn't exist before that was something that boomers brought to the world. "Oh I can't be these fun new things I'll make you be it." I think Jonas was a pioneer of throwing his kid at the world. I think Jonas was something of a boy adventurer himself, and made his kid be it. But also put his kid on TV to cash in the residuals. Jackson Publick, DVD Commentary

As stated above Enji gave up on his ambition to be the number one hero and so he decided to create a son with the right quirk to surpass All Might. He then pressured a woman into an arranged marriage, basically purchasing her from her parents and conceived four children until he got his designer baby.

Chapters 301-302 the wrong way to put out a fire, detail the slow descent of the Todoroki Household from Enji entering an arranged marriage with bad intention to create an ideal child to be heir to his legacy, into a full on child abuser. Enji is written like a normal person falling into a cycle of abuse, he never intended to hurt his children at first. Abusers aren't evil monsters, they're just people. Most abusers don't even think of themselves as abusers.

In fact he's shown positively bonding with his first born son who seems eager to learn to use his fire based quirk. He even mentions that he was alright at the time with the idea of Toya being the one to succeed him and letting go of his quirk experiment.

Enji only had kids to carry on his legacy, and only bonded with Toya because Toya was eager to participate in the training and become his heir. However, to give Enji some backstory it's quite clear the death of Enji's own father at a young age left him with no idea on how a father should act.

At a young age Enji witnessed his father attempt to save an innocent girl only to end up a burnt up corpse, and probably at that point conflated strength with being a good father. If his father had been strong enough he would have survived and continued to be a father to young Enji. At that point it's almost understandable that Enji thinks in his mind that earning his keep as the patriarch of the family, and being a powerful hero who will come home alive is the same thing as being a good father.

So Enji conflates masculine ideals of strength and heroism with being a good father, all the while not actually showing up to parent his kids. When Toya seemed like he could live up to Enji's expectations and be strong as a successor everything seemed fine.

However, Toya turned out to be disabled at which point everything in the household began to spiral out of control. After learning Toya could not use his quirk without burning himself, Enji tossed Toya aside and left raising him entirely up to Rei and then pressured her to have more children until one with his ideal quirk would be born.

Toya did not like his father ignoring him and began acting out for his attention. The response of everyone in the household was to politely tell Toya to shut up, because Enji while not being a parent is the money maker and authority in the household no one can stand up to him. When Toya's acting up got too out of hand, Enji would even hit Rei instead of just personally dealing with his son.

At the same time Shoto was finally born and being given his perfect heir after four attempts, Enji eagerly began training him. When Shoto resisted him, Enji stepped up to threats of physical violence and long grueling training sessions to force him to learn. All the while Toya continued to mentally spiral.

One day after his flames turned blue Toya asked his father to meet with him on Sekoto Peak. However that day Enji didn't show up, and Toya lost control of his flames starting a massive forest fire that killed him. Rather than changing anything after his firstborn's death, he doubled down and pushed Shoto even harder.

While being a far worse person, as a parent Rusty is far less malicious. He neglects his kids similarly to Enji at first, but when the safety net is removed and he can't keep cloning them anymore he actually does start taking a personal interest in their lives. Maybe it's too little too late because it's the 14th version of Hank and Dean but he does hear the wake up call and change his ways as a parent.

Enji always doubles down on ignoring his sons in favor of heroics when given the chance to be a father.

Even post redemption arc Enji behaves in the same way. There is no point in the story so far where Enji actively chooses to help or be a parent to one of his sons, when he can choose to be a part of a big important battle instead. Let me break out the list:

In the Pro Hero Arc Shoto sets the challenge for Enji to show what he can be like as a father rather than a hero.

In the internship arc Enji trains Shoto up as a hero but not a father. When he brings the family home to dinner they're attacked by a villain and Enji stands and watches as his son Natsuo gets kidnapped y a villain because he felt like it would be too awkward if he saved Natsuo because then Natsuo might feel inclined to forgive him.

In the War Arc aftewards Toya is revealed to be alive the entire time, and when given the chance to see his dead son come back to life, Enji not only does nothing but he sits and watches as his oldest son tries to kill his youngest without trying to talk to or appeal to Toya.

After the war arc, Enji doesn't bother looking for Toya and goes back to his job as a hero hunting down AFO. He also makes a promise to Shoto that they'll search for Toya together, only to break that promise multiple times.

In the second war arc, when Enji is given a chance to face Toya face to face, he instead sends his other son Shoto to fight him, while Enji fights against the big bad instead as the number one hero.

When Toya is literally dying and about to burn himself alive in front of him, Enji who has chosen to run away from Toya too many times by this point picks the murder suicide option and chooses to try dying with his son in a heroic sacrifice.

Every single chance he is given to act like a father, he acts like a hero instead. Enji Todoroki never steps out of the role of the hero Endeavor. Internally he's changed, yeah. He's remorseful now and realzies what he's done wrong. However, externally he hasn't. He doesn't do anything different. He neglected his family for his job his entire life so his way of making it up to them is... to keep going to his job.

The problem isn't whether or not he deserves to be redeemed, but rather that there's no change in his actions. Endeavor at the beginning of the story would have shown up to fight AFO in the war arc too, because being the hero is what he does. It's the only thing he does. The story never asks him to be anything other than a hero.

Which is I think a fundamental difference in Rusty and Enji in how they're written. Rusty is a flawed parent, but he's still a parent.

He does favor Dean over Hank, but that favoritism takes the form of him giving Hank more chores when Hank acts out, but when it's time for Dean to rebel giving him space and letting him have his own separate room in the attic. It's Rusty letting Dean have access to the family checkbook so he'll have spending money at college, but cutting Hank off from the checkbook because they agreed if Hank didn't want to go to college he needed to find a job to support himself.

Rusty is parenting these children. He's parenting them very badly, but he's still their parent. Enji never wanted to be a parent to begin with, he wanted to be his kid's abusive gymnastics coach. He wanted a prodigy that he could push and push until they won gold at the Olympics.

If you ignore the fantasy elements then you're left with how these men are shown interacting with their kids in their day to day lives.

Rusty has absolutely no idea what he's doing, so even when he has good intentions he screws up. However, he is making an effort to guide these kids.

Enji was an intentional manipulator more in line with Jonas. He controlled everything in the household, and was actively trying to groom Shoto into someone who would obediently carry on his legacy. He made the choice to isolate Shoto from his siblings so he'd have more control over him. Rusty keeps Dean and Hank away from kids their own age and from having a normal life because he never had a normal life. He doesn't even know what a normal life looks like.

Enji for most of his life didn't want kids, he wanted heirs. He even purchased a woman so his heirs would turn out with the right genetics, and tossed aside the ones that were disabled or born with the wrong quirk.

Rusty made the decision to become a parent on his own. In the last twist in the series it's revealed Dean and Hank had no mother. They were conceived in a test tube, raised in an artificial womb by Rusty himself. He is both their father and their mother. Kids were a deliberate decision on his part. He wanted to have a family, probably because his own childhood was so deprived of any familial love.

Dean: Okay, so who is our mom? Rusty: Seriously, Dean haven't we had enough family history for one day? I don't even know who my mom is. All you need to know is that the person who gave birth to you. I promise they do.

Remember as stated above the central thesis statement of Venture Bros is "Elige Tua - Choose your family". Rusty chose to bring those kids into the world because he wanted to be a father, it's an active choice his character makes.

Whereas the central statement of Endeavor's arc is "So, heroics aside. What sort of dad are you going to be? That's what I want to find out?" but we never witness Enji doing anything outside of being a hero.

Even post-redemption the only time he ever spends with Shoto is when they're either doing quirk training or working as heroes together. Toya as a character presents this challenge to him, because he's Enji's son, but he's also a villain who's killed innocent people. If he's acting as a hero he has to put a stop to Toya, but a father is supposed to put the safety and well-being of their children above everything else.

We never see Enji make that choice to be Toya's father over a hero. Which is why in story he comes off as a worse father than someone like Rusty, because he never makes any attempt to emotionally bond with his children.

Rusty will sit Hank and Dean down and tell them stories from his childhood. He'll find common ground with his sons to bond over because they've both been subjected to the boy adventurer lifestyle.

Rusty: Dean what are you doing? Dean: Hyperventilating into my knees. That smell a little like spit up... because I spit up a little. Rusty: Dean, you just baby burped onto a speed suit. Not a super scientist alive that hasn't coughed a little acid onto his speed suit. Dean: Really? Rusty: Why do you think these things are like 95 percent polyester? You can clean off fear-vomit with a wet nap. Dean: I thought you were used to this. Rusty: Dean I remember when the action man would wake me up with a gun pointed at my head. He'd just hold it there and pull the trigger. I'd hear the click really loud because it was right against my forehead. Dean: So it echoed. Rusty: Right, it sounded like he snapped one of my teeth out. Click! Then he'd go, "Not day Rusty. Not Today." Dean: Golly, and you took it because you had to? Rusty: No Dean, I took it because I was Rusty Venture. Boy adventurer. I didn't ask for this life, Dean, but it's mine. Sure, I fall down in the Speed Suit but I get up and Wet-Nap my puke off.

