i do unironically think the best artists of our generation are posting to get 20 notes and 3 reblogs btw. that fanfic with like 45 kudos is some of the best stuff ever written. those OCs you carry around have some of the richest backstories and worldbuilding someone has ever seen. please do not think that reaching only a few people when you post means your art isn't worth celebrating.
58K notes
·
View notes
the majority of the postwar american and japanese wwii film i’ve seen is like the real enemy is War Itself. the postwar chinese wwii film i’ve seen is like the real enemy is The Japanese, check out these war crimes. seriously look. i’m not going away until you do
1K notes
·
View notes
Girl send help, the crowd with bad/listening reading comprehension and abysmal media literacy has gotten a hold of Dune.
488 notes
·
View notes
I need to meet the genius who made J. K. Simmons J. Jonah Jameson in every universe and I need to give them a hug
2K notes
·
View notes
Sometimes I forget Saw (2004) is in fact not a gay romcom and is a horror film
414 notes
·
View notes
i can't stop thinking about how the relationship between Jones Hall and Conrad Earp is the heart of Asteroid City, how their one and only encounter (that we see) influences the entire film: Conrad writing a play about connection between people and the immediate connection between Jones and Conrad the moment they meet; the character of Augie becoming Jones, and Jones having his heart broken with each performance, a prelude to Jones' heart getting broken after Conrad's death; Jones initially knowing why Augie burns his hand but then doubting his interpretation and looking for an answer and meaning for the play and looking for the validation of the play director, just like he found Conrad's validation after his monologue when they first met; Conrad's play being also about death and grief, a grief that Jones has to perform without fully understanding it until that grief becomes real with Conrad's death, and so Augie and Jones truly become one man grieving the loss of his loved one; the scene with the actress playing the dead wife and the dream that would parallel both Augie and Jones, how they both feel lost and unable to move on, but the wife (and Conrad through the writing of the wife) urges them to move on and find love again; Conrad dying (what if Conrad was always meant to die? what if Conrad was doomed by his own narrative?) and in his death, giving Jones the grief he needs to play Augie and ultimately understand the play.
“use your grief.”
515 notes
·
View notes