We never get any moments like this with Endeavor and his kids.

He only goes so far as apologizing for his past abuse. Yes, maybe it's cathartic hearing an abuser apologize for what they've done but that's not the question the story was asking. It wasn't asking "Can Endeavor be forgiven?" It was asking "What sort of dad are you going to be?"

The narrative challenged him to learn to act like a father to his family, and he never did. He stayed in the role of hero from beginning to end. It might be cathartic for his victims to hear him say sorry, but it's not good for Endeavor as a character because he hasn't changed and we've learned nothing about him. We already knew he was sorry at the beginning of the arc. Endeavor is sorry and knows he's done something wrong has already been established, but by Endeavor stepping out of the role of hero and acting like a father we could have learned something new about him or his character but no he stays the same from beginning to end.

They're both awful people but at the end of the day Rusty is a father, and Enji is not.

Stories are kind of like essays your English teacher used to force you to read. You need to make a thesis statement in the story itself, and then have evidence to support that thesis statement. The theme of Venture Bros is choose your family, and family is complicated, and in support of that theme we have Rusty choosing to connect with his sons. Jonas is basically nothing more than Rusty's biological father. Rusty's chosen a different way to connect with his sons, and he is their dad, and they can bond about the complicated lifestyle of being a Venture together.

The actions Enji takes in his story don't line up with his thesis statement. The Todoroki Family subplot is supposed to be about how one family was messed up because Enji only chose to have a family to further his career as a hero, and choosing his career again and again made things worse. The thesis statement was that Enji needed to choose to be a dad, but he's never shown doing that in the story.

So Enji as a character seems like he doesn't fit in with his narrative. Which is what I said at the very beginning about Rusty and why he works as a main character. Rusty is the center, because he's had this horrible life inflicted on him by his father, and he's in the process of raising his sons but he still has a chance to choose to be better.

Enji could also work as the center of his story, he has a chance to choose his family over his work as a hero, but he's ultimately not the one who does that, it's Shoto. Which yes Shoto is the main character of the Todoroki plotline, but by the end Enji's gotten as much screen time as his son. If the plot was going to focus on Shoto and his choices to begin with then he should have been the central point. You spent a lot of in story time asking this question with Enji on whether or not he's going to be able to choose to be a father over a hero, and who Enji is outside of being a hero only to not give the audience any answeres.

This again has nothing to do with Enji the person and whether I think he's likable or not, because Enji's a fictional character. He's an idea. If writing is communication, then a writer is trying to communciate some idea with every character in their novel. We're asking what is the author trying to say with Enji, and do they do a good job of getting that message across?

4. What's the Big Idea?

So the above section was mainly about the personal arcs of each characters: How do both of them fail at fatherhood and do they learn to be better fathers over the course of their narratives?

However, these characters are part of a much bigger world. How a character interacts with both the world around them, and the extended cast of characters is another way a story relates it's theme.

Venture Bros and My Hero Academia both exist in comic book worlds. There are people running around in costumes calling themselves heroes and villains and fighting each other on the streets.

In My Hero Academia heroes are basically professional athletes who sell sports drinks and pose for ads and compete for rankings on a big board, and heroics for the most part has been reduced to a day job for people with particularly powerful quirks. Heroism is an entire industry that's for profit, and run by the shadowy hero council who has far more power over their society than they let onto. You could compare Endeavor being the top hero to him is like a combination of being the best pro athlete, and also the best salaryman ever.

Ironically, the worldbuilding of Venture Bros is pretty similar. In Venture Bros. the villains are all unionized. There is a super villain trade union. It's a secret organization known as the guild of calamitous intent, which makes villainy into a bureaucracy.

All villains in the world have to register with the guild. If you're a part of the guild you receive the protection that the guild offers, as long as you follow the guilds rules and regulations. There's lots of small rules, like you can't torture someone who's having a medical issue, and if you're fighting a good guy and they have a doctor's appointment you have to let them go.

They even rank heroes and villains by their threat levels called "EMA LEVELS (equally matched aggression) and then assign you a hero who's about your equal so you won't get killed by someone way stronger than you. The guild basically decides who you're allowed to fight as a villain and picks a hero for you. The act of being someone's arch villain is called "arching" you show up to harass them once a week like a Saturday morning cartoon villain, fight them, then do it again next week. You're not allowed to kill your hero and you're supposed to follow specific rules. The tradeoff is the heroes won't kill you either, because you have guild protection.

The Monarch: I don't know, just keep it cat and mouse not cat and missile. JJ:: So it's a game? We fake fight? That's ridiculous. The Monarch: No, it's like fencing, it's about the art of the fight. JJ: Well, I'm about to deliver my killing stroke. Then what? Dr. Girlfriend: Then the guild steps up their game. You throw a rock, they throw a knife. You throw a knife, they come to your house when you're sleeping and murder your family. The Monarch: Look Dr. Venture you call the guild and you get the damn rulebook, I'll be waiting.

The justification for why the guild exists is that in world if you didn't give the villains a system with a bunch of rules, then you'd have a bunch of crazy people in costumes running around causing havoc.

Brock: You wanna what? Shoot him? And all his men and his wife? You could steal his cattle, too. Maybe burn his village down? JJ: It's an antiquated system. I mean my father did this fake arch enemy nonsense in the sxities. Maybe my brother is good with this namby pamby guy in a costume chases you around nonsense, but I'm not. Brock: Hey no disrespect Jonas, but it isn't so easy. These guys like their system. It's what they do. You take that away and you're looking at a bunch of pissed off nut bags with ray guns, and giant -- i don't know, a giant octopus / tank with laser eyes.

The villains and the OSI (who are like the GI JOE) of this world have signed a very long and detailed treaty that keeps both sides in a cold world stalemate and lets them fight every week like how the good guys and bad guys fight constantly while maintaining a status quo where neither side wins.

In MHA heroics is a commodity. It's commercialized and sold to the public. Heroes are like professional athletes selling you sports drinks, it's a spectacle to the public, and it's even intentionally made to be that way by the Hero Commission who use heroes as a bright shining light to distract the public while they do shady things like assassinate antigovernmental protestors from behind the scenes. The entire of hero society in MHA is built on the spectacle of heroes.

In Venture Bros heroes and villains are a spectacle too. It's just a job to them. Heroes and villains both show up to work, get in their costumes, fight each other and then go home. In Season 6 of Venture Bros, a parody of the Avengers is actively charging people to provide their services as heroes in the city of New York and you have to sign up for a protection plan if you want to get saved. Then the local mob boss takes a cut of the protection money they're charging.

In both settings the ideas of heroes exist, comic books exist, but the heroes themselves are incredibly mundane, they're just people showing up to jobs and making money for the most part. The only difference really is that in MHA the villains are societal rejects and trauma victims, whereas in Venture Bros they've unionized. In Venture Bros the villains and heroes basically fake fight under strict rules. Even in MHA though the villains need to exist in order to give the heroes someone to fight in front of the public. "Villain" is an actual legal term for a certain kind of quirk criminals with more than three strikes who gets sent to a super max prison if they're caught.

Both of these works are making comic book heroes and villains seem a lot more mundane by deconstructing them with this layer of realism. By making the roles of "hero" and "villain" seem much more mundane, and therefore more human, it also asks us to look at the characters who call themselves heroes and villains as human beings.

The Venture Bros like many richer takes on superhero stories really likes to play with the concept of identity. It's the idea that Good and Evil, Heroes and Villains, are just roles we play. They're not something fundamental or innate they're constructed by the world around us. In the show the main villainous organization the GCI is really just a bureaucracy of larpers sustaining their violent rolelplaying through organized crime. Rich and powerful lunatics who built the world around a game they wanted to play. There's really nothing of substance keeping Rusty on the "Good Guy" side. The good guys are also a mix and match. Shield, GI JOE, FBI. Another exmaple of people who never grew up. Only these people are running things, playing out their childhood power fantasies. They're barely less insane and blood thirsty than the bad guys. So what's even the point of being a good guy in the first place? That's the world Rusty is caught between...[x]

MHA and Venture Bros are both works that feature societies that divide people into two distinct categories "hero" and "villain" and then go on to show that these two categories are not as black and white as they would like us to believe.

Venture Bros features Brock Samson, a character who is ostensibly on the side of the good guys who also highest body count of nameless henchman who we see him gleefully kill onscreen over and over again. There are members of the OSI who are just as trigger happy as the guild so what's the difference between them besides what they've decided to personally identify as? On one side you have the Larpers who are roleplaying villainy, and on the other you have the military soliders who think they're real life GI JOES.

In My Hero Academia you have heroes who are essentially state sponsored peace keepers who suppress anyone who disrupts the status quo with violence, and villains who are rejected from that status quo who eventually turn into violent terrorists. While yes heroes have the responsibility of protecting innocent civilians, most of what heroes do is fight villains, in fact heroes with quirks suited to rescuing people aren't nearly as famous as ones with flashy violent quirks like Endeavor.

You have two sides and one calls themselves villains and the others heroes, but they both use extreme violence as a way to accomplish their goals.

Rusty and Enji are two characters who are caught between these two categories which aren't as distinct and separate as we'd like to believe they are.

Enji is basically the first deconstruction of heroes in MHA. He's a hero who's not interested in saving people, but instead wants to be the strongest and does everything in pursuit of selfish glory.

He's simultaneously the hero with the single most resolved cases in history, but at the same time he's always number two to All Might because he's not "super" enough of a super hero. In a manga where Deku's natural desire to save others make him a candidate to b ahero even without a quirk, we have a character who's a hero for purely selfish reasons. One that only cares about having the strongest quirk because being the best is all that matters to Enji.

In many ways the way Enji treats his family is more like a villain than a hero. Main villain AFO himself comments at one point he wasn't able to manipulate Toya, because his father did too good of a job manipulating him already. In fact you can draw a parallel between his actions of manipulating and grooming Shoto to be his heir, to how AFO raised orphaned child Shigaraki Tomura as his successor.

This is a good use of Enji's character, because making it hard to label him as hero and villain makes us think about who he is as a person instead.

There's an entire episode of Venture Bros dedicated to a villain Mentor named Dr. Henry Killinger, showing up and basically mentoring Rusty Venture when he's at a low point. He gives Rusty money, workers, gets his business up and running again and at the very end reveals that he's setting Rusty up to be a villain to arch his brother as a hero. Rusty is tempted with the idea that he'd make a much more successful villain than he ever would be a hero (because as a hero he's kind of just a loser) but he still chooses to be a hero at the end of the story because he doesn't want to fight his brother.

At which point his mentor, all his hired men, all just walk off and he loses all the money he would have gained and he goes back to being a mediocre super-scientist.

"Doc has the whole thing laid out for him clear as day. This role is here for you. Waiting for you to claim it. You have your nemesis. You have your means. You have the ability and the pain. You can do this and you'd be good at it. And Rusty can look at all of that, everything he's been through and say, "Yeah... but I don't wanna be evil." [x]

Rusty walks away from the chance to be a villain, but he's not exactly a hero either. He runs illegal cloning farms, he does lots of unethical scientific stuff and he's not even remotely the hero his father was considered to be.

Because he doesn't fit well into the category of hero or villain, the show instead asks you to evaluate who Rusty is as a person. He's one of the few characters in the show that's capable of stepping out of those categories.

"That's the great thing about him. Sometimes being disillusioned just means you can see through the whole thing. Sure the whole super science villain game feels stupid. It's not going anywhere. No one's accomplishing anything. It's all violence and roleplay. But at the end of the day it's still real. And it still means something to us. Choosing to be a villain means choosing to be a bad guy. It means relinquishing the premise that you could ever do better, ever actually help anyone. And that's not who Rusty is. He's a scum-bag, but he's a grown up. Even in a show with brilliant characters, old pros, and actual supermen, Rusty is the adult. And adults don't put on rubber masks and terrorize people for fun because that would be fucking silly." - [x]

Rusty spent his entire childhood being terrorized by guys in costumes, so he's now the cynical straight man pointing out how ridiculous this all is. He's the one normal person among the crazies.

Rusty is just too incompetent to ever be like his father. Jonas Venture is scum bag, but he's also a well-respected scientist and a world wide hero. Everyone in the scientific community thinks that Rusty is a joke, and his friends just barely put up with him

Jonas gets away with it because he perfectly fit what society's idea of a hyper masculine strong hero was, and no one questioned it or how he treated his son, whereas because balding, impotent, pathetic Rusty falls so short of toxic masculinity's standards he doesn't get the same respect or leeway that Jonas did. Jonas Venture continually got away with murder, and Rusty can't get away with anything.

He's a pill-popping, middle aged man who ran his father's business empire into the ground who continually gets laughed out of any scientific conference he tries to attend.

He can't be a hero. He can't be his father. He fall short of toxic masculinity's standards. He falls short of everyone's standards. The only way in which he's better than Jonas is that he's a much better father to both of his sons. His greatest triumphs as a character come from bonding with Hank and Dean. Jonas for all his accomplishments wasn't capable of bonding with Rusty because he didn't really care about anyone but himself. Jonas Venture is someone who perfectly fit society's standards of toxic masculinity, but he wasn't a person outside of that.

"Jonas Sr realized this too, but to him, it was a joke. To him it meant being above everyone. Rusty can't be above everyone so he has to meet them at eye level. Part of the bitterness of growing up is realizing that we're all just chidlren who got old. No one knows what they're doing and when you come to terms with that you can look down on people or give them the respect everyone deserves. How you treat children says a lot about how you treat people which in turn says a lot about you." [x]

Now returning to Endeavor we run into the same problem that we did earlier. This whole post is comparing Rusty and Endeavor because they are the protagonists, but Endeavor is far more like Jonas. He's someone who sees through the hero system and only cares about climbing to the top out of his own self interest. He knows it's a game, but he wants to win at the game.

Enji even sort of looks like Jonas.

They're both extremely bulky men at peak levels of physical fitness. Meanwhile Rusty is a balding, short and out of shape middle aged man.

In story Jonas is still widley beloved by the public and is constantly praised, while no one but Rusty is aware of his faults, but there's a reason for that. Jonas is someone who is basically allowed to do anything he wants, because the patriarchy means all of society is built around letting men like Jonas succeed.

Jonas is also someone who literally uses his position as a hero to manipulate people into getting what he wants and glorify himself.

Jonas can casually destroy people's lives, all while still believing he's the good guy because in his world being good guy is just a role to play and he plays it well. One of the best three episodes of the series is the Morphic Trilogy, the opening to season 7 where some of Jonas's past crimes are revealed.

In the past he tricked a married man into making a sex tape with him, and then when that man Don Carraldo aka the Blue Morpho turned out to regret that, he used the tape to constantly blackmail him into doing his dirty work. Killing people in secret while Jonas Venture remained Squeaky clean. After years of being forced to act as a mercenary for Jonas, the Blue Morpho died in a plane crash. Jonas then revived his best friend as a cyborg. He got bored of his new cyborg within a few months and reassigned him to babysit his son Rusty. The cyborg glitched and started to strangle Rusty and then he snaps his friends neck, and throws the cyborg away in the garbage.

Jonas can just completely destroy a man's life because he can. Because everyone around him enables him and no one is going to stop him. Because this is how people in power act when they're given too much power. Because might does not make right.

He's the gold standard. He's the ideal. Who would question him?

Enji occupies a similar position in the story, where he fits the role of a hero so well that even when his family abuse is revealed to the public basically every character and their mom is tripping over themselves to defend him.

Jonas is constantly praised in story years after his death and every bad thing he's done is swept under the rug, but that's because number one Jonas was a manipulative monster, and number two it shows toxic masculinity is a false ideal. This is how Jonas who everyone thinks is the ideal man's man, really acts. This is what he gets away with it, because the thing society glorifies are toxic and bad.

When people bend over backwards to defend Endeavor what does it say exactly? Because we're supposed to believe that Enji's willing to work for redemption even if people don't forgive him. We're not supposed to think Enji is a manipulative monster intentionally twisting people around his finger like Jonas was.

There are some ways Enji is like Jonas, especially in his backstory. He did use his money and influence to buy a woman. Rei was definitely not going to get the option of divorcing him if she actually wanted to leave.

However, in the present time we don't see Enji doing the kind of manipulation that Jonas does, because really he doesn't have to. Hawks does it for him. There is a character in the narrative named Takami Keigo / Hawks who is a little boy that Enji indirectly saved as a child by putting his father in prison. Because of this he is obsessed with making Endeavor live up to the hero he imagined him to be when he was young, and does everything he can to prop Enji up behind the scenes and make him look like that hero to the public.

Hawks is a whole other can of worms, but in effect what this means is there is someone manipulating public opinion in favor of Endeavor so he'll be able to shine in spite of the numerous skeletons in his closet, it's just not Endeavor himself. Hawks also takes away a lot of the active decisions on Endeavor's part. When Endeavor chooses to ignore Toya in the latter part of the story, it's not Endeavor's choice, he's just following Hawks plan to fight AFO. When Endeavor makes a public apology, Hawks is the one who wrote it for him.

The result is that Endeavor comes off as less of a Jonas, after all Hawks is the one manipulating his public image. On the other hand, he's also less good of a character because he's not making choices anymore. It'd be better If Enji was trying to manipulate the public into forgiving him in the wake of his scandal, because that'd be an active choice on his part. When a character makes a choice it tells us something about who that character is.

Horikoshi doesn't want us to think that Enji is the kind of selfish monster that Jonas is, but then who is he supposed to be?

The entire point of this post is to compare Enji to Rusty, but Enji's far too successful to be Rusty. Rusty is a failure in basically everything he set out to do in life. He's the butt of the series jokes. He's the victim in as many ways as he's the perpetrator. He had a lot of money and then wasted it all. None of his inventions are succesful. The scientific community thinks he's a joke, or they don't even know who he is. Women won't even go near him. No one ever defends him. At no point in the story does someone stop and say "Hey, Hank I know your dad's an asshole but he's really good at science so that makes it okay."

Rusty's such a failure at being a hero that he's forced to be a person. He's as equally narcissticic and toxic as his father, he treats women like objects for sex and comfort like his father does, he just doesn't get away with it. You can't point to some heroic feat of his that justifies his toxic behavior because he doesn't have any.

The story however can't stop singing Enji's praises for what a good hero he is. He's never forced to step out of the role of hero and be a person like Rusty is, and because of that the message of his character becomes confused.

Are we supposed to think he's a manipulative narcissist like Jonas is? Are we supposed to think he's an incredibly flawed individual trying to figure out how to be a father late into his kid's lives like Rusty?

Rusty has a clear role in his story, and what the author wants to say with Enji is unclear.

Everyone praises Jonas to death and no one can see him for the terrible purpose he is, because that's the point. Venture Bros is about failure. It's about the death of the space ag optimisme. It's about how much the boomer generation sucked.

From the Radiant is the Baboon Heart Commentary. Question: Did Jonas only keep Rusty around for the press and his cloning tech or did he actually care about him? Answer: . The show has a villain called the monarch, but if you watch all the show the villain is Jonas Venture Sr. He is a bad dad. What you need to realize is that in this kind of baby boomers gen x millenials kind of thing we are of the generation that had bad parents. For the good and the bad of it. The good was we were all left alone by our parents, and we had a freedom in our thought that I don't think the millennials have. Because we made the millennials, and we were like You know what Our parents suck and we're gonna be great parents." And they helicoptered them and they gave playdates. [...] I did hate the boomers, they were awful fathers they were terrible people they did horrible things to our world, and at the time they were celebrated as good people. They were a bunch of hippies and they failed and they did everything wrong that they wanted to fix [...]. You and I are lost people we observed our generation. We are fully aware of it. We observed our parents generation. My actual father was a classic distant father, very bright had a lot of work to do, but I observed that generation and the way that toxic masculinity was set in stone. Just branded onto their tombstone. Toxic masculinity. Our generation grew up wanting to be adults, childhood was something that was not examined. When people were growing up we wanted to be grown ups, we wanted to wear suits, it was something you guys don't have. It was a very different way to grow up. So we wanted to be like this generation that immediately we looked at and went oh my god they're monsters. So Jonas Venture Sr. is a monster.

Jonas is a commentary on how much the boomer generation is glorified, and how much they suck if you look at them critically at all. It's written by authors who were observing basically three different generations of parenting, the way boomers parented, the ways Gen-Xers did in response to that and now the way millennials act as they reach adulthood. Rusty can't escape Jonas' shadow because Toxic Masculinity is set in stone.

The role of Jonas in the story is to serve as an antagonist to Rusty and be the cause of Rusty's struggles, and also his impetus to change because Rusty doesn't want to be like his father. Rusty and Jonas both exist as characters to show the author's observations on parenting through the generations, and yeah it's a very american idea of parenting and family but it's you know... a cartoon made in america.

What is Endeavor's role of the story? If he's a criticism of toxic masculinity he's not criticized enough, because the story spends just as much time glorifying him his obsession with strength and power as it does criticizing him. There's no scenes like this for Rusty to show off how cool he is, or how determined. The story wants you to believe that there's something redeeming in the fact that Enji is always struggling to be the greatest, even though his obsession with being number one is what caused him to abuse his family in the first place

It's criticizing and praising Enji's obsession with power in the same breath, because My Hero Academia can't fully deconstruct toxic masculinity the way that Venture Bros can. It keeps trying to find something redeemable in Endeavor's toxic pursuit of power, but that's the whole point. Toxic masculinity isn't redeemable, because toxic masculinity is toxic. There's nothing wrong with masculinity itself, or the values people traditionally consider masculine but the kind of hyper-aggressive pursuit of physical strength Endeavor chases after is toxic masculinity. In Endeavor's mind men are warriors, protectors and providers and nothing else, and he never learns to be anything else either.

MHA would never treat Endeavor the way Vbros treats Rusty, constantly humiliating him or making him the butt of jokes. It would never make Enji out to be weak or pathetic the way Rusty is.

The central concept of Endeavor is struggle. His chosen hero nae "Endeavor" means to try hard to achieve something. His entire character is based around the concept of struggle. His central struggle is that he's a normal guy trying to compete with a superhero like all might, and everything he does he struggles with even if that struggle is pointless.

However, in the actual narrative itself he doesn't struggle. He definitely doesn't struggle the way Rusty does. Rusty's a lazy, incompetent, and entitled man sitting on a pile of money he didn't earn who thinks he's entitled to more who fails at all he sets out to achieve. Rusty never gets what he wants, and even when he does get what he wants like when his brother leaves him a billion dollar corporation in his will, he bankrupts that company in two seasons. Struggle means that the world isn't going to give you what you want and you keep trying anyway.

Endeavor's never subjected to nearly the same amount of narrative punishment that Rusty is. He's still well-respected. People defend him. He fights in all the major battles of the series and gets victories. No one's disgusted when they hear that he's a wife beater. We are told that he struggles, that the central concept of his character is struggle, but the narrative keeps handing him wins and cool moments.

As I've said above several times, Enji's never really forced to step out of the role as hero because he's not a failure the way Rusty is.

My Hero Academia hits some of the same notes as Venture Bros. It's criticizing apanese hegemonic masculinity, specifically that of salaryman masculinity and the way men in japan completely put their careers over their families. Read about it here in this convenient power point presentation. Enji is essentially an incredibly successful salaryman who has completely disappeared from his kid's lives in order to earn money and success and believes that he's still entitled to be a father because he's performed adequately in his role as earner of the household.

The story does show how giving too much power to the patriarch of a household can cause a house to fall apart. It shows that traditional family roles aren't all they're cracked up to be. Enji is assigned the role of father but he doesn't live up to it. The very rigid and traditional Todoroki Household crumbles because basically everyone fails to live up to their roles. The father isn't present. The mother isn't a good caretaker. The first born is defective. The youngest is given all the responsibility of the first born. No one is able to live up to those roles because maybe those rigid set in stone roles shouldn't exist in the first place.

Once again though, that's all in the backstory. Enji never changes from the Pro Hero Arc to his last showdown with Toya. The story never tells us anything about who Enji is as a person. Therefore, it also never comments on Enji's role as the patriarch. What is Horikoshi using Enji to say about patriarchy besides... it exists?

The story shows you how destructive the idea of patriarchy that Enji represents can be in the backstory, but because Enji doesn't do much for 90 percent of the story it never says anything about how Enji can learn to be a father or if it's even possible for him to be a father this late in the game. Because Enji's story isn't about fatherhood ultimately, it's about him becoming a less selfish hero.

Which might just be a problem with the whole of MHA. Venture Bros is about who the characters are outside of their identity as heroes and villains, but MHA is ultimately more about the optimism of heroes and what it means to be a hero than these characters personal lives.

Rusty is never going to be as sucessful as his father. He's always going to be mediocre, ad even if he's sympathetic he's still a scum bag. However, Rusty has one thing his father doesn't have which are his two sons who he made a deliberate decision to get closer to. Unlike a serial user of people Jonas, Rusty has the ability to actually love and care for people and he chooses to make those connections.

Endeavor never chooses to be a father. He didn't choose to go to Toya's side. He was too busy being a hero and fighting the big bad. As a result of that we never learn anything about Enji as a character outside of being a hero because he never chose to be anything other than a hero.

He also never failed. As I said the narrative kept handing him wins. You'd think never choosing to see Toya would mean he can't save Toya in the end, but in the end of the story Toya's just fine. There are no consequences to his choices. He's revealed to be an abuser to the public but he gets to keep being a hero. Enji never really fails in some big way that forces him to rfelect and change on his actions, so he just keeps doing the same thing from beginning to end.

Which is why Enji doesn't work as a character compared to Rusty. He doesn't fail. He's supposed to be a flawed protagonist struggling against himself, but he never really loses. He's too much like Jonas and not enough like Rusty.

"I think Jonas was something of a boy adventurer himself, and made his kid be it. But also put his kid on TV to cash in the residuals. He was just a shitty parent. When he went to bed he was just, he was moral, and he was fighting the good fight. When he woke up he ignored his son and made his son do terrible things. He voted for nixon like a good american. He was a winner and our show is not about winners. Our show is about losers and people we love." Jackson Publick. n

[starryeyedadmirer]

In the thick silence of the spacious den, Max sat on the couch with his father, Hank, fidgeting with his fingers as Hank flipped through a magazine.

"Dad, I've been thinking.” Max awkwardly began, choking on his own saliva, "What other powers do I have? You know, like… other than lifting stuff with my mind, and setting things on fire?”

Hank looked up from his magazine, his face riddled with guilt. He’d been keeping a secret from Max for far too long… and, hearing the heaviness in his son’s voice, he knew that it was finally time to come clean. Preparing to rip off the band-aid, he took a deep breath and looked into Max's eyes.

"Max.” He sighed. “You do have… another power. Um… your mother and I didn’t think it would ever come up again, but I can’t do this anymore. I can’t lie to you. Your secret power is… the ability to get pregnant, gestate a very powerful life-force inside of you, and give birth to super-babies at a highly accelerated rate."

Max's eyes widened in surprise. "Wait, what? Are you serious?"

Feeling a huge weight lift from his shoulders, Hank nodded solemnly. "I'm sorry I didn't tell you sooner, this time. It's just... I know it's not the type of power you'd expect, and I was worried about how you'd react again. I didn't know how to tell you, Max. Your mother and I thought that it would be best if we just kept it a secret."

Max processed the revelation fairly quickly, as though it was something that he’d already experienced in a series of strange dreams. "So, you're saying I can, like, impregnate myself… and progress through a whole pregnancy in only a few minutes?"

Hank nodded again. "Yes. That’s it. Actually, you've had several babies before… and they’re all super-ing around, somewhere out there… but we had your memories wiped, so that you wouldn't remember the experiences.”

A mix of disappointment and intrigue clouding his thoughts, Max decided to put his unique ability to the test. He had always wondered what his hidden ability was… truly… and, while his father’s answer might not be what he had imagined, it was undeniably fascinating. With a mischievous grin, he couldn't resist the urge to impregnate himself on the spot, curious to witness the rapid transformation firsthand. He focused, feeling a surge of energy coursing through his veins. Within moments, his belly began to expand, swelling with life.

'I can feel it, Dad!” Max exclaimed, his voice filled with excitement. "I can feel the baby growing inside of me! Woah!”

Hank watched his son, realizing the impact this revelation had on him. He felt a pang of remorse for keeping Max in the dark for so long.

Max's disappointment transformed into a sense of pride. He may not have had the traditional powers of a superhero, or the great adoration and respect from the public that his father had, but he did possess the miraculous ability to bring life into the world in a way no one else could. And in his eyes, that was pretty cool.

"Max, I know it might sound strange, but I need you to understand that your power isn’t as useless, or frivolous as it may seem.” Hank explained as his son’s face beamed, his tone gentle. "If the Thundermans ever find themselves needing to recruit an army, you would be the guy for the job."

Max's eyes widened in realization. "You mean, I could create an entire army in a matter of minutes? Just by impregnating myself?"

“Exactly! Now, go to your room and give birth to that baby. If this time is anything like the last, your contractions are gonna start soon. Oh, and bring the kid back down here when you’re done. I think we’ll let you keep this one.”

[httpslvr]

more headcanons idk

connor can js like always land on his feet. but only when like falling or sliding or smth, he can and will bump into a table n fall on his face. makes for some super cool superhero moves tho

markus loves the color orange. everyone finds him weird.

NO CLUE if ive said this before (probs have sorry), but markus can go from respected leader to leo manfred’s annoying little brother (can we PLEASE get more sibling relationship w these two? maybe? idk bug ask ig) with zero transition. like, “look out! the man who js have androids rights has js put a fake bug on ur pillow!” kinda shit idk

markus LOVES to push hank’s buttons. like, dude leave the poor grandpa alone!! thats ur bf’s dad (or bf/ex idfk u can decide that one)

jericrew has fallen asleep in a pile on top of eachother more than once!!!!!!!!!!

connor n simon were super awkward around each other at first lmao. simon was terrified that connor was gonna snap n kill everyone n connor was terrified that simon was gonna snap n take random children hostage. they, QUICKLY, realized that both of these thoughts were irrational. they r now v close

connor, the two tracis u see at the eden club, n rupert r all some weird little friend group. idk where i got this thought but i did!! n it wont leave!! please help!!

sometimes markus’ replacement parts will pop out random. android doctors i forgot the word, connor, simon, n KAMSKI have all tried n figure out whats wrong w him. absolutely nothing. it js happens. it has (more than once) happened in the middle of a v important meeting, n he scared the shit out of politicians

kara uses mom emojis if that makes sense

yes, im aware that hank’s technically a millennial, but looking at his birth yr hes so close to gen x he would have some of the same.. tendencies. “connor! how do u work this thing!” is probably top five most used phrases in the anderson household

[moonlit-imagines]

Headcanons for being Scott and Hope’s child (Hank Jr. Edition)

Scott Lang/Hope van Dyne x child!reader

warnings:

a/n:

prompt: anonymous: “Scott and Hope have a baby girl (reader). And everything seems to be fine, but somewhere from the age of five, it becomes clear that the reader is a complete copy of her grandfather Hank Pym, that is: she is incredibly smart, she loves ants (she can talk about them for hours), she also has problems controlling anger (she hit a guy in the face at school for saying that ant-man sucks), thinks that there is no one smarter than her and her grandfather, and she also transferred his sarcastic communication style and views on things and people around, for example, when she first met Tony, she said: "You can never trust Stark."”

somewhere in the distant future a special kid was born

and that special kid had special parents and special grandparents

and those parents and grandparents were two generations of superheroes who saved countless lives (and, well, the world)

so it was no surprise to them that this next generation would be just as intelligent and caring as the ones before them

*cue a toddler with crayons in class*

“and then my grandpa asked the ants nicely to fly him to a bunch of different places and do all these cool things like move stuff around and like do other stuff” -you rambling on

“do you like anything besides ants?” -your teacher

“no” -you, continuing to draw ants on your paper

hank and janet were quite proud grandparents

and scott and hope, your wonderful amazing parents…couldn’t get enough of it

“honey, what about wasps? wasps are cool, right?” -hope

“no” -you

“she’s spending too much time with my dad” -hope

“well, he’s the only babysitter we’ve got since cassie got that new job” -scott

“oh, you mean our old job? yeah, miss those days where we could go flying around getting into trouble and beating people up” -hope

“well, you promised we’d retire so y/n wouldn’t end up with a childhood like yours” -scott

“y/n’s gonna want to be a superhero when they get older, arent they?” -hope

“let’s not think too far ahead. it might kill me” -scott

scott reads you his biography every night before bed

and you always giggle at the parts where your mom and grandpa bully him

“hey, not funny!” -scott

“so funny” -you

“dont get any ideas” -scott

“daddy, are you gonna get arrested again?” -you

“if i do it’ll be grandpa hank’s fault” -scott

you continued spending time with grandpa hank and grandma janet

and they spoiled the crap out of you

hank…got you an ant farm

“now you’re just being ridiculous, hank” -janet

“what? i’m just having some bonding time with my grandchild! hope never wanted anything to do with me growing up” -hank

once you started getting older, you wanted to hang out in grandpa’s lab allll the time. day and night

your parents hated it

“hey, think this one will suck us all into the quantum realm?” -scott

“it was one time!” -cassie

cassie was at hank and janet’s a lot, too, actually. they always wanted to help her with her suits and gadgets and all that

and make sure she had plenty of pym particles

“you have enough, right? here, take some more, i have plenty” -hank

“grandpa, please, i have more than enough, thank you” -cassie

“can i have some pym particles?” -you

“we can play with them in the backyard next time youre over” -hank

you draw new suit designs for cassie all the time

some of them she actually incorporates into her suits

and as you get older, you try to start designing more tech for her

“y/n is really scaring me” -hope

“why?” -scott

“just watch her and my parents together…they’re the same” -hope

“dear god, what have we done” -scott

“dad, look at this new pym particle powered weapon, i just finished the prototype!” -you

“okay, now i’m mad because where was this when i needed it!” -scott

“fifteen to twenty years too late” -hope

“we should have gotten together sooner” -scott

“i disagree” -hope

“wow, not even a pity agreement” -scott

asking your parents if they’ll get back into crime fighting

they said no

asking if you can get into crime fighting

they said no again

so you just kinda stockpiled all your ideas

and did everything you could to further your grandpa’s work

and help your sister

and keep your parents’ minds at ease (doesn’t really work)

and maybe one day you’ll be able to ride those ants and kick some ass like you always dreamed

taglist: @alwaysananglophile // @locke-writes // @sweetheartlizzie07 // @queen-destenie // @johnmurphyisqueer // @captainshazamerica // @ravenmoore14 // @canarypoint // @procrastinatingsapphictrash // @swanimagines // @randomfandomimagine // @petersgroupie // @summersimmerus // @scarthefangirl // @bad4amficideas // @sheridans-dynamos // @simsrecs // @prettysbliss // @skdkdkckfk // @simp-legend // @zoeyserpentluck // @wild-rose-35 // @nekoannie-chan // @evilcr0ne // @v0idl1nq // @ruvaakke // @thedarkqueenofavalon // @amirahiddleston // @beth-gallagher22 // @brutal-out-here // @rqmanoff // @elenavampire21 // @mymelodymia // @pheonixfire777 //

[thebisexualdogdad]

Heyy, do you write for cassie Lang? If yes, can I get a Cassie×male reader that is basically like your Abby littman story "the talk" but with Scott finding you making out in her bed

A/N: Combining with another request I got: Can I request a cassie lang×male reader where Scott caught them?

Cassie Lang x Male!reader

You're on top of Cassie as she's slowly unbuttoning your shirt while you're making out in her bed, you had the Lang house to yourselves and were taking full advantage of it.

She runs her hands down your now exposed chest and moans when your thigh presses up into her center giving her something to grind against for some much needed friction.

"Cass I'm home early- oh my god!" Scott says immediately covering his eyes when he walks into Cassie's room catching you and his daughter in this… intimate position.

"Dad!" Cassie shouts, shoving you away from her and you fall off the bed hitting the floor with a loud thud.

"Um hi mister Lang," you say awkwardly, peaking your head over the edge of the bed to gauge how much trouble you were in but he didn't seem mad or upset, just confused.

"Hey Y/N… so are you two like… boyfriend and girlfriend?" Scott asks, nervously removing his hand from his eyes to find you on your feet again and buttoning your shirt back up while Cassie is sitting up and hugging a pillow to her chest out of embarrassment.

"You didn't know? We've been dating for months," Cassie says raising an eyebrow, "why do you think we've been spending so much time together?"

"I don't know! I just thought you guys were really good buddies!" Scott replies.

"Seriously? He comes over for dinner at least twice a week," Cassie states, "and Hank literally made a joke a few days ago about Y/N being your future son in law."

"I'm sorry! I still forget you're grown up now and that means boys and sex and-"

"Oh god please don't say that word," Cassie begs.

"Sex? Sex is normal Cassie I mean your mom and I had to have sex to have you," Scott rambles.

"Gross! Stop talking!" Cassie shouts.

"Sir Cassie and I aren't- we haven't-" you say trying to fix the situation but Scott cuts you off.

"Y/N I like you and I think you are good for Cassie, I can accept that my little girl isn't so little anymore all I ask is that you use protection… you know when you do have sex."

Cassie groans and lays back, putting the pillow over her face, very okay with suffocating to death in that moment if it meant getting out of this conversation.

"Yes sir," you nod.

"Don't call me sir, it's Scott… or should I make you call me sir? Is that what dads are supposed to do with their daughters boyfriends? Does calling me sir make me seem more intimidating?" He keeps rambling.

"Dad please leave," Cassie pleas.

"Alright I'll go… but I'm leaving the door open," he says looking between you two like he's trying to make a point, "but Cassie if you ever want to talk about… things… we can do that."

"Okay bye," she says removing the pillow from her face as Scott finally leaves the room.

"So I think that went well," you say trying to lighten the mood but she just glares at you.

"I'm never leaving this bed," Cassie huffs.

"I'm okay with that," you chuckle, climbing on top of her to try to kiss her again.

"Not funny Y/N!" She says with a slight smile when she deflects so you kiss her cheek instead, "my dad just caught us making out."

"Oh come on Cassie your dad is cool, didn't you hear? He and your mom had sex to make you," you tease.

"If you mention my parents having sex one more time we are never having sex like ever," she warns.

"Duly noted," you say rolling over onto your side and putting your arm around her waist, "can we at least cuddle?"

"No way, what if he comes back up here?" She laughs.

"So now we can't even cuddle?" You pout.

"Not while he's home," she says, taking your arm and moving it off of her, "so keep your hands to yourself."

"But how am I supposed to do that when my girlfriend is so hot," you laugh, taking hold of her hips and pulling her in close to you and kissing her.

"Dad entering, is everyone's clothes still on?" Scott says to announce his presence making Cassie move away from you once more, "who wants Chinese take out for dinner?"

"This is the worst day ever," Cassie groans.

[shadeysprings]

Rebound - Part II

—DBF!Joel Miller x Reader

Summary: Your night of wallowing in your misery takes a different turn when your dad’s best friend bumps into you at the bar. 

Warnings: noncon/dubcon undertones, oral sex with fingers at play, unprotected sex, age gap (around 20-25 years), kinda SoftDark!Joel but also nah, gaslighting & predatory vibes. Use the warnings wisely and tread carefully.

A/N: Some warnings have been added. I hope you took the time to read it. Don't forget to stay hydrated, babies! Also, SPRING IS FINALLY HERE!

Your feedback and reblogs are highly appreciated. Support Content Creators! And of course, I hope y’all enjoy!❤️

— Previous Chapter

You’re tipsy; swaying, giggling, and smiling like a fool as you stagger out of the bar with Joel just a few steps behind.

The night indeed turned a new leaf when he suddenly appeared—one where you expected to be full of misery and sadness spun into one filled with silly stories of Joel’s childhood and the shenanigans he did with your dad back when they were in university. 

The effects of the alcohol slightly ebb away as the cool air of the late evening, or the early morning—you couldn’t really tell, brushes against your heated skin. You never once thought that Joel could show you such a good time with the gruff exterior he constantly shows off, but he did and it was something you found to be entirely interesting. 

Still, you never doubted the ease of his company, with the both of you always gravitating to one another during the times your dad would host a barbeque back home, or when Joel would be invited over for dinner or a day to watch sports. That even if he was there for your dad, it was you he’d always end up striking conversations with, talking of anything that either of you would come up with.

Pulling out your phone from your purse, you blink slowly and squint as the bright screen glares back at you. Your thumbs tap through the array of apps and you pick the one you need to call yourself a ride home. 

“You’re not drunk texting that weasel of an ex of yours, are you?” Joel asks, warmth surrounding you when he stands close, feeling his hand casually rest over your hip. “You’re too good for that, baby.”

“I’m just ordering an Uber.” you slur, playfully rolling your eyes before giggling and showing him the screen. “It’s late and I have things to sort out and possibly throw away tomorrow.”

“Ordering—” he sputters, “Nonsense. You’re riding with me.” He taps his fingers against your side and gives you a gentle nudge. “I have my truck with me. You like taking rides on it, don’t you?”

The blink of headlights takes your attention and you face the direction of where it came from, seeing the vehicle in question parked at the side of the bar. He’s not wrong, you always preferred Joel’s truck over your dad’s beat-up one. 

“Oh, but I wouldn’t want to impose,” you utter as coherently as possible. “Besides, I might be out of your way.”

“It doesn’t matter.” he chuckles and takes your phone from your hand before slipping it back into your purse and leading you to his truck. “C’mon—I won’t take no for an answer.”

Hank Williams croons softly in the background as you watch the scenery of the night playing through the windows. The lights coming from the lamp posts and the surrounding establishments illuminate the inside of the vehicle and paint patterns on your skin.

The storm surrounding you since you woke up has completely vanished, happiness from the consumed liquor and Joel’s company taking its place and you couldn’t be more pleased with it—a much-needed breather from the stress of a failed relationship.

You startle when the windows suddenly roll down, looking at Joel in utter curiosity then smiling when you see the wide grin painted on his face. The rough winds blow against your cheeks, giving you clarity, and the impulse to scream outside fills you that you grip the handle of the door and lean your head towards the open air. 

“Go on—” You hear Joel say above the eolian din. “I know you want to.”

A giggle leaves your lips and you push further, sticking your head out the window. Taking a deep breath, you let out the loudest whoop you could muster, laughing when Joel joins you, earning weird stares from the passersby down the road. 

You must have looked like an idiot but you didn’t care. You felt free and no one could tell you otherwise.

You watch Joel as he pads around your living room and you wait in the kitchen for the coffee to finish dripping in the pot. You can’t help but notice how comfortable he is in such a small space, with his jacket sitting idly on the arm of the couch and the top two buttons of his shirt undone.

A cup of coffee is the least you could offer him after he paid for your tab and gave you a ride home. Even when the alcohol didn’t seem to affect him as much as it did you, you insisted on the small gesture and having him fully sober up before he drove back to his place. It would also help placate your mind to know he got home safely.

He walks with ease, with surety, as he observes the litter of frames that house photos of your parents and your friends back in university—a smile present on his face. But said smile soon falters when he stops and stares at one frame, in particular, sitting by the low table by the couch, and takes it in his hand, his lips turning into a scowl.

“Is this him?” he asks and you already know who he’s talking about. 

Quickly, you scurry to where he stands, keeping your steps light so as not to trip for being sluggish, and peek at his hands, a frown forming on your lips when the picture catches your eye. It was the day Alex first said that he loves you, solidifying your relationship and turning a new and happy chapter in your life—at least you thought so. 

“I’ll have to take that out in the morning,” you say and move to take it from him. 

But he pulls it out of your reach and flips it in his hand, taking the photo from the holder himself. He stares at it with serious eyes, placing the frame back in its place before folding the picture in the middle, your eyes widening in shock when he rips it in half and crumples it up, stowing the pieces into his back pocket. 

“There,” he says with finality, the smile returning in his eyes. “Now you don’t have to.”

The seemingly rough gesture takes you by surprise but you don’t question him about it. For one, you know he’s looking out for you as one close family friend would, and two, it saves you from reeling back to the happy moments you once shared with the person you now call your ex. And you’re entirely unsure if you would even be able to push through with purging all the memories that surround you that fast. 

You turn to face the kitchen when the beep of the coffee maker echoes through the walls, Joel trailing after you as you make your way to the counter.

“Just black, right?” you ask upon opening the cupboard to take some mugs. 

“A little sugar this time, baby.” he responds, his voice closer behind you. “I’m actually craving something sweet.”

You nod your acknowledgment and switch off the machine, pouring a generous amount of the liquid caffeine into the cups. But as soon as you finish, you stiffen when you feel Joel stand too close, his chest pressing against your back while his hand rests on the edge of the counter with the other finding your hip.

“J-Joel?”

“You don’t have to be alone, y’know?” he mumbles against your ear, your body shivering when you feel the bristles of his beard brush against your shirt. “Why cry over some boy who showed you no love? Who didn’t worship the ground you walked on when you can have a man who will do all that and more.” he breathes, a whimper leaving your lips when he presses his nose against the crook of your neck. “When you can have me.”

His words insight fear within your core and you try to pull away from his hold. But you wince when he tightens his hand on your hip, fingers digging into the fabric of your jeans then loosen all the same only for him to run them around to your front and push you further against him. 

“Joel—” you whimper. “Y-you’re scaring me.”

“You don’t have to be scared of me, baby.” he groans, expert fingers undoing the clasp in a swift motion and you grasp his wrist, fighting him off when he slips his hand through your jeans and into your panties. “It’s just me.”

You struggle against him, striving to pry his hand away and stop it from delving further. But such attempts are fruitful as you feel your cunt fluttering against his fingertips when he grazes them through your folds. 

You’re suddenly hyper-aware of your surroundings, the dregs of alcohol completely leaving your system as you look around to see what you can use to fend him off. 

It’s when your eyes dart over to the steaming coffee cups and you immediately reach for one with the intent of burning the both of you and escaping his devious goal. But he catches on to you quickly and traps your hands with his arm, causing you to drop it to the floor with a loud crash. A yelp of pain retching from your throat when the burning liquid scalds the soles of your feet. 

“Shit!” he hisses, pulling away from you fast. “Clumsy, girl.” You think your plan, though botched, worked. But it doesn’t deter him as you expected and he hauls you off the floor and over his shoulder, thrashing against him as he walks out of the kitchen and through the main room, easily finding his way to your bedroom. 

“Let me go, Joel! Fucking let me go!” You shout and he does, setting you down on the mattress with ease. Once you’re free from his clutches, you charge at him and dismiss the stinging pain of your feet, hands clenched into fists, and begin beating down on his chest. Yet he doesn’t so much as flinch, effortlessly wrapping an arm around you and pressing you roughly against his chest. 

You keep struggling, clawing at him to release you but your movements halt all at once, your spine going rigid, standing shocked when the back of his hand cracks against your cheek, your head snapping to the side.

Your eyes widen, tears threatening to spill as you’re filled with disbelief. He hit you—something you never envisage him to do. You cup your cheek, feeling it pulse in pain and you flinch when his hand takes its place instead, cradling your cheek and then making you look up at him. 

The same expression swims in his hazel eyes, but it fades just as fast as it came and his demeanor flips over once more. 

“Look what you did.” He tuts while he caresses your face. “You made me hit you.”

You blink, uncertain of what’s happening, confusion circling in your head as to what Joel is doing and how he’s acting. 

Slowly, he guides you back onto the bed and you follow as dread grips tightly on your chest. Once you’re seated, he kneels down in front of you, rough fingers tickling your thigh and down to your legs before he holds your foot aloft and wincing when he presses the pad of his thumb against your tender sole.

“Hurts, huh?” he hums before looking up at you. “Are you going to be good and stay still? Let me treat this? Or do I have to get angry again?” 

The words dripping from his lips are sweet like honey yet laced with something dangerous that you agree with reluctance, flinching when he presses a light kiss on your ankle before standing and walking out of the bedroom. 

I no longer keep a tag list but if you want to be kept updated on my fics, follow my side blog @springlibrary and turn on notifications.

[kai-anderson-whore]

Took you long enough (Peter maximoff x fem reader)

Summary: you and Peter have been best friends since logan and your father needed him for a favour now it your dad's school Peter confesses his secret to you

Warnings: none just fluff

A/n: a day or two ago I posted a poll on what fic I should upload next and Peter was the most requested I'll do another one in a day or two with the other two and one more that I'm finishing.

•¤❅¤•.•°˚˚°•..•°˚˚°•.•¤❅¤•.•¤❅¤•.•°˚˚°•. .•°˚˚°

The halls were flooded with students in the Xavier Institute for Higher Learning, your fathers school matter of fact your Walkman playing your music through your ears, not bothering with anyone, till you bumped into a certain speedster.

"Peter christ I almost dropped my books" you huffed peeling your headphones from your ears, "sorry I gotta go I'm super late for class" he said speeding away in a flash, pretty ironic he has superspeed yet is always superlate you often thought that was his supernatural ability being late for everything.

You had met Peter before you dad restarted the school, back in the 70s when Peter helped magneto escape prison with your dad, hank and logan, from then on your became friends with your supernatural abilities and similar music taste was how you bonded.

Your father was sceptical with the friendship since Peter was a boy and your dad charles was very protective of you, finally making it to class you didn't pay attention since your dad taught you most of the stuff you needed to know growing up.

Once the class was over you were greeted by Peter who stood outside your class waiting for you, "hang out?" You asked since you didn't have anymore classes for the rest of the day, "read my mind" he smiled "well it is my power" you laughed so did he "hold on" he said grabbing on to you as he sped you to your room.

You never got used to the speed he went the first time you got whiplash and a few times after that, you made it to your dorm room in the blink of an eye, "I'll never get used to that" you chuckled your supernatural ability was the same as your father's getting into people's heads reading their minds.

"It is cool though" he smirked plopping down on your bed, you placed a record on, placing the needle on the round disc, plopping beside Peter "so what you wanna talk about?" You asked grabbing the magazine you forgot to finish off the night before about the latest celebrity gossip.

"Well actually there's something I've been meaning to tell you" he nervously chuckled scratching the back of his neck, "What's up?" You closed the magazine giving Peter you full undivided attention, "well you know we've been friends for a while" he started you nodded encouraging him to continue you felt nervous you could've read his mind to know what he was going to say but you didn't like reading minds invading their thoughts.

"And I know you promised me not to read my mind to know what I'm thinking but that's because I've been keeping a secret from you" he paused you furrowed your brows confused Peter told you absolutely everything you were his best friend, "omg it's that girl in class I knew you liked her" you realised acting all excited but in reality you were sad.

Peter is your best friend but you had a big fat crush on him since you first met you seen him date other girls but they never worked out you were always happy when he had a girlfriend making him happy but that selfish part of you couldn't wait till they broke up.

"No, no its not her but I do like someone like a lot" he chuckled so did you seeing the blush rising in his cheeks, "then who Peter come on I'm your best friend you can tell me" you egged on Peter was hesitant to say another word scared that what he would say would upset you and ruin the friendship you two had built.

"Well she is in my class infact she knows me very well and I feel like we're the same person" he hinted you tried to think of everyone in the school that talks to Peter a lot but you couldn't think, "just tell me Peter" you couldn't guess who it was at all Peter just stared at you hoping you would click on "it's me?" You gasped in shock now finally connecting the dots.

"Took you long enough" Peter nervously laughed the slight fear that you'd reject him made him regret his choice, "I don't know what to say Peter when? how? why?" Your head was filled with questions you couldn't wrap your around it. Peter let out a soft chuckle at how confused you were.

"Well when I first met you, how and why because you're beautiful y/n your smart, funny and most of all you know me well how could I not" Peter smiled you couldn't help it you wrapped your arms around Peter connecting your lips together in a sweet tender kiss.

You felt like that girl in the movie's were they finally kiss the person they loved, as cliché as it sound but it was true, having peters lips on yours made you feel like a million dollars.

You pulled away from his lips blushing, you kissed your best friend you didn't know what to say now. it wasn't awkward you just didn't know what to say, "that was amazing" Peter whispered he also couldn't believe what just happened he had been dying to confess his feeling to you for months and he finally mustered up the courage to do so.

"It was" you bit your fingernails with nerves your mind fogged with more questions, what was this for us?, what if we don't work?, you cleared your throat to speak "what are we now like where do we go from here?" You asked you did have strong feelings for Peter but you didn't want to rush into a relationship and then your friendship might go tits up.

"Whatever you want to do if you don't want to rush into anything right now I'm totally ok with that I just wanted you to know how I feel" Peter reassured  you, "maybe take it slow before jumping on the ban-wagon if we work we work if we don't then we will continue our friendship like it is" you settled Peter seemed happy at that agreeing with you.

"That's fine by me, oh want me to change the record" Peter asked now realising the record you put on was now finished, "Yeah thanks peter" you smiled.

[headlessjest]

Holy shit, I haven't posted in a bit. How about some more Dadness Combat stuff?

What would've happen if you followed them to the Project Nexus stuff? (Slight spoilers)

Ft: Hank, Deimos, Sanford, and Jebediah

(All of this is platonic!!!)

Hank:

・Not visibly upset, but he is upset.

・He didn’t care how you followed him, he cared on how you didn't get hurt during everything that he went through.

・Christoff thought you were kidnapped until he realized you were cheering Hank on during the fight between the two.

・You accidently yelled a curse at Gestalt when you first saw him. Hank was proud tbh.

・During Hanks betrayal, you were honestly very upset that Deimos and Sanford killed Hank. You didn't leave his side after that.

Deimos:

・Shocked you were able to fit in his backpack.

・Also very shocked when you didn't have any injuries during the crash.

・When you first met Jorge and Church, you honestly liked them. Thought they were cool.

・When y'all got into the whole Gestalt stuff, you had to cling onto Deimos when jumping off and on to carts.

・Deimos let you control the robot thingy during the Deimos and Christoff mission.

・You were honestly was very confused during the betrayal of Hank but didn't really care.

Sanford:

・Sanford was horrified when he saw you. Thought he was going nuts during all of this.

・Double checked you for injuries but honestly glad none was founded on you.

・When y'all met Crackpot, you thought he looked funny and even said it out loud. Sanford giggled a bit from that.

・During the Hank and Sanford mission when y'all had to deal with the AAHW, you honestly were going absolutely insane during this because you kept cheering on Sanford.

・You were also confused during the Hank betrayal but you just fell asleep during it.

Jebediah:

・He scolded you for following him. He strictly asked you not to follow him and you just did the exact opposite.

・When Jeb and Hank fought, you kinda just watched too and cheered on your dad.

・When you met with Tricky, you kinda got a free pass of the life or death situation. Not Hank and Jeb though.

・Jebediah genuinely held you tightly when getting chased by Gestalt and was so relieved when you didn't get hurt.

・When he got pushed off the tower, you kinda just jumped off with him. You both luckily survived but you gotten major injuries from it.

Sorry for not posting a lot. I've just been a little stressed lately and just need some time to myself.

[incorrect-thunderquotes]

Inspired by the "The Thundermans Return" pre-view (part 1)

Hank: Son, I'm sorry, but this whole influencer thing has to stop Max: Why? Hank: Don't get me wrong...do you know what a parasocial relationship is? Max:... Nora: Dad, he's been living with a talking bunny for the last seven years -trust me, HE KNOWS! Phoebe: So as I said: Mom and dad don't allow superpowers at school or in public places Billy:... Phoebe: Ahem, are you even listening to me!? Billy: Yes, but while you finished that sentence I already used my powers. Twice. Nora: I've just been using my powers this whole time Billy: Three times now. Max: Hello everybody! =) Oyster: Hey bro, what's up? Max: Not much. How you're doing? Oyster: Brosif, you know that we saw all your live streams, right!? Gideon: *whispering* even the crazy superhero stuff! Max: I...wow...I mean...*looks around frantically* Max: Why don't we talk about how Wolfgang here is supposed to be an exchange student, just stayed here for the last FIVE years and can't speak a SINGLE word of our language!? Wolfang: Wolfgang? Max: Yeah, so WHO IS SUSPICIOUS NOW! Mrs. Wong: Thundermans, if you work for me, couldn't you use your powers to help my restaurant? Phoebe: I guess we could freeze the food and heat up the pizza with our heat breath. Mrs. Wong: Really? Could that work? Phoebe: I guess so...what do you think? Max: Sorry, for the last few minutes all I thought about was how COOL flying pizzas would be!!! Max: Now I'm really hungry =/ Phoebe: This is WHY WE NEED A JOB Dark Mayhem:*watching Max's live* Dark Mayhem:*screams* AHH Strongdoor: You okay, boss? King Krabs: Did you finally find the Thundermans' weakness, master? Dark Mayhem: No, it's ANOTHER AD Billy:School was fun Nora, but don't you think we should continue what Max and Phoebe started? Nora: Nah, I can't really sing that well Nora: Also we haven't even been at school yet, what do you mean - where did you go!?!?

[marvelanddcrper]

𝐒𝐨𝐧 𝐨𝐟 𝐒𝐭𝐚𝐫𝐤 𝐂𝐡𝐩𝐭 𝟏.

Summary

You've always worn your name with pride, but now it feels like you're getting close to actually earning it you were actually in the avengers you kept your cool but on the inside you were freaking the fuck out.

P.S Y/n Peter Kate Cassie Shuri are all in the avengers but they've never yet and they are in between 19-22 Kate being the newest member

Warnings

none yet

You were in the lab working on something for your suit with F.R.I.D.A.Y to keep you company.

"Friday give me a status of how the suit is looking out with the upgrades" Y/n said

before you could finish Tony and Peter walked in basically hand in hand you turned back to the device rolling your eyes you closed the project

"Hey Y/n" Tony said

"Hey dad" you replied and grabbed your briefcase

Hi Y/n" Peter said

You simply put on your glasses and waved your two fingers at him as you walked out.

"Is it just me or does Y/n not like me much?" Peter said

"No he's usually like that" Tony said

"He's usually cool with the others including Hank" Peter said

"I'll talk to him" Tony said

You hated their relationship so much, but didn't want to seem like a brat so usually kept your cool around Peter even though you kinda wanted to punch him in the face. As you walked out you saw your favorite person in the tower Kate Bishop outside on the terrace. You snuck up on her whispering nothing to her as she turned around you smiled at taking your glasses off.

"Hi Y/n!" Kate chimed

you simply flipped over onto the couch "Sup Katie"

"Stop calling me that" Kate stated to him

you just rolled your eyes and kissed her, you and Kate aren't dating just friends with benefits which you two love fully and to you everything is perfect with you two.

the two of you engaged in a full make out with her on your lap crossing her arms side ways across your neck

"Get off of my best friend y/n or get a room" Cassie said standing by the doorway

You just scoffed and grabbed Kate's arm

"Let's go get into a room katie" You said smirking at her

"Later y/n" Kate said

as you walked by Cassie you patted her head you two knew each other for a little while before joining the avengers

You stretched out and walked back inside waving at Shuri as you walked to your room inside it was decorated with art of you as Iron Man and some of Kate's junk that she left her, but the room was still pretty clean

you sat down looking at your computer you pulled up the file of your new suit in the makings and cracked your knuckles, but before you could do anything with Tony entered in

"Hey sport" Tony said

you closed the file

"Hey dad" you said

"We need to talk about Peter" Tony said

a topic you did not want to discuss with your dad